#not saying it was planned from the beginning. but look at v7-8 and tell me that shits normal.

[d0d0-b0i]

i am an nnd shipper not out of desire but out of /necessity/. if i think about them too much my brain starts overheating in agony over whether the writers knew what they were doing or not

[jdrizzle15]

Her Second Return

Just like all of you, and especially my fellow Penny fans, I am absolutely devastated by the Volume 8 finale. I had been in quite a state these last few days, utterly heartbroken, and actually nauseous at times. It feels strange to me to be legitimately grieving a fictional character, but it’s not a bad thing to feel this way. To me, this just shows that CRWBY loves her just as much as us to have written her so well that we connect so completely with her, that it feels like we lost an actual piece of ourselves when she’s gone.

But as you can probably tell by the title, this mega post isn’t gonna be about accepting this end, not in the slightest! Today I want to share canon evidence that can point towards another return of our beloved quirky red headed cinnamon bun! I’m here to spread this hope that I and others in the Nuts & Dolts dolts Discord server have!

I have this separated into many different sections to keep these thoughts organized. With that said, here goes…

A Father’s Words:

In Episode 7 of Volume 7, ‘Worst Case Scenario’ we learn the origins of Penny’s aura, and thus her soul. We also learn that it takes more aura each time she’s brought back. This leaves open an option that could be used at a later point.

Many people theorized that Pietro could indeed revive Penny one more time, which he would absolutely do. But there also lies the possibility that someone else could donate some of theirs, I’m not sure about this as I feel like it’s akin to blood donation where compatibility matters or there's a high risk of altering her, but the possibility is definitely there.

Now, the conversation in Chapter 5 of Volume 8, ‘Amity’ that Pietro and Penny have is an important moment for both Father and Daughter. It was there to show how her death in PvP all that time ago really did have a heavy impact on him and is still affecting him to this day.

Instead of continuing to pretend that everything is A-okay, like he had done for most of Volume 7, he finally lets his true feelings about how it come out to Penny for what is quite likely the first time. Even going so far as to say "Are you asking me to go through that again?" when she offers to take the risk of trying to lift Amity with her power. He wants Penny to be able to live her life.

This entire scene with Pietro established “this is what will likely happen” even if circumstances are much different now, it doesn’t negate the fact that this is a key part of Penny’s story. Scenes like these have a purpose beyond simply making an eventual death all the more heart wrenching. Her never actually getting to live her life makes those scenes basically moot. It makes them effectively pointless from narrative point of view. Unless there's more to it.

Building Relationship:

The build up between Ruby and Penny the last two volumes has been absolutely phenomenal with a definite destination in mind, and this doesn’t feel like that destination. So much of the arc of this season was to help Penny. This girl that our main protagonist absolutely adores and treasures, it would just be awful to throw all of that out for what amounts to an avoidable end. Why use so much of their precious and very limited runtime on deliberately building up this relationship only to end it abruptly, and permanently, when they’re separated?

In my opinion, RT is definitely smarter now than to intentionally set up what was really looking like a budding gay relationship only to kill one of them for good. If N&D wasn't actually going in a romantic direction, why would they leave in all of the romance-adjacent stuff that they got, that's not how ‘just friends’ act. And that is not something you use such valuable time building up for absolutely no pay off whatsoever...

Representation of Hope:

At its core, RWBY has always been about hope. It’s not at the forefront the whole time, but there's been an underlying theme of hopefulness that has persisted since it began. Some describe the show as a Hopepunk, I personally find this to describe RWBY really well. This genre of storytelling is about caring for things deeply and the courage and strength it takes to do so. It’s about never submitting or accepting the way things are. Fighting for what you believe in and standing up for others. RWBY fits all of this extremely well. How does this relate to Penny? She has been shown to be a sign of hope for everyone, but especially for Ruby, the main main protagonist. A prerequisite for a Hopepunk story is the hope.

Her first death in V3 was something that fundamentally changed Ruby. For the first time in the series, we see our main character all but broken by this event. With the loss of Penny, immediately afterwards, Ruby’s hope followed. She made up for it through determination and force of will. We see it affect her multiple times throughout the journey to Volume 7. But upon her return in V7, Hope reached a high point for everyone, the sheer relief on Ruby’s face is plain to see!

In V8 chapter 5 ‘Amity’, Penny literally raises hope by lifting the arena into the sky so Ruby could spread her message. And when she falls, and Amity with her, the connection is lost and hope plummets again. From there things take a very negative turn with the hack begins to take Penny’s agency.

In chapter 11 ’Risk’ is the point in the arc where everyone is reunited for the moment, so two separate hero stories are no longer a thing at that point in time. For the time being focus seemed to be shifted to care about the characters and how they’re going to solve the current problems. This is also where Ruby reaches her lowest emotional point in the season.

It’s not huge, but it’s interesting how connected this is. Before Ruby and Yang share a good cry over learning the possible fate of Summer, Yang brings up restoring optimism and hope to Ruby after the younger sister storms out of the room in frustration. This is where Penny’s scenes take up the rest of the episode. Getting Penny back in control of her own body and safe again is what makes the ending of the episode much brighter, when just 5 minutes before Ruby had been distraught and scared. This then spills over into the group coming up with the plan to use the staff, putting the main group in a much better mood. Of all the things to go right, it’s interesting that it’s Penny.

Things go wrong with the plan in the end and Penny dies. I find it interesting that once again, Penny got them hopeful in their chances of doing something right. Given said plan succeeded but at the cost of Penny of all people, Penny is shown to be the beginning and end of hope for them

The highest and lowest points for hope seem to directly correlate to when Penny’s around. When she comes back again, hope will return too, just like it had before. And because she’ll likely be back for good this time, the second return will probably be close to when Ruby is nearing the complete abandonment of hope. This would be pretty par for the course of the show honestly.

A little aside, but in a sense, Penny also represents Unity. The CCT in Vale fell after her first death, knocking out global communications and the unifying connection it gave. When it was restored for the briefest moment, she was there. Her body connected so she could allow for its launch, her soul lighting the night to hold up Amity with every ounce of her strength. So of course when the Hack succeeds and she falls, she takes global comms down again with her. At a smaller scale - even at the Hack's second last attempt to control her, she draws everyone in the Schnee Manor together. At the start of the volume, Yang states the one thing that they all agree on is not surrendering Penny.

Unity seems appropriate for one whose first song and wish was for but one friend, who would go on to find so many more in the process, and permit for a moment the possibility of all Remnant becoming friends once more. Where she first died, the name of the episode devoted to her story - Amity, "friendship", from the Latin root amicus, "friend" - she almost lives and dies with the very possibility of a united Remnant. It's no wonder she's a priority target for Salem, the great divider, and it seems natural that her next restoration may very well allow the next bid to bring the world together.

The Void Screams:

Moments after Penny's death, we hear a weird scream in the void space. It was a guttural, pained, angry scream, almost like the void space itself was crying out. All the portals shuddered and flickered when it happened.

Some think that this scream was Salem returning, but that happens earlier than Penny’s death, her return is signaled with cinder's arm acting up. We know this because after the arm finished flailing uncontrollably, Cinder said triumphantly "she's back." If it were Salem screaming, it would have happened after she fixed herself, but it didn't.

And I doubt Cinder would have been surprised or unsettled by it considering she was happy Salem returned not long before it. And why would a Salem scream affect the portals anyway, she has no connection to the staff or it's magic.

Another thing to consider is the fact sound is not transmitted through the portals. Otherwise, they would've heard Oscar and the rest calling for them, or the screams of the citizens of Mantle and Atlas. This lowers the possibility of that scream being from Salem even further.

The sound really seems to be coming from something else entirely within the void, and that something is not at all happy. There’s also the fact that Penny was the only person who died in the void space, everyone else was just thrown out of it like Ruby and Co. The only logical cause to me is Penny. Her body was a product (or byproduct) of the same creation magic that made the void space, her blood seems to have been a trigger.

Now I can't be sure about it, but this makes me feel like Penny is almost a part of creation itself? For whatever this thing is to be so angry, that is the only explanation I can think of currently. But all of this could possibly relate to the Narnia allusion of 'the willing victim killed in a traitor's stead' that others have brought up, which will be covered next.

Narnia Parallels:

Atlas has several parallels and references to fictional places (putting aside real world ones like the United States). One of those is that of Narnia, both on the surface and on a deeper level. It is a land of winter year round, where people struggle to survive and there is a present divide between those loyal to the current Monarch and those who are not. James is a parallel to Jadis, the White Witch, a ruler whose thoughts and cares aren’t exactly centered around the actual well being of the people. The hologram table in Ironwood’s office is designed to look like stone, like the Stone Table which features prominently in the Lion, the Witch, and the Wardrobe. He has a handpicked cadre of special agents/secret police, like how Maugrim and his wolves served Jadis. Another key parallel is how Jadis’s winter sets in to oppress and kill everyone in Narnia, but the Witch provides aid and protection to her loyal followers. She has all the power to spare harm to others, and uses it only for the loyal. As soon as Mantle splits from James and Atlas, no care is taken to protect them from the cold of Solitas even though he has every ability to turn the heating grid back on. His protection is only for the loyal.

Now that the parallel is established, let's look into the details. Starting with how James plays the role of Jadis.

"I had forgotten that you are only a common boy. How should you understand reasons of State? You must learn, child, that what would be wrong for you or for any of the common people is not wrong in a great Queen such as I. The weight of the world is on our shoulders. We must be freed from all rules. Ours is a high and lonely destiny." These are the words Jadis says in the Magician’s Nephew to justify the blood civil war she and her sister had waged for rulership of Charn, before she came to Narnia. She won that war, technically, but only after the last battle had been lost and her sister had marched right up to her so that they were face to face. Jadis’s troops were dead, her followers had surrendered, and the capital was under full control of her sister. But, she still had one card, one ultimate play to win and prove the throne of Charn was rightfully her. The Deplorable Word, a piece of old magic that killed everyone and everything except for her on Charn. It was monstrous, senseless, cruel beyond measure. But it got her that hollow victory. This mindset, the disregard for the people except as tools for her own will, the ultimate ‘aoe’ destructive move that no one had even considered her using, the unwillingness to stop even when by all practical measures the war is over, is a shocking parallel to James. In many ways, he is Jadis in mindset and deed.

Then there is the shared desire for A Thing that both James and Jadis have. For James it’s the Winter Maiden and control over her. For Jadis it’s the Silver Apples from the Tree of Youth. And funnily enough, the Maiden Powers parallel the Apples quiet well. These apples grant power and a life of eternal beauty, but should not be taken or eaten on one’s own initiative. They must be given, a gift granted by another, or only suffering will come from obtaining them. "For the fruit always works — it must work — but it does not work happily for any who pluck it at their own will. If any Narnian, unbidden, had stolen an apple and planted it here to protect Narnia, it would have protected Narnia. But it would have done so by making Narnia into another strong and cruel empire like Charn, not the kindly land I mean it to be.” Jadis’s immortality, and some of her power, come from the fact that she ate an Apple of her own will after stealing her way into the garden where the Tree of Youth had been planted. She gained the eternal life she had wanted and the power along with it, but she did so by taking it and was cursed because of it. Her skin turned pale and her lips blackened as if she were a frozen corpse given life. She will be trapped in a life of misery and hate according to Aslan- oh hey Cinder, how’s having stolen the Power you always wanted working out for you? Cinder had the power she wanted, but she only got hungrier, eager to claim more and increase her might. But in her pursuit she was defeated and humiliated by Raven, had to steal her way out of Mistral, and then suffered defeat after defeat while in Atlas. Only in the end, when she didn’t keep pursuing the Maiden Power, did she get any kind of victory.

The reason these parallels to Narnia are so important is one of the most famous events of the series. The cracking of the Stone Table and the rebirth of Aslan after his death. ‘When a willing victim who had committed no treachery was killed in a traitor's stead, the Table would crack and Death itself would start working backward.’ Well, the ‘Stone Table’ in James’s office has cracked, and Penny strikes me as a pretty willing victim. She has never actually committed any actual treachery or harm, as she was the Protector of Mantle, and fought for its and Atlas’s people until the very end. And because of her death, the actual traitor, Winter, who loyally served James until he had gone too far, was saved. Through Penny’s self sacrifice, Winter was saved. So now Death itself will start working backward.

(Major props to my friend @catontheweb for writing this section, I was getting nowhere with it, if they weren't there this part wouldn't exist!)

Norse Mythology:

The tree we see in the post credit scene gives off some serious Yggdrasil vibes. Also called the World Tree, it is essentially all of creation in Norse Mythology. It connects all nine realms, including the God realms of Asgard, the human realm of Midgard, and the underworld of Hel.

Humans are born from the branches of Yggdrasil. The web of Wyrd is woven for every person once they're born, and their path is set from there regardless of how many times the souls cycle over. But at the end, they're destined to end up in one of the worlds, for a myriad of reasons.

I believe Penny landed closest to this giant tree. She was on the center platform in the void space, so if that space is directly above the island(?) the tree is on, it makes sense for her to fall by the center nearest to the tree. This would not only open up all kinds of possibilities for the volume in general, but it would also create options for Penny.

The whole of Yggdrasil’s representations fit well into Penny’s story. Birth, growth, death and rebirth. We can count Penny’s appearance in V7 as birth for now, her growth is all her development in leaving =the military and becoming a Maiden, her death just happened, and her rebirth would be her revival. And this is a cycle she’s gone through before.

The Norse god Odin and Yggdrasil have quite a connection. In one story, Odin cut out one of his own eyes to gain knowledge from a pool underneath Yggdrasil. The only one that fell whose eyes alone are incredibly significant to the story was Ruby. So, they could choose to have her allude to Odin by having Ruby make some kind of deal with whatever entity likely rules over this magical place. An eye for Penny’s life.

There’s another story about Odin, Yggdrasil and the pursuit of knowledge. Odin so loved knowledge, that he sacrificed himself in a quest to learn the deeper magic of runes. It was believed one could only learn the magic spells from runes in death. So, Odin hung himself on Yggdrasil for nine days as an offering, and teetered between life and death. After he mastered the last spell on the ninth night, he ritually died and all light was extinguished from the world. Odin’s death lasted until midnight, when he was reborn and light returned to the world.

This story doesn’t fit Penny perfectly, but allusions often don’t. So If she really did land near the tree, she could be another loose representation of Odin’s story here. What she did wasn’t for knowledge, but to save her friends and keep Cinder from getting the Winter Maiden power. She believed it necessary that she sacrifice herself to achieve this end. As we established, Penny represents Hope, so her death means the loss of hope. This parallels Odin’s story of his death meaning the loss of light itself. So if this theory holds up, it would make this death temporary, until her rebirth and the return of Hope with her once again.

Alternatively, Ruby has the potential of loosely representing Odin in this story as well. Odin later uses the knowledge of the runes to do many things, but the most relevant one right now is awakening the dead. Both of these stories are about making a personal sacrifice to gain something that is desired. Ruby would absolutely make such sacrifices if it meant saving Penny.

It is said that Odin lived “according to his highest will unconditionally, accepting whatever hardships arise from that pursuit, and allowing nothing, not even death, to stand between him and the attainment of his goals." This sounds like Penny's arc of accepting the WM powers. This is more just a general connection between Penny and Odin, but I found it interesting.

Side Note: I encourage anyone who’s interested to look into RWBY connections to Norse Myth, there’s a surprising amount of things that feel eerily similar to the show. Likely just coincidental, but it’s fun to think about!

(If I got any of this wrong, I sincerely apologize by the way. I researched as best I could, but I admit it could have been lacking.)

Ambrosius and the Staff:

Ruby told Ambrosius "we kinda wanna keep her around longer than that" as part of her very specific instructions. Then Penny died about ten to fifteen minutes, at the absolute most thirty minutes later in-universe. I don’t know about you, but to me that seems very short to be considered ‘longer than that’. Technically it is, but when writing a story and a character says something like that, you typically don’t just kill the character they were referring to basically right away. It makes sense for a week-by-week watch, but in a volume binge, which many viewers do, it becomes ironic how fast Penny dies after being removed from her robotic body.

The first time we see the staff of creation being used, it's to save Penny. Using the staff of creation to help Penny is a sign of how incredibly important she is.

They’ve even got this entire transformation sequence for her, so it wouldn’t make sense for them to throw all that away two episodes later. In a meta context, it’s a massive waste of time and budget considering the asset creation for Penny.

Penny is a character who has already hopped bodies two times. And now we're supposed to just believe that this time it really is a final death? Just two episodes after we were explicitly told her body isn't what matters, that "Her soul is who she is" and that "the mechanical parts are just extra"? From a writing perspective, it feels strange, like your breaking a promise right after making it. And frankly, CRWBY is better than that, which makes me think this is not the actual end for her.

A possible connection between Penny, Ruby, and the Staff (thus Creation) can be seen in the intro. As Ruby is falling and being dragged down into the darkness, she is shown reaching for the staff. In the void space, Penny is the one with the relic. So with Penny having this strong connection to Creation, and the lyrics “fight for every life” playing as Ruby reaches for the staff, it’s a safe assumption to make, with the knowledge we now have, that the Staff of Creation represents Penny in this particular moment. Which could mean that V9 will be about, at least partially, fighting for Penny’s life.

Musical Hints:

In terms of music, Friend, as a song for Penny, is very dissonant from the episode itself. The song is oddly cheerful for Penny’s recent untimely death, and it overall highlights the wrong parts of death. It’s simply too happy to be a song about losing one of the most, if not the most joyous characters in the entire show. The song also abruptly ends. There’s no outro, and while this could symbolize the fact that Penny died young, it could be that the song itself is unfinished in a story sense.

What do we hear just before the song finishes, though? A progression of notes that sounds eerily similar to the last line of the opening of Volume 8. The notes for “Fight for ev’ry life” and “Who fin’lly felt alive'' share a similar melodic structure, they aren’t perfect clones of each other, but they are incredibly similar, to the point where it seems intentional. Penny may very well be the life that the opening song is fighting for. It is also worth noting that the line “Fight for every life” comes just after “Sometimes it’s worth it all to risk the fall,” which is the exact wording used for the description in the Volume 8 finale. Team RWBY risked the fall, yet, strangely the opposite of fighting for every life happened with Penny’s sacrifice. Perhaps the time to fight for every life has yet to happen, and we will see it come Volume 9.

For another thing, the lyrics for Friend are entirely centered on Penny’s feelings for Ruby, to the point where they read very much like a bittersweet love song. The music itself is incredibly cheerful, as mentioned previously, creating a mood whiplash with the end of the volume. Why would we hear a song about Penny’s feelings for Ruby, sounding like a love song, if her death is supposed to be a tragic sacrifice akin to Pyrrha’s? The song may very well be giving a clue into its future use in the show proper.

If this was meant to be a good bye song, why make it so cheerful and romantic sounding? There's only one part about her dying and even then, it's just too accepting and goes right back into cheerfulness. The song is also pretty hopeful, telling Penny's story in a fairly chronological order. And the part where she talks about sacrifice is quite pointedly followed up by one about feeling alive. It also ends with the super cheerful chorus, the word "alive" being the last... (Remember the episode title: The Final Word)

(I want to thank my friend @shadow-0f-x for writing the majority of this section! I was struggling to choose how to tackle it as I am not well versed in music theory.)

What We Didn’t See:

It is likely that Penny understood Jaune's semblance better than him and figured something out about it’s abilities in the same way that she understood Ruby's semblance better than her. She had plenty of time to observe his semblance up close as he boosted her aura to stave off the virus. Because of that intentionally timed cutaway in the finale, we don’t get to hear her explain herself after her strained “Trust me.” All of that seems really suspicious to me.

Pyrrha Parallel:

Pyrrha and Penny both sacrificed themselves to stop or stall Cinder. Jaune tried to convince the both of them to stop. With Pyrrha, he failed, while with Penny he actively helped her sacrifice herself. Doesn’t make sense for the guy who was determined not to let anyone else do what Pyrrha did, unless of course Penny assured him she’d be alright.

The Moment:

RT including the suicide hotline in the description shows that they're aware that Penny basically committed assisted suicide, seeing it as a noble sacrifice worth doing to save her friends. They're aware, and I believe they're smart enough to condemn that decision to hell and back.

The best way to do that in my opinion is to pull her back into the land of the living and let her witness first hand the consequences of throwing her life away so freely. This would show Penny how her actions affected others so maybe she could learn to truly value herself. To not think herself expendable. It would be bold and unwise to portray this choice as something good, unless it was going to be called upon later and be pointed out for how horrible it really is.

On top of this, Penny was way too content with her death, happy even. There's no way team RWBY is letting her stay content with it. It’s almost as though we're supposed to join Ruby and Co. in calling bullshit on what Penny is saying and doing because no, Penny, this is not how things are meant to work. It's as if Penny was basically saying "I want to die for my friends" because most of the volume had been about everyone else making sure she didn't die. She knows it will hurt them. She knows.

At the peak of it all, a choice like this will totally destroy Ruby. It may very well be her breaking point for Volume 9. Curiously, the moment itself is written like it’s the first choice Penny’s ever made, yet the entire Volume shows this isn’t the case. However, this is the first choice that Penny’s made solely independently and it’s rather pertinent that the choice she makes is a mistake. Outside of giving Winter the Maiden gift and saving the day temporarily, this sacrifice will not have any lasting positive effects. Jaune will be saddled with the grief of killing Penny. Ruby will have to live with losing her best friend and not being able to protect her a second time, and Winter now has the burden of the Winter Maiden abilities, making her a target of Cinder. This is a bad thing, and Penny needs to see the long term consequences.

Transfer of Power:

As we all know, colors in RWBY are really important and get a lot of focus in the show. That means the yellow we see as Penny gives Winter the Maiden Powers was intentional and likely important, no matter how insignificant it may seem. It’s possible that the transfer effect being yellow could have something to do with Jaune’s semblance. When Fria gave the power to Penny, the effect was very much blue, so this transfer should have been green since she was the one giving it this time. The weirdness of this transfer and the focus on color in RWBY really makes it look like something’s up with how that went down.

A little off topic, but Penny saying "I won't be gone, I'll be part of you." makes me think... Winter is smart, so when she gets time to think about what Penny said, maybe she'll arrive at the same question many in the audience came to; if she's literally part of Winter, can they be separated again? If Winter starts questioning that, the possibility of Penny coming back just skyrockets.

Fria actually tells Penny "I'll be gone" before giving her powers up, which is an interesting contrast to Penny telling Winter "I won't be gone". She may have gotten that line from Winter be all philosophical in V7, saying Fria was now a part of Penny, but it hits differently coming from an actual Maiden. S5o it’s possible that Maidens usually actually will be gone, but Jaune's semblance did something to change that.

This could go well with the theory that they won't need to find an aura transfer machine, or build another one, because Jaune will have a semblance evolution allowing him to do the transfer instead. It might actually be that this evolution already happened and the golden light we saw was Jaune transferring penny's aura to Winter in some way?

An observation that I find interesting is when Penny gives winter the powers, not only is the aura yellow but penny completely glows yellow too, and she obviously starts to disappear, but she doesn’t seem to fully disappear, she just glows.

It's possibly a fading out effect and she does fully fade but animation makes bright light easier, and so we don't actually see her disappear because she's dead and not gone. But it does once again emphasize the color yellow here!

And the color is coming from Penny, it does go up Winter's arm a bit, but Penny is clearly the source. This transfer is so weird and I’m not really sure how to interpret it. There's just actually no reason that we are aware of to make the effect yellow here is the thing. Unless it has something to do with either Jaune or Ambrosius, or potentially a combination of both...

Jaune’s Aura:

The way we see Jaune's aura break in the finale is strange. His aura shouldn't be breaking here. It had been long enough since he was boosting Penny, he's had time to recharge, and it didn't look like it was a strain on him at all. Plus, we know he has a lot of aura, so there probably wasn't too much to recharge in the first place.

He has a massive amount of aura, it has never broken before as far as I remember. Even if it has though, that doesn’t make this occurrence any less odd. It should absolutely never be a one-hit KO. We didn't see anything that would've drained it, that should not have been enough to break his aura. Unless he did something - something that would require a huge amount of aura - that we just didn't see. That amount of aura drain is far more than just an attempt at healing would do, Jaune absolutely did something with his semblance that took up almost all of his aura.

Pinocchio Allusion:

As any Penny fan knows, her character allusion is Pinocchio, the puppet who became a real boy. Penny deviates from the allusion by having always been a real girl, as Ruby is quick to point out, but she shares many story beats with her original story including multiple deaths. In the original story, Pinocchio dies from being hung by his own strings due to his poor decision making and he dies. Sounds a little familiar, does it not? This is where his tale originally ended. Readers were unsatisfied with this ending however, so the author decided to change the story by reviving Pinocchio and teaching him to be more careful.

Unlike Pinocchio making all the wrong decisions, Penny often makes the right ones, or ones she thinks is right, when concerning others. While usually a good thing, this has meant Penny almost giving herself up multiple times during V8, her last attempt being successful. This is where Penny and Pinocchio begin to share similarities again. They are both very reckless when it concerns themselves. This carelessness comes from different places, but it ends with the same result of them endangering their lives and even sometimes losing them.

In the Disney movie, Pinocchio dies by drowning after going to rescue Geppetto and washes up on the shore (like the beach in V8’s post credit scene). His father is devastated and takes him home to grieve, but as a reward for his selflessness in rescuing his father, the Blue Fairy returns and brings him back to life, as well as granting him humanity. Penny sacrificed her life as well, and it stands to reason that she should be rewarded for it, much like her allusion was.

Penny got her maiden powers from someone with blue aura and then gave her powers to someone with blue aura. So it could be that not only Ambrosius, but Fria and Winter as well represent the Blue Fairy. It could be set up for Winter helping to bring Penny back to life once more. It’s an out there theory I admit, but it’s not outright impossible either. The Blue Fairy in Pinocchio saved him three times that I know of, so RWBY having three representations does make sense.

Geppetto wished for him to live as a real boy, but it depended on what path Pinocchio took. This is very reminiscent of Penny and Pietro. Pietro wants to see her live her life, and surely with him absent in V8C14 that didn't work, despite Penny choosing. Her father did not see her happy enough to live her life, and will only be able to learn her death through others. But Pinocchio's themes were life and being alive. So the likelihood that this is not her end yet is quite high!

A Girl That Fell Through the World:

Penny could be the girl who fell through the world. The girl in the story fled the consequences of a choice. The only person who chose her ultimate fate was Penny. The others were pushed into the void, but she chose to die. The consequence of her choice is Ruby’s grief first and foremost, which Penny won’t see. The girl who fell through the world does come back though, and the world will be changed severely with Penny’s absence. Alternatively, it could also be Penny coming back to Wonderland or wherever they currently are, as long as it’s unrecognizable to her.

What Returning Brings:

Others might say another return would have no story relevant purpose, but I wholeheartedly disagree. Penny gives a profoundly youthful, joyous, and wondrous outlook on the world and story that we hadn't seen since Ruby in Volumes 1-3(not the end), Penny returning would bring a much needed levity back in after the despair they will undoubtedly be going through. While not necessarily a huge thing in most other shows, for RWBY, a show largely about keeping up hope, an ounce of such relief is a necessity.

As much as I hate saying it, Penny’s death does actually make some narrative sense because she had to pass on the Maiden powers. (They could have done this in a number of ways, and I personally think they chose rather poorly, but I digress.) Throughout this whole volume, we can see Penny seemingly being set up to join the main cast, but would have been too strong with the powers. This also accomplishes ridding her of the burden of responsibility that comes with being a Maiden and lets her obtain the freedom that’s so important to her character.

Once she returns, seeing this grief that her actions caused, particularly to Ruby, will get her to realize more that her actions can have serious repercussions. She made a choice, but that choice hurt the people she loves. She must have known that it would but I’m not sure she ever realized just how much.

I didn’t want this post to be heavy in the shipping department, so I largely left it out, but I am going to say this one thing that could have an impact. If Nuts & Dolts is on its way to being canon, which this volume makes it feel highly likely, this could be a catalyst.

It could prompt an arc for the both of them in which Penny learns to live her life fighting for her loved ones, rather than sacrificing it for them. A relationship could potentially start from there. And Ruby seeing Penny learn these things may also help her to stop doing the occasional but very dangerous and reckless things she does. Ruby witnessing Penny coming to terms with what she did to the people that care about her would actually make her stop to think “wait, is this how everyone else would feel if I got myself killed?” That would be a very important moment of character growth for her.

I’m certain there are other significant things that Penny returning can bring to the show. And there are definitely more sections I could add to this. At this point though, assuming anyone even made it this far, I think I’ve been going long enough already. So let’s just roll into the outro!

As painful and hopeless as it seems, I'm choosing to trust them with this because there is absolutely no way they didn't see backlash coming. The way this finale went makes me think that they calculated for backlash and aren’t jumping into something they don’t have a plan to recover from. Whether this trust is unfounded or not remains to be seen, but I don’t think it is currently. I do think, however, that the cause of this backlash was a major misstep. Now that it has happened though, they have a chance to do something good with it.

I know for a lot of you, trust in CRWBY has been damaged, some even irreparably so. And for those that feel this way, I don’t blame you. My trust in them took a hit too, but isn’t broken completely yet. There are many ways that they can bring her back that would make sense with the narrative, they have the ability to make it right, and after going over all of the hints and general weirdness of things many times, I think they will.

I'm feeling pretty confident now and I really didn't expect that to happen at all to be honest. But discussing and theorizing with the discord server seriously helped get my hopes back up surprisingly fast! It’s actually thanks to all of them that this gigantic post even happened! So thanks a ton my fellow Dolts! And a special thanks to!!

@arcana-amicus

@catontheweb

@cosmokyrin

@gaydontmesswithme224

@jammatown919

@shadow-0f-x

They really helped get this thing across the finish line!

And thank YOU for reading all~ of this! I sincerely wish it gave you some of the hope and confidence that I now have!

[remnantoforario]

7 Things I Want to See in RWBY Volume 8

So with Volume 8 being stalled because of the pandemic (though they are still working on it in increments) I thought about doing a post about things I would like to see in the next volume. This is similar to the “Questions I Want Answered in Volume 7″ before that volume came out, but this one will be more centered on the actual story and characters rather than the broader stuff I wanted in 7. These have no real order, just seven random things I want to see. Here we go:

1. More Varied Character Interactions

This is one of the bigger sticking points I’ve had with the show in general rather than a problem I had with V7 itself. It’s no secret that one of the biggest complaints about RWBY from even it’s most hardcore stans is the lack of interpersonal interactions between characters outside of their given pairs. Ruby only talks to Weiss, Blake only talks to Yang, Ren only talks to Nora, and vice versa. 

Yang and Weiss had moments in Volume 5, but when was the last time Ruby and Blake had a conversation? Volume 1? What about Yang and Qrow? A big part of his arc in Volume 5 was his alcoholism and Yang was nowhere near that. Ruby and Yang are also big offenders. Weiss and Blake had one small moment in the mine and then went right back to being perfect strangers. Weiss and Jaune haven’t “talked” since volume 2 (I don’t count their dialogue after she got stabbed in V5) and I can’t recall anytime Ren and Nora have ever had a conversation with Yang and Blake. These kids are supposed to be friends who have been through thick and thin together, but they seem more like strangers outside of their supposed “pairings”.

The preview with Yang interacting with Oscar, Jaune, and Ren gave me some hope. Hopefully the show continues it. 

2. More Information on Summer Rose

Volume 7 dropped the only notable information we’ve had about Summer since Qrow’s talk about the Silver Eyes in Volume 3, that being that Salem was likely responsible for Summer’s death. It’s now time to finally get more information on her. Who was she as a character? What was her semblance? What was her weapon? How did others view her? What is her connection to Ozpin? Why was she so important? How exactly did she die? I think some, if not all, of these questions should be answered in either this volume, or the next. We need a reason to care about her. 

One more important thing I would stress is that it needs to be Ruby actively searching for these answers. She shouldn’t have them handed to her, she should ask Yang and Qrow. Hell, if I wanted to get crazy I would just have a bottle episode with the three trapped in a bunker or something while Salem is attacking and all they do is talk about Summer.  Anything to highlight just why this woman who has been hanging over the show like a specter since the red trailer is so important. 

3. Give Yang Something to Do

Yang has been mostly directionless as a character since Volume 4. Her goal was to find Ruby, and that mostly carried her through V5, but now that they are reunited she’s mostly used to dress up the background or play will they won’t they with Blake (we’ll get to her) for ship bait. Put her on a path of wanting revenge on Salem for killing her mother (Summer), make her more worried about Ruby, or add her to Nora’s “defend Mantle” plotline. Something to make her an active character in the story again. 

4. Put Blake Back on track

Told you we’d get to her. Blake is an interesting character when you sit down and think about. In theory she should be the most compelling character with the deepest story arc, but she’s not. She was usurped by Weiss (who we will also get to in a moment) not long after Volume 5 ran its course. Her original course was to face her past, which morphed into taking back the White Fang from Adam, and then finally devolved into getting rid of Adam. Since then she has had little to no direction as well. 

Atlas is a hotbed for Faunus discrimination (as far as the show has implied) so I would like to see Blake get back to that. There was a slight moment in V7 with the mine, but that was quickly discarded. It would be interesting if she was able to rally the Faunus in Mantle similar to how she did in Menagerie.

Also, fix her hair. Come on, CRWBY. My girl out here looking like a used swiffer duster.

5. More Focus on the Schnee Family

A lot of people expected Volume 7 to be Weiss’ volume and its not hard to see why. The set up was there. She ran away from Atlas at the end of Volume 4 to find Winter, only to find out that her sister had been called back home. Now she was going back and not only would she reunite with her sister, she would also have to face her Father once more. Ultimately, this didn’t pan out and Weiss was mostly window dressing for what should have been the biggest part of her story. 

The other Schnees weren’t much better. Winter got some things to do, but it was more in service to Penny’s character than hers. Jacques remained the same. Whitley STARTED to get a character arc and Willow did little more than drink and a be plot convenience for Weiss. With Jacques now in jail and the company and family in shambles, this is the perfect time to give us something to latch onto with these five individuals. 

6. Character Conflict and Consequences

RWBY has had a nasty habit of late of pushing “protagonist-centered morality”. Meaning that no matter the situation, our main characters are always right and whoever opposes them is wrong (despite the litany of examples illustrating the opposite). This has to stop going forward. It only serves to irritate the audience because it makes it seem like the characters can’t make mistakes. Nothing they do has any lasting consequences or stakes. 

Team RWBY stalled Atlas’ defense plans against Salem by lying and unwitting sabotage, yet the story treated it as if they were in the right despite them offering no alternatives. Any attempts to speak against them were framed as “villainous”, turning once compelling characters into caricatures (Ironwood did nothing wrong). 

When it comes to character conflict, Ruby is always right. No matter what she says or does, her group falls in line no questions asked. That’s not natural. Someone should question her, someone should disagree with her methods and give a different perspective. 

Yang blistered Ozpin for lying about Salem and the Relic, but she was ok with Ruby doing the same thing to Ironwood? It made no sense and made her look like a hypocrite. 

Blake abandoned her friends, yet was welcomed back with open arms with little to no conflict. Even if the audience knew her reasons, her friends didn’t. For all they know she just up and left because she felt like it. Yang talked all this mess about Blake leaving, but didn’t keep that same energy when she came back. 

It’s ok for characters, for friends, to argue and disagree. It’s normal and happens all the time. Let them fight in the beginning of the volume, break up, and come back together in the end. Something. Maybe Ruby has a plan that Blake, Weiss, or sister don’t agree with and their clashing ideas split the group in half for a while. Then you can have the underlying narrative be them coming back together with new ideas to combat Salem when their individual plans don’t work. 

7. Give the Villains A Win

This is probably the most important thing I want to see. Salem and her forces are supposed to be the most evil group of people the planet has ever seen. A force of nature filled with killers, monsters, and madmen who want nothing more than to watch the world burn...but they haven’t posed a real threat since the Fall of Beacon. 

The show TELLS us Salem is a big deal, but until the end of Volume 7 all we’ve seen her do is sit in her tower and yell about Ozpin. She had yet to directly do anything that made our main characters want to stop her other than “she bad person”. Cinder has had more impact on the plot than her, and she hasn’t been useful since Volume 3. 

The villains NEED win this and the next volume. They need it so the writers can reestablish the stakes and make it so we WANT to see these bad guys defeated. Whether that be killing notable character off, taking the relic and Maiden powers, or dropping Atlas out the sky and destroying both it and Mantle completely, SOMETHING needs to happen to assert the villains dominance again in the plot.  

These are just what I personally want to happen in the next volume. I’m expecting them all to happen, but I least hope one or two of them do. We’ll see how it goes. 

[thatsjustrwde]

For the RWBY character prompt thing: you gotta tell me about Ironwood for sure! And if somebody already asked, how's about Qrow? :)

OH BABEY A DOUBLE (I’m gunna put Qrow in a separate post to avoid making this too long) thank you so much!

Warning: This is a PRO IRONWOOD POST. I also go into team RWBY taking responsibility for their abuse towards Ozpin. Don’t read this if you don���t like it. You’ve been warned

My top three two ships for Ironwood

1) Ironqrow (Ironwood x Qrow) {Volumes 3-7}

I have loved the idea of these two since the fall of beacon. When they first interacted, I wasn’t too sure about them because it seemed like they didn’t really like each other.. but that scene where all the robots were turning on beacon and Qrow spotted ironwood, ran at him with his scythe, only to jump over him and save him from a Grimm, sold the ship to me. It was clear that they didn’t actually despise each other. Qrow wasn’t quick to point fingers; he knew that what was going on wasn’t James’ fault, and he even tried to add a little bit of comic relief to the scene. (When ironwood’s ship fell, and Qrow smirked “well, it won’t be much of a walk”)

My love for the ship was reinforced in v6 (yeah I know it was the fan service volume but I’m rolling with it anyway). Qrow knew that they HAD to get to ironwood in order to complete their goal. He trusted James, and he knew that he was a smart and capable leader who would know what to do (ah,, the good old days ;;)

And then in the early episodes of v7, their bickering that we once saw in v3 was non existent. They were happy to see each other, and James even initiated a hug. He was just so relieved to see him ;; it made my heart melt, I remember posting about this moment so much, all over instagram and tumblr. I loved them so dearly.

2) Ironwood x Glynda (idk if they have a ship name)

God,, I always loved them. that scene in v2 with Ironwood and Glynda standing together in the dead of night looking over the city of vale was so special to me. I love Glynda and her character, she is so dynamic. that scene with her and ironwood showed to us that she truly respected and cared for him and his well-being. She was worried for him as well. I just wish they had more interactions before his death. they would have been very sweet and POWERFUL together.

My three least favourite ships for Ironwood

1) Ironqrow {Volumes 7-8}

Oh boy. RT really knows how to take something good and just, ruin it huh.

I feel as though I don’t need to dive too deep into this (as I’ll be covering Ironwood’s fall from grace later) but yeah... The fight with Qrow and Clover was.. unfortunate. Everyone seemed to lose their braincells in that scene, and the moment it was over, Qrow was dead set on killing Ironwood for some reason even though he was the one who decided to side with a literal murderer, but go off MKEK you really did something there...

Yepp this absolutely killed the ship for me in canon (though I stilln love thinking about them out of the canon setting), I was an absolute wreck after this scene. they deserved better.

2) Ironwood x Winter

don’t worry I’m not about to pull the “IRONWOOD WAS AN ABUSIVE FATHER FIGURE AND GROOMED HER CAREERRHYUGGHR” no.

I always saw Ironwood as a POSITIVE father figure to winter, even before v7. We knew that winter was one of his best soldiers, and was most likely one of his students before then. I believe that Ironwood gave winter a chance at something great, to leave her actual abusive father and hone her skills as a soldier instead of becoming the heiress to a company that she did not want to be tied to. I believe Ironwood was a stellar father figure and role model to her, and that is the reason why I do not ship them. their relationship was so much deeper than that. it was found family.

3) Ironwood x Salem

What the fuck. Like actually what? This was a thing? What is it with this fandom and glorifying abusive relationships... I remember seeing a lot of people trying to justify it like “awh salem was so sweet with him she just wanted him to stop fighting. She would leave him alone after!!” Thats manipulation honey, we don’t fuck with that here. no. Absolutely not

My biggest criticism for Ironwood

See: the reason I made this side blog

It’s no secret to us in the RWDE community that his fall into the role of the villain was POORLY WRITTEN AND WE ALL HATE IT SO FUCKING MUCH. where the hell did this even come from? oh I know! TEAM RWBY LYING TO HIS FACE AFTER HE WAS NOTHING BUT KIND AND GENEROUS TO THEM. god I’m heated already.

I’ve talked about his stupid semblance before but it doesn’t even matter because his semblance wasn’t the cause of his descent anyway. We were all HOPING that it was but nope! it was him “losing his humanity” because he lost his other arm. How fucked up is that.

Shitty writing aside, I know James had flaws even before the shitshow that was v7-8, but honestly there was nothing he did that I can criticize harshly. He was a good and honest man with good intentions and a pure, big heart made of gold. Of course he made mistakes and of course he wasn’t perfect, but he was always trying to do the right thing to protect the people. He was a good man until MKEK decided they needed a reason to kill off another headmaster.

My favourite thing about Ironwood

his MUSCLES

His willingness to sacrifice himself to save others. During the fall of beacon he told the students that they didn’t have to stay, even though he could have used the help greatly. But he KNEW that they weren’t ready to handle a crisis like this, and he didn’t want to force them into a responsibility that could have left them emotionally/physically damaged, or worse.

During the Ironwood and Watts fight, IRONWOOD MANGLED HIS OWN ARM TO CAPTURE WATTS. He was so headstrong and brave and he wanted to do everything he could to prevent Salem, even if that meant hurting himself and losing another part of himself. God I miss him so much ;; I’m tearing up a little writing all of this...

A head canon I have for Ironwood

I love creating head canons for characters, it always makes them feel more real to me. one of my biggest head canons is that, in a peaceful world setting, he would enjoy sleeping in on the weekends. ;;. He is a headmaster AND a general which means he has to follow a strict schedule all the time. Maybe this is coming from my desire to take care of him and make sure he is happy and healthy and not stressed out.. But yeah, lazy Sundays, sleeping in late. pls let him sleep he needs so much sleep. What I would change about Ironwood if I were making a rewrite

Strap in kiddos I’ve been thinking about this for a very long time. I’m sure that someone has come up with a similar concept, but I will share my ideas anyway (: I am going to preface this by saying that for this rewrite to work, we need to have Winter receive the Winter maiden powers from Freya in V7.  To start, we will have to go back all the way to v2 when Ironwood was first introduced. I would have Ozpin and Glynda share their concerns to each other about Ironwood bringing all of his ships to look over the festival, but I would take that time to thoroughly explain his semblance. His semblance is stupid, so I would make some changes. To start off, I wouldn’t make it passive. The way it is now is just,, a weird way to give him a mental illness without actually giving him a mental illness. Activating it would have to be a decision that he made if he knew that he had to make decisions that would be hard for him. This way if his semblance caused him to do something actually horrible, he would be directly accountable for it, instead of blaming him for something that he couldn’t control. Semblances are a representation of the user, so with time and with more stress put onto Ironwood, I could see him falling victim to his own semblance if he were to abuse it too much. This will help as we lead into a better way to write his fall from grace. 

From there, I would keep pretty much everything the same until we get to v7. Team RWBY arrives in Atlas and gets arrested and brought to Ironwood just as they do in canon. This time, however, we have Oscar explain EVERYTHING. No lying. Salem cannot be killed. Oscar explains that Ozpin shut himself off after team RWBY forced the truth out of him, and while the truth is a lot for Ironwood to handle, he understands why Ozpin kept it a secret. He shuns team RWBY for their methods and explains why their actions were unnecessary and abusive, but agrees to help them anyway since he knows that they all need to come together if this is going to work. Hence, his arc kind of goes backwards. Instead of team RWBY having his trust from the beginning, they will need to work to gain it back. 

He takes Oscar under his wing to try and draw Ozpin back out. He greets Qrow, they fall in love, he also formally introduces the team to the Ace Ops. The Ace Ops take an IMMEDIATE backseat in the story. We don’t need more characters. For the sake of this rewrite specifically, they are barely around. We are focusing on Ironwood and his growth/relationships. I would explore more times to show the deep connection between him and Winter. As I said earlier, I see him as a healthy father figure for her, so I would definitely focus on that for a bit. At this point, Winter would not have received the maidens power yet, so we could have a scene of him assuring her that she is a perfect fit for the role, and encouraging her and just,, you know, solidifying that he wasn’t pressuring her into doing it. 

Carrying on with the main plot, instead of being left in the dark for the whole season, Ironwood is already aware that Salem cannot be killed. This gives him and the rest of the team a lot of time to work on a new plan to defeat her. They spend lots of time training, Ironwood takes care of them, offering his resources to them. Overtime the team do start to gain his trust little by little again, but this will all kinda fall apart when Salem arrives. 

With stress levels higher than ever, he activates his semblance. Team RWBY and friends KNOW about his semblance and they understand why he is acting irrationally. Maybe they have different ideas than him, but they would not directly oppose him. This completely fixes him from becoming a cartoon villain. Team RWBY and friends would work WITH Ironwood at a distance to fix amity and get global communications back up safely. From there, Ironwood could deliver a message to the world about Salem. Since people know who he is, it will make the message more impactful. Just like he did with his message to Mantle.

Qrow and Winter are positives in his life. They keep trying to ground him and bring him back to reality, but he will not deactivate his semblance. He is too scared of what’s to come with Salem. They support him in this, and do not turn their back on him. 

Winter receives the maiden’s power, and is told to open the vault to obtain the staff and raise atlas further into the sky to save his people. Winter agrees, why wouldn’t she? They have already evacuated most of mantle to atlas anyway. In situations like this it’s impossible to save everyone. RWBY could whine and bitch if they wanted to, but there is nothing they could do in this situation because, for the sake of this rewrite, they wouldn’t be as stupid as they are in the canon proper. 

The vault is open and the staff is vulnerable. It is in this moment that the ACTUAL VILLIAN comes into play. Watts took advantage of the security from behind the scenes, giving Salem the exact time that the vault was open. And thanks to him overhearing everything, he knows that all she needs to do is use the staff, and Atlas will fall. Salem appears in the room, and the big finale battle would occur. They weren’t ready yet. They hadn’t finalized the plan to stop her without killing her. Team RWBY Oscar and Qrow would do their best to keep Salem distracted while Winter and Ironwood speak to the staff. Meanwhile, Neo could breach Ironwood’s office and retrieve the relic of knowledge for Salem. 

The battle plays out, she keeps coming back, the team gets tired, Salem loses her patience and just PLOWS through them to get to the staff. She enters the realm and the mystical world around them begins to shatter and break. With that much concentrated evil in this place coming up out of nowhere, it would be sure to shift the balance. 

She goes head to head against Winter and Ironwood for the staff. She knows that using the staff will cause Atlas to come crashing down, so that is exactly  what she does. Since he is already out, she just gives him a command. It doesn’t matter what it is. Atlas starts to fall. She strikes a lethal blow to Ironwood (Keeping the theme of her killing headmasters) and flees with the staff. Qrow runs to his side, he and winter are crying, Team RWBY is upset, OZPIN IS UPSET. With his aura broken and his semblance down, he smiles at them all, says that he is proud of them for their work and he knows that they will find a way to defeat her. He tells them to get out and save themselves, save as many people as they can. They do that, but for further angst, Qrow stays with him, holding him and crying against him as Atlas falls. Team RWBY use the gravity dust keeping Atlas falling slowly to their advantage. They get as many people as they can into airships and send them to mistral. They then make their own way to Vacuo... Since global communications are back up, the world would know about this. This would give Shade academy a good chance to prepare. (damn I could write a fic)

What I think of Ironwood’s allusion and what I would change.

It’s dumb the way that CRWBY has portrayed it. In the story of the Wizard of Oz, the tin man doesn’t have a heart, but learns to love overtime. I used THIS aspect for helping my rewrite of Ironwood. He was hardened at the beginning, but managed to trust again and eventually smiled and said that he was proud of team RWBY and friends in his dying moments. It’s just more impactful that way I think. 

[whitleyschn33]

RWBY Volume 8 Episode One: Quick Thoughts

Or not so quick, seeing how long it took me to write this and how much I ended up having to say. Spoilers (duh) under the cut, as this thing got insanely long.

So we open with a maid scrubbing a floor, a shot that lasted long enough I was starting to wonder where it was going before we cut to Cinder. So, Cinder backstory - interesting way to open the volume, but I’m not sure if it’s a good way. At the very least, I would have cut it a couple seconds, or have it flash between Cinder’s face and the flashback. Same information, but given in a quicker manner that lets us know exactly what we’re seeing instead of wonder who this random maid is for 10 seconds.

Whale aircraft carrier. The design is interesting, if looking a bit too clean for my taste. I would’ve liked to see the bones and muscles of the Grimm incorporated into the design a bit more, the surfaces less smooth and more textured, but it looks good.

Facial acting on Neo is good - I appreciate being able to see what’s running through her head, even if it also makes me wonder why Salem isn’t picking up on the obvious tells.

Emerald and Mercury are back and with new outfits; I can hear the diehard EmMerc fans screaming from here. Would’ve liked a better look at the whole outfits (I don’t think there’s even one close up of their entire bodies), but I like Mercury’s! Emerald’s model feels off to me for some reason, like it’s wider or more padded (?) than before, but it’s not a big deal and is probably just a result of her wearing a jacket now.

Oh, yeah, Hazel got one too, don’t care.

Why does the whale have a screen? A connection to one of those seer orb Grimm?

Cinder is still not interesting to me, but I am curious - can one woman hold multiple maiden powers? What happens if one woman holds them all? If they can hold multiple powers, what happens when they die? Do they both/all go to the same person, or would they split?

I like the Faunus that gives Oscar the soup. His design is pretty cute to me (I think he’s a mole Faunus?), and I feel like he’s based on something, but I’m not sure what. Getting a Narnia vibe for some reason, which I’m always on board for.

How did Ruby know where Oscar ended up? Did he call? 

Weiss’s braid looks much better! I’m still not a huge fan of it, but this model is an enormous improvement - it actually looks like hair instead of rope, it’s slicker, and doesn’t look as heavy. Nice job, animators. Blake’s looks better, too, more fluffy, but it’s not as drastic a change to me.

Nice to see the Happy Huntresses actually doing something to help Mantle, and having Joanna(? that’s her name, right?) take charge and be helping Ruby get Oscar back in exchange for their aid is nice. It feels realistic for a situation like this.

And more secret keeping, but in this case, dropping the Oz bombshell would actually probably be a bad idea. There’s enough going on, bringing up Oz being back can wait until tensions aren’t as high.

Why would Ironwood stop evacuation? That makes no sense for his character, and there’s no reason to stop them. Until he gets Penny back, Atlas isn’t going anywhere. Might as well keep evacuating until you can find here, get as many people to safety as possible before getting away. I’d assume the Doylist answer for this is that Mantle still needs to be a factor in any decisions made after this and it can’t be that if we can get everyone evacuated, but that doesn’t make the Watsonian explanation make more sense.

Actually a good plan, getting everyone into the crater if it is in fact warm (why, I wonder? Thermal vents? Heat coming off of Atlas?) solves the cold problem (that people should’ve probably already died from) and having to defend one smaller location is strategically a good option. Corralling people would also make any eventual evac to Atlas easier. There is the small problem of, you know, Atlas literally crushing anyone in the crater if the staff is used on anything else, and Salem is known to be after that Staff, sooooooo -

Okay, maybe a nitpick, but I thought Pierto’s specialty was prosthetics and robotics. Doesn’t seem like something that necessarily overlaps with what’s needed to convert Amity into a satellite. I guess maybe the engine/whatever is going to propel it into the air could be similar to Penny’s boosters/whatever lets her fly, but it doesn’t seem like something that he would be involved in raising Amity. Whatever - I know we need a scientist person to tell these things to RWBY+Co and Pierto is the most likely candidate to be in a position to do that.

It seems like, from Ruby’s dialogue, she both wants to warn the other kingdoms and ask for their help. This has been trampled to death, so I won’t rant, but - there is no one that’s going to be able to help. Argus is hours away, will take time to assemble, and isn’t a very large force to begin with. Mistral is still weakened from V5 and has next to no huntsman, and is even farther than Argus. No idea what’s going on with Vale, but they’re probably still nursing their wounds from the Fall. Vacuo is the only kingdom likely to be able to muster up a force, but they’re on the other side of the map and will take hours, if not days, to get together an army - and that’s if they decide they want to help at all. The other objective was warning the Kingdoms about Salem. Ignoring that Salem is immortal and can just throw as many Grimm as she pleases until the defenses fall, ignoring that the other Kingdoms might not even believe Ruby, what’s to say they won’t go “F*ck Atlas, they’re on their own” and recall every available Huntsman and Huntress to shore up their own defenses? Or what if the other kingdoms just fall into anarchy? Learning an immortal witch with an endless supply of Grimm will come knocking on your doorstep soon tends to cause chaos. Or is Ruby going to leave the whole immortal part out again? I just can’t see what this will accomplish.

Holy shit, it’s actually happening. Dissent from WBY, and it’s coming from Yang of all people - I love it. I wish Yang had gotten to finish her sentence, say something along the lines of “Maybe if we’d told the truth immediately things wouldn’t have gone this way” since that would fit with her “hate secrets” thing she had going on in V5/6, but the fact that Yang is actually questioning Ruby’s leadership and choices - yes yes yes, more of that please, less of the hive mind. I wish it’d come a little earlier, but at this point I’ll take what I can get.

I’m slightly confused at the sides that Ren and Nora are taking here. I like that we’re splitting them up here (we never get to see them separated, and after last volume, I am more than on board with letting Ren get some breathing room), but Ren going with Yang, Jaune, and Oscar to help evacuate Mantle while Nora goes on the “bigger picture” team to get Amity up and running seems weird considering where they were last volume. Nora was always screaming about how the big picture stuff was hurting Mantle, while Ren was pushing to keep training, keep working, support Ironwood and try and work at the big picture problem, so it would seem like they should be on opposite sides. I’m not saying it makes no sense - I can absolutely see Ren feeling protective of towns under attack from Grimm with no Huntsmen in their corner - but it feels like a bit of a 180 from their last positions. 

Did Oscar just call Jaune “John”?

Yeah, if nothing else, don’t let Penny get anywhere near Salem or her cronies. Salem can absolutely not be allowed to get her hands on the Staff, especially with the whole “get everyone to the crater” plan. Squish.

Yang and Blake splitting up, maybe we can actually get some conversations on what the hell is up with them that we should have gotten in V6/V7 instead of petty showing off and Nora projecting.

“But what about Mantle?” “Oh, I’m helping Mantle.” with the same thing you spent all last volume complaining about. Uh-huh, that’s not annoying.

Weiss has an idea on how to get up to Atlas - Winter’s ship, maybe? That one she came in on in V3 was her personal ship, wasn’t it?

Ironwood calls Penny. From the music, it sounds like they were aiming for foreboding and manipulative, but Ironwood just sounds tired, the poor man. Love how Ruby doesn’t even try for a comeback for Ironwood’s argument, really convincing.

Dead Clover, and I hope that he stays that way, because if he’s brought back to life, so much of V6′s themes of life and death and the natural cycle is just going to be spit on (again). Clover is dead, and there should be no way around that save interference from a literal god. Any attempt at bringing him back needs some kind of drawback - some prevision of life, a body that moves but his soul isn’t there, something, please RT, don’t double back on your “Death is permanent” thing again.

And Ironwood did lose his arm completely. It’s an awesome looking prosthetic, but the fact that it’s black when the rest of his prosthetics are silver, combined with the comments made by the CRWBY about Ironwood’s humanity, make me very afraid they’re going to go for some sort of bullshit parallel to Cinder’s black Grimm arm. I do like the orchestral version of Hero playing here, though.

I like Winter’s new hair style - similar enough to her previous one, but looser. Not exactly happy about what that might symbolize, but it looks really good. It looks like she might have nerve damage, though, which would mean she might be off the battlefield until she can get her hands (hah) on some sort of brace to help her move her hands (which might be hinted at in the OP~)

I do really like Ironwood and Winter’s relationship, please don’t f*ck it up, CRWBY.

Is the only thing CRWBY knows how to do to make Ironwood seem like the bad guy shoot people for no goddamn reason? Ironwood was surrounded by loyal soldiers after declaring martial law, there was no reason for him to not just order Slate detained (that one was Slate, right? Not that it matters). The man’s annoying and probably in cahoots with Jacques, but shooting him is out of character, excessive, and makes no sense when he could just be arrested. “It shows he’s slipping -” No. It’s lazy writing meant for shock value and to give characters a reason to go “Oh, he’s going evil now, I better question my loyalty to him” (based on the look Winter and Harriet share) rather than any actual flaw in his plans maybe because CRBY realized that Ironwood’s plans are rational and the best one on the table right now, so they can’t use that to turn people against him. F*ck that.

Salem sends a bloodhound or whatever after Oscar, we already saw this bit in the trailers. No comment.

TLDR: Once again, RWBY sets up a lot of stuff that I find interesting and want to see more of. However, their treatment of Ironwood doesn’t make me optimistic for them to treat him right, and RWBY has a track record of setting up good concepts/plots/characters/arcs and then failing to execute them well or at all. We’ll have to see if V8 actually lives up to the promise or falls flat due to the issues that plagued V6 and V7 .

Going to make a whole new list for the OP because dear Lord, this thing is dense.

This song is definitely more in line with RWBY’s usual sound than Trust Love, and I’m all for that. The beat is a little hinky to me - it’s going to take a few re-listens to get used to it - and once again I wish the lyrics were clearer, but I know people that weren’t as happy with V7′s sound will be happy with this return to form.

Establishing shots of Mantle going to hell, nice use of red and contrast, but I wish there was a bit more use of shadow to really sell the red coming from fires and emergency lights.

Ruby standing alone, turning to find the others standing at the ready to fight, but away from her and with their backs turned. Any chance of more dissent? Will we actually get some growth from Ruby, in regards to her leadership in particular? We can only hope.

The four girls, on a blackish/blue background with floating warm lights, with images of their V1 selves in their clothes/hair/weapons. I really love the animation in the portion, the girls look so good. It also makes me wish we’d get some sort of flashback to V1-3, because I want more of their Beacon designs in the new animation style. The fact that this background/setting shows up again later in the trailer makes me wonder if it might be what the interior of the Atlas vault looks like. No basis for that, just a random thought. Couple minor nitpicks, focused on Yang. The fact that she’s the only one not in a more dynamic pose (and this is Yang of all people) seems odd, and the way her hair flows looks weird to me based on the angles and whatnot. Putting her in a different pose like a charge would fix this, letting her hair flow more naturally and giving them the space they need to to add in her past self. Otherwise, gorgeous. 

Ironwood with Atlas inside him, slowly being overtaken by the red as he looks up. No real comment other than beautiful.

Clover dropping his pin, with the AceOps and Qrow in the leaves, before transitioning to Qrow taking Robyn’s hand in prison. It looks like Harriet will be taking over as team leader. I don’t have a lot to say here - Marrow’s the only AceOp I’m interested in, and Qrow and Clover’s relationship has never been compelling for me. Robyn, similarly, is not a character I like, so a Qrow/Robyn team-up jailbreak isn’t something that I’m interested in unless Watts is involved. Already teamed up with one villain, Qrow, why stop there?

Oscar in pain holding his head, while Grimm eyes surround him and then Salem with wyvern wings comes out and looms over him preparing to grab him. I like the visual of Salem as the Wyvern at Beacon, but her face looks almost doofy in this shot. I think it’s the lack of expression mixed with the eyes. If she had a more menacing expression, I think this would work a lot better.

The falling weapons of the girls, Crescent Rose with Myrtenaster and Gambol Shroud with Ember Celica. Cue the shippers.

Jaune with his sword in front of his face, pulling it down to be at the ready, with Nora and Ren in the far background, their backs turned on each other but looking sad at their positions. I know Jaune’s thing is probably generic, but it gives me Mulan vibes, which is funny considering. Hey, hint that Martial Arcs will become canon now that Renora is on the rocks? fingers crossed More of Ren and Nora’s rough patch, and I really hope that that gets some focus. Their kiss last volume left a bad taste in my mouth with how it went down, and getting into these two as separate characters and their relationship. Ren not requiting Nora’s romantic feelings towards him would be a really interesting place to go with these characters that everyone’s pegged together since episode 4 (in no small part due to their lack of interaction with anyone else, but I’ll get to that). 

Winter and Weiss walking towards each other on the Schnee symbol, passing each other by with Winter getting her new hairstyle and a brace of some sort. She’s actually wearing this brace in the hospital, but on the other arm, while now it’s on the arm she couldn’t bend her fingers with. Interesting, and it looks all looks really good!

The Schnee snowflake falls between Whitley and Willow, before shattering onto a chessboard. YESSSS, Whitley’s in the intro again! That’s more than I could’ve hoped, and I really really hope that him looking contemplatively like that means something - that’s he’s figuring things out, coming up with a plan, something! Still no new design though T-T CRWBY, what do I have to do to get my boy some new clothes?

From the chessboard, Salem rises up, turning the other black pieces into Grimm to attack the white where Ironwood stands. His pieces turn to dust, the board blowing away entirely. Nice callback to V1. Ironwood stands alone - no allies, and no space to move forward. He’s a king with nowhere to move - check or checkmate. 

Smug Watts hacking while leaning against a mirror, rotates to show Pierto doing the same, his reflection looking over its shoulder at him, then a pan to Penny to show the same thing before the mirror breaks. I’m not sure what this might symbolize. Inability to trust yourself, maybe?

A snowflake flies through the air and lands in Ren’s palm. It turns into a flower petal, (or scraps his hand, I can’t quite tell) then Yang, Jaune, and Oscar join him, Ren smiling to Jaune. Another flower petal flies by to transition to Nora, who reaches out but can’t catch it, looking dismayed until RWBP comes in to join her. I assume the symbolism is straight-forward - the snowflake turns to a petal when caught by Ren (lotus guy), then flies to Nora who can’t catch it. Really living for the Ren focus in the op~

Pans to a shot of the whole group in the middle of everything - Atlas and Mantle overrun with Grimm on one side, Salem’s whale and Grimm army on the other, and Amity in the middle, which Penny flies up to hover below. Penny is going to be vital to launching Amity, and probably for reasons other than the terminal.

Then Ruby and Yang looking at each other with a smile and nod before the girls jump into fighting some Grimm. Interesting bit when the volume opens with the sisters starting to have disagreements.

The entire thing freezes, Cinder strolling cockily past the crew to walk in front of a bored/disgruntled Neo and Emerald who starts to wave but looks dejected when Cinder ignores her. Not much to say here - I don’t really like the freeze frame for some reason, no idea why. This also doesn’t give us any new info on the dynamics between these three characters.

Cinder grabs her Grimm arm in pain as fire flares up behind her, transitioning into Merc, Tyrian, Hazel, and Salem with the lamp in her eyes, transitioning to the lamp and staff twirling around each other, both emitting smoke like they’re being used as they come together. I wonder if this means that the last question and the Staff are going to be used, and maybe together? Once again, though - Atlas falling, people in the crater die.

Smoke clears up to reveal Ruby, looking up to Atlas first in invasion mode, then peaceful. Turn to a shot of the group standing looking to the left, Yang and Ruby looking like they’re posed but the others just kind of standing there. It’s a weird shot, and I’m not sure what to make of it, honestly.

The ice breaks beneath Ruby’s feet, sending RWBY falling into a void, their bodies trailing those lights that we saw before. Ruby opens her eyes to see the brightest light, the Staff. She reaches out to it, but Grimm paws and hands drag her down. V6 callback?

The word Happy? flashes only to be crossed out, a sketchy Grimm roaring, then the words Ever then Never as it’s crossed out, with a sketchy Penny lifting her head and her eyes then face going red, then the words After Again being crossed out. I’m not really of the words - I think it’s going for a Happily Ever After Happy? Never Again thing, but there’s no Happily that I can see, and it just kind of comes across as a bit emo to me. I like the sketches of the Grimm and Penny - I think it might be a Wyvern Grimm or something like that, and the red spreading from Penny’s eyes to her entire outline is interesting. I wonder if it’s connected to the Maiden powers and how she’ll use them.

Sketches of RWBY’s weapon fall into the snow, Crescent Rose falling with the tip stuck in the snow, then a flash and a pull out to Crescent Rose in the snow in full animation, framed by the broken moon as rose petals fly by with the “Created by Monty Oum” credit appears. I really like this as a reference to the Red trailer, and compared to the very cluttered ending shot of V7, this is a nice change of pace.

I like this OP. It’s definitely above V7′s for me, with a good song and some beautiful animation in it’s visuals. If I had to criticize it, I would say that it feels very long and cluttered. My breakdown of the opening feels as long as everything I mentioned in the actual episode. I realize one was going almost shot by shot, while the other summarized, but the point still stands that this things feels longer than it needs to be (I’d have to check time stamps to see if it is actually significantly longer).

A more promising start, all in all, than I’d hoped for. Things irritate me for sure, Ironwood’s treatment, Ruby’s plan, all that stuff, but I know I would have those bones to pick going in. The shake-up of the usual teams and the promise of inter-group conflict is enough to get me to want more, and I look forward to seeing how my favorite characters will be utilized. 

What are your thoughts on the episode? Reblog and comment down below, and we’ll start a convo.

Until next time~

[itsyourchoicedevotionals]

Grace Came

“Behold, I will bring to it health and healing, …I will heal them; …I will reveal to them an abundance of peace and truth. I will restore the fortunes of Judah and the fortunes of Israel …I will rebuild them… I will cleanse them from all their iniquity by which they have sinned against Me, …I will pardon all their iniquities… by which they have transgressed against Me. It will be to Me a name of joy, praise and glory before all the nations of the earth which will hear of all the good that I do for them, …they will fear and tremble because of all the good and all the peace that I make for it.’” Jer 33:7-9NASB

God’s going to get you. Your sinfulness will be punished. If God doesn’t punish this nation, then He owes an apology to Sodom and Gomorrah. Hasn’t this been what pastors and books have been telling us?

Look at Jn 8:4-5NASB “…“Teacher, this woman has been caught in adultery, in the very act. Now in the Law Moses commanded us to stone such women; what then do You say?” A total set up— the Pharisees knew she would be committing adultery with someone at that certain time. How? Could it have been one of them was pimping her. They also knew when and where Jesus would be teaching. Figuring, aha, we’ve got Him this time.

Jesus’ reply was stunning and deep: V7 “He who is without sin among you, let him be the first to throw a stone at her.”

Was anyone present there without sin? Scripture tells us: V9 “… When they heard it, they began to go out one by one, beginning with the older ones, and He was left alone, and the woman…”

Yes, there was One present without sin. The perfect sinless— “God made him who had no sin to be sin for us…” 2Cor 5:21NIV, Son of God, Son of Man— Jesus the Christ.

Did this sinless man, Jesus, throw the first stone at the woman? He had every right to do so. Jesus was within His power and rights by His own words to pick up the stone and throw it. She was guilty, caught in the act of adultery; drug through the streets naked; shamed before every onlooker; deserving to be stoned; no right to ask for mercy. V10-11 “Straightening up, Jesus said to her, “Woman, where are they? Did no one condemn you?” She said, “No one, Lord.” …Jesus said, “I do not condemn you, either. Go. From now on sin no more.”

Between the time of Sodom and Gomorrah’s sinful and the sin-filled United States GRACE came. Introduced in the form of the man Jesus, the Son of God born sinless, remaining sinless throughout His lifetime— grace.

Jesus came to bring to every sinner in the United States and the world, the right to be made free from sin through grace.

As I read our text scripture, I read: “I will restore the fortunes of Judah and the fortunes of Israel” I realized something. God isn’t done with this nation yet. Judah represents the church and Israel represents the Jews. This same mercy planned to “…cleanse them from all their iniquity by which they have sinned against Me, and I will pardon all their iniquities… by which they have transgressed against Me.” Grace is planning to pour down upon us revival. It’s His perfect will.

People get ready. Grace is coming to a location near you, very soon. Like nothing you’ve ever dreamed or imagined. As violence escalates and God’s church intercedes for mercy, revival will hit us in waves of grace. Are you ready? If not, get ready, or you’ll miss it. It’s your choice. You choose.

PRAYER: Lord, heal us I pray. Prime the pumps of love, forgiveness and joy in our hearts to move in unison with the outpouring of Your Holy Spirit, in Jesus’ name I pray.

by Debbie Veilleux Copyright 2019 You have my permission to reblog this devotional for others. Please keep my name with this devotional as author. Thank you.