#not least because the whole thing was a christine de pizan reference!

[banji-effect]

I went to the Judy Chicago retrospective at the New Museum today and really loved the way she/the curators included a kind of mini overview of works by female geniuses throughout history as part of it. These are just a few--I was so excited to see a piece by Unica Zürn in person!

From top:

Emma Kunz, Work No. 003, no date (circa 1940) Ithell Colquhoun, Alcove, 1946 Unica Zürn, La Serpenta, 1957 Georgiana Houghton, The Spiritual Crown of Annie Mary Howitt Watts, 1867 Hilma af Klint, Group IX/UW, The Dove, no. 2, 1915

[lady-plantagenet]

♦▼ for clarence and ☼☯ for anthony woodville!

Asked via the Headcanon Meme: https://lady-plantagenet.tumblr.com/post/634584063141920769/headcanon-meme. Thank you darling! X (at least I sprinkled a bit of history in all this).

George Duke of Clarence

♦ - quirks/hobbies headcanon

- One Hobby/Quirk headcanon -

According to household accounts and information about his education, George knew how to play the harp and the lute. I headcanon him as continuing with those hobbies well into his adulthood. I don’t know if it’s maybe the fact that George had far less presence in the battlefield than his brothers - only Barnet and Tewksbury he actually fought in and his troops are never on the main battle charts which indicates they were not the most important, he was given the largest retinue to lead to France but as we know, there was rather more talking than bloodshed there ahasjd. Or if it’s maybe the fact that his actions and phrases denote an unusually emotional man... but I always saw him as rather sensitive and that also reflecting in his hobbies. I also headcanon him as being rather particular with his clothing (exposed to great finery since the age of 12), and so relished spending hours badgering his tailor over the smallest details regarding colours, designs, patterns etc. At some points even Isabel gets a headache ahashj.

He also had great taste for elaborate architecture (historically, there were many designs he had in mind and renovations for Tutbury and Warwick castle, to make them less fortressy and more palatial but died before they could be completed), so I think that links. As for the harp and lute, I headcanon him as having great proefficiency in them but not interested in showing that off and so just playing when in his own homes and heard by very few people there. Not because he was modest or something (quite the contrary) but because he did not like to do anything competitively because he did not like being seen as bested by others, or worse being seen to fail because well.. pride and self-importance. He never participated in jousting for example, because he knew he could not handle the shame if he were beaten by the likes of Richard Woodville or Anthony or the score of prominent jousters. Also as a typical aristocrat, he never saw the point of having to ‘prove’ his gifts, nor work at them enough to be truly talented.

▼ - childhood headcanon

I’ve had this discussion at some point with a mutual about when George left Ireland, I think the conclusion was that he may have very well stayed there quite a bit, at least maybe until Richard III was born in Fotheringhay in 1452, or even later (for his own protection or as an enduring symbol of his father’s importance there and piece between Earls Ormond and Desmond, as his baptism was all about uniting those two godfathers). I have to look deeper into this but the truth is next to nothing is known of George’s life pre-1460.

I see his sister Margaret being with him until 1452 or so (I think Ashdowne-Hill put the possibility that Margaret accompanied their mother to Ireland), and treating him as her baby as four + year olds have been known to do, creating the link. But while she returned to England (most likely), he would stay there for a one more year or so, with the occasional visits from the godfathers for goodwill. And goodness, both James Butler 5th earl Ormond & Wiltshire and Thomas FitzGerald 7th Earl Desmond had something of a similar spirit to their godson: always up for a gallantry whether that be rebellion (a contemporary saying something similar regarding gallantry about pre-1469 George - I think it was Crowland), reputed handsomeness (with some vanity):

“Gregory records, at the First Battle of St Albans in 1455, Wiltshire "fought mainly with the heels, for he was frightened of losing his beauty" ahahaha idk why gives me some Clarence vibes

or personalities that attracted support, eager patrons. With the facts of an absent real father this headcanon, just sort of clicks whether it has any bearing in reality (yet I recall an Irish castle where he spent his early years in being mentioned, but forgot the name). I also headcanon him as having spent a part of his infant years with James FitzGerald around, though, he may have been a couple years older (birthdate not given). As they were god brothers and both from Yorkist families, of course this is the same James that gets executed under Edward’s name in 1467 (godfather Ormond gets executed after the battle of Towton). In addition to him, many other companions that were relatives and nephews of his godfathers I suppose would have been selected as the 5/6 year olds’ companions. I headcanon George as charming them all, leading to him being remembered fondly by the Irish because though records of his going there in his adult life contradict each other, he seemed to have left an impression somehow. Of course, all this attention and preening has contributed to his deluded self-image as a very very important man. I also headcanon him as picking up quite a bit of the native tongue, but like most young children, what is quickly learned is quickly forgotten.

Anthony Earl Rivers

☼ - appearance headcanon

When it comes to my story, I’m tempted to make him the ‘golden-haired’ knight that he tends to get depicted in fiction because thematically it drives home the whole George/Anthony foil thing we spoke about and intend to hint at.

But for me, this will always be my mental image of Anthony. With a very kind yet clever looking face, like in here. I also always headcanoned him as heavily resembling his sister, perhaps, because of their strong sibling bond (this depiction capture that too with the heart-shaped face, small thin nose, round eyes and cheekbones (come to think of it also the mouth) .

Like in his contemporary depiction [Him presenting the Dictes and Saying of the Philosophers] I see him as having a warm brown eyes and light brown hair, but with a twinge of auburn (whereas Elizabeth Woodville is more full on red-gold). Because of his keeping with a hair-shirt underneath, I tend to see him as rather thin and tall (nearer to Edward and Margaret’s height than Richard or George’s).

࿊ - likes/dislikes headcanon

- Likes - (aside from what we know: philosophy, poetry, literature, religion, tournaments)

As a result of: That bit in one of his works where he (with great wit and subtlety) calls Plato out for his misogyny, him being a reader of Christine de Pizan (the only man at that time who I can recall), his strong relationship with his mother, sister and friendship with Margaret of Burgundy... I’ve headcanoned him as having a deeper appreciation and ‘like’ (more like respect) for womenhood than most of the others. And with an interest in the discourse that must have been going on post-De Pizan and Joan of Arc.

I also have this weird headcanon of him getting an insane fascination with Wales, the people, the Celtic remnants in its folklore - that is, once he establishes there with his nephew. And tried to absorb as much of it as possible. Particularly because he strikes me as one who though a great appreciator of beauty, is more attached to the natural, less ornate rather than the florid and goldeness of the london courts. As he was a well-traveled man this isn’t so far-fetched I suppose. I also headcanon him as a massive fan of Arthuriana (he did after all have all the features of chivalry) and would see himself as a Merlin to Prince Edward’s Arthur.

- Dislikes - (aside from war apparently)

I always saw him as taking a profound dislike to Edward’s debauchery later in his reign, especially, when it pertained infidelity to his sister. As somewhat of a stoic (not to say emotionless or robotic), he obviously did not say anything about it, but the disillusionment welled up in him, and he would find any excuse to not have to deal with it. By the time it came to leave for his guardianship, he was grateful for not having to see it. Of course, there remains mutual respect between him and Edward, during his pilgrimage I headcanon him as praying for Edward’s soul and for him to be guided back.

I always headcanoned him as never quite clicking with his wife. For some unknown reason e.g. perhaps she was a bit ignorant, dull or cold? We know very little about that marriage and it was quite brief nonetheless. There were no children and we never hear of them ever being in the same place, or references to mourning etc. Of course, since marriage is a sacrament and a way to connect with god, he feels a bit regretful about it, only in later life to realise, that some men are like Gawain, better suited to bachelorhood. But while respectful of women, few attain to his marianistic expectations (partly stemming from the image his sister projects). Overall, a dislike for this sort of inner-conflict.