#not just because the artwork is fantastic
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notsomassiveblackhole · 9 months ago
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Feelin’ Sluggish
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cardis-tricycle · 2 years ago
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Coffin ⚰ style
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daydreamerdrew · 2 years ago
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Fantastic Comics (1939) #1
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llycaons · 2 months ago
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being home I'm really realizing wow the nature outside is so much more beautiful than I could ever experience back in the city. the interior of this house though. atrocious. nobody likes this
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adjit · 1 year ago
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I think we need to get more comfortable with the idea that sometimes shitty, racist, homophobic, bigoted people are still incredibly talented.
I feel like every time I see a post addressing someone’s shitty behavior the post also takes the time to mention that they’re not even good at [x] anyway. And that’s just not always true? Equating being good at a skill as being morally good is just not necessary. Someone can be a fantastic writer, can have a beautiful singing voice, can create breathtaking artwork, and still be a horrible person.
I know part of this is probably just the instinct to dislike everything about a person when you dislike them, but I also think this mindset leads to people defending creatives way past where they should, because if bad people create bad art, then if this person creates art that I like and resonates with me, then they can’t be a bad person!
And you know. That’s just not true. Those two things are simply completely unconnected and I think it’d be healthier if we all started disconnecting them in our heads.
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The thing with the Mari Lwyd, though, is that it's being... I don't know, 'appropriated' is the wrong word, but certainly turned into something it isn't.
Thing is, this is a folk tradition in the Welsh language, and that's the most important aspect of it. I feel partly responsible for this, because I accidentally became a bit of an expert on the topic of the Mari Lwyd in a post that escaped Tumblr containment, and I clearly didn't stress it strongly enough there (in my defence, I wrote that post for ten likes and some attention); but this is a Welsh language tradition, conducted in Welsh, using Welsh language poetic forms that are older than the entire English language, and also a very specific sung melody (with a very specific first verse; that's Cân y Fari). It is not actually a 'rap battle'. It's not a recited poem. It is not any old rhyme scheme however you want.
It is not in English.
Given the extensive and frankly ongoing attempts by England to wipe out Welsh, and its attendant cultural traditions, the Mari is being revived across Wales as an act of linguistic-cultural defiance. She's a symbol of Welsh language culture, specifically; an icon to remind that we are a distinct people, with our own culture and traditions, and in spite of everyone and everything, we're still here. Separating her from that by removing the Welsh is, to put it mildly, wildly disrespectful.
...but it IS what I'm increasingly seeing, both online and in real world Mari Lwyd festivals. She's gained enormous pop-culture popularity in recent years, which is fantastic; but she's also been reduced from the tradition to just an aesthetic now.
So many people are talking/drawing about her as though she's a cryptid or a mythological figure, rather than the folk practice of shoving a skull on a stick and pretending to be a naughty horse for cheese and drunken larks. And I get it! It's an intriguing visual! Some of the artwork is great! But this is not what she is. She's not a Krampus equivalent for your Dark Christmas aesthetic.
I see people writing their own version of the pwnco (though never called the pwnco; almost always called some variant on 'Mari Lwyd rap battle'), and as fun as these are, they are never even written in the meter and poetic rules of Cân y Fari, much less in Welsh, and they never conclude with the promise to behave before letting the Mari into the house. The pwnco is the central part to the tradition; this is the Welsh language part, the bit that's important and matters.
Mari Lwyd festivals are increasingly just English wassail festivals with a Mari or two present. The Swansea one last weekend didn't even include a Mari trying to break into a building (insert Shrek meme); there was no pwnco at all. Even in the Chepstow ones, they didn't do actual Cân y Fari; just a couple of recited verses. Instead, the Maris are just an aesthetic, a way to make it look a bit more Welsh, without having to commit to the unfashionable inconvenience of actually including Welsh.
And I don't really know what the answers are to these. I can tell you what I'd like - I'd like art to include the Welsh somewhere, maybe incorporating the first line of Cân y Fari like this one did, to keep it connected to the actual Welsh tradition (or other Welsh, if other phrases are preferred). I'd like people who want to write their version of the pwnco to respect the actual tradition of it by using Cân y Fari's meter and rhyme scheme, finishing with the promise to behave, and actually calling it the pwnco rather than a rap battle (and preferably in Welsh, though I do understand that's not always possible lol). I'd like to see the festivals actually observe the tradition, and include a link on the booking website to an audio clip of Cân y Fari and the words to the first verse, so attendees who want to can learn it ahead of time. I don't know how feasible any of that is, of course! But that's what I'd like to see.
I don't know. This is rambly. But it's something I've been thinking about - and increasingly nettled by - for a while. There's was something so affirming and wonderful at first about seeing the Mari's climb into international recognition, but it's very much turned to dismay by now, because she's important to my endangered culture and yet that's the part that everyone apparently wants to drop for being too awkward and ruining the aesthetic. It's very frustrating.
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ddejavvu · 5 months ago
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Could you do a criminal minds x reader where reader is viewed as super sweet and dresses brighter and stuff like Penelope but one day they have to come in like super late/by surprise so everyone is in their normal clothes and the bau sees that reader has a big ass, super cool tattoo? And they’re all surprised and stuff
You're looking less-than professional in your backless halter top when you take your seat at the round table, but no one bats an eye until you stand from the chair to leave. Hotch's call of 'Wheels up in 20' means that the room clears as everyone hunts for their gobags, and the second you turn your back to your coworkers a litany of reactions fill the space.
Of course, the most dramatic is from Garcia, but you hear enough to count all of your coworkers, except one. Hotch's brows are raised when you turn back to see them, though - apparently he's not above being startled.
"Woah, hot stuff," Prentiss calls, a grin spreading over her face, "You've got some nice ink back there!"
"I didn't know you had tattoos," JJ muses, staring at you with curious amusement like she's recalculating your image in her mind, "That's really intricate. I like it."
"Oh, it's-" You reach a hand up to stroke awkwardly over the inked skin, "I kind of forgot you'd never seen it before."
"Turn around again!" Garcia gushes, "I wanna look at it."
You spin on command, and Hotch and Rossi are kind enough not to gawp with the others, passing you on their way to the door.
"You've got guts, kid," Rossi grimaces, "I've been in a lot of pain before, but I don't know if I'd willingly sit there for all of that."
"I wouldn't," Hotch shakes his head with a good-natured smile, "Haley and I got small, matching ones in college, and I had a hard time with that one."
"Is that based off of Norse mythology?" Spencer pokes his head around your shoulder to stare bright-eyed at you, "Some of the symbols remind me of-"
"It's just a sick-ass tattoo, Reid." Morgan shoves at his shoulder. peering avidly at the art, "Don't ruin this for everyone."
Reid takes the shove like a champion, smiling kindly, albeit awkwardly at you as he moves for the door himself, "I like it."
"Thanks, Reid," You call, flinching slightly as a hand traces one of the symbols on your back.
"Ooh! Sorry, pumpkin," Garcia calls, the hand drawn away in a flash, "I got too grabby. I just think it's really cool," she takes your hand, leading you towards the door while the others follow to continue staring at your tattoo, "I'd show you my own body art, but it's not really in a spot that I can display in the workplace."
"Well this I've gotta see," Morgan teases, "Let's all huddle in the bathroom on the jet, babygirl, and see what you're hiding."
"It is not for your eyes, Derek Morgan," She huffs, though she's grinning at his attempt. The look in her eyes suggests that the tattoo is not for his eyes because it's something to do with him, and you're eager to giggle over whatever part of her body she's tatted 'babygirl' over later.
For now, though, you rifle through your gobag and shrug on a cardigan, effectively covering your back and its ink.
"It is a crying shame to cover up that artwork," Prentiss laments, "I bet it looks awesome peeking over tank tops."
"You'll see it again at the hotel," You laugh, "I have plans to use the jacuzzi before we leave."
"A jacuzzi sounds fantastic," JJ sighs, "But let's all of us agree that Morgan isn't invited - I wanna see Garcia's tattoo."
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genshin-impact-updates · 9 months ago
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Baizhu - Character Illustration
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"The weather has been rather sorry of late, and we've had more patients coming in as a consequence. Most have been suffering from wind-cold dampness, presumably because they haven't been looking after themselves properly..."
"Thinking of you and your outdoor escapades, I was worried that you might have been neglecting your health too. So, seeing as I had some free time today, I decided to come over and check in on you."
"It seems like my concerns were misplaced, though. Despite how long it's been since we last saw one another, you're still looking as healthy and energetic as ever."
"...Instead of just rabbiting on like this, will you hurry up and hand it over! I've already fallen asleep and woken up again, but somehow the cake you were planning on giving the Traveler is still in your hand!"
Thanks to カネンゴミ for the fantastic artwork!
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foodfightnovelization · 7 months ago
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ROTTEN: Behind The Foodfight
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Holy chips! It's an exciting time to be a Foodfight! fan, because ROTTEN: Behind The Foodfight is finally out! This really is THE definitive documentary on the insanity behind the movie, and it finally answers the question of just what was going on behind the scenes during production. Since I helped out with research (and I even get a short line of dialogue at 45:19) I've already seen everything that was shown off, but had to keep quiet until all the interviews were conducted and the documentary was finished. But now it's out and everything has been made public, the cat's out of the bag (the Fat Cat Burglar?) and I can talk about all the production material that's been shared.
Before I get into any of that though, I'd highly recommend you watch the documentary for yourself. It's insanely well researched and put together, and having worked together with Ziggy Cashmere (the documentary's creator) I know how hard he dedicated himself towards making this all possible. If it weren't for him, the most interesting Foodfight! discovery would've been finding the novelization, and we would have never gotten any real insight into how this movie came to be. It's also a documentary that really speaks for itself- I don't want to say too much about what it reveals since it's all expressed far better through its narrative and the interviews with people who actually worked on the project. My favorite is the interview with texture artist Mona Weiss- she tells such horrifying stories about how she was treated by Larry and other crewmembers, yet does it all with a sense of humor that makes it clear she's enjoying getting to talk about her crazy experiences. It's clear Foodfight! was an unmitigated disaster from start to finish, and there's nobody to blame for that but Larry Kasanoff himself. The movie was rotten from the top down and despite the countless talented animators and artists working on it, nothing could fix the fact that it was fundamentally mismanaged in the worst way possible. I think the quote from producer George Johnsen summarizes it best: "Foodfight! was a good idea that unfortunately lost its way during production. The technology, the art, and the direction were not in sync. Many very talented people gave their all to make the picture, but more understanding of process from the top was needed for it to succeed."
But if you saw the documentary, you already know all that, right? So instead, let's talk about the behind-the-scenes material that's finally been shared! You can find everything I'll talking about HERE on archive.org-
It's worth following the link and checking it out for yourself- there's so much it'd impossible to discuss everything. Artwork, storyboards, bloopers, models, a nude render of Lady X, an interview with Larry Kasanoff, the list goes on and it's still being updated! Despite the documentary already being out, people who worked on the movie are continuing to share new material! It's pretty incredible- for the past year I've ran this blog all I've really had to discuss are two tie-in books, and now there's so much Foodfight! material I can't even keep up with it.
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I mean LOOK at all this, isn't it fantastic? The character art by Jim George showing off just how much better these designs originally were, the countless environments showing off just how stunning Marketropolis could've looked as well as the strength of the core idea "what if a supermarket came to life at night", and insanely detailed storyboards for a 7-minute pitch reel that was used to sell the movie to investors. Normally, I'd be ALL OVER this because it's all just incredible, but there's something far, FAR more fascinating than any of it.
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There are even multiple drafts of the script (one from 2005 and one from 2007 respectively) and normally I'd be insanely fascinated by those too, making extremely detailed posts explaining the differences between the drafts and how they compare to the novelization, but there's something else that was found that blows ALL of this out of the water and is easily one of the most monumental lost media discoveries of ALL TIME.
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That's right, a rough cut of the ENTIRE movie from 2005 has been found, containing nearly ALL the completed animation from earlier on in production. I mean, that's mindblowing right? We first got sent this around a month ago, a little while before the documentary came out, and I literally stopped everything I was doing at work to just sit and watch this. This is the closest we're ever going to get to the "original" version of Foodfight! after all- only 7 minutes of footage was ever actually made before they switched to mocap, made solely for the aforementioned pitch reel, and this workprint contains practically all of it! On top of that there are some great storyboards in here, as well as some truly hilarious ones cobbled together from 3D renders, and the plot is far better than what we ended up with, a lot of the more inappropriate jokes being absent. This rough cut is actually pretty similar to the novelization in that regard, and it also contains scenes that we'd previously only read about in there.
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For example, in the novelization there's a snowmobile chase through the mountains, with Brand X soldiers on snowmobiles and a heavy avalanche close behind. This scene was completely left out of the movie itself, but in this workprint it's here! ALL the previously novelization-exclusive scenes are included, and this rough cut is seemingly based on an even earlier draft of the script than that- here Brand X are still defeated by a flood, whereas by the time of the novelization it'd been changed to a lightning storm. There are SO many exciting differences in this workprint, the snippets of original animation we get to see are SO good, and it's SO much better than the movie itself that I think it by far deserves the crown as the DEFINITIVE version of Foodfight! There's so much in it I want to discuss, that there's no way I can fit it all into this one post...so stay tuned, because in the next few days I'll be doing a FULL analysis of the 2005 workprint, pointing out all the extra brand mascots not in the finished film, and generally just gushing about how amazing it is.
I mean, this is it. Just take it all in for a second- the original footage was considered lost media for over a decade, and now it's practically been found in its entirety, embedded in an early cut of the whole movie...isn't that just phenomenal? All the mysteries have been unraveled, all the questions have been answered, and now we can relax, take a deep breath, and watch Foodfight!...the REAL Foodfight! Make sure to enjoy it, and join me next time for my analysis!
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lily-onher-grave · 9 days ago
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okay okay okay thoughts/excited ramblings about the wicked movie under the cut bc i've seen it and now i'm insane about it again
let's be real it's kinda hard to fumble the opening number of a musical especially when that opening number is no one mourns the wicked and yet i was still absolutely blown away it was SO GOOD
the lil munchkins running, the singing in the streets, the posters of the witch (side note all the artwork was insanely good and just added so much to the style of oz i feel like) it was all so awesome
NOMTW becomes so sinister and they nailed it
obligatory emotional babbling about glinda standing alone in the crowd as everyone sings 'the wicked's lives are lonely'
before i left for the theater i was like 'take your bets on if i'll cry' and my roommate and i agreed that yeah obviously i would. but what i didn't expect is for ariana's sad face to knock me out in five minutes flat. i was done for
the effigy. holy shit. and handing the torch to glinda. i want to go see the whole thing again just so i can rewatch that scene. my heart still hurts
(also nanny! sort of not really. but i liked the childhood scenes i liked that elphaba had one (1) good thing in her life before shiz)
SHIZ okay shiz honestly shiz was the thing i was most excited for bc c'mon, we don't write about our gothic magic school all the time in fic for nothing. and honestly it was so good. the shots of the whole castle! the library design! the balcony moments and the stairways and just like the layers of architecture and the way morrible could kind of be anywhere at any time. the way it felt so grand and yet so small at the same time. idk man the vibes were good and the set was beautiful
glinda arriving by boat was magical that's all
the way everything dillamond had was tailored to him was fantastic it was so good
actually i want to shout out the library set design again and how it tied into the clockwork theme that never gets fully called out even in the musical but it's still so good
where's my time dragon clock tho
also back up the scene where elphaba loses her temper in the courtyard--when she breaks the relief of the wizard, there's old artwork of Animals behind it and i gasped out loud when i saw it
and that was the first moment i thought 'this is brilliant but i still want an hbo dark fantasy political drama tv show based on the book'
speaking of the dark fantasy political drama tv shows, the Animal meeting!! i'm so glad they put more stuff like that in there
actually as a whole the movie felt more grounded and less comedic than the musical. i think they did a fantastic job of keeping the magic and silliness and charm and wonder of the show while still adding those extra bits of drama and dire circumstances
anyway gelphie fic prank wars trope is officially canon great work everybody handshakes all around. i was cackling (silently. i promise i'm a respectful moviegoer)
the ozdust ballroom being illegal makes so much sense. it being underwater was fucking cool. boq and nessa were actually really great and i usually don't care about them at all during this scene
also i love love love nessa and i cannot wait to see more of her. but showing her multiple times on the sidelines when elphie was being humiliated was such a good choice. the tension between nessa obviously caring for her sister yet always caring for herself more is so delicious and i always want to see it fleshed out more, and i think they did such a good job with her? her and elphaba have sweet moments which i love, and her wanting to be independent and only elphaba really understanding that is so so good. and having her just watching elphaba for so long before finally saying she can't watch. god i can't wait to see her be desperate and selfish and cold in act 2, it's gonna be so good
side note boq also looking upset by elphie being bullied. i miss my brotp man
but let's talk about what's most important: the gelphie dance. because oh my god i started crying all over again. so did elphaba. and glinda wiping her tears i'm dying i've died oh my god
i always get a little bit surprised when glinda seems more head over heels than elphaba. idk why. but ariana's glinda is absolutely more head over heels than cynthia's elphaba and i loved it
(they just. freaking LEFT the party. just zipped out of there as soon as they hugged. glinda was like hmmm i just realized some things and grabbed elphaba's hand and ran off while the night was young. and fiyero stared after them knowing that he stood no chance whatsoever)
also i'm like 72% sure the guys sitting next to me were a couple? and they both cried during the gelphie dance too and it was a very unexpected but very funny moment of solidarity
i say ariana's glinda is more head over heels and i stand by it but elphaba's fond little smile when glinda was pouting about sharing secrets almost made me start sobbing again they're so GOOD they're so CUTE and she is SO heart eyes for glinda immediately!!!
i need to be sedated i swear
popular was adorable 10/10 no notes absolutely nailed it i loved every second
also glinda sitting next to elphaba in class now. my heart <3
after dillamond gets hauled away (again with this being more violent and dark and those moments of drama coming through more in the movie i loveeee) glinda doesn't sit down until elphaba does
also they had several little moments of elphaba looking to glinda and glinda either shaking her head or nodding. they've been friends for 2 days and they're already having silent conversations i love them <3
the poppy spell? was sick as hell????
another seeing of wicked, another complete sense of bafflement as to why fiyero is there
i say this jokingly but the fiyero and elphaba romance really does feel like a product of the early 2000s especially now that it's on screen rather than on stage. idk maybe that's just the lesbian in me talking though
the train design is also sick but we knew that from the trailers
okay look logically yes i knew idina and kristin would have cameos. but i'd been crying on and off and one short day's magic had already taken hold so they caught me completely off guard. it was great
the wizard stuff was really sweet. and while i was hoping for more time put toward shiz and stuff, i do think those moments did a great job of 1) showing how much elphaba just wants to be loved 2) foreshadowing the wizard being her father and 3) laying the groundwork for her briefly considering working with the wizard in act 2, which is a decision that never quiteee feels right in the show
i love that they put more lore into the grimmerie btw. very cool
the hot air balloon was random but fun. i wonder if it'll come up again in act 2
every time. every damn time glinda starts singing in defying gravity i just want someone to end it right there. glinda grabs the broom, it fades to black, and they both lived happily ever after
fuck
defying gravity taking place at sunset because it's at the end of their one short day of happiness
also UM morrible coming up and hugging glinda when she's crying. exquisite emotional manipulation i'm screaming
elphie! seeing! her! inner! child! i loved the baby elphie scenes even though i prefer creepy 'horrors' elphaba always. but seeing her come back was sooooo fucking good
elphaba only ever relying on herself, in the end
glinda's final 'i hope you're happy' took me out, as it always does, as it always should. and reaching out from the balcony? i'm sobbing again
morrible dragging glinda into the darkness while elphaba flies into the sun! someone fucking help me i'm already wrecked by these two
honestly my biggest complaint is that now i have to wait for part two, i want to see the rest nowwwww
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trigunbookclub · 4 months ago
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Bookclub Round 2!
Hello and welcome! This is an online bookclub dedicated to reading through the Trigun manga series (which is Trigun, followed by Trigun Maximum). This time around, we'll be reading one omnibus volume about every month to celebrate the Dark Horse deluxe editions releasing! You don't have to read that version, @trigun-manga-overhaul is a fantastic fan translation project, and a great alternative! (Though please, if you can, support Nightow and the official releases!) All official images used in promotion of this event are from Overhaul.
Schedule
Trigun Deluxe Volumes 1 and 2 of Trigun - September 10th-October 7th
Trigun Maximum Deluxe Vol. 1 Volumes 1, 2, and 3 of Trigun Maximum - October 8th-November 11th
Trigun Maximum Deluxe Vol. 2 Volumes 4, 5, and 6 of Trigun Maximum - November 12th-December 9th
Trigun Maximum Deluxe Vol. 3 Volumes 7, 8, and 9 of Trigun Maximum - December 10th-February 24th
Trigun Maximum Deluxe Vol. 4 Volumes 10, 11, and 12 of Trigun Maximum - February 25th-TBA
Trigun Maximum Deluxe Vol. 5 Volumes 13 and 14 of Trigun Maximum - TBA
Guidelines and Info
Have fun! This isn’t meant to add more pressure or stress to your life, just to have fun reading a widely beloved manga <3
First-time readers and re-readers are both welcome!
Post your thoughts/theories/questions/graphics/edits/memes/etc. to the #TrigunBookclub tag on Tumblr, Twitter, or Bsky to participate with your fellow fans!
If you post spoilers for future volumes, please use the tag #TrigunBookclubSpoilers to help new fans enjoy reading along with the community.
Nightow’s artwork is beautiful, but sometimes readers find the action/dialogue a bit hard to follow. Feel free to ask for help deciphering things!
While the manga is a brilliant story, it covers very dark themes. They are spoilers, but if you trigger warnings, there is a Does the Dog Die page for the manga. There’s also a chapter-by-chapter TW list on Tumblr.
If you fall behind or come in late, no worries! Feel free to hop in at your leisure, just know the main tag will have spoilers for the current volume.
Supporting Dark Horse and Nightow is highly encouraged, but if you're looking for a place to read because you don't have a deluxe edition/want to read online with a different translation, check out @trigun-manga-overhaul!
Be kind to others! This is supposed to be a fun experience for a franchise that a lot of us love or are interested in. Harassment will not be tolerated.
And that's all for now! Follow this blog for updates, and I hope you have a great time if you decide to join!
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notquitejiraiya · 5 months ago
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holy shit !!!!!!
THE LOOK IN RASA’S EYES ARE YOU *KIDDING*???? Ahhhhhhhh
I can FEEL the tension from their expressions here you are unreal, mate. Unreal!!
And the fact the shirt is the same as in your drawing of his birthday in Rome… holy shit it’s so cool
You are incredible and you are spoiling me and I cannot thank you enough THANK YOU THANK YOU
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'Momentarily, Rasa nodded and turned back to Shikamaru. His eyes narrowed, falling to the holes in his neckline, then found his eyes with a deep inhale.
“My daughter,” he said, his voice deeper and more gravelly in English. “You ruin her, she ruin you back.”
Shikamaru froze. The can in his grip dented slightly in his grip. Temari tapped his toe with hers to restart him, prompting him to take two large, final swigs from the can and crush it.'
Grandmaster on ao3 by @notquitejiraiya
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felikatze · 10 months ago
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THE ISLANDER EUPHRASIE THEORY: THE CRACK HEADCANON THAT RUINED ME FOREVER
HI. you might know me as the kingphie divorce guy. or as the guy who wrote the 6k ludonarrative essay. Today i am going to introduce to YOU @the-bitter-ocean's fantabulous ISLANDER EUPHRASIE THEORY!!!
DISCLAIMER
This post contains SPOILERS for ALL of In Stars and Time. INCLUDING THE ACT 6 SECRET!!
You have been warned.
ALSO!!!!
The original headcanon/theory is VERY MUCH Ocean's fantastic work! I am merely rehashing all the arguments for it that have been laid out across various chats into one cohesive thing people can look at. Also citations! Who doesn't love those.
WHAT IS IT?
Well, it's quite simple. It's the theory that Euphrasie, love of my life and Head Housemaiden of Dormont, is from the forgotten island, same as Siffrin and the King.
(Yes, this is why divorce AU exists.)
WHY DO YOU EVEN BELIEVE THIS?
Quite a lot of reasons, actually.
It's really funny
Let us begin with: the basics.
SUPERFLOUS AESTHETIC DETAIL
HAIR COLOR
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This is Euphrasie. She's very pretty. I love her.
You might notice several things about her, like her fantabulous white hair.
Well. What other characters have white hair?
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You have guessed correctly. The ONLY OTHER white haired characters with actual artwork are Siffrin and the King, both from The Island The World Forgot. Thus we can assume that it's a typical hair color for islanders. Makes it stand out very much that Euphie also has it.
(What about the beautiful one- sh sh sh he's blonde. He's blonde.) (Well, actually, considering that they are the only one who acknowledges that Vaugardians are also weird, what if he's from the island as well? Checkmate atheists.)
EYELASHES
(EDIT!!!!! FINALLY PUTTING THIS ON THE MAIN POST!!!
Turns out I was incorrect in this. Some characters (Mira, Isa) also have eyelashes on SOME portraits. The mentioned chars r still notable for Always Having Em, + the Loop lashes are like, literally intended as plot twist foreshadowing, but, hey.
That's what you get for writing essays at 1am.
IN RETURN!!! Someone pointed out to me [i forgot who sorry] that Euphrasie's capelet.... has stars on it!! It's speckled like the starry sky!! Now isn't that a neat coinkydink.)
(Original text left up because I respect my past self's artistic vision. And his lunacy.)
Correct. Eyelashes.
Going back to our portrait of Euphie, she is drawn with precisely three eyelashes. Why is this notable? Because Siffrin and Loop are.
So much so, that being drawn with three eyelashes, is specifically an element of foreshadowing to Loop's true identity.
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(squints at character portraits) literally no characters besides Siffrin, Loop, and Euphrasie have eyelashes? Oh my god. What? Nobody has eyelashes? What the fuck? (okay, some moments later: Mirabelle has eyelashes in some battle artwork, but these three are the only ones specifically with eyelashes in dialogue portraits, which is still incredibly odd.)
SPEAKING HABITS
(EDIT!!! Another Point that is Kind Of Off, in that other characters [e.g. Odile] also do this occasionally. Again, keeping the text for my creative vision.
In return I get to inform you that the King makes the "not so bright, Bright One" pun TWICE in different loops, thus implying the King likes puns. Take this as you will. That's been my psychic damage, buhbyeeee~)
Hey, so, you know when you talk to people in Dormont, a lot of the NPCS will have a nametag that just says "[something] One" right? Daydreaming One, Castle-Loving One, Beautiful One?
And I've seen people wonder, are these titles? Nicknames?
And I bring you this: Siffrin addresses these people with these epithets in his head, because they have no fucking clue what anyone's name is.
So Siffrin just naturally lapses into this style of nicknaming strangers.
Which two other people also do.
Bright one... ...... Do you remember? Traveling one! Are you done talking with your companions? Yes, wonderful, wonderful!
Funny little tidbit that these three characters all speak alike isn't it :)
Okay. With aesthetics out of the way, let's move onto the next tier of this iceberg:
THE MECHANICS OF FORGETTING AND BEING FORGOTTEN
I realize in the process of writing that we must outline the nature of the curse. What gets forgotten and what gets to stay?
The particularity that's important to us right now is: what people get forgotten?
All evidence points toward this: an entire person is only forgotten if they were physically present on the island when it vanished.
I'm pulling up two example cases to prove it: Siffrin and the Daydreaming One.
The thing with Siffrin is: we know he witnessed the exact moment the island vanished. And, very notably, Siffrin was in a boat.
You can get the dialogue that proves this only in ACT 2 in a secret room most people don't find on their first playthroughs, which is both very funny and very evil. Here's the dialogue.
Siffrin: "I ran away from home once!" [...] Siffrin: "And so I took our boat! Got to the beach, rowed away from the shore a bit. I was going to come back right away, I just wanted to scare my parents a bit!" [...]
Siffrin: "I started to row back towards the shore... And then, I... I... ..." Isabeau: ... Sif? Siffrin: (Woah! What?) "Um, yes?" Isabeau: Um... You were telling us how you ran away from home? Siffrin: "I... was?" Odile: You... Were. Bonnie: DID YOU FORGET WHAT YOU WERE TALKING ABOUT WHILE TALKING ABOUT IT?!?
Siffrin is from the island, but was not physically present when it disappeared. This resulted in Siffrin forgetting their entire identity, including given name and spoken/written language.
Additionally, this is confirmed via Word of God to be the exact moment the island disappeared, so here's proof I'm not reading into it:
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Shoutout to bibliomaniac's insane google spreadsheet for the easily searchable screenshot. god bless. Brinny, ily.
On the other hand, with the Daydreaming One, we have proof of a person who is not originally from the island, but was physically on it at the time of disappearance.
Siffrin: "Don't you have a sister?" Daydreaming One: I... I don't? I just said I'm an only child, silly!
(For her to forget someone like her sister, so easily... Her sister must've traveled to...)
Secondly, we know that remnants of the island were not completely forgotten immediately.
Memory faded gradually, starting with the ability to still speak and think about it with accompanying headaches, until it ramped up in intensity and everything is simply gone.
The Sparkling Diary in the library is more or less proof. Memory of the island was gone, but... people still remembered that they forgot something. People still knew what they were talking about, (an island north of Vaugarde), just without the specifics.
"Urgh. Also, Dad noticed no one can say the name of the island north of here anymore?" "I tried to say it yesterday and I got like the WEIRDEST headache for HOURS."
And Odile also remarks the following
Odile: We also know that people could remember that country clearly, before.
This will be relevant later. Moving on.
CONTRIVANCES
THE HOUSE'S OBSERVATORY
SO. The House of Change of Dormont has this funny little room on the third floor. It's an observatory. To look at stars with. When entering this room for the first time, Mirabelle says this:
Mirabelle: What...? Was there a room like this in the House? Y-yeah, I remember! Someone was working here... Studying... They looked like... ... Um... Sorry, I can't remember.
This reveals to us several things:
This room is innate to the House, and not brought here by the King's weird redecorating
Someone from the House was using it for study
All memory of who or what was studying and being studied was erased alongside the island's existence
Of course we can say, "yo, what if Euphrasie was using this room and just forgot?" but that is. a headcanon. I ADMIT! It is a stipulation
However, I find the general presence of the Island written all over the House incredibly interesting.
Inside the Observatory, there's a pile of papers with messy handwriting. You can't read these in until ACT 4. Even in ACT 4, you can't read them. But you do learn what's written on them.
(A pile of papers.) (It looks like someone was trying to write your country's name.)
Inside the observatory is also a globe. Upon repeated interaction in... act 4, i think, you get this:
(You see a spot on the globe where the paint has started wearing out, like someone kept dragging their finger on it.) (You drag your finger there too.) (Erased. You almost want to look for lightless paint.)
BOOKS
During the various quests to discover the truth of the loops, you run into a lot of books, written in the forgotten language. Now, Dormont is not close to the island. Dormont is not close to the coast.
Bambouche is. That's why Bonnie has heard about the island before and knows it was a big deal - they lived really close to it.
Bonnie (and then1): I think, I think my village was really close to it!!! My sister said it was all everyone could talk about for weeks!!! Mirabelle (anxious1): That's so frightening... I'm glad that whatever happened, she didn't get caught up in it!
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As we can see in this map, Dormont is in the southern half of the country, and very centrally at that, meaning it has basically maximum distance from all waters and ports. So why does this landlocked small town have so many books in this language?
These aren't just dry books, either. In Dormont's library, there's actually a translated version of volume 2 of The Cursing of Chateau Castle.
(You take the book out again.) (You can read its title, now...) (Your heart is beating, badump, badump, badump.) (It's...) (... A translated copy of "The Cursing of Château Castle", issue #2.) (You start laughing.)
CONCLUSION OF THIS SECTION
Islanders lived in Dormont. Maybe even multiple! We've established that whoever is in Dormont when it vanished would not simply disapper, instead
they forgot where they're from.
One day, the islanders in Dormont could no longer remember being anywhere but Dormont. Being anything but Vaugardian. The observatory fell into disuse, as the person studying there gradually forgot what they used it for, even as they desparately tried to hold onto it, boring holes into the globe, and scribbling its name over and over until its unintelligible.
And, in all likelihood, eventually that knowledge was just gone forever. They simply became part of Dormont, none the wiser to their own history.
Books slipped into cracks. Rooms fell into disuse. Nobody remembered to clean out the remnants.
Now. The real cinch of this.
Why, in particular, do I think Euphrasie is one of them?
Answer me this, then.
How does Euphie know what Wish Craft is?
1. How could she read it?
Euphrasie knew specifically that Wish Craft exists, when all books on it are written in a language nobody can read.
The book in the storage room? The diary in the room behind the star door? The book in the secret library? None of them are legible.
There are no legible records of Wish Craft.
2. What about the Favor Tree?
Euphrasie knew specifically that Wish Craft is related to the Favor Tree. It's also a Vaugardian practice to make requests of the Favor Tree, but they're just that - requests. Nobody thinks they actually have power.
Only Euphrasie does. She thinks it's the key to defeating the King.
(This is... A list of people who wished to save Vaugarde!!!) (You look around her desk, trying to find out more.) (Why would she record the people who wished to save Vaugarde?) (... There!!!) (It's a little notebook, jammed between random boring paperwork...) (In it, the Head Housemaiden talks about Wish Craft... How in the days before the King attacked, she noticed everyone was wishing to the Favor Tree for the same thing:) (To save Vaugarde.) (And she started wondering if this wish could be the key to the King's defeat, somehow...) (So the Head Housemaiden knew about Wish Craft!!!)
Except, when Isabeau talks about it...
Isabeau: Well, it's just a random big tree. But when you're a believer of the House of Change, the biggest tree in a certain place is called a Favor Tree! It's like, it’s the tree with the most power, so you can ask it things? As a favor?
He struggles a little to explain it. Almost, as though the tradition came from some other culture, imported into Vaugarde, and no one can definetely remember where it came from.
To note, here, is that the Favor Tree is hugely associated with Loop, and wishes in general. Wishing on a Favor Tree is such a hugely powerful ritual when executed correctly, that it caused the entire timeloops.
And I'm not even gonna break out citations to prove that Wish Craft is associated with the island. Come on. You know that. You played the game. It's required to beat the game.
If you haven't beaten the game, what the fuck are you doing here. Go back and play it, baka.
3. Something's breaking, failing, rotting
At the end of ACT 4, when Siffrin confronts Euphrasie about her knowledge of Wish Craft, Euphrasie is distinctly aware of this: the people of Vaugarde are wishing wrong.
It's true. All of Vaugarde wished to the Favor Tree, wished for us to be saved. We wished for a savior. A way for us to win against the King. And Wish Craft gave us the means to do it, didn't it? Made sure it'd work? [...] But... But something went wrong, didn't it? Something goes wrong, every time!!! [...] The only answer I can find... Is it's because we did it wrong. I don't know what happened But we must've done it wrong!!! None of us in Vaugarde knew the exact ritual, but-- But we must have done it so wrong, it broke, and it doesn't answer to us at all anymore!!! [...] I don't know, I don't know, I don't know!!!
There's only one person who knew how to make a Wish correctly. And he made it by sheer instinct. Something they could not place even if they tried. Just... a forgotten ritual, dredged back up by muscle memory. Something he's probably been doing since he's a little kid, something that's so backed into their habits they use Wish Craft to carve figurines out of wood.
To end, I leave you with this. Dialogue you get when you try to talk to Euphrasie again, before you talked to everybody else.
If you talk to me... REALLY talk to me... It's all over. What "it" is, I have no idea... I know... I can feel that... I couldn't change whatever comes next, even if I wanted to. But I know it is the will of the Change God. Or, no, perhaps... The will of something even bigger... ... Something will end, once you talk to me.
There is a way for Euphrasie to know all of this. To know Wish Craft exists, to be aware she's doing it wrong, but not knowing, remembering quite enough to get it right.
If she knew it all beforehand already.
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wynnyfryd · 1 year ago
Text
Trailer park Steve AU part 30
part 1 | part 29 | ao3
cw: Steve Harrington committing unforgivable thought crimes (besmirching LotR)
"Uh," Steve stammers as Eddie tugs him off the couch, because he just propositioned the guy while covered in snot and tears and wearing a blanket as a cape, and now that guy is holding his hand.
Eddie doesn't let go after he gets him to his feet. Their fingers lace together, and his palm is soft and warm, his fingers slightly callused. Steve can feel his own pulse pounding in his wrist.
"Simmer down," Eddie teases, "I'm not having sex with you. Yet," he adds with a lewd waggle of his brows when Steve puppy-dog pouts at him. "This is better than sex, anyway."
"If you're having shit sex, maybe.” Steve rolls his eyes and lets himself be dragged past a messy counter, where Eddie stops to grab a black lunch box and a cassette tape, a tissue for Steve’s face, then down the hall to Eddie's bedroom.
"My kingdom," he grins as he shoves the door open and waves Steve through with a bow.
His room is amazing. Awesome and terrible all at once: awesome, because it looks like someone put Eddie’s essence in a blender and ran the blades without a lid, and terrible, because the place is a fucking pigsty. There’s a bag of bread on the floor.
Eddie tells him to make himself at home, so Steve plops down on the edge of his bed, takes in the explosion of artwork tacked to the walls while Eddie buzzes around the room — swoops and swoons like a drunken bee, kicking shit into messy piles, sticking a cig in his mouth and forgetting to find the lighter, turning on the stereo. He pops in the cassette, and Steve lets out a surprised laugh when he hears the upbeat strumming.
"Rumours? Really? That's your 'better than sex' cure?"
Eddie cranks the volume. "It's workin’, ain't it?" he mumbles around the unlit cig.
Steve tries to frown and fails. "…Shut up."
Eddie snickers at him; gives him the cutest smile he's ever seen, nose scrunched up, eyes crinkled at the corners, then he tucks the cigarette behind his ear and shakes his hair out with a grimace. “Christ, it’s hot in here." His hands move to the hem of his shirt. "Look away or don’t, baby, I’m changin’!”
Steve smiles and averts his gaze, falling back on Eddie’s bed and looking at the ceiling with his legs dangled over the edge. In his periphery he can see Eddie hopping gracelessly around the dresser, trying to tug his foot out of the end of his skinny jeans, cursing under his breath; dropping all the ‘g’s off the ends of his words.
"I like your Southern accent."
"Do ya now?" Eddie throws it on thick, really hamming it up, "Well then, I reckon it's plum near the most attractive dad-gum thing y’ever did hear 'round these here pawrts."
Steve honks a mortifyingly stupid laugh, which makes Eddie laugh like a chime in a windstorm, which just makes Steve laugh even more, and maybe Eddie was right.
Maybe this is better than sex.
He wipes at his eyes, misty for a good reason for the first time all night, and when he looks up again Eddie’s dressed in his pajamas. Dark gray gym shorts, a black cut-off tank, the arm holes deep and loose to expose his armpit hair, his ribs.
Steve’s mouth goes dry.
Eddie’s wiry and pale, firm muscle wrapped around his string-bean frame, and he's covered in tattoos — black line art and gray shading, fantastical beasts and staffs and swords, a crazily-detailed set of serpent scales snaking up his side. But it's his legs that catch Steve's eye.
His legs are covered in words. Words and doodles everywhere, from his calves to his thighs, the lines wobbly and thick like Eddie put them there himself. There are quotes in sloppy cursive, longer ones in blocky print; a few stylized to look like comic book dialog, the words POW! and DANGER outlined in spiky bubbles above his knee. Steve wants to trace the lines; rehearse him like a poem, learn each ink stroke with his fingers until he can recite them all by heart.
Eddie catches him staring and gives a small, pleased grin. “Like what you see?”
Steve’s tongue feels too big for his mouth. “Yeah. I really do.”
The smile widens. Eddie clambers onto the bed, stepping over Steve’s head and plopping down beside him with his back against the wall, one leg drawn up, the other stretched out long and loose.
Steve shifts to lay the same direction, and his shoulder brushes Eddie’s leg, his wrist ghosting against his ankle bone. He doesn’t pull away; likes the look of their skin tones side by side — the smooth desert landscape of his inner arm, accented only by a few veins and moles; the riot of ink and art all along Eddie’s shin. Eddie’s feet are bare, and they’re wide, a little hairy (reminds Steve of Dustin’s nerdy ring book, and he almost says as much, but he knows Eddie’s even more obsessed with that shit than the kids are. He really doesn’t want the dude to pop a brain boner and spend the next four hours lecturing Steve about jewelry lore.)
“What are you giggling at down there?” Eddie nudges at his elbow.
“Nothing,” Steve says, and Eddie responds “All right then, keep your secrets” in a silly character voice. He stretches to the side and grabs a joint off the bedside table.
“Now,” he says, voice slipping into that deep, slow sing-song thing he does — his sales pitch tone, Steve realizes. “This part is, of course, completely optional, but. In my humble, expert opinion—”
“So humble,” Steve teases under his breath.
“—It really enhances the whole experience.”
“The Stevie Nicks Therapeu- thera-” Oh, screw it. “Un-saddening Experience?”
“That is correct.” He holds it out over Steve’s face, wiggling it in offering, and Steve thinks about his conversation with Robin over brunch:
"I can't believe you did coke.” "I can't believe you smoked weed." "I know." "Was it okay?" He hasn't tried weed since... "Yeah," she answers seriously. "Yeah, it was okay. It was nice, actually."
“Okay,” he decides. I trust you. “Let’s do it.”
Eddie puts the joint between his lips and lights it up.
part 31
listen i know it’s a quote from a movie that will not exist for another 16 years just let me have this. tag list in separate reblogs under '#trailer park steve au taglist' if you'd like to filter that content. if you want to be added tomorrow please comment and let me know (must be over 21; please either verify in the comment or have your age visible on your blog)
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monakisu · 11 months ago
Note
I want you to know that I came across a random post of your Death Note art, went "Awww, oh my gosh, with the way this person draws Light I think Akechi would look fantastic in the same style!", clicked onto your profile, and then saw your newest artwork was Akechi. I'm still kind of cackling over it and thought maybe you'd find it funny too. Your art is SO cute, I'm very happy I found it <333
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HAHA THAT’S AMAZING (<< was an akechi artist wayyyy before i fell head over heels for light)
but rlly… theyre so similar:
- brunet
- asshole
- pretty boy
- mass murderer
- black-haired homoerotic rival
at the end of the day, the key difference is one is a top and the other is a bottom.
ok but seriously, they’re vastly different characters on a fundamental level:
- light was handed everything him on a silver platter: family, friends, looks, intellect, a comfortable life… as a bastard child of a sex worker and now an orphan, goro had to fight his way to his current position and will always harbor a terrible sense of inferiority (light is completely confident in his absolute superiority, Always (that’s why the challenge of L sent him off the deep end of obsession lol))
- light genuinely sees himself as a hero, while goro would like to feel the same but is nonetheless depressingly aware of his villain’s journey (his undesirable position as the detective vs the underdog phantom thieves, his string of assassinations, his ultimate dirty bloody goal, etc.).
- light’s motive is about the world’s salvation, cleansing, the birth of his ideal reality (very messianic of him with the slightest loving tinge of mary cradling her lamb hahaha) while goro is laser-focused on ruining this one asshole’s life in particular, vengeance and revenge at once! one’s focused on rebirth, and the other gunning straight for death! they both use murder to get what they want but light probably floats around thinking himself so clean and divine as mother of the world (ignorance is bliss) while goro is constantly desperately trying to cover up his suspiciously red hands with his gloves hehehe… they’re both constantly striving for perfection, just with varying levels of self-awareness!!
- goro is a canonical loner; light has a horde of friends; this is probably due to a difference in public persona! goro is an untouchable idea of what he thinks a human should be and is completely out of the loop when it comes to normal social interactions (believes opening with hegel will instantly endear himself to the average person (luckily he inflicted that upon akira who is decidedly not average in the slightest)), light is implied to be more down-to-earth and even slightly goofy (he’s gaming decorum like an advanced speedrunner)! it’s probably good how distant goro is, because getting any closer to him will allow you to see how off-putting and uncanny he is, sorta like an AI-generated image—seams in the wrong places and far too much teeth LOL. meanwhile light has this whole shebang so thoroughly figured out that he’s BORED with it all! he’d like to move on to the next game (with L), thank you!! light definitely still exudes uncanny creepiness (it’s his natural state of being) especially when he zones out or starts hysterically cackling out of nowhere at his own thoughts, but he’s a hundred times better at masking compared to goro due to a better upbringing. goro is starved for the adoring friends he sees akira easily picking up one after another; light couldn’t give less of a shit because he’s always had those trivial luxuries! he’d much rather prefer an adoring WORLD!!
- then there’s the difference in how they die… one started out surrounded with company but ultimately died alone, while it’s the opposite for the other (if you count the de-realization of maruki’s reality as goro’s “death” (which i don’t)).
- in conclusion, light and goro are like funhouse mirror reflections of each other!!! one is a pampered lapdog getting a taste of rabies and letting loose, while the other is a starving wolf trying to domesticate itself for treats and headpats!! and i <3 them both!!!!!
anyways i may be wrong about light because im going purely off of fics, tumblr shitposts, and my own imagination :] feel free to school me in a way that won’t destroy my delusions!
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yukipri · 6 months ago
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Some thoughts on Cara
So some of you may have heard about Cara, the new platform that a lot of artists are trying out. It's been around for a while, but there's been a recent huge surge of new users, myself among them. Thought I'd type up a lil thing on my initial thoughts.
First, what is Cara?
From their About Cara page:
Cara is a social media and portfolio platform for artists. With the widespread use of generative AI, we decided to build a place that filters out generative AI images so that people who want to find authentic creatives and artwork can do so easily. Many platforms currently accept AI art when it’s not ethical, while others have promised “no AI forever” policies without consideration for the scenario where adoption of such technologies may happen at the workplace in the coming years. The future of creative industries requires nuanced understanding and support to help artists and companies connect and work together. We want to bridge the gap and build a platform that we would enjoy using as creatives ourselves. Our stance on AI: ・We do not agree with generative AI tools in their current unethical form, and we won’t host AI-generated portfolios unless the rampant ethical and data privacy issues around datasets are resolved via regulation. ・In the event that legislation is passed to clearly protect artists, we believe that AI-generated content should always be clearly labeled, because the public should always be able to search for human-made art and media easily.
Should note that Cara is independently funded, and is made by a core group of artists and engineers and is even collaborating with the Glaze project. It's very much a platform by artists, for artists!
Should also mention that in being a platform for artists, it's more a gallery first, with social media functionalities on the side. The info below will hopefully explain how that works.
Next, my actual initial thoughts using it, and things that set it apart from other platforms I've used:
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1) When you post, you can choose to check the portfolio option, or to NOT check it. This is fantastic because it means I can have just my art organized in my gallery, but I can still post random stuff like photos of my cats and it won't clutter things. You can also just ramble/text post and it won't affect the gallery view!
2) You can adjust your crop preview for your images. Such a simple thing, yet so darn nice.
3) When you check that "Add to portfolio," you get a bunch of additional optional fields: Title, Field/Medium, Project Type, Category Tags, and Software Used. It's nice that you can put all this info into organized fields that don't take up text space.
4) Speaking of text, 5000 character limit is niiiiice. If you want to talk, you can.
5) Two separate feeds, a "For You" algorithmic one, and "Following." The "Following" actually appears to be full chronological timeline of just folks you follow (like Tumblr). Amazing.
6) Now usually, "For You" being set to home/default kinda pisses me off because generally I like curating my own experience, but not here, for this handy reason: if you tap the gear symbol, you can ADJUST your algorithm feed!
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So you can choose what you see still!!! AMAZING. And, again, you still have your Following timeline too.
7) To repeat the stuff at the top of this post, its creation and intent as a place by artists, for artists. Hopefully you can also see from the points above that it's been designed with artists in mind.
8) No GenAI images!!!! There's a pop up that says it's not allowed, and apparently there's some sort of detector thing too. Not sure how reliable the latter is, but so far, it's just been a breath of fresh air, being able to scroll and see human art art and art!
To be clear, Cara's not perfect and is currently pretty laggy, and you can get errors while posting (so far, I've had more success on desktop than the mobile app), but that's understandable, given the small team. They'll need time to scale. For me though, it's a fair tradeoff for a platform that actually cares about artists.
Currently it also doesn't allow NSFW, not sure if that'll change given app store rules.
As mentioned above, they're independently funded, which means the team is currently paying for Cara itself. They have a kofi set up for folks who want to chip in, but it's optional. Here's the link to the tweet from one of the founders:
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And a reminder that no matter that the platform itself isn't selling our data to GenAI, it can still be scraped by third parties. Protect your work with Glaze and Nightshade!
Anyway, I'm still figuring stuff out and have only been on Cara a few days, but I feel hopeful, and I think they're off to a good start.
I hope this post has been informative!
Lastly, here's my own Cara if you want to come say hi! Not sure at all if I'll be active on there, but if you're an artist like me who is keeping an eye out for hopefully nice communities, check it out!
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