#not getting to see johnny punch mike in the face
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Any LaBarnes meta?
I love talking about Mike, so yes.
This dynamic is so good because, from Daniel's perspective, Mike is probably both his worst rival and his best at the same time.
Mike had no beef with Daniel the way Johnny and Chozen did; he was being paid to act like that, and well, he's a little like Angel Eyes in that way. But if you watch his interactions with Snake and Dennis, he treats them like his little flunkies sometimes, and that suggests that he's only putting up with them because Terry's making him rather than enjoying their company. Mike strikes me as a lone wolf type who minds his own business, and I honestly can't think of a scenario where he would beef with Daniel if he wasn't literally being paid to. Snake even says "He's usually a mellow guy". Of course he definitely goes overboard at times too, but well, with a reputation as "bad boy/tournament terror" no one's accusing him of being an entirely stable individual lmao.
And btw, I love the moment where Daniel is punching him and Mike is just like, "Don't do that." Who else would just tell someone not to hit them instead of immediately hitting them back?
Plus this???
Porn parody dialogue tbh..free my man Kreese.
Now onto CK and Daniel's immediate thought at "a friend of Silver's" is Mike fucking Barnes. And it's so funny how unhinged Daniel acts with Terry and Mike vs his first interactions with Johnny, Chozen, and even Kreese. Like when he sees him and tells Chozen that Mike tried to kill him once and "you don't forget or forgive something like that. except you!" but then it gets funnier when Daniel actually meets him and gets to experience that "mellow" side of Mike, and he instantly changes his tune. And the flirty behavior between them is off the charts.
"You're looking good there!"/"Left side, like you like."
Mike was so quick to apologize and then so quick to believe Daniel when he told him he wasn't responsible for the fire. He didn't want to get involved in the fight, but he did immediately give the name of the lawyer in an attempt to help Daniel. Who's doing it like him?? The best heel-face turn in the franchise
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ok am fascinated by the idea of physical strength as power in the miyagi-verse -- obviously cobra kai does this a lot, but you get it a bit in the karate kid too, more or less depending on your preferred read. that is, yeah, one might read daniel's kick to johnny's face, and punching out chozen, and the karate chop to mike's chest as mainly related to misdirection and confusion and underestimation, but there still had to be some power to them (mainly with regards to johnny and chozen + the fights daniel had pre-getting to the final in tkk1, mike did... not look that fazed, but also tkk3, it's a whole own thing)
all of this to say that I think ideas about physical strength and how I carry that into cobra kai the show play into how I feel about end s5 and daniel's final fight against terry. I also do find the narrative rushed the confrontation, and so neither terry nor dae-un had anything to do in the second half apart from terrorising tory specifically and then getting randomly attacked by johnny and co + the kids, and daniel with the amanda+carmen squad, and so I was just sort of disappointed to see all of that going nowhere very fast
however, even without that I personally didn't like the narrative of daniel's power coming from physically overpowering terry, for a variety of reasons (which I won't go into on this post), and so when I was first writing about it I was pretty scathing, but did see others who were much more into it, which I am curious to hear more of the reasons for + also if you also weren't so into it, or have more mixed feelings
and as I said in the first paragraph the karate fairytale story in which daniel/ralph is strong enough to physically defeat his opponents does have credence from the very first karate kid -- that was some kick to johnny's face after all, he was fully writhing about down there, and chozen was knocked to the ground with several punches, so it's not like daniel can't fight back
so overall I'm wondering what others feel about it/what the thought processes for others were while watching that scene --
was there satisfaction in watching daniel physically overpowering terry, a yay or a nay or a mix of both?
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THE ONLY SECONDS THAT MATTER
CHAPTER THIRTEEN IS UP!
Genre: Contemporary Romance Rating: 18+
Includes: Extensive horse nerdery + cowboys, mxm romance (1 trans + 1 cis), some discussion child abuse, some instances of trans/homophobia (it is rural Oklahoma, y'all), depression, occasional sex scene (but it’s a slow burn for sure)
Victor Ortiz-Bennett had some reservations about moving to Oklahoma, but his late aunt willed him a 70-acre horse farm, and he decides to fulfill his dream of running and operating his own training facility. Victor’s been around the reining horse show circuit for a while, and he’s ready to settle down, travel less, and spend more time with the horses he loves and away from the people he can do without. That is, until he picks up a horse at an auction with a bucking problem he can’t fix, and he has to take her to the one guy who can ride anything– Johnny Stearns, a retired professional rodeo rider.
Johnny Stearns is loud, chatty, eccentric, and fears nothing, exactly Victor’s opposite. However, Victor finds himself sinking into an odd friendship with this new foul-mouthed cowboy without a filter, diving deeper into the mess that is Johnny’s life until there’s no way to extract himself from it. Johnny may talk a tough game, but there’s more to him than he’ll let most people see. Victor knows getting in too deep will mean a rough ride, but if there’s anything Johnny’s taught him, it’s how to stay in the saddle.
Excerpt:
“Taylor here?” Mike asked around a cheek full of chew.
“Did you get a call from Johnny?” Victor asked.
“What about ‘im?” Mike turned and spotted Johnny’s truck further up the driveway. “Ain’t he at work? What’s he doin’ here?”
“What are you doin’ here, you fat son of a bitch,” came Johnny’s growl from behind Victor. Victor started to face him, but he was shoved out of the way by Johnny so roughly that Victor staggered and nearly fell. When he gathered his bearings, he turned toward Johnny and shouted in surprise. Johnny was pointing a fucking shotgun right at Mike. Mike looked just as shocked as Victor, his mouth falling open as he lifted his hands skyward.
“What the fuck you doin’?” Mike asked.
“You put your hands on my niece one more goddamn time and they’ll be finding fragments of your skull the next county over,” Johnny growled.
“Don’t you point that thing at me! I’ll call the cops on your ass.”
“Johnny, Jesus Christ,” Victor said, stepping close but afraid of reaching out to touch Johnny in case it made him react impulsively. “Put down the gun!”
Johnny lowered the gun, but not low enough to make it less dangerous. “You wanna beat somebody, you beat somebody who can put your ass in the dirt.”
“You stupid ass motherfucker, you don’t have the guts to shoot me. Put the gun down and fight me like a man if that’s what you wanna do so bad.”
“Don’t you da—” Victor began, but he was cut off by Johnny tossing the gun away and catapulting himself at Mike. In half a second they were in the dirt grappling with one another, and it was so sudden and chaotic that it took Victor a few seconds to realize how to act. After Johnny reared up and punched Mike across the chin, Victor grabbed the back of his shirt and tried hauling him back. But Johnny was stronger than he looked, and he’d spent half a life getting the shit kicked out of him by twelve-hundred pound animals. Even when Mike slammed a fist into his head, Johnny wasn’t deterred. He got another punch to glance off Mike’s cheek, and Mike let out a roar of rage. Victor tried again, this time wrapping an arm around Johnny’s neck to yank him back. Johnny had burned through much of his adrenaline, so it was easier to budge him this time. He toppled over with Victor into the grass, then tried to scrambling to his feet, but Victor got a hold of his belt this time to keep him from rejoining the fray.
Mike hauled himself to his feet and staggered back against the SUV for balance, wiping blood from his nose and lip. “I can see where Taylor gets her fuckin’ attitude from. Maybe if your daddy belted your ass more, you wouldn’t be such a piece of shit.”
Johnny shoved Victor back, eager to have another go. Victor was able to hold on and hold his ground, digging his heels in like he might with a flighty mustang trying to drag him around a round pen.
“You better drive on home, boy,” Johnny snarled. “Before I show you what a real beatin’s like!”
#solving things the redneck way as usual lol#The Only Seconds that Matter#original fiction#patreon#excerpt#update#my writing
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Can you do how ck and kk would react to us getting attacked and hurt by Daniel or Johnny
Of course I can ☺️Thank you for the request 🖤
(kk3) It was already getting dark when I made my way home to Terry. I had a few drinks with a friend and Terry couldn't join us cause he was busy with training Mike Barnes for the tournament. I was deep in thoughts when I suddenly heard footsteps and a familiar voice behind me. "Hey Y/N wait a second I wanna talk to you." It was Daniel LaRusso, Daniel and I were friends before Terry and I started dating. I rolled my eyes at him. "What do you want?" I asked crossing my arms in front of my chest. "Y/N please listen to me. Please stay away from Terry Silver he's not good for you he's... he's evil." I started to get angry. "Don't you dare say something like that about him. Terry always treats me right and he's the nicest person." Daniel put a hand on my shoulder "He's using you, he's playing a role Y/N!" that was enough I pushed him away from me. "Shut your goddamn mouth LaRusso!" I was furious and Daniel was also getting angry. He approached me and pushed me against a wall. "You'll see what you get from that." then he left. My whole body was shaking and my elbows were bleeding from being pushed against the wall. When I finally got home Terry greeted me with a smile that slowly faded when he saw in what state I was in. "Babe my god what's wrong? Come here!" he takes me in his arms and I immediately start crying. "It's... I was going home when... Daniel came and." He guided me to the sofa and put an arm around me. "What did he do? Did he touch you? I swear if he touched you..." I looked at him "He said you're evil and that you're not good for me. That you're using me and when I told him to shut up he pushed me against a wall and now my elbows hurt." I showed him and Terry's eyes went dark. "Oh my God you're bleeding babe! I kill him, I kill that fucking kid." I never saw Terry so angry before. But the his look softened when he looked at me.He stroked my cheek"You know I'm not using you right baby? You're the most important person in my life. I love you so much." I smiled at him "Of course I know that you're always treating me good and I love you too honey." Terry pulls me into a soft kiss. " Let's take care of your wounds baby and I swear LaRusso will regret that he put his hands on you."
(CK) I was on my way to the dojo to meet Terry for lunch when I bumped into something or into someone. I looked up and there stand Johnny Lawrence. "Look who we have here, Silvers little pet. Is he not tired of you yet?" he said and laughed. "What do you want Lawrence? Don't you have another kid to treat like shit?" he took a step forward. "You'll take that back!" he says in a low voice. "Make me!" I said looking straight into his eyes. Immediately he goes into the fighting stance and I did the same. I easily blocked his first few attacks but when I stepped backwards I tripped over an empty beer can and lost my balance, that's whe he landed a hit right in my face. To my luck a few of Terry's students came along and Lawrence left. They accompanied me to the dojo and when I entered Terry noticed that something was wrong. "My love, what happened to your face?" Terry put a finger under my chin and inspected the bruise that formed on my cheek. "Lawrence happened, I was on my way when I bumped into him, we started fighting but I tripped and he punched me right in the face. When your students came he left." Terry had still a concerned look on his face. "Does it hurt bad sweetheart? Come with me let's get you some ice." he takes my hand and we're walking into his office. "Sit down my love." I took a seat in one of his black armchairs. Then Terry appears with a cool pack. "Here my love, gently." he smiles at me, he sits next to me and calls some of the new senseis. "It seems Mr Lawrence needs to be reminded of how to treat a lady. I want you to pay him a visit and teach him a lesson but make sure he doesn't get hurt. I want him to be well for everything that follows." with that the senseis leave the office. "No one gets away with hurting my girlfriend."
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Mike didn’t know why Briggs asked him to grab the drinks with him. At first, he figured Briggs just didn’t want him alone with the others. But the continued idle chatter and small talk disproved that theory.
They stood in the kitchen as Briggs deposited bottles into a cooler. There was nothing for Mike to do except watch him with folded arms. Awkwardness hung over them, both men aware of how each other felt.
Mike wanted to interrogate him, but men like Briggs needed incentive to tell the truth. Right now, he didn’t have any.
‘You can’t keep staring at me like that, Mikey. A guy might get the wrong idea.’ Briggs finally broke the silence as he latched the cooler shut.
Mike sighed, glancing away with a few quick blinks. How long had he not blinked?
‘Look, I know you’re mad at me.’ Briggs’ tone was the same one Mike’s parents gave when they were about to make an excuse for being assholes. But Briggs stepped up to Mike with seemingly genuine concern in his eyes. ‘I should’ve let you know. After sleeping on the plan, I realised it was the best fit.’
Mike stared up at him, considering his authenticity. But if anyone could manipulate him, it would be Paul Briggs. So he took every word with a healthy hint of scepticism.
Briggs huffed and tilted his head in a shrug. ‘But I couldn’t get back into the club. Turns out there are cameras in those private rooms. No sound, but we should have expected it.’
Mike licked his lips and nodded as if he bought a word of it. But he wondered how Briggs knew that there were cameras.
‘Hey. Hey.’ Briggs lightly punched Mike’s chest. ‘You got Emma out. And I know the tracker? That was you, right?’
‘The iPad, too. We got it.’ Mike licked his lips again, his mouth suddenly very dry. ‘Like I said I would.’
Briggs’ face broke into a genuine smile. ‘See? MVP.’ He hefted the cooler from the counter. ‘You show me the iPad in the morning, alright? Tonight, no more work.’
The pair headed down from the mansion, laughing about a teacher they both had in Quantico. The same angry profiler had trained them and was as insufferable as ever.
‘Really! He threw the fake teeth across the seminar hall. I thought I was going to get hit,’ Mike said.
Johnny and Jakes were bickering about how to build a fire. The ladies /finally/ joined the guys not long after.
When they started to talk music, Mike sucked on his beer, watching them. He didn’t want to goad Emma into bringing musicals into it. And he doubted any of the others wanted to.
Emma playfully rolled her eyes, pushing Briggs’ shoulder with her palm. ‘Everything you do you consider a masterpiece. We consider it a pain in our asses.’ She slipped out of his grip, moving back toward the couch, to where Johnny was still licking the excess chili off of his fingertips. 'Seriously?’
'Come on hun, we’re on music and comfort duty.’ Charlie draped her arm around Emma’s waist, and Emma jolted slightly a sting echoing through her body. Charlie squinted at her but then her face slowly softened as her gaze flickered down to Emma’s lip. 'And let’s see if I have something to help with that lip of yours.’ But Emma knew there were to be other questions as Charlie pulled her back up the stairs.
The firepit was a heavenly sight as Emma and Charlie rejoined the others. She didn’t think that she would ever see it again, never to smell the smoke or to hear the waves crash behind them as the wood crackled against the fire.
'About time the two of you showed up!’ Johnny chuckled, standing only to hand each of them a beer.
'Women stuff Johnny.’ Charlie sneered, playfully pinching him as she settled beside Briggs and Jakes.
'And I had to make sure I picked the proper music for tonight.’ Emma slid herself down against one of the larger rocks surrounding the fire.
'Please tell me none of that techno shit.’ Johnny groaned, taking a swig of his beer.
'Hell no, I think I can speak for both Mike and I that we have had enough techno music for a bit. Though it never really made it into my playlists.’
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I saw that you are a Johnny Tuturro stan and can we just talk about him for a minute. I found Graceland through my very obvious love of Rio and Johnny is literally the cutest! He is by far my fav on that show. Like my heart hurts when he hurts type of thing. He is so so so goofy and his smiles just light up the room. There are not enough blogs talking about him anymore and it makes me sad. Like I literally just wanna hug him. Ugh.
HI HELLO YES we can literally always talk about human sunshine around these parts. enthusiastically agree to johnny being the fav!!! i am theoretically aware that there were other people on the show (specifically charlie) but after probs about like, 74% of the first season i was more or less entirely just watching for johnny and could not actually tell you anything else that was happening besides no one in the house deserving him AT ALL (again, except charlie) (mostly)
ALSO if you haven’t already, highkey recommend you check out @gabrielllas johnny tuturro in every episode series for it will bring you GREAT JOY
#short list of things i am going to die mad about:#not getting to see johnny punch mike in the face#(WE ALL DESERVED THAT)#NO ONE appreciating the bounce house#the kissing the gun thing and the way i'm never gonna stop thinking about it#this is a johnny tuturro stan blog#shut up meg#Anonymous
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Eddie the Banished
Eddie Munson x Byers!fem reader
Word count: 6k
Summary: Eddie helps you have a great time with your little brothe
Part 2 Part 3
A/N: this idea had been in my mind for a long time, because I love Will and I hate how his friends treat him, lol
There's no Vecna incident here at all, it's just the Byers going on vacation back to Hawkins.
You were still looking toward the entrance with slight nervousness, waiting for the night bus to arrive at Hawkins. Everything had been very difficult since the Starcourt mall fire and it had taken you a long time to find a decent rhythm of life again. Your mother, brothers, and your now new sister had gone to live in California, but no matter how hard you tried, you couldn't leave your life in Indiana. Jonathan had no problem with changing schools, but for you it was very difficult; You were in charge of the literature club. And I mean, to a lot of people it might seem silly, but you'd been fighting hard for that position since you entered high school and you weren't about to give up. Besides, that same passion for writing had gotten you a job at the Hawkins Post (now without those awful men who mistreated Nancy so badly) and you couldn't deny that the pay was decent.
You don't even know how you convinced your mom, Joyce Byers herself, to let you stay in town for the rest of your year of high school.
Although she would never admit it out loud, Joyce took pride in you. From a very young age you had been independent, hardworking, and great support for her, so when you asked her to let you stay in the house, she couldn't say no. After all you were 18 years old and the sooner you got used to adult life the better it would be for you.
It was difficult, more than ever, because not only did you have to study, work and take care of the home, but also because now you were alone every day. It used to be comforting to come home and get a hug from your mom, fight a little with Jonathan, or watch movies with Will.
But hey, everyone had to grow up at some point and you were no exception.
“Y/N!” you heard in the distance You saw four people waving at you in the distance and almost fell on your face as you ran to meet them, completely excited.
"Will!" you laughed, looking at your little (not so little anymore) brother. He hugged you tightly as soon as he saw you and you reciprocated.
“I missed you so much” he confessed. You felt like you might cry at that, happy at the thought that, at least for a few days, you'd have your adventure partner back.
"I missed you more"
"Hello! Do you remember that you also have another brother?” Jonathan sneered from his place, annoyed that all your attention had gone to the minor. He wasn't going to admit it, but he had missed you too. You laughed and broke away from Will to punch your older brother in the shoulder, followed by a hug. Your mother saw the three of you with a smile and it didn't take long for you to surround her in a hug as well, now feeling a couple of tears slip down your cheeks.
"I'm so happy you're here" you exclaimed. Out of the corner of your eye, you saw a shy girl and noticed that it was none other than Eleven, who, like Will, had grown and changed too much. You also pulled her in for a hug and asked her if she minded being called her sister, to which she said no. She was happy to have a feminine figure like you in her life.
"Mike didn't come?" she dared to ask, with that tone that still sounded a little different.
"He promised to come to the house tomorrow to see us, today it's too late" you explained "And Nancy too" you added. Your two brothers smiled at that, after all he was supposed to be his best friend and his girlfriend who you were talking about "But well, we have to put the luggage in the car and go home"
“Do you have a car?” Will asked, quietly, a little surprised. You winked at him.
"It's my dear Steve's car, but don't tell Johnny I borrowed it from him" you laughed and he did the same. You walked next to your mother while carrying some bags and you smiled again when you realized that your family was indeed with you.
Finally your house would feel like a home again.
Frankly, Joyce was shocked when she got to the house. The house wasn’t remodeled, but there was no apparent damage either. It was still clean and tidy, with just a couple of your belongings. It didn't look like the place someone your age and on your salary would live, but in some extraordinary way you had made it work.
You agreed to let Eleven stay with you in the room, claiming that you could start getting along like sisters at last, and there was hardly any time to chat the night they arrived, as they were so tired that they went straight to sleep.
The next morning you found that your mother had gone down to the kitchen to prepare breakfast and you couldn't have been more grateful to her.
"So you have two jobs?" Jonathan asked once you sat down to eat breakfast at the table.
"That's right. Hawkins post in the afternoon and I'm a waitress at night. During the holidays I will also work in the mornings”
"And isn't it dangerous to work at night?" Joyce asked, to whom you had never told about this second job. Well, technically you had three jobs, but you were going to save yourself any illegal details for now.
"Not yet, the owners are good people and pay well, so I can't complain," you said, while you shrugged your shoulders.
"And do you study at school too?" she asked, now Eleven, dumbfounded by your occupations. You kindly nodded and she gave a soft 'wow' at that. At some point the conversation turned to them, as expected, and you found out about everything they had been doing both at school and work. You knew a thing or two from your weekly calls to Lenora Hills, but there was nothing like discussing it in person.
The doorbell rang as you were finishing your second course and then all chaos broke loose. It was, of course, the Wheelers, along with Dustin, Lucas, and Max. Everyone was there to greet your guests and you took advantage of some point in the confusion to go up to your room and change into the uniform of the bar where you were going to work.
"Are you leaving so soon?"
"Duty calls, mother" you joked, approaching her and kissing her "I'll be here by meal, I promise"
“Take care of yourself,” she asked you, worried, like any good mother, that someone in that bar was disrespectful to you. But hey, after facing a monstrous threat of death a couple of drunks seemed like a simple thing.
You quickly said goodbye to everyone and walked out the front door, ready to go about your daily routine.
“Welcome to The Hideout, how can I help you?” you hummed as you did with all the customers lately. It wasn't until you looked up that you realized who it was. Pretty smile, curly hair, and sparkling eyes "Oh our beloved rising rock star" you exclaimed, watching Eddie Munson sit across from you "What brings you here?"
"I wanted to have a beer and say hi too," he replied, his flirtatious grin never leaving him for a second.
It was funny how you met Eddie. You were in the literature club and previously had your own room for meetings, but due to cost cuts, you had to share space with the drama club. So it was that, at the beginning of the year, you found out that another club was operating in the prop warehouse, one called the “Hellfire Club”. You had heard of that before, but you thought it was just a prank to annoy the teachers, but it turned out that it was something formal and that it was a club where they met to play Dungeons and Dragons. You almost screamed when you found out and you were extremely sorry that due to time and availability issues you could no longer join that club. Still, you didn't avoid running into the guy a couple of times in the classroom, and soon after you got the job at The Hideout and found out he had a band that played there every Tuesday. How small the world was.
Thus you established a solid friendship with the boy, and as you got to know him you liked him better. One day you found out that he was selling drugs and Eddie was so worried that you might say something that he offered you to go into the business. You were surprised that he considered this the best decision, but that had been a difficult time and it suddenly seemed like a good idea. It was then that he went from being a complete unknown to being your co-worker and business associate.
You didn't even want to think about what your mother would say if she found out that you were keeping drugs in your house for the city freak.
"Dark beer, right?"
"You know me well," he exclaimed, with a goofy grin. You and Eddie had kissed a couple of times (nothing formal) when you found out it was a great stress reliever and he just because he was fascinated by you. Those encounters hadn't disturbed your friendship in the least, but sometimes you couldn't run away from those heart-eyed looks Eddie gave you. "I heard your family is here."
"Where did you hear that?" you asked amused. It was obvious that your family wasn’t famous and Eddie was only justifying his excessive attention to everything you said to him since you had only commented on it last Tuesday.
"A little bird over there" he exclaimed, brushing it off. You put the beer in front of him and leaned against the counter to finally see him properly.
"Well, it's true, they're here" you replied happily "And I'd still like to collect that favor you owe me"
“You just say the day and time, doll. I am available to you whenever you want,” he said politely. You smiled widely when you heard it and nodded, hoping that your day off would finally come.
You were just hoping the surprise would be nice for your little brother.
"What do you say we have fish for dinner later? I have some in the refrigerator and we brought vegetables"
"We just ate" he complained "Besides I don't like fish, you better order a pizza"
"Willam Byers, if we keep eating pizza like this, we're going to end up dead from diabetes or some shit" you laughed, as you maneuvered to open the door with shopping bags in hand.
"Diabetes is because of sugar, silly" he replied between laughs. There was nobody at home; Joyce had gone to whoever knows where, Jonathan was with Nancy, and El, obviously, with Mike.
Perhaps it was very childish behavior on your part, but you could tell without hesitation that you had contempt for Mike Wheeler. You weren't the best of friends from the start, but your feud was cemented a year ago, when he turned out to be a complete jerk to your little brother. You knew that maybe it was just adolescence and hormones that forced him to leave Will aside to dedicate his attention to Eleven, but it didn't justify the hostility with which he had treated him either.
That's how you built up that resentment and it ended up to the point where you practically couldn't stand to see it.
"Did you leave the light on?" he asked, looking around the room in confusion. You kept your composure and imitated the boy's face.
"I don't remember" you lied. Suddenly there was a crash and Will jumped in his place, almost dropping the bags that he had in his hand. You took them off and placed them on the kitchen counter, moving with mock wariness to check the living room, followed by Will.
You almost let out a genuine scream as you see a cloaked figure standing right in the middle.
"I finally found you two!" the person yelled, pointing a finger at you. His voice sounded slightly desperate "I've been looking for you for so long"
"Who are you?" you asked, looking him up and down; completely black clothing and his cape were bright red. You had always thought that red-suited him wonderfully and today you were checking it out.
“My name is Eddie the Banished and I am a poor exiled warrior who comes in the hope that you will help me save a home that disowns me” he explained to you. Will, who you hadn't seen until then, looked surprised rather than confused "Y/N the Lost" he called to you, approaching and gently taking your hand while looking at you with pleading eyes. Not for nothing was he at the drama club. "And of course, Will the Wise," he continued, now turning to your brother.
“No way,” he exclaimed, his gaze alternating between you and Eddie. For a second, you both grinned at him and it was only then that he thought to look further, only to notice a table neatly laid out with D&D items.
"What's the matter, Eddie the Banished?" you asked, stepping into character and grabbing the boy's cheeks as if you were genuinely concerned and he was devastated. Will was looking at you with a mixture of curiosity, amusement, and surprise.
"A disciple of Nuitari has been consumed by dark magic and wants to kill as many as he can to strengthen his powers and offer their souls as a sacrifice to his God," he said. You were amazed at the creativity that Eddie had to create the most wonderful plots and you fought not to smile. You were supposed to be in character, it was a time to worry "You have to contain him before it's too late and he manages to gather more of his people"
“But even I who am a good warrior cannot fight against dark magic.”
"I can," Will interjected, looking at both of you. You felt like you would scream with excitement.
“It will be dangerous”
"We have to do this, sister, we can't leave these poor people unprotected," he argued. He was in the story, as you had seen him so many times when you were little "Eddie the Banished, guide us to your village"
"Praise all the Gods, I knew that a couple of heroes like you wouldn’t deny a call for help" he thanked. You were about to say something else when he spoke again "But you can't go dressed like that" without giving explanations he went to the table and picked up a basket in which you used to put dirty clothes but now it contained something else: your old green cape and a robe full of stars, as well as a hat with the same print. Will's eyes glazed over a little at the fact that you had so carefully guarded that costume your mother had made for him so long ago, thinking that as he got older those games would become a thing of the past and he would have to 'mature' as everyone told him to do.
And then there was you and that crazy stranger you had acquired, both of you offering him one last adventure that would remind him of the happiness he lived when he was just a child.
“You don't have to do this if you don't want to,” you said, suddenly feeling fearful. Perhaps you had misunderstood everything and Will had changed his tastes and hobbies.
But he simply took both pieces of cloth and held yours out to you, making you see dark green velvet and purple satin with silver stars shimmering in the artificial light.
“This man has come looking for our help and that is what we are going to do; help him”
Eddie saw the most beautiful and brilliant smile of all on your face while you looked at the boy and he did not hesitate to hold your hand and Will's to pull you to the chairs.
You started listening to the backstory carefully, watching Eddie make all sorts of signs and lost yourself in his voice after a few minutes. It wasn't supposed to be such a complex adventure, but still, the world was down to the three of you in that room for the next few hours.
You had to admit that even though you knew his campaigns were good, you didn't think they would be that good. He was creative, taking it upon himself to give you challenges that only made you care more, but always keeping just the right amount of fun to continue an entertaining game.
“Garzag has Y/N!” Eddie said to Will after you tried to attack your opponent and failed monumentally; a fucking 1 in D20 got you there. The atmosphere had already heated up and by that point you were yelling, flailing, and making all sorts of complaints “He's lifting her off the ground without even touching her, putting all his effort into casting enough magic to squeeze her body to death. She whimpers, gasping for air to breathe, blood dripping from her wounded forehead, as she looks up at you” There was a dramatic pause and you could see real concern in the boy's eyes. "You're tired and hurt; you can just walk away and leave her to die. Or you can continue fighting and risk dying too… What do you want to do, Will the Wise?”
"Garzag's hurt too and he doesn't have many points left," Will mused. He shared a brief look with you, the kind that tells you that he won't leave you alone "So I'm going to send him back to hell where he belongs and save my sister"
"I'm warning you; you need the highest score to land a powerful enough blow," Eddie exclaimed, looking at him and then back at you. "If not... then it's all over for you two”
“Didn't you hear me? I'm going to kill that son of a bitch!" Will half-shouted, ecstatic on the adrenaline of the moment, making Eddie laugh out loud. He took the D20 without thinking twice and shook it for a few seconds in his hands, before throwing it on the table. You would swear that time stopped for an instant, as did your heart, and then the dice finally rolled out the score.
Twenty.
"That's it!"
"Will managed to cast a spell on Garzag!" Eddie announced, totally shocked “He doubles over his abdomen at the feel of it and carelessly drops Y/N to the floor. He is feeling how all the magic escapes from his body…” the boy began to imitate the movements that Garzag was supposed to be doing, holding his stomach in desperation “This is impossible! he yells, incredulous that anyone could have beaten him. He falls to the floor on his knees…” Eddie did it “and he begins to feel how little by little all the vitality of his body leaves him. The spell would leave only the pure parts of his soul and with nothing left he begins to turn to smoke, screaming in pain and writhing from the sensation” again, Eddie exemplified what he was saying “Curse the people and curse the heroes who have managed to defeat him, promising to return in another life and collect their revenge. Everything becomes a mess of screaming and the smell of putrefaction as he disappears, leaving only a black stain on the floor in front of the two of you. The irrefutable proof that you have managed to eliminate the evil and that now the village is safe”
When he finishes, you can't help but clap your hands. And by consequence, Will does too. You really do feel like a couple of heroes who have just fought one of their worst battles and it's all thanks to the brilliant and imaginative mind of the person you're acknowledging.
"That was amazing!" he says happily. Eddie gives a mocking reverence that causes his hood to fall off, exposing his pretty, crazy hair.
“You did all the work”
"Yeah, we kicked that asshole really good," you complimented, giving Will a high-five.
"Why didn't you tell me you had all this planned?" he said, now towards you. You just shrugged with a smile.
“Well, I thought it would be nice to surprise you. That's why I took you out shopping and let Eddie do all his magic."
"No offense, but how did he convince you Y/N to do this?" he insisted. There had been no time for introductions before playing and he was extremely intrigued to meet who had just put together the shortest and best campaign he had ever played.
"I'm the biggest nerd when it comes to D&D, so she barely had to say a few words to drag me here" replied Eddie, smiling at him "She wasn't lying when she said you have spirit, I've never had a couple of players that enthusiastic"
"The part where Garzag started attacking us with those flying demons was crazy, I never expected it" you confessed, getting back into the conversation.
“But did you see how we took them down? Just for one point…” Suddenly you found yourself involved in a heated discussion of the tensest moments, as well as occasional re-enactments of said events.
You were screaming and laughing so hard you didn't even notice when the front door opened.
"Okay, but hear me out: the way Will escaped Garzag’s finger of death was a miracle, I thought he would die and we would finally be done!"
"It takes more than a simple spell to kill a Byers!" you laughed out loud, watching Will do the same.
"Eddie?" someone behind you asked. From the corridor your mother, Eleven, Jonathan, and (the most surprised of all) Mike were looking at you "What are you doing here?"
"Oh, hello! I came to play a bit with Y/N and Will” he answered as if he was the most obvious thing in the world.
"It's good that you're back," you said nervously, towards your mother and brother who were looking at you confused. You got up from your chair and yanked Eddie out of his, practically pushing him to face Joyce. "Mom, this is Eddie, my…" What was the correct term? Friend? Partner in the sale of drugs? Buddy I make out with occasionally when we're both stressed? “Co-worker” you ended up saying, but the downtime while searching for the term did not go unnoticed.
“It's nice to meet you, Mrs. Byers. Y/N has told me a lot about you” He smiled. You and Mike looked at Eddie in amazement, for he had never displayed such manners before.
"Hello! Nice to meet you too. I see they were playing a bit while we were gone”
"You should have been here, mom, it was a super crazy and cool thing," said Will, excited. It had been a long time since he had smiled that way and Jonathan smiled the same way when he saw him "Eddie is the best dungeon master and he has an official edition of the game, with figures and everything"
"I'm so happy to hear that, my love" Joyce replied, just as happy as her eldest son for the joy that suddenly invaded the environment "You also dusted off your robe and your hat"
"Y/N kept them all this time, can you believe it?"
"Why didn't you tell me you were going to play?" a different voice asked. It was Mike and he seemed really offended, but you couldn't feel any empathy. You knew that he wasn't interested in being with your brother but with Eddie, for whom he seemed to feel an exaggerated kind of admiration "He could have come"
"Oh, come on. When I still lived here you were never in the mood to play, we were spared the pain of you saying no” replied Will, his voice firm and even a little venomous. Everyone remained silent and you held back from laughing widely amid the awkward moment, happy that your brother had finally given the black-haired boy what he deserved.
"Besides, you're not that good, Wheeler," you added, with a smirk. You didn't want to get into a fight with a teenager, so you spoke again before he could, "Mom, sorry, but I lost track of time and I haven't made any dinner yet..."
"We'll order pizza," Jonathan informed you, causing you and Will to share a look before bursting out laughing. “What?”
“Nothing, Johnny. Pizza sounds great”
“I… I think it's time to go,” reported Eddie, who had been watching the scene in silence as he fiddled with his rings. You had learned that he did that when he was nervous and personally you found him most tender.
"Don't you want to stay for dinner?" your mother chimed in, kind as only she was.
"I wouldn't want to be a bother"
"Nothing of that! We'd like to meet you, Y/N doesn't introduce us to many friends."
“That's because she doesn't have any friends,” Jonathan scoffed and you took a couple of steps to punch him in the arm, hearing him groan. Most of those present laughed at the exchange.
"Huh, well..." Eddie hesitated. You had never seen him so shy and the reason why he was like that intrigued you "if it's no problem, I guess I can stay"
“Wonderful,” Joyce smiled, looking at you and then back at him. “Y/N, clear the living room table so we can have dinner there, please,” she said and you nodded. You grabbed Eddie's wrist and you could almost swear you saw him blush.
"Come on, we have to save your pieces"
"I help!" Will muttered and for a second you heard again that happy 12-year-old boy you thought was gone forever.
He didn't even care about Mike's angry look and you were too busy to notice the knowing smiles your mom and older brother shared.
"Are you sure it's okay for me to stay?"
"Of course, Ed" you answered, taking the figure of a warrior to put it in the box “Jonathan's right, I don't have many friends” you joked, hearing Will laugh at your side.
The three of you continued to chat for a while and when the rest joined in you sat down on a couch. You noticed that you were still wearing your costumes and blushed, offering to leave them in the laundry basket they had been in earlier.
"So you work with Y/N?" your mother asked, in the boy's direction. She wasn't a prejudiced woman, but you understood her reasons for doing some research on the metalhead you had brought into the house and with whom you seemed to have a bond.
“Something like that. My band plays at the bar where she works and we met there”
“He ordered a beer and I told him I liked his music and that's why we started talking”
"And what instrument do you play?"
“The guitar” he replied, again with that shyness that wasn’t natural to him “Y/N told me you guys live in California now, right? How is it over there?" he asked politely. You knew Eddie well enough to realize that he was looking to make a good impression and it made you smile.
The four of them began to tell a few things about Lenora Hills, which Eddie listened to carefully, feeling comfortable after a while. When the pizzas arrived and dinner went on nicely, with the two of you (and occasionally Mike, who seemed to be in a terrible mood) telling each other the latest about Hawkins and the rest talking about a town you didn't know.
"And Will still has no one to exchange saliva with?" you asked at some point, hearing a scolding from your mother for the term used to refer to a couple.
"I ask the same, oldie,” he said with a mocking tone, while he crossed his arms "You'd better get a couple of cats”
"Shut up!" you laughed, hitting him gently.
“Don't you want to take her, Eddie? She doesn't eat much and doesn't snore at night, we can give her to you” said Jonathan. Contrary to what you expected, he laughed out loud and looked at you while he licked his lips, as if he was really considering it.
“What a pair of brothers I have” you complained, pretending to be hurt “El, you are the only one who will receive a gift from me this Christmas”
"Now, don't fight" warned your mother, with a smile, but knowing that things could get violent from one moment to another. It was better to intervene when you were still joking in a good way "Better clear the dishes so you can go to sleep, it's late"
"I can help you before I go," Eddie informed him, taking the plate from your mother's hand and taking the rest into a pile. He took care of that and Will followed him to put the cups and pizza boxes in the kitchen trash.
“Your boyfriend is a real gentleman”
"He is not my boyfriend!" you hissed in Jonathan's direction. It wasn't because you didn't like the idea, but because you didn't want him to have a reason to bother you.
“And you don't want him to be? He seems to be a good boy."
"Mom!" you complained now, smiling out of sheer nervousness. You liked Eddie, a lot, but it was different kissing him a couple of times than now your mom and brother were trying to match you.
“And think about it, if you become his girlfriend, he will also be Will's friend. You kill two birds with one stone” argued Jonathan. You didn't have time to answer him, because Eddie and your little brother were already in front of you again. They seemed to have had their own conversation and proof of this was the blush that appeared on the curly-haired boy's cheeks.
"I say goodbye, I was very pleased to meet you and I thank you for dinner"
“You can come anytime, we were glad to meet you too,” Joyce said kindly, hugging him to say goodbye. My God, your mom was doing her best to embarrass you or maybe she just wanted to secure her new son-in-law.
“See you, Will the Wise,” she said, now towards the aforementioned, while extending her fist to bump him “Goodbye, Jane. And my condolences”
"Why?"
"Because a girl like you has a boyfriend like this," he answered, hearing Mike blurt out a swear word and hearing you laugh. Even Eleven laughed at the joke "Hope I don't see you soon, Wheeler."
"I'll walk you to your van" you exclaimed with a smile. The two of you walked to the exit and then to where the van was parked, where Eddie turned to look at you.
“Here we say goodbye”
"Thank you very much for coming"
“Are you kidding? I had a great time. The pizza was delicious and your family is very nice” he said happily. The truth was that he had enjoyed everything, but what caused him the most happiness was having spent an entire afternoon with you.
"Everyone liked you very much, especially Will," you confessed. Eddie giggled that didn't seem to be because of what you just said and it made you curious.
He wasn't going to tell you, but when Will walked him into the kitchen, he joked that he wouldn't like to become his brother-in-law and that hadn't left Eddie's mind ever since. I hadn't been in a serious relationship in a long time, and the warm reception from your family (even without knowing him) only confirmed that you were a pretty good fit.
"I guess I'll see you around"
"On Tuesday, don't forget" you smiled "I'll even treat you to whatever you want to drink, as a thank you"
“First of all, remember that this was to pay you a favor and I think I ended up owing you. And secondly, better reconsider that because I can drink like I'm a bottomless barrel when I put my mind to it” he warned you, making you laugh “What do you say we better have dinner together that day? French fries are okay,” he suggested. All your brain heard was 'date'.
"I'd love to"
"Cool," he smiled, trying not to look more excited than he should.
"Have a good trip, Eddie the Banished" you said gently, as you put a hand on his cheek "May the gods protect your path and arrive safely wherever you go"
"Does this mean a goodbye?"
"A see you later" you answered, while both of you laughed at the slip towards the interpretation of your characters. Then you noticed the short distance between you and the evident tension that had been installed, especially because you were holding his face and he had accommodated a hand on your waist.
You saw him lick his lips, another habit that you had begun to know about him, and you also felt his gaze diverting for just a second to your mouth. But that was enough for you to understand what was going through his mind.
“Can I?” he asked, knowing that you already knew what he meant. You didn't think the day would end like this, but you let him lean into you a little and brought your lips together in a gentle kiss. It was different from what you were used to, because the times you had kissed had been between smoke, sweat, and the influence of beer. But although it was different, you could get used to it.
One of your hands managed to get tangled in his hair and bring him closer to deepen the kiss just a few seconds before letting go.
“Come on, go home,” you said, not because you didn't want to kiss him but because you knew that you wouldn't be able to stop if he was still there. Eddie smiled and stole another kiss, shorter and louder, before pulling away and climbing into the driver's seat.
"We'll meet again, Y/N the beautiful," he murmured goodbye, starting the car and heading down the road in the dark.
When you returned to the house, with a huge smile and the most obvious blush of all, you noticed that Jonathan was taking five dollars out of his wallet to hand it to Will reluctantly.
"Why is that?" you asked confused. Eleven and Joyce shared an amused look that made you uneasy.
"We bet five dollars that you and Eddie would kiss"
"And I lost," Jonathan groaned. Your face only turned redder than it had already been upon arrival.
“You guys were spying!"
“I didn't see anything," your mother defended herself, but your three siblings roared with laughter and even Mike cracked a smile.
“We have to take care of our sister” Jonathan justified himself.
"Ugh, I can't wait for all of you to go to California again," you complained, flopping back against the couch and crossing your arms in a fake tantrum.
But honestly, you loved having your family in Hawkins.
TAG LIST: @sweetdayme4427
#eddie munson#eddie munson x reader#eddie munson x female reader#stranger things 4#joseph quinn#will!sister#byers!reader
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Little Dove*
Word Count: 3,949
Status: Not Requested!
A/N: Had a thought lol
Fandom: Karate Kid 1985
Relationship: John Kreese x Student!Female Reader
Summary: You had stayed around throughout all of his bullshit. Throughout the beginning of a forever-long battle with Daniel LaRusso, throughout losing all of his Cobra Kais, going through crippling debt, and now, more than ever, as he tries to put himself together. You’ve been there, the whole time. So why is it, that when a random man from his past appears, all of his problems are fixed without a glance your way? What does this Terry Silver have that you don’t (besides endless money and a history)? It’s unfair. It’s selfish. It’s Kreese.
Taglist: @intersellars-the-alien-of-human @snapessecretdiary
Warnings: smut, teasing, jealousy, age-gap paring, language, Terry being an overprotective cockblock, unprotected sex (wrap it before you tap it), slight dubcon, daddy/little girl kink, degrading kink
Masterlist Karate Kid Masterlist
{not my gif, credits belong to @atmostories}
I just love how innocent he looks here lol ^
Staring into the window of his office, you make no attempt in engaging in the conversation your peers were having, the people on the other side of the glass proving to be more interesting at the moment. Besides, it’s the same conversation over and over again, “Terry’s so great,” “The money,” “The brawn,” “The elegance,” you snort. All that Terry was anyway was trouble with enough money to pay off his stupidity.
The other man, however, was different. He did not become as fortunate as his younger companion. He went through many hardships that Terry would simply never understand. The proof: you. You had been there, through thick and thin. You can still remember the fights, injuries, and brokenness of a man like a slideshow constantly playing in your head, haunting your dreams. You should’ve left a long time ago, but you didn’t. There were points in your life that made you consider dropping him and everything he was in contact with at one point. But, yet again, you never did. All you did was forgive and forget, most of the time without apologies.
But no matter how much you’ve tried, there was always one outlier that couldn’t be erased.
Holding onto your brothers shoulder, you congratulate him on how well he’d done. He lost the tournament, but it was his heart that shined through it. Johnny was the one who handed LaRusso his trophy even as they were beating each other senseless moments ago. Pulling him in tightly, you whisper, “You did good, Blondie. We’ll get ‘em next year.”
He smiles broadly at this, returning the favor, “You didn’t do too bad yourself, Tiny. Hell, maybe next year, you’ll be the one to beat his ass for me... That, or you’ll be the same height as him,” he ruffles your hair.
“Shut up!” you swat his hands playfully, shouldering his side, then making your way over to the man of the hour. “Congratulations,” you outstretch your hand, “You were tough to beat! I’ll get ya one day though!” you point to him smiling as Johnny pulls you out of the arena with him.
“Thanks...Oh, and I’ll hold you to it!” he yells back, lifting his trophy high above his head. You leave with a sly smirk and playful roll of the eyes, not bad LaRusso.
Walking outside, you smile at Kreese nervously, knowing that he wasn’t going to take the loss lightly. Ignoring you completely, he snatches your brother from your grasp within moments, pinning him the the nearest car in the parking lot. With Johnny under the weight of Kreese, you try to yank him off, no longer in fear of your actions but what could happen if you don’t act fast. Shoving you out of the way with a hard jab of his elbow to your eye, Kreese goes back to harming your brother, switching positions as he goes to tighten his arm around Johnny’s neck.
Tommy, fearing for his life, stands still, on the verge of passing out. Dutch goes to help you up, pulling you away from Kreese’s proximity, but not for long. Full of anger and disappointment, you tear you body away from Dutch’s, giving him a stern look that he acknowledges and respects, stepping back. You run towards Kreese once more, putting more force into your pushes and shoves. He catches your eyes for a moment, anger glazing over his own as he gets a good look at the utter helplessness and determination within your own. He doesn’t loosen up though, tightening his hold even more so as if to test you.
Lunging once more, he blocks you from him and counters with a hard blow to your face. You fall again at Kreese’s feet, Johnny’s purpling face looking down at yours in fear and worry. As you go to make a final attempt, your prayers are answered, a man about your height grabbing Kreese’s fist in a vice grip. In a daze, Johnny is able to slip from his hold to the ground beneath him, falling into your outstretched arms as you lunge, again, to protect his head. Kreese, now turning his fury onto the short man, goes for a punch, missing and smashing the glass beside his target.
As the fight starts to get worse, Dutch gets a hold of Johnny, taking his weight off of yours and dragging him to safety. Jimmy and Bobby, going to help Dutch, leaves Tommy to help you up. Taking his hand gratefully, you are able to see Kreese’s demise clearly, a burning crimson decorating his now busted fists, no doubt shredded and in need of medical care. You turn back just in time for him to look your way, grief washing over your figure as you feel a sense of uncertainty.
The boys get into Johnny’s car quickly, pulling out of the car lot. Tommy, silently turning his calming body to yours, questions you with his eyes. Shaking your head lightly, you signal for him to go with them, your head hazy with the brute force of numerous blows previously clashing with your face. He nods knowingly, smiling weakly, as if questioning your motives or even why you were considering the choice you’d made up. Johnny looks back at you too, but is reassured as the short man, Mr. Miyagi, places a hand on your shoulder. As they peel out of the lot, you sigh and all the strength you’d conjured dropped instantly.
“You need checkup,” the older man states, looking you over.
“Yeah, but I need to take care of him first,” you point at the man.
“Ah. Good heart always forgives. You come by dojo sometime.”
“I’ll think about it,” you answer, kindly excusing yourself as LaRusso runs over to Miyagi, leaving just you and Kreese left in the parking lot.
Slowly, you pace yourself as to not speed too closely, too quickly to the man, walking lightly and quietly. Upon entering a close proximity, he looks up, neutral expression catching you off guard. Blinking once, he looks back down at his continuously bleeding hands, acknowledging your presence but not daring to step the line of communication. He never does.
“Do you...Do you n- ...?” you start, at a loss for words as you try to rephrase the question in a way to still make him feel superior without appearing weak to himself, “Do you want my help?”
He doesn’t say anything as an answer, just simply stares at the reddening hands.
So, following his chosen behavior, you adopt it and act the same. Slowly, you take off your fleece sweater, soft and warm to the touch, and move closer to Kreese. As you move into his personal space, you don’t dare look him in the eyes, and go to rip a piece of the sweater in half. Silently, you carefully take one of his hands in your own, them swallowing yours in turn. Wrapping the now torn cloth around his fists, you slightly tighten the material around the injury to prevent further bleeding, tying off the ends to keep the sweater where you want it. Turning to do the same for the other hand, Kreese never winces, or sucks in a breath, or even grunts in anguish.
As you finish your duty, you step back, parts of your hands and some of your pants now coated in differing amounts of blood from the constant dripping mess he’d left it in for a while. Taking in a deep breath, you look at him directly for the first time of the night, “Get in the car.”
That was the first of many nightmares that litter your mind. You grew into a tough, headstrong, and independent woman not only physically, but mentally as well. You were no longer the child looked down from the tip of Kreese’s nose, and despite your height not making much of a difference, you had filled into your body, soul, and mind. You were a woman nonetheless.
You were understood by Johnny, but to an extent. As you had continued to serve Kreese, it was only right that Johnny distanced himself from him, and with that, came you as well. You accepted this, and knew that you were not at war with him, settling for calls and texts when you missed him most. Johnny still allowed you the time to talk about your problems like you did in high school, and even let you rant about the newest situation with Kreese. Everyday, he worried for you, but he knew that this was what you wanted.
He knew you fell for him before you even had.
After that night, you went through phases with Kreese: sometimes he was happy and nice to you, other times was full of anger, arguments, and nonstop screaming at one another. You were like an old married couple without the ring, matrimony, and age. You didn’t pay any mind to it, the mixture of feelings for him stronger than the will to leave as you’d wanted to in your youth.
But overall was the feeling of betrayal, or at least a form of it. For 4 years, after the night of the failed tournament, you were with Kreese, and finally, when things started to clear themselves out, another problem arose. Although shit out of luck, Kreese was ready to give up the dojo, give it to the owner, and move on in hopes of wiping the slate clean. You were ready to forgive him. And then, Terry Silver, unable to let the past be the past, convinced Kreese to give it a second try.
Now as you sit in a circle with Dennis, Mike, and Snake on the mat of the dojo, doing some stretches before training starts, you couldn’t help but look at the men excluding you from something you had tried to keep alive as long as they had. Longer than Terry at least.
Snapping sounds through your frustrated haze, knocking you back into reality by Snake’s fingers. Scrunching your nose in confusion, you look at him, anger now turned towards him instead. “You keep drooling like that and we’ll all be slipping around and breaking shit. Then how would we be at the tournament?”
“Fuck you, Snake,” you get up, stomping to the office without another word. He just turns a mock-offended expression to the boys who give confused ones in return.
Storming into the small cubicle deemed an office, you turn to the men standing side-by-side. “Aw, what’s the matter sweetheart? The boys not playing fair?” Terry teases, trying to push your buttons.
Face now reddened with anger, you spit, “We don’t pay for you to sit around in your office and play with each other’s dicks. You can do that on your own time.”
“You don’t pay period as far as I’m concerned. And last time I checked, you weren’t of much use here anyways, Shortcake,” Terry rebuttals.
“And last time I checked, you're just here to tie your hair back, paint your nails, torture a kid half your age and an man even older than you.”
“Why you-!”
“Terry!” Kreese warns, a hand placed on his comrades’ chest, “It’s not worth your time, just go get the boys readied up for practice.”
“Sure...sure Johnny, I can do that,” he says eagerly, leaving the room with a side glance your way and elbow to the shoulder as he passes by.
Getting up from the back of the desk, Kreese loops around to close the office door, going back to where he was previously. “Wow, you really have that dog under wraps huh? Ready to bark when you say ‘bark’ or growl when you say ‘growl’?”
“Y/N, not now. You better cut this shit out now or I’ll kick you out,” he warns.
“Oh, so now your protecting him?! You’re going to sit here, right now, and threaten me for what? Because he served with you? Because you saved him?! What a load of shit!”
“Watch your mouth! You have no right to raise your voice to me! What I do with this dojo is none of your damn business, and will certainly never concern you. Ever.”
“Oh yeah! For sure! What did he even do, huh? What’s so great about him that is worth protecting his ass for when he’s never had to do anything in return?! I was there John! I was! I dealt with your shit for 4 years! Not 1! Not 2! Not even fucking 3!”
“I never told you to! No one was stopping you from walking out that damn door when everyone else had! I would’ve done perfectly fine without your ‘help’ when all it did was provide extra shit to take care of!”
“Really?! That’s what it was? Nothing? I dealt with your anger issues, your screaming! The god damn punches, kicks, spits, screams, hell anything you wanted to do in order to harm someone else to make you feel better! But that wasn’t me... No... Of course it wasn’t, right?”
“I’ve got no time for this. Stay in this fucking room and don’t move. You even dare come out into that dojo and you’re out. I have a winner to make and not some little girl to argue with.”
“Fuck you,” you spit, tears pooling at the bottom of your eyelids as the door hides you from view.
For hours, you sit in boredom, listening to the repetitive “hut” or “ah” as blow after blow is thrown into the dummies and punching bags. If only they could do that to me, take me out of my misery for fuck’s sake. But, despite the utter pissed state you were in, you did not move from the desk, even deciding to take a nap. It wasn’t until Dennis’ unusually loud laugh is echoed within the whole dojo do you finally wake back up. Looking through the blinds, you see the boys getting packed up. Doing the same, you walk out of the office just in time for Terry to leave with the boys a few moments later.
Speeding across the length of the mats, you take long strides in order to storm as fast as possible out of the cage that holds the biggest chains around your neck. Going for the door, you are unable to catch yourself as Kreese grabs your hand and flips you onto your back, splaying your body on the mats beneath you.
Groaning, you move to sit up, watching as he goes to lock the door to the dojo, throwing the keys somewhere and closing the blinds of the big glass panes adorning the front wall. Getting up, the harbored anger floods your being once more, “I’m done with your bullshit Kreese. Let me the fuck out so I can leave this place once and for all. You seem to be doing ‘perfectly fine’ with your boyfriend, so let me go!”
Without answering, he grabs you by the neck firmly, but not enough to choke you. The memories of Johnny instantly flood your mind, causing you to grab his hand just as tight, eyes peering straight into his. Noticing your change in demeanor, he loosens his hold a little and pushes your back up against the closest wall to your back. As your back collides with the wall, his lips clasp yours.
Whining in surprise, you go to pull back only for him to pull you closer by the neck. Realization dawns on you after a moment, and within seconds, your leaning into his touch absentmindedly. You only break apart once your lungs beg for more air. “There. Is that what you wanted?” he asks you, voice gravelly.
Ignoring his comment, you grab him by the nape of his neck, pulling him into you once again, tongue battling his own. Your tongue dances around, observing every crevice and tasting every bit of his mouth, grazing his teeth, biting his lips, and even tangling it with his. Taking control back, he shoves your body back into the wall, separating your mouth from his, a trail of saliva the only thing connecting your bodies.
His hand, long forgotten and hanging loose on your neck, tightens the grip back up firmly once again and moves his other to pin your arms above your head. Now basking in dominance, he kisses you once more, pinning his knee between your legs in the most delicious way. Taking advantage of the placement, you attempt to grind your core against his thigh to relieve some tension.
“Ah. Ah. Ah,” he warns, pulling his knee away and moving to unbuckle his belt instead, “On your knees, Slut.”
Obeying instantly, you do as he says and place yourself on your knees. Finally undoing the tie of his gi, he pulls his pants, alongside his underwear, down just enough to let his dick spring free. Gulping in admiration, you take in the view of his girth and length, precum oozing at the tip.
“Looks like your happy to see me,” you joke, loosening your tension in your shoulders.
Stepping closer, Kreese edges closer to your mouth, and, taking the hint, you wrap one hand around the base of his shaft. Your other hand, deciding teasing is the best get-back, wraps itself closer to the tip, thumb grazing the slit. Earning a shudder of pleasure from the man, he goes to move in closer again. Pulling your head away, you squeeze the tip loosely, staring up at Kreese.
At your locked gaze, his cheeks burn bright pink, enabling you to give the man what he wants now that he’s at a loss for words and flustered for you. Taking him into your mouth little by little, you stop just before the barricade of choking. Eyes locked onto his, you place your hands on either side of his hips for support, then take him in as fully as physically possible. Instantly, you are met by struggling moans of relief.
Swirling your tongue around and lapping at his veiny member, he struggles to control himself, the undying need for more consuming him. Pulling away just enough to keep the tip in your mouth, you nod at him, giving him the okay to do as he pleases. That was all he needed to start going, pulling your mouth around his cock again, and tangling his hands in your hair for a better grip. Thrusting into your mouth now, you try your best to breathe as you feel him start twitching, knowing you will be fine in a few minutes.
The closer he gets to ecstasy, the louder he gets, hips thrusting in any possible direction as his pleasure threatens to bubble over. “Look at me,” he orders, looking you in the eyes. Slightly confused, you do as told, looking at him through your eyelashes as he continuously uses your mouth. “That’s it, Good Girl.”
Without warning, he unleashes his load into your mouth, the hot and sticky cum shooting to the back of your throat, forcing you to swallow. Licking up the remains, you make a show of swallowing the contents as well, getting back onto your feet with a help of his hand. Pulling your body into his, he kisses you deeply, tasting himself.
You whine as you are still left in uncomfortable need for him, having not gotten your share just yet, the feeling of being filled a painful reminder. “Don’t worry, Daddy’ll take care of you.” And that, he does, getting to work on untying your gi and throwing the long-sleeved shirt over you head. Doing the same to him, you match his enthusiasm, pulling his shirt off and throwing it somewhere in the room.
Playing with your clothed breasts, Kreese slips a hand under your bra to pinch your nipples, twisting them between his middle and fore fingers. Moaning, you pull him into your chest nibbling his ear. Gliding his hands down your sides and to your waist, he slowly edges his fingers slightly underneath your pants, pushing them down with your panties. As he busies himself with your clothes, you move your hands behind your back to unclasp your bra, breasts springing free and instantly hardening at the new temperature of the room.
Fingers, teasing your entrance, catches you off-guard, moaning again at the first shocks of pleasure. “Kreese,” you start breathlessly, “Enough is enough. Mgh... Stop teasing me,” you try to order, impatient and horny.
“As you wish, Princess.”
Lifting up one of your legs and wrapping it around his hipbone, he lines himself up with your entrance, entering slowly. Together, you sigh in ease simultaneously. Nodding once, you lean your forehead underneath his chin, starting to thrust slowly. Knowing this isn’t the pace he prefers, and body adjusting to his shape, you pull him in closer, whispering in his ear, “Faster, Daddy.”
Jolting at the name, he fastens the pace, grinding in rougher strokes, rubbing every part of you body in the best way possible. No one’s ever filled you the way he is now, and it leaves you stunned in a trance of utter euphoria. Tapping your other leg, you hop up to warp both legs around Kreese. At the new angle, he thrusts upwards, the overstimulation causing you to shake in a new sensation.
Squeezing his dick tightly, you try to hold your orgasm off for as long as possible, but the building want of release causes you to topple over the edge quickly, spilling all over the body still within your own. Without faltering, Kreese continues his assault on your body, causing you to scream out in the fury of pleasure being all too much for you. Shaking harder, you struggle to keep yourself around his body for long.
Seeing this, Kreese keeps himself sheathed in your cunt, laying you on your back against the mats of the flooring. Grabbing your legs, Kreese bends them until your thighs meet your chest. Then, thrusting at the same pace as before, Kreese is able to fuck you senseless without further issues. Moaning screams of ecstasy echo throughout the dojo, the combination of yourself and the slapping of skin being the only noises in the room.
As quickly as you’d built up the previous time, your orgasm and need of release forms again, your pussy throbbing in anticipation. “Kreese..” is all you manage, the older man quickly teetering towards the edge with you. Thrusting the hardest he had the whole night, he manages only a few more before you both come at the same time, screaming as you pull him down by the neck and into your chest, your name falling from his tongue in multiples.
Sucking in as much air as possible, Kreese and you stay in the same position panting before he unsheathes himself and collapses next to you. Catching your breath, you cuddle into his side in a naked heap of sweat and satisfaction. “Are you still jealous of Terry now?”
“It depends, am I still as useless as before?”
“I don’t believe so,” Kreese giggles, “but if you pull another crazy stunt like that, I will really have to give you a good beating. Huh, Babydoll?”
“I like the sound of that,” you say, going to straddle his hips as he lays on his back, “How about round two and I’ll consider not ripping his throat out?”
“Deal.”
#john kreese x reader#john kreese imagine#john kreese#martin kove#martin kove x reader#martin kove imagine#terry silver#tig#thomas ian griffith#mike barnes#sean kanan#kk3#kk1#kk#karate kid#karate kid imagine#karate kid 1#karate kid 3
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Update: officially finished all three seasons of Graceland. Here are my thoughts:
I still want to punch Mike in the face. He redeemed himself just a tiny bit in my eyes when he signed Briggs’ report but not much. He was ready to throw everyone in the house to the wolves and that really was a dick move.
I also want to punch Briggs in the face. He is such an evil puppet master and he used every member of that house. The way he manipulated Johnny to join the Soto Street Gang was disgusting. He broke the house with his plan and he deserves to get punched.
Oh, Charlie. I love her. She tries to do the right thing, she really does. She definitely did not deserve to lose her baby or deal with half the shit she did. Her friendships with Jakes and Johnny were #friendshipgoals.
Jakes and I had a rough start for season 3 but he got 100% better. He had Johnny’s back every time he asked for it. He had Charlie’s back every time she asked. Hell, he even had Briggs’ back. I understand his decision to leave. I really really do. But the fight with Johnny. The “I love you, Johnny. I always will.” ???? That HURT. Like I literally cried. Why?!
Paige had a rough road this season. There were times I liked her (when she punched dude in the nose) and times when I was annoyed with her (he unwavering support of Briggs at some points). Her talk with Johnny in the laundry room broke my heart also.
Now Johnny. My little ball of sunshine. He went through so much. Carlito. Killing Sid. Saving Lucia. Losing Lucia. Getting jumped. Having to be in the raid at the funeral. Realizing Briggs wasn’t the roll model he thought he was. He was so stressed the whole time. I just wanted season 1 Johnny back. And he peaked through sometimes, but not all the time. No one in that house deserved him (except maybe Charlie and Jakes). He deserved so much better.
Overall, I really enjoyed the show. I’d watch it again. I wish there had been another season. I would have liked to see the house fixed. I would have liked to see Johnny be sunshine boy again.
As always, gifs of my sunshine boy cause he makes me smile:
#graceland usa#graceland tv#johnny tuturro#paul briggs#Charlie DeMarco#Paige Arkin#mike warren#dale jakes#miranda watches graceland#manny montana
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Terry smiling and thinking about Daniel after stalking him for the 246739th time
There's a crazy kind of pattern
A routine that always happens
Where a lovesick guy is crazy
Over a girl...
And his world begins to suffer
'Cause each day he finds it tougher
To concentrate on anything but her...
Those are actual lyrics that play over this specific scene in the movie
I MEAN. I get it. I too make that face while thinking about Daniel LaRusso.
BUT WHAT IN THE GAY HEAVENS IS THE MOVIE'S HETERO EXPLANATION. HUH? THERE ISN'T ONE
First, Terry follows Daniel to this club for some unknown reason, watches him from behind a pillar, and then thinks about Daniel while making that face??
Somebody explain.
Ok so, besides the stalking, which, gay, the director or writer or whoever made a specific choice to use that song and those lyrics for that particular moment! Things don't happen in movies by accident!
And we never get a reason why Terry was there. He lies to a confused Daniel that he told him he'd be there, but I guess we just have to chalk it up to Terry following Daniel around throughout the whole movie. Just like he knew Daniel was jogging in the park that one time. And it's not like Terry couldn't hire people to follow Daniel for him, no, he has to do it himself lmao.
It's also the same night after Daniel breaks all the boards on that dummy and he and Terry celebrate. I am forced to come to the conclusion that Terry was proud of his boy and wanted to enjoy the night some more. 👀
Here's the song by the way if anyone wants a listen:
youtube
Oh. Right. I forgot it's called 'I CAN'T HELP MYSELF'
But we already know Terry has no chill when it comes to Daniel.
And then for some reason Terry feels the need to 'test' Daniel. Or make things interesting. Or break up Daniel's night with Jessica...
Anyway, Terry pays a random guy(he never actually pays him lmao) to pick on Daniel, who in turn punches the guy in the face, breaking his nose. While Terry watches with a smile on his face. I mean, the random guy deserved it clearly. Part of me thinks Terry picked him because he was pushing that woman around.
Terry was like, "How dare you interrupt my private Daniel reflection" 🤣
And it's funny that it looks like Kreese and Silver do not tolerate sexual harassment, and yet they were totally fine doing it to Daniel. Ok fellas.
So then security comes, and instead of letting Daniel run off with Jessica, Terry grabs Daniel and drags him outside through the back door and through the alleyway. Daniel feels bad about punching that dude and leaves Terry but like... what was Terry's plan exactly. I am dying to know. Was he going to take Daniel back to the Cobra Kai dojo? Was he going to drive him home? Take him somewhere else?
It's interesting to note that Terry is beyond thrilled. He's having the time of his life now that he thinks Daniel is like him. It's part of the reason I feel like Terry really wanted Daniel to join Cobra Kai. I think Terry thought he was brilliant enough that Daniel would pick him over Mr. Miyagi and in the end was furious that he was wrong.
I could talk more about it, but just quickly-- even when Daniel goes to see Terry in the dojo later that night(the "break up" scene), Terry was still acting super friendly and even had Mike Barnes and John Kreese stay hidden. He had them hide until Daniel declared he wouldn't be training anymore. It's amazing. I would love to know what they discussed before Daniel got there.
Maybe CK will address all these unknowns as Silver comes back and gets fleshed out more as a character.
Anyway, here's the alleyway scene after Terry and Daniel run from security:
Is that not the face of a man obsessed
And I'll never get over Terry calling him "Danny" all the time. You can't tell me he won't be excited to see Daniel again.
I just can't wait for this maniac to come back. And for Johnny to punch him and be like, "His name is Daniel!!"
Protecc the twink
--
Part One: Terry and Daniel Ask
Part Two: Terry Silver's Theme Songs
#he better bring the same chaotic energy we know and love#add that with Daniel and they're likely to blow up a building or something#can't wait#RIP to the valley#karate kid iii#silverusso#daniel larusso#terry silver#when gay subtext is just plain text#somebody save daniel#my post
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Collidescope hearts part 16
master list
Eli opened his eyes once more, he had been drifting in and out for, well he had no idea how long. The blood that had been hot on his face had now dried, making his skin feel tight.
"Hey, kid, Hawk, Eli!"
He flickers his eyes around the dark room falling on someone he knows.
"Sensie?" His voice comes out horse.
"Yeah, yeah. It's me kid."
"What happened?" Eli asked, his memory being very hazy.
"They jumped you in the gym." Johnny told him.
"Y/n?"
"She's fine, LaRusso took her home. Hey, hey come on stay with me, kid."
Eli shook his head to try and stay awake.
"Come on, talk to me kid. You gotta stay awake."
"Yeah, yeah of course." There is movement beside him, he looks round to see Tory.
"Nichols, you good?" Johnny called over to her.
"Fuck. Yeah I'm alright. What's going on?" She asked.
"It looks like good old kreese has taken a leaf from my book." Eli jumped at the sound of the new voice beside him. A drop of blood fell from his face to his knee.
"Silver?" Johnny asked.
"In the flesh. Just about."
"You're supposed to be dead." Johnny scoffed.
"That's what he wanted you think, i suppose. He was so close to turning tail and being just like you, but I've rid him of weakness." Silver explained.
"Kreese doesn't have a weakness." Johnny spat.
"That's where you're wrong, Johnny boy." Kreese was stood somewhere behind Eli.
"Everyone in this room is my weakness."
"How am I your weakness?" Eli said, trying to hold up his head.
"You my boy," his hands squeezed Eli's shoulders, "you were the hope for the future, we had so many grand dreams for you; alas you chose the enemy. So now you all pay for making us weak."
"And how are we going to do that?" Johnny asked.
"During the war, Terry and I were captured by the enemy, we along with the other P.O.W's were forced to fight each other above a snake pit. Either you killed your friends or became dinner to a hundred hungry serpants. Now it's your turn."
"You're going to fight the greatest student Cobra Kai has ever had." Mike answered from the darkness. Kreese pulled at Eli's shoulders making him stand.
"Time for a little fun." He cut the zipties at Eli's wrists and pushed him forward. Eli felt the mat below his feet, as lights came on above them. Across from Eli stood Mike Barnes, clsad in a black and yellow Cobra Kai Gi.
"I'm told you are a great fighter, lets test that!" Barnes laughed before lunging forward, landing a punch directly to Eli's chest. Johnny and Tory both pulled on the ties that held them though niether could get free. Eli, put up his hands and started to fight back; using everything he knows of Miyagi-do to block the incomming attacks from Barnes. He managed to land a few on his opponant as well before Kreese yelled out.
"Stop toying with him, finish it."
Barnes, span his body round landing the flat of his foot top Eli's head and knocking the teen to the ground. An audiable sound of the air leaving Eli's body sounded throughout the room. Tory screamed as he hit the floor. Barnes landed a few more hits to the teen as he lay on the ground. The pair laughed, as the lights went out, Kreese and Barnes left the room.
"Kid? Hawk?" Johnny called. Eli moved his hand slightly letting the others know he was still alive.
"We are in the new dojo. well the original one." SIlver said a smile on his face.
"Hawk, come on get up." Tory called out.
"I have a plan." Johnny announced.
Part 17
@lulubutton34 @carliim @buckysdemonsimp @space-helicopter @slytherinroyalty16 @hannyhoe @torynichcls @hurricanerex666 @sabrinablack1 @harulindao @sarcastically-defensive17 @peppamultifanimagines @1-fuzzy-squirrels
#cobra kai fanfic#fanfiction#eagle fang karate#eli x reader#eli moskowitz#hawk moskowitz#hawk x reader#danny larusso#johnny lawrence#sam larusso
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𝙾.𝙲. 𝚁𝙾𝙲𝙺 𝙽' 𝙿𝚁𝙾 𝚆𝚁𝙴𝚂𝚃𝙻𝙸𝙽𝙶 𝚂𝚄𝙿𝙴𝚁𝚂𝙷𝙾𝚆!!!
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Hello! Can i ask for a mclennon fic some sort of fight/trouble/accident with paul and john being protective? Tysm!
thanks for being my first askbox submission!!! i appreciate it a lot :) it took a bit longer than expected i’m sure so i’m sorry!
no warnings needed: fluff & kissing
if anybody else wants to request somethin just fire away!! (i won’t do scat, noncon, or ageplay)
The First Time Paul Threw Rocks At John’s Window
It was about 3am. John Lennon was asleep in his single bed, having a dream about something that didn’t necessarily matter. Because he immediately forgot about it whenever he awoke to the sounds of an irregularly timed tapping at his window.
He groaned and swung his feet over his bed so he could sit up. Then he reached over to turn on his bedside lamp. John glanced at his glasses, thinking for a moment maybe he should put those on to see what was going on outside, but he ultimately decided against it.
He walked over to his window and stood there for a second, obviously still in a haze from his previous sleep. But the noise came again, and this time a bunch of small taps happened consecutively. He drew back his curtain and pulled up his window, peering out of it to see what the cause was.
“Hey...John?” a voice whisper-yelled, and just by his voice John already knew it was Paul. However, it was dark outside, and his vision was terribly bad. So he ran over to put on his glasses; now he would be able to see Paul clearly.
“Paul...Don’t ya know it’s late?” John replied back, his voice barely breaking through a whisper. Paul’s expression was what John noticed first, and it was one of concern. But then John flicked his eyes to Paul’s lips, and there he noticed it had to have been bleeding. He examined his clothes and could tell they were disheveled, and Paul usually kept his shirt tucked in.
“Oh, well I can go,” Paul went to turn around, but John shook his head frantically.
“No! Stop it, love...Are y’bleedin’? What even happened?” John really had no clue if his examination was right, but he still had to ask. Because if Paul was, he would be down the steps to assist him inside in three seconds flat.
“Got into a fight,” was Paul’s simple answer, causing John to sigh. Of course he had gotten into a fight. Paul didn’t want to go home because his father would kill him if he could see the fresh busted lip he had. John would be of help to him, considering they were best mates.
“Hang on, I’m gonna let ya in.”
Closing the window, John grinned to himself. Paul had chosen him to help him out in a time of need. They really must be close, after all.
Even though it was late and Mimi was surely asleep John still hopped down the stairs. She was a heavy sleeper, so unless there was pounding on her door there was no way to make her wake up on such short notice.
He opened the door to reveal Paul, and John nearly could’ve cried. What he couldn’t see from the upstairs window were now on full display face to face. Not only was his top lip bleeding, but it was clear that his nose previously bled as well. “Christ, Macca,” John pulled him in by his hand, and shut the door behind him. “We gotta clean that up, don’t ya think?”
Paul shrugged, wiping his eye with the other unoccupied hand. John didn’t know if he’d been crying or not, but he pulled that same hand all the way to the restroom to turn on the light in there. Once they got in the room, John shut the door.
“Aright, now what fuckin’ happened, Paulie?” John asked, now that they were in their own confinement.
Paul shook his head, not really seeming like he wanted to disclose the details. That left much to John’s imagination.
“Did someone try t’mug you?”
Paul shook his head once more, turning to look in the mirror for the first time since the incident. He physically winced at the appearance of himself all bloodied, and John turned him back to look into his eyes. “It’s all okay now, love,” he soothed, a hand tilting his head up by his chin. “I got ya.”
(John wanted to kiss him now, but he didn’t know if it would hurt his lip or not.)
Instead, he just moved Paul towards the back of the bathroom so he could sit him down on the toilet seat. Paul licked his lips and tasted that bitter taste of iron, and now more than ever John wished he only knew what happened to the poor, beautiful boy. But he didn’t, so he could only help with what Paul needed right now: first aide.
John got a wash rag from the rack and turned on the sink to drench it with cold water. Once it was fully wet, he turned off the sink and wrung it out for the most part.
He dabbed it on Paul’s lip first, collecting the dried blood from it.
“When did this happen?” John inquired. He wanted to paint a mental timeline for when this took place.
“An hour ago, maybe longer than tha’,” Paul mumbled under the rag, but John still understood him nonetheless. “I’ll be okay now, though. ‘Cause I know you’ll help me, John.”
“‘Course I’d help you,” John assured his best friend who he sometimes kissed. He folded over the rag and was now cleaning up his bloody nose. “But Paul. Just tell me please...Who did this to you?”
Paul simply couldn’t tell him, because that would only stir up problems within his household. His dad didn’t mean to, he was just drunk on hard liquor. He must have confused him with someone else. Those things just happened sometimes, but it was kind of shocking because it came out of nowhere. One second his dad was coming in the door, the next he was being punched in the face. With no explanation. Paul couldn’t tell John because John would try to do something. He would have to concoct up a lie.
“Alright. Fine. I didn’t wanna tell ya ‘cause it’s embarrassing...But Mike did it,” he lied, praying that John wouldn’t dare question him further. “So I walked here to get out of the house. I can’t hurt me little brother.”
“That’s bullshit and you know it,” John wouldn’t have that answer. “Did your da’ do this? Was he fuckin’ drunk and come in hittin’ you?”
“No! It wasn’t, I promise it was Mike! I couldn’t hit him back, John! It’s all right! I promise!” Paul’s eyes seemed to plead with John, almost begging him to believe him. But he didn’t want to invoke Paul, even though he could see by the damage done to his face that it had to have been somebody grown to have hit him like that. At the same time, he knew he loved Paul, but his and his father’s business wasn’t John’s, no matter how much he wished it was. He couldn’t step between a father and son who still lives at home. It may cause a huge uproar and that wasn’t ideal. He wanted to keep Paul in his band and berating his father wouldn’t make that happen. Jim would make sure John never sees him again. John would do something to Jim; he just didn’t know what yet. It would have to be in a way that nobody could tell what he’d done, make whatever small thing he would do to the man look like an accident. He’d have to go over the plan more later. For now he was just going to be attentive to the boy before him, hurt and honestly still scared.
Once John was done cleaning up the fresh wound, he got down on his knees to be face to face with the boy sitting down on the toilet. It made his stomach turn that his pretty Paulie was really hurt like this. His top lip was red and the split in the skin there was still open, as little of a cut there was anyway.
“Why’re you lookin’ at me like tha’?” Paul blushed, arms instinctively wrapping around John’s neck. They’ve been in situations like this before, being so close. They kissed all the fucking time, but right now, in this bathroom, Paul just had the feeling that this night was different.
“Hurts me seein’ your lip like that,” John replied, staring deeply into his eyes. God, his eyes were so perfect to John. His eyes, nose, lips. Everything about his face just made him swoon for the lad, though he knew it was wrong. “And I—I think I may love ya. Can’t stop lookin’ at ya ‘cause you’re still so pretty, busted lip or not...” He tried to joke around, his playful side always seeming to break loose.
He leaned into him and placed a kiss on Paul’s forehead, tilting him up by his chin using his two main fingers. “You can’t possibly still think that. It looks so bad, Johnny…”
“No…You’re so fuckin’ beautiful, Paul. N-no matter what. Always did think tha’, you know.”
Paul blinked a few times, simply locking his gaze into John’s as if nobody else in the world but him mattered. He hurriedly smashed his lips against the older, completely disregarding the fact that his top lip was busted. John tried to kiss him slow and steady, but Paul wanted it full of desire and lust. He moaned into the kiss and entangled his fingers in the auburn hair before him. John was the first to press his tongue against the boy’s, and allowed them to swirl around each other’s mouths. This kiss was definitely the most heated one they’ve ever had, and probably the most meaningful. It wouldn’t ever be the same from this day forward.
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Bre’s Boys Preference: How They React To You Being in Danger
Billy Russo: Billy is merciless. While you’re life is at stake, everyone and anyone is on his shit list. He is ready and willing to kill anyone who gets in his way of saving you, and when he finds the people who threatened your life in the first place... Heads will roll. You’re his, and he will do anything to keep you safe. Anyone who tries to take you from him is dead. He doesn’t sleep, doesn’t eat, doesn’t rest until he gets you back and he’s practically bathed in his enemy’s blood. And even then, he’s still on edge. His anger is so strong and palatable, every inch of him is tense, he moves like a panther in the jungle, ready to attack at all times. The only thing that brings him any peace is you; he’s carefully controlled around you, touching you gently once he has you back in his arms. And as he holds you, he says those three words that Billy Russo never imagined hearing himself say: “I’m so sorry”.
Logan Delos: He panics. Like, it takes him a while to regain his composure. He’s on the floor, eyes wide and full of tears, chest heaving as he thinks of all of the horrible things that could be having to you. But he gathers himself, standing up on his shaky legs, and does whatever he can to get you back. He spares no expensive, hiring the most capable people to track you down, and he insists on going with them. Once he has you back, Logan finally allows himself to cry openly, his head buried in your hair. “Don’t ever leave me again,” he says, as if you’d left on your own accord, “I was so scared... I love you, I love you, I love you”.
Jax Teller: Jax wants BLOOD. He calls on the club, and they do whatever it takes to bring you back to him. Jax doesn’t care who gets in his way--he mows them down with ease to get to you. No one can get through to him--not Clay, Gemma, Opie, or Chibs--Jax is willing to set Charming on fire to get you back. And when he does get you back, he’s still not done. He holds you to his chest, so hard that it almost hurts, and he promises to never let this happen again. He makes it his personal mission to track down every single person who had anything to do with your abduction--no matter how low level they were--and make them pay.
Coco Cruz: Coco gets so upset, he blacks out for a minute. The last thing he remembers doing is punching a hole in the wall. When he comes to, he doesn’t wait for Bishop’s approval; he just hits the street with Angel and Gilly. It doesn’t take him long to get to you--he uses his sniper skills to shoot down any and every obstacle that gets in his way. Every word out of his mouth is “fuck” or “shit”, and when he comes face to face with the person who put your precious life in danger--he takes great pleasure in stabbing him nice and slow, watching the life drain from his eyes. Then he’s over to you, grabbing you and pulling you to him, assessing you for injuries. If there are any--he’s memorizing them, categorizing them in his mind because he believes that they were all his fault. “I’m so sorry, querida,” he says, “I’m so sorry...”
Angel Reyes: Angel calls EZ, and the two brothers hit the road. Eventually, the club catches up to them, and the Mayans track you down within a day. The entire time they’re looking for you, Angel’s blood is red hot. He can’t sit still, he can barely breathe, he breaks all of the speeding laws to get to you. He’s surprisingly callous in his revenge, killing without hesitation, without joy. But when he gets to you, it’s like he wakes up from a nightmare--his eyes are warm again, and when he touches you, his caresses are gentle and careful. Angel doesn’t let you out of his sight for days after that, always holding you and kissing you. And when he does have to leave you alone for more than a few hours, he insists on having EZ come sit with you, or takes you to Felipe’s until he can come and get you.
Miguel Galindo: If his half-brother is all heat and fire, Miguel is ice-cold. He’s methodical with his anger, making sure to dispatch men to all corners of the country in search of you. But he isn’t sitting idle, Miguel is out too, Nestor and Alvarez at his side. He takes a few people off of the street and plops them down on his church pew. He spends a nice deal of time cutting limbs off and collecting information, and by the end of it all, he’s led to you. Miguel picks you up and carries you away, and for the rest of the night, he’s taking care of you. He puts you in the tub, sliding in behind you and holding you close. After that, he’s lathering you up with your favorite scents and then rubbing you down with lotions. He can’t stop kissing you, and as you sleep--finally able to rest now that you were safe--he watches you, his dark eyes staring at you while his head conjures up all the ways he could have lost you, and he vows...this will never happen again.
Nick Amaro: Nick calls upon his brothers in blue when he finds out that you’re in danger. The NYPD (as unruly as they are), leave no stone unturnt in their search of you. Nick is so tense, he can barely take a step without flipping a chair or punching a wall. He’s just seen so many terrible things in his career, the thought of anything like that happening to you... It makes his want to scream. He reaches Stabler-levels of aggression when interviewing witnesses and suspects, and he’s almost taken off the case, but Benson has his back. When he finds you, Nick holds you close, his embrace both firm and careful as he holds you. He’s with you all the way, sitting with you at the hospital, staying at your side when you’re interviewed by the cops; Nick doesn’t leave you for a second. He’s still a bit on edge, but your presence definitely helps calm him as the night goes on. And when he lays down with you that night, he finally lets himself relax.
Johnny Tuturro: Johnny trusts and respects your ability to protect yourself, he really does, but he’s still worried when you go missing. He spends all day trying to track you down, and when he can’t, he turns to Charlie. She’s the one who discovers that you’re in danger, and once she does--the whole house is on alert. Johnny, Mike, and Briggs hit the streets in search of you, and once the find the ones who took you, Mike and Briggs have to pull Johnny off of them. When Johnny gets to you, he softens immediately, holding you and whispering how scared he was, telling you “you’re okay, you’re okay” for a minute straight. It’s hard for him, after that, not to get a knot of anxiety in his chest whenever you go out, but he knows that you know what you’re doing, and worse come to worse--he’ll always be there for you when you need him.
Rio: No smiles, no smirks, no chuckles. Rio is all business. He’s armed to the teeth, and anyone can see the tension in his body as he moves, his eyes glaring ahead of him. Rio takes no prisoners and pulls no punches. Either someone gives him the information he needs and only gets a little fucked up, or they tell him no, or something he doesn’t like, and get killed. Either way, he finds his way to you quickly, leaving a trail of blood in his wake. Rio doesn’t waste time on extravagant speeches or showboating once he finds you. He puts a bullet in the guy’s skull, and then empties the clip in him for extra measures. Then and only then, does he let his body unclench. He keeps a hand on you at all times; a hand on your thigh as he drives you home, his fingers in your hair as he undresses you, his mouth on yours as he holds your naked body to his. Rio treats you like a queen always, but he’s especially soft and gentle with you now. Afterwards, you lay in bed together, and he can’t take his eyes off of you. “Go to sleep, mama,” he says, a small smile on his face, “I ain’t going nowhere...and neither are you.”
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Thanks for reading! Please let me know what you think! This was unapologetically self-indulgent of me haha (requests are still closed)
Everything Taglist: @sweetybuzz25 @mrsjaxtellerfan @rhabakoli @encounterthepast @realduckvader @justvnash @knowles-morgan @ateliefloresdaprimavera @evanlys19 @nyxxnoxx @carlaangel86 @luminex3 @jigsawlover10 @gollyderek @otomefromtheheart @lexxierave @crushed-pink-petals @amethyst09 @falsehopesndreams @a-dorky-book-keeper @witchygagirl @glimmerglittergirl @nich0lasmatthews @ben-c-group-therapy @felicity-x0 @amirra88
#Billy Russo x reader#logan delos x reader#jax teller x reader#coco cruz x reader#angel reyes x reader#miguel galindo x reader#nick amaro x reader#johnny tuturro x reader#rio x reader#bre's boys#bre's boys preferences
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my post about daniel having problems with johnny from the get go from the point of view of their reunion is getting so many interesting responses so... let me get some of my thoughts out there.
daniel's problems with johnny is very intertwined with his problems with cobra kai and their methods. his first ever experience with the dojo was through johnny, getting punched in the face at the beach, getting thrown with his bike down the hill (literally right after he gets inside cobra kai and sees johnny leading the warm up), and OF COURSE, the Halloween incident.
after the tournament, he sees johnny getting almost killed by his own sensei, and before that he sees kreese calling lawrence a loser and breaking his trophy. when daniel watches all of that go down, i think he understood why the cobra kais act the way they do, even mr. miyagi tells him that there is no such thing as a bad student, only bad teacher. so i truly believe he understood johnny in that moment in time.
then... we cut the scene to the third Karate Kid movie. terry silver is out to get him and make him feel pain, in his body and in his mind. he is successful in that sense, daniel is scared to death in his match with mike barnes... he is hurt not only physically but also emotionally. that whole experience is completely traumatic to him, and he suffers with the aftermaths of that to this day. even tho he tries to play as if it wasn't a big deal.
so that's the reason he gets super triggered (and with reason) when he sees cobra kai back in the valley, he is so scared that other kids are going to get traumatized by their ways just like he was, and that's how his problems with johnny REALLY starts.
he sees that "STRIKE FIRST, STRIKE HARD, NO MERCY" on the walls of the dojo, sees the guy that beat him up on Halloween and that's that. johnny is cobra kai, therefore he is trouble.
we also know that johnny has no idea about daniel's stay in cobra kai, his ptsd and why he views cobra kai in such a bad way. to johnny, daniel has problems with cobra kai because of the 1984 tournament and the other events of that year.
in my opinion, their relationship and the way johnny views daniel is going to change with the arrival of terry silver in s4. they will most likely HAVE to talk about the events of 1985, and that will change not only johnny's view of cobra kai FOR GOOD, it will also make him see and understand daniel in a new light.
#cobra kai#analysis#daniel larusso#lawrusso#johnny lawrance#just some thoughts#also johnny allowing kreese back in his life after everything he did pisses daniel off and with reason#seeing kreese back from the dead and also back in cobra kai#that really did it for him
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I have literally no source for this interview, but it’s one of my favorites because Billie seems to be really honest about his songwriting here - this is when Nimrod came out
The day I met Billie Joe Armstrong he flashed me his new tattoo, a Chuck-Jones-perfect cartoon character on his right bicep. Above it was some skull or Celtic armband or something, but below was the name "Joseph," exquisitely lettered, for his firstborn child. It's that image of him that I always keep in my head, and what I think of when I hear his band, Green Day: loopy humor and face-punch riffs and sincere sentiment I tight formation, worn as close to the skin as possible, covered in sweat. From the band's first records on the local Berkeley label Lookout, 39/Smooth and Kerplunk!, through the multi-million selling Warner Brothers releases Dookie, Insomniac, and now Nimrod, Armstrong has written dozens of perfect little punk-rock ditties that are probably the most sincere and playful acts of musical aggression since that first punk wave twenty years ago.
But the songs are more than throwbacks. Armstrong writes from a very personal perspective, the perspective of someone born in the Me Decade, raised in the Me-vs.-You Decade, and trying to cope in the Yet-to-be-Stereotyped Decade. His songs are about the current crises of being alive right now, in a society that's used up and marketed all of its counter-cultures, and has little use for its youth except as consumers. The songs are also about how one reconciles anger and rebellion with love and desire to not be so down all the time. It's less political and more personal than its punk rock predecessors, an angry/crying/shouting/fucking definition of self.
It made me wonder how you can take bile directed at you and turn it into a song that gets sold at the local Sam Goody. I figured I'd ask, so I called him up at his home in Berkeley.
Q: Where do you start when writing a song?
A: Most of the time I'll come up with a melody, and I'll do lyrics, but I'll tackle them at different times and not connect the two, you know? So I'll come up with the riffs, and the melody of the song, like a short ditty. I'll put some lyrics to it and bring it to band practice and then we'll just start to pound it out. And then, as things need to be restructured, sometimes Mike [Dirnt, bassist] will have an idea for something, or Tré [Cool, drummer] will have an idea for something, or sometimes we'll just leave it alone and it's sort of already done.
Q: Have there been any particular songs that have stayed the same from the original inspiration to recording, or have they all gone through changes in the process?
A: There's a lot of them that stay the same. "Redundant" really never changed, except we made it a little longer by adding another chorus at the end. And there's this song called "All The Time" that's pretty much exactly the way I had it.
Q: So how much does a song change then, in producing the record? On Nimrod there are a lot of different arrangements: strings on "Good Riddance," horns on "King For A Day." Did you have the ragtime horns in mind when you were writing?
A: No, not at all. I actually demo'd that song and played all the instruments myself and showed it to the band and they're like, "oh, that's pretty cool." We fucked around with it and practiced it a couple of times, but we never expected it to go onto the record. Then when we got to the studio, we said whatever, we'll just put it on there. It ended up being pretty good, but the song was just screaming for horns. We got Gabe [McNair] and Steve [Bradley] and it was so funny. They said, "what do you want us to play?" And I said, 'I'm sure you'll think of something.' And they looked at me like, "aw man!" So they basically wrote all the horn parts to that song.
Q: What's more important, lyrics or the music?
A: I think lyrics are really important, because there are songs that, musically, I don't think are the greatest in the world but lyrically are amazing. I mean, Johnny Rotten never had the greatest voice in the world but he wrote really good lyrics for the first Sex Pistols record, and that goes for a lot of people. But the thing is, a lot of people tend to -- especially in pop songs -- they tend to take the music and put something sappy to it, and it's just a one-dimensional emotion that the rest of the songs has to carry. I was actually thinking about that yesterday. I went to a friend's house, and they were joking around, putting on the Spice Girls records. And it was blatantly catchy, super catchy, but at the same time it really didn't say anything. You could only hold it at face value, there was no depth behind it, you really couldn't tell anything about the people singing it. But I guess there's a need for that. People want to hear songs that don't say anything, they want to go out to a dance club and shake their booty.
Q: That's a good question, then: what makes a good song? Depth, a point of view...?
A: I guess so. I don't know. I know what I like, personally. Like, yesterday I did my top ten favorite songs or something like that.
Q: What's on there?
A: Let's see. "Surrender" by Cheap Trick. "In My Life" by the Beatles. A song called "They'll Never Call It Quits" by a band called One Man Army. Generation X, "Kiss Me Deadly." "Outsider" by the Ramones. Hüsker Dü, "Makes No Sense At All."
Q: How do you deal with writer's block?
A: I write something else, just for fun. I'm just habitual about it. If I can't come up with the song...the great song that you want to write that will leave your mark forever or something cheesy like that, I'll write a polka number if I can't come up with something.
Q: Do you put that kind of pressure on yourself? Do you say "this one's gonna be a statement?"
A: Sometimes I do. Sometimes I'll think way. I just have a really strong work ethic. I have that sort of way about all my songs that, lyrically, every single one of them has to have some subliminal thing going for it. But most people don't really get what you're talking about until 10 years after the fact anyway. That seems to be how people respect songwriters through time.
Q: Do you have a time of day or a place where you write? You say you have a work ethic, how does that manifest itself?
A: Anytime, every time. The other night I was dead tired. All I wanted to do was fall asleep, and me and [my wife] Adrienne get in bed, and we're laying there. I was just dozing off a little bit, and all of the sudden this music was popping in my head, going over and over. And I was like, aw man, I have to go downstairs to put this on my guitar and just write it down. But I don't want to. I was so tired. So finally I got up and I go, 'goddammit! I have to get this done.' Otherwise I would forget it.
Q: When you're writing, do you write with an album in mind or song by song?
A: Song by song. I can't really conceptualize that far in advance. We knew we wanted to change and bring in new elements on the new record. But we really didn't know how to do it. So I wrote, constantly, all kinds of songs. Fifty or something. And you try to find some sort of natural progression within those songs, and try to capture that on the record.
Q: So are the songs you write linked by your state of mind, or thematically?
A: Sometimes if I'll get into a depression, writer's block, where I can't write, I get really bummed out and then I'm not working at all, I'm not doing anything. And then I'll deliberately get myself down to the lowest of the low that I could possibly get down to. And then a song will pop up. And I'll be happy, I'll get ecstatic for like the next month and then all of the sudden another one will pop up.
Q: So you revel in the dark zone and it's useful.
A: Yeah...sort of...I kind of...well...definitely.
Q: But you don't necessarily choose to be there...
A: Sometimes I'll cause problems just so I can get in touch with that emotional side or whatever, you know. Just to see if something will spark up, start a fight or something (laughs).
Q: Can you name a song that has come out of something like that?
A: Umm...a song called "Worry Rock."
Q: Seems like a really personal song.
A: Yeah. I think I got drunk and put my fist through a window. Adrienne called me an asshole or something like that and, I don't know. We just got into some meaningless fight like most couples get into, those fights that don't make any sense. A fight for the sake of fighting, which can be destructive to your relationship. That's how that song came about.
Q: Are you okay with that kind of exposure that comes from investing your personal life and emotions in a song like that? Is your family okay with that?
A: Yeah, I think so. I guess the only problem would be if, say, Adrienne doesn't have an outlet for herself. That's the kind of thing that I worry about. The things that she could say about me could be pretty horrifying.
Q: In what way are you a different songwriter now than you were on 39/Smooth and Kerplunk?
A: It goes in a way of, you know, what kind of person were you at sixteen, and what kind of person are you at twenty? It's almost like two different people in some aspects. I think that most of my stuff is based on infatuations with women. Some are just straight obsession. I mean, nowadays you could call me a stalker (laughs). The quest for that ultimate happiness with another person, which I think started to change, and it changed pretty dramatically with Kerplunk, because I started to talk about other things, like loss of innocence, going out on your own, moving out at the age of seventeen, being a high school dropout, living in west Oakland in a warehouse with fifteen people. Where the first record was more...mushy...the next one you could tell I was going through some pretty dramatic changes.
Q: So Dookie comes out, and where are you there?
A: I think I turned more bitter. I started to realize where my true friendships were, the politics of Berkeley were setting in, drug abuse was starting to fuck with me a little bit. I was trying to figure out what was wrong with me, but I couldn't really do it and that had a lot to do with drugs. I started to get a lot more bitter. Life wasn't how it was supposed to be when you're on your own. There's a couple of different songs on there...I mean, the psychoses that went into that record! Songs like "Basket Case" and "Coming Clean" were blatantly neurotic songs.
Q: That's messed up: amazing success, and it's your bitterness you're being celebrated for.
A: I don't know. It's funny because I feel that once you write a song, and then record it, and then release it, it doesn't necessarily belong to you anymore. I mean, you can hold that piece of work closer to you than anybody else can, and that was one of the big problems for a while. I felt so misunderstood all the time. Which goes with the territory, anyway, of writing songs. Because nobody really understands what the hell you're talking about. Other people have interpretations of whatever, figure out their own plot, make it fit to the soundtrack of their own lives. It messed with me a little bit, 'cause people didn't know where I came from, people didn't know where I came from, people didn't really know what I stood for. People calling us a throwback to 1977, I guess I got affected by that. Because punk rock is a lifestyle for me, and has nothing to do with 1977 or any particular band, but the relationship that you had with and the amount of work that you put into your local scene. And it gets completely misinterpreted as trying to make a buck.
Q: It wasn't a fashion statement, it was a lifestyle.
A: Yeah, a lot of people took it as a fashion statement, even to the point where I think a lot of people thought we were the '90s equivalent of Sha Na Na or something. Some of that's kind of funny, whatever. But now I sort of don't care. No one's gonna understand it anyway. The whole success or fame thing was so new to me at the time, it came so abruptly, and I was like, wow, this is too much. I didn't know all this baggage was connected to all this shit. I thought I'd just have the opportunity to play my songs for people.
Q: Is that why the new album is as different as it is, because you're just doing what you want to do, you don't have to be what people thought you were, or even what you thought you were?
A: I think so. That might have something to do with it. I think when you stop caring and worrying about what people think, even stop caring what you think of yourself to a certain extent, and just sort of do it, it's a release to push your past behind you. I think that's when the best stuff comes out. And, of course, when you're forging ahead really hard. I think this time our songs are much more than just things that you can listen to, but actually visualize at the same time. It's like this guy told me the other day, this friend of mine, he goes, you know I was listening to that song "Platypus," and I can totally imagine this big western stampede of horses and cows. And that, for me, is exactly what I was thinking. Not that I was thinking of a stampede, you know, but that kind of quality.
Q: So you communicated an image and a feeling.
A: Exactly.
Q: Of any of your songs, do you have a favorite?
A: Lately, I like "Walking Alone" and "Uptight" I've been into. My mind changes all the time.
Q: Let's talk about one of those. What are the circumstances around a song like "Walking Alone?"
A: I play in this side project band called Pinhead Gunpowder. This guy Aaron Elliot writes all the lyrics and a lot of the music. And he wrote this song called "I Walk Alone," which is about walking at night, the streets, being a street punk. And so I wrote...I don't know what you'd call it -- an alter ego song? -- called "Walking Alone."
Q: An answer song?
A: Yeah, cause we always work in that sort of way. I wrote a song called "She," so he wrote an article in his fanzine called "She." It's kind of funny, it's really good to bounce things off of each other. So "Walking Alone" and "I Walk Alone" were sort of the same thing. I think Tom Petty could play that song. It's got that harmonica and the big smashing snare sound on it. But it was the first time I ever played harmonica. I can't play harmonica at all. I had to teach myself how to play that.
Q: Hey, you did great.
A: Oh, thanks. We actually tried to get a studio musician to play it, but I think he was a little too hobo for us.
Q: Smelled bad?
A: Actually, he had almost too much soul for it. He was too good at what he did. And I wanted it to come across more loosely. Not as good, I guess. So I played it.
Q: It's not a confident song, or a song about confidence. "Sometimes I need to apologize/sometimes I need to admit that I ain't right."
A: It's sort of like sticking your foot in your mouth sometimes, and thinking out loud, but the lyric changes. It turns into talking about friends and how they change and your friends either become lawyers or the local town drunks.
Q: Any advice for people writing who want to be hit songwriters?
A: Oh God, I don't know. Don't take advice from anybody.
#'The things that she could say about me could be pretty horrifying'#yeah i bet#interview#article#articles#billie joe armstrong
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