#not for the story nor the new characters
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I can't believe I'm gonna say this but... I'm starting to consider taking a break from Genshin and just go play Wuwa instead for once đŹ
#abbey plays genshin impact#I've been just so uninterested with the whole Natlan region in general#Fontaine was gorgeous and had amazing characters#with unique personalities and all#but Natlan feels so... mid in comparison#it has some good things but it's just not the same#the new patch just arrived and I have no motivation to play it#not for the story nor the new characters#I'm sorry but I'm one of those people who absolutely hates Chasca and Ororon's designs đ#I'm also not pulling for Mavuika even though I do like her#so yeah idk...#meanwhile Wuwa has Camellya now and she looks so good#plus maybe it's time to give the story a chance#people agree that it got a lot better#and it even won an award for that#I'll think this through but yeah I'm really considering it#playing Wuwa and coming back to Genshin when Furina's rerun comes#I mean man... I'm more interested in Zenless and I used to not like it as much#and HSR is being as peak as always#and then there's Genshin lol#anyways
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thanks @random-tail and @enamoredfey for the questions! i'll let Sun himself answer:
long-story short, Sun doesnât believe he has emotions since he is a robot đ
of course, he sees Moon and Eclipse emote all the time. he usually attributes it to Moon being a fool (believing he is something he's not) and Eclipse being manipulative (given that he was originally built for the theater)
but there is a part of him that wonders if he is missing somethingâhe just doesnât understand what that is
Note: i should also mention, his voice is almost completely monotone. the closet idea of a voice claim for this Sun is Greg Chun's voice for Lukas from Fire Emblem Echoesâfairly even in tone, somewhat soft
#ask the crab#fnaf sun#fnaf dca#dca fandom#Have You Eaten? AU#Sun Have You Eaten? AU#crab art#digital art#bright colours#Sun's character was the first one of the three that i figured out#i thought it would be cool to explore a Sun who isn't genuinely bubbly nor does he know how to act the part#he is a machine made to fulfill a purpose#and yeah leaving the ruined plex and becoming a chef was a big change for him#but serving customers out of sight from the kitchen wasn't too drastic a change#so he pours his efforts into his new role#he's also SO unintentionally funny#just logical deadpan and blunt to a fault#he's basically the no-nonsense straight man of the comedic trio#but don't worry#whenever i get to writing their story#Sunny will learn how to love#it's just going to take a while to get there#and it won't look the same as with Moon or Eclipse#but he will get there in his own way
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excerpts from interviews horikoshi has given in 2018.
[X] [X]
these aren't the only interviews where he has talked about this, but i don't want to dig up every single instance of him adressing the idea of "everyone has their own unique definition of what a hero/heroism is"' because he was basically just saying the same thing over and over again over the course of the past few years. i think he even brought it up in one of his more recent interviews, but even if he hadn't, i see no reason to believe that he changed his mind at some point after 2018.
i mostly just think it's interesting in how it relates to tomura and tomura's character arc. basically, if your goal is to explore all the different shapes and forms a "hero" can take, you'd naturally ask yourself the question: "can a villain be a hero? and what would that look like?" where tomura is the answer to both of these questions. his brand of heroism is defined by wanting to be a hero for the villains (as a villain) and by destroying for their sake in order to create a future where they can live how they see fit. but that ultimately means that he couldn't ever stop being a villain or abandon his goal of destruction in the literal and most extreme definition of the word since that would have changed his idea of heroism too much in order to turn it into something more "acceptable", when the whole idea seems to be that even tomura's brand of heroism is valid, and that even a villain who is and wants to be a hero for other villains can and has the right to exist. any attempt at "redeeming" tomura or getting him to re-join society on the heroes' terms or re-define what it means to "destroy" or perhaps even abandon that goal entirely would have sort of defeated the point because it would have been akin to "converting" him, and basically forcing him back into a box (essentially saying that, in order to be a hero, he can only have "this type of existence").
but since this is bnha (where, when neither of two parties wants to give up, someone has to die, even a teenage girl's slate cannot, ever, "be wiped clean," nothing can change the fact that people "still became murderers" who cannot be forgiven, etc.), and jail just isn't that dramatic/emotionally moving/exciting of a conclusion, if he was never supposed to stop being a villain, if, in fact, him being a villain (in spite of afo, not because of him) was the entire point of his character, and fighting to "destroy until the bitter end" was the culimination of his character arc, then there was never any other outcome for him but death.
#feel like i'm not saying anything new or interesting here but also. not sure how many people bother to read through hrksh interviews#and since i am not horikoshi this is also just me theorizing but if that was basically his entire purpose as a character in the story#(as opposed to him being the ultimate victim for deku to save) then it of course it makes sense why he neither got saved nor redeemed#because redeeming or saving him would have basically been horikoshi going against âwhat others views as a hero figureâ etc. etc.#âdestroyingâ is also. part of this heroism - destroying for the sake of *others* - it's not the quirk that defines you but how you use it#imo there's this thing in general with the villains having as much ârightâ to stay true to their convictions/beliefs as the heroes do#where it's not really about âsavingâ or âfixingâ them but their ârightâ to say no to and reject the heroes#or whatever the heroes might have to offer - if what they have to offer isn't considered good enough etc.#something something about shonen cast going head-to-head with another shonen cast etc. etc.#am i putting this in the tags? worried but i just might#bnha#tomura shigaraki#mine
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Honor Blackman guest stars as art expert Syd Lewis in Saber of London: Deep in the Heart of Chelsea (1.3, NBC, 1957)
#fave spotting#honor blackman#cathy gale#saber of london#the vise#the avengers#classic tv#deep in the heart of chelsea#1957#nbc#so im visiting parents for a week or two and taking the opportunity to catch up on my old tv watching as i have access to my beloved#dvd collection. Saber was one of the final network releases I've located (afterâ i might sayâ a long long search for a reasonably priced#copy). so. the story of Saber of London. (deep breath). SoL is really a development of The Vise; for more on the needlessly complex history#of that series you can follow the appropriate tag above. in short The Vise was a crime anthology made specifically for US tv but produced#in the UK using brit actors writers and directors. the recurring character of Mark Saber was popular enough that the show eventually became#The Vise: Mark Saber; it then became Saber of London. some sources still regard this show as essentially being a later series of The Vise#(and it does still use the og theme tune over the end credits) but considering the title change and (crucially) the fact that SoL saw the#series move from ABC to NBCâ im gonna consider this its own self contained show and number the episodes accordingly (ie. this is series 1 o#Saber of London not series 5 or 7 (depending on your counting) of The Vise). anyway now that's all out of the way.#there's little material difference between this series and the slightly earlier The Vise: Mark Saber episodes besides new titles and a#different introductory spiel from star Donald Gray. our hero is still a plucky private detective undertaking modest cases that the show's#budget will allow. this ep concerns art forgeries and an attempt to trap the criminals responsibleâ which means Saber must call on an art#expert to help authenticate the works. enter Honor! not yet a starâ Honor did have a decade of acting experience behind her#which is maybe reflected in the fact that she's given an unusually meaty part for a woman in this series: she's neither victim nor love#interest (which are the usual roles) but a witty and intelligent source of assistance to the hero.#unlike The Vise episodes (which could take up to a decade to appear in the uk if they did at all) SoL appears to have had a fairly regular#slot from Granada about two years after the show's US premier. this ep would have been seen by uk audiences in 1959
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Why are people who look at comic books from a âcritical real-world lensâ so obsessed with identifying the one person who is â100% rightâ. That doesnât even exist in the real world.
Lost Days wasnât made to protest global issues. It is a comic book exploring fictional character Jasonâs mental journey after being resurrected and regaining consciousness against his will and/or power. Now how dare this character, in his own story where he has his own personal objective, not go out of his way to make sure each individual child from the collective hundreds he saved from traffickers and the likes gets adopted into nice homes. Obviously we have to disregard any good he did or that he cares at all because all he did was kill the fucker at the top who was responsible. Winick also never fleshed out all 42 of the trafficked children into nuanced characters with their own thoughts and feelings which was apparently neglectful lol.
In regards to utrh, Idk what this person read but there were more drug dealers Jason didnât kill than those he did. Not once did he ever say he wanted to eliminate the flow of drugs in the community. He took over the trade. Not to mention he explicitly stated control vs elimination is where his goals differed from Bruceâs pipe dream hence why heâs successful and Bruce is still failing. Obviously if you completely misunderstand the characterâs motivations youâll find issues that donât exist.
People just donât want stories to be about what they are about, huh.
#kelseethe#the dealers Jason killed met their fate because they either disobeyed him or were in his way. not because they sold drugs lol wtf#which that is obviously not a âđâ thing but again who tf cares#itâs not like they were relief workers they were drug dealers. also this is a fictional story#anyway I think Jason typically not striking drug dealers and thieves in utrh demonstrates more forethought#than repeatedly throwing them in prison which will perpetuate the problem anyway#And doesnât target the root either#Jason explicitly says he isn't trying to fix every single bad thing that can ever happen in the world.#because that isnât feasible nor possible#no what he does is kill people who cause large amounts of immediate damage and that actually is a difference he can feasibly make#so why exactly would *Jason* being the one to forfeit his ideas be a demonstration of character growth#also#god forbid there be limitations to what Jason can do with the time and resources he has#And that he has his own plans and itinerary#because how dare he not properly fix every systemic/political issue in Russia Africa and the UK every other country he went to#nobody needs to âread theoryâ. I did that years ago in college this isnât the same thing#And as for Gotham War ⌠it feels like every new issue we win some we lose some#but also itâs funny that youâre saying âeveryone pls listen to my rant & also ignore the recent comics that contradict what Iâm sayingâ
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happy STS! Do you have any little world building details youâd like to share?
oh i DO
from my sci fi story that im not currently working on but >//< i love it
ok, so, *i* call it a cyberpunk story, even though im not sure its actually cyberpunk. it's got a revolution plot, and the protagonist is this girl called Amani.
The country she lives in is called New Ubiracipe (ubiracipe means--checks notes--no, actually, i didnt note what ubiracipe means oops. i remember its somethin related to trees with strong wood. anyhow), and everybody that lives in it is divided in three classes:
The High
The Citizens
The Servants
The high are the burguoise and the governants: They are the powerful rulers, the everything, the owners of the place. The citizens are below the high, and their job is to basically obey. They are my slightly brainwashed middle class. They are taught from elementary school that the society is exactly as it should be, and that the high should be exalted. They have a couple rights and aren't doing very bad in general.
The servants are the poor: the workers, the slaves. They are always subordinated to the high and the citizens, and officialy they have a few laws defending their rights. Not like anybody cares about those but they are there.
There is also an "extra" category, the Pariah, that are the exiled. Rebels, criminals, etc.
By rule, all the Pariah are considered criminals, but most aren't really chased after. The ones who do cause big problems, though, are called CapitĂĄlios and have bounties on their heads. They usually lead revolts.
The Law also draws clear distinctions between High, Citizens and Servants. There are very little crimes a High can commit, especially if they are about harming lower class people, but there are a few things that are so harmful to the Nation that not even a high can get away with.
Punishment for the Servants that break the laws for them are pretty severe. The crimes that a Servant can commit include: stealing, assassinating a High or a Citizen, insubordination, harming someone of higher class, rebelling, expressing harmful views about their superiors, work negligence, etc. Depending on the crime, they can be exiled and become Pariahs, beaten, locked away or killed.
For the Citizens, their crimes are classified as either "accidental" or "proposital" and the penalty will vary depending on that. Light or accidental crimes are usually met with fines or confiscation, and more serious crimes with prision, turning them into a Servant or exiling them. Citizens also have a "criminal file" that if they commit a lot of crimes, even if those are judged accidental, they become a Potential Problem and are less likely to be forgiven in the future.
I also have different names for "continents" and "countries", and there are also different social movements that want to overthrow the current system, all with different goals and methods, and a few notes on their fashion code (like in the middle ages, depending on your class, you can't wear certain things). Actually, the worldbuilding document on this wip is sixteen pages long :) idk what i was on back then but i cooked a lot lol.
#lrrh wip#worldbuilding#storyteller saturday#there are a few holes and things that don't work#but i'll work on them when i focus on that wip eventually#oh and also fun fact: new ubiracipe is a monarchy!#one of the princes of NU is also a main character#he starts off as a villain but then gets a redemption arc#i dont have a name for him#the plot is about amani (a citizen) joining one of those revolutionary movements to overthrow the system#also the story is uh#âlittle red riding hood cyberpunkâ#even though its not rlly little red riding hood nor cyberpunk#i want to put stuff from the tale in there but currently nothing lol#aside from the red hood amani wears#also fun fact amani is an amputee but a LOTs going to change on her when i work more on it because she was uh#a little below âokâ
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making 2 different original stories atm- one is a modern fantasy (think arcane or rwby) and the other is paranormal. nd for both of the main pairings so far keep sharing common things notably:
butch x femme
one of them deals w emotional repression which is connected to their abilities which are also connected to spirits/ghosts
the other has paranoia (also connected to spirits/ghosts)
#im not a writer nor have i figured out the stories' plots/themes either#hoping i can make my characters more distinct from each other but man. ig ill hs be haunted by repression and paranoia for now#also they may be similar bc i used to only be working on one story which is the ghost one. but the things i wanted for my ocs didnt fit#i made a new story so i can support their princess/knight to hunter/monster toxic yuri <33#yes im inspired by utena and the locked tomb#grn scream
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Forget about gritting your teeth through someone's media analysis that is egregiously incorrect. Some character/story analyses I see on here are literally just verbatim re-tellings of what happened in the story - the literal things you are supposed to understand, and the connections you're supposed to make to get what is happening - and they're phrased as crazy theories or analyses. And I just want to scream, because no, you're not weird or 'reaching' for coming to that conclusion, that is quite literally the exact thing the story was trying to tell you. You are stating blatant fact as some incredible discovery. Like that person who thought Lucy Gray Baird saying she was 'going to find Katniss' was "an accident" or maybe they were crazy. But I guess everyone's gotta start somewhere, even if you think saying 'did anyone else ever realise that Darth Vader's theme plays when Anakin does something evil???' is some mind-blowing observation. Like, shit, in a world where media literacy is so sorely lacking, quite literally witnessing a story and noticing details of it is considered analysis. Whatever.
#fandom#banging my head on the wall STOP FUCKING WATCHING NOTHING BUT MARVEL MOVIES THEY LITERALLY ROT YOUR BRAIN#marvel movies and marvel adjacent movies etc etc#THEY ARE COMMERCIALISED THEY ARE CORPORATELY FORMULATED SO THAT MASS AUDIENCES CAN UNDERSTAND WHAT'S HAPPENING#EVEN IF THEY HAVE NO IDEA WHAT THE CHARACTERS ARE OR WHAT HAPPENED IN ANOTHER MOVIE#They WANT it to be so so obvious on PURPOSE so that they can get middle aged people who don't have kids to be entertained#so that they can get groups of teens with nothing better to do than watch some new marvel movie that's always in fucking theatres-#-to go in having absolutely no idea who these characters or their storylines are and still understand what's happening#wonder why no matter how good the new marvel movies are there's always just a certain substance that feels like it's missing?#What's missing is the part where they don't treat the audience like idiots who need everything spelled out for them#where the plot and symbolism went hand in hand to tell the story#when you didn't need repeated flashback shots of scenes we've already seen just to remind an audience with an absolute SHITE attention span#what happened literally twenty minutes ago in the same movie#like no. you're not insanely smart nor crazy for recognising that leitmotif. I beg you to look it up that is quite literally its purpose.#you are an audience member observing and understanding the story.#Like I LOVEEEEE delving into the symbolism and narrative rhetorical devices in stories it is my favourite thing#I always loved Socratic Seminars in school because we'd get to just discuss our analyses on the texts we'd read#there's too many people acting like they're INSANE like they are going to be SHOT ON SIGHT if they DARE notice blatant details#that are supposed to be noticed#and don't get me wrong I have no hate for these people.#I truly just hate the fact that this is enabled by the commercialising and commodification of ART.#âcontentâ and all that bullshit#IT'S CALLED ART#IT'S CALLED A GOOD STORY#'bro has anyone ever noticed that gandalf is called gandalf the gray in the hobbit because it was set before lotr?'#YES. EVERYONE. STOP IT
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okay i FINALLY watched kung fu panda 4 and i have a lot of thoughts, especially about the parallels between tai lung and zhen. tai lung was taken in by shifu, who loved him and believed in him but took pride in him to a fault, leading to the arrogance and entitlement that was tai lung's downfall; zhen was taken in by the chameleon, who criticized her and used her and acted only out of self interest, a belief system that ultimately lead to zhen's rebellion. two young kids each given a chance by a master, one of them with kindness and excessive leniency, the other with mal-intent and no room for error. tai lung and zhen could've easily swapped places and each of them turned out differently. it's so fascinating, and a very smart writing choice to bring tai lung back into focus in conjunction with the the introduction of zhen's character.
#kung fu panda 4#kung fu panda#kfp#i was pleasantly surprised by this film i must say!!!#ive seen mixed reviews and i certainly dont think it has anything on the first two movies but it's better than the third#kfp3 is exceptionally weak compared to the rest of the franchise so it was nice to see a step up from that#i feel much better about this film being the end of po's story#and i love zhen!!!!! i was worried she was gonna be like a quirky new side character with no depth thats meant to appeal to the new young+#audience but i think she's absolutely incredible#if she gets her own saga following this movie i wont be surprised nor disappointed#good movie!#the music and fight choreo and visuals were all on par with what ive come to expect as well#which is to say they were v good#and honestly i laughed out loud a bunch. while on a public bus no less#ive seen a lot of criticisms about the humor but i thought it was fun and good :p
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oooooo please tell me (who knows nothing on the subject) about orv swap au
hehehe. hehehehehehe. hehehehehehehhehehehhheheheh <- guy who is so normal
the premise of orv swap au (name has yet to be finalized) is this: what if kdj and yjh swapped narrative positions (reader <-> character) but very little else? what if a video game player enters a time loop to save his favorite character from dying over and over again and also to end the apocalypse?
admittedly it's not super fleshed out yet (a lot of the changes this premise would introduce are still not hammered out yet) but here are some points under the cut (novel spoilers ahead!)
orv swap au starts with pro gamer yjh who feels :/ abt his job, but hey, it pays the bills. despite (or maybe because of) his relative popularity as a pro gamer and networking with the agency/sponsors/people to impress, he's kind of isolated in a way that's detrimental, a facade of someone he's not whenever he's on camera
something to play around with is the idea of agency? maybe this yjh doesn't feel like he has any and has his hands tied between the lifestyle and being under public scrutiny and not having enough of a support system to leave everything behind. maybe he doesn't know what else he would even do. maybe he's aimless and drifting with nothing to hold on to.
his favorite video game is what i've been thinking of as World's Hardest To Play Indie Game (not based on difficulty but just on the experience of consuming it) a boring, exposition heavy, player-hostile, poorly designed, slightly buggy mess of a barely-playable game: twsa, a game that was not finished upon release and experiences with sporadic updates every now and then.
the ending tree to this game is so convoluted its insane. also theres no save states so if you die (very likely) u restart babeyyy.
twsa (video game) does have multiple endings, all of which happen when kdj, your main character, dies. some are farther into the apocolypse than others, some paths require meta knowledge of future events or character actions or items or whatever. the "true ending" is either analogous to the original 1863: kdj makes it to the end at the cost of everyone he loves, or hsy's modified 1863: kdj makes himself enemy of the scenario to secure a way out for the kimcom remnants.
there's branches on the choices tree where everyone dies and everything sucks and is bad forever and theres choices to make where kdj gets to make a family and they don't really get to settle down but they can get pretty close to it among the ruins of the apocalypse. through all his testing, yjh finds that these endings are nice but peter out - to get to the end of the apocalypse yjh has to claw his way there inch by painful inch, through betrayal and sacrifice, and he still cant fully get past it
i originally wanted to finagle a yoohankim 3 way swap but i couldn't figure it out. swap aus are a lot easier to work with when they're even numbers, at least to me, so this au features a ysa who is a video game company employee by day and by night she really has become god this time (and also a terrible indie dev). and this is how jungdoksang can still win !!!!
also yjh's coworker from Real Life hsy :) i haven't decided if she's like an employee for the same agency, or if she's someone else in the gaming circles that yjh interacts with sometimes (in my heart theyre in like some sort of discord server together), or something like that but she's around. whatever she does she is twitter cancelled for something. to me.
the only other character swaps are lsk and yma. yma is yjh's estranged sister (in broad strokes there's a vague bad parent situation going on here) (they used to be close until they drifted apart and slowly started hating each other [there is an abyss between them that neither of them can bridge]) (he feels that she betrayed him and threw him under the bus so he left [maybe he gets kicked out]) (she feels that he abandoned her to whatever situation they have going on [he didn't even try to take her with him]) and he has to find her when the apocalypse starts. yjh older sibling to yma gives us a whole different little dynamic to explore from kdj ysk (there's different levels of responsibility and guilt and blame when you're talking siblings that are soooooo interesting to me. sorry that i see any set of siblings and immediately try to figure out how to make them worse)
lsk is kdj's mom who appeared into existence at some point with kdj and they were both just adults. that's weird isn't it. oh well. i guess she can become a transcendent later too for funsies
everyone else stays in the same configuration of Real Person vs Character to me this is a very important aspect
this point has no precedent with the swap, nothing particular that would change to cause this, but it would be so funny if lgy was a little gamer boy who is an avid yjh hater. hates that guy. shows up to competitions to boo him. tunes into yjh's silent no-mic speedrunning streams to mald in chat but yjh +mods don't ban him bc its kinda funny.
anyways the apocalypse starts when yjh and his coworker/fellow gamer hsy are on a train to twitchcon and lgy is also there (also headed to twitchcon) and he brings bugs because he likes them but also to sabotage yjh specifically. its just funny if this happened. you understand
instead of having reader-related skills and abilities, yjh's skills are video game player based! he gets flavor text insight on people, location, and items, things like that. notably, he has the ability to reset, to bring himself back to the beginning of the apocalypse
orv swap proper follows yjh as the Player of the Game (Consumer of the Narrative) who lives hundred of lifetimes in this ruined-world-become-reality "replaying" [read: time looping through] the game to reshape it to save his fave character from self implosion (kdj with no dissociation is very prone to dying. all the time.). to revisit the idea of playing with yjh and the idea of agency, of creation, the only way to get past the apocalypse is to go off the beaten path, to choose options that weren't even there in the game. when in space, at his darkest point, yjh becomes a writer. in this story, at his darkest point, he has to become a creator too
please do not ask me how the epilogues go i dont know how the epilogues go (i don't want to throw yjh back into a train for milennia after he Just went through a thousand resets so i'm sending kdj for that but i havent fully planned how or why)
anyways, hope that helps!!! :)
#orv au#orvswap#i think i will main tag this. just the one tag tho. poorly planned au be upon ye.#orv#orv spoilers#<- for blacklists!#i only realized after creating this au that this is just how p//mmm goes except its videogame themed and hater lgy is there lol#anyways wheres that post that says time loops are about tragedy and theyre about saying i will make this right#and secret third thing time loops are about love#also each individual dynamic for the creater-player-character triangle in this is so interesting to me to explore like#you have the new kdj-yjh one (mostly similar tbh. was the crux of the au after all) which is a fun space to play in#but then you have a brand new kdj-ysa one to work with which is !!!! a writer and her character. a creator and her creation#and then you have ysa-yjh as the creator and her audience of 1!!!!!!! where is yjh that he needs to be saved? how does ysa answer that call#to love to the point of creation.... to tear the world asunder..... to create the worlds most unplayable rpg.......#lets meet again in another life. ysa reaches out toward yjh but cant reach him before she wakes up. cant quite tell him its not his fault#and Dont Even get me Started on yoo sister dynamics ill go insane#because theyre siblings but for a while (and def at the beginning of the story) it hurts to be around each other (its a betrayal#its a pang in your chest its a you were supposed to protect me and you were supposed to love me and i dont even know you anymore)#but also the swap means the 4th wall eats yma and leaves yjh begging for her back ('dont you hate her?' 'shes my little sister'#which is neither agreement nor denial but also both at once)#its ya boi#tango mango#anyways thanks for the ask im very normal about the ask
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People just now realising that gege is not that good of a writer is hilarious. I'm not saying he's awful but his mediocre writing is evident from the first chapters of jjk. Y'all just saw gojo and thought that he's a writing genius (gojo is a very badly-written character, lacks depth and complexity.. hes just "hot").
Now that he's written himself into a corner, I want to see how jjk obsessed stans react to him ending the manga ala deus ex machina.
#not saying you should stop watching it.#but lets bffr.. its not all that#and if gojo wasnt hot and cocky everyone would rightfully hate him as a character#or god forbid.#he was a woman#but that is neither here nor there#gege is mid tbh#jjk#Jujutsu kaisen#đŻď¸.rebels rebellious yells#â(news flash: killing everyone in your story and circling back to the same point 100 times over is NOT good writing âźď¸)â#and whats even funnier is that it took you gojo being racist for yall to realise gege isn't all thatđ
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none of you mother fuckers undertake what adoptions are
#avatar the last airbender#and btw this is in criticism OF the new avatar#its not a good adaption of it doesnt have anything new to add to the fucking story#and making ur characters softer and more fanonfied is not adding anything new or interesting#nor is adding ship bait for a ship we know womt fucking happen because weve seen the goddamn show before
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Helluva name for an ep! I'm thinking it's a trifecta:Â
Steph dealing with her father - again, though hopefully less heartbreaking than last time; maybe something happens and he comes around to her way of thinking ie. her mom needs professional help. (I hope Steph gets someone on her side)Â
Duela's mom visits her for her birthday - she got out of prison, maybe escaped? Or maybe Duela goes to visit her for her birthday. Either way, Duela's mom reveals The Joker is not her father. (I'm still on the Duela Dent train but I don't know if they'll reveal that as well; if Duela's father is fugue!Dent, her mom might leave clues for her to figure it out for herself which would mean a second reveal maybe at the end of the season, maybe just before or after Harvey's Two-Face incident leaving a cliffhanger for season 2.)Â
Harvey encounters his father. The way it's worded - 'collision course' - is intriguing. Will he encounter fugue!father? Will fugue!Harvey encounter his father? Did he think his father was dead? We've only had scraps of his past and whatever the comics say, GK is doing it's own thing so who knows what could happen. If his father is alive and it's a surprise maybe fugue!Harvey will kill him? But there's still the possibility that fugue!father is in league with the owls somehow (how else would they know about the piano trigger? Unless fugue!Harvey himself gave it to them..)Â
I love the crew's passion for creating this story! They care about good storytelling, they care about the details, they want to entertain and surprise us! They're taking the best bits of the DCU and giving us something new! I'm very excited for the possibilites of this ep. This story continues to keep me guessing, has me caring about the characters, and keeps me invested in how things will unfold.Â
#gotham knights#thoughts#harvey dent#duela dent#just tacking on a disclaimer here to remind folks i'm not a dcu fan so that probably skews my opinion but idgaf#I've never read any of the comics or seen the various shows nor cared much for the movies (Batman bores me tbh)#so I don't have any of the annoyances or reservations DC fans have with what GK is doing with the characters and#and plot deviating from canon; they're taking the best bits and spinning their own tale and I love that because#it keeps us theorising and enjoying a true mystery! I love speculating! And I love that they've created something#that you don't have to be a diehard DCU fan to enjoy or appreciate - but which incorporates so many versions of canon#that even if you are a fan and make your guesses you still might be wrong - and that's a good thing! why watch something#new where you know everything that's gonna happen? that's boring and not what GK is about. GK is about#going on a new journey together. it's bringing a rich universe into the modern era and discovering#new ways to tell its story. it's a batman show without batman! it's a major villain before he was a villain!#its a group of young unlikley friends coming together not only for themselves but for the greater good!#this probably deserves its own post but it was in my head while speccing on 1x11 so i'm putting it here.
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I really would like to say something about Loki Season 2, write some analysis, whatever, but... The whole thing is just making me feel TIRED.
Guys. You can do better than this. I promise, you can do better than this. In terms of general storytelling, but especially where queer representation is concerned. Why did you even think that there would be queer rep in the first place?! For fuck's sake.
#season 2 was actually quite nice...#but not worth the effort of watching season 1#and it's still all very hollow#the whole show is just hollow I have no other ways of describing it#they took a story that had SO MUCH POTENTIAL#and then made the most boring choices every single time they could make a choice#didn't put any effort into fleshing out any of the new characters#nor to get Loki sound like himself from the movies#connect his quest to the one he had in the MCU in any way shape or form#and I don't want to shit on anyone's enjoyment of media that would be stupid#BUT WHY IS THIS GETTING PRAISE?!#WHY IS IT PUT ON THE SAME LEVEL AS GOOD OMENS OR OUR FLAG MEANS DEATH?!#which like#actuall make sense#storytelling wise#the only value this show has is the one that people brought in when they were hallucinating their own parallelly of watching this#as I was saying we can do better#I am just annoyed because if you think that THIS is good#then what does that say about our collective basic media literacy skills#and standards#they can't be possibly THIS low#Loki show#superheroes#MCU
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update i've written like. 3k words of the goromi encounter chapter tonight (for this fic). gonna keep at it but i thought y'all should know: yes it's been like 3 weeks, no i haven't forgotten about it. she's been marinating. i've been cooking up some good shit though and i'm SO SO SO excited to finally be getting to some parts of the outline that i just realized y'all aren't aware of yet. hehehehooohoo >:)))))
anyway hopefully it should be done within a couple days :3!!! thanks to everyone for their support so far, i swear i'll respond to the comments eventually. i look at them and giggle likee. embarrassingly often lol
#it's been one of the toughest chapters to really figure out how to write because the balance between the canon dialogue and how i wanna#spin it character-wise is kinda complicated. also i don't wanna just. copy the whole exchange. nor do i wanna insert new dialogue#(for the goromi hostess minigame part of it). but i managed i think#it's also very much the climax of the story (though there's a couple chapters after this) so like. less slapstick and more oh BIG emotions#oh how to work the you're not a woman line into a trans affirming reading of kiryu. the literary gymnastics i'm going through. y'all.#i mean it fits with my characterization in the fic i feel but it's still kind of a headache to fit everything together yk#i was also kinda putting off going through all the goromi dialogue options again.. not bc i don't love her i just got brain stuck :/#nyarla dni#rgg#anywaay i've really only got the end scene left to write. im gonna go back and edit what i've written tonight first though
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originally, I had no plan on making a post like this. but after of hours seeing how I was feeling... I don't want to give off any sort of impression that I am ignoring anyone who's talking to me on discord or on here. A few hours ago, my family was given news that my grandmother had passed away, it was a sudden news as we were told that she was doing well with her health... regardless, i am sorry if I become quiet ooc.
#* XIII ⍜ life is short. the art long ⚠( out of character. )#{ i didn't want to dm everybody on discord about the news nor did I wanted to seem rude if i happened to not response to somebody#it'll not effect anything ic here as I am pretty quiet on here but for ooc that a different story. anyways thanks for reading. }#family death //#death mention //
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