#not entirely sure how I feel about this but it exists

[sunnylucy31]

Some asks I got for these in discord, reposting my answers here:

Pierce is on the spectrum, though she does a good job of masking most of the time (until you get her talking about her special interest which is stars and astrology (fun fact she can tell your star sign just by looking at you, very useful power)).

Frieda has BPD, and she handles it by not handling it (that is, she bottles up everything related to it, The Queen must not show weakness to subordinates). Her people don’t say her name and only refer to her as “the queen” out of respect, but a large part of her believes it’s because they disapprove of her (RSD will have you making logical leaps like that, it’s a bitch).

20. Frieda is often jealous of how tight knit her peoples’ bonds with each other are; as the queen she’s often excluded from that since everyone else puts her on a pedestal (as noted previously, they refer to her by title rather than name). More specifically she’s jealous of Hunter’s ongoing thing with Siren, as she’s been yearning for his attention for years and never received it (not in the way she wants, anyway). Again, she handles this by bottling it up, as the queen cannot be distracted by such trivial emotions. Good thing glass bottles are famously sturdy, this practice will surely continue to be a sound one.

If Maya is jealous of anything, it’s her peers’ ability to be content with tedium. With a perfect memory, she’s painfully aware of how much repetition the average day has, but her fellows don’t seem to notice, or if they do, don’t seem to care. Hell, some of them appear to find comfort in the routine, the normalcy. She attempts to shake this feeling off, but like everything else in her flawless recall, she can never entirely put it away.

25. My favorite aspects of both are going to be the angsty parts because apparently I’m a sadist.

For Frieda it’s the dehumanization. The Titans made her to be a living weapon. The gods branded her as an abomination for existing. And her own people turned her into a martyr, a Messiah figure that could prop up their fragile hopes. At no point does Frieda get to be Frieda; She’s Zero, or Priority Target One, or The Queen. Max will be the first person to treat her as human in a long time, and that’s going to be a profound moment for her that I really look forward to.

For Maya it’s going to be exploring all the detriments to a flawless memory and how the human psyche wasn’t meant to handle having that sort of ability. Imagine every mistake you’ve ever made, every abuse you’ve suffered, every pain you’ve felt, as crystal clear in your mind as the moment it happened. How do you heal? How do you move on? I do so love a good “your great power is really a curse” trope.

Frieda certainly wouldn’t think she could get away with it. Tenet Two of the demititans’ code is to do no willful harm against a fellow demititan, and to her mind she isn’t above the code. Her people on the other hand would feel differently. As I said above, they’ve turned her into their Messiah; all their hopes for survival rest in her. While it would be a deeply unsettling event for many, they’d find some way to justify it if only to keep her at the forefront, to keep her trying to save them.

4. Frieda’s innate instinct when scared is to freeze, followed by flee. Years of training have embedded a fight response in her, but part of her still feels the urge to run and hide when shit gets scary.

9. “Most gods throw dice, but Fate plays chess, and you don't find out til too late that he's been playing with two queens all along.” -Terry Pratchett

19. Rage makes Frieda’s calm and collected queenly mask fall away entirely. It’s the one emotion she’s never had much practice at containing, so when it comes out, it really comes out. Violence is basically a guarantee at that point.

Edgy/misc OC ask meme ᕕ( ᐛ )ᕗ

Send me a number and an OC, and I'll answer.

What memory would your OC rather just forget?

What's something about your OC that people wouldn't expect just from looking at them?

What is your OC's fatal flaw? Are they aware of this flaw?

When scared, does your OC fight, flee, freeze or fawn?

How far is your OC willing to go to get what they want?

How easily could your OC be convinced to do something that goes against their moral compass?

What's one way your OC has changed since you first came up with them?

Would your OC ostensibly be able to get away with murder?

Do you have a specific lyric or quote which you associate with your OC?

What's an AU that would be interesting to explore with your OC?

What is your OC's weapon of choice? Have they ever actually used it?

Is your OC self-destructive? In what ways?

If you met your OC, would the two of you get along?

How does your OC want to be seen by other characters?

Does your OC have a faceclaim? If so, who?

What is your OC's pain tolerance like?

What is the worst thing you have put your OC through story-wise?

Is your OC more cold and detached or up close and personal?

How does your OC behave when enraged?

Does your OC have a tendency to get jealous? If so, how does this manifest?

Does your OC have any illnesses or disorders? How do they handle it?

What character alignment would you consider your OC to be?

What emotion is the hardest for your OC to process? How about express?

What is an alternative life path your OC might have gone down? How different would their life be if they'd made those decisions?

What is your favorite thing about your OC?

[the-modern-typewriter]

Determined heroes and the villains obsessed with them are my absolute weakness, esp when the hero is absolutely at their mercy. You write protagonist/antagonist so well, thank you for sharing!! Once life stuff settles I want to be a patron again!

"You simply don't give up, do you?"

The hero panted for breath, but still couldn't seem to draw enough air into their heaving chest to reply. They doubled over, bracing one hand against the wall. At least, currently, it looked like a wall. They mustered a glare for the villain.

"You're in my domain, sweetness," the villain said, unbothered. "The only exit you have is the one I give you. You could run five marathons and still not find the way out."

"Then give me an exit!"

"When I get bored, of course."

Abruptly, the wall beneath the hero's hand shimmered and shifted, reality bending nauseatingly to something else. Instead of the endless fancy hotel corridors that the hero had started with, they were suddenly stumbling off-balance into a big squashy armchair. Its softness enveloped the hero on every side, whispering reprieve, a relief for their aching muscles.

They were in an old-fashioned library, filled with dark winding bookcases and honeyed light flowing still and golden through enormous windows. A roaring fireplace sprung to life, filling the room with a welcoming crackle.

"Or would you prefer outside?" The villain raised a hand to snap their fingers, in offer. "Are we feeling more brisk, fresh autumn air or sunny beach vibes?"

"I'd prefer you let me go."

"Well, we both know that, but in the absence of me granting that particular wish, you may wish to play along. Unless you'd prefer I get cross about you trying to run? Maybe create something to actually chase you while you're all tuckered out? All labyrinths have their minotaurs, my dear. Would you like to meet mine?"

No. No, absolutely not.

The hero swallowed. They considered their options for a moment, trying to decide if any particular setting would give them an advantage when reality itself seemed so smittenly under the villain's control.

"...outside would be nice," they said. "What's the best view you've got?"

The villain smiled and snapped their fingers.

The armchair stayed, as did the library shelves, but the walls around them fell flat like an unpacked box and crumbled, transforming into a sweeping bio-luminescent ocean. It was unlike anything the hero had ever seen. It barely seemed like something that could be seen on earth! They glanced up to find an expansive swirl of aurora shading a perfectly clear starry night with bright pinks and greens. The stars, themselves, were nonsense. Nothing like the formations of the world the hero knew.

The hero's breath caught, eyes going wide.

A steaming cup-and-saucer of hot cocoa popped into existence by their left elbow. They could smell the chocolate, sweet as it mixed with the salt of the water around them. A dizzying display of casual power.

"Okay, that's good," the hero allowed. "I'll give you that."

"Only the best for my honoured guest."

The villain sat themselves down opposite, though instead of a squashy armchair they had an elaborate but comfortable looking throne.

"How long does it usually take you to get bored?" the hero asked. "Because, you know, I've learned my lesson."

"Oh?"

"It's ridiculous to try and fight you."

"You're fighting me right now, in your way. Trying to convince a god to give you what you want. Trying your luck."

"You're not a god."

"No, gods are a cute mortal inventions. But I thought the comparison might make sense to you."

The hero's stomach squeezed. Another glance at the sky, at the calm waters of an eternally stretching sea, had them gathering more details. Namely that if this entire universe had an orbit, a centre of gravity, it was the hero's unassuming armchair. Or, worse, the hero themselves.

They turned their attention back to the villain, as if everything around them wasn't in some way the villain.

"Okay," the hero said. "Then surely gods, for want of a better word, have better things to do than sitting with me. Isn't this a bit like having hot chocolate with an ant?"

"But a very charming ant."

"We're more charming outside of captivity. Could do dinner."

"See," the villain cooed. "You just don't give up! This is why I knew I simply had to meet you. And I know you wanted to meet me. You've been trying so hard to find me, out in your little world."

"Is that a no to dinner?"

An elaborate banquet table replaced the library shelves.

"That's not real food," the hero said, with as much surety as they could muster. "You know I can't live on air and fairytales, yeah? If you keep me here forever, or until you get bored, I'll starve."

"Which do you think will happen first?"

"Excuse me?"

"Forever. Or me getting bored of you. Which will come first?"

"Forever, probably, is the vibe I'm currently getting."

The villain laughed, so the hero assumed they'd given the correct answer. It was...it was terrifying. More terrifying was the fact that a small part of the hero wanted to be flattered. They'd never had a universe literally revolve around them before.

The hero took a sip of the cocoa, out of some dangerous, dubious curiosity. It tasted like a childhood memory. Safety as the nights drew in. There was no safety from the abyss they were talking to, though, was there? Not really.

"If this is your domain, then this is...you," the hero said. "Which means if I were to find a way to beat you, it would be here. Seems risky to let me so close."

The villain's smile grew, like they knew something that the hero didn't.

"And you're probably not going to let me die," the hero reasoned, "no matter what I do. Even if you set a minotaur on me, or whatever."

The villain shrugged. "Why kill you when I could stretch your entrails like strawberry laces and hang you up in my study like Christmas lights?"

"Wouldn't that kill me?"

"Not here. Not if I don't want it to. It would hurt, though."

"Most people stomp ants. Especially the biting kind."

"Do you want me to kill you?"

"No. I'm just trying to understand what this...is."

"I believe humans call it 'seduction.'"

The hero nearly choked on the cocoa. They carefully set their drink aside, noting the little clink it made despite themselves. Real. Disturbingly real.

"Seduction is trapping me in your domain?" the hero asked.

"Many of the great love stories start with forced proximity."

"Less start with Stockholm Syndrome."

"And less still involve the two of us," the villain said cheerily. "But isn't the novelty exciting? You like what I can do. You said it was good."

"I meant that it was impressive."

"I am. As are you. A perfect fit."

"Are ants impressive?"

"You made the ant comparison, not me."

The hero studied them.

"Drink your cocoa," the villain said, rolling their eyes, oh so indulgent. "I'll let you go eventually. Unharmed."

"When you get bored."

"Before you starve to death. That would be far too mundane an end to our game."

That was...something. Even if it seemed too easy. Even if it seemed like no promise whatsoever that the villain wouldn't end up drawing them into their domain again. In the real world, surely, the hero could win. They could fight cultists. But that still left this. Them.

"Do you promise? That you'll let me go?"

"Promises," the villain mused. "That's almost as cute an invocation as gods. Very well." They leaned in, eyes bright, smile turning to a grin revealing dozens upon dozens of sharp teeth. "I promise."

Surrounded by sea and stars on every side, with no conceivable way to run, the hero could only hope they meant it.

[joemama-2]

velvet lies

pairing: gojo x fem reader synopsis: crippling debt and possible evictions have ruined you. working two jobs with no downtime, and a five-year-old son, you really don't know the meaning of taking a break. after continuous questions about his father, you have decided to finally let your son meet his dad. only thing is, he has no idea said son exists. and to top it off, you have not a single clue about what kinds of things will transpire from this sudden revelation. tags/warnings: 18+ MDNI, smut, fluff, romance, alcohol, classism, mom! reader, lying, abuse, MAJOR angst, slow burn, exes to lovers, cheating, scandals, drugs, drama, family drama wc: 5155 a/n: hi everyone! i'm so excited for this piece of work as I have a lot of exciting ideas planned in store! this will probably have slow updates, so please please please be patient with me. thank you all for reading! i'm aiming for at least 15ish chapters, maybe more or less, depends how much i write in one chapter in the future. next chapter

“Cash or card?”

“Card.”

The sound of light dinging follows, the transaction completed. “Here you go, Miss. Have a good day.”

“Thank you, you too.” The woman takes the small bag from your outstretched hands, giving one last smile before exiting. The bell at the top of the door rings, signifying her exit. You sigh and look at the clock, one more hour. It’s not that long. But you’ve been here since opening and the shoes you’re wearing are beginning to hurt your feet. Maybe you should’ve broken them in more.

It’s a quaint little cafe. Most of the customers are teenagers, college students, or overworked office workers who need caffeine to get them through the day. Other than that, you have no qualms. Of course, it does get a little annoying having to tell the newer, much younger co-workers that they can’t do this or that. 

A mundane routine of making coffees, packing orders, and ringing them up. Just one more hour. 

As soon as the clock strikes 5:00, you’re clocking out and saying goodbye. The school is an exact walk of ten minutes, six if you’re fast. Then another ten back to the apartment. And finally, another fifteen to the convenience store. 

Hustle and bustle is all you’ve ever known. Sure, you like it most of the time. But you just wish you could get a break. It’s always go, go, go, but never take a rest and time to yourself for a moment. But when you see that adorable smile plaster on those chubby cheeks you never shy away from pinching, it’s all worth it. “Mama!” 

“Baby!” you crouch down and open your arms. The young boy wastes no time in throwing his body into yours, face nuzzled into your chest and arms around your neck. “How was school? Fun?” you ask, hand rubbing his back up and down.

He nods. “Mhm! Mr. Ito says I got the most gold stars out of everyone in class.” 

Your smile grows wistful, aweing. “Wow, such a good boy, aren’t you?”

You carry Koji into your arms, starting the walk back to your very humble apartment. He chatters innocently the entire trek, with you occasionally adding on or asking questions. His soft white hair pokes at your cheek, to which you straighten down with one free hand. It’s days like these where you wish you could just lounge at home with him, basking in his sweet innocence. But while most people are ending for the day, you’re barely starting your second half.

You feel the self-deprecating thoughts fill your mind like a virus while stationed near the light, waiting for the pedestal symbol to indicate. Your grip tightens around your son slightly, as if anchoring yourself to reality and reminding yourself you’re doing it all for him, and to keep going for him. 

It’s hard, yes. But so is parenting. 

The symbol comes on and you walk, seeing the building of your complex in the distance. Forcing any lingering negativity away, you clear your throat. “So, what did you learn today, baby?”

Koji looks up at you. “We learned how to add! I helped Mina.”

“That’s very nice of you.”

He giggles bashfully, leaning into the kiss you place on his cheek. Eyebrows raising as a sudden memory hits him. “Oh! And Mr. Ito said Dad Appreciation Day is next month. There’s gonna be food and music.”

Your smile wavers, footsteps momentarily pausing before continuing. “Oh, really?” you ask, inhaling a wavy breath of air. “That sounds like fun.”

“Mhm.” Koji nods, then tilts his head curiously at you. “But everyone is bringing their daddies. I wanna bring Papa too.” 

And you really try not to make your guilty grimace visible. “I know, sweetie. I know.”

“Can Papa come?” he frowns. 

No, he can’t. But you’re not about to tell your five-year-old that the reason his father can’t make an appearance is because he doesn’t even know he has a son. It’s been a difficult conversation for you. You’re not sure when or how to have these sorts of hard ones with children. So you’ve been dancing around the subject. Saying his dad is away on vacation, or fighting intergalactic dragons, or some other excuse you’ve been forced to use. He believes you, most of the time. But that doesn’t stop his curiosity and growing impatience. 

The last thing you want him to think is that he has no father in the first place.

He does. You’ve shown him pictures and videos occasionally. Of, and of course, he’s an exact carbon copy of the man. From his bright blue eyes, albino hair, and all the way down to his stubborn personality. You were a little annoyed when your only child took quite literally everything from his father, only leaving him with a couple of things from you–your nose and helpful nature. 

“We’ll see. Papa is busy, remember?” you gently reply, walking through the parking lot of your complex to the lobby.

Koji’s frown deepens and so do the metaphorical scars on your heart. “But Papa’s always busy! I wanna see Papa.”

“I know you do, baby. You will soon, okay?”

“Do you promise?”

You hesitate but eventually nod with a forced smile. “Mama promises.”

After leaving Koji with the babysitter, you give him a quick kiss and recite the list with the babysitter before rushing off to your second job. A convenience store. 

Not the most savory place, mainly because you get all sorts of crazy and odd customers, but also because you are close. You hate closing. But you need the second disposable income and this is the only place that fits with your schedule. It’s also a little more leaned back than the cafe, when there are no customers, you spend your time browsing the web for jobs.

You’ve probably sent in over 500 applications over the years, with not even half of those places reaching out. Even then, you’re not guaranteed a job. The job market is horrible nowadays and you’re living through it.

Whatever, you think to yourself as you clock in. One day at a time.

It’s around eleven at night when you're slugging back into your apartment, lights dim, and silence enveloping the place. “Thank you, Sana.” You mutter, exhausted but still sparing the 20-year-old a smile. You hand her a small envelope. “For today and last Saturday. How was he?”

Sana thanks you kindly and grabs her stuff. “All good, no tantrums today.”

“That’s good.” you walk into the kitchen, grabbing some food you’ve meal prepped. “Get home safe, okay?”

“Thank you, Y/N. Sleep well.”

When she leaves, you give yourself a moment to slump over the kitchen island, sighing in both relief and lingering tiredness. The silence feels nice, like an old and familiar friend welcoming you and praising you after yet another day of the same routine. You’ve always loved routines, but you can’t help but crave at least some sort of spontaneity. Putting the tupperware of chicken and rice into the microwave for a minute, its light humming makes you zone out. The conversation from before with your son ringing in your mind like a very annoying bell.

Soon, images of his son, your ex, flood your mind. An old fluttery sensation residing in the pit of your stomach, your body suddenly feeling all too warm for your liking. Your fists clench to stop their light trembling, shaking your head free of him. 

Not now.

You stop the microwave at one second, before it makes that obnoxious beeping and wakes your son. There are two chairs at the small dining table, you sit at one of them and eat your now warm meal. You’ve started meal prepping after one too many missed meals and a few incidents where that light-headedness and blurred vision caused you to faint. Luckily, you were alone when that happened. Unluckily, you were alone when that happened. Nursing a few bruises to your forehead after making contact was not a fun time. 

You take time to eat, in no particular rush. Although you know you should be getting ready for bed soon for another early day tomorrow, your body doesn’t move. Either consciously or subconsciously. The end of the day is when you find yourself attempting to unwind and detach from the day’s events. But, the stress of unpaid bills, debts, and worry for the future always find time to crawl back.

It’s exhausting, extremely so. Sure, you’re an adult and this is normal. But don’t you deserve at least a little bit of time when you don’t have to worry about anything? It feels like every waking second your mind is working overtime, your body in a constant state of motion. It’s worn you down completely over the years. But you have a son who needs you, so you suppose you shouldn’t be feeling pity for yourself.

This is what parenting is all about, isn’t it?

Making sacrifice after sacrifice for your child. However, when you feel yourself sinking deeper and deeper, slowly losing more of yourself, what if there’s nothing left to sacrifice in the first place? The eviction bill from this morning taunts you as it lays upright in front of you in the middle of the table.

It’s then do you think, no, you do have one thing left. 

Koji.

If Koji’s gone, then you really have nothing left. There’s no reason to live if that happens. And with the path you’re going down, that’s feeling more and more like a dreaded possibility. 

I wanna see Papa.

Koji’s words play repeatedly. For a second, you feel yourself resonating with your son. Only for a second. You reach for your phone and go to Google, typing in a name that still haunts you. You’re barely three letters in before his name appears and you’re clicking.

A smiling image fills your screen along with other general information.

For some unknown reason, your breath hitches. You feel like he’s almost staring at you, smiling at your pathetic predicament. Grip tightening around your phone, swallowing down an unexpecting lump, tears fall from your eyes and onto the phone screen.

Why you’re crying, you don’t know. It could be many things, but you won’t address that right now.

Gojo Satoru.

The father of your child, your ex of 4 years. 

You rarely look him up, almost never. Only in desperate times when you feel yourself drowning and needing some sort of comfort. It’s stupid. You haven’t been together or even seen him in seven years. Not since you ended things with him. Not since you felt his hands roam your skin, whispering sweet words.

He didn’t even protest or question why. Almost like he knew your breakup was inevitable. You’re not sure if that hurts more.

You’re twenty-eight now. But while your life still feels the same from when you met Satoru at the ripe age of seventeen, you’ve reached a plateau. But him? He’s thriving, of course. Making a name for himself, as an heir to one of the biggest conglomerates in Japan, the Gojo Group. 

You’re happy for him. But where is that happiness for yourself?

You feel a little, no, a lot jealous. You always were of Satoru. Being given everything he wants without much thought, never worrying about money, and a stable home life. You’re extremely jealous of that bastard.

But right now, jealousy isn’t in the picture. It’s your son’s father. And if you want to keep your son, give him everything he wants, that starts with one person.

Letting him meet his father. 

“Honey, do you like your pancakes?” you ask your son who’s currently scarfing down his plate of breakfast. Adorned in an adorable shirt uniform shirt and some little black trousers. He hums back excitedly with a muffled “yes, mama”. With a chuckle, you dry up the rest of the dishes, then your hands. Dropping him off at school is the first thing on your agenda, as per usual. 

The walk to his school is a familiar one, wanting to get your son knowledgeable with the route so when the day comes that he needs to walk him himself, he’d know his way back. You pass by other kids and parents, some children yelling bye as they step onto the school grounds, with others giving their children long-lasting hugs.

You walk until you reach his door, his teacher, Mr. Ito, standing outside and greeting his students as they enter. When he makes eye contact with Koji, he smiles a bit wider. “Good morning, Koji.”

“Good morning!” your son happily replies, waving up at his teacher. With one final hug and kiss shared, he’s running in to already begin talking to his friends. Standing back up, you see Mr. Ito already looking at you. And you especially don’t miss the way his eyes not so subtly rake up and down your figure. You clear your throat. “Good morning.”

He meets your eyes again. “Good morning, Y/N-san. How are you today?”

“Good, and you?” 

“Very good.” 

The way his tone is almost causes you to visibly shiver, brows furrowing slightly in discomfort. One of the things you dislike the most about Koji’s school, his teacher. Although he hasn’t outwardly done or said anything inappropriate, you’re a smart woman. “That’s good. Well…have a nice day.” Doing anything you can to quickly end this dreaded conversation, but still wanting to maintain a level of politeness. 

You’re about to turn on your heel and leave when he calls out. “Ah, Y/N-san?”

Damn it, what now? “Yes?” you turn and look at him.

The distance between you reduces as he steps a little closer. “I have some concerns regarding Koji’s behavior in class. Would you be available to set up a conference anytime this week?”

“Behavior? Has he been misbehaving?” You did not expect that.

“Well, it’s complicated. He has some trouble listening as talks when he shouldn’t. I’d like to nip this in the bud before it grows out of control.” Mr. Ito cooly replies, smile looking more like a hidden smirk. “So, will you be available?”

You hesitate, not really. With your two jobs, you barely have time for yourself, let alone your son’s teacher. But if it’s regarding a behavior problem, then do you have any choice? “I think I’ll be free this Saturday. Weekdays are very hectic for more.”

He nods. “That’s fine, we can grab coffee.” When your head tilts slightly, he adds on with a chuckle. “And discuss Koji over coffee. On me.”

Right, of course. You know what this is, but just think about your son. That’s the priority. “Okay, 8 am at Latte Lounge sound good?”

“Sounds excellent, I’ll see you then. Have a wonderful day.”

With a simple nod back, you turn around and finally leave. Practically feeling the way his eyes shamelessly check out your behind. A frown inevitably grows on your face, why wouldn’t it? As long as this man doesn’t try anything…more, you should be fine. And if he does, 1) you’ll be in public, and 2) you’ll tell him straight up.

Whatever. 

“Pizza or teriyaki?”

“Pizza!”

“Of course.” you chuckle and put the frozen pizza in your cart, your son clutched onto your right hand after announcing he can walk on his own because he’s a big boy. The grocery store isn’t crowded during this time of day. Rightfully so. It’s 7 pm on a Tuesday, most people already cooking dinner by now. You always grocery shop at this time, your son appreciates it too. There’s been a few times when you both got quickly and very overwhelmed with the bustling nature of the grocery store on a weekend morning. Currently, you’re moving through the snack section now, picking up a few of your and Koji’s favorites. 

“Mama, can I pick a cereal?” Koji asks and points to the cereal aisle next over. When you nod, he happily runs off. You still however make sure to look over at him frequently when picking up and putting down a few snacks. 

You reach up to grab a pack of Hello Panda, the pink and chocolate ones, before a hand beats you to it. “Oh, I’m sorry.” As soon as you look over, you and the stranger meet eyes. 

Immediately, there’s a silence that falls over you two. Eyes each blown wide in shock. 

Oh, you’ve got to be shitting me.

Just your luck. As soon as the stranger speaks, a strange nostalgia fills you. “Y-Y/N?”

It almost sounds weird coming from his lips. Your friend–well, ex?--friend gets out. He still looks the same, just more…manly. 

“...Suguru, I–I’m… surprised to see you.” you awkwardly laugh. Reunions were never easy.

“Oh my god,” Suguru breaths out, shaking his head with a faint smile. “Well, shit. I mean, how are you? You..you look good.” His eyes move down your figure in an appreciative way.

“Thank you, I’m good. How are you? Your hair is longer.” you motion to his sea of black, healthy locks. “ ‘M a little jealous.”

He laughs with you, the sound reminding you of old times. “Yeah, been working on it. And I’m good.”

Another pause is permitted, as if you two aren’t very sure what to say to one another. Well, in all honesty, it has been seven years. “Well,” he clears his throat and puts his hands in his pockets. “What are you up to?”

“Oh, you know,” you glance down at your cart. “Just some shopping.”

He also looks down, head tilting slightly. “Ah, right.” With a nod, he juts his head toward the direction of the kid’s toothpaste. “Just for one?” He laughs, joking of course. 

You mentally curse yourself, putting a pack of cookies on top of the toothpaste to hide its already revealed existence. “Uh, ye—”

“Mama! I want this one!” Koji runs up to you, showcasing his desired cereal.

Well…..shit. 

As if things weren’t already complicated.

With Suguru’s eyes even wider than when they were staring at you, his mouth is practically on the floor when the young boy looks at him. His sharp eyes dart across his features and…..

“I-is this—”

“Koji.” you cut him off, gulping and shifting the child closer to your leg. “My son.”

Suguru spends another good minute staring at the boy, who innocently stares back. When his eyes slowly move from the blue ones to yours, there are a million and more questions swirling in his brain. He’s not even sure which one to ask first. But he goes with the obvious. “...Is….is he…..”

You nod uncomfortably. 

He lets out a breath he didn’t even know he was holding, hand running through his hair. “Holy shit, I mean….holy heck.”

Your lips purse, putting Koji’s cereal in your cart before picking him up in your arms. “Koji, this is Suguru. Say hi.”

“Hi.” Koji childishly smiles at the older man. “Are you Mama’s friend?”

Suguru spares you a glance. “Uhm…yeah. Yeah, kid, I am. Nice to meet you.” He then shifts weirdly, not sure if he should shake the boy’s hand, which seems too formal. He decides to gently ruffle his hair. “So…how old is he?” The question is directed towards you, but Koji answers. “I’m five!” He holds up five small fingers. 

“Five?” Suguru’s brows furrow at you. It’s surprising how quickly you recognize that scolding look of his. “Have you—”

“No.” you once again cut him off, shifting Koji to your hip. “I haven’t.”

“Why?”

That’s a good question. One you know the answer to…slightly. But with Koji looking between you two curiously, you can’t exactly say why. At least not here. “I….I just…haven’t.”

Silence. 

You can feel Suguru regarding you with many emotions, but the main one is confusion. He bites his lip as he thinks over how to react properly to this situation. From the looks of it, Koji is just as clueless as him, maybe even more. “Jesus Christ, I don’t even know what to say right now.” Heavily sighing, he looks back at Koji, then you, then Koji, then finally you. “You’re going to…right? I mean, he deserves to know, Y/N. You’ve just–I mean, come on.”

There’s not much of a response to that, much to his expectation. You always used to do this when you were guilty. But Suguru has always been the more… empathetic of the two. “Look, I–I know you’re probably going through your own things, but…”

You look at him again, remorseful. His lips purse and with a heavy sigh, he takes a card out from his pocket and hands it to you. “Here’s my business card, it has my number. We lost your old one, so.”

Your hand reaches out to take it, examining the words, Rising Futures Foundation. "Building futures, one child at a time.” You meet his eyes again, forcing words out. “Okay…thanks.” 

“No need,” he waves you off, taking down the two Hello Panda boxes and putting them in your cart. “I’m sorry, I have things to do right now, but please…give me a call, okay?”

With slight hesitation, you nod. He mirrors you before focusing on the child again, a smile forming. “See you, buddy.” Suguru pats his shoulder lightly before walking away and away from your vision.

Your mind is being overrun, body feeling stiff and stuck, unsure of how to process what the fuck just happened. No doubt he’s about to tell his best friend. Then said best friend will find you and Koji. Then maybe he’ll try taking you to court for hiding his son for five years. You’ll obviously lose because you have no lawyer and Satoru has the best. Your son, your one and only, your sole happiness will be taken away from you and you’ll be left alone to rot in angui–

“Mama?” Koji’s small hand is put to your cheek, stirring you from your mild comatose state. “Are you okay? You have tears in your eyes.”

“What?” Raising your hand to your eye and sure enough, you are letting loose some tears. “No, no, Mama’s okay. I’m not crying, just…just tired.”

But with growing age, so is his perception. “Are you sure? Did your friend make you cry? I don’t like him then.”

Oh, how sweet. You smile, head tilting. “No, baby. Don’t say that, okay? Mama’s fine. I promise. See? I’m smiling. Wanna smile with me?”

Like clockwork, he follows your emotions and smiles, giggling. “Yeah, I wanna smile with you. I like smiling with you, Mama.”

“And I like it when you smile with me too.”

Maybe, this isn’t too bad. You were just thinking that you want Koji to finally meet his dad. So, this is good. This ensures a meeting. But, it also ensures a deep-rooted, most likely bad confrontation that will take place between you two. Why wouldn’t it? At least you’ll be able to prepare yourself now, mentally. 

You can imagine the harsh words he might say. The raised voices and brutal questions about how you can do this to him and so on. In hindsight, you deserve it. What kind of woman does do this to a man? Children are supposed to be bundles of joy, not hidden secrets. Of course, there’s the lingering worries of what legal action Satoru, or his family, might try to take.

That would quite literally fuck you over so hard.

But…maybe Satoru will go easy on you because of your past. You really don’t know. This situation is messy as fuck and it’s mostly—a lot—because of you. You have no one to blame but yourself. Hopefully, he’ll take pity on you, even though you hate when others pity you. It’s different when it comes to him, the father of your son. It always has been and it probably always will be. 

Honestly, you’re a little relieved that you ran into the best friend of the man than the man himself. Now that would’ve been bad. 

The sounds of skin against skin fill the room, mixed with heavy grunts and airy moans. The headboard repeatedly hitting the wall plays like a drum, the lights dim and the view of the dark city landscape is exposed. Satoru’s gripping the woman’s hips, leaving crescent-shaped indents in her fair skin. Her constant mewls sound heavenly in his ears. “God, you feel so….good…”

“S-satoru!” 

“Yeah, say my name. Just like that, baby.”

He presses a firm hand down on the small of her back to keep her arch in place, feeling his release invade her warm walls, filling her with a lovely warmth. She clenches around him, moaning out once more as she finishes with him.

He collapses against her back, his heavy breaths tingling her ear. “Baby, that was…so good…” she croaks out. 

Satoru’s mind is fuzzy, vision blurring slightly. He hums in response and leans back up to pull out, discarding the heavy condom with his load into the trashcan beside the bed. “Stay.” With a small pat to her hip, he’s forcing his limbs out of bed and to the connecting bathroom to grab a warm rag. Aftercare. Although most of the time, he really can’t be bothered to do something like this. Cleaning her up feels like a chore sometimes,  but the last time he voiced that opinion, it led to a huge argument between the two. 

In just a few minutes, they’re both cleaned and changed. Wearing his sweats low on his hips while she indulges in just one of his oversized shirts. Another small pet peeve he has. And another thing he must keep his mouth shut about. “What time do you have to go into the office tomorrow?” Himari asks, snuggled up against his chest, dainty fingers tracing circles along the firm muscles. 

“Same time as always,” he sighs, grabbing the TV remote and putting a random show on. “You know that.”

“I know, but…can’t you just call off tomorrow? Please? I wanna spend the day with you.”

When he looks back down at her, she’s frowning. A small tug is pulled at his heart and before he knows it, he’s pulling her closer and placing a gentle kiss to her hair. “Can’t, baby. Maybe this weekend?”

Satoru can feel her ready to protest again, but the sound of the front door downstairs being opened and closed interrupts the moment. Followed by the familiar voice of his friend. “Satoru! You here?”

Satoru’s brows furrow slightly. A small grunt falls from his lips as he maneuvers Himari off his chest, standing up and walking out. He looks down the staircase and sees Suguru staring up at him. “What do you want? I’m sorta busy.” Himari comes out and hugs his waist, proof of his so-called “busyness”. 

Suguru holds back an eye roll when the woman gives him a look, focusing on his best friend. “Need to talk to you. Privately.” 

“For what?”

“It’s important.”

“So just say it now.”

“Damn it, Satoru. Just come down and kick your friend out.”

“Girlfriend.” Himari corrects with a scowl.

“Yeah, sure.” Suguru waves her off and motions for Satoru to come down as he walks into the man’s kitchen.

Sighing with his eyes closed, he turns to Himari. “Sorry, babe. My driver’ll give you a ride back.”

Once again, she frowns. “But I—”

“Please.” 

His bottom lip pokes out in a small, but convincing pout. “I’ll see you later, mkay?” Satoru reaches his thumb out and brushes it along her cheekbone, which he knows she’s weak for. Confliction and hesitation dance in her eyes but she concedes. Gathering her purse and shows, she gives Satoru a dramatic kiss on the lips before leaving. 

“Finally,” Suguru huffs from the kitchen, swirling a glass of whiskey. “I thought you guys broke up.”

“It was a break.” Satoru grumbles, walking over to stand across from his friend, snatching the glass out his hand and sipping. “Anyway, what’s so important you come unannounced for and demand my sweet company to leave?”

“That woman is not sweet.” 

Satoru smiles and shrugs, “She tastes it.” 

A groan is heard from Suguru, eyes rolling before he shakes his head. “Look, you should sit down.”

“That good, huh?” he plops down in the nearby chair and leans back, arm resting against the back of it. He nods. “Alright, shoot, baby.”

Suguru takes in a deep breath and steels himself for the more than likely hard conversation. A part of him feels like he’s intruding, like it’s not his place to reveal such a thing to him. But at the end of the day, it’s his best friend. And you, well…he’s not exactly sure if you’re still friends or not. “What I tell you might sound crazy, but I need you to promise you’ll stay calm until I’m done speaking, got it?”

Satoru’s brows raise in mild astonishment, seeing Suguru get all serious like this is quite amusing. “Okay, I promise.” He shrugs again. “Can’t be that bad, right? No one’s hurt.”

Not yet, Suguru says to himself. He claps his hands together, mulling over how exactly to break the news. “So, I came across an old friend today.”

“Oh yeah? She cute?” Satoru swirls the alcohol in his glass.

Suguru holds back another eye roll. “Yeah, she is.”

“Nice, man.” the white-haired man chuckles, head tilting. “So what, did she make a move on you or something? Now that’s crazy.”

“I’ll have you know, I’m actually quite favorable amongst women.”

“Are you now?”

“Listen, you ass. No talking, just listening.” When he doesn’t get a response back, he takes it as a sign to continue. “Anyway, I saw an old friend. And…she had a kid with her.” Satoru nods slowly, already getting lost on his this information is even remotely crazy, or relevant to him. But he stays shut, deciding not to face another one of Suguru’s mini-lectures. One more deep breath is let out from Suguru and he gets to the point. “It was Y/N, she has a kid.”

A small beat of silence follows as Suguru gauges his best friend’s reaction. He doesn’t look like he’s flipping out, but he doesn’t show much emotion either. Confusing Suguru, he waits for the inevitable lash out. “Who?” Satoru ends up asks.

His best friend knits his brows, trying to see if the other man is serious or not. When his expression doesn’t change, he replies. “Y/N…” he speaks slowly. “...your ex?”

Still, no emotion. But his grip on the glass does tighten.  “And she has a kid.” Suguru reiterates, almost in nervousness now. 

“Satoru….the kid looks exactly like you.”

a/n: thank you guys for reading!!! Sorry if this chapter was a little short, i’ll try to make the next ones a little more longer. But writing super huge chapters isn’t my forte. Anyway, stay tuned for chapter 2 :)

[melverie]

Last post on the entire date ticket thing and then I will forever shut up about it, but I feel like most people arguing in favor of the price tag are just….missing the point on why people are so angry about the date ticket being $30

I think the one thing we can all agree on right from the get go is that everyone in the staff deserve to and should be compensated fairly for their work. And that obviously includes certain features and items having to cost actual money considering the game itself is free

But the thing is, that $30 price tag doesn't just exist in a vacuum

First off, we can all agree that charging something like $3 would have made the ticket sell far better, right? Several people have already pointed out that they can buy a week's worth of groceries with $30 and depending on how much you earn, the date ticket isn't exactly something anyone can just buy on a whim. Again, $3 would have been far more affordable for most people, and I'm sure many more people (myself included) would have been far more willing to spend $3 just to see what the date ticket is like, and maybe also buy the tickets of multiple other characters. But $30 for a single date ticket is a luxury a lot of people just cannot afford, or would rather put into something else. Even if they lowered the price, they'd surely break even and make profit with how many players there are

And judging by its contents, I think it's fair to say that the date itself is not worth $30. And I feel like Solmare themselves know this because why else would they have bundled it with 300 DP? The only reason is to justify this price tag because "look at how much DP we're getting with it tho!!" when that's not the point. It doesn't matter whether the DP are included, because there is a lack of choice here. We have other options to earn and buy DP, but we don't have a choice when it comes to the date ticket itself. Either you pay $30, or you miss out on a feature that many of us have wanted for a while now. And since it's the DP raising the price tag,what you are essentially paying for is 300 DP with a date ticket as your purchase bonus, even though it should be the other way round

And honestly? Considering the price, the only two times it would make sense to buy this bundle is if you were already considering buying DP anyway, or if you are financially well enough off that the current price doesn't matter to you. You won't convince most casual spenders, and you most definitely will not convince a f2p player to pay for this feature

The other thing is that we had no idea what the date ticket actually entailed because we weren't given any information on it. Thanks to people in the community buying and reviewing this feature for others we now know that the date consists of one phone call, a ~10 minute long, partially voiced date story-line and a Majolish background. Except, those are things that Solmare themselves should have told us right as they announced this feature, ESPECIALLY considering the price point. If you don't, you can't complain if people are accusing your company of trying to rip its player base off and of being greedier than the Avatar of Greed himself. But also, that's the thing!

We shouldn't have people in the fandom be the ones to go out of their way to give us basic info on new features, or to even explain certain business decisions in the first place. That's the company's job. Yes, certain explanations should be a given (such as microtransactions existing so that the staff can be paid the money they obviously deserve), but there are other things that should have been explained by Solmare themselves

Open communication with the player base is the key phrase here, and imo Solmare has been doing worse and worse on that front as of late, resulting in several unexplained choices that just seem questionable at best and scummy at worst, as well as a player base that grows more and more disgruntled by the day. And that frustration within the player base shows in the amount of people dropping the game, as well as in the amount of money it's making

People are willing to put their time and money into something they deem a good, quality product with a justified price considering the content. If your player base isn't putting in the money you are expecting, then maybe you should listen to their feedback and re-examine your product instead of overcharging a feature because "look at this thing you're getting extra that no one asked to be included in the bundle in the first place"

Literally part of the reason LaDS has grown to be so successful in such a short amount of time is because they keep making adjustments based on player feedback, even on some minor things. I mean they literally pushed out an update to correct the color of one of the character's tongue in the newest card because people were complaining, like hello!! Imagine Solmare listening to complains as minor as this

Anyway, whether intentional or not, this entire thing just feels scummy, and that's the problem. The choice we have is either "pay 30 bucks per character or miss out on this feature entirely", the price is artificially inflated with the inclusion of DP that we have other ways of getting, romance is slowly fazed out of the story only to now be put behind a heft paywall, we weren't told what we are even paying for exactly in the first place, and there has been a severe lack of proper communication from Solmare that have soured the relationship to the game's fanbase and, most importantly in this context, their customers

No, companies aren't our friends. Yes, they need to make money. Yes, they should pay their employees fairly. And no, we as consumers shouldn't expect nor are we entitled to everything about the game being free because again, the people working on this game deserve to get paid fairly for all the work they put into it

However, people are still allowed to be critical of a company and its decisions, especially when they feel like they are getting ripped off. The 300 DP might soften the blow, but that doesn't stop everything that has happened before from being a slap in the face. That's why people are pissed right now, and honestly it's been a long time coming

[thevoidstaredback]

I don't have it in me to do a whole thing rn, but a heartbreaking piece of dialogue just popped into my head for this:

"Danny!" Nightwing yelled over the crashing wind, "Danny, stop!"

"'Danny'?" Phantom scoffed, his grip around Batman's throat unrelenting, "Danny doesn't exist anymore."

Somehow, the world fell quiet. "What?" Red Robin whispered.

Growling, Phantom repeated, "Danny. Doesn't. Exist. Anymore."

"I don't... I don't understand." Nightwing said, "What do you mean he doesn't exist? You're standing right here!"

The grip Batman had on Phantom's wrist fell loose, but not away, his body starting to fall slack. Was this how he dies? He'd never feared death before, not since he was a child, but the black creeping along the edges of his vision, the air leaving his lungs and not returning- To be killed by his own son? Robin would've ribbed at him about patricide. But Robin isn't here anymore...

Phantom's fist tightens around Batman's neck. "He killed him." Louder, he repeats, "He killed him!"

"Who?!" Red Robin demands, desperation colouring his entire being. He tries to step forward, but his leg collapses under him, his shattered knee unable to hold his weight.

Batman finally falls limp, his eyes closing as the last of his air finally leaves his lungs. There's a loud snap of bone before he falls from Phantom's grip, unmoving and laying awkwardly.

"Dad!" Nightwing screams. Red Robin sobs.

"He killed him!" Phantom's red eyes bore into Nightwing's own, glowing and powerful and vengeful.

"I'll kill you, Danny!" he screams, charging at the thing that was supposed to be his brother, "I'll fucking kill you!"

"Don't!" Red Robin cries, unable to stop him, but it's too late and he goes ignored.

Phantom doesn't so much as flinch as he swats Nightwing aside. The vigilante flies across the battlefield, crashing through a tree before landing in a heap on the group, dead upon impact.

"Dick!" Red Robin screams, dragging himself forward, reaching for his brother. His arms shutter and he falls, sobbing into the dirt. "No... No, no, no, no! Bruce... Dick... I can't- I don't-" He looks up, locking eyes with Phantom. "Why. Why did you kill them!"

"Because he killed Danny!"

"Bruce didn't kill anyone!"

"He killed them!"

"Who the fuck killed who?! Bruce hasn't killed anyone!"

"He killed them!"

"Who!?"

"My family!"

"We were your family!"

Phantom fell quiet, the battlefield silent behind him. "No," he whispered, "If you were, you would've been there. You would've stopped him. You would've-" his voice broke, "Danny'd still be okay and they'd still be alive, but they're not and he's not and you're not and I'm still here and everyone else is still here!" He panted a moment in an effort to regather himself. "Everyone has to die because the world promised to protect them. You 'heroes' failed and this is the consequence."

Slowly, Red Robin pushed himself to stand, ignoring the pain the throbbed across his entire body. "We didn't even know about Danny until-!"

"You should've looked harder!" Phantom shouted, cutting him off.

"We can't be everywhere at once!"

"Then do better!"

"We're human!" The admittance fell heavy across the battlefield of corpses. Red Robin inhaled deeply. "I'm sorry that your family is gone. I'm sorry that Danny's gone. But this? This isn't going to fix it."

"Maybe not," Phantom agreed, "But it sure does make me feel a hell of a lot better."

Bruce rubbed a hand down his face. "Just once," he mumbled, "I'd like someone in this family to not be a hero."

Tim continued typing in one window, narrowing the search, as he read an article in another. "Might be your lucky night, B. Because if Danny is Phantom, he didn't go the vigilante route. He went rogue."

DP x DC idea where Damian recognizes his brother, only its Dan on his way to bulldoze the world.

[twoflowers]

Sentimentality - Sanji x Reader

Read on AO3

Description: The newest addition to the Straw Hat crew grapples with their easy affection, and especially with the attention from their doting cook.

Tags: SFW, character study, slight slash, scientist reader, no use of Y/N, female reader. First impressions, nakamaship.

Word count: 1397

Special thanks to @mere-mortifer for the encouragement to post my Sanji fics. I love your Sanji very much.

This one isn't very slash-y and honestly feels a bit incomplete to me, but I'm obsessed with this man in a psychological way and need to post at least something, even if it captures only an ounce of my insanity about him and the crew.

Also: thinking about making this into more of a series (as the reader is kind of based on an OC of mine...!). Please, please, Sanji fans: give me any and every prompt you can imagine.

__

Sentimentality

Every morning you settle into the golden-glowing comfort of the breakfast table: the press of arms against arms, the jostling of bodies to the time of the waves, the hard wooden bench softened despite it all. 

The captain is not at all what you expected. He’s a kid, and a downright grabby one at that. You have to slap his rubbery hands away from your plate at every meal, and if you don’t catch him, Nami always does.

You sit next to Chopper, whose tiny, furry body is so very warm. He likes to plan the day over breakfast, still thrilled to have another scientist on board. You watch him nibble at pancakes with his blocky teeth (it really is hard not to coo over him, but he has his dignity to uphold, so you restrain yourself!) and sip his milk and grin, white mustache and all. Robin leans over with a napkin to clean Chopper’s mouth, and he fusses, but concedes. Some of his drawings hang on the fridge, secured by magnets. You think of siblings with a pang in your chest every time you see them.

Roronoa Zoro is inexplicably softer than you imagined. There’s something about the curve of his cheeks, the careless sprawling stance, the way his nose whistles lightly while he sleeps. He barks laughter at Luffy, leans on his swords like they’re children, even smells better than Nami likes to say.

Robin terrified you at first, but you quickly became a sucker for her mellow gaze and old book smell. Besides, educated women are always of interest to you. Nami and Robin are incredible, always encouraging: proof that somehow, someway, a woman who has been chased out of her old life and hunted by the darkest parts of herself can uncurl and be seen. 

The first few sleepless nights aboard the Going Merry, you stared at the ceiling, heart pounding at the vulnerability of sharing a room. You are a scientist. You’ve long denounced the need for sentimentality, though Luffy manages to wring a few spare drops out of you every day. How could you have accounted for the love that permeates every board of this ship? How have you gone your entire life wondering if belonging like this could exist, only to find it among a notorious pirate crew- a crew who, really, is more bumbling than you could have imagined? How can Luffy stroll into any place- town, restaurant, heart- and break down every wall without a second thought?

And the cook… 

You have to look away from him sometimes. The first time he made a meal for you, he sank to a kneel to present it, like he was a servant and you were a queen who could take his head at any moment, and have it willingly. You took the plate with shaking hands and nodded a thank you. When he stood back up, there was a bit of dust on the knee of his fine-pressed pants. You kept your eyes on it as he fluttered around, crooning to the women and brusquely serving the men. What were you supposed to make of that?

Sanji squeezes your heart like it’s an old rag. The way he remembers your favored flavor profiles makes your toes curl. You’re not even sure you’ve managed to smile at him yet, even a month after joining the crew, because he throws you so off-balance you’re left feeling like you’ve been thrust into a hurricane without any solid structure to grip onto.

His… whatever it is- admiration, loyalty, devotion, all of the above and more- has only gotten stronger in the past month. He floats into the lab as if on a cloud to tell you he made you a snack and left it outside, mindful of the potential for contamination. He tells you how lovely your eyes look that day, and every day- that you are the most beautiful woman he has ever seen, and that he lives to serve you.

“A snack for you is outside, miss,” he says today, like he’s itching to bow. “I prepared carrot cake and spiced milk for you, with turmeric, cinnamon, and nutmeg. Let me know if anything is not to your liking.”

You side-eye him from your bench, pipette paused in midair. Miss, miss, miss. Every time he says it you’re left breathless. As usual, you nod and mutter a thank you, still focusing on your work, lest you do something stupid like offering him your hand to kiss or backing him into a wall to taste his neck.

He usually leaves right away, but you don’t hear the door close today. When you look back at Sanji, he’s beaming, eyes practically heart-shaped. 

“May I make anything else for you?”

“No. That will suffice.” Something in your chest is shouting at you for being so formal with him. 

“I like carrot cake,” you add.

Sanji’s smile turns tremulous and melty. A hand moves to cover his heart. “I will keep that in mind. And I don’t wish to disturb you- your work is very important- but it will be best eaten soon, while it’s still warm.”

You surprise yourself by setting down your pipette and moving to the sink to wash your hands. Sanji is still lingering at the door as you scrub between your fingers and under your nails, similar to the way he washes his after handling raw meat. You take extra time drying off, the feeling of him behind you prickling at your neck. 

In the hallway, the cake and milk are placed carefully on a table. The mug is to the top right of the plate, handle tilted at the perfect angle for you to grab. A dainty dessert fork leans against the plate, next to two sprigs of mint forming a heart.

“I almost don’t want to eat it,” you say. “It looks perfect.”

“I can make you as many as you’d like, all with love. Please. It’s my pleasure.”

You lift the fork, and Sanji leans forward with the eagerness of a child witnessing a magic trick. When you take a bite of the cake, his visible eye widens.

“It’s delicious. Thank you, Sanji.”

Sanji lets out a shaky breath. “Of course, miss. I can make you anything your heart desires, provided I have the ingredients. And if I don’t, I will make sure to procure them as soon as we make landfall. And if you want them before that, I'll swim to shore.” 

Why does the man have such puppy-dog eyes? You know with certainty that he would do anything you asked of him, or else die trying, and you’ve hardly spoken to him. There’s a string of tension in his body when he’s around you, loosened slightly now that you’ve complimented his food. Is he just that eager to please?

You have met many men happy to go through the motions of wooing you for one reason alone, but something about Sanji tells you that he would be at your beck and call for the rest of your life, even if you never said “thank you” again.

You nod, moving to try the spiced milk, which is, of course, perfect. 

“I noticed that you like cinnamon, so I tweaked the recipe to add more.” He sounds hopeful. “You don’t find the turmeric overpowering?”

“No, no,” you shake your head, lowering the drink. “It’s good. You’re very… perceptive.”

“Of course! I pay special attention to my lovely ladies.”

You’re included in this group, somehow. Why does that make you want to push and prod at him, despite the measured indifference you’ve culminated?

“Sanji,” you say, and he snaps to attention.

“Yes?”

“Could I have some marmalade with this?”

This is the first time you’ve requested anything from him. A broad smile spreads across his face. 

“Right away.” He falls into a bow before walking down the hallway. When he’s out of view, you hear him begin to run, legs pounding the wooden floor strong enough to rattle the pictures frames on the walls. 

You pluck a sprig of mint from the cake, grinding it between your teeth. It’s refreshing, new, with a bit of a kick. You smile to yourself, imagining Sanji in the kitchen, carefully scooping marmalade into a dainty dish, heart thrumming with the thrill of receiving an order from his newest object of affection.

[sometipsygnostalgic]

Animated Series ending tier list

Okay this is based on a discussion with @j4gm, kim and mifil the other day

These are all cartoons with the exception of Homestuck. I'll admit I don't get invested in a lot of TV shows, even animated shows, so this is limited to stuff I like. Maybe i forgot something but if i did it's probably not worth talking about.

Here's the list if you're interested in building your own.

So I'll go through each item one by one and explain. Yes, I did arrange them based on better (left) and worse (right) for each tier. I'll start from top to bottom so I have the most energy for the better show endings.

I'm rating them both in how they respect the stories of their show, and how entertaining/cohesive they are as a piece of media. To be honest, the former matters to me more than the latter, but some of the shows at the top of this list aren't even ones I particularly like, because their endings were just that well written.

Astonishing

Owl House. This show got better and better with each episode. I don't know, I was blown away by how bad it was at the start and how great it was at the end. And of every item on this list, this one's ending episode had the best pacing. There was lots of room to breathe, lots of reminders of the connections between various characters, and the villain was taken care of in a satisfying way. And we got a beautiful epilogue. The only reason Owl House is in the same tier as She-ra and Gravity Falls, instead of being its own category, is because I felt it had some shortcomings, particularly s3e2 focused on a bunch of characters nobody has ever had any reason to care for, and a lot of the cast don't reach the potential they could do because they lack focus, so I don't have as much emotional attachment to it as a lot of other shows listed here. Anyway here's my favourite moment:

2. She-Ra and the Princess of Power. This is my favourite show on this list because I think it's the most cohesive of the lot. Even though it has a rough start, and often follows cartoon logic, from the very beginning of She-ra to the end it focuses strongly on the same themes. The cycle of abuse and pain and that feeling you will need to earn love, you need to earn the right to exist. It does so with a wide cast of characters, but it's also very good at trimming down to a smaller cast when it needs more focus. There are a lot of good decisions to make sure it worked in the small runtime it had. The ending of she-ra is basically its entire final season. It's one long arc. It doesn't have any major weak spots like The Owl House's final season did, and it has more room to breathe, with 13 incredible episode of about 20 minutes each, more than twice the length. And it delivers on every single character. Every member of the cast gets a moment to shine across the season, yet it isn't so distracted as to pull attention away from Catra and Adora. What makes She-ra's ending a bit weaker than Owl House's is the pacing of the final episode. Heart part 1 and 2, while great, is absolutely rammed, and one of the weaker episodes of that season because of it. You don't get enough room to breathe, you don't get to soak in the characters' emotions quite as much as in the episode prior, Failsafe. But I would count Failsafe as part of the ending. So while season 5's finale isn't even the best finale of She-ra (s3 and s4 were harder hitting), the final season as a whole is incredibly strong. And it's a very entertaining piece of media too! Ugh. I love it.

Here's this powerful scene of Catra whispering and yet screaming to Adora to stay with her, even in the end.

3. Gravity Falls.

To be honest I'm not much of a Gravity Falls fan, so I don't have as much to say as I do about the other two shows, but this ending is highly regarded across the cartoon community. It works perfectly within the smaller scope of the show, bringing a wide, crazy calamity for the characters to work with.

My problem with Gravity falls is Mabel. Not that she's a bad character, but that they don't spend enough time making her a good one. And the ending reflects that - it shows her doing something very major, overturning the world, and that's interesting, but it keeps presenting Mabel's problems as rather shallow instead of focusing on her psychology and why she's making these mistakes. Meanwhile it spends a lot of time on Dipper and explaining and justifying his teenage boy mentality and it drived me crazy how much more of a main character Dipper is than Mabel. Because it's Mabel I relate more to. She's more like I was when I was 12. It's a teen boy's show for teen boys, so I don't like it as much as Owl House or Amphibia. Other than that the ending is a good time and I love the themes of family, I love that Dipper has such low self worth and is grappling with the idea of what manliness even is, facing misguided pressure from other relatives like Stan and Ford. And I love the relationship between Stan and Ford, the mistakes they made, and how Stan ultimately takes responsibility for being an obstructive little shit by removing his memory, taking Bill with him!

Yeah, perhaps this show's ending could've been further strengthened by Stan having his memory lost forever, or having a harder time regaining it. But it makes sense in the stakes of Gravity Falls, where the world resets after every episode even if there was a zombie invasion. I don't see them having Stan forget his great nephew/niece as the ending of the show.

And it has a nice scene with the characters driving off in the bus... Heartbreaking. I love that Stan and Ford go adventuring together afterwards. And I love the theme song.

Remaining rankings below - I think these three should be celebrated most. It's gonna be a shorter summary from here.

Genuinely Good

These are endings that blow you away, but do have a couple nooks and crannies stopping them from reaching the top tier. Another person's list might put them at the top.

Adventure Time Distant Lands: See what's crazy about Distant Lands is that anyone one of these episodes might be the best in the series if it was a different show, but Adventure Time is such a good show that the way Distant Lands is different stands out to me. Like, Together Again, you might think I'm crazy for not putting it above Owl House, but while it's a fantastic episode, really emotional, it's not even my favourite Distand Lands episode. That would be Obsidian which I felt was a more honest resolution to the characters of the show itself, showing the limitless future ahead of the cast instead of what TA did which was demonstrate that Finn really didn't go much further after the end of the show. I felt TA was very limiting in that sense, it contradicted the ending to Adventure Time, which had the strength of "the adventure never ends". Which means that growth never ends. Finn is supposed to be an ever changing character, but in Together Again, he's stagnant.

Other than that, it's absolutely top tier. But not good enough for me to call it the best of the best. Even if I think Finn's character writing was a downgrade, or harmed the main show, I think where DL and TA did better than Come Along With Me is it was actually coherent and had strong themes rather than being a mishmash of random parts of Adventure Time that they wanted to shove in before it was over. It was a better tv finale, one of the best and most emotional ever made, but it's hard to call it a better Adventure Time finale, because AT's legacy hinders on so much more. 2. OK KO: Let's be Heroes: This is a show that went under the radar. It was coming out at the same time as Steven Universe, which was far more popular. So I'll explain it to you: OK KO has two endings. KO has grappled with his alternate persona, TKO, for the entire show. In the first ending, TKO takes over, and starts fighting everyone in a giant tournament. He literally kills all the cast, while KO is struggling to regain control. KO's epiphany is that TKO is a part of himself he buried long ago. KO has always tried to be the sweetest kid possible, so all his rage and fire, all his strength, was neglected and buried. That became TKO. It's similar to the ending of Celeste. They fuse together, but KO is crying because he killed all his friends. So he makes a wish to the God of the Universe to give everyone a happy ending. Then you get a really nice ending montage of all the characters from OK KO having the time of their life. One interesting touch was Venomous, KO's bastard father, had very little to do with KO in this timeline. KO clearly wanted nothing to do with him. But Venomous is shown raising his adoptive daughter Fink and doing a fantastic job. The final episode of OK KO has KO seemingly stuck in time acceleration. Time is flying by, his friends are achieving their goals, leaving the town, way before he can begin to process what he's even doing here. Everything is going faster and faster and it's like he's jumping forward! He doesn't know what's going on!!! But when he explains his plight, he's told... This is normal. This is a normal part of growing up. What seems like time acceleration is just time passing by. Then the rest of the episode show KO going through his life in the same manner. A big gag of the show is KO is age 6-11. That's his age. It's the same as the target audience for OKKO. But you see him grow up. His twelth to fifteenth birthday... 18th to 24th birthday... 25th to 35th birthday... At the end, he's in charge of the Bodega, a full adult looking after runts just like Mr Gar did. I dunno, I felt this was a very meaningful way to end the show. Even if it's not the most emotionally heavy hitting series, even if it's way too short, it did something that stays in my mind to this day. Time goes by in such a flash that you don't notice it was there to begin with, so appreciate the good things life throws at you.

3. The Legend of Korra: The show Korra wasn't particularly great, if I was rating the media as a whole it would probably be at the very bottom of this list. Yes below Star and Homestuck and Kipo. It's not remarkable in the slightest and constantly fumbles.

However I was at the edge of my seat during the series finale in Season 4. I was excited by the conflict between Korra and Kuvira. I loved the metalbending battles. I loved Korra's actualisation, how Kuvira is a very good rival, how their whole conflict plays out with Korra demonstrating such an INSURMOUNTABLE LEVEL OF STRENGTH both in power and character to save Kuvira from her own mistake.

I love how Korra decides to take a break and leave with Asami into the spirit world through the portal she just opened. It was a nice relationship in a show that has so heavily fumbled its prior character dynamics.

And you can't forget how it felt watching this the first time. Afterwards, Bryke made a post on tumblr saying "Korrasami is Canon". You have to remember, this was long before Bubbline was anything more than subtext in two episodes. This was before Steven Universe's "Stronger than You". This was the first time two girls were confirmed to be in a relationship in a kid's cartoon in America. I was so happy. You have to understand Korrasami did a lot of good things and made a lot of the queer representation in these other items possible.

Did the job

These are endings that were OK. They were satisfying but they weren't anything special. They weren't the best episodes or seasons of the series they're from.

Avatar: The last Airbender: I will be honest this show is in a similar realm to She-ra wherein its whole final season is one big buildup to a couple of fast-pased episodes. And honestly its final episode might be better than She-ra's in a pacing sense? But... The simple part is I don't like Avatar as much. I didn't feel particularly strongly about most of these characters. It's a very competent tv finale, with strong scenes - the Agni Kai, and Katara's capture of Azula, are particular strong points. But it's quite long and there are a lot of scenes I don't feel much about, like Aang vs Ozai. Back in the day lots of people were unhappy Aang spared Ozai, and I get that it's not in character for him to just kill him, but it was the original "deus ex machina" for Aang to find a way to get out of it and get what he wanted. It isn't particularly interesting. And then Aang x Katara... I don't care. So yeah ATLA does the job. It's a great final season but I don't care for the finale itself and the characters. while great for the time - by far the EARLIEST show to release on this list - are more childish and cartoony than most. They don't have depth required to compete with more modern cartoons. You've only got maybe two outstanding characters in a tight story vs She-ra's one dozen in a looser story, and honestly I value character more than cohesion because that's what you remember. That's what makes you feel things. Anyone can make a story where things happen but what makes you care? Being a bit harsh here because a lot of people call this the greatest show of all time blah de blah and throw away everything all the other shows do better. But the ATLA finale isn't even in the top ten most interesting episodes of the series. This part went hard though (couldn't find a video of it alone):

Azula starts the scene dominating Katara, and then Katara turns the tables and restrains her using the very ice which fire is supposed to melt, which is mentally destroying for Azula. All she can do is scream and breathe fire when she is restrained, unable to let out all her rage and pain. And Katara spares a moment to witness this, looking troubled, before she runs off to Zuko, attempting to save his life.

2. Adventure Time original ending: Why is my favourite show of all time listed so far down? Why? Well it's because while that AT finale is emotional, hits a lot of themes, it's... a fucking mess. The first part is a war which has only been relevant for two episodes, the second part is a dream sequence which destroy any tension you might've had, and the rest is an unrelated battle against GOLB because we needed a real final boss.

It's a really bad tv finale. And it even does harm to my favourite character in the show, Princess Bubblegum, by making her seem irrational. She's someone who has had the entire series for us to get to know her, to see her biggest flaws and see her struggle to overcome them. So for her to fall back on them yet again, nearly fuck everyone over, with such little buildup and justification and literally throw a child tantrum when Finn interrupts it, it's an injustice to her. She deserved better than everyone thinking she's a fascist forever. The AT crew should have respected their own work on that character better instead of leaving her off like that.

But... even despite these issues, despite being so incoherent? It's a great Adventure Time ending. It makes perfect sense. Of COURSE it's anticlimactic! Of COURSE there's a ten minute dream sequence of crazy shit happening! Of course it's so sudden, things happen so quickly without much time spent to reflect on them! It's Adventure Time! This is what we're HERE for! And the emotional heart of the episode, it isn't really in the Great Gum War or the battle against Golb. It's in Shermie and Beth, and Future Ooo. The fact that the world will end again, but even then.. it's fine. Everything changes. Everything grows. Nothing can stay as it is forever, but letting it go might allow something new and beautiful to take its place.

It's in Jake trying to protect his home, freaking out, and BMO coming in... instead of being looked after, BMO decides to reassure jake, even in certain doom.

It's in Time Adventure. We may not be able to go home, turn back time, relive the past and return to how things were, but... you and I will always be back then.

3. Scavenger's Reign: I felt this show started stronger than it ended. The ending wasn't offensive but it wasn't good either. Honestly I don't have shit to say about the ending, other than that Barry is an annoying stereotype of an autistic character with no agency of his own and it breaks my heart. I liked how relentlessly bad Kris was and I liked Azi struggling to save the day. I liked how her character evolved from being straightfoward and pushing down Levi's curious, kind traits, to embracing those very things in her memory.... while maintaining the strength in adversity needed to challenge someone like Kris. The baby alien thing sure was there. I dunno, the earlier eps with those two hit harder than the ending. The worst part is the sequel bait. We are not getting a sequel. Why is there sequel bait? Seems like the crew were a bit too optimistic for a team of cartoonists working for HBO Max.

But the show as a whole is incredible and has left a strong impression. So, an inoffensive ending is completely fine. I like how everyone is still stranded because of Kris, who meanwhile is dehydrating to death in space because of the organic Levi invasion, and all the people they left behind are chilling in the alien wonderland, learning how to live comfortably.

4. Fionna and Cake: We're now moving into the endings I dislike for one reason or another. I liked Fionna and Cake's themes with Simon and Betty, how it showed a bit more from Betty's side, how obsessive she was with him and he didn't even know.

This does have a weakness though. It removes agency from Betty. It was her choice, in the finale, to sacrifice herself to become GOLB. She was chasing Simon over and over and over again, SHE was the obsessive mad scientist, and she finally achieved her goal at great cost even though could've given up at any time. It was a tragedy. But here it kinda shifts the blame on Simon, even though he was a victim of Betty's obsession. I'm not accusing it of victim blaming, more that I really liked that it was Betty making her own terrible mistakes. It added a lot of character and conviction to her. I don't think Fionna and Cake undermines this much. Kim was a lot more bothered. Besides the Simon plot, the rest is.. ok. It was very predictable Fionna would want to protect the boring, happy world she came from. It fits and it has heart. But it's not remarkable. The ending montage is... weird. Why is Jay and Little Destiny here? Why is Baby Finn here? What about their worlds? Won't they be missed? Did Farmworld Finn fucking die? And the big problem with Fionna and Cake is.. it's such a meanspirited show, even compared with Adventure Time. It relies on you finding tragic shit really funny, like BMO having a horrible gory deeath in jerry. When Fionna and Cake has desensitized me this much, it's hard to feel emotionally invested in this world anymore. It made mistakes by showing too many alternate universes and undermining the world of Adventure Time itself, and I have issues with how Marceline was completely absent from the series - AGAIN - despite allegedly being so important to Simon. It's an outright BAD Adventure Time ending!!! I do love the presentation of Casper and Nova, how it was revealed it wasn't Simon Petrikov but the little Fionna and Cake fan who was able to write the story that finally got through to him and made him realise he needed to stop holding betty back.

"You were a good experience, Simon. Goodbye."

Mistakes were Made

These are the endings that fumbled, disappointed people. They still have value in them but theyre largely disliked by the fanbases involved. I'll explain a bit of why.

1, Arcane: This one just ended last night and is the reason I'm making this post.

I explained a bit here and here, but the issue is: Arcane's a much better show than it has any right to be. It's a league of legends cartoon. But season 1 is so heavy hitting, a tight ship from start to end focusing on the dramas of Vi, Jinx, and the people around them. The main weakness of season 1 was Jayce, Viktor, and Mel. It would distract from the main story in order to focus on them, but wouldn't spend enough time making them compelling characters. Season 2 has this issue tenfold where it seems the scope of the season was so big that it had very limited time to have those amazing scenes from season 1. And there certainly some heavy hitters, like Ekko save-scumming his conversation with Jinx to find a way to stop her killing herself, or Caitlyn and Mel's battle with Ambessa, or Jayce and Viktor yetting themselves into arcane oblivion, but... the finale itself seems very disconnected from the rest of the series, having a generic big bad in Possessed Chaos God Viktor. It lacks any of the intrigue of the Piltover vs Zaun conflict that was so important from s1e1 all the way to s2e4, after which it was promptly discarded in favour of other distractions. And as a result, Jinx and Vi are left as side characters in the ending of their own series, with a lot of their internal struggles left behind. Instead of the tragedy of season 1's ending, we are left thinking of the tragedy of how much better the ending could've been if they had just one more season to give these characters justice.

The strongest episode of the season is probably episode 6. If you know, you know.

2. Ducktales: So if you were a casual viewer of Ducktales you probably had no issues with this one. It's a competent TV finale where stuff happens and all the characters get involved and there are emotional themes.

What's weird about this one, and why it's so far down, is because of Webby's role. Webby is a misfit because she's not a member of the Scrooge family. She's a wannabe. She wants to be part of them, part of the siblings, and she has more in common with Scrooge and Della's brilliance than the other three, but she will never have that blood relationship. Her own parents are dead too, so she has feelings about watching the triplets reunite with their mother.

But in season 3... Ot's like the Ducktales writers were told they only had one episode left to work with and just made something up, and what they decided to do was take the "found family" trope and say "actually it was real family the whole time because Webby was Scrooge's secret clone daughter".

It leaves a bad taste in my mouth. The show did such a good job before this point showing Webby's development as she gets loved and accepted into the family. But for her to have always secretly had that blood relationship undercuts it fully.

It also undercuts her relationship to her grandmother, who tries to move out of the picture as soon as the truth comes out. The show does have Webby embracing her gran to show theyre still family. But we already had this story told in a better way with Webby and Scrooge and the triplets.

The fact the finale has nothing to do with the rest of the season is also why it's so far down. The season 2 finale was pretty spectacular by comparison and had compelling scenes like Della freaking out over protecting her kids and "running to the moon" with them, recycling her trauma (yes a ducktales character has trauma).

If you're not bothered by it, it's an inoffensive, fun finale. But more obsessive Ducktales fans and Webby fans were quite upset, myself included.

3. Kipo and the age of Wonderbeasts

I can't remember much about how this show ended. Honestly that's part of the problem. The first season was far more intrigueing than anything that followed and the whole thing came out across 2020 and it was a forgettable experience despite Karen Fukuhara voicing the energetic Kipo.

What I do remember is being pissed off about some things. Like how a lot of the talking animals were turned into non-talking animals and that was how things ended for them, and no vaccine or anything was made. It pissed me off somehow? Please kipo fans tell me your feelings on this.

I also disliked the final villain. She's a lot like Kris from Scavenger's Reign but even more generic and disappointing.

I dunno, to me the finale represents the wasted potential of this show. How it takes place in a world that rivals Adventure Time's, but Netflix did away with it so quickly, releasing three entire seasons in one year and leaving it with a generic end.

The peak into everyone's futures is nice, but it's not intrigueing like with The Owl House or Adventure Time.

4. Steven Universe: What a hot mess of an ending that threw out so much potential for the wider Steven Universe world. The motivations of the main villains were narrowed down to "we have emotional problems". Steven Universe has a consistent issue where it has emotional scenes at the expense of characters and story.

But I rate this more highly than the SU Future ending, despite that one having perhaps more cohesive writing, because I felt that the SU end had some incredible scenes that carried the spirit of the show while SU Future constantly undermined the original series without providing enough value of its own.

In particular, the scene James Baxter animated of Steven and Steven. This was mind-blowing, it was the climax to the most important part of the story, the truth of Steven's identity and whether he was his own person.

In retrospect that scene brings more value to me than all the bad parts of SU... but SU had so many amazing characters. It's a tragedy that Steven was the only one of them that the show still loved by the end.

Hardest line:

She's GOOOOOOOOOOOOOOOOOOOONE!!!!

5. Amphibia: Season 3 was plagued by being worse than season 2. The opening episodes on Earth were kinda bad, just "Amphibia season 1 episodes but in a far more boring setting". I hated anything involving the secret agents.

The fact Kipo, Scavenger's Reign, and Amphibia all have corpo villains at the end, and the fact I didn't like any of those endings, shows to me that it's not a particularly great thing to add to a fantasy story.

The first sad part is "the magic is destroyed". A popular theme in Disney shows. Well, what happens here is Sasha, Anne, and Marcy lose their magic abilities, and they decide to stay on Earth and lose the ability to travel to Amphibia. It's not massively offensive but it's kind of played out and generic and it does the sad thing of separating the trio from their found family. What's controversial is the epilogue shows that Anne, Sasha, and Marcy stopped hanging out after the end. They just broke off from each other's lives, it was easy as that. It wasn't a lifelong friendship. They do reunite in the end but it's been like ten years. It undermines the emotional turmoil that was present across the whole show. What Matt Braly wanted to show is sometimes things happen. Despite how much you want to be best friends forever... you stop being close to people, you lose touch with them. But this isn't a story that makes much sense when the characters have been through so much together in a fantasy world. It's like Marcy's worst fears have come true, and while that's a point of growth for her, it's frustrating for the viewers who believed the endgame bonds between the characters were better than that.

[Edit: Other than that, a lot of characters weren't delivered in justice s3 with how they had been built up in season 2. Sasha is hardly present in season 3 and Marcy is genuinely not present at all, and when we watched it we really thought they were gonna do more with Marcy when she came back. Swim in that emotional trauma a little bit! But no she's fine even with her evil father figure gone. It could've been better, should've been because season 2 was so stellar.] And I wasn't a fan of how Anne was portrayed at the end. I don't like how these stories make their characters "grow up" in such a way that they come across as love-all hippies instead of having anything resembling their original personality. Where's her sass? Why is she so melancholic and only melancholic? But that's a personal problem I haven't seen many others talk about.

Other than that, it's a competent episode. But it's the ending to a weaker season compared to what came prior.

The cat in this drawing has been my discord icon since we watched it though.

What the Hell?

These are the endings that shat the bed. I hate them! Everyone else probably does too.

Steven Universe Future: Unlike the other endings of this section, I did feel like Rebecca Sugar was going somewhere with SU future. They had a specific goal in mind for what they wanted to do, and every episode reaches towards that goal in some way. That's why a lot of people think Steven Universe Future is better than the more disjointed, huge tv series that came prior. It had a set start middle and end and carried through those themes. Unfortunately, those themes suck. Yeah, it's great deconstructing the impact Steven Universe had on Steven as a character, showing the damage that was done to him, the ways he's been let down. In isolation, it's a great way to show how a difficult childhood can affect you in adulthood, in ways that you would have never expected. This is the value SU Future has. It also has good sections showing how some other characters have recovered, how Pearl for example is healing and far more social than she ever has been but still has a ways to go, and finally talks to someone about her feelings over Pink Diamond, the previous Pearl that served her. Volleyball is a great episode. Unfortunately it takes the wrong lessons from the mistakes of the show. Steven Universe really wanted us to fall in love with its many characters, but it spent so much time showing Garnet, Amethyst and Pearl's flaws, spent so much time showing them failing Steven, that they ultimately came across as incompetent and sidelined. This is an issue with the original show. Steven Universe Future: "You know what? You're right! That was bad!" Me: "So are you going to do those characters justice and show them having growth and being competent and caring for Steven?" Steven Universe Future: "No. We are going to show them BEING EVEN WORSE and COMPLETELY FAILING to connect with Steven!" Me: "... For the entire thing????" Steven Universe Future: "Yes. this is never fixed and Steven leaves the county because of it." Me: "What the fuck?" Even people who were really into the whole thing were taken aback that Steven's kaiju transformation, the manifestation of his deepest fears about himself, was resolved with a hug. Just like the major conflict in the original show. And instead of a meaningful denouement, the show skipped all the resolution and went to Steven running the fuck away in an episode that would've had equal emotional value if it was in season 1 episode 1, or a competely different series. It was cheap and easy to make a bittersweet ending of Steven leaving the city. And it made it feel like the tragedy of Steven's mental breakdown was more important than his healing. Like they couldn't make an interesting story of him getting better because they're incompetent writers. I did like the scene of Steven crying his eyes out after he detransformed. And a lot of scenes in Future did go hard. But the Crystal Gems deserved better. Hell, Jasper deserved better.

Hardest scene:

2. Star vs the forces of Evil: Hooo boy. In the animation community this is HERALDED as The Worst Ending. It is the flagship of disappointment.

It disappointed people who loved the magical world the show took place in. It disappointed people who wanted to see Star reach her potential. It disappointed every shipper of every ship, not that I ever cared for the romance dramas but they took a lot of screentime on the show to its detriment. It disappointed people who like to apply basic logic to the things they watch. What a disaster!

Okay so why is it so hated?

Well, Star had been on the decline for a while. It had a fantastic start to season 3, with a great big war for Mewnie where everyone had great character moments, Star died and came back to life and utterly annihilated the villain. Toffee was a great villain, by the way.

There had been a bit of romantic tension between Star and Marco and they both had crushes on each other but refused to ever admit it and Marco thought he was into some other girl, and Star let him go at the start of season 3 and started dating... her ex... this shitty guy called Tom... he's a good character but a terrible boyfriend who kind of suicide baits Star back into his life. And Star would become a terrible girlfriend. I dunno, people really thought that pairing would be endgame but it was clear to me it was just an artificial obstacle in the way of the inevitable Starco ship. Like Kelly. Who Marco dates for a whopping half an episode before they break up offscreen. Great?

Anyway the romance in this series is on the same tier as Korra, though it does try to build up its endgame pairing from the start.

But from season 3 onwards Marco felt more like a joke character. I don't know, they didn't treat him with much respect.

The thing that EVERYONE TALKS ABOUT with Star, oh god it's going to be the longest thing on this list, is Moon and Eclipsa and Mina and the atrocious decisions the characters made.

I'm going to bullet point it so it's vaguely readable:

Star's mother, Queen Moon, goes missing following the events of the start of s3 special.

Star learns that the throne was stolen from monster-fucker Eclipsa and wrongly given to her own family line so she gives the crown to Eclipsa, to great controversy. Eclipsa is a dark magic user who is 300 years old and she's pretty cool but the show takes a sharp turn from this point to being about a racial conflict - Monsters being discriminated against by Mewmans and how a lot of people want to keep it that way.

The council which was previously on the side of good really HATES this decisionn and is now portrayed as bad.

Conflict breaks out and people are against Eclipsa and her giant person-eating husband leading the kingdom.

People have their homes given back to the monsters that they were stolen from hundreds of years ago. It's a silly cartoon form of reparations but it is shown giving them hardship because they are made homeless. By the way nobody in history has been made homeless because of reparations.

These homeless or disgruntled mewmans find Moon, who has re-emerged and decided to stay away from the kingdom. They want their old queen back and side with her, and she thinks they need someone to represent them. She also hates Eclipsa for various reasons.

Moon decides the best way to deal with Eclipsa is to arm the biggest fascist monster-killing character in the world with an invincible undefeatable army of magic soldiers, and retake the kingdom and go to war against the side her own daughter is on.

Moon gets a surprised pikachu face when she realises she can't undo the spell she used to make this fascist evil super army.

Star decides the best way to resolve this is to delete all magic. Kill it. They go to the source of all magic and use a spell to kill everything there. Lots of reindeer die.

Then every magical thing in the universe gets deleted. Every single magic-born creature. The entire council is murdered. All of the creatures in Star's magic wand die. Countless portals to other worlds are closed down, meaning many of the characters can no longer go and see their friends anymore. This is directly shown, by the way - not just inferred.

Somehow, Ponyhead survives.

Then this is capped off by Marco and Star wanting to reunite... and in a scene that is supposed to be emotional, they cleave their universes together. Mewnie lands on top of Earth. Normal humans are screaming as they are chased around by giant creatures.

The story ends.

Yeah do I have to explain any more why this one was unpopular? It's the biggest fumble you can speak of.

My biggest issue is how dumb they had to make Moon in order to achieve this outcome.

But Starco is kind of cute, even if Marco wasn't half the character he used to be by the end.

3. Homestuck: Which ending do you want me to discuss? Act 6? The epilogues? Or HS^2?

Let's start with the main work, as that's what makes Homestuck qualify as an animation.

Act 6 was a vast disappointment because it sort of ended. We had so much talking for so long that we were hoping something cool would happen and then we got a flash where the characters hit each other with sticks. There were no stakes in Collide, not really.

Then we got the Frog flash. We watched a frog for 8 minutes.

Then that was it!

There were so many unanswered questions. What the hell happened to the final boss and the MAIN CAST, for example. We had learnt earlier in the story that in some point of the future, the main cast all get stuck in a little homestuck house which Vriska fires at Lord English. But we never learn when, we never learn if they're ok, we never learn if English is killed or what happens to Vriska. So for a long time there was this disturbing implication that the cast would all die not long after the series ended.

We had the Credits which were much better but further solidified this implication, and it had Terezi fly out into the void looking for Vriska forever, which made me sad and depressed but that was because of my personal involvement in the story really.

Act 6 is more of a "mistakes were made" ending, but it's the Epilogues and HS^2, and the actions of creator Andrew Hussie, which are why it's rock bottom here.

I don't want to give my breath to those items. Let's just say they were the most meanspirited, intentionally offensive, hostile, character-destroying sets of stories every done, created by people who accused every homestuck fan who didn't like them of being "not really trans" or "pedophile harborors" or "deserving to be lined up and shot" (real quote).

And then the fact Hussie fired his entire crew twice and blacklisted them if he ever had any suspicion they complained about his leadership or financial decisions anywhere.

And the fact the entire whatpumpkin team were left uncredited in the original release of Hiveswap Act 2 because Hussie didn't want to give them any credit because he wants his friends to be a hivemind.

I have so much hatred for what Homestuck became. It's tragic because this series was such a big part of my life for so long.

It's also tragic because the main work is a masterpiece. Even Act 7, despite the criticism, is Guzusuru's masterwork with how much effort went into the animation. How much heart went into each illustration the old Paradox Space team made.

So that's it. Homestuck is the one that is not just a little bit worse than Star. Leaps and bounds worse.

But that's it. I have a lot of opinions on endings because they can colour how you view the entire previous work.

[rin-hanarin]

I realized that I've never addressed the elephant in Lucanis's room, also known as his romance plot, as a "Had been delusional about him for months before release" individual, so here's a surprisingly long rant/summary of how I felt about it in the process of playing the game.

As a Rook de Riva player, I obviously loved "Coffee with the Crows": we met Illario, joked about haha three Crows talking about nothing, talked business, Rook and Lucanis had a nice moment getting to know each other better outside of being teammates, Rook de Riva's background was acknowledged again, it really felt like a nice bonding moment, right?

Thennn a whole lot of nothing happens during any of the conversations between them, huh. Lucanis doesn't acknowledge flirting, which is fine, take your time bud, you'll get there; you keep pushing being supportive, he ignores you, you deal with his personal stuff for him one (1) time, and in my case he then proceeds to ignore Rook for 10+ hours of pure game time while busy talking to Neve at every opportunity until I finally get one (1) dialogue option to "express romantic interest in Lucanis".

And let me express my honest innermost feelings on the matter:

Not only did it feel like Lucanis genuinely couldn't care less about Rook even as a friend, it also felt like Rook was forcing Lucanis into something he simply wasn't interested in and that we were just getting in the way of his relationship with Neve. It was genuinely unpleasant to experience in a videogame that is supposed to be wish fulfillment and whatnot, and let me tell you, it was especially jarring because Dragon Age games also have a tendency of occasionally making you feel like the most special little protagonist known to Thedas, at the very least to your companions who you're supposedly building bonds with.

I loved hangout events in this game, too, I was so happy to just have these conversations about whatever with companions, have these little one-on-one moments with them that genuinely felt like walks with friends (especially with my bro my bestie my homie Davrin), and with Lucanis it started and ended with the coffee date. His fears and doubts about Rook later are never addressed, and lol lmao even, yeah, why would they be, when it feels like he barely acknowledges Rook exists outside of accompanying him to deal with his problems, none of which need Rook there? There's no reason outside of gameplay for him to ask Rook and not, say, his favorite Neve he talks about everything to? Somehow a lot of times when I hoped for any sort of dialogue with him, I was met with him talking about something very personal like his current feelings about Illario to Neve, like, isn't Rook supposed to know anything about anything, or are we just his convenient weird coworker he sometimes asks favours from?

We persevere though and keep supporting Lucanis, and can you take a wild guess what was waiting for me after like 40 hours of the game and after the infamous "kabedon assassin style" scene? Yeah bro, Lucanis just happened to talk to Neve. I wish I was making this shit up. My coping strategy was to come up with an entire jealousy subplot for my Rook because if I have to feel like I'm in the shittiest unrequited situationship of a triangular shape, I might as well do it on my own terms, right? It feels petty and stupid because as a player I like Neve, too, she's one of the coolest (no pun intended) characters, but as Rook, and Rook de Riva making an obvious choice especially? Yeah, let's just say this relationship fucking sucked for a while.

So after many trials and tribulations we're finally back with Inner Demons, and yeah, Neve is there again, I couldn't even give a shit at that point, and I'll be real here, the locking in didn't feel like we went through angsty slowburn or that we earned Lucanis' trust. Remember DA2's Fenris situation? Because I suddenly did, and surely one of many, many Neve banters I had to eavesdrop on could be sacrificed to have one or two banters that acknowledged Lucanis's anything towards Rook at all?

Also, Spite? Spite seemingly likes Rook more than Lucanis does. In between "It's so over" and "We're so back" in the Fade Ossuary it feels like somehow Rook gets more bonding time with Spite, which is kinda crazy to me.

We are so back though! As I mentioned, I was a "delusional before release" individual, I am perfectly capable of filling the gaps and extrapolating meaning from implications, and here's where one of the most infuriating things is: the rest of the romance is good, too! I can write whatever the hell I want between the beginning and the end of it, but like, why should I? How should I go about it, when in my game I was under the impression that Lucanis would rather just spend time with anyone other than Rook for seemingly no reason in particular, because there's simply nothing there? The fact that none of my pre-release ideas or comics even necessarily contradict anything about Lucanis or his romance as it is now is more telling than impressive honestly.

So where do I land with this exactly? Well, mostly in the glorious Fanon Land where I've been making my silly comics the whole time anyway. The highs are high, I love what they did at the end and how stable, protective and devoted Lucanis is, but the lows made me salty as shit and I wish I didn't have to feel that way to begin with. I wish I didn't have to connect the dots and joke about how badly Lucanis sucks at this and "Let's go girl give us nothing." And yes, I know about writer lay-offs, rewrites, restarts, etc etc, and it's a miracle that this game came out at all, but it hardly matters when you're just trying to do the good old datesim part of a Dragon Age game and end up feeling like a third wheel while trying very hard to get anything out of the character you're interested in.

[walks-the-ages]

I don't know who needs to hear this, but regurgitating Radical Feminism talking point of

"Men are all Inherently Evil, Physically Superior, and Predatory to Women"

does not, in fact, do anything for Actual Feminism where the main talking point is

"We are all Human Beings and we're not Intrinsically Different based on the gender some random doctors decided on at birth"

and you're not doing anything for Queer Solidarity either when you go around proclaiming that all men, including trans men, are these evil oppressive monsters who have advantages in life based purely on their gender (even if they are trans men who are not out of the closet yet, apparently) , and I'm not sure why on earth the new crop of Trans-Inclusive Rad Fems think that being 'proud misandrists' is going to save them from being targeted by cis transphobes??? You can't win protection from transphobes by throwing your fellow trans community under the bus, and when you go around saying that all men are disgusting oppressive predators who have never done anything for the queer community ever and have never experienced any true oppression ever its like. ....

.... what the fuck is wrong with you?

Did you forget the AIDs crisis exists?

Did you forget the gay and bi men exist?

Did you forget that Black men exist??

The world's oppression does not begin and end with trans women, and if you're happy to throw the rest of the trans community under the bus so you can feel superior, I don't know who the heck you expect to have your back when you need help, because everyone else has already been run the fuck over, because you fucking threw them in the road because you somehow still think Respectability Politics is gonna save you instead of leaving your Exclusionist Bubble the community that ends up alone and isolated.

Trust me. Life is a lot more bearable and hopeful when you don't go around insisting an entire 50% of humanity is evil based on their gender. Try talking to your fellow trans men, trans mascs, nonbinary people and intersex people before you make another post about how """theyfabs have it so easy and trans men are inherently privalaged and evil because they're men and they shouldn't talk about reproductive health or the need for safe abortions because that's just speaking over women""" 🤦🤦🤦

[raven-at-the-writing-desk]

Congrats on wrapping up the Cursed Raven Saga!! 🎉 I had a lot of fun reading it. One thing I loved was how Miss Raven has different relationships with every character. A lot of the saga was focused on just her and J Word though so I wanted to ask if you could clarify what her relationships are like with the other characters especially the ones we don’t see a lot of in the saga or not at all. Sorry if it’s a big ask, I’m just curious! You can do just the 22 NRC boys for now if you want. 😊

[Referencing this series!]

AAAAAAH THANK YOU FOR LIKING IT, I'D LIKE TO THANK THE ACADEMY 😭💐

Having a character with very different relationships with the rest of the cast makes them feel more "real", doesn't it? Miss Raven doesn't get along with everyone! I spent a long time thinking about how she would interact with the others in the cast. A lot of those relationships are complicated or change over time, which is why I decided to explain each individual one rather than slap together a quick chart. The NRC students, staff, and a few key characters are included. I hope you enjoy reading ^^

Riddle

They’re very awkward friendly acquaintances. If you asked either one of them though, they’d deny it and instead claim they just have a professional relationship.

They initially get to know each other via dorm meetings (as Raven attends to take notes); Riddle likes that she does her job and stays focused. He sometimes nags his freshmen students to be more diligent and to follow her example.

They take tea together occasionally and complain about the eels. Riddle has to deal with them all the time—one as his classmate, the other approaching him at random, much to his chagrin.

Not sure how to deal with him when he’s mad. Raven locks up out of fear but attempts to talk him back into a state of calm. Sometimes just cowers.

Frequently tells Raven it is “ill-advised” to associate with the twins.

Trey

Acquaintances out of convenience, I’d say? Raven and Trey don’t talk much themselves, but Trey appreciates that she’s Riddle first “new” friend at NRC.

Raven sees Trey has a reliable senpai, but doesn’t really have reasons to talk to him outside of business. She tries not to bother him since it looks like he’s already got a lot on his plate dealing with his own dorm members.

Trey uses her as a waste receptacle taste tester for his latest creations whenever he feels the Heartslabyul boys have had their fill of sugar. “Ravens can basically eat anything right? Here, have some of this then.”

Cater

Calls Raven "Rae-chan".

They’re not close at all, but they’re aware of the other person’s existence. The two don’t vibe so well…

Raven’s an introvert that doesn’t really understand Cater’s sparkly persona and social media obsession. Cater doesn’t get why a cute girl like Raven doesn’t show off more.

Cater isn’t entirely comfortable around her because sometimes it seems like she’s staring at him… It makes him feel like he’s an open book and she’s examining him for flaws or seeking out something more of him. He really plays up his persona around her to compensate and to cover for that.

Ace

Classmates but not friends. He’s more like a bully. Raven tolerates him because they share the same homeroom. She thinks of him as an annoying little brother she has to "model" the correct behavior for.

He’s constantly teasing her for a variety of things: being short, being a brainiac, being related to the useless headmaster, etc. Raven tries to be the bigger person and ignore him, but there’s only so much she can take before snapping at him.

Occasionally steals glances at what she’s writing in her diary or snatches it from her to read the entries out loud. Tells her she has shit taste in men.

Raven thinks she’s more mature than Ace, but Ace sees right through her “lady” act and points out she’s more childish than she’d like to admit. He says she should be more honest with herself, but she never is. She probably avoids Ace if given the choice because she doesn’t like her lies/tsundere behavior being called out.

Deuce

Classmates, closer to being an acquaintance than Ace is. Though they’re not exactly friends, Raven thinks of Deuce a little more positively because it’s usually him who intervenes to tell Ace to “cut it out” or to “leave her alone”.

Deuce looks up to Raven as the honors student ideal. (Raven gets a slightly swelled ego because of this and thinks of herself as Ace and Deuce’s “big sis” figure.)

When he goes delinquent mode, Raven cowers in the corner until he has returned to normal. Can’t totally understand some of his delinquent slang. Probably repeated a few of the phrases to ask what they mean and Deuce apologizes for saying them in front of her.

She once heard that Deuce likes eggs and she looked at him horrified.

Leona

Calls Raven “Canary”. It's meant to be an ironic nickname, since despite her black feathers she tries to be bright and optimistic with him.

They started off having a really sour relationship because Leona has an attitude that Raven finds is difficult to work with. She sees a lot of her old self in him (disheartened, lost, not willing to try) and takes it upon herself to encourage him because she doesn't want to see him going down the same dark path she did. Unfortunately, Leona doesn't appreciate that he's her "charity case" and tends to put up resistance to her efforts.

Raven's REALLY skittish around him since he's a big cat and she's a bird--they're naturally predator and prey.

Leona saw her as super annoying back then; he doesn’t understand why she has so much faith in him when he has given up on himself. This frustration manifests in a few threats which definitely did not help the relationship.

Over time, I guess the two realize on their own how similar they are and they sort of soften up to one another. Leona starts to treat Raven a little nicer and finally acknowledges her for the "lady" that she is. "I can't quite place it, but Leona-san seems to be different somehow," she says. In a good mood + feels proud when she sees him in high spirits.

Raven really praises his intelligence and leadership abilities, but laments that he doesn't use them to their full extent.

They can bond over intellectual activities or something. Chess, reading books, etc.

Still get on each other's nerves by making verbal jabs. I guess that's the nature of a cat and bird, huh... Their relationship is very "Zazu-Scar" and "Beauty and the Beast" coded.

He's aware that she has a crush on Jade 💀 Angsts in private about not being "the one", why couldn't he have had this kind of support earlier in life, etc.

Ruggie

An acquaintance, forced to be cordial with him due to circumstances. Raven's often around campus doing odd jobs for her uncle, and she sometimes bumps into Ruggie (doing his own odd jobs). They chitchat here and there, but aren't super close.

Raven initially views Ruggie as "one of Leona-san's goons", but they become a little more amicable as Raven's relationship with Leona improves. Ruggie now comfortably teases her and commends her for putting up with the demands of their dorm leader.

He was the mediator for Leona and Raven back they didn't get along at all, asking Raven to cut Leona a little slack and telling Leona to lighten up with the birdie.

They share a love for shiny things and have a talent for finding edible plants. Sometimes they trade tips on the latter.

Jack

Raven's scared of Jack based solely on the principle that he looks intimidating. The first time they ever crossed paths, Raven took out her wallet and handed it to Jack (thinking that he was going to wail on her for her lunch money). He was very confused and handed the wallet back to her.

They don't talk. Like, at all. They only communicate on an as-needed basis, and even then it's difficult to get the ball rolling because Raven just freezes up when he looks at her. Jack very much reminds her of the wild predators she'd have to avoid in the forest.

She thinks it's cute when his ears twitch and his tail wags, but doesn't dare get close to him. Would prefer to stand on the other side of the room and shout at him.

... Jack doesn't get why she acts this way, isn't this way of communicating inefficient?

He tries to remain respectful of her since it seems like (in his eyes) she's friends with Ruggie-senpai and Leona-senpai. Wonders if there's something more there that he's not fully getting, but figures it's none of his business to ask about it.

Azul

Thought he was polite at first, but Raven eventually came to understand that his smile is, in fact, shady. She maintains a certain level of professionalism (given that he's a dorm leader), but she's pretty on edge around him otherwise. If he's nice to her, she assumes he wants something or has an ulterior motive.

Azul sees a lot of value in Raven due to her connection with the headmaster. He's always reaching out to her and 'offering" favors or items to get in her good graces. Often is rejected, but man doesn't know when to quit.

Though Raven doesn't like Azul or what he stands for, she thinks the Mostro Lounge is very comfortable and dines there on occasion. (Insists on paying full price when Azul tries to slide over a discount.)

Jade

Her crush

When Raven first arrived at NRC, she got really attached to Jade since he seemed like a kind and reliable gentleman. They had a falling out (after Raven learned that Jade was sent by Azul to manipulate her) and have been on rocky terms since. Unfortunately, a (very stupid) part of her is still attracted to him, though she strongly denies it.

He derives a lot of amusement from her overreactions to little things, like having their fingers brush against one another.

Raven keeps Jade at as much of a distance as she can. Sadly, he keeps popping up in her life (all orchestrated coincidences) to charm her. She convinces herself that he doesn't actually like her and that these are all calculated moves to get back on her good side.

Many of their interactions devolve into bickering, with Jade teasing her and Raven trying to fire back with something witty.

They're curious about each other's home biomes and true forms. Back when they were friends, they'd teach each other many new things on those topics.

Very vengeful towards those who are "too cruel" to Raven (because only he's allowed to be that mean to her :>). Offers to "take care" of them for her. She tells him not to, but isn't sure if he actually listens to her.

Floyd

Calls Raven “Black Pearly”/“Kuroshinju-chan”. Normally Floyd nicknames people after sea creatures--and notably, with Raven, he calls her an inanimate object from the ocean. This is intentional (from a meta perspective), as it highlights that Raven is an entity that doesn't quite "fit" within the school and the story.

Raven's not a fan. She can't deal with Floyd acting so unpredictably and rashly. He's such a headache, why can't he at least PRETEND to be polite like Jade does? (This comment really pisses Floyd off and makes him stomp off.)

He thinks she's boring but keeps starting shit to see if she'll react if he pokes the right buttons.

Makes fun of her because he sees her crush on his twin is sooo obvious. Doesn't understand why she has to overcomplicate things by hiding how she really feels. "Just do it already."

Kalim

Friends! But in small doses. Raven gets tired being with Kalim, who’s always so friendly and energetic, for extended periods of time. Cares for him in the same way a big sister might for a younger brother, even though Kalim is in the higher grade level.

Showers her with gifts, especially foods. He shows her his menagerie and encourages her to try petting tigers or something 💀 Kalim had a big heart and shares a lot of what he has with her.

He listens to her worries about connecting with others and fitting in. Not good at wording his advice, but encourages her to keep trying and that he’ll always be there for her!

Raven finds Kalim’s cheer refreshing but worries that people could take advantage of his naïveté like she was (by Jade). Tries to protect him from shady types of characters.

Jamil

Not exactly friends, but they see each other and immediately see the tired mom energy. There’s a mutual understanding between them.

Raven takes shifts with Jamil to help Kalim with his assignments. Helps keep an eye on his dorm leader when he’s up to his neck with other tasks. It’s like they’re coparenting ��

She often finds herself staring at his hair accessories. When she was less accustomed to human life, she yanked on one of them and earned his ire for the next several weeks. Jamil has cooled off since then, but he’ll bring it up subtly if he’s annoyed with her.

Vil

Calls Raven “Shetland potato”. (Yes, I know Shetland is an irl location that doesn’t exist in Twst; just assume Shetland is an old fashioned way of saying Shaftlands/it’s a variety of potato from the Shaftlands.)

She approached Vil first and nervously asked him for etiquette lessons (since she wanted to know how to be more human and “ladylike”), which he agreed to. Vil’s pleasantly surprised that she had the agency to seek self improvement like this, so now his expectations of her are set really high.

Raven admires Vil’s mastery of potionology and tries her best to emulate him in the lab. Her technique is a little clumsy, but her heart’s in the right place. She also loves his sense of fashion since she lacks the confidence to pull off the daring looks that Vil does.

He’s like the stern, icy older brother she never had. Vil doesn’t go out of his way to help her out (he wants her to learn to fend for herself), but he’s there if she needs advice or help dressing for an occasion.

One of the few guys she can go to for “girl talk”. Raven tries to keep who she’s talking about vague, but Vil always sees right through her and tells her it’s a poor choice.

Rook

Calls Raven “mon petit oiseau”. Later on (like, after Raven becomes more confident in her identity), he'll switch over to the nickname "Conteuse des Corbeaux".

A good friend! If not a little too over eager. Raven was definitely put-off but him at first, but he grew on her over time. She loves listening to him wax poetic; it inspires her in her own creative endeavors—and his cheer is so infectious!

They share a love for the arts and sit around trading their takes on the latest movie or play or art piece they saw. Sometimes he reads and offers critique of her latest work.

Lives for the tea. Besides Vil, he’s one of the other guys Raven can talk to about love. Problem is, Rook is content watching her try to find her way (there’s something romantic about it!) and vaguely encourages her to “follow her heart’s desire”.

Tries to give him the benefit of the doubt. Maybe too much. (“I-I’m sure Rook-senpai has a perfectly good reason for breaking into your dorm room to leave a rose on your pillow… r-right?”)

They sometimes whisper stuff to each other in bird.

Epel

Epel has beef with her cuz she's a raven (aka one of those pest animals that wreak havoc on his village's crops!). Stares at her from a distance with kind of a grumpy face.

He doesn't really act on that beef because Vil will whoop his ass for being rude and provoking a fight with his peer. If he's in a situation where he has to talk with Raven, Epel will do his best to put on that soft, sweet polite facade that Vil has taught him.

Raven has zero clue what Epel's saying when he speaks in his accent. Asks him to repeat himself, which annoys him.

Idia

Raven thinks he’s basically a ghost that haunts Ignihyde. Does that guy ever go out and get sunshine??? (Raven thinks that, but she’s a hypocrite because she also holes up in her room… writing…)

Doesn’t really have an opinion of him since he’s so withdrawn and they barely interact. However, she doesn’t like it when he acts all high and mighty about the media he consumes. Raven thinks it discourages people from giving the media a shot because he’s making it seem so unappealing.

She also thinks his laugh and general presence is

a little eerie. Maybe she’ll get cursed if she bathes in his negative miasma for too long.

Even though they don’t know each other irl, I think it would be funny if Raven posted her writing online and Idia was one of her biggest fans 😭 Like this guy religiously likes, comments, and shares every post…

Ortho

Calls Raven “Raven Crowley-san”.

They’re friends! Little buddies experiencing a lot of their firsts and exploring the world and its oddities together.

Ortho is very pragmatic while Raven has a big imagination and tends to daydream. They balance each other out well.

He tells Raven about his older brother (which is how she first learned about Idia’s existence.) “Eh… Ortho-san, you have a difficult sibling like that…?” She feels bad for him 💦 but respects him for having the patience to deal with that.

Ortho thinks Raven’s an interesting subject to observe and gather data on. It’s not every day that he gets to do this! He’ll be sure to collect accurate readings on her.

Malleus

Calls Raven "the young Crowley".

Because Malleus is often missing from dorm leader meetings, Raven has to either go fetch him for them or deliver the meeting notes to him. He’s thankful for her help but doesn’t engage with her outside of these instances.

Raven is pretty neutral about Malleus?? She respects him and all, but doesn’t get involved with him more than she thinks she should. Malleus is the same way with Raven; he doesn’t think much of her beyond her duties.

Malleus was slightly amused by Raven standing up to him during GloMasq; he announces his intent to strike Rollo down but Raven insists they hear him out. Since then, he’s kept an eye on her and wonders if she’ll have the audacity to do it again.

I imagine that Raven goes to Briar Valley to serve as a royal scribe or messenger for Malleus in her fourth year internship. This would lend them a Maleficent-Diablo dynamic.

Lilia

Acquaintances, mostly because Raven communicates with him about dorm leader meetings or sometimes passes meeting notes to him if she cannot find Malleus herself.

He commends her for being a bright girl but thinks she could make do with loosening up a little. Takes delight in popping up out of nowhere to spook her.

Believes that Malleus and Raven are friends. (They’re not.)

Lilia jokingly asks his boys who they think os cuter: Raven or him? It’s definitely him, right? 🥺

Raven has the inkling that Lilia is a lot older than he seems just based on the stories he tells when he has the chance to. She loves listening to them and dreams about traveling to those places too.

Silver

Friends, but not right away. Raven used to be scared of Silver because he looks intimidating when he stares at you. Still, she feels oddly drawn to him anyway. It must be his princely aura drawing in all the local wildlife… including her 😭 For a long while, she just observed Silver from a distance.

Once she learns Silver’s actually very normal and even sweet (most likely from the neighborhood birds), Raven settles in nicely by his side. For example, she might work on writing while Silver dozes off beside her on a warm afternoon.

Models some characters in her stories off of Silver. He’s so gallant! (Raven complains that the other NRC students should be more like him. Silver doesn’t understand what she means.)

He’s dense, but he’s a good boy. Will help her grab or carry things she can’t on her own. However, Silver is useless with other matters. Like if he sees Raven and Jade bickering, Silver will intervene and try to help “sort out the misunderstanding” so they can all be friends.

Sebek

(Loudly) calls Raven “Bird”.

Frenemies…? Sebek talks down to Raven and demeans her like he does many of his peers, but sometime around GloMasq he came to the conclusion that she must be a long lost relative of Malleus's and develops a sense of respect for her. Since then, he has been acting like an eager puppy that trails after Raven and says/does things in hopes of earning her praise.

Raven is confused by his shift in demeanor and wonders why he's suddenly being so nice to her... Not that she's complaining, but it took a while to get used to.

She's still a little intimidated by his looks and loudness.

Book buddies! They give each other recommendations and discuss their latest reads.

Crowley

Calls Raven “my adorable little niece”, sometimes “Raven-kun”.

He's your typical bumbling/silly but well-meaning father figure. Irresponsibly offloads many of his responsibilities onto her. She also often serves as a messenger to Yuu on behalf of Crowley. Usually apologizing for him.

Not above using Raven to make himself appear competent to potential sponsors and donors. Crowley uses a combination of fake tears, bribes, and flattery to get her to act in his favor.

Despite this, she cares for him and he cares for her too. Raven just wishes Crowley would step up sometimes!!

Crewel

She’s scared of him, especially when he raises his voice (even if the scolding isn’t directed at her). Works hard in his class to avoid his ire.

He sees a lot of potential in her, but dislikes that Raven lacks a spine. Crewel often picks on her in class in an effort to get her to be more confident in herself and to learn how to speak up.

Trein

Raven likes Trein! He provides her with a sense of warm and grandfatherly comfort. She's never had a grandpa before, so she considers Trein something akin to that.

Sometimes stays after class to ask questions or just to chat with him. He appreciates this since some of the other first years act out or don't have an interest in the subjects he teaches.

Trein keeps things professional; he feels that a teacher and a student should remain in those roles and not cross those boundaries. However, he lets Raven know that if she needs any guidance, his door is always open. Maybe that's his empty nest syndrome speaking.

Lucius

The one cat Raven isn't immediately apprehensive about, if only because Trein reassures her that Lucius is gentle.

He chills in Trein's lap while they talk.

If he's in a good mood, he might bat a paw at her or let Raven stroke him. She calls him a "very good boy".

Vargas

Slightly intimidated by Vargas's physique and gung-ho attitude. She admires his enthusiasm for self-improvement, but isn't so sure about his methods.

He doesn't let the fact that she's a girl deter him from pushing her hard! If anything, Vargas declares that she has to work two times as hard to prove herself and build some muscle! Raven always leaves his class hugging and puffing, sweaty, and red in the face... but also feeling super proud of herself.

Traumatized by that one time she witnessed Vargas down five dozen raw eggs for breakfast.

Sam

Business owner and customer--there's nothing more to it than that! Sam sees Raven as a particularly valuable customer due to her need for specific ingredients to concoct her enchanted inks. Occasionally puts aside a rare find and lets her know about it for a good deal.

Raven's thankful to Sam for filling in the ingredient gaps for her. Though, uh... she begs of him to stop placing bets with her uncle about whether or not he can buy out his stock.

Yuu

Cordial enough classmates. They're in the same homeroom which is convenient for when Raven has to pass messages or tasks from Crowley to them.

Willing and able to help Yuu out whenever they ask for it.

[Insert other information as desired; varies widely depending on what kind of Yuu features here.]

Ramshackle Ghosts

Raven greets them like they're her friendly neighbors.

The ghosts treat her like that nice Girl Scout from down the lane that stops by every so often to offer them cookies.

Grim

Brings a tuna can as a peace offering. Pushes it to Grim using a stick. Makes him promise to not bite her or set her on fire. Raven walks on eggshells around him.

Grim is mildly insulted by her acting like he's a monster. "I'm a civilized mage too, yanno!!" (He eats her peace offering anyway.)

Neige

Raven mostly knows him from all his appearances as a celebrity. Doesn't think much of him other than "oh, he's cute" or "he's like a fairy tale princess".

Upon welcoming Neige to NRC for the cultural festival, she's surprised to see him being so princess-like in person as well. To Raven, Neige almost doesn't seem real.

Neige gives off a very inviting aura that makes Raven feel welcome and comfortable in his presence, even though they just met.

He'd treat her as he does all of his fans, in a very sweet and pure manner. Might be interested to know that she's a raven; Neige could think it's cool or invite her to join in on their song since ravens count as a songbird. She gets embarrassed and says she can't possibly do such a thing.

Chenya

Another cat boy? Big nope for Raven. Her bird instincts are shouting at her to keep away. Chenya's a lazy sort of cat, so he seems fine to be around (especially since Riddle and Trey vouch for him). They're basically strangers though.

Raven stares at him as he picks up a slice of cake and chomps through it, then asks for seconds. Her only impressions of him are that he's sneaky and kind of a glutton.

Chenya thinks Raven's sorta funny. He teaches her some bad cat puns and asks her a variety of nonsensical questions just to see how she responds.

Loves spooking her by appearing out of nowhere or poking her while he’s still invisible.

Cheka

Calls her "ojitan's friend". Cheka is 100% convinced that Raven is besties with Leona.

She thinks he's a lost child and takes him by the hand to take him to help him reunite with his parents. (Cheka thinks Raven is a lost child too.)

He's a little ball of fur and energy! Cheka runs all over the place and wears Raven down real fast. She's never been so eager to hand the kid off and be rid of him (though she tries her best to smile and wave good-bye).

Rollo

HE HATES EVERYONE, INCLUDING RAVEN.

... But Raven doesn't want to give up on him! She insists on being his pen pal and keeping in touch, since she feels that a large part of why he broke down was not having people to talk to or to support him. Rollo's forced into this situation... but no matter how often he tells her to quit this, she won't let up!

He finds her extremely bothersome, of course. (Rollo won't admit that there's sort of a comfort in including this in his routine, that it's nice to have somewhere to vent and let loose his bottled rage.)

At some point, he extends the offer to listen to her woes about the NRC boys, whom he is certain are sin incarnate.

What? No, they are NOT friends. Absolutely NOT. (His aide and vice president think they are.)

Fellow

Calls Raven the “lil’ lady” of Night Raven College.

Picks on her. Steals her food, takes her books, etc.

Such an ass-kisser (he's hoping to get sympathy and then leech resources off of her). Gets Gidel to play along with his schemes too. Alas... Raven does, in fact, feel something for their situation.

She's highly suspicious of him. Doesn't like it when he acts overly familiar and touches her on the arm or shoulder... or cocks that smug, suspiciously crooked smile.

Raven likes it when Fellow allows his inner child to come out; it's nice to see that he's still able to keep dreaming as an adult, she thinks.

Gidel

To Raven, Gidel's some kid that Fellow strings along in his schemes. She's much more forgiving of him compared to Fellow and does her best to read his body language to understand what he's trying to communicate.

Gidel's curious about her. She's a scholar, right? Wow, he wants to know what that's like! He just kinda stares at her with big, eager eyes.

Skully

He acts like they’re BFFs but Raven tries to keep him at a comfortable distance. Skully (wrongly) assumes that she's his ally and will agree with him on everything.

She thinks that Skully acts and talks like a character from a fairy tale, but in practice she's a little put off by how touchy-feely he is. Raven will let him kiss the back of her hand, but when he's not looking, she'll gently wipe it off on her skirt.

She'll happily sit there and listen to him ramble for hours about Halloween and the traditions of his village. Raven loves a good story!

She acts as the mediator when Skully butts heads with other people about his hyperfixation and idol. It's not very effective, but someone has to do it.

[venomwrites]

Caitlyn waiting for Vi to wakeup.

Warnings: Spoilers for Ep. 8

“She’s alive?” 

The doctor looks surprised at her sharp, desperate inquiry. Caitlyn could care less about his opinions. For the money she’s throwing at him, he should have none. The doctor nods. 

“Yes. She’s stable,” he continues, “they are going to clean her up—“

“No,” Caitlyn cuts in, “I’ll do it,” the doctor hesitates, “my father is a doctor,” Caitlyn reminds him sternly, “I know what not to touch.”

The doctor hesitates for only a moment longer before he nods. Someone leads her down a long hallway. Caitlyn reminds herself over and over that Vi is alive. Right now, that is the only thing that matters. It still takes her a moment to push open the door and step inside. 

The room is silent except for the beeps of monitors and the hiss of oxygen. Caitlyn can categorize all the numbers. They are stable. Barely. But understandable for someone who has just come out of major surgery. She knows that but it doesn’t make it any easier to approach the bed where Vi is laying. 

She looks like a stranger. 

Tubes snake from under the blanket to carry away waste. One peeks out from her ribs and drains into a rust colored bag of fluids. Above her are more bags. Liquids, blood, antibiotics. They snake through the clear tubing and into her arm. All Caitlyn can think of is how much she would hate this. 

Someone has left a tray with water and sponges. Caitlyn picks one up and wrings it out. She isn’t sure where to start. Brown antiseptic washes Vi’s chest, neck and face. It coats around the white bandage that wraps her head. There’s flecks of it underneath the oxygen mask that covers her face. 

Part of Caitlyn screams that she has no right to do this. No right to touch her after she shoved her away. She’s spent as many nights cursing her as she has longing for her. What right does she have to touch her? But then Caitlyn thinks how much Vi would hate people seeing her like this. Vi trusted he enough to at least try to work together. Caitlyn focuses on that. Jinx is imprisoned, Vander is dead. She’s the closest thing Vi has to a friend. Even if she is a poor excuse for one. 

She starts with her neck. 

Underneath the black greasepaint is the pale, tattooed woman Caitlyn remembers—and it’s not. There are new muscles that coil under Vi’s skin. Vi has always been strong and spent most of her life existing on a diet of prison food. Now she is solid muscle. Caitlyn gently moves the hospital gown to wipe at her chest. She takes care not to disturb the tube that drains the damage from the Noxian spear. 

She feels tears cloud her eyes as she works. 

It feels like her fault that Vi is laying here. No, it is her fault. She went along with Ambessa. She wasn’t fast enough to outsmart her. The knot of anger that has been loosening in her chest unravels faster as she wipes Vi’s leg. The best she can tell Vi hasn’t been taking care of herself. Of course she hasn’t. Caitlyn wanted to hurt her when she dumped her there. Now she feels like a child learning her actions have consequences. 

Before she can get to Vi’s shoulders, she turns to her hands. 

They’ve cut off the bandages Vi always wears. It’s the first time Caitlyn’s seen Vi’s bare hands. She hasn’t been taking care of them either. Some of the marks on her knuckles are pink and bright, they are new. That cracks something new in Caitlyn’s chest. Vi’s entire life is in her hands. Literally and proverbially. And because of Caitlyn they are littered with half healed marks and patches of raw skin. 

“Gods,” Caitlyn can’t quite contain the words, “I’m so sorry.” 

She dabs at her knuckles. Anger has clouded her judgement for so long. All she has wanted is Jinx. But looking at Vi’s mangled hand, Caitlyn knows she would trade anything to undo this. 

She slides a hand under Vi’s neck enough to clean the grease and antiseptic from her shoulders. Then her face. Until the only thing left is her hair. Caitlyn only hesitates a moment before she wipes the sponge across it. Of course the paint comes off. Of course it’s paint. Vi is right there under this hard shell. Just waiting. 

She is such a fool. 

She tucks the gown around Vi’s prone form and unfolds the blanket on top of that. She hopes Vi will open her eyes but she doesn’t. The puff of her breath against the oxygen mask and the beeps of the monitors are the only things that let Caitlyn know she is alive. 

But she is alive. 

Caitlyn doesn’t know why but she reaches into the cabinet and opens out a roll of gauze. She cradles Vi’s arm in her lap and winds it around the skin. Her forearms are the only unblemished part of her. Because they were locked around her sister as she covered her with her body. But Caitlyn wraps them anyway. If Vi wakes up she wants her to know someone thought of her preference. Even if she know Vi will be furious if she finds out it was her. 

Caitlyn draws the blanket up and tucks it around one shoulder. Even though she can hear it on the monitors, she leans forward and places her ear against Vi’s chest. Her heart beats steady against Caitlyn’s cheek. Her chest rises and falls evenly. It’s a drugged sleep but Caitlyn closes her eyes and tries to match it. That way if Vi’s heart stops again, maybe hers will too. She hopes when she opens her eyes Vi will be looking at her. But she doesn’t. 

Caitlyn lets herself look for just a moment. With the black paint stripped away, it’s the Vi she remembers who lays there. The Vi whose haunted her dreams since she left her. Everything in Caitlyn aches to touch her cheek. But she’s overstepped in so many ways. She settles for a press of fingers to Vi’s wrist before she forces herself up. She tucks Vi’s arm underneath the blanket and makes sure it is pulled all the way up. 

There are a thousand things Caitlyn wants to say. 

But words are cheap and Vi won’t hear them. She pushes the cart of cleaning supplies to the side and washes her hands in the bathroom. The greasepaint is stubborn under her fingernails. Even when she tries to scrape at it halfheartedly. She hates the dirtiness but it’s also fitting. Vi doesn’t deserve the stain, she does. Caitlyn allows herself one last look at Vi’s prone form before she leaves the room. 

“Commander?”

“We’re going to the bunker to see the prisoner,” she says, “tell them to expect us.” 

[scarletwinterxx]

one sunday morning - hong joshua imagine

how it took me this long to finally write a sunday morning referenced au for joshua idk too HAHAH but it's here

for my other svt fics, check them here

if you want, u can buy me coffee(totally optional but any donation is very much appreciated!) thank you🥺💛

All works are copyrighted ©scarletwinterxx 2024 . Do not repost, re-write without the permission of author.

(gif not mine, credits to rightful owner)

You hear the soft hum of the espresso machine as you stand behind the counter of the cozy little café you’ve managed for years.

It’s a quiet Sunday morning, sunlight spilling through the wide windows in golden waves, the kind that makes everything feel warm and alive. You’re arranging the freshly baked croissants in the display case when the bell above the door chimes, signaling the arrival of your favorite regular: Joshua.

Joshua, with his tousled brown hair, that lopsided grin, and the slightly oversized denim jacket he wears like it’s a second skin. He walks in with a lazy kind of confidence, as if the world couldn’t possibly surprise him, but his eyes light up the moment they find yours

Every. Single. Time.

“Morning, sunshine,” he says, leaning casually against the counter. “What’s the special today? Let me guess… something ridiculously overpriced but totally worth it if you make it?”

You roll your eyes, but your lips curve into a smile anyway. “Good morning to you too, Joshua. And no, the croissants are reasonably priced. But since you’re feeling cheeky, maybe I should double the price just for you.”

His laugh is warm and rich, like a favorite song you never get tired of hearing

“You wouldn’t dare. You like me too much.”

You arch an eyebrow, trying to look unimpressed. “Bold assumption.”

“Oh, come on. Admit it,” he teases, leaning closer. “I’m your favorite customer.”

“Second favorite,” you counter, suppressing a grin. “Mrs. Kim tops you, hands down. She doesn’t mock my pastries.”

“Mrs. Kim who said the cake wasn't moist when it was literally called moist cake?” he says, feigning offense. “But fine, I’ll accept second place... for now. What do I need to do to get bumped up to first?”

“Be nice to the barista, that’d be a start.” you say, pointing to yourself

Joshua places a hand over his heart, as if wounded. “I’m always nice to you. I even brought you this.” He pulls a small bouquet of daisies from behind his back, slightly crushed but undeniably charming.

You blink in surprise, the teasing retort on your tongue dying instantly. “You brought me flowers?”

“Don’t look so shocked,” he says, grinning sheepishly. “I saw them at the farmer’s market and thought of you. Figured they’d look better on your counter than in my office”

Your cheeks heat, and you curse the telltale blush. “That’s… really sweet. Thank you.”

“Don’t mention it,” he says, rubbing the back of his neck as if embarrassed. Then, his voice drops into a playful lilt. “But if this earns me a free croissant, I wouldn’t say no.”

You laugh, shaking your head. “Nice try. But fine, I’ll give you one. Consider it a thank-you for being marginally charming.”

“Marginally?” He gasps in mock horror. “I’m devastated. Here I thought I was irresistibly charming.”

“Let’s not get ahead of ourselves, Joshuji” you say, sliding a warm croissant onto a plate and handing it to him. “There. Now go sit down before I change my mind.”

He takes the plate, his fingers brushing yours for a brief second.

A touch so fleeting you’re not sure he even noticed.

But you do. Every time.

As he settles into his usual spot by the window, you catch yourself glancing his way more often than necessary. He’s flipping through a dog-eared paperback, his brow furrowing every now and then in concentration.

There’s something about the way he exists so effortlessly, so entirely himself that makes your heart ache in the best way.

Later, when the café is quieter and he’s the last customer lingering, he makes his way back to the counter.

“So,” he says, resting his elbows on the polished wood. “What’s your plan for the rest of the day?”

“Nothing too exciting,” you admit. “Probably just laundry and a terrible rom-com.”

“Terrible rom-coms are my specialty,” he says with a grin. “Need company?”

Your eyes widen slightly. “Are you inviting yourself over?”

“Depends. Do you have popcorn?”

You laugh, shaking your head. “You’re impossible.”

“I’ll take that as a yes,” he says, his grin softening into something quieter, something warmer. “Let me make the popcorn. You can pick the movie. Deal?”

For a moment, you hesitate, the weight of the invitation hanging in the air. But then you see the way his eyes crinkle at the corners when he smiles, and you think: Why not?

“Deal,” you say, and his face lights up like a summer sky.

And just like that, without even trying, Joshua makes the ordinary feel extraordinary. This, you think, is how you fall in love.

[highway-road23]

Helloooo everybody~! I am here with another weekly Blue Exorcist anime post again and it's a pleasure to gift this post rightfully to YURI EGIN! Let's start!

First of all let me to repeat this point again that Blue Exorcist writer is a Goddamn GENIUS!!! Just look at the way how they used old tales and stories about demons and fairy creatures and used them in this story? That definitely needs lots of studying and clearly shows how much the writer studied and read so many books to write this story.

This is were my sweet precious girl decided to upgrade herself from a spoiled princess to a badass queen🤭🔥

DON'T BLAME ME FOR GIVING HER EXTRA POST TIMES SHE IS JUST ABSOLUTELY SHINING AND I CAN'T STOP LOVING HER😭❤️

I said before that Kagami created the best father of the entire anime world, Sakae Ichinose, BUT I FORGOT ABOUT FUJIMOTO OMFG!! NOW I TAKE THAT NOTE OF MINE BACK!! SAKAE HAS A VERY BIG AND HARD RIVAL TO COMPETE UNTIL FATHER FUJIMOTO EXIST😭❤️😭❤️😭❤️

This is that kind of friendship group I always wished to have but unfortunately I was never this lucky🫠💔

Oh yeah sure my sweet boys deserve their own special post just to appreciate them🥰🔥

I kind of ship them lol, they are both so cute together😂❤️

AND FINALLY!! LADIESSSSS AND GENTLEMENNNNN!!! HERE YOU AND MISS ANGEL, BEST MOTHER IN THE ENTIRE ANIME WORLD, YURI EGIN!!!!

I can talk about her beauty, kindness and warm soul for a complete LIFETIME and still won't feel enough and satisfied🥹❤️❤️❤️

SHE IS THE SUPER STAR OF THIS EPISODEDJSJKSKA

And just for the end, yeah here my FAVORITE tragic ship in this story, I still am crying over them miserably🫠💔💔💔

[ganondoodle]

couldnt fall asleep for at least 2 full hours bc i kept thinking about it, so ... more (i hope this is the last time)

what was the point of adding isha? no i mean it! i started to like her in act 2 bc i liked mute characters and her with vanderwick where pretty cute.. those episodes are still my favorite, but shes so?? she gets dropped into jinxs lap quite literally (WHY where cross's goons (the chembaron) even chasing her?? i thought thered be some reveal or soemthign or backstory idk but no she just came out of nowhere and got chased for no reason other than to end up falling on jinx and seeing her shoot the goons) and then is given some cutesy time with em only to die horribly for literally nothing except make jinx .... suicidal ... which SHE ALREADY WAS, the entire vi and jinx fight scene at the start of the season is about her wanting vi to kill her- using isha like that is such a waste and so cheap, it served no purpose other than to give jinx and the viewer i guess the hope that things could be better even after everything only to rip it all away again and make it all even worse, but it already was so bad that it falls incredibly flat, and aside from jinx being worse than ever mentally no one seems to really mind? (ALSO feels slimy bc she was mute, mute kid chaarcter only gets used as a cheap way to make mentally unwell character even more mentally unwell)

magma vanderwick ... how ... what was that then? i thought it was either singed who was left alone in the greenhouse with vanderwick using that serum on him that supposedly .. does something to prevent viktor from bringing vanders mind fully back (no other information on that?) or it was viktor 'dying' that made all other cult people flop over and get taken/into stasis, and bc vanderwick was such a strange creature it took vander or part of him but not the beast- but then in act 3 ..... singed uses that serum THERE, so it wasnt him doing anything and him standing ominously in the broken greenhouse was jsut to .. show singed was still alive bc that fucker cant ever die- AND when stupid viktor turns people into fugly robots (im pretty sure, unless im mixing up what mind erased him) you see his memories being burned, so hollowed out .. which means that he was still himself? so it wasnt that viktors 'death' erased vander and left the beast bc it was still both at that point .... what the fuck was up with him then at the end of act2??? why did he go all volcano??

AND then at the end with the weird vi getting emotional over fugly robo vanderwick scene the beast i guess is STILL there .. but when you get turned like that you just turn into a robot and your mind ceases to exist, he already had vander erased, but then gets taken and turned robo so the beast should be gone too?? no`??? even if i remember it wrong and it was viktor who mind erased just vander- again problem as before, why did he go volcano then?? AND why did he slump over dead eyed after it? shouldnt the beast take over immediately when vanders gone??

....did jinx even interact at all with sevika after the scene in stillwater?? i dont think so, what a joke honestly, sevika was pretty much part of the team, then she gets isha out and then next time its jinx isha and vi going to search for vanderwick, the fuck has she been doing until the last episode where she doesnt say or really do a single thing???

im sorry lesbians but that sex scene was rather missplaced, not agaisnt it in general but the timing?? (any sex scene there at that time would be missplaced imo) jinx pretty clearly told vi that she will kill herself "you wont have to worry about me anymore" "im breaking the cycle" HELLO??? and while we dont know how long it took for cait to find vi down there (whereever that prison even is? not stillwater thats for sure) shouldnt vi burst out the prison and go chase after jinx the second she was freed???? i get she says soemthign like losing hope of getting through to her BUT JINX IS GOING TO KILL HERSELF?????????? and then cait and vi make out and fuck in the LITERAL SAME CELL THAT JINX WAS JSUT IN?????????? and even after that doesnt go to check on her?? you CANNOT tell me vi just gave up on her and accepted she killed herself like that

ALSO did no one know what signed was doing with vanderwick (who was still alive .. so isha kinda died uselessly, if he died then as well at least it would mess up the plan .. the stupid plan, i hate viktor cocoon hivemind shit)? they had to get vi out of there so ?? and vi also didnt like .. check if idk vanderwick was really fully dead or just go there again? even if it was secured or soemthign i dont remember her askign anything about him just jinx ... bc there she still cared at least a little bit about her i guess

jayce ... why did act2 make him out to be all mad and like he was given a mission by ekko and heimer (bc he says "i wont fail them" THEM) but then its revealed it was old future viktor who send him back/gave him the mission- ALSO why was he so extreme and mad in act2 when .. yes in act 3 you see him go through that torture in the cavern but when he climbs up hes relatively calm and collected and ignores the weird crawly monsters and has a somewhat normal conversation with old viktor .. and then he returns and is suddendly all mad and going after present viktor- WHICH ONLY MAKES IT SO IT ENDS UP LIKE THE STUPID TIMELOOP??? did i miss something or does that makes no sense?? the only reason it not ending up like that being ekkos intervention- but jayce before that seems to just .. do all that like he wants it to end like in the loop .. i thought he was trying to stop it .. what was the point?

did no one question where the heck salo went? even if he fell from grace .. it feels weird to put him to viktor, make it clear on him how viktor isnt just healing people but taking their minds bc that wasnt salo anymore and no one seems to care?

kinda similar with mel bc her being taken only really matters to ambessa (and when they reunite i expected ambessa to break tbh ...) and one comment from salo and anyone else? who cares? wasnt she in charge? i mean yeah cait took over in a sense but it still feels weird; plus on the whole mel business .. she went from big important power figure of the enterity of piltover to uh .. mage lady in black body suit so quickly? political power figure to weeee blasting vaguely gold magic stuff all over yippiiiie (but in general all political stuff just went out the window with those last episodes)

i said before how i didnt like the whole getting put into other dimension bs with ekko even if the setting was somewhat neat, but similar how weird jayces end speech to viktor felt idk .. ekko having to see, interact and .. make out with a jinx/powder that was 'normal' to see that jinx in his time still had value felt slimy to me also he conveniently gets put right there when jinx is about to kill herself (bc neither sevika nor VI went after her??or did he find her? when did he show up again? idk tbh?) and then uses the z-drive just to try and say the right thing to not make her do it and at the end to through it in viktors face ....................... and jinx showing up at the end barely changes anythign except give her another outfit/look and put her up there in order to do her 'sacrifice' .............idk it all felt so cheap

also maddie evil reveal was so .... was that really needed, like that especially? just so ambessa can tell caitlyn 'told you lol' ?

caitlyn knowing that jinx isnt gone and keeping it a secret is played as if thats a cool thing bc jinx isnt dead yippiiee but to me it makes it even worse (aside from the whole 'our story isnt over' bleurgh ouch eughgnen line of teasing more bc big corpo likes to leaves things open in case they make more expensives shows to serve nothing but the world most overblown champion and skin trailers and in case they dont well who cares) bc its just so ... slimy, am i supposed to see it as a happy end or win for vi bc she gets to be with caitlyn?? bc that is more important than her SISTER THE RELATIONSHIP TO WHICH THE ENTIRE SHOW WAS BUILT AROUND?????? adding the trope i hate 'group of people splitting up at the end bc thats clearly the best for them' FUCK THAT! Vi should have joined jinx and sevika (add isha and non robo vanderwick best case scenario, also ekko and they all get cool jinx outfits and everything, let jinx be a hero instead of a lil crazy footnote in viktors god complex) and get caitlyn on her side to fight piltover to free zaun (maybe with ambessa taking over piltover, mel returning and joining the forces of zaun forcing her to fight her even though it breaks ambessa bc she cares too much about mel or soemthing and jayce and viktor can battle it out gay boi style somewhere else or later interupting the main revolution fight idk im jsut yelling but this whole viktor god thing and robo war and whatever really went so off the rails and out of propoertion i hhhhhhhhhhhhhhhhhhh also vanderwick should get to kill singed)

..........and the line of Vi calling herself the dirt under caitlyns fingernails? ... what a line to end this stupid episode with, what a line, a zaunite calling herself dirt under her noble piltover lovers fingernails

(so ... in the end ... what was 'the arcane'? its not the void? its not jsut magic? its something fucked they created when trying to create magic but ... what was it? what where those creepy crawling things? why does it work like that? taking peoples minds? healing their bodies with metal parts but also hiveminding them? what was the hexcore in the end? what the hell was all that? where did the crystals even come from? skarners lore got erased so not there? did i just forget that? and also mages exist but also seem like a very unknown thing in the show? and then mel just is that? and the black rose? like??? what was the point??? it all just feels so pointless? what was this all for? a cheeasy happy ending where they fuck with time more to fix it all would have been satisfying to me than this ... this nothing)

okay i do have to do a mini (i call it mini now.. this is just letting my feelings about it out, so its spelled agressively bc im just so .. frustrated ... also not hate to the studio or the people working on it .. obviously >_>) rant about arcane-

SPOILERS AHEAD FOR ARCANE SEASON 2

its the most beautiful show ever produced, i mean it, its style, fortiche's (the studio) style, is just .... impossibly pretty, 3d and 2d, the animation is just so GOOD, the designs largely (like 95%) are too, the acting and sound design, the voice acting (at least the english one) is so emotional and good, the show in general is just good ... until the last episode

i have my own problems with riot declaring arcane the new canon out of nowhere and for no good reason since it was, im very sure, never conceived to be that, its a reinterpreation and works best as such, now literally everything is once again completely messed up, no one knows whats real and what isnt, no champion or story is safe, especially with the weird hexcore bullshit potentially erasing the VOID (whish is like ... half on which the canon was built on tbh) AND hextech- multiple champions being impossible to exist now .... but thats not what i wanted to talk about

i was pretty on board with everything the show did, though i wasnt a big fan of the whole hexcore stuff, but it all spiraled so far out of control, it just kept making everything worse, also with bringing in the black rose and leblanc, it kept piling stuff onto the plate despite them already compressing everything so drastically; espeically regarding viktor, but i kept my hope up even after season 2s act 2 bc it still seemed 'fixable', though not easily so

what i liked about it (in its writing) despite its pacing issues was that it was rather .. self contained for the longest time, focused on the characters and the class struggle of piltover and zaun, and doing so rather well imo, like it did and said things i did not expect riot to let through

i was worried with the alternate universe stuff that came with the escalating hexcore bullshit but held onto hope even until episode 8 and then ...man .. the last episode ... the fuck was that- like i hate timetravel and multiverses and whatever but the thing with ekko was done rather neatly ... they made all those chaarcter models and sets just for that short stuff and really .. was of little use other than getting heimerdinger out of the picture as well lmao maybe he will get his own series to advertise for 200 dollar skins in league hahaaaa but i guess the main point was to give ekko the z-drive ... which feels alot like what i feared about them forcing it to comply with the characters in game ,,,, even though that wasnt for everyone like warwick was done SO dirty after giving me hope in act two

everythings focused on the hexcore/arcane shit, theres the black rose shit (honestly i think it was a mistake bringing them in too bc .. noxus is its entire own region with so many champs and story itself that got connected via ambessa .. which was a new character the show made up until they made her a champ now .. its just too much to put into this one show already going at a breakneck pace), mel doing her bit with them then bam she mage now which felt like a champion teaser more than an organic part of the story, especialyl with how hard it got pushed later (poor little riots gotta sell more game cosmetics uwu), jayce just taking over control again and everyone going with it, singed reviving stupid version victor via using vander/warwick WHO WAS STILL ALIVE AFTER ISHA BLEW HERSELF UP TO STOP HIM FROM KILLING EVERYONE (which was ALREADY pretty cheap, but i guess jinx had to be even more suicidal than she already was heehoo), dont even ask me HOW, viktor was just whoops from corpse to im a cocoon now, ambessa being so obsessed with it, the entire class struggle being """"solved"""" by piltover and zaun fighting stupid viktors weird ass robot shitheads together and then acting like giving sevika a seat at the council is the solution to it, half the cast just dying horribly for honestly no reason?? ORIANNA being now i guess some weird viktor robot but without the mindcontrol part and singed just kinda ... winning i guess by giving her cocoon some goo of stupid viktors cocoon

it just all ... turning from this so drama, character and class struggle thing into weird ass dimension hopping magical world war that all gets solved bc we fought together once uwu AND it being a fucking timeloop WITHIN what ONE episode? and that being the ENDING (i know i know the hexcore bs was building up throughout the show but it still felt so .. unearned and sudden ... )

also i got personal gripes with the 'ending' bc .. was it REALLY an ending like they kept saying?? was it?? viktor, jayce, heimerdinger, jinx are just disappeared i guess, mel going back to noxus- the fucking 'our story isnt over' tease???? the last minute appearance of swains fucking raven???? pecking at something blue and shining like idk a hex crystal??? SHUT UP i dont want more to come, this story should have had its self containing ending, not this open ended bullshit that just reeks of corporate meddling bc they want their game to connect to their popular show as much as possible now so we gotta bring in as many teases and connections to other champions YIPPIEEEEE (yelling)

also if jinx is dead, wow, what a way to end her story, the traumatized suicidal character being tortured and tortured especially after seemingly having something good for once (i liked act 2 except for its ending the most bc ... man jinx was so enjoyable there, i loved her dynamic with vi and isha and half wolf vander warwick with the beast and man struggle i love alot, that part was genuinely beautiful, i wasnt a fan of the idea of idk ekko doing time stuff and them having a happy ending bc i just dont like going back in time to fix everything kinda stuff, but i would have much much prefered that, not changing the existing story into the perfect world where everythings happy (though i liked that part ... vander silco being gay husbands like that is just so goood) but to fix what is fixable in the present- them still having gone through alot but being able to live with it, so act 2 setup was honestly my favorite way to not invalidate everything and still have something happy .... but no we gotta kill the kid to make jinx even worse and vander/warwick too while we are at it

if shes not dead (given you see a blimp(?) flying away and her scribbles showing up and caitlyn looking at the blueprints of the hexgates) then ... ??? oh yeah lets make her leave zaun and just idk go be the main character in noxus or soemthing for the next show they are gonna do bc jinx is popular so putting her everywhere is a good idea!!!1!!11

ALSO since vander/warwick is my favorite .. i thought maybe after isha doing that, if they dont reverse it, hed get taken by singed again or ran away and turned fully werewolf like he is in the game (though i would have liked if they were able to be a weird family like in act2)- but no he just gets used as fuel for stupid viktor cocoon and then mind erased and made into the ugliest weird robot thing that looks more like galio than him JUST and i feel like it really is JUST to have Vi at the end do the scene that gets jinx 'killed' .. to lead into the 'more to come' teaser.. idk about you but that scene felt so .. forced, the typical oh no platform is slowly falling down but Vi suddendly gets emotional about weird ugly robot warwick (who conveniently comes back to life as ugly robot beast since his human mind got erased but not the beast??? i guess???) and completely ignores jinx yelling at her to get to safety, it felt so WEIRD to me (if you gotta do him like that at least let Vi listen to jinx, them embracing and then watchign emotionally as robo vanderwick falls into the hexgate thing .. that was still active somehow i guess??)

(poor viktor got done so dirty too .. i liked him .. until it all went weird wit hthe hexcore stuff ....... ..... also jayce weird speech to him .. why the FUCK did you not do that back in the cult camp instead of blasting him to bits, i get it he was fucked up from seeing the future, but then later hes just ... okay???? pretty fine all things considered??? and pretty aware of everything?? also his weird speech being all like vitkor actually you were perfect in your imperfection BITCH HE WAS SLOWLY DYING AN AGONIZING DEATH???? idk ??? it all feels so weird to me, like there episodes literally missing- ambessa dying also felt so unnecessary .. just so mel can take her place and go to noxus and have more shows maybe- )

i just .... and just like how i cant enjoy botw anymore after them fucking it all up with totk ... i dont know if i will rewatch arcane knowing it ends like that, what was that for, the most beautiful show ever made just to do a game of thrones ending in a single episode?

im so tired of it all ..... im so tired of being disappointed and feeling let down over and over no matter with how little expectations i go in with

this willl be the only arcane rant unless theres some .. big stupid reveal that gets me more frustrated than i am now, which i hope there isnt .. im tired of being and feeling like this .. i just want to enjoy things, everythings going to shit IRL and i cant even find something enjoyable to watch

[eltheabberation]

Short little thing I typed up

“What is this?”

Yan turned over the small, see-through bag in his hands, brow furrowed as he looked at the contents.

“It’s a gift,” Houji said. “For Valentine’s Day.”

Yan looked up at him. “Isn’t that a western thing?”

“We have in Japan too.”

“Hm.” He opened the bag and pulled out a piece of chocolate. He glanced back over at Houji, eyes narrowed. “I can’t eat this.”

“It’s traditional.” Houji smiled. Yan muttered something under his breath, then sighed and put the chocolate back.

“Thank you,” he said begrudgingly.

“You have to pay me back next month.”

“Or I could kill you right here and now,” he said. Houji chuckled.

“Oh, could you?”

In response, he brought a hand up to Houji’s head and ruffled his hair. Houji narrowed his eyes.

“You are terrible,” he said, running his fingers through his hair, trying to brush the loose strands back into place.

“I’d have to be” — Yan smiled — “to put up with you.”

Houji paused for a moment. Finally, he pressed a kiss to Yan’s cheek.

“Happy Valentine’s Day,” he said. Yan turned away and closed his eyes.

“Happy Valentine’s Day.”

[haunted-xander]

I shall protect you