#not back from hiatus

[fischerfrey]

*

[tojjist]

NANAMI is 100% a spanker.

He loves your ass. He could just stare at you for hours on end, no matter what you’re wearing at the time. Be it a pencil skirt, yoga pants, sport shorts or a dress. He could just stand there and watch you move, glutes moving up and down, hips swaying. It makes him swoon.

And while he could stand and stare, he’d much rather feel it up against his palm. He’d slap your buttocks once he walks past you, soft and teasing. Depending on your response the situation elevates. 

More times than not you find yourself sprawled out on his lap, his hands colliding with the skin multiple times over until he can feel it get warmer. His ears are immune to your cries,gasping at the force that comes with the loud clapping. Sometimes he’d stop to tease your clit gently, fingertips rubbing the bundle of nerves to hear a soft moan from you or have you tighten your shaking thighs over his palm. But it’s not too long before his hand is swinging in the air and against your reddened ass.

At some other occasions, he finds himself subconsciously feeling your ass in the morning. His large hands explore the soft flesh, squishing it tightly in his palm and giving it light slaps every so often.

GOJO, on the other hand, is a hair puller.

Honestly, there is no specific reason that he likes to pull your hair so much. Mostly he just likes the feeling of your hair filling into his fist, no matter the length of it, locks running between his fingers. It's an oddly satisfying to him .

He’s very random with it, too. Satoru would approach you while doing the dishes, one second his arms are wrapped lovingly around your waist, and the next his hand fists as much as it can of your hair and tugs at it “A-a- ah- Satoru– let go, seriously,” You’d grumble, face scrunched at the suddenness of it. “Mm, Gotta ask nicely, baby,” his hand continues to grab your hair tightly. Judging by the amused smirk on his face, he’s just messing around. Must get a kick out of it.

It’s another reason he loves seeing you on your knees before him. Your mouth consumes so much of his length, hands pumping whatever your mouth couldn’t fit in. All Satoru has to do is sit back, feel good, and pull at your hair. It’s easy control. And Satoru loves this control, as if steering your head however he likes. Not that your skilled mouth needs direction. 

[flexscene]

Shawn Calder (@watchshawnflex)

[ozzyeelz]

A Minecraft phantom design based on stingrays and giant isopods :3

[kokomini9]

many many many a sampo related doodle ft gepard ♥ in love with a fool

[onebadnoodle]

miku 

[ask-p2-germany]

[beetlejuce]

Yeah, I'm caught in the middle! Paramore live in Paris | May 10th, 2024

[birrdify]

oh smg4 fixation how far ive fallen for you ............ hhi smg4 fandom waving nervously

[attleboy]

a little birdy told me these girls won something... gotta celebrate!! a win for them is a win for me!!!! 🥳

[cainternn]

gojo's version

[drac-kool-aid]

Y'know, something that gets me, is that in the book, Dracula's intentional predation of Lucy starts off with an accidental meeting. Sure, Lucy slept walked, and an argument could be made her path might have been supernaturally influenced, but I say she'd already been a known sleep-walker, and she went directly to a place she was familiar with.

Her stumbling onto Dracula's hiding spot in a very vulnerable state was just an accident, and from there, he intentionally set out to harm her, and through that, everyone around her he could get.

This is sort of related to Jonathan, too. Had Mr. Hawkins not come down with a bad case of gout, Jonathan wouldn't have been sent to Castle Dracula in his stead. Sure, Dracula probably would have had his fun with Hawkins before inevitably killing him, but I doubt he would have drawn it out so long or taken so much delight.

Dracula never sets out with a master-plan to attack Lucy or Jonathan. They just end up in his path and spark his interest. We know that if he isn't interested in you, he'll kill you. He'll, he breaks Mr. Swales neck doesn't even bite him. But the two victims he decides he's going to make suffer the longest he possibly can, he just stumbles upon and goes "oh this will be fun". Later, we see him start choosing victims as a way to retaliate, but for the two inciting incident victims upon which the rest of the story hangs...its just wrong place wrong time.

The reason this struck me is that I was misremembering. For some reason, which I now believe due to thinking about the *through gritted teeth* Coppola film, is that Lucy is sort of hand-picked by Dracula to be his victim. And yeah, the fucking film ain't subtle in its blaming of Lucy's victimization on the fact that she was Too Pretty and Too Flirtatious and Dracula psychically drew her into the garden in a flowing diaphanous dress, but it's really her fault....I hate this movie.

Like, i just read the films Wikipedia plot synopsis, Dracula "psychically seduces" Lucy before biting her. He chooses her out of everyone in England deliberately.

And just...no. That's not what happens. Lucy got so stressed from her wedding that her latent sleep walking started again. Mina gets so tired from the constant stress she falls asleep without meaning to. Lucy went to their favorite spot...Dracula just happened to be there and took advantage and both Lucy and Mina weren't floating along softly into a garden with a fan letting their hair blow, but cold, scared, and covered in mud and blood, and forced to sneak back to the house that way, facing not only the supernatural but the very ordinary horrors of being caught outside at night by a strange man.

Idk. The tragedy is that Dracula didn't set out to fuck with these people. It's just that they were the ones who crossed his path that he took an interest in, and he decided to draw it out as long as possible.

(Oh fuck, this is the crew of the Demeter too. It isn't like Draculas got some big plan. He just decides he's going to play with his food. Had he boarded any other ship it would have ended up the same way.)

I guess in conclusion, I find it odd that adaptions seem to need to find a reason for him doing what he does. Like, Coppola has to conjure up a whole reincarnation backstory at one point, but I don't understand why!! Let Dracula just be an opportunist, his casual cruelty knowing no reason. That makes him scarier.

[s0upjuice]

felt like drawing some very cool guys

(in order) these ocs belong to: @aimer-arts, @teeterarting, @teshamerkel, and @azurityarts

[ruporas]

can’t talk about it

[ID: Black and white comic of Vash and Wolfwood from Trigun Maximum. The comic starts with the sounds "thud, thud, click". Vash, mid-action of peeling an apple, turns to the sound, noticing who it was that entered, and says, "Oh, Wolfwood, you're back." He resumes back to his apple in the next panel as he speaks, "Where'd you go? You snuck out of bed quickly this morning..." Wolfwood's hand then enters the panel, hovering over Vash's cheek and Vash looks up as Wolfwood asks, "Can I?" Vash responds, "Not going to talk about it?" while using a hand to gently hold Wolfwood's hovering hand and presses a kiss to his inner palm.

Vash then gets up fully, setting down the knife down on the table and the apple onto a plate, He leans into Wolfwood as Wolfwood explains, "Had to meet someone. Nothing interesting to talk about." Vash kisses Wolfwood's left cheek and a hand moves to cup his other cheek while muttering, "You're being vague." Wolfwood says neutrally, "If yer really that curious, keep askin'. We  can talk about that instead of doing this." Vash leans back and responds, "Let's talk after, since... You look so tired."

The panel pans to a close up of Wolfwood's downcast eyes, bags heavy underneath his eyes. He doesn't allow Vash to sit in that moment for long though, then saying, "Yer not helping, Spikey. Being all slow with it... I could fall asleep right now." He moves his hand to start unclasping Vash's coat, starting from his collar. Vash with red cheeks, responds briskly, "Oh, shut up. I'm worried about you. I can't be worried?"

The final shot shows Wolfwood's back to the viewer while Vash's softened expression can be seen as he holds gently onto the side of Wolfwood's face and a hand firm on his waist. Wolfwood responds, "I'm fine, seriously," pausing for a moment before continuing, "Is it okay to still..?" Vash responds, "Yeah, it's okay."

The next image is a shot from later that night after the previous comic. Vash and Wolfwood are now in bed, half naked. Wolfwood's buries his face into Vash's chest, his arms wrapped around him, while Vash is petting at his hair. Vash reminds him, "Hey. You said we'd talk about it." Wolfwood pauses for a moment before piping up, "In the morning? I'm sleepy." Vash says, "Okay..."

The next two pages start from the morning after. Wolfwood is already fully awake, pulling on his outer jacket as he says to Vash, whos' still bundled in his blankets, "Breakfast is on the table. Make sure to eat it. I'm going to grab some things in town and then we're leavin'. Got it?" Vash says, "Mh." Wolfwood responds, "Good. See ya in a bit." The dialogue starts to shift into Vash's inner thoughts now, as he gets up and eats toast, thinking, "Wait. Weren't we supposed to... talk about it?" The next shot then shows him fully up, meeting Wolfwood in town. He carries a half worried expression with him while Wolfwood slides on his glasses for him. A quick panel shows Wolfwood's tired expression from the night before and quickly juxtaposes with Wolfwood in front of him who's smiling gently, the shades covering his eye bags. Wolfwood asks him, "Still not awake yet?" Vash pauses, his thoughts stirring, thinking, "Oh. I guess I was getting ahead of myself... thinking you owe me that kind of honesty." He smiles at Wolfwood and responds, "I'm awake!" His thoughts continue, "Maybe one day, you'd trust me enough to share your burdens."

The final image shows Wolfwood pulling at Vash's cheek and Vash complains, "Owwwww why..." Wolfwood quickly says, "You were thinking something stupid, right? It's all over yer face." Vash mutters, "Nooo, I wasn't..." END ID]

[ahiz]

✧˚ · .

[mjulmjul]