#not an original sentiment by any means

[bearsizedant]

anyway its been a minute since i finished it and i do wanna replay just to fully solidify my stance here but anyway the Official Bearsizedant Opinion on veilguard:

great video game. incredibly and astoundingly mid dragon age game.

[vimbry]

"nanobots" the song is this deconstructed view of child development and parenthood where it's like, 'wow have you ever thought about how weird producing offspring is. like, it's weird, right! we make these little people and they quickly grow into their own individual personalities with their own lives and autonomy and I've lost all authority and there's so many and you've gotta be responsible for them all the time, what did I do !!!'

but as well as approaching it with this slightly overwhelmed perspective, there's a sort of affectionate optimism in there, too. that even tho the concept's intimidating, there's a sense of wonder in how humans develop and raising them and watching them grow up. hey this kid thing's fun actually, yeah I wish they'd leave me alone sometimes, but look at how cute and resilient they are look at what they can do. and then "replicant" is like jesus parenting a teenager is hard.

[daisywords]

you can talk about the ethics and stuff all day long but at the end of the day getting mad about language change is just unproductive. you can't put that word back where it came from. we are all being swept along in the tide whether you like it or not. might as well direct that energy somewhere more fruitful

[rainingincale]

.

[m0e-ru]

annual realization where this gas station’s operations and my life owe it all to visualive i’m serious

[23sanguinity]

Twitter is WILD someone said in response to Joey Graceffas skin cancer diagnosis, “double it and give it Noah schnapp” and someone said “nah Joey is also kinda weird” now idk if Joey graceffa has been involved in any dramas but this person clarified that their only problem with him was that he was “kinda weird” which is so crazy you know Noah schnapp supports Isreal…,

[switchbladexsaintx]

Why do mcr the used fob and lsdunes girlys have to fight. We Should be holding hands and going to hot topic together.

[ohnoitstbskyen]

re: Somerton

Not for nothing, but I think we should remember that James Somerton's fans and subscribers are normal people, just like you. They are people who received his output in good faith, and extended to him a normal amount of grace and benefit of the doubt, which he took advantage of.

I don't think it's helpful to respond to the exposé on Somerton with sentiments along the lines of "wow, how could anyone ever think THIS GUY'S videos were any good, ha ha ha, how did he ever get subscribers?" because 1) you have the substantial benefit of hindsight and a disengaged outsider perspective, and 2) it's a rhetoric that creates a divide between you (refined, savvy, smart, sophisticated) and Somerton's audience (gullible, unrefined, easily taken advantage of, terrible taste), which is a false divide, with a false sense of security.

Somerton's success happened because he stole good writing. He found interesting, insightful, in-depth work done by other people, applied the one skill he actually has which is marketing, and re-packaged it as his own. He targeted a market which is starving for the exact kind of writing he was stealing, and pushed his audience to disengage from sources that conflicted with him.

Hbomberguy makes this point in his exposé video: good queer writing is hard to find and incredibly easy to lose. The writers Somerton stole from were often poor or precarious, writing freelance work for small circles under shitty conditions, without the means or the reach or the privileges necessary to find bigger markets. And, as Hbomb demonstrated, when people did discover Somerton's plagiarism, he used his substantial audience to hound them away and dissuade anyone else from trying to hold him accountable.

He stole queer writing by marginalized people, about experiences and perspectives that people are desperate to hear more about, and even if his delivery and aesthetics were naff, his words resonated with people because the original writers who actually wrote them poured their goddamn hearts and souls into it.

Somerton also maintained a consistent narrative of persecution and marginalization about himself. He took the plain truth, which is that queer people and perspectives are discriminated against, and worked that into a story about himself as a lone, brave truth-teller, daring to voice an authentic queer perspective, constantly beset by bigots and adversaries who sought to tear him down. As @aranock, who works with some of the people he targeted, writes in this post, Somerton weaponized whatever casual bias and bigotry he could find in his audience to reinforce his me vs them narrative (usually misogyny and various forms of transphobia), which is what grifters do. They find a vulnerable thread in a community and pull on it. And while you may not have the particular vulnerability that he exploited, you do have vulnerabilities, and they can be exploited too.

People felt compelled to support him, even if his work was sometimes shoddy, because he presented himself as a vulnerable, marginalized person in need of help, he pulled on that vulnerable thread.

Again, he has a degree in marketing, and just like propaganda, nobody is immune to marketing.

YouTube as a system is set up to push for more, constantly more. More content, more videos, more output, more more more more, and part of Somerton and Illuminaughty's success was their ability to push out large amounts of content to the hungry algorithm, even if it was of inferior quality. The algorithm rewarded their volume of output with more eyeballs and attention, and therefore more opportunities to find people who were vulnerable to their grift.

It is a system which quite literally rewards the exact kind of plagiarism that they do, because watch-time and engagement are easily measurable metrics for a corporation, and academic rigor is not. There is pressure to deliver, and a lot of rewards to gain from cutting corners to do it.

Somerton and Illuminaughty and Internet Historian are extreme and very obvious cases, so blatant that you can make a four hour video essay exposing what they've done, but the vast majority of this kind of plagiarism isn't going to be obvious - sometimes it might not even be obvious to the people who are doing it. Casual plagiarism is endemic to the modern internet, and most people don't get educated on what the exact boundaries are between proper sourcing and quoting vs plagiarizing. We had an entire course module at my university aimed at teaching students the exact differences and definitions, and people still made good faith mistakes in their essays and papers that they had to learn to correct during their education.

All of this to say: it is extremely easy in hindsight to call Somerton's work shitty and shoddy, his aesthetics flat and uninspired, and to imagine that as a sophisticated person with good taste and critical faculties, you would never be taken in by this kind of grifter. It is extremely easy to distance yourself from the people he preyed on, and imagine that you will never have to worry about your fave doing your dirty like that.

But part of the point of Hbomberguy's video is that plagiarism is extremely easy to get away with, and often difficult for the average person to spot and call out, and with the rise of AI tools blurring the lines even further, it is not going to get any easier.

So I think we should resist the temptation to think of Somerton's audience as people with bad taste and poor faculties. We should resist the temptation to distance ourselves from the perfectly normal people he preyed on. Many times in your life, a modestly clever man with a marketing degree has fooled you too.

On a personal note, by the same token, I am resisting the temptation to assume that I am too good to be vulnerable to the systemic pressures that produced Somerton and Illuminaughty. No, I've never made a video by word-for-word reciting someone else's work, but I know for a fact that I could do a better job of double-checking my work and citing my sources. I feel the exact same pressure to get a video out as fast as possible, I have the exact same rewards dangled in front of me by YouTube as a platform, and I can't pretend it doesn't affect my work. To me, Hbomb's video felt like a wake-up call to do better.

[prettyboykatsuki]

— ❈ YOU'RE SO PRETTY, BABY.

▸ prompt ; companions and their responses to being called pretty boy / pretty girl.

▸ a/n ; bit of a generic post im sorry forreal. while i was originally just going to write this for astarion i had ideas for. all the other companions.

most of the characters have a reader w a specific class or background, all varied! also spoilers for gale, shadowheart, karlach, and lae'zel.

reader / tav is always gender neutral!

▸ wc ; about 4.5k, about 700+ words per companion.

ft. astarion, wyll, gale, shadowheart, karlach, lae'zel

no minthara or halsin bc i could not bring myself to write it. but maybe later if enough people ask lol.

❈ ASTARION ;

Astarion tries his very best to find your affection for him trite, even when he knows it doesn't feel that way. It's an instinct for him, one you'll simply have to make peace with you if you're really planning on tailing him to the end of the world.

Truth be told though, he likes your generally affectionate nature. He hasn't reached a point he can admit this so openly, but the comfortable and easy way you reach for him is nice. He likes how your hands seem to stretch for him, the way you cling to his spine when you sleep in his tent and the likes.

And while he is not stranger to hypocrisy, he thinks it'd be amiss to try and bar you from calling him any pet names when he calls you so many. He's got quite a few handy. Darling is a favorite, followed by dear, and sometimes my love when he can muster up the courage to mean it instead of saying it like he's trying to perform.

You like to call Astarion by his name though, most often. He isn't exactly sure why you're so fond of it, and truthfully he's done little to consider his own name. You say it wonderfully though, tasteful and loving and soft.

Sometimes you gasp it in offense or horror or shock, other times in pleasure. Sometimes you whimper it in your sleep, groping around until your hands fist in the material of his shirt and you drag him back to you.

In any case, he's used to hearing his name. So hearing you utter the words pretty boy to him, he can't help but be a little shocked.

You're a little tipsy. A hard, arduous journey of fighting githyanki soldiers has taken a terrible toll on your normal inhibitions. You're quite flushed while you're drunk, and all the same sitting in his lap like you've not a care in the world.

Astarion doesn't mind holding you. In fact, he's thinking of all the terribly teasing things he can say to you come morning. So far, you've done nothing but mumble. It's a sudden movement, your hands clasped around his face.

"Feeling forward are we darling?" He says, like second nature. It's so reactionary it's banal, though he does have some enthusiasm since the flirtation is directed at you. Instead of your usual giggling, you stare at him with your lips parted.

"I suppose I am pretty boy," You reply, a completely foreign confidence in your voice that stops him dead in his tracks. Underneath the thick layer of flirtation is sincerity so unmistakable it almost proves to be too much "Could I ask you to keep me company?"

Astarion is, eternally grateful about the fact you don't get much more than that out of you. He spends the entire night thinking about it. You're certainly not the first to call him pretty, and that particular phrasing has been thrown to him more than once.

Yet it rings a little differently. The way you said it so tenderly, your hands stroking the nape of his neck and cupping his face. Well, it's not nothing. He can't decide if he hates it or not until the next morning comes.

Your eyes flutter open as light pours through the open part of his tent. You reach over to him with a deep sigh, engaging in some quiet morning affection when you repeat yesterdays sentiment.

"Good morning, my very pretty boy," You say - and this time Astarion is sure whatever he is feeling he has not ever felt previously "Sorry for the antics last night."

"So your memory hasn't failed you. Good to know." Astarion says back. You laugh lightly. "Your charming little pet name worried me quite a bit."

"Nothing to worry about my love." You say, warm and nuzzling into his neck likely to cool yourself from over-heating "I really do find you very pretty."

He can't help the feeling that floods his sense. He likes it even though he feels a little clingy, but perhaps there's no need to admit that.

"Oh, really, darling? How sweet you are. Tell me again, then. Just for kicks this time."

❈ WYLL ;

it's a matter of getting used to it for Wyll.

For the first month of your adventuring together, pretty boy, had been a somewhat condescending substitute for his name. Among other ones, like daddy's boy and prince. None of the pet names held any real affection.

You liked getting under his skin, after all.

You didn't get on at first, not for a long while. You're a rogue, a ratty street urchin turned mercenary who'd spent your youth climbing through the soil and mud of the Lower City's underbelly. Your words verbatim, not his. At first, your resentment for him caught him off guard, especially because Wyll prefers to keep the peace and get along with everyone. But, he had a difficult time understanding you, even with his people skills

Eventually it clicked that your resentment was less towards him, and more towards what he represents. You're a Baldurian, but one abandoned by the city and it's people. What else could the Ravengards represent if not the future you never had a chance to look towards.

It was easier after that. And Wyll had promised to himself to observe you closer. In that, he found to like you a great deal.

He's fond of pet names in general, but more fond of you lately. At the beginning of your adventure, it was a little difficult to get accustomed to your... roughness. You lack delicacy, but you're not exactly silver tongued.

Yet, you're not as cruel as you make yourself out to be. Contrarily, while you've traveled together, Wyll bore witness to only gentleness. Nothing more. The words you spoke about only doing things for coin had been clearly disproved by your countless acts of charity. Especially gentle and kind to children, and especially unforgiving to the rich and unhelpful.

Once he got used to it, there was something kind of...sweet about it. To see you say one thing and do another had it's own novelty that Wyll grew fond of you.

It was the night of tiefling party that roused his feelings. That night, he'd watched you play with the tiefling children all night, teaching them tricks of the trade.

And you'd started falling for him, too, judging by the way your usual snark was nowhere to be found.

Especially vivid is the change in your tone when you call him the same way you did before.

"We'll take a short rest for you, pretty boy." Your voice murmurs, looking carefully over his wounds while place down your own weapons "Get your spells back. Organize our things in the mean time."

He gives you look, examining your own worry before his smile stretches into one of fondness. It doesn't bother him at all, not anymore. No, lately - it sounds rather fond, and each time Wyll hears it, it does something for ego.

"No need for the concern, though I am appreciative," He says, not bothering to mask the smug quality in his voice at your change. He delights in it a little, admittedly . "I'll be alright soon enough."

You don't seem to notice, too busy wiping your blade of fresh blood, metal shiny as moonlight. "And there's no need for your heroism, Blade of Frontiers. Have some discernment about time and place."

You look up at him with your brows furrowed, and Wyll can barely help himself. "Are you worried I'll lose what's left in my appearances? I'm just telling you there's no need to trouble yourself over it."

It takes you a while to register to his words, but when it finally does - your eyes blow wide. The look of embarrassment on your face is well worth it.

"I thought you hated when I called you that." You say coolly.

"It's not so bad," He says back tenderly, staring at you "At least not anymore."

You pout a little. Wyll fights some unspoken urge to kiss you. A little longer.

"I prefer when you're acting oblivious,"

"Sorry to disappoint."

He lets his head lay on the wall behind him - reaching a hand for yours instead, trying to rest up as promised. He sees you smiling from the corner of his eye and affirms it to himself. You squeeze, soft, but otherwise say nothing about it.

Yes, lately, nothing you say could get under his skin. Even when you so obviously try.

❈ GALE ;

Gale is always the poet, never the muse.

He thought highly of his relationship with Mystra, and in many ways still does. He loved her. This much is true. He can't say for any certainty if she had loved him just as much, or at all. He wasn't the first mortal, and would hardly be the last.

But he loved her, enough to write about her and wax poetic about all that he'd lost.

When Gale examines any of his past relationship, he realizes this is some kind of pattern. Gale is good at being loving, but he does not know for certain if any of them loved him back. Or if he was loved in the way he loves - if it was anything near close. Gale had thought, at one point, it was just matter of destiny. Gale is after all, a man who bleeds with all he has.

He can't blame anyone for loving him less than when he is categorically too much. He thought that way for a long time, destined himself to never find love again or beg for Mystra's forgiveness for some new found purpose.

When you came into his life, he hadn't been sure what would come of your relationship. Certainly a brain parasite would make camp a difficult place for romance, but the two of you managed against all odds. Among all the things that Gale finds astonishing about your relationship - it's your affection for him that catches him the most off-guard.

It's a little sad, he can admit. But it's true. When you speak to Gale, your voice is always soft. It's never demanding. Before, always, there had been some kind of expectation. Gale had to be a certain way, to pour himself into someone else for the sake of it being returned.He loved. Surely he loved.

But now, lately, you love him back. Overwhelmingly. The easiness of your love makes him feel a little... spoiled. Which is embarrassing, at the stage of life he's in. He finds the whole thing tips him over the edge. The heat creeping up his neck every time he remembers. Your hand brushing against the back of his neck, cupping his face so gently.

Gale, perhaps unsurprisingly, is fond of your various pet names. All of them sound good. Make him feel important and desired. You like to call him a bookworm, sometimes you call him baby (which he really likes much more than he is ever willing to admit), and other times you settle on saying my love.

Pretty boy is new. Pretty boy is different, and makes heat crawl up the back of Gale's neck like a smitten school boy.

It has a special effect on Gale.

In between classes, spoken with your hands cupping his face as he leans on his desk. The sunlight is pouring through the large paneled windows, casting a warmth on your expression. Gale is sat on his desk, making you eye-level.

"I'm glad you've come to see me," Gale says to you first, breaking a period of comfortable silence. You're a busy person, given all the heroics. Gale finds it troublesome, despite the fact you've moved with him to Waterdeep. Your reputation precedes you "It's been ages,"

"Of course I'd come to see you, pretty boy," You hum, thumb brushing under his cheek - carefully drawing a line "You're very healing to look at."

The effect is rather immediate. As soon as the words leave your lips, spoken to him so lovingly - he unlocks a part of himself he always seems to forget about. Forgets himself in a fundamental way, the flurry of heat and euphoric sensation of adoration washing over him like water.

He gives you a look, and you laugh - pressing your thumb to his lower lip as you lean in for a kiss. "Stop pouting, will you?"

"I'm doing nothing of the sort," He insists, kissing you despite him. You laugh into, warm and bubbly. For a minute, he remembers all he might've lost had he done what Mystra told him.

He's glad he's alive. To feel you.

"You very much are," You reply back, once you've managed to pull away from each other "Don't be so surprised. You've always been very pretty to me."

He blushes again, deeper, and closes his eyes.

❈ SHADOWHEART ;

You don't often communicate your feelings to Shadowheart through words.

You're something of a stoic. Of the few people in Shadowheart's past who remain by her side, many of them communicate about how surprised they are about your partnership. Shadowheart is known to be a little snarky, witty. She used to be very prickly, at the start of your adventure together - so everyone questions how you were able to win her heart.

Truthfully, Shadowheart didn't know what to make of your personality at first. There's a silence to you. Maybe she should expect this of paladin so loyal. A Paladin of Torm, the unswerving enemy of injustice and corruption. You've always been a devout person, putting action and justice over everything. She hated it at first, a natural response for a Sharran, she figures.

Once she'd left it all behind, she could no longer use it as an excuse.

Truth be told, Shadowheart had always liked that aspect of you. Your devotion spoke to something greater than your oath or even your god. You had simply believed in the world, and inadvertently in her. You saved her from herself, her parents from her fate, and then some.

Your devotion to her as a lover isn't something so different. She often thinks you would swear yourself to her if you could. For Shadowheart, your affection is akin to worship. Every morning, the animals are tended and the flower bed is damp. You wake her mother up without a start, remind her of where she is without making her feel ashamed. You're good to her father, talk to him of worldly politics at the dinner table.

She has no complaints to make about you. Your love for her is tangible, something she can reach out and touch with her fingers.

She's unused to hearing your affections, though. Unused to hearing the words.

You lay together in the darkness. You're alone tonight, the entire cabin empty. Her mother and father have gone together on an outing together, after you accompanied them into the city. You've finally returned, put the horses up in the stable, and have to come to her side.

Shadowheart likes to lay in your arms. She lets herself curl into your weight, inhales the scent of your skin - earthy and rich as you let your arm fold around her waist. She lays ontop of you today, her whole body on yours like a blanket.

She looks up at you, her her tied loosely. She can practically feel how glowy her own expression is as she examines you - sees her reflection in your irises.

You let your hand lay over her back, reaching up underneath her nightwear to lay touch her skin. She gives you a look - her smile small, sincere. Your own expression is tired from travel, but fond. You insisted on taking her parents instead of letting them go alone.

She loves you more than she cares to admit.

"You're staring." She comments blithely "See something you like?"

Normally you'd flush a little at this, silent as you kiss her forehead or cheek. This time though, you use your fingers to brush the stray hairs from her face and nod.

"Yes, pretty girl," You hum, nonchalantly. Sagely. "I really do,"

She's so caught off guard, she can't help but gape. She lifts herself slightly to stare at you in shock.

"I've never heard you talk like that. Not once while we've been together. I mean.. you've called me beautiful but," Shadowheart stumbles, a fluttery feeling in her stomach she'd rather ignore "But it's never like that,"

"I think it more often that I say it,"

"And you always think to call me that?"

"Like I said, often," You look over he carefully, before your lips pull into an easy smile "You're pretty to the point I want to tell you all the time,"

Shadowheart is scarcely embarrassed by anything. She's a practiced woman at this point in her life. It's almost juvenile the way the words effect her. It's you saying it that makes all the difference. The way you've said it that makes her squirm. She lets out a little puff of air, silent as you laugh.

"Pretty girl," You repeat, warm and gentle and laced with exhaustion "You're the most beautiful girl I've ever met."

Shadowheart tucks her face into your neck, voice as soft a murmur as the sound of her own heart rings in her ears.

"Don't make a habit of talking like that," She huffs "I already know, but I suppose it doesn't hurt to hear."

You smile brightly. "I'm glad,"

❈ KARLACH ;

Karlach adores you, utterly and completely.

She's a little caught off-guard by it. Just when she'd convinced herself she couldn't love you more, you surprise her all over again. She'd probably harbored some sort of affection for you from the start of your adventure together, when you'd gone to bat for her and make sure Wyll didn't take her head as a trophy.

Since then, though - on your journey together, she'd taken careful notice of you. And gods, she likes you. You're very different she must admit. Where Karlach is strong and fiery, you're cool and calculated. She figured that's just what magic users are like, but Gale is pretty keen on correcting this assumption. You're a sorcerer, specifically, means the whole magic thing is in your composition and not your study.

Which explained why your head isn't the books like their local wizard. She does find you to be rather charming. You're good at talking your way in and out of almost everything, and you can outwit even the cleverest people on camp. You'd think it'd make you... annoying. Or cruel. And sure, you're a little calculating - but mostly, you're sweet.

Karlach's really never met anyone like you before. Her companionship is a little limited because before the Blood Wars, she was a rag-tag kid in the street of the city. But you grew up in a noble house, learned to charm and finesse your way through everything. You know how to read situations before they've even happened.

And you always explain them to her afterwards.

You make Karlach nervous, strangely. Which is wild! When it comes to socializing, she can get along with almost anyone. You though, you always see right through her. You know when she's using her own personality as a shield, and you always know just when to intervene. Or when to say nothing, and just let her sit with you.

The day she blew up at you, after defeating Gortash - you'd handled it better than she could've hoped. You were comforting, and kind, and let her feel it out without making her feel bad. With you, she felt hopeful despite knowing that the end was probably going to come for her eventually.

With you, she thinks she could endure even the end of the world.

You're in the city now, no longer sleeping in the woods. When everyone else has gone to bed, Karlach finds you in the study, a room attached to the main living quarters.

She knocks before entering. Your voice is soft as you tell her to come in. Dressed in your comfy night clothes, your hair damp from washing up. You're bent over the desk with a furrow in your brow that Karlach finds sweet.

"Hey, baby," She asks, her heart thumping soft "Hope I'm not disturbin' your research."

"Of course not," You reply back, encouraging her towards you "I'm actually due a break."

Wordlessly, you sit up from your chair, pointing for Karlach to sit. She follows through, a little confused as to what you're doing before you plop yourself back into her lap. She throws her head back in laughter.

"Don't know what I was expecting there," She giggles, arm curling around your waist "All cozy?"

"Mm," You melt yourself into her embrace, turning to look at her. Your eyes are soft, free hand cupping her face "I'm cozy. What's keeping you up, pretty girl?"

The words catch her off guard completely, her engine flaring from the heat.

"Shit, what's with that?" She glances down at you, smiling like the cheeky fucker you are "I can't get any redder, you know? It's making my engine burn."

"You like it, no?" Your voice is smooth, smug in a way that gets her hot "My pretty girl,"

Karlach stares at you as you say it. Traces the curve of your lips, the slight arch of your brow. Asses the weight and warmth of you as you lay your legs over her lap and feels her body start to react. She didn't think it was possible to feel so complete by someone, even among the impending doom at the end of the world.

With you it fades away to nothing. Permission to want freely, she had no idea she had wanted that so bad. She had no idea she could want more when you'd already given her so much.

It's nice to be greedy. A little greed is fine, after everything.

"If you keep talking to me like that, we're going to do a lot more than just sitting, you know?" She tells you seriously.

You smile and laugh but don't deny her "Only if you say please,"

❈ LAE'ZEL ;

The Githyanki do not fall in love.

It's a fact of the culture, a mark of their honor. Love is for the soft, tender fleshed species of the material planes. It does not suit warriors, not the ruthless githyanki who spend their entire lives training the sword and learning magic. Love had always been a flimsy concept to Lae'zel. To the point she'd never thought about it or cared too. For the gith, there is only pleasure and carnal desire. The foolishness of longing can only be harbored in the lesser existence of the outer-world. The world outside of her creche.

For a long time, this was true for Lae'zel. She had never intended her time in the material plane to weaken her in the ways in which it did. Or that the experience of a ghaik parasite trapped behind her eyes would will her into cooperation with lesser beings. In many ways egregious, unfathomable. In trying to rid herself of one parasite, she'd found herself another one - more intolerable and more consuming than the first.

You. What a foreign and remarkable bond. From the beginning she had told you the truth, that the gith do not love and she would not be able to love you. Though she could admit passion, admit admiration for your courage, admit possession - she could not admit love. She knew nothing of it.

Over the course of your journey, you'd managed to prove her wrong. Slowly stripped bare of the identity she'd made her life around, you stripped Lae'zel down to her soul. Her most honored solider, and most formidable ally. When the time came, you'd told her to do what she must, to liberate her people. That you'd be there when she returned.

That you'd wait for her.

Months apart with few visits in between meant that each time Lae'zel sees you must make every minute count. Enjoying your body and indulging in carnal pleasures is only so much of that. What Lae'zel looks forward too most, she must admit, is the gentleness of your touch whenever she comes back to Fae'run.

Soft warm whispers among the indulgent plush of bed sheets and candles. A room that smells like lavender and oak, prayer books and scripture littered on the desk. A cleric of Bahamut, and a soul strong as steel.

But this, her head resting in your lap as you stroke her hair so carefully, is what she's missed most of all. No doubt she's going soft.

"Chk. You are smitten by the text in front of you as if you have forgotten of my return,"

You look down at Lae-zel with a laugh, carefully placing said book down on the bedside table. The voice you speak with her is different from her own. Tender fleshed even in your speech, you let her curl herself into you.

A vulnerable position, open to whatever may come.

"I'm sorry, pretty girl," You hum. The words practically startle her "I don't mean to neglect you. It was an interesting passage."

"Pretty...It is true among the githyanki, I am among the finest of their ranks," She replies, turning herself towards you - getting comfortable "Yet still, something stirs."

"Are you embarrassed?" You reply, delighted as her frown deepens. Before she has a chance to argue with you, you lean down to press your lips against hers briefly "How sweet of you."

"I do not get embarrassed," She insists, scowling as you begin to giggle at her "It was merely unexpected."

"You're beautiful to me, Lae'zel." You hum, stroking her cheek gently as she continues to lay herself across. Your eyes are tender and lidded. That look of obsession she recalled from the months prior returned in full, and no longer hidden. Unlike your other mortal companions, or the pale elf - there is nothing hidden in your words. No agenda "More beautiful than anyone else. At least to me. Getting to look at you so closely is a gift."

She softens, her hand gripping yours resting on her chest

"When it is over," She says seriously, a solemness to her voice "I will return to you. This I swear. Without you, the liberation of my people would be no less then a dream,"

You return her smile in kind.

"My pretty, wonderful girl," You hum. She loves you. She thinks she understands it now "I know you'll return to me, nailo. You always keep your promises."

"Yes," She says, an unfamiliar emotion overwhelming her "I will not forsake all we have promised."

The affection in your voice shakes Lae'zel to her core. Initial abrasion fades only into warmth. It's not so bad to hear, even if it is tender fleshed.

▸ a/n ; the word reader uses for lae'zel is elvish for swift winds!! reader is meant to be sort of a book worm so you do not need to picture them as a elf and more of a linguist.

this is the most substantial thing i've written in the last few weeks so commentary is very appreciated. i'd be willing to do a minthara and halsin addition to this eventually if anyone is interested!!

anyways, baldurs gate companions i love u. reblogs so appreciated !

[ravengards-rogue]

i thought of you so often.

arthur morgan x reader.

✧ tags : fem!reader (gendered language, explicit use of she/her in reference to reader), children / planning on children, generally sappiness, fluff, au where nothing bad happens to arthur hdskjsdkfhsj.

✧ wc : 2.4k (???)

✧ a/n : arthur morgan.... save me arthur morgan....also not a super original thought but i can't Stop thinking about it.

✧ synopsis : a collection of love letters, all unfinished, tucked somewhere you aren't meant to find them. oh, arthur loves you more than you knew.

.𖥔 ݁ ˖˚☽˚｡⋆

You try to keep out of Arthur's belongings.

He's owed some privacy, for one. More than that, you've never felt any reason to look into it. Arthur isn't a man of many words, though you catch moments of his introspection should you pry. He isn't stoic, neither. And above all things, he's kind. Really truly kind in a way that makes him different from other men.

You don't have any complaints about him is what you mean. Unlike the men you've loved before, there are no short-comings of Arthur that would drive you to wanting to investigate his own personal things. Especially something so personal like his journals, prior or present.

On top of that, you were there with him through everything. You were part of the gang and stayed by him when it all fell apart. It was towards the end of that that Arthur came to you near frenzied, told you his plans, his thoughts. Confided in you and no less than begged to go with him where he ran.

You loved Arthur enough to stay, and so things ended - and you ran. There isn't much his journal could tell that you couldn't surmise on your own.

It's been years now, and you've long since left that life. You live with Arthur quietly, peaceful in the moments with a garden and kitty sweet as sugar.

It's a good life. An honest, quiet one sometimes to the point of being boring. You rarely miss the action, though occasionally you'll take up a bounty just to feel alive and make some money.

Mostly though, you live as unassuming folk. No bloodshed, no wardens, no gunslinging.

Been talk between you both about having a baby, recently. Serious talk. You've made some money between here and there, and you've got a good life. You've traveled too. But it gets a little lonely, and you don't really get your fill with just Jack when John and Abi are ways away.

Before anything like that, though - you need to clear some space. Empty out some belongings and things collecting dust. Living in one place for too long creates all sorts of mess, you find. When Arthur is home to help, he does - but he's been busy lately figuring something out with Charles. Some business venture related to ranching that you know nothing about so far. They'll tell you when its ready.

Usually when you're tidying, you keep to just your things, or your shared things - but Arthur has lived more life than you. It shows in that big closet space filled with nick-knacks he has yet to toss.

You'd mentioned it to him not too long ago and he'd given you permission to go through them.

(A kiss to your forehead from chapped lips and hands holding your waist, Arthur hums in acknowledgement as you ask his permission.

"Ain't nothing I gotta hide from you. Do whatever you need.)

But like you said - you try to keep your nose out of his business if it's not necessary for you to be in it in anyway.

You weren't trying to look through his things, really. You started cleaning, worked your way to that last box. Up on a shelf in his closet, a little too high for you to reach easily. You made a misstep and dropped the damn thing. It barely missed your head as the whole thing fell open, and out came journals and papers and photographs.

You've always known Arthur to be sentimental, so none of it has been particularly surprising. A photo of wolves and him on a horse, the picture from John and Abigail's engagement. Some other scraps of sentimental value.

And then there was a journal. Not Arthur's journal that he's always using, but another you've never seen before. You know Arthur journals, seen the thing plenty though you never look unless he shows you first.

A journal with a dark brown stained leather binding, fallen open and your name scrawled out in pencil lead at the top of it.

The curiosity got the better of you, okay? Not your damn fault.

So you're thinking on it.

The fabric of your skirt is pooled out underneath you as you hold the thing in your hands, sitting down on the ground surrounded by things. You've stowed away everything else that fell out from the box after ensuring it was intact, including Arthur's journals. Everything with the exception of the one you're holding.

Some guilt eats at you. You don't wanna upset him potentially by having looked. Even if he gave you permission, looking in the damn thing is a little different. But your name was there so clearly, and well - you didn't think he wrote about you. Apart from here and there, maybe.

You hold the book out in front of you with a sigh, looking fondly at his name ingrained in the leather. You press your forehead against it with, resigning yourself completely.

"Lord forgive my pryin'," You mumble, hoping it's enough to absolve you.

Your heart feels funny as you let your fingers trace over the hard edge of the front cover, one eye shut as you start to open it slow.

The first few pages are nothing special.

A page outlining who the journal belongs to and when it was started, and some doodles of yarrow and oleander. The pages after that filled with mundane entries. About people he met or things he saw, all endearing to you. The corners of your lips tug up slightly.

You really love this man helplessly.

You flip through a few more pages, many of them blank before writing starts to appear again. Little by little, you find passages. You look to the dates up at the corner (though not all of them have one) and trace the timeline. This is from all the way back in Horseshoe Overlook.

It feels like ages ago now.

You look at a page with no date, and reading the writing in it. There's doodles of flowers and trees along the bottom of the page. The words are easy enough to make out - because Arthur has the most unusually beautiful handwriting.

There's some entries about you. At first, they all include your name in some context. Mentioned in the same way Arthur might mention Hosea or Abigail. The further you go, the less you see it. The more you become her and she.

It's a trend. The longer you read, the less there is about anyone else. Just you and all your silly idiosyncrasies tucked between pages. Something lovestruck and foolish lights its match in you.

Saw a body hanging at the tracks at Valentine. A gruesome sight. I told her about it and she laughed. Asked me to take her to see it. A strange woman, by all accounts.

You feel yourself smile a little as you continue to flip through the pages.

She joined me riding into town today. Said she had some business to attend but would not tell me any details. After, she came with me to purchase a new gun. I engraved a snake into it's handle, per her request.

Another few pages littered with drawings of delicate berries and waterfalls before you stumble across more writing. The more you flip, the longer the passages become you.

You can't tear your eyes away.

Rained today. Nothing too terrible or worth mentioning, except that she nearly caught a cold playing in it. I brought her coffee to keep her warm, but could not scold her further upon seeing her delight.

Another passage, this time written with messier hand writing. A coffee stain splatters on the white of the page.

Your heart tugs on itself. Swells about a thousand sizes. To think he wrote so much of your time together between these pages.

You read and read and read - and each passage is a little more mundane at the last. Some pages go on in vivid detail, but others are so short you aren't sure what to make of the fact he wrote them at all. As if such little details were important enough to keep in mind.

I picked a flower for her. I thought it would suit her taste. It was white with delicate petals. I did not know the name.

She wore it in her hair this evening. I find I can't stop grinning.

One passage on the next few pages, longer than the rest, catches your eye. From later in your time together, written when you were in Leymone. Near Scarlett Meadows and before the mess in Saint Denis.

After Arthur had been kidnapped.

I have gone on and on about the business with Colm O'Driscoll in many entries before this one. Yet, I find it difficult to forget. Many times I have come close to death, and still no experience lingers on my mind quite like this one. Everyone has done their best to look after me. For that I am grateful, though I do not care for being looked after. What use am I like this, I wonder? Perhaps, I should simply be grateful to be alive and in one piece, if a little uglier than I was. Alongside Miss Grimshaw and Miss Tilly, she has been by my side while I recovered. Such a carefree woman and yet I have seen her cry and weep over me countless times in the last few weeks alone. The decent man in me is apologetic for causing sorrow. Perhaps, it is the outlaw in me that feels some strange relief or satisfaction. Her fussing does not give me any grief. If anything, I find myself all the more endeared. Such a decent woman does not belong in a place like this. I hope she is able to go somewhere far away and live peacefully. I am not so shameless to want anything more. The time together we have spent, I will make sure to cherish.

Something painful and pitiful tugs at your heart. Even when Arthur admitted his feelings for you, he had started it on a similar tangent. You tell him often that you're the one who feels out of bounds with him. That a man as decent and as honest as him often feels like too much for you to have so easily.

A tear slips from your eye and you laugh at your own sentimentality, wiping it away before it can splatter onto the pages.

The further you read, the more sporadic entries become. You find that there are pages filled with sketches of you, but many of them are scratched out or half erased - like he did not find them good enough. Of your side profile, of your hands, of you pointing at a target with a gun. You feel a strange feeling of love wash over you.

Instead of concrete thoughts, you're met with Arthur's abstract. Subtle complexities and studies. There's honest tenderness in the way he sketches you and the words he chooses to caption each with. Lighter, thinner lines. Smaller doodles like stray daydreams caught onto a page.

You've never doubted Arthur in his love for you, quiet man he is - but it proves to overwhelm when presented to you in such a way.

You get to back pages. There, you're finally met with more writing. Except, instead of journal entries, there's the start of letters. You find your name at the top of the page.

Over and over. Love letters, all unfinished or scrapped. Written over and over and over, but not completed. There's tens of them at least. You've never received a love letter from Arthur before, though it's nothing you fault him for.

Now you're almost glad. You like this much better.

My darling girl My muse The better half of me, I must find some way to tell you all of what I think of you. It seems no words do it justice, I'm afraid. Still, it is in my best interest to try.

Damn that man.

When you find yourself starting to weep, you don't fight the feeling. You merely shut the book closed and set it in your lap before crying into your hands.

Such overwhelmingly happy tears. You feel off balance. If the whole world turned on its head this very minute, you're unsure you'd notice. What a decent, honest man you've come to love. What a tender one.

In the middle of your crying, you don't hear the door open or close. Nor do you hear Arthur's heavy footfall until he's in the doorway, with a voice worried half to death.

"Sweetheart, what in the hell?"

You turn your head to look at him, watching his eyes widen at your tear stained face. You clamber to your feet hurriedly, book dropping onto the ground next to you as you throw yourself at him as soon as you can.

Arthur is a steady enough man not to stumble when you do, though you can feel his apprehension. Eventually, he circles his arms around your waist. His hugs are strong. Bout strong as him and then some. An arm wrapped around your waist, the other crossed over your back all around your shoulder. Full pressure as he squeezes you tight, patting the back of your head.

"I leave you alone for a few hours. What has gotten into you, little lady?"

You pull back and and look at him, wet lashes and all, before leaning up to kiss him. Arthur meets your lips chastely at first before making a noise of surprise as you kiss him further. You use both hands to grab his face as you do, scruff scratching against your skin. His lips are soft, welcoming. He melts into the touch, so easily - blue eyes lovestruck as you pull away.

"You know I love you, don't you Arthur? More than anyone in this crazy world we live in,"

His face softens visibly. He smiles at you, touching his head to yours.

"Somehow, I do. Though, I'm wonderin' what the hell brought this on."

You tuck your face against his chest, feeling his laughter reverb through you at the way you cling to him so fervently. You sniffle as you talk.

"Found your journal. The one about me,"

He goes stiff, then silent. When you look up again, he's blushing red. He pinches his brow.

"Lord, I'd forgotten all about it,"

You shake your head.

"Ain't nothing for you to be embarrassed about. You are so wonderful,"

He pouts at you. Your heart swells. "You ain't helping with the embarrassment."

You hold him further. Hug him so tight, worried he'll disappear if you don't.

"I love you, Arthur."

"You already told me once, didn'tcha?"

"And I'll tell you one thousand times over," You emphasize, pouting at him. "Really. I love you,"

"I love you too sweetheart," His hand cups your face, thumb brushing along your waterline. "Don't cry no more. Spoils that pretty face."

"I'll try but I don't know if it's all out of me,"

Arthur laughs, pressing a kiss against your hairline. "Guess I'll just have to wipe your tears."

.𖥔 ݁ ˖˚☽˚｡⋆

[shewolfofvilnius]

It's fascinating how even though you don't always hear about \ anyone other than Astarion, every origin companion in BG3 has an endgame/epilogue state that is either outright bad for them or at the very least "not as good as they deserve".

Obvious there have been books and 100,000 pages of fic and discourse written about Ascended Astarion. In the moments when he almost acts like his old self, even then it's merely humoring you with a whim.

Mother Superior DJ Shadowheart flat out admits to severe empathy for what Viconia went through, and has fully closed herself off from any sense of attachment or feeling other than Nocturne and Tav. Her continued need to find carve-outs and exceptions and loopholes parallels Viconia's own eventual disagreements with Shar. And as we know, Shar will eventually betray or abandon her if Shadowheart doesn't betray her first. It's the story of every devout Sharran we meet.

Gale, the God is a smug arrogant hubris-ridden asshole that's even mean to Tara in the epilogue. Nearly every single sentiment he expressed about why he wanted the Crown and to ascend is immediately inverted. Of course he's not going to interfere. He's a figure of aspiration. Once he received power himself he immediately forgot and forsook everyone and everything about why he wanted it in the first place. A romanced God Gale is SLIGHTLY more grounded but that's mostly just because you ground him. And if you ascend with him, that ends that.

Lae'zel's return to Vlaakith results in her ascension, which leads to her missing the party and being very dead. The things that Lae'zel claimed to value will never truly be as long as Vlaakith rules, and her not escaping and falling back into her people's death cult robs her of the ability to create a new Gith, a better Gith.

Karlach is dead, or almost as bad, a Mind Flayer. And while most of her initial personality remains, by six months in she's already grown emotionally distant and her personality is clearly and evidently being slowly overridden by the brains of the dying she consumes. She's forsaken the embrace of death for the guise of eternal continuation in her. And even surrounded by the ten people who should mean the most in the world to her, all she mostly thinks about is others' perceptions of her (ala the Emperor) and the fact that she's hungry. Mind Flayer Karlach even notes that she used to think becoming a Mind Flayer would be the worst thing ever, but now she likes it. Shades of the Emperor x1000 and a clear sign that the Karlach we know and love is rapidly becoming a memory.

and then there's Grand Duke Wyll. On the surface, it appears the happiest of the "bad" endings, but pay attention. Note how he discusses wheeling and dealing and making agreements with patriars. (How well has contracts and deals worked out for you in the past?) Oh, and in certain conditions including romance, Wyll will offer you the chance to become a Grand Duke as well - with the others being his father (Ravengard #3) and Florrick (Wyll/Ulder's longest lasting family friend). That's not a government of the people for the people. When the power is tied up by a husband, spouse, his father, and their most trusted advisor, that's the makings of a monarchy or oligarchy. Of the type of patriar power-claim to last for generations, something Wyll himself once mocked. Oh, and if you adopt a child, then you get into the worst part of it all: Wyll's been busy running a city, and oh hey, instead of y'all bringing YOUR FOUR MONTH OLD DAUGHTER with you, hey, she'll be cool being watched by the Ilmater temple for a night right? Sorry, Wyll, were you saying something a few months ago about distant parenting? Yikes.

[sarshles-cheescake-li]

Link Click, internet slang, and Chinese culture

On the Chinese internet, there's a nickname for Link Click called Shiguang Daidaoren, meaning "the blade-bringers of time" instead of "the managers of time," the original title. Calling something "blade" is Chinese internet slang for something being angsty; whether it be derivative content or the originals themselves. Another meme is that Link Click isn't zhiyu (治愈，healing), which it is tagged as on Bilibili, but zhiyu (致郁，causing depression).

Link Click, especially its first season, is a deeply emotional and sentimental show. And it's a shame that so much of it gets not so much lost in literal, linguistic translation as much as it does in cultural, contextual translation. Many people can understand Emma's pain of being away from her parents in a new city, working a difficult job. But watching the scrolling comments on Bilibili, you get the cultural context of it -- the massive migration patterns within China from rural to urban, the children growing up and having to shed their local fangyan (方言) or, less formally, tuhua (土话)("speech of the locations" and "old-fashioned words," respectively) in exchange for Beijing Mandarin. This massive nation, nearly twice the population of Europe and only about 6% smaller in terms of area, is so diverse as to have created (what is close to) an immigrant experience for its citizens entirely within its borders. You visit your parents on Chunjie (春节）, lunar/Chinese new year, on packed trains during the largest singular human migration event on Earth, annually. And when you get home, you are faced with something different from the cities you now live in -- everything from the buildings to the furniture to the clothes they wear. I hadn't realized how deeply I missed the gaudy, garish mianao (棉袄，coats) and mianbei (棉被，cotton blankets) until I saw familiar shades of too-bright burgundy in the hands of Emma's parents. The concept of this original-home, laojia (老家, old-home) is so strongly baked into our lives that every time I meet another Chinese person, I cannot but help but ask them 你老家哪儿啊? Where is your original-home? And even though I know nothing about Chinese geography, every time I hear the answer, a little piece slots into place nonetheless.

In slang, if something made you cry or otherwise feel an emotion you weren't expecting to feel, you refer to it as pofang (破防，breaking defences). And maybe it says something that an expression of human emotion is viewed as a failure in some defences, but that's introspection for another time. Watching on Bilibili, with its hundreds of comments scrolling by "My defences have been breached" and sobbing onomatopoeia, people in the comments saying that they miss their mothers and fathers -- I, too, miss my family. When Cheng Xiaoshi, in Chen Xiao's body, tried to speak his host body's local variation and came up with butchered dongbeihua (东北话, words of the east-north), I nearly fell out of my chair. It was the sound of home, of my grandmother telling us to hush around noon because our neighbours were napping and my grandfather showing me how to play spider solitaire.

Cheng Xiaoshi's breakdown in episode 5 hits hard for its vulnerability. "I'm scared of the dark" has the same literal meaning as "我怕黑," sure, but there is something devastatingly childlike in that three-syllable declaration of fear. Where English so often derives meaning from complexity, from winding metaphors and beautiful prose, Chinese can derive breathtaking meaning from less breath than it takes to say the word analogy. 我怕黑 is stripped of any grown-up pretenses of control or dignity. It is the barest this statement can be: I. Scared. Darkness.

And what he says following, too. 我害怕一个人. Longer yet no less potent. Alone, or lonely, has many translations in Chinese. 孤独. 寂寞. 孤单. 单独. Many more synonyms for all the different ways you can be lonely. But 一个人 is, once again, an almost child-like way of saying it. Before you have the vocabulary to express these complex emotions, 一个人 is a perfectly working expression. Translating it character-by-character, it means one singular person. It is something you say when you've been left behind. When you've been made to face everything by yourself. When the world is so, so, big, and you are just one singular person, with no companions to stand with you.

And, ah, Li Tianxi's Chinese nickname, 小希. It is the last character of her full name, with a "little" shoved right in front. It is an affectionate way to call someone younger than you. It is different from Xixi, its English rendition, because a repetition of the last character is a more generalized, affectionate nickname, whereas diminutives are almost always reserved for someone younger than you, when used in real life. The diminutive says don't be scared. I'm here now. I'll handle it.

There are endless details in Link Click that make everything about it seem a little bit more like home. The word 面馆 which means something a little, subtly different than "restaurant" or "noodles shop," a difference lost without the context of the phrase 下馆子 and the way adults say it with the gladness of once-children who only ate meat on new years. The "honorifics" as English calls them, to me more of just -- ingrained parts of someone's name. Within the snap of Mandarin syllables there is meaning and memory in every character. Jie, mei, di, ge, lao, da, xiao -- they are more than their literal meanings. They are a relationship, a promise.

Perhaps I am overthinking this, awkwardly Chinese as I am: too localized to be considered first-generation, too stubbornly attached to relate to second-generation. Maybe these linguistic subtleties only exist and matter in my mind, a writer of both languages (though I must say, my Chinese prose leaves… much to be desired) with a knack for pedantics. Regardless, I hope other Chinese fans of this show share this feeling. And surely, other people will, too. All the rural children who left home to pursue higher education and opportunities in faraway cities; the raised-in-poverty who spent their childhoods dreaming of buying their family new coats; the speakers of languages long since abandoned by their childhood friends. What a delight it is to see yourself in stories, neither exception nor abnormality but a norm. What a joy it is to be one of one point four billion.

[mackiebeth]

so high school

Pairing(s): Wanda Maximoff x fem!reader

Summary: Growing up, you could never understand how people your age were so romantically interested in other people. You begin to understand for the first time, however, when you encounter a certain Sokovian during your first semester of university.

Warnings: mentions of underage drinking, college!au, friends (?) to lovers, college au, making out, slight angst (but not really)

Word Count: 4.0k

Author's Note: everyone say thank you taylor swift for the spontaneous new fic! also this is lightly proofread, so edits might be made later oops

Main Masterlist | ao3 | Wattpad

...

Growing up, you never truly dated anyone. Sure, you had crushes on fictional characters in the media you consumed, and you allotted arguably too much time to admiring celebrities online; but, you never saw anyone in your personal life in such a light. At various hangouts and sleepovers over the years, you noticed just how much your friends discussed their love lives. Hushed whispers and sighs of the same phrase, “I really like them,” flooded your ears in the hallways at school. You had originally tried to join in on the conversations, not wanting to be excluded, but you simply couldn't engage in them wholeheartedly; eventually, the inability to relate began to upset you. You naturally boiled it down to something that must have been wrong with you — how could it possibly be normal to be like this when everyone else around you seemed to share these romantic sentiments?

Thankfully, you became completely preoccupied, both mentally and physically, by the prospect of university. By the time your junior year of high school had started, your love life — or lack thereof — no longer held too much importance to you. Instead of keeping whimsical love letters on your desk like others your age did, you opted to pile various books. From Camus to Aristotle, you discovered a deep fascination and affinity to the field of philosophy and the metaphysical discussions it posed. Therefore, when your senior year had arrived, you threw yourself head first into your studies, determined to build up your application in order to get into a top university.

After accepting your offer into one of the best philosophy programs in the nation, you anticipated your time at university, daydreaming about all of the things you would study and all of the people you would meet there.

But never could you have anticipated someone like Wanda Maximoff.

You had met her during one of your introductory courses in your first semester. Wanda was the type of person that, upon first glance, you would be scared. Not just because she was undeniably pretty, but she also had this stone cold exterior to her. Her lips were permanently etched into a slight frown, and she never really showed too much expression while she spoke during class. To put it simply, she intimidated you; so, you settled on admiring the brunette from afar (two seats up, one to the left — if you were to be specific).

Your plans changed, however, after the two of you got assigned to be partners for a class project. It was just a presentation, but it required you both to meet outside of class to work on it. You would be a liar if you said your heart didn't skip a beat at the thought of seeing Wanda outside of these four walls of your classroom, even if it was just to work on this assignment.

Seemingly unbothered by it all, she gave you her number for you to set up a date and time to meet. Her messages were all business, but they still made you feel like a dopey teenager every time her name showed up on your screen.

The day quickly came for you both to work on the presentation. Ultimately, you had settled on the two of you meeting in your dorm, which you made sure to deep clean before she came. You were not necessarily messy by any means, but the idea of Wanda, the most daunting person you could imagine, stepping into the safe space of your room made your blood run cold for some reason.

As Wanda knocked on your door, you rushed to open it. The two of you stood face to face for a moment, divided only by the doorframe. She still had her typical frown, but you noticed it shift into the slight uptick of a smirk. After a moment had passed, she finally broke the silence. "Are you gonna let me in, or...?" she asked, teasing you and your awkward nature.

Your cheeks flushed in embarrassment as you stepped aside for her to enter, "Oh, right... Sorry."

You led her to your side of the room, where she stood for a moment analyzing all of your possessions. You felt small as she did so, like a tiny insect under a bright, unsettling microscope.

She suddenly turned to face you, dropping her bag on the floor, "So, are we gonna work on this or not?"

That is how you found yourself on the floor, her laying on her back and you on your stomach. You had your computer in front of you, typing furiously as she provided you the words and ideas. You glanced over at her every now and then, especially if she was being awfully silent.

Most times, she would just be looking up at the ceiling in thought, her brown hair sprawled in random patterns underneath her; however, after a particularly long bought of silence, you looked over at her to find her gaze directly on you. You quickly returned your eyes to the screen of your computer and began typing whatever came to your mind. You hoped she did not notice the blush rise to your face.

She did.

She sighed, turning her body to lay completely facing you. "You're very quiet, you know," she stated, closely observing your reactions highlighted by the light of your screen.

Unsure of how to respond, you simply say, "So I've been told."

"Oh," she exclaimed, her smirk from earlier returns. "She has jokes."

You hum in agreement, "Just a few, unfortunately."

With the project now finished, the two of you abandoned it in favor of simply talking to each other. Never would you have guessed that Wanda could be this... warm. Unlike what you had witnessed in the classroom, she was very friendly and sarcastic in the privacy of your dorm.

You discovered a lot of information about the brunette during this conversation, such as how she loved coffee but only if its iced, how she never loved texting (preferring to call or talk in-person) but will do so if she must, how she immigrated with her twin brother from Sokovia when they were children. As she recounted her memories from Sokovia, you could hear the accent she once had poking through the surface; although, you did not point it out, afraid it was an insecurity of hers. Maybe you would tell her another time how nice it sounded, but for now, you bonded with her about collecting CDs and vinyl records from various artists.

While the two of you casually spoke, all you could think about was her — how pretty she was under the dimmed lighting of your dorm, how every joke she told was the epitome of humor, how much you wanted to stay in this moment with her. She was perfect.

Is this what people were talking about in high school?

As the night came to an inevitable end, you found yourself feeling quite sad, for you no longer had an excuse to hang out with Wanda. Though she had her number, you did not have the confidence to use it and ask if she wanted to meet up again.

You did not have to worry too much about it. As she packed her belongings back into her bag, swinging it over her shoulder, she spoke, "You know, you're pretty cool, Y/N."

You tried to hide the shock caused by her words, "Thank you, I think?"

She chuckled lowly, "My friends are having this thing at my place this weekend, if you wanted to join?"

Your head perked up, eyes blinking rapidly in shock. Unable to deny her offer, you nodded, "Yeah, sure... okay."

“Great,” she replied, walking toward your door. You followed behind her and reached around to open for her. She smiled at the gesture before speaking again, “I’ll text you later with the details and everything. See you in class.”

“Yeah, see you,” you returned. As you closed door behind her, you feel your mind finally catch up to reality: you, the stereotype of a nerd with very few friends, are going to hang out with Wanda and her friends.

You close your eyes, leaning your head onto the back of the door. “Oh, shit,” you whisper aloud into the open air. What have you just gotten yourself into?

Decoding your own thoughts and feelings about the Sokovian in the days leading up to your next class had revealed just how infatuated you had become; yet, you didn't even know how to act upon them. For years, you had only observed romantic behaviors from the outside looking in, whether it be through your friends' dating experiences or the words on a page from whichever sapphic novel you had picked to read. Now that you finally found yourself in the loop, what were you supposed to do?

Should you message her about whatever? No, that would come across as needy and overbearing.

What if you found her after class and ask to hang out again? No, that's even more overbearing than the text message.

The internal war waged on, resulting in your mind and body being paralyzed out of anxiety. For now, you have settled on simply waiting for her message regarding this weekend and presenting your assignment with her this week during class.

Days later, you walked into the class, practically shaking from your nerves about the presentation and the girl that you had to present with (who had just so happened to become your first teenage crush over the span of weeks).

You sat down in your unofficially assigned seat. Being so focused on the way your leg bounced repeatedly, you failed to notice the familiar brunette enter the classroom. Instead of sitting in her typical seat, however, she dropped her bag on the floor by the seat directly next to you.

Wanda instantly noted your nervous demeanor. While she had her own anxieties regarding the presentation and such, hers remained within her mind. She never showed such things outwardly, unless she was with someone with who she felt undeniably comfortable expressing those thoughts.

She slid into the seat and reached over to place her hand on your bouncing leg. Immediately, you noticed the feeling of someone's hand, breaking the chain of your anxious thoughts; upon glancing to your side, you discovered the culprit: Wanda.

"Hey," she started. "Everything is going to be fine, I promise."

Unable to find the words currently, you opted to remain silent, but you provide her with a uncertain nod in return. With a squeeze of her hand as a final attempt at reassurance, she placed her hand back within her lap and waited for the class to begin.

As always, Wanda was right. Your presentation went well; there were a few instances of stumbling words on your part, but otherwise it went great.

When the two of you returned to your seats, she leaned over and muttered under her breath for you to hear, "Told you so."

As you began to do your typical nighttime routine that evening, you heard your phone go off. Unsuspecting to who it was, you tapped on the screen under the assumption that it was just another email added to your overflowing inbox. You were wrong yet again.

Wanda: hey y/n !! are you still able to make it to the thing this weekend?? its gonna be on saturday at my place... lmk !!

You stared at the message for a moment before confirming you would still be in attendance, of course. Was it normal for your heart rate to speed up this much from mere words on a screen?

Saturday night rolled around quicker than you had anticipated. It was almost time to leave, yet you were currently standing still in your pajamas, surrounded by the miscellaneous clothing items you had thrown around. Ultimately, you had settled on the outfit you had first chosen, resulting in a bunch of unnecessary cleaning afterwards.

When you arrived to her place, you promptly knocked on the door. A moment passed before the door creaked open to reveal the Sokovian. Her outfit was considerably more casual than others you had seen her wear around campus. She stood in front of you, adorned with an oversized band tee and jeans; her fingers were still littered with her usual assortment of rings. However, the thing that surprised you the most was her lack of makeup. Not that she needed it, of course; in fact, it was quite the opposite. Tonight she seemed to have abandoned her typical heavy eyeliner and rose-colored shade of lipstick, choosing to only use her mascara and some chapstick.

"Sorry for the jumpscare," Wanda joked, her nose scrunched in amusement from your reaction. She continued to explain, "I know I'm dressed down compared to class. I just don't like putting in the effort to get ready sometimes, especially to just hang out with friends."

"No!" you exclaimed, quickly trying to backtrack the way she took your shocked expression. "No, you're fine. You're beautiful, actually, I just- I was just surprised to see you without the eyeliner and all."

Her cheeks became flushed at the compliment, but you seemed to miss it being overly concerned with your own response. She chuckled at your awkwardness, "Thanks. Oh, you can come in, by the way. I think everyone is here now."

She introduced you to each friend, after which you gave an insecure wave in return.

As the night progressed, you gradually loosened up. Whether it was time or the alcohol in your bloodstream, it frankly did not matter to you. You were not drunk by any means but definitely buzzed enough to not worry about every single decision you made. You even talked to one of Wanda's friends, Natasha, for awhile without the Sokovian present (given that she had left to use the restroom, but it still counts in your mind).

Suddenly, you were sat on the floor, playing childish party games with the others. It was fun, you couldn't lie... until it wasn't. You had already survived Truth or Dare, but someone (Tony) had suggested Spin the Bottle. With no romantic history, it was practically a given that you subsequently had not kissed anyone yet. For your first kiss to be during a stupid game of Spin the Bottle would be depressing; but, you didn't want to be the loser who said no to playing because the reason would be too humiliating to explain.

So, you elected to power through the hesitation, hoping the bottle just would not land on you.

At first, you were confident. The game was now three rounds in, and you remained lucky.

Eventually, the group had noted your lack of participation and had chosen to give you a "free spin." You silently prayed it would at least land on someone with whom you had become somewhat acquainted. With a shaky hand, you reached forward, spinning the emptied beer bottle. In the moment, it felt like the bottle would never stop spinning, but, once it did, it felt like time froze altogether.

It landed on Wanda.

Though you liked the brunette, you truly did not want your first kiss to be this way, especially with her.

She instantly noticed your apprehension. Turning to where Tony sat in the circle, she offered, "Hey, what if we did a hybrid of this and Seven Minutes in Heaven?"

Your eyes widened at the question, feeling unsure about all of this.

With a smirk on his face, Tony agreed, "I like the way you think, Maximoff. Alright, new girl, go follow Maximoff, and don't have too much fun while you're gone."

Before walking off with Wanda to the nearest bathroom, she briefly turned around to aim her middle finger at the boy. Though you were extremely overcome with anxiety about what was about to occur in the bathroom, you released a chuckle at her response.

She pulled you into the bathroom, flipping the lights on. As the door clicked shut, you faced her with your back against the wall.

"So, um, what are we supposed to do?" you asked.

"We don't have to do anything, Y/N," she replied, leaning against the bathroom counter. "I just noticed you weren't very comfortable with the idea of kissing me out there, so I improvised a little bit."

"Oh, okay," you breathed out. "Just for the record, it was not the idea of kissing you that made me uncomfortable. You- You're cool, so, it's fine."

Wanda tilted her head in curiosity, clearly not expecting that response. "Oh?" she questioned. "What was it then? Because I could clearly tell you were not very comfortable in there... I mean, you were visibly stiff."

"It's not you, I just..." you looked away, unable to meet her gaze.

"'It's not you, it's me'?" she joked, narrowing her eyes.

"Yes! No! I mean..." you exhaled. "It's not that the idea of kissing you makes me uncomfortable because, believe me, it very much doesn't. I just- I've never done this before."

The blood rushed to your cheeks during your admission. You felt utterly embarrassed, wishing you could just be back in your dorm in this moment.

"Y/N," she called softly. Despite every ounce of your body screaming at you to not do so, you returned your gaze to the Sokovian. "Do you want to kiss me?"

You couldn't read her tone. A part of you was nervous, maybe this was all some sick joke between her and her friends; yet, the other part of you was thrilled by the proposition alone.

"I wouldn't oppose," you muttered, automatically employing humor as your defense mechanism.

Wanda rolled her eyes at your antics, "Ok, then, let's play a new game." She looked down at her phone, checking the time. "We have less than four minutes in here."

Confused by the sudden change, you acquiesced in her request, "Okay?"

She stepped closer to you, standing a foot away.

Her tongue escaped her mouth, briefly licking her lips, before she proposed, "Are you going to marry, kiss, or kill me?"

Your eyes widened at the unexpected question, but you attempted to recover in order to return her playful energy, "Can I choose all three?"

Her eyebrow had risen, the infamous smirk forming on her lips. Slowly, she inched closer and closer to you until you could feel her breath on your skin. One hand found refuge on your hip, while the other she brought to the side of your face. She used her fingers to tuck a few loose strands of hair behind your ear then cradled your face. You licked your own lips and closed your eyes in anticipation.

Then, you felt it. Her lips brushed against yours, softly and slowly as if she were testing the waters. It was only a peck, but you swear your heart burst from the experience.

A moment passed before she pulled away enough for her to speak.

"Was that okay?" she inquired, ensuring you were still interested in this.

"More than," you affirmed.

She smiled, "Good, because we still have a few minutes left, and I intend to use them."

Without another second, she connected your lips once again. This time was different, however; there was a newfound fervor behind it. Her kisses started slow like the initial pace, gradually becoming quicker and deeper. Uncertain about what to exactly do, you continue to follow her lead. You felt her slide her tongue across your lips, asking for entrance. How could you ever deny her that? As her tongue began to clumsily caress with yours, a familiar feeling settled in the pit of your stomach, but you ignored it and kept kissing her.

A knock at the door pulled you both back into reality.

"Time's up, lovebirds," the voice called. "Clothes better be on and straightened when you leave."

Wanda chuckled at her friend's words and bit her lip. For the first time, you think you see her outwardly nervous. She swallowed as she shifted her gaze from your lips to meet your eyes, "Hey, I um- I hope this wasn't a one time thing."

You sighed in relief, "With you? Never."

She leaned forward once more, placing a final peck on your lips before grabbing your hand to return to the circle. Instead of your prior placements on the floor, in which she sat on the other end, Wanda refused to let go of your hand, instead pulling you to where she had been sitting.

Thankfully, no one mentioned how your cheeks were now incredibly plagued with a pink hue, allowing the game to continue onward.

After the group decided to finish playing games and turn on a movie, you followed Wanda to the couch in order to sit next to her. As soon as you found your place at the end of the sofa, she gravitated closer, leaning into your side. Her head rested on your shoulder as if you both had been close for years.

The movie American Pie started playing, all of her friends too engrossed in it to note how the two of you were cuddled up together. She picked her head up from its place on your shoulder. You didn't think too much of it, imagining her neck must have simply gotten uncomfortable in that position.

However, she turned her head to face you, taking in the sight of you and her friends all hanging out and watching a movie. Unable to resist herself any longer, she leaned in closer, her breath hitting your ear as she whispered to you, "I can't focus on the movie. All I can think about is kissing you right now."

You rotated your head to face her, biting your lip at her words. "Shush, your friends are here," you quietly argued, but you were secretly enjoying her antics. You peered over her shoulder, observing her friends who sat quietly with their attentions fully focused on the film.

Wanda pressed a soft kiss to the base of your neck prior to returning to its original position on your shoulder. You sighed at the feeling of her affection, wondering if it would linger forever.

Soon enough, the movie ended, and it was time to go home for the night. Her friends had left moments ago, but not without saying how you should "come around more often." Honestly, you were deeply excited that you received their approval, especially after the recent developments with Wanda.

You stayed behind for a little, attempting to garner as much alone time with Wanda as you could without being interrupted.

With the others now gone, you allowed Wanda to be more affectionate; or rather, you allowed her to give in to her desires and kiss you again, and again, and again.

After the final peck, you pulled away with the cheesiest smile and swollen lips. She loved seeing you this way: giddy and carefree.

"I really like you, Wanda," you proclaimed with a sigh, effectively breaking the comfortable silence between the two of you. "Like, a lot."

"I really like you, too," she replied. "You know, in case it got lost in translation with the kissing and everything."

You playfully slapped the side of her arm. "I'm serious," you started. "You make me feel so... high school."

She raised her brow, gesturing for you to continue.

You resumed, "I never felt like this, especially during high school. For a while, I actually thought something was wrong with me." Her lips formed a slight pout at your past conflict. "I was always so... jealous of others my age, having all of these teenage experiences with crushes and romance. Since I never did, I just assumed that it was my fault, that something was wrong with me. It was isolating; it felt like some inside joke that everyone else knew about except me. But, I'm happy I waited, truthfully, because now I can experience all of those high school feelings with you."

End.

[bhaalble]

I like that Last Unicorn quote as much as the next guy but I do always wind up feeling a little detached from analysis that paints Astarion's disapproval as purely envy. Partly because. No one's doing this for Lae'zel for instance even though she has similar disapproval and similar trauma (all she can remember is a hostile physically and emotionally exploitative environment which expected perfect strength and obedience from her or else she would be punished or killed). But also partly because it feels pretty detached from everything he actually has to say about it.

The thing about Astarion is he loathes weakness. He loathes sentiment and he loathes dependence. You can see this when he actually opens his mouth up about the people he disapproves of saving, but also incredibly loudly when he talks about the other companions, as well as his fellow spawn. If Lae'zel submits to Vlaakith he talks scornfully about how some people just come to love their chains. He's confused and put off if Wyll submits to Mizora to save his father. In every conversation with his fellow spawn (at least when hes not actively manipulating them) he's dismissive and harsh, and clearly he's perfectly willing to sacrifice them for the sake of himself.

There's an obvious origin point of those feelings, of course. Cazador's abuse is designed to actively kill off empathy in his spawn, both towards each other and towards victims. The last time Astarion prioritized someone over his own skin he got locked in a tomb for a year. We can see glimpses of it with the other spawn too, how his siblings are (apparently uncompelled at first) willing to drag Astarion back to their master for their freedom, how Petras' first dream of freedom is getting to drain another person dry. Astarion certainly doesn't seem to feel any real sense of solidarity with them, likely because Cazador understands that them building a community is a threat to his authority the way it was to his own master.

I'd also argue its Astarion projecting his own self-loathing outwards. So much of his quest is about his desperate attempt to escape from who he was. He's been given a chance to slip free of the limitations of being a spawn. He clings to that because of course he would. He also instinctively begins to run over everything in his path, because if there's anything he has learned over the past 200 years its that good things can always be taken away unless you make sure to remove any and all possible threats to that scrap of well-being. He's disdainful of people in need of help because they represent who he fears to go back to being! He calls his siblings "poor fools" while refusing to confront the fact that had it not been for the tadpole he would be in exactly their position, forced to cling to the hope that Cazador is telling the truth for once because escape isn't an option either way. He becomes irritated when Tav slows down to help the unfortunate because they represent roadblocks on his own path to safety.

There's an idea in mental health stolen from airplane safety: that you shouldn't help anyone else until your own mask is secure. What they don't tell you, speaking from personal experience at least, is that PTSD, especially for long term trauma, has a way of making you feel like your own mask will never be secure. And while that's scary, and it sucks, and there should be the utmost patience for it: no one is going to realize that mask is secure for you. Eventually you are going to have to accept the fact that you are breathing just fine. Eventually you are also going to have to accept that people asking something of you isn't them endangering you, even if it can sometimes (often) feel like it. It doesn't make you obligated to help them. But it does mean you have to stop reacting to them like a threat, because not 5 minutes ago that was you.

I think the idea that he's only mad because he's jealous is a gratifying fantasy. He didnt feel safe before, but now through your PC and the power of love he'll feel warm and cozy enough to forgive you for not being there to begin with. But I also think Astarion cannot live in a reality where he's never pushed back on. His instinctive self-protective movements are a coping mechanism, yes, but coping mechanisms developed under survival conditions can also be a way of keeping you frozen in your trauma. Outside of the environment they were necessary for, they can even hinder you from growing in the ways you need to grow to move past what happened to you. Sometimes, you need to stop a baby tiefling from getting crazy murdered by a snake because it turns out. That can happen to anybody not just people who are weak and stupid and deserve to die anyways not like me I'm normal-

[woso-dreamzzz]

New Girlfriend II

Lucy Bronze x Teen!Reader

Ona Batlle x Teen!Reader

Summary: Ona's tipsy

It's hard to hate Ona.

You kind of wish you could regardless of the truce you have going on with her.

She's over all the time. She's always in your house and your face and you hate that she asks about school.

It was always Keira's job to help you with your homework. You miss Keira a lot which is probably why you stick heavily to her side when your Mum hosts a bonding night for the team.

You sit next to her and let her give you a hug that you sag happily into. You used to see Keira all the time but it's Ona that you see more often now.

It's strange but you're working on it because you think your Mum is really in love with Ona and she's so happy so you're sucking it up.

It doesn't mean that you don't stick to Keira whenever you can.

Originally, you thought it would get you some respite from Ona but it seemed that even Keira had a good relationship with her so, as you sat at the kitchen table, leaning against Keira as she helped you with your homework, Ona appeared out of seemingly thin air.

Her cheeks have a red kind of sheen that you know comes from the alcohol in her glass. She's a little tipsy, just like most of the girls in the house.

"You're so smart," She giggles as you scrawl down the equation Keira explains to you," Both of you. So smart." She breaks off into a fit of giggles and Keira leaves your side to guide Ona into a chair.

"How about we sit down?" Keira says as she takes the drink from Ona," And have some water."

Ona's giggling again and it's a little unnerving. She reaches across the table and holds the hand you're not using to write. Another wave of giggles. "You're so smart. Is it hard? Being smart all the time?"

"It must be," You mutter," Because this is my birthday party and I'm stuck doing homework."

You hadn't really wanted to do anything for your birthday. You didn't have any friends at your new school (the accent of your spoken Spanish tended to put people off) but your Mum took any excuse to get a bit tipsy without consequences and the team had ended up around your place to 'celebrate' which really acted as a dual celebration of the big one they just had over Real Madrid.

"That's sad," Ona says," I wasn't good at school. You're doing it in a different language."

You sigh softly, shaking your head in amusement as she continues to talk earnestly to you, making sure to keep eye contact so she's sure that you're understanding her.

"Lucy's so proud of you, she tells me all the time."

That shocks you a little bit. You hadn't really considered what your Mum and Ona talked about when you weren't there. Truly, you had imagined that their time was taken up by kissing.

"I want you to like me," Ona continues, still giggling and completely flushed in the face," How can I make you like me more? Arcade? Food? Food! Let's order food!"

"Let's not order food," Mum says as she approaches. She's not as tipsy as Ona is but there's a little flush to her skin. "Because then we've got to pay for everyone's."

"No!" Ona says with that dopey smile that she always gets when your Mum is holding her. "Just for the birthday girl." She looks at you again. "Ooh! Let's get cake!"

Mum laughs, leaning down to whisper in Ona's ear about something.

Keira, who you thought would be fairly awkward around the couple, just shakes her head fondly. "You two are gross," She declares with a laugh, confiscating both of their drinks. She's the most sober person in the house. "You're already lovey-dovey at practice."

Mum laughs. "This is my house, Kei. I can be lovey-dovey if I want."

"You're scarring her!" She says," Look at her!"

You've got your nose all wrinkled up in disgust and Mum leans over to pinch at her cheek.

"Don't lie, Kei! She loves this!"

You push her away in annoyance and try to throw your pen at her but you're caught off guard by Ona hugging you tight. You didn't realise she was such a sentimental drunk.

"You're so smart."

Oh, she's back on that.

"Lucy, tell her she's smart!"

"Very smart," Mum says. You're trapped by Ona so can't escape when Mum places a big, wet kiss on your cheek and then grabs you in a headlock. "My smart little girl!"

"Mum!" You cry out," Let go! Come on, let go!"

"No!" Mum laughs," You're a proper teenager now! My little birthday girl!"

"It's your birthday!" Ona exclaims like it's the first time she's heard the news," I got you a gift!" She pats wildly at her pockets before coming up empty. "Lucy, where's my gift?"

Mum's only half paying attention as she rubs her knuckles against your hair as you fight to get away, tears of laughter streaming down your cheeks. "Er...I don't know? I think you called it an experience?"

"Ah! Ah!" You had to admit (begrudgingly), Ona jumping up and down in triumph was kind of cute. "We will go to the beach! There is an arcade there! A big one! Bigger than the one here!"

It stumped you for a moment. Your love for arcades wasn't something that you talked a lot about but clearly, Ona remembered. She's smiling at you now and you tear your gaze away to look at your Mum.

"Really? And you're okay with going?"

"I'm going to the beach," Mum says," You and Ona can waste all the money you want but I'm working on my tan."

Ona sticks her tongue out. "Buzzkill."

[kanmom51]

You are me I am you

You know how sometimes when you are lying in bed just about to fall asleep and you have an idea or train of thoughts that leads to clarity of mind?

Well, a couple of nights back I had one of those epiphanies. I hurried to jot it down so I can come back here and put them to paper, so to speak (before forgetting them the next morning, which I surely would have).

So what's it all about, you may ask.

Well, I guess the header is a pretty good tell.

You are me I am you.

Or more so, how, for some reason, we seem to forget just how amazingly romantic that notion is, and what it truly means to JM and JK.

I will tell you where this train of thoughts started.

It started here:

I was thinking about Jikook in Sapporo, and this conversation came to mind.

Talking about how alike they are (following them doing the robot man simultaneously and telling us they watch the same content).

Yes, they don't do the You are me I am you in this instance, but I couldn't help think about it. This would be their You are me I am you on a more "we're one and the same" on a day to day basis kind of way.

And they are pretty much one and the same. So many similarities.

Is there any surprise they just FIT one another? One might think they were actually made for each other.

Their moles:

Their IQs

Thoughts, likes, habbits:

I don't even know how to describe this one:

Knowing each other through and through.

Knowing what the other thinks without words - a type of telepathy.

And:

When it comes to You are me I am you, they made it their own. Something that symbolizes them and their relationship.

Used it to express their feelings for one another publicly!!

Came by @haedalkoo 's post just today, kismet I guess, explaining the translation of JK's Tweet:

They have used it so much since JM's Serendipity. Many times doing so playfully.

All while claiming it as their own.

And perhaps because of that, I feel so many are either unaware or perhaps have forgotten over time the true meaning of You are me I am you, the deep romantic sentiment attached to it, and just how amazingly romantic those two are by claiming it as their own.

So, where does "You are me I am you" even come from?

Seeing that there are quite a few new Army and Jikookers around, I guess another short history lesson is required here. The origin story so to speak.

The line/saying originates from a 2016 song "You are me I am you" by Zico.

You are me, I am you I am you, you are me If our hearts are the same Two will become each other You are me I am you We make a pretty picture Who came up with the word “cringe”

There was talk about JK & JM using a reference to the song's MV wearing matching plasters during a Puma fansign in April 2016.

*Do I remind that this is way before JM's Serendipity came to pass?

JM saying he was given the band aid from JK (again, a reference to the song's MV).

What a coincidence...

I dare say this was not a coincidence, quite like JM tells us in Serendipity.

You know, the song that same exact line found it's way into....

Yes JM did not write the lyrics to Serendipity, but we have seen their writing process, we've heard from them and seen that the members have input and are consulted at times, especially when it's their solo songs. Remember JK's Begin? Such a personal song. So JK, right? Well, JK didn't write Begin. RM is credited though, just like he is for Serendipity. Does anyone doubt that JK had a input into the lyrics of Begin. I don't think so!!!

All this is no coincidence Just, just, by my feeling The whole world is different from yesterday Just, just, with your joy When you called me I became your flower As if we were waiting We bloom until we ache Maybe it's the providence of the universe It just had to be that You know, I know You are me, I am you

Serendipity is a love song.

One would say the ultimate love song.

Me being one of those.

Me also being one of those who say that JM took ownership over Serendipity making this his love ode to JK (and then came Letter...).

This was theirs.

And You are me I am you is theirs.

They even claimed copyright over it.

They were kidding.

Or were they?

Those two have been so friggin loud over the years with this.

JM and JK are the embodiment of You are me I am you. They took ownership over it and wore it ever so loud and proud.

They obviously had so much fun with it over the years.

And because they have been so loud about it and mostly in a playful manor, at times we forget the deep romantic meaning of it all.

But then you have those moments when it's clearly just for them, more intimate. It's quieter or softer or without realizing it's caught on camera, or embedded in their own lyrics with so much meaning or just so loud and emotional that it just hits you right in the face.

Those times when it's less about playfulness (you know, at times it can be romantic and playful too) and more about THEM.

The romantic undertone is just so so obvious.

This was done for no one but themselves!! Definitley not for us!!

Those moments where they remember where it came from and what it means to them.

The way JK's hand goes for JM's waist and then he moves to hold on so softly to JM's jacket.😭😭

The way the rest of the members move away, leaving them to themselves (a couple of them clearly thinking to themselves "get a bedroom").

They were both really caught up in the moment. And their embarrassment after it's over is a clear testimony to that.

I'm struggling with putting this into words... just how fucking romantic this was. Smiles on faces, teasing, flirting, giggling, and so damn romantic. And when you remember this comes on the coattail of TTU and the staging and lyrics change up...

I'm sorry. I'm just lost for words, hoping that you guys just see it, feel it. How can you not?

I can't end this without mentioning Like crazy as well.

JM may not have written Serendipity (although, again, I do believe You are me I am you has ALWAYS been theirs), but he certainly did write Like crazy.

Thinking again of how JM was struggling and what he was going through is heartbreaking. And JK's place in this song written by JM is so very loud. JM referring to another person that is with him is very loud. JM using the line "You are me I am you" in the song is very loud.

As for JK and his feelings for Like crazy, well I do think he has mixed feelings about that song. He loves loves loves SMF pt. 2. It's JM's catharsis song, his healing song, and JK is mad about it (not to mention the MV and just how damn sexy JM is there). But Like crazy, that one hits home for him. It's a reminder of hard times, emotional times, times that perhaps, just like JM tells us in the song, JM was hurting and wasn't allowing that other person with him, "the moon with you in its arms...forever you and I..." to save him:

This will break me This is gonna break me (Break me) No, don’t you wake me (Wake me) I wanna stay in this dream, don't save me Don't you try to save me (Save me) I need a way we (Way we) I need a way we can dream on (On, on, on)

JK was that bystander. Can you imagine that feeling of helpless, unable to pull JM out of the darkness?

And being reminded of that every time you hear the song.

JK's reaction here to JM playing Like crazy.

It's not about not loving the song. It's not about not loving JM or supporting his art. It's about the emotional baggage that comes with the song.

Try and remember the times we got to hear JM's songs during JK's lives. The one song that JK put off (in a sense) listening to on camera was Like crazy. First time he played it in one of his lives was when JM was on the show JK was watching and JM sang it in English!! Next time he listened to it was months after the song was released and after AYS CT (what they call season 1, lol) was shot. And even then, when he played it he did the whole comical intro and dance.

How did I get here from You are me I am you?

Good question.

Oh yes! JM's Like crazy, using You are me I am you in the lyrics, it being such a personal song and one that hits hard for JK as well. The romantic undertone to You are me I am you. That one person that JM is with and doesn't want to wake from the dream he's in with that person by his side (awaken to the reality of the pandemic and his emotional struggles).

JM and JK have told us and shown us oh so many times they are "You are me I am you".

The personification of "You are me I am you"!!

How do people still not see this????