#northern england tour

[creativemedianews]

England's Ben Stokes ruled out for the remainder of the summer

England's Ben Stokes ruled out for the remainder of the summer #BenStokesinjury #Englandcricketnews

[doyoulikethissong-poll]

The Cranberries - Zombie 1994

"Zombie" is a protest song by Irish alternative rockband the Cranberries. It was written by the lead singer, Dolores O'Riordan, about the young victims of a bombing in Warrington, England, during the Troubles in Northern Ireland. The song was released on 19 September 1994 as the lead single from the Cranberries' second studio album, No Need to Argue. While the record label feared releasing a too controversial and politically charged song as a single, "Zombie" reached number 1 on the charts of Australia, Belgium, Denmark, Germany, and Iceland, and spent nine consecutive weeks at number 1 on the French SNEP Top 100. It reached number 2 on the Ö3 Austria Top 40, where it stayed for eight weeks. The song did not chart on the US Billboard Hot 100 chart as it wasn't released as a single there, but it reached number 1 on the US Billboard Alternative Airplay chart. Listeners of the Australian radio station Triple J voted it number 1 on the 1994 Triple J Hottest 100 chart, and it won the Best Song Award at the 1995 MTV Europe Music Awards.

The Troubles were a conflict in Northern Ireland from the late 1960s to 1998. The Provisional Irish Republican Army (IRA), an Irish republican paramilitary organisation, waged an armed campaign to end British rule in Northern Ireland and unite the region with the Republic of Ireland. Republican and Unionist paramilitaries killed more than 3,500 people, many from thousands of bomb attacks. One of the bombings happened on 30 March 1993, as two IRA improvised explosive devices hidden in litter bins were detonated in a shopping street in Warrington, England. Two people; Johnathan Ball, aged 3, and Tim Parry, aged 12, were killed in the attack. 56 people were injured. Ball died at the scene of the bombing as a result of his shrapnel-inflicted injuries, and five days later, Parry lost his life in a hospital as a result of head injuries. O'Riordan decided to write a song that reflected upon the event and the children's deaths after visiting the town: "We were on a tour bus and I was near the location where it happened, so it really struck me hard – I remember being devastated about the innocent children being pulled into that kind of thing. So I suppose that's why I was saying, 'It's not me' – that even though I'm Irish it wasn't me, I didn't do it. Because being Irish, it was quite hard, especially in the UK when there was so much tension." The song was re-popularised in 2023 after it was played after Ireland games at the 2023 Rugby World Cup. It was picked up by fans of the Irish team, with videos of fans singing the song in chorus accumulating hundreds of thousands of views on social media. This offended other Irishmen, who identified it as an "anti-IRA" anthem, and said that that the lyrics failed to consider their experience during the Troubles.

The music video, directed by Samuel Bayer, was filmed in Belfast, Northern Ireland, in the heart of the Troubles with real footage, and in Dublin. To record video footage of murals, children and British Army soldiers on patrol, he had a false pretext, with a cover story about making a documentary about the peace-keeping efforts in Ireland. Bayer stated that a shot in the video where an SA80 rifle is pointed directly at the camera is a suspicious British soldier asking him to leave, and that the IRA were keeping a close look at the shoot, given "the British Army come in with fake film crews, getting people on camera.” While "Zombie" received heavy rotation on MTV Europe and was A-listed on Germany's VIVA, the music video was banned by the BBC because of its "violent images", and by the RTÉ, Ireland's national broadcaster. Instead, both the BBC and the RTÉ opted to broadcast an edited version focusing on footage of the band in a live performance, a version that the Cranberries essentially disowned. Despite their efforts to maintain the original video "out of view from the public", some of the initial footage prevailed, with scenes of children holding guns. In March 2003, on the eve of the outbreak of the Iraq War, the British Government and the Independent Television Commission issued a statement saying ITC's Programme Code would temporarily remove from broadcast songs and music videos featuring "sensitive material", including "Zombie". Numerous media groups complied with the decision to avoid "offending public feeling", along with MTV Europe. Since it violated the ITC guidelines, "Zombie" was placed on a blacklist of songs, targeting its official music video. The censorship was lifted once the war had ended. In April 2020, it became the first song by an Irish group to surpass one billion views on Youtube.

"Zombie" received a total of 91% yes votes!

[best-overplayed-song]

fun facts

Debbie Harry was inspired to write "One Way or Another" after being stalked. she said: "I was actually stalked by a nutjob so it came out of a not-so-friendly personal event. But I tried to inject a little bit of levity into it to make it more lighthearted. I think in a way that’s a normal kind of survival mechanism. You know, just shake it off, say one way or another, and get on with your life. Everyone can relate to that and I think that’s the beauty of it"

"Zombie" is about the violence in “The Troubles,” the decades-long conflict in Northern Ireland between nationalists (mainly self-identified as Irish or Roman Catholic) and unionists (mainly self-identified as British or Protestant). Dolores O'Riordan wrote the song during the band’s English tour in 1993 in memory of two young boys, Tim Parry and Johnathan Ball, who were killed in an IRA bombing in Warrington, England.

[drchucktingle]

Hi Chuck, I think you’re amazing! Would you ever come and do a book tour/talk in the UK? Or possibly an online one?

i would love to trot over there in UK and talk books with all the buckaroos. any international trot like that is up to international publishers to bring chuck and camp damascus did very well in UK actually so i can see this happening.

there are also upcoming translations of camp damascus but i do not know if i can say who or where (and translations take a long dang time) but based on that i can see mainland europe happening eventually too on this timeline

i very much love england and ireland and scotland and wales and northern ireland. in my younger wild trots as a buckaroo i spent lots of time in all of these places. even lived in london for a few months once those were the dang days.

so yes it would be very nice to get over there and prove love

[louiswilliamtomlinsons]

louis and the lgbtq+ community: a masterpost

louis supporting queer contestants during his time as judge at x factor 2018

louis supporting the two contestants who got engaged during the x factor 2018

polari, fericadooza, chav roots in polari and the overlap between the northern england working class and the lgbtq+ community

more on gender presentation, streetwear, and the overlap between northern england working class and the lgbtq+ community, louis’ community

writing pride related words for fans

noticing, smiling and pointing at “guardian of the lgbt community” flag

signing pride flag

trans fans who’ve met him talking about louis being supportive of trans people + interaction with trans fan during the album signings + crossing off the sex questionnaire in the just like you mv

tour bus pride flag and stage pride flag

fan jumping around with pride flag at barricade and louis looking at them with a smile

louis and rainbows: here. here. here and here

fitfwt rainbow lights + “rainbow inspired track” comment from jack webber, special effect technician for the fitfwt

bigger than me cover may have been inspired by george michael

the pride flag on stage and louis’ smile

“an amazing feeling”: louis on only the brave being an anthem for fans to be themselves

all this time spotify canvas features a pride flag

the triangle tattoo

bella penfold

on noticing how queer fans find comfort with louis

queercoded lyrics

everyone is welcomed

thanks for the flag love

oscar wilde: flowers and louis

[nekochan08]

Hetalia Head Canons

This is just a free-for-all

-America & Canada: I love the idea that when drunk, Alfred becomes quiet and docile while Matt sheds his shyness. Matt would be calling people “bitch”and Alfred’s crying because someone stood too close to him. Al falls asleep at his own parties and Matt once emptied a water bottle over his head because he “wanted to hear the ocean”.

-China: I read that in China, Taylor Swift is one of the most popular foreign artists. Yao being a huge Swiftie got me in tears 😂. Probably goes to all of her East Asia concerts when she’s on tour. He buys as much merch as he can carry lol.

-France: I think he’s more athletic than what he seems. Sure he likes going for walks in the streets of Paris, going to cafes, and lounging about. But if he has to, mf can scale a 10 story building in under a minute. I think I read somewhere that he likes escaping Paris and I imagine him running out of there like it’s a prison break or something lol. Yes this was influenced by the masked parkour torch bearer from the Olympics.

-Poland: I saw an article about a polish man drunk driving a Soviet era tank to the liquor store to get more drinks and the friends he was with were also hammered. It got me thinking of Feliks wanting to go somewhere and… “aw idk where I left my car keys and I don’t wanna walk……guess I’ll take the tank 💅🏼✨”

-England: even though he’s a successful country, I feel like he’s one of those people that has such bad luck with normal everyday human things. Going home from a day at work; he gets on the wrong train. Getting on a plane for a meeting; he forgets his ID. Wants to treat himself to his at his favorite pub; it’s closed forever. Everything he plans or looks forward to goes wrong in some way. He’s a magnet for bad energy.

-Wales & Northern Ireland: These two strike me as a “do it for the vine/meme” duo. They have a joint tiktok account where they post random shit that leaves you thinking “how’d they get into that situation?! What’s the context for this???” The whole world finds out about any whoopsie they’ve done before Arthur does. Like this ⬇️

[todaysdocument]

Address of the President in Gettysburg, Pennsylvania

Collection FDR-PPF: Papers as President, President's Personal FileSeries: Speeches of President Franklin D. RooseveltFile Unit: First Carbon Files

ADDRESS OF THE PRESIDENT GETTYSBURG, PENNSYLVANIA May 30, 1934 Governor Pinchot, Mr. Chairman, my friends: What a glorious day this is. I rejoice in it and I rejoice in this splendid celebration of it. I am especially happy to stand here on the field of Gettysburg at the side of a man, who, through all his life, has so splendidly served the cause of progressive government and the cause of humanity, Gifford Pinchot, Governor of Pennsylvania. (Applause) (The foregoing paragraph was extemporaneous and not included in the printed release to the Press.) On these hills of Gettysburg two brave armies of Americans once met in (combat) contest. Not far from here, in a valley likewise consecrated to American valor, a ragged Continental Army survived a bitter winter to keep alive the expiring hope of a new Nation; and near to this battlefield and that valley stands that invincible city where the Declaration of Independence was born and the Constitution of the United States was written by the fathers. Surely, as Congressman Haynes has said, (all) this is holy ground. It was in Philadelphia, too, that Washington spoke his solemn, tender, wise words of farewell -- a farewell not alone to his generation, but to the generation of those who laid down their lives here and to our generation and to the America of tomorrow. Perhaps if our fathers and grandfathers had truly heeded those words we should have had no family quarrel, no battle of Gettysburg, no Appomattox. As a Virginian, President Washington had a natural pride in Virginia; but as an American, in his stately phrase, "the name of American, which belongs to you, in your national capacity, must always exalt the just pride of patriotism, more than any appellation derived from local discrimination." Recognizing the strength of local and State and sectional prejudices and how strong they might grow to be, and how they might take from the national Government some of the loyalty the citizens owed to it, he made three historic tours during his Presidency. One was through New England in 1789, another through the Northern States in 1790, and still another through the Southern States in 1791. He did this, as he said -- and the words sound good nearly a century and a half later -- "In order to

[laiqualaurelote]

Ted Lasso fics masterlist

it’s not about the wins or losses, it’s about the fandom we made along the way - and that, I think, is what I’ll miss the most

meanwhile, a masterlist of all my Ted/Trent fics:

1. The Truth Shall Make Ye Fret (T, 20k)

“Thing is, though, you gotta love the questions themselves. I guess you journalists don’t get the luxury of that, seeing’s how you gotta rush your stories out - y’all just want your answers right off the bat. But I think you gotta live the questions first. Then one day you’ll gradually, without noticing it, live along some distant day into the answer.”

Trent takes off his glasses. “Ted Lasso, did you just quote Rilke at me?”

Ted shrugs modestly.

“I take it back,” says Trent. “You don’t need media training at all.”

In 48 hours, Trent Crimm lands a scoop, implodes his career and makes some drastic life decisions. And then there's the aftermath. And Ted, of course.

2. they will see us waving from such great heists (T, 21k)

“Well, like the Gambler himself says - you got to know when to hold ‘em, know when to fold ‘em. Know when to walk away, know when to run. And the latter would be about now, because I think this house is on fire.” 

In which Trent Crimm, Interpol, investigates the theft of Rupert Mannion’s painting by a mysterious thief dubbed The Greyhound. FBI Special Agent Ted Lasso gets in the way. Heist!AU

2a. Trick Plays (T, 6.4k)

Snippets from the Such Great Heists universe, including Crimminal Intent, The Prying Dutchman and We Provide Leverage.

3. constant as a northern star (constantly in the dark) (T, 10.5k)

“I just met Ted Lasso,” Sachiko Crimm says bluntly when her ex-husband picks up.

Trent is silent for a while. “And?” he says finally.

Sachiko gives it five seconds, and then she bursts out laughing.

“Stop it,” says Trent wearily.

The saga of Trent Crimm and his independent ex-wife

4. all the men and women merely players (T, 50k)

"So let me get this straight. You, an American whose career highlights consisted mainly of appearing on Saturday Night Live, decide in the wake of the apocalypse to lead a touring Shakespeare company across the ruins of England."

"Oh, I know. Heck, I said as much to Rebecca when she suggested it. I said, 'You could fill two Internets with what I don’t know about directing Shakespeare.' And she said, 'Ted, the Internet doesn’t exist any more.'"

Trent Crimm meets Ted Lasso by chance at a Shakespeare play. Five years and the end of the world later, they meet again at another. A Station Eleven post-apocalyptic theatre AU (no knowledge of Station Eleven necessary to read), WIP but updating real soon!

It’s been an honour to write for this fandom, I love you all so very much (on three!)

[awesamforehead]

On a more positive side, I'm so proud of Tommy and how far he has come. He was just a young boy from northern England who wanted to be like his favorite youtubers, now hes one of the biggest on the whole platform with some of those youtubers being his friends. He had one of the most live viewers count in twitch history, he spent a week in new york to raise money for homeless lgbt+ youth, now he has his own tour coming up with his close friends. He's grown so much both as a creator and a person, I couldnt be more proud of him.

[areyougonnabe]

I'm nearly 150 pages into Worst Journey and Priestly keeps showing up and he is telling me so many interesting things but I'm still not sure what his Job is on this expedition all Cherry's told me is that he A) wrote a book and B) served with Shackleton and I have discerned that he Takes Photographs which is Important!!! But I am wondering if he is also perhaps. A geologist or something? PLEASE HELP.

LET ME TELL YOU ABOUT SWEET BABY RAY

this stylish dude began his polar career when he was chosen to go on shackleton's nimrod expedition in 1907. he was a geology student at bristol university at the time, only two years into his degree at age 20 and without any qualifications to speak of. shackleton asked him two questions in the interview (“Would you know gold if you saw it?” “Can you play a musical instrument?”) and then he was hired!

he mainly was like... the Young Man of the expedition (alongside brocklehurst who was his age but brocklehurst's role was the Rich Kid) ... the most notable incident was when he slept outside a tent during a blizzard on mount erebus (bc there wasn't room for him inside 😭), got pushed down the hill by the wind in his sleeping bag and nearly died. but he was ok!!! didn't even lose any toes!!! unlike that loser PHIL

(bb priestley on nimrod. early in his baldness journey)

there were two other qualified geologists brought along on the expedition, Edgeworth David and Douglas Mawson, who he learned a lot from, and after the expedition he spent time in Sydney cataloguing and studying the Antarctic samples underneath Professor David. this led to him getting picked right back up by Scott again when one of the Terra Nova's geologists dropped out due to tuberculosis and he asked David who he should take instead.

he wasn't part of the main cape evans party on scott's expedition but was instead the geologist for the Eastern Party, which became the Northern Party and ended up having a ludicrously bad time, trapped in a tiny ice cave for six months. (for more about that check out The Longest Winter!!)

but they rescued their own asses and ended up all getting out OK. while waiting to get picked up by the ship, priestley and debenham hung out at shackleton's cape royds hut (where priestley had lived back in the day) and sketched out the plans for what would eventually become the SPRI!!!

after the expedition, all the scientists went home to england and hung out at priestley's family home in tewkesbury while working on their scientific results. this had the hilarious consequence of two of his sisters getting married to his expedition friends (Doris to Griffith Taylor and Edith to Charles Wright). and deb missed out somehow... tough luck bro.......

(baldness journey well advanced. he is transforming into mark gatiss)

aaaand after that a lot of stuff happened.. like the war.... he got a degree in agriculture (?) then helped deb and wordie found the SPRI, and eventually became a career university administrator. he was very active in lecturing about the antarctic throughout his whole life! and even went back as a tour guide for prince philip in the 50s lmao

in conclusion: priestley you have to stop. you smoke too tough. your swag too different. your bitch is too bad. they'll kill you

[zot3-flopped]

The fascinating emptiness of one Mr. Louis Tomlinson

Simone De Aurevoir

Feb 20, 2024

Four months ago I went to a concert. The exact city, venue and date doesn’t matter, and you will understand why it doesn’t matter in just a moment. The concert in question was given by Louis Tomlinson, a former member of One Direction, and what I experienced that night was so odd, so puzzling, so fascinating, that I couldn’t help but write it down. Allow me to explain.

The concert took place on a Tuesday evening. It is part of his Faith in the Future tour, and I was accompanying a close friend who is a huge “Louie”, as his fans are called. (Despite the difference in spelling, the man’s name and his fandom are actually pronounced the same way.) I joined her mostly out of solidarity and a little bit out of morbid curiosity. She had previously given me only small glimpses into the Louis Tomlinson fandom, and as a pop culture enthusiast, naturally I was intrigued by this window into an obscure cultural bubble. I remember thinking, “It might be interesting to see what she’s so obsessed with”.

Her first act of initiation had been to take me to see All of Those Voices, the documentary movie about Louis Tomlinson‘s life after One Direction, which depicted his chain smoking Northern English charm, his image of the humble underdog, and the unexpected upwards trajectory of his career over the last five years. It had also instilled in me a vague sense of fear of the fandom. Then again, the intensity of the Gospel is always off putting to atheists, so I thought nothing more of it.

Knowing that football/soccer games dictate which colors to wear and which to avoid, I had half-jokingly asked my friend about taboo colors the day before, not really expecting an answer. Immediately, she texts back — “Don’t wear green, and avoid any obvious combinations of blue and green.” If you’re feeling a sense of foreboding right now, that’s the right instinct.

On the night of the concert, we arrive at the 15,000 seat arena in the brisk evening air. To my surprise, the concrete vestibule is almost empty, save for the small crowd clustering around a merch stand. “They’re all already inside”, my friend explains confidently. We enter through the main entrance into the stuffy warmth of the lobby, through security, past another overcrowded merch stand, and through the soundproofed swinging doors into the main concert hall.

I suddenly feel very small as I enter this gigantic darkened arena space, where the air is even warmer, and buzzing with excitement. Indeed, everybody else is already here. The show won’t actually start for an hour, but the arena is already fully packed. We squeeze past a long row of excited faces to get to our seats, where the local chapter of Louis’s fan club has deposited some items for audience interaction: a blank white sheet of paper and a little snippet of red transparent tracing paper, both with instructions for how and when to hold them up.

While we’re settling in, the second of the two opening bands is already playing — a forgettable mess of clichés from Northern England. “As a white indie boy, Louis tours exclusively with other white indie boys”, my friend remarks with cheeky self awareness. While the clichés are playing, we look around the sold out arena. The two of us are only a little bit younger than Louis himself, which makes us some of the oldest people in the venue (not counting the occasional parental custodians who accompany their teen children).



Fans camping out for a spot in the first row for Louis’s show in Glasgow, 2022. Photograph by Steve Welsh

To me, it looks like we’re just two old pieces of driftwood in a sea of teeth in braces, puffy cheeks and pigtail buns, but my friend explains to me what I’m really seeing. “See that guy over there? That shirt is a Doncaster Jersey with Louis’s team number.” Or: “This girl in front of us? That’s a handmade replica of a t-shirt Louis wore on tour in 2016.” Already, I am amazed at the depth of not just her knowledge, but everybody’s knowledge of the history of this Louis Tomlinson. And then, to my delight, we actually see the forbidden combo: a girl wearing two glow-in-the-dark bracelets next to each other; one blue, one green.

It’s at this point that I finally get an explanation of the meaning behind the colors: Back when the band was still active, all five members of One Direction had a color assigned to them, based on their mic colors at live shows. Harry Styles was green, Zayn Malik was yellow, Liam Payne was red, Louis Tomlinson was blue, and Niall Horan was white. Therefore, wearing blue would symbolize fandom of Louis; wearing, say, red would be an indicator of favoring Liam, and green would symbolize fandom of Harry Styles. And wearing blue and green together would… well, we’ll get to that in a moment.

Since this is Louis’s concert, you might think that the audience would be a sea of exclusively blue clothing, but there is actually a notable amount of rainbow accessories — capes, earrings, fans, etc. — that make for an overall colorful impression.

I wonder out loud how it is possible that somebody who was big with teenagers in the early 2010s has so many teenage fans in 2023. After all, when I was a teenager myself in the late 2000s, it would have seemed unspeakably ridiculous if I had stanned, let’s say, the Spice Girls. (I’m not even sure I was aware of the Spice Girls back then.)

My friend, ever helpful, explains to me that most younger fans came across the fandom in 2020, facilitated by YouTube, Twitter, Tumblr, and pandemic-induced boredom.

Tumblr especially is infamous for its ability to grow and nurture expansive fandoms of pop culture items for years on end, even if the source material is long past its relevance peak (see Supernatural), its quality peak (see Doctor Who) or both (see Sherlock).

The momentum of Louis’ fandom on social media even led to the unusual phenomenon of venues getting bigger every time his concerts were rescheduled due to the pandemic. And this is when it starts to dawn on me. I am not attending a concert; I am witnessing a Tumblr dashboard come to life.

I’m just about to share this thought with my friend when the background music cuts off mid-song, the lights drop, and the sudden darkness comes with a piercing collective shriek that makes the earplugs flutter in my ear canal.

The band comes in first, taking their places. After barely a beat of pause, Louis walks onstage, with messy hair, wearing a tank top and designer sweatpants, walking at a matter-of-fact pace. I assume the shrieking got even louder, but at this noise level it was hard to tell.

Louis takes his place behind the mic stand in the middle and immediately launches into the first song, The Greatest — a stadium anthem basically written explicitly for this spot on the setlist. Not wasting any time on greetings or announcements, he immediately follows up with the other big hit, Kill My Mind. From there, directly onto Bigger Than Me, another stadium-ready rock pop number.

I’m alarmed as I suddenly realize that the only catchy, recognizable songs have come and gone, ushering in the phase of uninterrupted filler songs. (I had dutifully listened to the tour setlist multiple times in preparation for the concert, but my brain just wouldn’t latch on to anything beyond the first three songs.)

At this point, I’m worried this will be a repeat of that time when I went to see P!nk live in concert and noticed too late that I knew none of her songs from after 2005. However, P!nk is a charismatic person and a great live singer who was doing somersaults on a bungee rope as 10 dancers were trampolining and performing aerial acrobatics around her.

Louis is not on a bungee rope. There are no dancers, there is no set piece, there is no stage show, no performance, no outfit changes, no real interaction with the band, and no traditional crowd work. He simply stands behind the mic, singing his songs, the screens above him showing live closeups of his face in black and white, and I’m not sure he smiles even once. For a teen heartthrob, he’s… not very throbby.

(His outfit, by the way, will already have been documented and analyzed by a dedicated Instagram account, @fashionlouist, the owners of which can somehow identify the exact brand and name of each piece he’s wearing within the first 20 minutes of every show. His sweatpants today cost £380.)



Louis on the same tour, earlier in the year. Photograph by Amber Patrick

After the fourth song, Louis finally addresses the audience. “(City), make some noise!” He thanks the two opening acts, and points out that this is one of the loudest crowds he has ever had. That’s it. I’m amused at how his lines are almost comically generic, but my friend explains what I’m not getting: “He always thanks the band, and he always says this wouldn’t be possible without the fans. And he wouldn’t say that if he didn’t mean it. And he only says something about the venue when it’s a really special one.”

She doesn’t see his boilerplate statements as him being uninterested or uninteresting. She sees consistency and authenticity, and judging by the beaming smiles all around me, so does everybody else.

Similarly, his outfit may look to me like he tried to make the least amount of effort, but the fandom like that he is “finally getting more comfortable wearing what he wants”.

In case you’re wondering, Louis’s appeal doesn’t lie in his singing skills either — his pitch gets shaky when the melody dips below the falsetto range, but he is clearly making a great effort in this department. Live singing is hard, and for the most part he’s doing a good job at it.

The interchangeable songs go on for a while, and still the elated fans around me seem to know every syllable. It is very warm, very loud, and for an outsider like me, very boring.

I go outside multiple times to have water, to get another beer, to go to the bathroom. I can’t help but notice that I am the only one in my row leaving her seat during the show. Everybody smiles politely as they let me squeeze past, but every time I do it I’m keenly aware of how inappropriate my behavior is. No one else seems to need or want a break.

In the ghostly emptiness outside I overhear a member of the bar staff complaining about the awful evening. At first I don’t understand what they could possibly find offensive about this quintessentially inoffensive music, but it later dawns on me that they were probably referring to the complete lack of beer and concessions sales. Most attendees are either too young to drink legally or too young to want to spend 6,50€ on a beer. Most of them seem to be sharing one cup of water, and no one is leaving during the concert to go to the bar for a refill.

Down the hall, I hear yelling and commotion which turns out to be paramedics on their way outside, transporting a passed-out teenage fan on a stretcher, accompanied by their panicked friend.

When I return to my seat, everybody around me is still scream-singing along to every single word of every single song, including my friend. They are having a great time. It looks like I missed out on “She Is Beauty We Are World Class“, which, as I had learned earlier that evening, is the song his fans collectively take as an opportunity to show off their rainbow flags and create a queer-accepting atmosphere at the show. Though Louis is, by all accounts, a cishet man, the One Direction fandom has a very, let’s say, specific relationship to queerness and queer symbols. More on that in just a moment.

My ears perk up for a bit when Louis gets to Back to You, a label-mandated collab with Digital Farm Animals and Bebe Rexha from 2017. He plays an altered version of the song with more of a rock sound, but it still stands out to me simply for using different chord progressions than all his other songs.

Funnily enough, in the lyrics of another song (We Made It), he directly addresses this qualm of mine: “Singing something poppy on the same four chords, used to worry about it but I don‘t no more“. To his credit, he really doesn’t pretend to be more than he is — that’s all other people‘s doing. Let me explain.

Not counting parents or outsiders like myself, there are three groups of people in this room: former fans of One Direction, Underdog Cheerleaders, and Larry Stylinson conspiracy theorists.

The first group is easy to explain and even easier to relate to: they were big fans of One Direction (or “1D”), and since that band doesn’t exist anymore, the closest thing to it are the concerts by its former members, all of whom have embarked on solo careers. These fans are the ones who visibly come to life during the two 1D songs that Louis plays this evening; and the ones waving the huge rainbow flag with all five 1D members printed on it. (Again, more on that in a second.)

The second group, whom I call the Underdog Cheerleaders, are the group that my friend belongs to. These are the people who are convinced that there was a grand plan by 1D’s management to make Harry Styles the breakout star of the group, and to suppress the careers of all other members for that reason.

But because they, the true fans, appreciate Louis for exactly what he is, they will do anything they can to support this underdog millionaire, whether by making his songs chart by listening at the same time, buying tickets to his livestream performance during Covid, or writing to the BBC to beg them to stop blacklisting his music. (Whether that was ever actually the case is unconfirmed.)

For them, the appeal lies not in his singing, his performance, or songwriting skills. The qualities that are always repeated when people praise Louis Tomlinson are that he is humble and down to earth; a simple lad from a working class family in northern England.

This is pointed out in every single write up about this man. His humanity is further compounded by the untimely deaths of his mother and sister within a few years of each other while he was ascending to solo fame. For the Underdog Cheerleaders, it’s not about music so much as it is about identifying with, celebrating and uplifting the least memorable person in a lineup of five.

And the third group… they are the ones who would purposely pair blue with green. These are the so-called Larries, the people who ship Harry Styles and Louis Tomlinson as a couple.

You can find a great deep dive on the topic here, but the long and short of it is this: While there were ships for almost all possible combinations between the five members of One Direction (resulting in droll ship names such as Nouis or Ziall), the Larry ship was by far the most popular.

The ideological overlap between the Underdog Cheerleaders and the Larries is not zero, but while the cheerleaders just want to see the nice guy win, the Larries also want the nice guy (and Harry Styles) to come out as gay.

They are willing to accept any explanation, however flawed or implausible, for why Louis and Harry have yet to come out as a couple even though they have definitely secretly been together for a decade now and their respective heterosexual partners are absolutely paid actors and they even totally have a secret baby together.

The lack of evidence, the repeated denials by the two men in question and their polite but increasingly desperate requests to stop the madness have only fueled the fire.

The one thing that all three groups share is that for all of them, Louis’s public perception is forever tied up with the existence of Harry Styles. Whether he wants to or not, Louis is forever defined against his more popular former band mate, whether as his colleague, competitor, villain, or lover.

It’s about an hour and a half into the show as I allow myself a peek at the set list on my phone. We’re finally nearing the end. Watching the unsmiling face of Louis Tomlinson, I’m wondering — is he enjoying himself? Who even is this person?



By seeing this image, you have experienced the complete stage show of the “Faith in the Future” tour. Photograph by Steve Jennings

The encore consists of three songs. When Louis gets to the last one, he descends into the pit. Still singing, he walks up to the first row who have been camping outside since the day before in order to get this spot. He touches a few of the outstretched hands, walks along the front row to the left, bends into the crowd for a few seconds, and when he reappears he no longer has his tank top on. His fans have ripped it off his body. He retreats back onto the stage, says a few polite words of thanks, and disappears.

And then, the magic is over as quickly as it began. The lights turn on, background music plays, and people immediately start filing out in an orderly manner. Some are clasping the red confetti bands that rained over the audience during the last song, and their faces look like they will treasure this souvenir forever. In the chilly darkness outside, a well-informed busker with a guitar sings songs by Louis and 1D, and a small crowd gathers around him to sing along while waiting for the shuttle bus back to the city.

At the end of the night, I’m left wondering what all these thousands of young fans really care about. Even though everybody knows all the music by heart, it doesn’t really seem to be about the music. And even though there’s a throng of fans crowded around the stage exit for a chance to wave at the tour bus with Louis in it, I don’t know whether this really has anything to do with him personally.

Because at its innermost core, this fandom is about itself. Not in the sense of its specific members — I didn’t see many fans interacting and making new friends — but rather, the fandom as an abstract entity.

It’s the joy of belonging to an in-group; of sending and receiving signals that only the initiated will understand. The firm belief that you’re backing the right horse, that you’re part of something “Bigger Than Me”, that there is a purpose to your music listening.

Who is Louis Tomlinson? I still have no idea, and neither does it really matter. Nobody else cares. They will make Louis Tomlinson into whatever they need him to be.

[blackswallowtailbutterfly]

My Garden Flowers Part 1

Just thought I'd give you all the garden tour. :) I will update when I get more photos. This is of course not counting any of my ferns or conifers as they don't flower. I might do a series of foliage posts, though. All photos mine, unedited.

In order of appearance:

001. Canada Plum (Prunus nigra) Not pictured as she hasn't flowered yet. I have her in a shady spot and she's fairly slow-growing but healthy.

002. Yellow Monkeyflower (Mimulus guttata) An annual that sadly doesn't seem to have reseeded despite flowering profusely last year. But maybe next year! That happens sometimes.

003. Boreal Yarrow (Achillea millefolia borealis) The place where she is is north-facing so she doesn't get quite as much sun as she'd like, so she can get a bit leggy but she still flowers so it's fine.

004. Canada Goldenrod (Solidago canadensis) Not pictured as I haven't got any pictures yet, but I will if she flowers this year. I actually had to move her because she had planted herself in a not ideal location in my garden. Which is fine because I wanted one anyway.

005. Vierhapper's Aster (Aster alpinus vierhapperi) This was supposed to be Canada goldenrod, but it's okay because Canada goldenrod planted herself. I relocated her to the intended spot and they get along fine together. Asters and goldenrods generally do. :)

006. Common Sunflower (Helianthus annuus) I did not plant this! Must have been given to me by a bird or squirrel. Sadly she didn't reseed. Oh well, she's a cultivar and I did get the wild type. Interesting to me that she actually flowered in that area when her cousin stubbornly refuses to.

007. Obedient Plant (Physostegia virginiana) This refers to the fact you can move the flowers around, not to the behaviour of the plant, which is very aggressive.

008. Black Chokeberry (Aronia melanocarpa) Not pictured as she hasn't flowered yet.

009. Enchanter's Nightshade (Circaea lutetiana) I didn't plant her; she just started coming up everywhere when I removed the grass. She is not a nightshade. I've learned that even people interested in planting natives regard her as a weed. I disagree. She's not aggressive to other plants and she's pretty.

010. Northern Gooseberry (Ribes oxyacanthoides) Not pictured as she hasn't flowered yet.

011. New Jersey Tea (Ceanothus americanus) Haven't tried her for tea yet, but she's a lovely little bush.

012. Sunchokes (Helianthus tuberosa) Aforementioned cousin of the common sunflower. Not pictured as she keeps making her flowerbuds too late in fall so the frost gets them before they can open.

013. Potato Bean (Apios americana) Not pictured as she hasn't flowered yet.

014. Common Milkweed (Asclepias syriaca) SUPER fragrant, especially in the evening. This is an aggressive plant but worth it for the flowers, the fragrance, and the butterflies they attract. Not to mention the young shoots, flower clusters, young leaves, and young seedpods are all edible if cooked properly!

015. Northern Bayberry (Myrica pennsylvanica) Not pictured as she hasn't flowered yet. Her leaves are nice and evergreen, though.

016. Virginia Strawberry (Fragaria virginiana) Also known as "wild strawberry", but so is her cousin. She flowers reliably every spring but no strawberries yet. The flowers themselves are edible but I keep hoping she'll make strawberries. lol

017. Nannyberry (Viburnum lentago) Not pictured as she hasn't flowered yet.

018. Riverbank Grape (Vitis riparia) Not the greatest picture, but the point is I will get grapes one of these years!

019. False Sunflower (Heliopsis helianthoides) It was hard to pick a favourite photo. They're really quite stunning. She blooms from July until the frosts of October. :)

020. Canadian Serviceberry (Amelanchier canadensis) Not pictured as she hasn't flowered yet. She's a wee little tree in the shade for now.

021. New England Aster (Symphyotrichum novae-angliae) Probably the most attractive of the Symphyotrichum asters, to be honest. The flowers are more compact than most of her relatives while still being a decent size, and the colour is much more saturated too. And the bees absolutely love her. But that doesn't stop me enjoying other asters!

022. Common Elder (Sambucus canadensis) She almost died when I potted her for the move. See I dug up as much of her taproot as I could, but she'd already gone quite deep and I had to break it. But she lived! She's quite big now and has these wonderful lacy white elderflowers every year, with elderberries to follow.

023. Coralberry (Symphoricarpos orbiculata) Not pictured as I didn't get any pictures yet. Should have when I first got her. She was in flower then. She hasn't since.

024. Black Raspberry (Rubus occidentalis) Not pictured as I don't have pictures yet. Don't know why. lol I've taken pictures of the berries. I'll remember next year.

025. Fox Geranium (Geranium robertianum) A true geranium I managed to trade for last year. You mostly find these in the woods and now I have her in my garden.

026-027. Common Hops male and female flowers (Humulus lupulus) I can't remember which is which, but yeah! I could flavour beer if I was a brewer. :)

028. American Spikenard (Aralia racemosa) Another one with lacy little white flowers, and it looks like some of them are going to fruit!

029. Silverweed (Argentina anserina) After several failed attempts, this one has finally taken off. Truly lives up to her name in the spring and has these nice yellow flowers later on.

030. Hoary Vervain (Verbena stricta) The name must refer to the leaves, which are kind of blue-grayish, because the flowers are just a nice purple.

[best-overplayed-song]

fun facts

"Zombie" is about the violence in “The Troubles,” the decades-long conflict in Northern Ireland between nationalists (mainly self-identified as Irish or Roman Catholic) and unionists (mainly self-identified as British or Protestant). Dolores O'Riordan wrote the song during the band’s English tour in 1993 in memory of two young boys, Tim Parry and Johnathan Ball, who were killed in an IRA bombing in Warrington, England.

Jon Bon Jovi didn't want to include "Livin' on a Prayer" on their album, but his band mates literally got down on their hands and knees and begged him to keep it

[louisupdates]

Louis Tomlinson Introduces 28: a Brand Embodying His British Upbringing, Musical Flair, and Football Heritage

Hypebeast sits down with the Doncaster-raised superstar to discover how he channeled his passions into a community-focused streetwear brand.

Many know Louis Tomlinson as a Doncaster lad-turned-pop-icon and part of era-defining boyband, One Direction. But despite his superstar status, the 31-year-old has never lost touch with his relaxed Northern soul. It’s been central to everything he puts his mind to, from music to football… and now, fashion.

After fighting his way through X Factor, growing his talent in One Direction, and going solo after their break-up in 2015, Tomlinson split fresh ground while keeping authenticity at the forefront. Embracing the rockstar lifestyle, he has traveled worldwide on his own terms, revolutionizing his sound through chart-topping hits, including Bigger Than Me, Change, and Silver Tongues.

Now fiercely independent, Tomlinson is continuing to make strides that set him apart from the crowd, releasing his debut solo album Walls in early 2020. Leaving the pop-forward One Direction sound behind, Tomlinson embarked on a journey of self-discovery by embracing his British roots and revitalizing his musical journey with a fresh mindset.

After returning to London from the third edition of his Away From Home festival in Lido di Camaiore, Italy, Tomlinson prepares to continue his global album tour for Faith in the Future across Europe. But there’s much more than music on his mind these days – before he jets off on tour, he’s sitting down with Hypebeast to discuss all things 28, his all-new streetwear label that embodies everything he has been, is, and will be.

Growing up in Northern England naturally gravitated Tomlinson to football, selling pies at his boyhood club, Doncaster Rovers. But he’s kept a keen eye on fashion since his early childhood. “When I grew up, I viewed Doncaster as a working-class town. Now, when I go back to Doncaster, the streets have a real sense of style. That wasn’t the norm for me growing up; there was just scruffy and cool — there was really no in-between. We couldn’t afford really nice clothes, so it was just about working with what you got.”

Standing out has always been of utmost importance for Tomlinson, aligning his laidback attitude with the clothes on his back. Football tops were always a staple, taking to vintage and charity shops to find hidden gems that strayed from normality. “It was always important for me to look cool as a young lad, and I always enjoyed wearing good clothes. You might think, in a place like Doncaster, that it isn’t about fashion — and fashion might be the wrong word — because the thing that would turn people’s noses was that everyone is striving to look cool.”

Known for wearing striped tees and suspenders in One Direction, Tomlinson grew into his true self after the band’s hiatus, returning to his Doncaster roots and embracing comfort at all times. “As a young lad going into a business like this, you are surrounded by people telling you what’s cool and what isn’t. I’d say the boys could relate to this; you have to go through the motions of letting the industry tell you what they think you should do — because you don’t have enough confidence in that world yet to say: actually, no, I want to dress how I want to dress,” the singer-songwriter explains.

He grew up wearing essential British tracksuits, football tops, and trainers, drastically different from the boyband style that had every member dressed in “uniform.” “It’s only as I’ve grown confident in myself that I started to revert back to how I dressed as a young lad, just a kind of modern example of that. I really do wear Doncaster on every item of clothing that I put on, even if it’s subconscious, it’s so much a part of who I am.”

Launching 28 is a tribute to his humble beginnings in music, fashion, and sport, representing his Doncaster Rovers squad number and his lifetime devotion to the football club. The brand idea came to him nearly a decade ago, taking a closer look at standard tour merchandise and finding missing pieces, feeling “a creative itch that I wanted to scratch.”

28’s first drop is a tribute to all things football, embracing the beautiful game through vintage-inspired sports silhouettes destined for summertime. Checkered green tracksuits are ideal for pre-game antics, featuring distorted and faded patterns alongside “OFFICIAL PROGRAMME” collared jerseys.

While concert apparel caterers to the general public, 28 allows his artistic talents to run wild. “That’s why 28 excites me. It’s something that can be a little bit more tailored, a little bit more stylized. I suppose it’s similar to songwriting… seeing how deep your imagination can go when creating clothes.”

When designing 28’s first drop, Tomlinson pushed comfort forward through quality craftsmanship and refined fabric manipulations. His ideas feature heavily across every design, architected on lightweight hoodies, turtleneck collars, and distressed knitwear. Abstract floral illustrations bloom on additional designs, complementing the collection with a neutral color palette. Collections will release on the 28th of each month, expanding its sportswear identity one step at a time.

28 is undeniably football-focused, making clothes he would identify with as a young boy growing up in “Donny.” Tomlinson aims to bring his community together with interactive drops and a story to tell, enlisting emerging creatives to front the brand’s first campaign. “Community is something that runs throughout everything I do, and after getting the casting ideas for the models, I knew I wanted to use street models. I didn’t want to use that traditional model face because that’s not what I grew up with,” Tomlinson says.

“If I picture that rough lad I grew up with in Doncaster, he certainly didn’t have that look — he just looked cool in the clothes,” Tomlinson says with a wide smile, “There’s a beautiful authenticity to that. I think there’s a more interesting way and authentic way of telling these stories for 28.” While Tomlinson is the brand’s Creative Director, he sees 28 standing on its own two feet without his face attached, building a core community within its evolving identity.

So what’s in store next for Tomlinson? “I’m going back on tour, which is my favorite thing to do. At some point, there’ll be a new record. I don’t know when, though; I’m trying not to put too much pressure on myself and just trying to enjoy it. I’m mostly tour-focused right now — that’s why I love creating 28 — because it means that when my brain is all on touring and music, it’s creatively fulfilling to get into something else and scratch that itch.”

TEXT BY

Andrea Sacal

[hldailyupdate]

Many know Louis Tomlinson as a Doncaster lad-turned-pop-icon and part of era-defining boyband, One Direction. But despite his superstar status, the 31-year-old has never lost touch with his relaxed Northern soul. It’s been central to everything he puts his mind to, from music to football… and now, fashion.

After fighting his way through X Factor, growing his talent in One Direction, and going solo after their break-up in 2015, Tomlinson split fresh ground while keeping authenticity at the forefront. Embracing the rockstar lifestyle, he has traveled worldwide on his own terms, revolutionizing his sound through chart-topping hits, including Bigger Than Me, Change, and Silver Tongues.

Now fiercely independent, Tomlinson is continuing to make strides that set him apart from the crowd, releasing his debut solo album Walls in early 2020. Leaving the pop-forward One Direction sound behind, Tomlinson embarked on a journey of self-discovery by embracing his British roots and revitalizing his musical journey with a fresh mindset.

After returning to London from the third edition of his Away From Home festival in Lido di Camaiore, Italy, Tomlinson prepares to continue his global album tour for Faith in the Future across Europe. But there’s much more than music on his mind these days – before he jets off on tour, he’s sitting down with Hypebeast to discuss all things 28, his all-new streetwear label that embodies everything he has been, is, and will be.

Growing up in Northern England naturally gravitated Tomlinson to football, selling pies at his boyhood club, Doncaster Rovers. But he’s kept a keen eye on fashion since his early childhood. “When I grew up, I viewed Doncaster as a working-class town. Now, when I go back to Doncaster, the streets have a real sense of style. That wasn’t the norm for me growing up; there was just scruffy and cool — there was really no in-between. We couldn’t afford really nice clothes, so it was just about working with what you got.”

Standing out has always been of utmost importance for Tomlinson, aligning his laidback attitude with the clothes on his back. Football tops were always a staple, taking to vintage and charity shops to find hidden gems that strayed from normality. “It was always important for me to look cool as a young lad, and I always enjoyed wearing good clothes. You might think, in a place like Doncaster, that it isn’t about fashion — and fashion might be the wrong word — because the thing that would turn people’s noses was that everyone is striving to look cool.”

Known for wearing striped tees and suspenders in One Direction, Tomlinson grew into his true self after the band’s hiatus, returning to his Doncaster roots and embracing comfort at all times. “As a young lad going into a business like this, you are surrounded by people telling you what’s cool and what isn’t. I’d say the boys could relate to this; you have to go through the motions of letting the industry tell you what they think you should do — because you don’t have enough confidence in that world yet to say: actually, no, I want to dress how I want to dress,” the singer-songwriter explains.

He grew up wearing essential British tracksuits, football tops, and trainers, drastically different from the boyband style that had every member dressed in “uniform.” “It’s only as I’ve grown confident in myself that I started to revert back to how I dressed as a young lad, just a kind of modern example of that. I really do wear Doncaster on every item of clothing that I put on, even if it’s subconscious, it’s so much a part of who I am.”

Launching 28 is a tribute to his humble beginnings in music, fashion, and sport, representing his Doncaster Rovers squad number and his lifetime devotion to the football club. The brand idea came to him nearly a decade ago, taking a closer look at standard tour merchandise and finding missing pieces, feeling “a creative itch that I wanted to scratch.”

28’s first drop is a tribute to all things football, embracing the beautiful game through vintage-inspired sports silhouettes destined for summertime. Checkered green tracksuits are ideal for pre-game antics, featuring distorted and faded patterns alongside “OFFICIAL PROGRAMME” collared jerseys.

While concert apparel caterers to the general public, 28 allows his artistic talents to run wild. “That’s why 28 excites me. It’s something that can be a little bit more tailored, a little bit more stylized. I suppose it’s similar to songwriting… seeing how deep your imagination can go when creating clothes.”

When designing 28’s first drop, Tomlinson pushed comfort forward through quality craftsmanship and refined fabric manipulations. His ideas feature heavily across every design, architected on lightweight hoodies, turtleneck collars, and distressed knitwear. Abstract floral illustrations bloom on additional designs, complementing the collection with a neutral color palette. Collections will release on the 28th of each month, expanding its sportswear identity one step at a time.

28 is undeniably football-focused, making clothes he would identify with as a young boy growing up in “Donny.” Tomlinson aims to bring his community together with interactive drops and a story to tell, enlisting emerging creatives to front the brand’s first campaign. “Community is something that runs throughout everything I do, and after getting the casting ideas for the models, I knew I wanted to use street models. I didn’t want to use that traditional model face because that’s not what I grew up with,” Tomlinson says.

“If I picture that rough lad I grew up with in Doncaster, he certainly didn’t have that look — he just looked cool in the clothes,” Tomlinson says with a wide smile, “There’s a beautiful authenticity to that. I think there’s a more interesting way and authentic way of telling these stories for 28.” While Tomlinson is the brand’s Creative Director, he sees 28 standing on its own two feet without his face attached, building a core community within its evolving identity.

So what’s in store next for Tomlinson? “I’m going back on tour, which is my favorite thing to do. At some point, there’ll be a new record. I don’t know when, though; I’m trying not to put too much pressure on myself and just trying to enjoy it. I’m mostly tour-focused right now — that’s why I love creating 28 — because it means that when my brain is all on touring and music, it’s creatively fulfilling to get into something else and scratch that itch.”

via HYPEBEAST. (28 August 2023)

[louistomlinsoncouk]

Many know Louis Tomlinson as a Doncaster lad-turned-pop-icon and part of era-defining boyband, One Direction. But despite his superstar status, the 31-year-old has never lost touch with his relaxed Northern soul. It’s been central to everything he puts his mind to, from music to football… and now, fashion. 

After fighting his way through X Factor, growing his talent in One Direction, and going solo after their break-up in 2015, Tomlinson split fresh ground while keeping authenticity at the forefront. Embracing the rockstar lifestyle, he has traveled worldwide on his own terms, revolutionizing his sound through chart-topping hits, including Bigger Than Me, Change, and Silver Tongues. 

Now fiercely independent, Tomlinson is continuing to make strides that set him apart from the crowd, releasing his debut solo album Walls in early 2020. Leaving the pop-forward One Direction sound behind, Tomlinson embarked on a journey of self-discovery by embracing his British roots and revitalizing his musical journey with a fresh mindset. 

After returning to London from the third edition of his Away From Home festival in Lido di Camaiore, Italy, Tomlinson prepares to continue his global album tour for Faith in the Future across Europe. But there’s much more than music on his mind these days – before he jets off on tour, he’s sitting down with Hypebeast to discuss all things 28, his all-new streetwear label that embodies everything he has been, is, and will be. 

Growing up in Northern England naturally gravitated Tomlinson to football, selling pies at his boyhood club, Doncaster Rovers. But he’s kept a keen eye on fashion since his early childhood. “When I grew up, I viewed Doncaster as a working-class town. Now, when I go back to Doncaster, the streets have a real sense of style. That wasn’t the norm for me growing up; there was just scruffy and cool — there was really no in-between. We couldn’t afford really nice clothes, so it was just about working with what you got.” 

Standing out has always been of utmost importance for Tomlinson, aligning his laidback attitude with the clothes on his back. Football tops were always a staple, taking to vintage and charity shops to find hidden gems that strayed from normality. “It was always important for me to look cool as a young lad, and I always enjoyed wearing good clothes. You might think, in a place like Doncaster, that it isn’t about fashion — and fashion might be the wrong word — because the thing that would turn people’s noses was that everyone is striving to look cool.” 

Known for wearing striped tees and suspenders in One Direction, Tomlinson grew into his true self after the band’s hiatus, returning to his Doncaster roots and embracing comfort at all times. “As a young lad going into a business like this, you are surrounded by people telling you what’s cool and what isn’t. I’d say the boys could relate to this; you have to go through the motions of letting the industry tell you what they think you should do — because you don’t have enough confidence in that world yet to say: actually, no, I want to dress how I want to dress,” the singer-songwriter explains.

He grew up wearing essential British tracksuits, football tops, and trainers, drastically different from the boyband style that had every member dressed in “uniform.” “It’s only as I’ve grown confident in myself that I started to revert back to how I dressed as a young lad, just a kind of modern example of that. I really do wear Doncaster on every item of clothing that I put on, even if it’s subconscious, it’s so much a part of who I am.” 

Launching 28 is a tribute to his humble beginnings in music, fashion, and sport, representing his Doncaster Rovers squad number and his lifetime devotion to the football club. The brand idea came to him nearly a decade ago, taking a closer look at standard tour merchandise and finding missing pieces, feeling “a creative itch that I wanted to scratch.” 

28’s first drop is a tribute to all things football, embracing the beautiful game through vintage-inspired sports silhouettes destined for summertime. Checkered green tracksuits are ideal for pre-game antics, featuring distorted and faded patterns alongside “OFFICIAL PROGRAMME” collared jerseys.

While concert apparel caterers to the general public, 28 allows his artistic talents to run wild. “That’s why 28 excites me. It’s something that can be a little bit more tailored, a little bit more stylized. I suppose it’s similar to songwriting… seeing how deep your imagination can go when creating clothes.” 

When designing 28’s first drop, Tomlinson pushed comfort forward through quality craftsmanship and refined fabric manipulations. His ideas feature heavily across every design, architected on lightweight hoodies, turtleneck collars, and distressed knitwear. Abstract floral illustrations bloom on additional designs, complementing the collection with a neutral color palette. Collections will release on the 28th of each month, expanding its sportswear identity one step at a time. 

28 is undeniably football-focused, making clothes he would identify with as a young boy growing up in “Donny.” Tomlinson aims to bring his community together with interactive drops and a story to tell, enlisting emerging creatives to front the brand’s first campaign. “Community is something that runs throughout everything I do, and after getting the casting ideas for the models, I knew I wanted to use street models. I didn’t want to use that traditional model face because that’s not what I grew up with,” Tomlinson says.

“If I picture that rough lad I grew up with in Doncaster, he certainly didn’t have that look — he just looked cool in the clothes,” Tomlinson says with a wide smile, “There’s a beautiful authenticity to that. I think there’s a more interesting way and authentic way of telling these stories for 28.” While Tomlinson is the brand’s Creative Director, he sees 28 standing on its own two feet without his face attached, building a core community within its evolving identity. 

So what’s in store next for Tomlinson? “I’m going back on tour, which is my favorite thing to do. At some point, there’ll be a new record. I don’t know when, though; I’m trying not to put too much pressure on myself and just trying to enjoy it. I’m mostly tour-focused right now — that’s why I love creating 28 — because it means that when my brain is all on touring and music, it’s creatively fulfilling to get into something else and scratch that itch.”