#normal person. and im having difficulty coming to terms with like. this is just who i am. i cant do everything other people might be able to

[piesa2]

everyone is pitying me and i dont know how to feel about that

[dashielldeveron]

omg i loved your soulmate troupe… im so inspired by it but i have a question?? How do you find such great like “big boy words” like anachronistic and such and perfectly incorporate them in without sounded pompous :(( i admire your vocab its so beautiful

this is a really interesting question, and i'm not sure i know the answer to it!!! speculation/advice under the cut

i think, in the context of soulmate trope, it may be that the reader character is established as this observant, detail-oriented person who analyses/notices a bunch of mundane things, so it makes some sense that that sort of person would have a wider vocabulary in order to describe things better. like, try picturing yaoyorozu using the word mellifluous versus kaminari using it. it would sound weird and pretentious for kaminari to use words like that, because he's established to not be too bright and doesn't use that sort of language in general. yaoyorozu, though, we know she has to have a wide body of knowledge to utilise her quirk the best she can, so it would make sense that she's come across that word and may casually use it. so it may not seem pretentious for soulmate trope bc it feels in character for the POV reader character.

i think the probable, most comprehensive answer is that i've just been doing it for a long time. been reading a lot. been writing a lot. which i know is not a fun answer, because it's better to have immediately applicable advice.

here's my best attempt regardless, though:

if you're wondering if anything you yourself wrote is pretentious bc you use bigger words, it's probable not actually pretentious. it's your brain trying to kill you. you've looked at your work a lot, so you're not seeing it with fresh eyes; you're seeing your writing process behind every sentence. you're most likely fine.

2) our current literacy crisis involves a strange undercurrent of an aversion to "purple prose," which, normally, means language so flowery and over-the-top that it makes a work incomprehensible, but with the current literary scene has been watered down to mean something along the lines of "heavy description and figurative language." which can include using vocabulary we don't encounter in everyday life. people can tell you it's cringe to use them. it's not, and even if it were, cringe is dead, and we are free.

3) nothing wrong with being pretentious!!! we are alive!!!! indulge in the senses and in luxuriant descriptions!!!!!

4) specificity in language is good. it's not pompous if it's the most specific, appropriate word for the situation. it communicates the ideas better

5) some words may seem pretentious because of the story's context. has the story established that it only uses fifth-grade-level words? then of course it would feel out of place and pretentious when there's suddenly a five-syllable word.

6) as for finding words, well. besides reading, there's lots of ways to find different vocabulary. my dumbest but most effective advice: look up lists of vocabulary words that seventh graders are supposed to be quizzed on weekly. you want lists that are divided into, like, fourteen units, bc that means it's a year-long endeavour and designed to amp up in difficulty. yes, you'll know like 97% of the words, but there'll be some weirdly specific terms thrown in there. keep track of the ones you've never heard of or the ones you want to re-cement in your vocabulary. so, we start with seventh grade bc it's not intimidating, bc it's for fucking seventh graders. but keep going all the way up to 12th grade. all those words you collected--put them in a planner or daily calendar with their definitions; commit to learning one word a day and using it in conversation that day. i am slightly embarrassed to say i did this for years. nowadays, you can buy word-a-day tearaway calendars, but i liked having the customisation for words i knew i wanted to learn. i remember picking a bunch of old-fashioned, sexual-adjacent words for like two weeks in a row bc i wanted to write a loki fanfic.

anyway. i hope any shred of that helps lol. and wow i'm really flattered that you'd ask me about it, gosh!!!! thank you so much for your question and for reading my silly stories!!!! xx.

[glitchdollmemoria]

preemptive warning for discussion of violence, abuse, and sexual assault in the links ahead

one of the many frustrating parts of schizospec paranoia is that, when it comes to more realistic fears, it gets hard to tell whats The Mental Illness and whats actually justified, at least to a degree. people with schizospec disorders are more likely to be the victims of violence, with some estimates claiming those with schizophrenia are 14x more likely to be victims of violent crimes than they are to commit violent crimes and twice as likely as the general public to be victims of violent crimes, and people with "severe mental illnesses" overall have been repeatedly reported to be at a much higher risk of being the victim of violence.

when you account for other factors which can put an individual at further risk of violence and abuse - physical and intellectual disabilities, race, gender, sexuality, or religion for example - you can easily see that theres plenty of fuel for persecutory fears.

when you account for the fact that schizospec disorders, especially their paranoid symptoms, can be exacerbated and even partially caused by trauma such as being the victim of abuse, and the revictimization rate for victims of such mistreatment, even more fuel is clearly being added. schizospec symptoms can easily mesh with symptoms of ptsd, resulting in paranoid fears that are, to some degree, based in factual events in a persons life.

so, with the way schizospec disorders muddle up our thought processes, it becomes especially difficult to know whether our fears are based in any form of fact or not. i experience fears that people are obsessively attracted to me, because ive been mistreated by past partners and by those who i wasnt involved with like that but who still took their own feelings for me too far. its difficult for me to discern whether people are actually attracted to me, and wanting to harm me because of it, or if its all just my synapses misfiring. i simultaneously have a constant feeling that the people around me are scared of me or see me as less than a person, and are therefore planning on causing me immediate harm or working behind the scenes to ruin my life, but these fears draw on actual experiences of being told im scary or pitiful or lesser, having people actually make efforts to hurt me in one way or another, so on and so forth. i am not the only one experiencing this, im confident.

and then you factor in the fact that those of us with schizospec disorders are most often socially isolated to some degree - the dsm even lists social isolation and difficulty maintaining close relationships to be a symptom of schizotypal personality disorder, for one thing i remember off the top of my head. were seen as strange, unnerving, unnatural, our behaviors are abnormal, we dont connect with others the way we "should", we communicate in confusing ways. every day i feel as if i have an aura emanating off of me that other "normal" people can sense, that tells them im a threat. and so it becomes increasingly difficult for us to find support, for our symptoms, or for the aftermath of discrimination and violence. we often arent truly "people" in the eyes of non schizospecs, rather were psychos, crazies, potential killers. we become collateral damage, acceptable targets. and it becomes easy to brush off our concerns for our own safety, because its more convenient to chalk things up to us just being delusionally paranoid rather than putting in the effort to actually examine the situation and the facts of how dangerous life is for mentally ill people.

i know that my thinking is disorganized here, and im doing the "flowery language" thing because its a serious topic and its hard to put into more succinct terms than dancing around what im saying. so i hope that what im trying to say is actually coming across clearly. my point is that im tired of second guessing myself and never knowing whether my fears of persecution are based in fact or not, and im tired of the social isolation that comes with this shit. im tired of feeling like if anything happens to me its going to be brushed off as just symptoms and not a real problem that matters to anyone except me

EDIT 8/19/2023: because i got reminded of this old post, i want to add that since posting this ive realized i also have npd. usually i keep my npd talk to a side blog because im not super comfortable talking about my symptoms on main, but i do want to add the clarification that the paranoia i talk about in this post is ALSO very very heavily tied to my npd in addition to my being schizospec. and in a way that makes me feel even more vulnerable, because people with npd tend to be villainized and treated as if our problems are just exaggerations to get attention. so when you combine the stigma against both conditions... its fucking rough out here, idk what else to say.

[monsterqueers]

Nonhuman Still A Decade Later - An Essay

So ive been identifying as a therian for around decade now, and otherkin and fictionkin about 6-ish(7?). I never made huge amounts of insightful posts, and I don't have any hot takes to add to other people’s. My internet presence is largely a fandom one with a side of social justice things, and thus even if I did have something I felt worth saying on the topic beyond yet another awakening story or an explanation of my past lives and whathaveyou, the viewership would be small and those who might find worth in the post wouldn’t see it.

I am no greymuzzle, no queer elder, no ‘fandom old’, I was 12-ish and heard ‘therian’ on a furry podcast and went ‘oh, thats the word for how I am. Everything makes sense now’ and proceeded to lurk mostly thereafter. I don't have all that much wisdom, im just vibing over here. But, I can talk about what its like, ten years later.

'Growing Out Of It'

I mean, you might. You might realize you aren’t a wolf, or a angel, or a pikachu or whatever. You might work through your misanthropy and gender dysphoria and trauma and internalized woes and fraught teenage experiences and come out the other side finding you aren’t these things. There's no shame in that, and it does happen.

These no shame in having a past life that you used to ID strongly as, but don't anymore, or you find you were a different kintype than you thought, or that you were human all along, even years later.

You could still ID as the thing but its not as bright anymore- but rather how humans view being human; barely of note most of the time. You may go from shifting every day heavily to being slightly shifted at all times and spiking rarely.

BUT

But, not only does that not make your experience in-the-moment any less real, but it also could just never happen. You might never have how you identify fade or change.

It might sound scary, it might be scary in the moment, even, but there is nothing truly to fear from change like this, nor from discovering what you are, really. It is a new evolution of you. It may be sad, to say goodbye to a label you've had for so long, that helped you find friends, or got you through tough times, but it doesn’t fit anymore. Marie Kondo has the right of it- thank that label, that community, that identity, and move to what does fit- what helps you.

It might also sound scary, that you will be a nonhuman thing in a meatsuit that doesn't fit until you die, that you might not ever grow out of the uncontrolled shifting and the aching dysphoria and homesickness for places you have never been. And maybe it will never go away, but it will get easier. You will find coping methods, supportive people, have access to resources and help. Eventually, these things hurt less. You get used to it. You settle into your skin, even if it isnt the right one, its still yours.

Cringe

At this point, I am immune to cringe. You will get there too, probably. Im a plural, nonhuman, neurodivergent, furry, fictionkind, genderqueer and regular queer magic-using, anime-watching, kinky fandom freak of a pagan and im living my best life. I wear a collar in public every day. My face mask has a cat face on it and I plan to get more just like it. Im going to be adding a tail and claw gauntlets to my itinerary of everyday wear once I get something properly washable. At some point you just stop caring as much about how others perceive you. So what if what you do is embarrassing and weird? It makes you happy, right? You aren't going to get hurt wearing it? Then go for it! You have nothing to lose but your shame. People will try to shame you, that is true, but as time goes on, you will find you give less of a shit about if people laugh or stare. You can bottle it up, or you can be free. Just be sure to be safe.

The Disk Horse

Once you’ve been here awhile, drama becomes the same cycles- the same drama llama, different day. You’ve already seen that argument, years ago. You’ve read that thread, you were there for that community debate that settled how the forum would do things. You’ve seen the same types of trolls, the same bad actors pop up. It gets old, after awhile.

Maybe you used to have the energy to debate and discuss and keep up with all of that, but you probably don’t now. Or if you do, its simply to inform and lurk and not to debate anymore.

Your love of debate will fade when you have the same one every six months for ten years. Trust me.

Dunking on trolls and rude assholes and debating with KFFs and anti-kin and having intra-community fistfights is going to lose its shine, especially when you look back at the posts years from now and see how many hours you wasted typing at people who aren’t going to listen to facts and certainly wont listen to you.

Daily Life

Its- normal. I am a dragon, I am a cat, I am living life.

Personally, I have some past lives I no longer identify as that I used to- even though the past life is still there. I have kintypes i've since learned I had kinfeels of only because of other identity relations (paratypes, I believe the new word is called). I used to shift often, I don't much anymore, its a low-grade 20% all the time. Since figuring out and coming to terms with our plurality, some kinfeels were found to belong to people who are not me. We have access to buying things that alleviate dysphoria, we no longer have the horrible emotional state we had in high school that exacerbated nonhuman difficulties.

Life is good, strangely enough. And I am still a cat and a dragon in a human meatsuit (with some other folks in here with me!), and that is just how I like it.

All and all- whats being nonhuman like after ten years of having the same label? Normal. It feels comfortable. Like living. I have always been these things, and I very likely will always feel this way. I no longer feel shame for doing things I used to be scolded for, I no longer feel quite so discontent with my physical form, I feel whole (ironically, being many people in one body).

Its just...Living, but as a nonhuman. There isn't much more to say.

[olderthannetfic]

It's really surprising that you're so well versed in older fandoms and yet participate in new popular ones (that cdrama, kpop) is this by design? Im in my twenties and my interest turnover is already way slower than it used to be

You know, that’s a really interesting question. I wouldn’t say it’s by design exactly in that I do tend to just follow what strikes my fancy, and I can’t force myself to want to write fic for just anything. (I find it easier to like reading fic without serious involuntary emotional investment, but writing takes more. Vidding I can do on command most of the time, but I don’t usually bother unless I have a lot of feels or I’m fulfilling someone’s prompt.)

However, me getting into BTS was 100% due to me wanting to understand BTS enough to explain to people who weren’t very interested but wanted to know what was going on in fandom lately. Under normal circumstances, I run the dance party at Escapade, the oldest extant slash con. We borrowed vividcon’s thing of playing fanvids on the wall--all of them set to dance music--as the soundtrack for the dance party. This means I’m creating a 3-hour mixtape of fannishness, which has amazing potential to make people feel in the know about Fandom Today... and equal potential to make them feel alienated if nothing they care about shows up. Only about 100-150 people attend the con, so it really is possible to make a playlist that feels inclusive yet informative--it just takes a huge amount of work.

Every year, I do a lot of research on which fandoms are getting big and look for vids from vidders people won’t have heard of, so there is an element of consciously trying to keep up with things. Generally, I only get into these fandoms myself if I had no idea what they were and then suddenly, oops, they’re my kryptonite, like the buddy cop android plot in Detroit: Become Human, which sucked me in hard for like 6 months on the basis of a vid.

(So if you’re into cross-fandom meta and associated stuff as one of your fannish interests, you tend to have broader knowledge of different fandoms, old and new, than if you’re just looking for the next place you’ll read fic. It’s also easier to love vids for unfamiliar things than fic.)

But though I was only looking for a basic primer on BTS, BTS has 7 members with multiple names and no clear juggernaut pairing, not to mention that AU that runs through the music videos and lots of other context to explain. The barrier to understanding WTF was going on at all was high enough that to know enough to explain, I had to be thoroughly exposed... And once I was over that hurdle, oops, I had a fandom.

--

In terms of old vs. new, here’s the thing: kpop fandoms in English and c-drama fandoms in English right now feel a lot like anime fandom in English did in the early 00s. I had a Buddy Cops of the 70s phase in the middle, but my current fannishness is actually a return to my older fannishness in many ways.

What do I mean about them being similar?

Yes, I know some wanker will show up to say I think China, Korea, and Japan are indistinguishable, but that’s not what I’m talking about. I’m talking about the way that I used to routinely meet Italian and French and German fans, Argentinian and Mexican, Malaysian and Indonesian and Filipino too. English-language fandom of SPN or MCU may have all those fans from all those countries, but it feels very American most of the time. English-language fandom of a non-English-language canon is more overtly about using English as a lingua franca.

It also tends to attract people who as a sideline to their fannishness are getting into language learning and translation, which are my other passion in life after fanworks fandom. (I speak only English and Spanish and a bit of Japanese, but I’ve studied German, French, Russian, Mandarin, Old English, and now Korean.)

Nerds arguing about methods of language learning and which textbooks are good and why is my jam. This is all over the place in English-language fandoms of Chinese, Japanese, and Korean media. Those fandoms also tend to be full of speakers coming from a Germanic or Romance languages background who face similar hurdles in learning these languages. (In other words, if you’re a native Japanese speaker trying to learn Korean, the parts that will be hard for you are different than if you’re an English speaker, but you’re also usually not doing fandom in English.)

There’s also an element of scarcity and difficulty of access and a communal attempt to construct a canon (in the other sense) of stuff from that country that pertains to one’s fannishness. So, for example, a primer explaining the genre of xianxia is highly relevant to being a n00b Untamed fan, but just any old thing about China is not. A c-drama adapted from a danmei webnovel is perhaps part of the new pantheon of Chinese shit we’re all getting into, but just any old drama from decades ago is probably not... unless it’s a genre precursor to something else we care about. Another aspect here is that while Stuff I Can Access As A N00b Who Doesn’t Speak The Language may be relatively scarce, there’s a vast, vast wealth of stuff that exists.

This is what it felt like to be an anime fan in the US in 2000. As translation got more commercial and more crappy series were licensed and dumped onto an already glutted market, the vibe changed. No longer were fans desperately trying to learn enough of the language to translate or spending their time cataloguing what existed or making fanworks about a show they stuck with for a bit: the overall community focus turned to an endless race of consumption to keep up with all of the latest releases. That’s a perfectly valid way of being fannish, but if I wanted that, I’d binge US television 24/7.

Anime fandom got bigger, but what I liked about anime fandom in English died, and I moved on. (Okay, I first moved on to Onmyouji, which is a live action Japanese thing, but still.)

Hardcore weeaboos and now fans of Chinese and Korean stuff don’t stop at language: people get excited about cooking, my other other great passion. Times a thousand if the canon is something like The Sleuth of the Ming Dynasty, which is full of loving shots of food preparation. People get excited about history! Mandarin and Japanese may share almost nothing in terms of grammar or phonology, but all of East Asia has influence from specific Chinese power centers historically, and there are commonalities to historical architecture and clothing that I love.

I fell out of love with the popular anime art styles as they changed, and I’m not that into animation in general these days. (I still own a shitton of manga in art styles I like, like Okano Reiko’s Onmyouji series.) I’ve become a filmmaker over the last decade, and I’m very excited about beautiful cinematography and editing. With one thing and another, I’m probably not going to get back into anime fandom, but it’s lovely to revisit the cultural aspects I enjoyed about it via live-action media.

BTS surprised me too, to be honest. I really dislike that early 90s R&B ballad style that infests idol music (not just Korean--believe me, I resisted many rounds of “But Johnny’s Entertainment though!” back in the day). While I like some of the dance pop, I just don’t care. But OH NO, BTS turn out to be massive conscious hip hop fanboys, and their music sounds different. I have some tl;dr about my reactions in the meta I wrote about one of my fanvids, which you can find on Dreamwidth here.

--

But back to your comment about turnover: I know fans from the 70s who’ve had one great fannish love and that’s it and more who were like that but eventually moved on to a second or third. They’re... really fannishly monogamous in a way I find hard to comprehend. It was the norm long ago, but even by the 90s when far more people were getting into fandom, it was seen as a little weird. By now, with exponentially more people in fandom, it’s almost unheard of. I think those fans still exist, even as new people joining, but we don’t notice them. They were always rare, but in the past, only people like that had the stamina to get over the barriers to entry and actually become the people who made zines or were willing to be visibly into fanfic in eras when that was seen as really weird. On top of that, there’s an element of me, us, judging the past by what’s left: only people with an intense and often single passion are visible because other people either drifted away or have seamlessly disappeared into some modern fandom. They don’t say they’re 80 or 60 or 40 instead of 20, so nobody knows.

In general, I’m a small fandoms and rare ships person. My brain will do its best to thwart me by liking whatever has no fic even in a big fic fandom... (Except BTS because there is literally fic for any combination of them, like even more than for the likes of MCU. Wow. Best fandom evar!) So I have an incentive to not get complacent and just stick with one fandom because I would very soon have no ability to be in fandom at all.

My appetite for Consuming All The Things has slowed way down, but it also goes in waves, and a lot of what I’m consuming is what I did back in 2000: journal articles and the limited range of English-language books on the history of m/m sex and romance in East Asia. It’s not so much that I have a million fandoms as that I’m watching a few shows as an expression of my interest in East Asian costume dramas and East Asian history generally.

I do like to sit with one thing and experience it deeply rather than moving on quickly, but the surface expression of this has changed depending on whether I’m more into writing fic or more into doing research or something else.

But yes, I do do a certain amount of trying to stay current, often as a part of research for fandom meta or to help other people know what’s going on. Having a sense of what’s big doesn’t automatically mean getting into all those things, but I think some fans who are older-in-fandom and/or older-in-years stop being open to even hearing what’s new. And if you’ve never heard of it, you’ll never know if you might have liked it.

[nightwings-bussy]

guess who's still on their bullshit? it's me. it's always me. i'm going to talk about why dickkorybabs is a fantastic ship and you should ship it, let's just go character by character

dick. dickie boy. sweet richard john grayson. you're so queer and they just don't know what to do with you, do they. you're so queer that your serial monogamy in every comic since the 90's literally comes off not as "playboy" behavior but as honest to god suspicious, like the writers understand that if they leave you single for so much as a panel or two, it'll become way too obvious how gay you are. but no matter who they shack you up with, who your gf of the week is (and im sure they're lovely but let's be real... they're a placeholder) none of them compare to your Two Great Character Defining Loves. but also no one can fuckin agree on which of those Loves is supposed to be your one and only and as such neither can you - not because you don't love them both profoundly, but because you DO, often at the same time. that's poly as fuck baby. that's just fine.

because barbara and kori are both spectacular, but they each speak to something very different in dick: babs speaks to dick's foundation, to long held, precious bonds, to his loyalty to the family, to his place as the Prodigal Son, detective, prom king, goofball. babs is designed as dick's perfect counterbalance, the first girl he ever crushed on, the one who's known him almost a little too well for a little too long.

kory, on the other hand, speaks to dick's growth, his ascension as a leader, his independence, the formation of a new, strong identity that's all his own. kory has been a part of so many conversations for dick about who he's trying to become. babs and dick carry a lot of the same baggage - they've endured many of the same unkindnesses, survived under the same man's immense expectations and pressure, and that gives them a lot of common ground. in contrast, kory's never lived under batman's thumb, and dick has to fight off a lot of his more bruce-like impulses around her; kory helps dick embrace the emotional core of himself that bruce never could. she celebrates his openness, his softness, his emotional and physical neediness in a way he always thought he had to keep hidden. kory and babs have different access points to dick's heart, his vulnerability. and at his best, dick is an amazing partner to them both: dedicated and charming, deeply affectionate, funny and excited about them, trusting, respectful, in awe of them, confident in them, protective but not overbearing, a strong advocate and partner who's deeply and tirelessly interested in them.

but dick has a dark side that all his friends and lovers eventually see, and it manifests strongly with both of them. with babs, dick's biggest struggle seems to be his ability to trust her with his whole self, to be kind and fair to her in his darker moments, and (debatably) to be loyal when the chips are down. with kory, it's a constant struggle with his baggage; his difficulty expressing himself or be emotionally vulnerable after a childhood spent with a guy who rarely does either, his difficulty trusting anyone as much as he trusts his family, his conflicting cultural values around relationships and violence. without growth on his part, all of these issues represent a big hurdle to any real attempt at long-term relationships with either of them.

but triangles are the most stable shape for a reason.

let's cover this quickly, because i truly feel this is the easiest part to wrap your head around: there is absolutely no way, in the hands of a writer who knows anything, that kory and babs are not attracted to each other. it's simply impossible. babs is 100% kory's type (proud, stubborn, brilliant, competent, red head, warrior), and meanwhile babs is a lesbian with a singular exception. name me one lesbian who wouldn't be all over starfire given the opportunity. you can't. we don't exist.

also, on a personality level, kory and babs are just SO complimentary - kory's smart and strong and resourceful, and so is babs. babs is snarky and brave and domineering, and so is kory. babs has known the bitter pain of loneliness and isolation from ones family by a situation largely beyond your control. so has kory. kory has known the struggle of creating a new family and trying over and over to explain yourself to people who may not understand or accept you. so has babs. you could circle again and again why they're so good for each other, but you could also sum it up with the fact that they both deeply love the same man, and they could easily love one another just as deeply.

and then you start to realize how many problems it solves. queer dick? he's here baby. kory opens him right up - issues with being vulnerable? dealt with. issues trusting babs with his true self? kory says honesty only in this household. issues with loyalty? welcome to normalized polyamory, says our tamaranean princess. is he being a cunt to babs when he gets grumpy? now she has an advocate, bc kory never lets dick get away with that shit.

and with kory it's the exact same. dick struggles to be emotionally available bc of his weirdo dad? yeah, that's okay - babs speaks dick-ese. dick can't trust anyone the way he trusts family? babs is here to back kory up and make sure dick understands she IS family. dick has issues working through his conflicting cultural values with kory? well babs is a damn professional at overseeing Dialogues(TM), let her at him.

and on top of all that it's FUCKING CUTE. lose the jealousy subplots and the cheating subplots and just let kory and babs fall in love already - give dick the femdom supremacy lifestyle he so desperately craves. like it's just amazing how rarely i see this pairing when it's this gd good like WHERE are my dickkorybabs fic recs. where are they

[thesnottedbrat]

The Difference

K-wave became more trending globally these years (thanks BTS), another culture also raise to the surface in reading section (manhwa and novel). Korean manhwa and novel popularity are quite significant these recent years, to the point the author and published take a legal action to protect their babies from ilegal translation. Hence, right know, we’re in the middle of their purgatory.

Back then, i dont really read manhwa diligently, but i know some people already fangirling about it. I was a devoted believer of manga, heck, my reading list was full of it. Fast forward, my hot list mangas been hiatus or the scans team being MIA (due lacking translator/staffs) or simply we waiting for the next chapter coming up which takes weeks/months (you know, some mangas published weekly, monthly or bimonthly, but some of them are publish every 4months! yeah right, talk about forever).

Out of boredom, i give several manhwas a try (its been on roll for months and many people in forum talked about it, so lets give it a try), and im hooked. 

I remember the first manhwa i read was a BL manhwa with silver hair guy with a super power as the ML (forgot its name), and the MC is his childhood friend with black hair. The artysyle totaly catching my eyes fast. Its colorful but i have a slight difficulties with how to read.

You know, manga are black and white page (ofc there’s one with colors as well), and 1 page are contained (normally) with 3-6 panels, and you read it from right to the left. But with manhwa you have to do the opposite. Its a long strip comics with lots of white area, and you read it from left to the right.

Im also check several manhua out there. My first manhuwa is 10 years where i loved you the most. DAMN MAN! i love this manhua so freaking much!! i even read the novel!!! totally a tear jerker!!!

And ever since, i imersing myself to read more manhwa and manhua (but not much) LOL. 

And i give the novels a reading too. But after some time, i found a patterns. 

This writing is based on my personal opinions, so no hard feelings, ok?

My preferences are:

something with heavy-twisted theme (but not too dark nor gorey)

easy fluffy romance is okay too

picky with omegaverse things (cus yk...)

family theme is okay (i loved it actually, as long as its not too childish)

comedy is fine, but too much are down for me

regular shounen/shoujo theme is acceptable

something full with angst/sad kind of thing is my fave!

war and strategy things are okay too

mysteries, detective/police theme is fine

supernatural stuffs is good once a while

Well i guess, my preference is okay, I mean, i dont like things that too complicated or too cheesy. It just blow the entire plot.

Im also fine where the MC is died, i mean, several stories are meant to do so (imo). We cant be perfect all the time, even fictional stories need some real life situation hard. I think this kind of ending is beautiful and more humane.

Korean Novel

Blame me for my limited reading list. But from what i read so far, the only novel i liked was Trash of the Count Family. Most of k-novel i read, were, how do i say this.. they’re just okay? 

Plot wise, i see no difference one from another, and i want more conflict happened. Maybe the author and published targeted the young audience, so i cant really blame them. 

But, from what i know, Shadow Queen had good characters conflict and the characters also develop by their own pace (quite slow, but i guess its the way supposed to be).

But come to think of it, i never found BL novel? Letme check on it again.

Korean Manhwa

Most of the artystle are cute and nice, but thats it. Most of published (popular) manwha in girls sections were novel based (adaptation), its a common things and sometimes they differentiate from the original plot. Meanwhile the BL sections apparently were original (not adaptation). 

I dont know why but instead cultivated more artists to make novel adaptation, why dont asked them to create their own story? I think its more interesting that way and to make more vast genre available out there.

Plus thing : they published it weekly, with hiatus schedule for several months and continue the next chapter (repeat). Needless to say, they can finished a book/projects fast.

Japan Novel

Well, i have a love-hate relationship with this. Most of them able to portray the deep of characters emotions well, and the plot development was. But what i hated is sometimes (or mostly?) they spinning in the wheels and using the same words for god knows many times. 

Japan Manga

Allright, old artifacts, who doesnt read this stuffs? Do i have to write it down?

My first book story, ever. And i still read it till now. The most vast collection out there, and the most easy to obtain book. Not every manga are colorful (they printed the colorfull ver as a limited edition/collection edition), they printed it in bw to reduce the production cost.

Manga is the opposite of manhwa in terms of creating stories. The mangka works as a story teller as well as the artist. Not everyone tho, but most of them. 

What i hate: their published date! URGH. As i stated previously, their published date is sucks! several publisher have different release schedule. Some of them published weekly, monthly or bimonthly. I can wait for it. For some of them publiisedh every 4months! 4 months for 1 chapter!! So it means, you only have 4 chapters A YEAR!! Emerald sucks!

I dont even bother to keep tabs with Super Lovers or Sekaiichi Hatsukoi.

Chinese Novel

imo, the only worth reading is their BL novel. If i were you, dont even bother to read other novels, it was just a long series of  cheap soap drama with evil cycle. Sooooo fed up i cant even say anything. Ok, maybe not everything,  To Be A Virtuous Wife is a good read, or my all time fave 10 Years When I Loved You The Most (BL), or every MXTX works is superb! I recommend this very much!

But i have to admit, i loved how Ch author using a flowery language, thats what hooks me the most.

The common things are mentioned below:

daddy CEO with super smart genius kid and superb beauty wife

imortal heavenly being, mostly reincarnated

harem life turns one devoted lovers

rape and violence

like normal occurrences

genius hacker

unmatched beauty

The thing is, the MC is way too OP (either physically or mentally) which i dont like. So i dropped several stuffs.

Chinese Manhua

Plot wise, i dont really like it. I mean, they’re just okay, but its not drove me to the point where i have to catch up with it. But, i must say, their artstyle is quite charming. The authors have a tendecy to make their artystyle into painting like, idk but i got that vibe.

[uncloseted]

what do you think about "political correctness" in tv shows? i think it kinda stifles representation ironically bc im a minority but whenever i watch a show displaying my culture i feel like theyre whitewashing the reality out of fear of offending ppl :/

I feel like I should start here by saying that I’m not a huge fan of “political correctness” as a movement in general.  I am (of course) all for people improving themselves, learning how to interact with people who are different than them in a respectful and empathetic way, and supporting minority communities, but oftentimes I feel like “political correctness” leads to a culture where saying the right thing is more important than doing the right thing, and where people are shamed for imperfectly trying to learn.  I would much rather see someone screw up while trying to understand than someone parroting other people’s views without understanding what those viewpoints mean and why they’re important. You guys know that I am all for authentic self-improvement, figuring out what you truly believe, and then fighting for it. I think that’s what we should be striving for instead of saying things we think our culture wants to hear.

Moving to your actual question, the thing about representation in TV is that TV isn’t real life.  What I mean by that is that every choice you make when you’re writing a TV show is within your control, and every choice you make when you’re writing a TV show contributes in some small way to the way our culture views of different groups of people.  The more you see a point of view represented in media, whether that’s about race, gender, sexuality, or even silly things like what a college party looks like, the more you internalize, consciously or not, those points of view and expect them to be true.  You show up at your first college party and expect there to be red solo cups, because they’re in every college party scene ever.  And the red solo cups are there, because the people throwing the party knew you were going to expect them.  And so I do think that writers do have an obligation to be aware of the consequences of how they’re depicting the world, because there are consequences.

For example, I’m part of the LGBT+ community.  For a long time, our representation in media was limited to villains (because of the Hayes Code- if you’re curious, check out Jessica Kellgren-Fozard’s video on the subject here).  Later, as the world got more “progressive”, our representation in media became “promiscuous, unfaithful people that die at the end of the movie”.  While it’s true that some LGBT+ people are villains, or slutty, or die a tragic death (and are even more likely to die a tragic death than straight people, given the AIDS epidemic and increased rates of death by suicide among LGBT+ people), when you write a character for whom that’s true, you’re perpetuating those stereotypes. You’re contributing, in a small way, to the perception that LGBT+ people are deviant and untrustworthy, or are people that don’t deserve happy endings.  

Skins series 7 is a great example of this.  Skins in a lot of ways handled its LGBT+ characters well.  It allowed them to be full people outside of their sexuality, while not shying away from exploring their sexualities or the unique difficulties that come with being a sexual minority.  Naomi and Emily even got a happy ending in series 4, which was huge for WLW viewers at the time, because they so rarely saw themselves reflected in characters who get to be happy.  But then the writers killed off Naomi in series 7, and that really hurt, because it felt like a reiteration that LGBT+ characters will always be miserable and die at the end.

It’s really important for people to see themselves reflected on TV, because it’s really important for people to see that there are options for themselves. If you never see LGBT people who are allowed to be in happy, loving relationships, or women who are scientists/astronauts/engineers, or whatever it might be, it’s hard to imagine that those things are a possibility for yourself.  

It’s also important for people who aren’t minorities to see minorities represented in all different ways in media.  When LGBT+ people started being represented on TV (not to harp on the LGBT+ thing, but since it’s my community and part of my cultural history, I feel like it’s something I can speak about...) there was a huge upswing in acceptance because people realized that LGBT+ people aren’t really all that different to them.  They realized that LGBT+ people are just people who frequently do boring, people things.  That was a huge step towards straight people tolerating the LGBT+ community.  Now that being LGBT+ has become more acceptable, we’re starting to see media that celebrates our cultural differences instead of trying to highlight how “normal” we are.  

Queer Eye for the Straight Guy vs. Netflix’s Queer Eye is a great example of that.  In the original Queer Eye, it was very much about, “we’re just like you”.  In Netflix’s Queer Eye, JVN can be shown on TV as his fabulous, high-heeled, skirt wearing, gender non-conforming self, I think because we’re at a place culturally where we now understand that many LGBT+ people are “just people”.  We live in a world now where LGBT+ representation includes everything from Brooklyn 99′s Raymond (the boss of the precinct) and his husband Kevin, a very straight-edge, “normal” interracial gay couple, to Brooklyn 99′s bisexual Rosa Diaz, who’s fearless and tough, to the cast of Queer Eye to Naomily to Choni from Riverdale to Mitch and Cam from Modern Family to Titus Andromedon from Unbreakable Kimmy Schmitt to Jules from Euphoria.  But if your only LGBT character in the whole show is a promiscuous villain who dies (or if the only character in your show that dies is LGBT+, or the only promiscuous character is LGBT+, or everyone gets a happy ending except for your LGBT+ character), to me it feels like in a small way, you’re driving progress backwards by introducing that depiction of LGBT+ people back into the world when we’re not quite clear of that reputation yet.  Regardless of how well the story is done, the number of LGBT+ stories that end in tragedy is substantially higher than the number of LGBT+ stories that get a happy ending, so writing a tragedy is picking at a cultural wound that hasn’t quite scarred over yet.

Finally, I think when it comes to how you represent minority characters, the question of “what is the point your media is trying to make” becomes important.  If your goal is to include minority characters because you want to improve representation, that’s different than if you’re including minority characters to make that minority more understood/accepted by culture at large, which is different than if you’re a minority yourself and you want to speak to the issues your community faces, and all of those are different to when minorities are included for the sake of appearing “inclusive” or “woke”, without a lot of thought going into how best to contribute to the conversation.  All of those require different approaches and different ways of writing the characters.

The bottom line is, I absolutely think you’re right. There’s a lot of minority representation on TV that erases cultural factors of the minority experience in favor of being palatable/above reproach.  Unless that’s being done with the intentional goal of making a minority group seem “just like the majority” to improve acceptance, it’s a misguided approach at best and harmful at worst.  

I think the solution is just to include more minorities in the writer’s room.  One of the reasons the characters in Skins and Euphoria feel like they have such real, accurate portrayals of what it’s like to be a person who’s part of a minority (whether that’s in terms of physical or mental health, sexuality, gender, race, etc.) is because they included people who are part of those minorities in the writing of those characters.  Jules’ story is shaped by Hunter Schafer’s own experiences.  Rue’s struggle with drug addiction is informed by showrunner Sam Levinson’s struggle with drug addiction.  By having people in the writer’s room who live that experience and can say “this is what it’s really like”, it’s harder to fall back on stereotypes or erase indicators of culture.

[i-am-not-anon]

Under the eye of an institution

part 5

Summary: Logan and Patton (both 16), the older students, are expected to look after two groups of freshmen in Watersouth boarding school for boys. Both of them despise the tradition of bullying that is subjected to the newcomers by older students. The two respectively get a student in their groups who is a little different from the ordinary crowd: Roman and Virgil (both 15).

Author’s note: Here we go again! Logan takes action to help Roman, while Patton is still trying to form any sort of connection between him and Virgil. Message me for getting into the taglist, please.

Triggers: Bullying, abuse, violence, violent punishments, panic attacks, self-deprecation, name-calling, i n s t i t u t i o n

Other parts here

...

Logan shook his head as Roman stood at the doorway of his room. ”I refuse to order you to lick anything. I assumed soccer is one of those outdoor games where shouting is allowed, even encouraged?” Logan put his pen down, turning on his chair to face the younger student.

Roman fidgeted with his hands behind his back.

”I guess I’m too loud for anyone’s standards, sir.”

”That sounds pretty self-deprecating, Roman.”

”Maybe it is,” the younger boy released his hands to gesture with them. ”I don’t understand what for I even am here in this school. I’m going to get kicked out soon anyway, sir,” he complained.

”That simply depends on how determined you are to learn to obey the rules,” Logan answered.

”Sir, you don’t understand,” Roman argued. ”I’ve tried so hard this whole time. Well, at least after I spoke up at the first assembly.” the boy sighed. ”I’m just more stupid than everyone else. I should just go home.”

Logan thought for a second. ”So you suppose you are different from other students here?”

Roman rolled his eyes. ”That’s literally what I said.”

Logan frowned. ”Watch your tone. Now, have you been diagnosed with any learning difficulties or such?”

”No, sir. Mom doesn’t trust the healthcare system, so actually I wouldn’t know if I have been diagnosed with something at some point.”

Logan rubbed his chin. ”Okay. I think it should be useful to carry out some psychological tests for you. I will be taking my time to research about those, and you will be coming back here tomorrow, at six past noon.”

”What kind of tests?” Roman’s eyebrows shot up.

Logan waited until Roman would realize what he had forgotten.

”Oh, sorry, what kind of tests, sir?”

”I will not carry out any tests that would humiliate or hurt you,” Logan answered. ”You are free to go. Maybe there is another game outside you could get invited to join? Aside from that, don’t forget to come by at six past midday tomorrow.”

”Yes sir,” Roman grinned and sprinted back to the hallway. Logan watched him go before turning back to his homework.

….

The next day Logan spent researching terms associated with learning difficulties and the ’symptoms’ Roman had been showing while attending the school. He chose a handful of internet questionnaires, all of which warned that they weren’t official and an individual should be diagnosed by their doctor before taking the matter too seriously. Logan decided, that as he wasn’t trying to diagnose Roman, only to help him to survive in the school environment those should be enough.

At 6 pm, Logan waited in his room for Roman. He believed the boy must remember his appointment, as he had reminded him every time the rascal had been sent to Logan for disrupting the class. However, time passed by and Logan frowned at the clock as it ticked 6.10, as it was the machine’s fault Roman didn’t show up on time. The older student sighed, turning to look through the window. There, on the yard, absorbed in some kind of role-play situation was the boy he was waiting for. Logan stood up, taking his coat from the hanger and headed downstairs.

…

”Roman Pears!”

Roman looked up from a crusade he had joined in. He huffed quietly, leaving his stick representing a sword on the ground, quickly waving at the other boys as he jogged to Logan.

”Yeah?”.. ”um, yeah, sir?”

”Where were you supposed to be fifteen minutes ago?” Logan looked at his watch for confirmation.

Roman looked rather puzzled for a second before he remembered the promise he had made yesterday.

”Oh, gosh, I’m sorry, sir.” he rubbed his hands together.

Logan didn’t answer, simply opening the door for his student. ”Let’s go.”

…

”I said the thing,” a boy stopped in front of the leader of Virgil’s new gang, Matthew. ”I called him ass. He got really mad,” he added, offering a weak grin.

Matthew smiled. ”I’m proud of you. What you got?”

”Kneeling,” the boy answered, rubbing his knees.

”I think it was worth it, don’t you?” Matthew suggested. ”Mr. Brass hates that name. We got power over him now. You got power.”

The other boy nodded seriously, lighting up to a smile. ”yeah.”

Matthew grinned, patting the boy’s back. ”That’s what I thought. Now go on with your free time.”

As the other boy jogged away, he was careful to not bend his legs too much. Virgil stared at him, deciding he was not going to ask what ’kneeling’ meant after all. Matthew turned over to the quiet boy.

”Look, Virgil. We are going to make it big. Mr. Brass will feel in his bones what it means to insult you.”

Virgil nodded quietly.

…..

Contrary to his assumptions of being able to go on with his homework, Logan had to keep eye on Roman the whole time he was filling the questionnaires. The younger boy kept going back to staring at nothing, his pen tapping on the table as he was lost in thought. Once Logan even had to order him to sit back down.

”But I want to see the whole field,” the boy complained, and Logan had to turn his table around so Roman could focus on the questions instead of the soccer game outside. Finally, after one and a half hours, Roman was done. He slapped the pen on the table, standing up in a hurry.

”I’m done, sir! Can I go now?”

Logan stood up. ”Not yet. Let me see if you finished everything.” He took the papers, looking at them individually and checking every question. He put three pages back on the table. ”Look at those again. You missed some exercises,” he ordered.

Roman flopped down on the chair, scanning over the pages. ”But I don’t know what this means!”

Logan looked at the paper, and explained what ’tactless’ meant, as well as suggested Roman to fill in the other missing parts despite the student’s complain about ’too much text’ on the question. Finally Logan let him go, and he sprinted out of the room despite Logan shouting after him about running being prohibited inside.

Logan rubbed his temples. Analyzing Roman’s answers would have to wait for another day, he still had his homework to deal with.

….

Patton walked around the schoolyard, taking his students to a talking-to one by one. He really wanted to work together with his students and get to know them. Some of his group members already considered him a safe person to tell about their worries, and Patton felt a sense of pride and happiness about that.

”Virgil! Come talk with me for a moment, please,” Patton shouted. He had observed the shy boy had gotten a group of students to hang with, and he was very glad about that.

Virgil walked to Patton, his heart pounding. Had his tutor heard about the way Matthew had decided to bully Mr. Brass? And how he had basically accepted it? Or something else, had he been doing bad at classes? The cheers and apologetic glances from his gang members didn’t help his stress at all. Virgil was shaking lightly as he stood before Patton.

”Y-y-y-yes, ssss-ir,” he answered, looking at the ground.

”Hey, kiddo, I’m not going to hurt you,” Patton reassured. ”You have done nothing wrong.” his tone was calm and accepting. ”Let’s sit down, shall we?”

Virgil followed Patton to one of the benches and they sat down.

”I’m going from student to student to simply have a little chat about how you are feeling and how has the school year started for you,” Patton began. ”I see you have gotten a few friends, which sounds really great.”

Virgil tried to stop shaking but he couldn’t help it. Had Patton asked him something? Was he supposed to answer? ”Y-y-yes, sir,” he tried.

Patton smiled softly. ”That’s good. How are you doing otherwise?”

Virgil wasn’t going to tell how often he had been laughed at for his stuttering, or how he felt his heart was going to rip out of his chest every time a teacher asked him something. ”We-well, sir.”

”Very good. Have you have been laughed at of bullied by anybody?” Patton’s tone was as soft as before, but he had leaned slightly forward to see Virgil’s facial expressions better.

”N-n-no sir,” Virgil answered, just a little too hastily. Great. Awesome. You ruined everything again, Virgil. He knows about all the bullying now, and he will confront them, and you’ll get bullied even worse. You will have to move schools again.

Patton rubbed his hands together. ”I’m assigned as your tutor to help you. You can choose to tell me what you want, but remember I only want the best for you.” Patton wanted to hug the poor boy, but thought twice about it since the kid seemed like he would jump from the tiniest noise, so a hug would make him fly at least to the moon or further than that.

”That was all. I hope you can settle in and find the daily routine comforting after you’ve gotten used to it, Virgil. I’m rooting for you,” Patton gave Virgil a thumbs-up before standing back up. ”I assume you would like to join your friends now.”

”Thank you, sir,” Virgil breathed and stood up. He walked back to the group, trying to breathe normally again.

...

Taglist: @daring-elm @creativity-killed-thekitten @heck-im-lost @uwillbeefoundtonight @gabe-killed-me-with-ace-cream @just-another-rainbowblog @buddypallady @aromanticandaromatic @marshmallow-the-panda

[comicteaparty]

November 9th-November 15th, 2019 Creator Babble Archive

The archive for the Creator Babble chat that occurred from November 9th, 2019 to November 15th, 2019.  The chat focused on the following question:

How do you deal with a lack of engagement from your audience, both emotionally and physically?

IzzyNinjaMaster

Oooo now that's a good question. If my online audience doesn't respond, I personally always show any new page updates to my family and friends and get feedback and comments from them. Really great for support. But sometimes their not available or I don't have anything new to show them. When this happens, I just look to myself for support. I know that doesn't really make sense or sounds kinda cheesy but it's what I do. I get myself pumped up and excited for what I can do next in the story and how awesome it will look all drawn out. And I go from there, I'll start drawing out ideas or writing out new chapters. So just be your own hype man, not just with your comics either but with everything. Great for self esteem.

Sorry went on kind of a rant right there

carcarchu

I prepare myself emotionally to not have any expectations. If you expect nothing and receive something you'll always be happy!

IzzyNinjaMaster

Lol true very true XD

Deo101

I'm not completely sure what this question means by physically, but I just kind of keep making art to move past it. Something that has helped me a TON is to make art that's just for me (like, that I don't post anywhere). I think that if everything is made to be shared, then we get a little too used to trying to find validation with engagement. With comics, specifically, I try to make none of my goals relate to engagement. I only have goals for myself and what i'm producing. If I'm hitting all of my goals, then I feel good about what I'm doing! No one engaging with it is just kind of like "okay!" Another smaller thing that helps me is getting my work done well before I upload it! for some reason just getting a bit of time distance between when something is done and when I post it I dont feel so bad if people don't engage.

Cronaj

I'm fairly lucky that I have a small following on one of the sites I post on, so while some weeks might be slow with feedback or engagement, I'm usually not completely devoid. I also have some very supportive family members who read my comic and often comment or text me after I update. As for what I do personally when I don't have a lot of engagement? I do a lot of self-reflecting, which is probably not the healthiest of practices. I question what I'm doing, trying to figure out what I'm doing wrong and how I could improve. I also try to understand other external factors at play, such as my readers' personal lives, jobs, school, holidays, that might have delayed them from engaging with my work. For example, I know that during November, as we get closer to Thanksgiving, there is going to be a huge drop in readership, because a lot of my younger readers will be preparing for school finals and visiting with family. By knowing this, it helps me cope a lot better. And if all else fails, I vent to my fiance or my little sister. It really does help to have someone to whine at for a bit

khkddn

If I were to get completely zero engagement on something I'd do what I'd always do, message people I know irl like "validate meeeeeeee"

In general I just take a step back from what I've posted and focus on something else. That way I remember webcomics isn't everything, and by the time I check up on things again there might be some sort of audience response.

LadyLazuli (Phantomarine)

I kept my work hidden for the first few years I was working on it (wanted to iron out any wrinkles before I was comfortable sharing) so in comparison, any engagement afterward - even a tiny amount - is pretty great! And even now, some updates get more traffic than others, for a lot of different reasons. Luck, timing, quality, etc. I always keep in mind that this project is - at its heart - for me and my own enjoyment/fulfillment. And if I’m pleased with where it’s going, that’s a win.

Cap’n Lee (Flowerlark Studios)

Oof, that question really hit me where it hurts. Over the years I’ve lowered my expectations, because while I used to have an active audience in the ‘00s, I’ve rarely gotten any engagement on my comics in the ‘10s. It’s definitely made me feel depressed and like a ‘failure’ to put heart and soul into my comics and art and get 0 reaction online. I honestly don’t have any way I ‘deal’ with it. I make something, hoping to get some comments > I get no comments > I get depressed about it and feel like my work is garbage. Rinse and repeat several hundred times. I keep going because I just love to create, but it’s like an actor trying to put on a performance and no one shows up to the play. It has gotten better lately and I’ve started getting some engagement for the first time in many years, but I honestly don’t have a good answer for how I handle that emotional reaction to reader silence.

LadyLazuli (Phantomarine)

Also good to keep in mind that lots of people may read without commenting, and still enjoy it! I did a poll wondering who would be interested in doing guest art, and way more people responded than I expected. It opened my eyes! Sometimes you just can’t tell until you outright ask for feedback

keii4ii

There's definitely a risk to that, though. You ask and still get nothing. Or worse, you ask and get negativity. Asking is a worthy gamble, but it takes courage! Sometimes when we don't have enough courage, we gotta find it elsewhere first, before we can try that gamble...

I lost that gamble one too many times and need more Courage Fund before I can try again, lol

LadyLazuli (Phantomarine)

True true! It was a gamble I had no real expectations/assumptions about, so I didn’t have much room for disappointment. Even getting one person who says “This is cool!” is enough to fuel me for days. But I know that’s not how it is for everyone. Once you’ve been disappointed once, it can take a while to get the urge to try again. I can’t imagine getting negativity, though... I think THAT would wreck me.

keii4ii

Sometimes I don't even ask and someone just randomly drops negativity off at my doorstep... I need to remember that I have also had wonderfully positive responses, that it wasn't all negative. But it can be hard to remember that on bad days.

Deo101

Yeah, negative comments always seem to be the loudest ones... They can drown out dozens of good ones if they hit you right.

Cap’n Lee (Flowerlark Studios)

I did develop a pretty thick skin for negativity in art school, which was really fortunate because my comics garnered a lot of negative attention at first. Though thinking back on it, I was making very androgynous and gender non-conforming characters (even though I never stated anywhere that they were queer) in a time when the public attitude towards such things was far less kind than it is today. At the time it was draining to get so many trolls, but unless I was already having emotional difficulties in other areas of my life, I was able to let it roll off.(edited)

keii4ii

The weirdest thing with my negativity is 99% of them come from actual readers who mean well. So I have a hard time dismissing them like 'oh they're just haters.' It's not necessarily harder than dealing with blatant trolls, but it is an entirely different beast.

Deo101

Sometimes I go and reread positive comments when I'm down about things

Yeah I'm not sure that I've had any trolls tbh... Its all readers saying what they think

Cap’n Lee (Flowerlark Studios)

Avid readers who give backhanded compliments and ‘well-meaning’ but very subjective critique can definitely be detrimental.

keii4ii

In Korea, I dunno if they're still a thing, but 1-2 decades ago there was this type of theft called slash theft. It's a type of pickpocketing, done on the street while walking by. They bump into you, briefly and lightly, but you don't think much of it because Seoul is a crowded city and you brush against other people all the time. But during that brief bump, they manage to slash open your purse and take all the contents. It's an amazing ninja level skill for sure. I know people who had their stuff stolen that way. Back to the Courage Fund analogy, sometimes a negative comment isn't just a normal theft of your Fund. The comment slashes your purse open, and now your bag can't contain Fund even if you put more and more into it.

It can take a long time and lots of support to sew your purse back.

Deo101

Idk if other places to slash theft, im sure they do, but im pretty sure historically its been a big thing. The term "cutpurse" comes to mind

keii4ii

(:o I didn't know that was a term! The more you know)

Deo101

(some book i read (wasn't great but you know) used the term a lot and i was like "ok wtf is this")

Cap’n Lee (Flowerlark Studios)

That’s a very good analogy for it, and I definitely understand what you mean. I had to take a three year hiatus from one of my comics once after a IRL ‘friend’ ripped the comic apart and called me a terrible writer in less-than-kind words. I had already been going through some very bad things with my health and family and it hurt me far more than it should. It took some encouragement from some very dedicated readers to convince me to pick up the comic again.

Deo101

(so i associate it with pirates now)

That's really terrible lee... Om glad you picked it back uo though!!!

keii4ii

I can super relate to harsh comments hurting way more than they should, when you're already in a bad state. >_<

Deo101

And also it is a really good analogy keiiii

Yeah things just kinda get harder to deal with in general when you're more tired/upset in other areas

keii4ii

The most devastating feedback I've got would have done far less damage if I weren't in a fragile state at the time.

Deo101

Like you can't go be safe elsewhere if everything is a source of stress...

keii4ii

(For all we know those slashers in Korea could be pirates )

Deo101

:o

Cap’n Lee (Flowerlark Studios)

Does Korea have pirates? If so, I’m moving to Korea.

(Sorry, we’ve probably gone way off topic for the discussion)

LadyLazuli (Phantomarine)

I got antsy when someone made a small critique of my lettering (rightfully so, though - lettering is hard and I’m still learning) so a proper heart-stabbing, bad-faith critique might sideline me for a while. Gotta be prepared for that someday

Deo101

Its weird, it really seems to be mostly about how I'm doing elsewhere in life now that im thinking about it. Also being further along in the comic helps cause I've got years of support and "just keep chuggin" under my belt

Like the other day someone critiqued me randomly and called my characters stupid and i was like "dam ok, your comment getting deleted then" but a year or so ago a comment like "I'm sorry im a little confused..." Made me second guess everything for weeks

LadyLazuli (Phantomarine)

Ohhh Maybe the obviously mean/troll comments are easier to deal with, than feeling you let down a reader who was genuinely trying to understand the story. I would definitely react similarly.

Deo101

Iunno, the big old critique was a normal reader who has left other comments he jusy kinda randomly did it. But yeah I think it can be easier to shrug off things that are CLEARLY antagonistic versus someone being harmlessly confused

Because confusion can mean I'm not being clear enough and need to change things and whatever. Its vague in a way that hits your anxiety

keii4ii

Yeah, when someone is obviously being a jerk, you know it's on them

omg... reader confusion has been the bane of my existence

Cap’n Lee (Flowerlark Studios)

I dunno, man, art school just toughened me up to most negative comments. If one person out of five is confused, I don’t take it personally and just explain it to them to clear up confusion. If everyone’s confused I think ‘Hmm, maybe I should retcon in some dialogue to make it more clear’. I guess art school really teaches you to distance yourself from your work and be very objective about it. BUT as I said, I’m not immune when other bad things are going on and it becomes the straw that broke the camel’s back.

Deo101

Though THEN you kinda get like "why am I being a target???" And its very frustrating, at the very least, and it does definitely still hurt... (Wrt trolls)

keii4ii

It's hard to tell who's confused and who isn't sometimes

Deo101

Yeah Lee im in art school right now, but for me its different when I make something to be critiqued versus a passion long term project

If I am asking for critique too, im braced for it in a way I'm mentally prepared for. Im not always braced to have someone be like "its pretty good buuut..."

Cap’n Lee (Flowerlark Studios)

Ahh, I can understand that. I guess I’m able to view my passion projects the same way I did my school projects. It took time, that’s for sure. It’s a process of desensitisation, and was something I had to build up over years.

keii4ii

I'm disproportionately sensitive about reader misinterpretations/confusion. I'm 95% sure it's because one bad experience. Someone thought my main story was garbage, but they liked parts of it, so they told me to basically make a different story using those parts. After that, every time a reader didn't recognize the main story (I got a very prominent B plot, so it's kinda understandable that some people mistake it as the A), I got vivid flashbacks of that one bad experience. Every time someone said they liked [this character that The Other Person liked], I got flashbacks. Took me good 2-3 years to get over it.

Deo101

Its also a lil different when it's like.. i wont be changing these pages so unless it's a critique for moving forward its kinda pointless and i cant really apply it

Damn keiiii that's really rough

Cap’n Lee (Flowerlark Studios)

Yeah, that sucks.

keii4ii

Yeah, it's hard to be motivated when the underlying message is "your first 100 pages are hot garbage, but you can still improve........ even if readers will give up long before they get to the decent 101st page!"

Deo101

RIGHT...

I don't want to have to preface "check out my comic!" Wirh "i promise it gets better..."

Cap’n Lee (Flowerlark Studios)

COUGH That’s exactly why I’m reduxing Eryl’s hot garbage beginning right now COUGH

Also because I’m a masochist and perfectionist.....

keii4ii

I think "it gets better" is fine when it's a reader reccing it. (I remember some of my friends reccing multi-season anime series to each other, going, "it gets better after season 1") But yeah, as the author we can't be the ones saying it.

Deo101

Mhm.

And I'm still hapoy with my old pages. I know I could do them better now but they're perfectly fine and they get the job done so... Idk its just hard when someone is like "wow two years ago you made a mistake, :/"

Like. Yeah, duh... I've spent like a thousand hours on pages theres gonna be some mistakes

keii4ii

It took me a long time to realize that Flaws =/= Problems

Deo101

I'm learning and getting better youre gonna have to bare with me here

Nutty (Court of Roses)

are you kidding i still get crit on stuff i made TEN years ago

Deo101

Mhm

keii4ii

omg

Deo101

Well its not a competition

Cap’n Lee (Flowerlark Studios)

Same, Nutty

Nutty (Court of Roses)

True sorry ;;

Deo101

Ur name just changed colors keiiii

You: flaws =/= problems Your name: im ascending

Phin (Heirs of the Veil)

I think...learning how to like not be bothered by negativity that much is a skill. Super freaked out one time when someone said they didn't know what's going on when reading HotV whoops

(turned out they just had to re-read a bit and it was just webcomics being webcomics)

Deo101

I had a group of readers say they were co fused and one person asked me to explain the last 2 chapters and i was like "holy shit am i being this unclear????"

Its stressful for sure

Nothjng wrong with being concerned with ut

Cap’n Lee (Flowerlark Studios)

Keiiii has reached a new plane of existence. The blue is unrefutable proof

Deo101

Its something you're passionate about and you want to be as good as it can be

Phin (Heirs of the Veil)

Yeah...

Deo101

So any critique, regardless of validity will be something you WANT to consider

Which is fine and theres nothing wronf with taking things to heart like that

But also if youre Happy with it that's all that matters

You gotta be your #1 fan kinda thing

Phin (Heirs of the Veil)

I'm personally super uh...yeah I am having a hard time dismissing criticism

even if it's in bad faith, haha.

keii4ii

The #1 fan thing sometimes reminds me of that scene from Lilo & Stitch

The scene of Lilo's rag doll. It's been years since I watched it, so memory's a bit fuzzy, but I think all the kids were showing off their dolls, and Lilo wanted to show off hers too

but the other kids didn't like her homemade-looking doll, and it made her sad, almost not like her doll for a moment

but she picks up the doll again afterward

There are days where I relate to that. I never not-love my story and my characters, but sometimes I feel like everyone else has a low opinion of it, you know?

and I'm like lonely Lilo hugging her rag doll in the sad corner

Phin (Heirs of the Veil)

Yeah I totally get that and...loving what you do first and foremost is really important. I don't think in a medium like webcomics you would be able to keep going

keii4ii

I'll always love my Doll but I do wish this little corner weren't so lonely, kinda thing

Deo101

I feel that keiiii

Phin (Heirs of the Veil)

Hmm

Cap’n Lee (Flowerlark Studios)

When the ‘critique’ is detrimental it does become a problem. Like that ‘friend’ I was talking about earlier who bashed Eryl to bits. He told me to ‘read some Stephen King’ to learn how to write. I was making a high fantasy story, not a horror story. The writing of a horror author is simply not applicable to building a good fantasy adventure story. That’s when I knew he was full of shit. But the damage had been done, and I lost all motivation for the project for years.

keii4ii

uuugh, I'm so sorry that it happened to you D:

Deo101

Also this story is one that i have dropped and picked up SO many times, and its wildly changed over and over, and so i worry a lot im not making it in its final form, i suppose. I worry i started it too young, and so critique of the older parts hits that anxiety

Wow lee that's terrible...

Phin (Heirs of the Veil)

Gosh...

Deo101

Also you can't really compare Novel writing to comics imo. The structure can be compared but...

Phin (Heirs of the Veil)

I think HotV is like a project I've worked on since...2008? And it changed with me and I feel pretty confident that it's in its final stage.

keii4ii

and not every story needs to be a Stephen King story

Phin (Heirs of the Veil)

But yeah, you can really not compare writing for novels to writing for comics wth

nah

tbh it's weird (I like King personally) but his stories and also his writing do have flaws too so

what

Cap’n Lee (Flowerlark Studios)

I actually do use novels as a source to study how to construct my comics. But! Studying the right genre is important. I’ve the feeling the only books that guy read were Stephen King, so that’s the only kind of story he was familiar with.

Phin (Heirs of the Veil)

God when I was still developing a picture I did got featured somewhere and someone criticised the way I did knees and linked to the picture of another artist going: Hey draw knees like that

Deo101

Every story will have flaws, its impossible to make one that is perfect. Well. Its impossible to make a story thats perfect for everyone. So alk you can do is try to make a story thats perfect for you!

Phin (Heirs of the Veil)

Agreed, Deo

keii4ii

^ THAT REMINDS ME

Deo101

Omg

keii4ii

(going back to the original question) With no response, or negative response, one thing that helps me is hearing other people gush about their beloved unpopular stories!

Phin (Heirs of the Veil)

Hmmm

Deo101

!!!!!! Me too!!!!!!!!!

Phin (Heirs of the Veil)

I am having this problem and went to ask on twitter what ppl loved about their projects

and that's really uplifting somehow

Deo101

I LOVE reading other comics and just seeing how much passion is in them its like a light

keii4ii

I need to remember that just because someone, or even a lot of someones, thinks a story is trash, doesn't make it the universal truth

Deo101

^^^

Cap’n Lee (Flowerlark Studios)

I WILL GUSH ALL DAY BOUT MY BELOVED UNPOPULAR STORIES and once you open that damn I am unstoppable. You will regret it, trust me.

keii4ii

And people gushing about their unpopular favorites is an excellent way of reminding myself

Phin (Heirs of the Veil)

hehe

Deo101

I have been very lucky and have had a few incredibly kind people who i can remember fondly when i worry my story isnt reaching people. I Know it has touched a few lives, and if it makes even ONE person happier (even if thay person is me) then im doing my job and its worth all the time and effort.

That was kind of off topic i swear it connected in mt mind

Phin (Heirs of the Veil)

Absolutely

I feel it's connected

Deo101

Phew

Phin (Heirs of the Veil)

bc hmm it's a way to deal with times when there is not much engagement?

Deo101

Aha! There we go yes :)

Cap’n Lee (Flowerlark Studios)

I do generally write very off-beat, unpredictable stories because I like reading / watching those kinds of things. A lot of my favourite movies bombed at the box office because they weren’t formulaic, which was what I loved about them.(edited)

Phin (Heirs of the Veil)

Remind yourself that there is people who enjoy what you do and who are happier bc of it C:

Deo101

Mhm ^^

Also i have my characters on a shirt so i can just wear that and be like "fuck yeah. I have a shirt. It cant be a bad comic if I've got merch babeyyyy"

Which admittedly is a very odd way of dealing with anxiety

But like.... You should get your Characters on a shirt.

Phin (Heirs of the Veil)

dfhwioufheuf Deo that's cool tho

I made so many like...background designs and posters for HotV and some of those I WANT ON A SHIRT

Oh I think what also helps me is to find a friend and just talk about the comic?

Deo101

The place i use lets you get up to 6 items a month as a sample order and it's severely discounted my shirt was like $15

Cap’n Lee (Flowerlark Studios)

I should do that. I have designed some T-shirts but that wasn’t for personal stuff.

Phin (Heirs of the Veil)

omg

keii4ii

I'm actually in the (long) process of re-learning how to talk about my comic

Deo101

And yeah for sure having people i csn talk with/joke with about my comic helps soooo much

Like the fact that i know these 5 people will get my jokes like this

THAT helps a TON

These people actually are the reason I was confident enough to be able to start after having a bad friend drive me to almost drop the story for good

So having their support is probably one of the biggest things thst helps if no one else engages.

Cap’n Lee (Flowerlark Studios)

Okay, so on the original subject of ‘How to deal with no feedback’ I do talk about my stories a lot with my two best friends. They are my biggest fans and my sounding boards. They let me go on and on about plot threads in my comics and it’s one of the main reasons I keep going. Even when I get 0 reaction online, I still have two people who I know are reading the comic and think I should keep going.

Deo101

Or like, when my family is being homophobic about my work kinda thing. Friends are good for that...

Yessss lee having people you can talk with about it is SO good

keii4ii

ngl, I'm jelly of those of you who have go-to support friends who are genuinely into your story! That's something I hope to have some day, myself

Cap’n Lee (Flowerlark Studios)

I don’t know whether to give a sad react for homophobic family or a happy react for supportive friends

Deo101

Happy react ^^

Phin (Heirs of the Veil)

Still sorry about your homophobic family tho, but your friends sound awesome

Deo101

Yeah but :> I know I'm doing good work. Again those few people who i know my story has touched.. i know I'm doin good work.

Cap’n Lee (Flowerlark Studios)

@keii4ii Just know I’ve been an acid fan of your comics for over 10 years and honestly think they’re some of the best comics I’ve ever read

AVID

NOT ACID(edited)

keii4ii

Hey acid is important too

Cap’n Lee (Flowerlark Studios)

GOD MY PHONE

Phin (Heirs of the Veil)

hiodcnioefwe acid

love this

I have one friend who has supported me since 2007 and I can always count on her freaking out about my comics Y_Y

so when I feel especially bad I turn to her

Cap’n Lee (Flowerlark Studios)

My phone is old and the keyboard lags and autocorrects like AAAAARGH(edited)

Deo101

Its okay same here lee

Typo club babeyyyy

Cap’n Lee (Flowerlark Studios)

I have to edit almost every comment I make THANKS A LOT PHONE

Phin (Heirs of the Veil)

shakes fist at ur phone to be more kind

I can't type on phone at all so...

keii4ii

Yeah, swipe-typing is high level sorcery to me

Cap’n Lee (Flowerlark Studios)

As someone who’s normally a grammar freak it causes me great pain that my texting is a syntactical disaster.

Deo101

I've been doing swipe a bit lately so it doesn't hurt my hands to text (I Tex too much)

keii4ii

This actually makes me wonder

What are some good, safe(ish) ways to reach out to people who may be 1000% willing to become that Support Pillar for your comic?

Deo101

I just straight up start doing it

keii4ii

For all I know they exist. But.. Schrödinger's pillar

Deo101

And gague the reaction

Cap’n Lee (Flowerlark Studios)

As an antisocial gremlin who hides under a rock, I have no idea.

Pakky

never hurts to ask

keii4ii

@Pakky You would be surprised

Deo101

Start sharing art, see if theyre curious, get deeper if they're good with it, kinda thinf

I've got friends who like to see my art but don't really care about my comic, and you kinda just gotta take it case by case

Pakky

mm fair enough, i always try to be supportive of content creators mostly because i would hope for the same in return. theres a lot of bluntness in my industry so if you do well you get praise but if you do poorly, you very well know it :/

keii4ii

Me: "Thank you for supporting my humble comic!" (this wasn't even asking, just thanking) Reader: "Well, your comic isn't that good." Me: "?????????"

Deo101

Wh

Cap’n Lee (Flowerlark Studios)

I’ll be honest, on the rare occasion a reader starts trying to get really close to me, my dumb brain freaks out and I put some distance in because I have Issues for days.

Pakky

thats just rude on their part

Phin (Heirs of the Veil)

what

holy fuck

keii4ii

I've Been Burned

omg, that question mark react is so appropriate

Deo101

I've chatted with some readers here or there but I don't know if id wanna use them as a support pillar

I kind of have trained myself to think readers as fickle.

If they get sick of my story, theyre allowed to leave

They dont owe me their time or energy and them being here is a gift

So I'll chat and stuff and answer questions but unless someone is my friend i will not lean on them for support.

Cap’n Lee (Flowerlark Studios)

Honestly it’s happened that I’ve gad readers try to get really close or be my sounding board, and I think they were just trying to be enthusiastic and supportive but my stupid broken brain always panics and goes WARNING STALKER ALERT WARNING ABORT ABORT.

Deo101

Hey better safe than sorry

Phin (Heirs of the Veil)

juppp

Deo101

I'll chat but i wont give personal information and im not gonna like, get all into spoiling everything im planning lmao.

If someone asks me a question thats a spoiler ill answer it in private

But bringing raw ideas up for help... I need very specific people for thst.

Cap’n Lee (Flowerlark Studios)

The thing is they weren’t even being creepy or trying to get really personal. They were just very friendly and I apparently can’t handle that. ><

Deo101

The friend group i get writing helo on are all writers, and they all understand my vision. They don't write stories like mine, i dont write stories like theirs, and we all fully understand our suggestions may go unfollowed.(edited)

Also whoever put the eye emoji yeah if u have a question straight up dm me and I'll answer.

keii4ii

It's okay, your comfort is important. If you want to be more open, you can work on that. But not everyone has the same comfort level and that's okay too

Deo101

Yes! Its all about what you're comfortable with

But I've personally got a small curated group of writers/artists who all circulate our work between eachother

Which i know is very rare.

Phin (Heirs of the Veil)

Same, Deo...helped me a lot and I also know who to turn to when I'm down about engagement

Deo101

Mhm ^^

Phin (Heirs of the Veil)

(also they are all perceived better than me so I believe them if they say sth nice)

Deo101

Omg

That group of people have done SO much for me honestly. Im thinking about them. I love my friends.

Also dont worry its nit all about me they also talk about and we help their work too i wanna be sure thats clesr

keii4ii

I figured it was all mutual! but now that you've said it's not all about you I'm suddenly imagining The Cult of Deo

That is 10000000% wonderful though

Deo101

I walk in and I'm like "y'all check out this new millennium lore" and they all take their hoods off and start scouring it for plotholes

keii4ii

Whilst sitting in a circle (a magic circle to be exact)

Deo101

Of course of course

Cap’n Lee (Flowerlark Studios)

Damn, that’s awesome! I only see my friends every few months so I dump a lot of plot on them all at once, and it’s harder for them to give really detailed critique. XD

Deo101

Oh, I do this all online

Irl I sit down with my sister and we talk for 4 hours and Lose our voices LMAO

Cronaj

Good convos literally ALWAYS happen while I'm at work

keii4ii

I'm still here

Cronaj

Good, because it made me sad when you said you didn't have a support pillar

And that readers are fickle (which can be true)

But I don't think you know how much I love your comic

keii4ii

I'm seriously honored! I still fear that maybe people are not seeing the story I'm trying to tell, and are following the comic for some other reasons (which is valid, just not what I'm trying to achieve). But hey, I'll never find out if I don't keep going, right?

kayotics

keiiii, i love your comic and i think it's beautiful in many ways, not just the art

but also, on the topic of lack of engagement... I'm pretty fortunate in that my spouse is always really supportive of my comic, so when I need a little pep talk I can always ask them

sssfrs

I’m trying to collect as much negative feedback as I can so that I’ll know my comics strengths and weaknesses and I’ll be prepared to take criticism as it comes in the future. It is pretty frustrating having no response or fanbase right now but I started my comic pretty recently and theres still time for growth

Glowbat (Aloe)

when you're collecting feedback be mindful that there's a difference between constructive criticism and people being unhelpful and simply telling you they don't like your work

the latter wont do anything but bruise your self confidence(edited)

keii4ii

Yeah, and sometimes even well-meaning critiques can miss the point too, like if it comes from someone who thinks your work should be X, when it is intended to be Y. Easy example: My previous comic was a depressing drama centering around a terminally ill young woman and her doctor, and once someone told me I "needed more fight scenes." It wasn't even an action comic! In that case, the lack of fight scenes was not a weakness. It simply meant the comic wasn't for that person.

DanitheCarutor

On the topic of lack of engagement. My answer is really boring, but I just keep working on my comic regardless of how much/little engagement it gets. I never intended or expected to have an audience to begin with since my comic has sooo many problematic elements in it, whenever I get feedback it's super nice! Always a surprise, like seeing the machine light up when winning $500 on the penny slots! (In a way, getting engagement is kinda like gambling. You post a page and you may or may not win some comments in return... Not equating real people to items to win, of course!) Admittedly, if there is a page I feel would cause reaction but I get nothing, it is a little sad. It's not the end of the world, though! I got a story to tell, and as long as I can still draw I'm content.

kayotics

i relate to that a lot, Dani. I also never intended to make the comic for anyone but me, so the fact that anyone reads it is really exciting to me.

Cronaj

@keii4ii (Potentially off-topic, but is there somewhere to read your other comic(s)? Or are they all in Korean?)

DanitheCarutor

@kayotics Every so often I look at my reader base and think "Man, there are people into this kind of stuff??" It's an almost surreal feeling.

kayotics

Yeah I get it! I wouldn’t say mines too out there but there’s so many other fantasy dnd inspired comics out there that they could read that I’m surprised they even glance at mine.

AntiBunny

How do I deal with it? Usually experience a series of emotions such as "how hard is it to leave one little comment you losers?" Then "Who am I kidding, no one is reading this, I'm creating into a void," and finally pry a few comments from people who know me personally, reassure myself that I create out of a compulsion to tell my stories even if no one's reading, and start the process all over for next week. Not exactly a healthy method I admit.

keii4ii

@kayotics There is only one Toivo out there

@Cronaj aaaa the previous one was in English. But I would not recommend it It's unfinished (though it does have more than 600 pages IIRC) and honestly really rough.

kayotics

@keii4ii true....... one weird wizard boy

Cronaj

Dang... I LOVE medical stories. I'm seriously addicted to them. @keii4ii

keii4ii

I enjoy them too and I appreciate your interest!

Cronaj

scours the internet for the lost records

keii4ii

The site layout is also broken so yeah...

I guess another thing I do is try to comment more on other people's comics, to rec them publicly, etc. Being the change I want. I don't do this as often as I want, but I think/hope even the little bit I do counts.

mathtans

Heh, I'm basically with Cap'n Lee in terms of a cycle. I think part of my issue is I won a fanfic competition in 2004, and it's kind of been downhill since. I've posted regularly to a serial site for over 4 years, accumulating 300 posts, and last month it had 100 total views... there's been 2 comments since March.

On the actual comic side though (not serial) I've relaunched it more than once, and tried to flag the more recent index as a starting point. And yeah, just hold on to the few good comments, like the guy who applauds me for continuing to post even though I only have 10 people following on Tapas.

These days, of course, I'm too darn BUSY to really think much about the lack of engagement. So one solution might be to get married and have a kid. Then you're just happy when you manage to get content out, never mind if anyone remarks on it.(edited)

Mharz

Popping here just to answer the question becos it's interesting. The lack of engagement was a bane in my existence and honestly one of the factors why I had to see a psychiatrist. My doctor told me I have self-esteem issues which leads me to seek validation from strangers. This is the first thing I work on. I have to be confident enough to not break even if nobody likes my stuffs. Which means I have to love myself first. (People prolly see me as vain at this point) Second thing I do is keep a mentality of "nobody has to care. They have things going on as well" which helps me appreciate the small percentage of people who actually took the time to engage, talk, and be friends with me. I also try to put a positive spin on it. "Nobody cares therefore I can make as much noise on my social media as I want and no one will bother criticizing becos nobody cares." If people unfollow, it's on them. It just means they're not really a fan of my work and I shouldn't waste my time. And if my mental illness is too much, then I will disconnect from the online world a bit. Treat myself. Do something fun like gaming and baking and hang out with friends IRL if possible.

Mharz

I sometimes think it's karma on my end becos I'm so vain, I rarely get interested in anything so I'm not really a fan of many stuffs so that is something I accepted as well.

AntiBunny

Perhaps being a webcomic author sort of goes hand in hand with needing validation.

MJ Massey

OH BOY ARE WE TALKING ABOUT A LACK OF ENGAGEMENT?!

over the past week, I got 24 users. Granted, I didn't update, so that's probably why

So this is a four month overview of my website traffic. I hit a high of 184 unique users in August, and after that it plummeted to just barely over 100. And I hadn't really done anything different

I have never really gained a lot of traction with my comics. I'll admit that Black Ball definitely has more appeal than my last comic, so I have slowly been building an audience with it, but it's still been very slow. Sometimes it feels like I have to adhere to some extra set of rules while others can just throw up their comic on Tapas and have instant success. Of course, that's not the case at all

the key is to remember "why am I doing this? isn't it because I love making comics?!"

and to keep on pushing, keep up that hustle, and enjoy the ride. Make great content and it will be rewarding in and of itself

carcarchu

I'm not really sure it's as simple as simply throwing something up on tapas and getting instant success. there's a lot of work that goes behind every comic even if you don't perceive it

MJ Massey

well yes of course, I'm just saying sometimes it SEEMS like that

I'm a marketing professional, so I know there's a lot of stuff that goes on behind the scenes

Glowbat (Aloe)

theres, i think, a lot of factors in certain comics gaining traction faster than others that are mostly out of a creator's control. on mirror sites like webtoons or tapas you have to factor that more attention is given to certain genres and art styles over other because of what that crowd likes. if they're into slice of life romances in anime-esque styles then someone who writes fantasy mysteries in a more western influenced style may not get as much love as they deserve

its tough out there

ive been fairly fortunate to gain a steady bit of followers on tapas but on webtoons my reader engagement and subs are significantly lower

Glowbat (Aloe)

i chalk it up to the type of crowd

MJ Massey

I've been analyzing my audience and my work and have a hypothesis that my work just works better in bulk format. I think 2020 will be a year of transitioning into bulk distro instead of the page at a time format

and see if that helps. As well as some new marketing techniques and getting back into the con circuit

Kabocha

A lack of engagement... This is definitely... a topic. I feel like, sure, one's general marketability in any given platform will definitely make it easier or harder to attract an audience, but on the other hand? It's also worth making sure you kinda figure out what you want out of webcomics. Some people have been working on their projects (or existing within a fandom) for years - decades, even at this point, which can be a big boost to initial readership on a new project! Other people just have the advantage of being able to sit down and advertise, or having someone do that for them. Personally, though. I went in not expecting to get an audience, and for a long time, actively avoided even having a comment section on my site. I just enjoy making comics and creating things - and if it happens to make someone happy, that's awesome. But comics and art aren't the only thing I do in my life that make me happy, and I've found engaging other people directly about things like comic craft and resources to be about 100x more fulfilling than posting comics themselves. (And it is fun, sometimes, to gush about my OCs and how dumb they can be.) But how do I cope with it? Eh, it's honestly not a big deal to me. It feels less stressful in some regards, because the dayjob can get hella hectic, and trying to balance "OH GOD COMICS" with "OH GOD THE SERVERS NEED PATCHED ALL NIGHT TONIGHT" can be.... interesting.

(But oh god, I will admit, having someone come up to me and say, "I read your thing or used your photoshop/csp brushes" can be incredibly motivating. But other days, I have to be my own motivation, so...)

kayotics

Sometimes it’s helpful to keep a list of really nice comments or to write down memories of when someone told you they like your work. This can take a while to gather but if someone says something nice about your work, keeping it somewhere safe for a day you’re feeling bad can help boost that morale

It also helps me sometimes to think about how there’s a TON of people who never comment on things, but they’re probably regularly reading.

MJ Massey

Totally! I was building a landing page for my email subscription, and I was able to go back and find old reviews from my last comic, and it really got me pumped

Kabocha

Yeah! When I worked in a call center, the metrics on calls in -> surveys was something like... At best, you get 10% of your callers leaving surveys. And it's usually because you left an impression (good or bad). Usually the reality was at best, you'd hear back from about 2% of your userbase unless you gave them an incentive them to say something.

Mharz

re tapas and other platforms: I have to agree that certain genres really are more appealing there. I have two comics with different genres that I regularly update and the numbers are literally like night and day. It's a sad truth.

Mharz

I also love getting notifs on tapas when a person is binging my comics and liking every update. It means I got them hooked. :'3(edited)

nice reminder that there ARE people who like my comics.

Kabocha

Well yeah - even in traditional publishing, some genres generally get larger readerships than others (and higher advances) because they're more easily marketed. There's a reason why some publishers will categorize what's basically a fantasy story with romance subplots as a "romance" overall for a relatively unknown author (it's because they're more likely to attract more readers because romance is HUGE)

MJ Massey

true that

and you have to find where you audience lives as well

Kabocha

Yeah... I have some readers who only engage when they come back to catch up, which can be every 6weeks or more. Some only read when a chapter is done being posted, which is about every six months.

Cap’n Lee (Flowerlark Studios)

Re: Tapas. Yeah, Tapas especially has very particular styles and genres it likes (anime style + romance, especially BL). I posted Children of Shadow there for six months and had 20 total subs before taking it down. A while later I tried posting it on Webtoons and got 60 subs in one week. That level of engagement slowed down considerably almost immediately though, because the prologue episode is in colour and the main series is greyscale - and I discovered the hard way that the majority of Webtoons’ users do not like greyscale (I even got rating-bombed over it). My second comic is doing much better on Webtoons since it’s in digital colour rather than pencil like Children of Shadow. Each platform has its specific interests and it can be a struggle to get noticed if you’re not making something that falls into its normal styles and genres.

Glowbat (Aloe)

both tapas and webtoons really dont push their scifi comics hardly at all. Tapas' top scifi section is littered with discontinued stories (at least theyve abandoned tapas at any rate idk if theyre for sure no longer continued) which means that because i update weekly and sorta fall into a semi-anime inspired style i get some decent traffic from the small demographic who go hunting for a scifi comic

RebelVampire

That's not that surprising, tbh. Even in the realm of novels sci-fi is more of a hunt for where the audience is sometimes.

Cap’n Lee (Flowerlark Studios)

Scifi is an under-appreciated genre, imo. Unless you’re Star Wars, Star Trek or a Marvel comic, it seems like people don’t talk much about scifi.

It might help boost views if you rework your genre labels on places like Webtoons. Like, have Adventure or Drama as your main genre tag and Scifi as your secondary genre.

Glowbat (Aloe)

actually ever since avas demon went on webtoons ive been getting about 10-15 subs a week there

for a while i had listed aloe as drama first but the results werent fantastic as i think that genre has been flooded over there

keii4ii

I think sci-fi has some very prominent associations with the genre that don't apply to every sci-fi story -- e.g. the first thing a lot of people immediately think of is spaceship explody battles. So if someone sees sci-fi and they're not into spaceship explody battles, they won't read.

Glowbat (Aloe)

i may try adventure though if scifi doesnt pan out

keii4ii

Alternatively, if someone sees sci-fi and they ARE into that... and only that... they will leave once they find out the comic is not about that

Glowbat (Aloe)

thats also a good point

keii4ii

I've had similar difficulties even though fantasy is more widely accepted these days as a more varied mega-genre

People expect X, comic contains only a sprinkling of X and is about Y instead.

Glowbat (Aloe)

in my personal case, i've alienated potential readers i feel sometimes simply by having the cast be primarily lgtbq with an agender lead. but i dont regret that and im happy to have it deter people who arent down for that

RebelVampire

That is definitely true about sci-fi. Film has really biased people as to what fits sci-fi, where in reality sci-fi is a really wide genre. So a lot of stuff never gets a chance cause it confuses people.

Nutty (Court of Roses)

Yooooo i feel that, glowbat. On one hand, I want ppl to know that my comic is a safe read for LGBT, but at the same time I know that announcing it as such will deter others on principle.

The Q - working on WAYFINDERS

I feel the same way. The whole cast of Wayfinders is some form of lgbt+, but we don't actually adress it much, because it's an adventure story moreso than a romance. So it's like.... how do we tell the readers it ain't straight

Cap’n Lee (Flowerlark Studios)

Fantasy does seem to get drowned by numbers. Eryl gets about 5 new subs per update and Children of Shadow only gets 1-2, and I think they’re just getting lost in the crowd.

Nutty (Court of Roses)

Two of my characters jokingly told each other their identity through bard puns, plus I keep pushing for gay ships within the story, so I'm pretty overt with my readers about it ahaha.

Cap’n Lee (Flowerlark Studios)

@The Q - working on WAYFINDERS I’m having some difficulty with that dilemma, too. Both my comics feature large LGBTQ+ casts but romance isn’t the focus of either. It often feels like there’s no good way to bring it up naturally until the romance threads surface very far into the story, and I’m always worried about homophobes lashing out when they eventually discover the comic is G A Y

Glowbat (Aloe)

in my descriptions i describe the comic as a lgbtq+ themed scifi flat out

keii4ii

Early in HoK, one character embarks on a journey for a personal reason, and the MC tags along. I've semi-recently heard from an American friend that she didn't really get the character's reason. He wanted to take a younger family member away from a bad living situation, but to the friend, the situation didn't seem so bad. After some talking, we realized it was a cultural thing. The situation was very obviously bad to Koreans, but it didn't/doesn't seem like a far departure from the range of normal life in the US, for cultural/societal reasons. I suspect that was a big part of the reason why people kept pegging my comic as a "fun adventure romp" despite the lack of fun adventures (it has elements of adventure, but is not that as a whole). The reason for the journey seemed superficial, like the author (me) just needed an excuse to start the Fun Adventure-Filled Journey. Whereas Korean readers, back when I was publishing it in Korean, immediately understood it was an intensely personal, difficult task that the shy boy decided to accept for the sake of love.

And yeah, LGBTQ+ as a tag/ part of the description seems like a good option to me too!

Cap’n Lee (Flowerlark Studios)

But then I’m also anxious that LGBT folks will think that’s false advertising because the characters’ labels aren’t mentioned until really far into the story (and it’s no where near that point yet). Aaaagh maybe I just overthink everything.

Glowbat (Aloe)

its really interesting to hear the difference in reception HoK gets

keii4ii

Yeah and the setting itself apparently feels different, too! To Koreans, it evokes secondhand nostalgia. But some non-Koreans have told me it feels fantastical and Ripe For Adventures

Glowbat (Aloe)

I feel you Lee- almost none of my chars have mentioned or done anything to illustrate their identities yet

keii4ii

(I also feel the need to mention, there have been non-Korean readers who got what HoK was about. Those readers mean so much to me! But I don't know if they understood that particular detail about Danbi's motivation for the journey early on.)

The Q - working on WAYFINDERS

(I'm gonna put so much lbgt+ love in the background of the story everytime they get to a new city ahahahaha >:) )

Cap’n Lee (Flowerlark Studios)

To me, @keii4ii HoK is very reminiscent of Studio Ghibli films because I get similar whimsical vibes. But Studio Ghibli has always been more about emotional journeys so after a couple chapters I was like ‘Ah, yes, I think this comic is about the characters’ emotional growth’(edited)

Holmeaa - working on WAYFINDERS

(muhahhaa, also just let Sallly flirt with all the ladies in the BG)

Glowbat (Aloe)

yesss flirt with ladies

MJ Massey

I'm worried that my comic is not "gay enough" to warrant the LGBT+ label. The character's sexualities have very little to do with the actual story, and one character is actively hiding their identity

The Q - working on WAYFINDERS

SAME

keii4ii

I'm aro/ace/agender and I don't really feel "LGBTQ+ enough" so I can't really use the LGBTQ+ label for my own comic, even though I know the label isn't exclusively for ownvoices stories.

Cap’n Lee (Flowerlark Studios)

I admit I’m not sure I ‘got’ Danbi’s motivations on a cultural level, but I felt like the tone being presented in that scene made it pretty clear she was in a bad situation?(edited)

Holmeaa - working on WAYFINDERS

but... we have calculated a total of 1 straight character in our whole comic.

Cap’n Lee (Flowerlark Studios)

‘She’ as in the niece, not Danbi. XD(edited)

MJ Massey

that's what it seemed like to me too, or at least that by leaving their village they were going to a better situation

Glowbat (Aloe)

first of all- high fives keii because agender solidarity and second of all if you have chars who identify as either not straight or not cis or both rolled into one then its gay enough to have the lgbtq label

to heck with gate keepers

there are plenty of queer peeps who just want to read stories that casually include people like themselves

but if you dont feel its needed you dont have to either

MJ Massey

I guess there is a certain expectation when you say "I make an LGBTQ+ comic" of how that comic will be, and I don't want to disappoint people or set them up to expect something different

I just figure that all kinds of people exist in the world, so I should include as many different kinds of people as I can in my work

Cap’n Lee (Flowerlark Studios)

I probs should just put LGBTQ+ labels in the descriptions and be like ‘this is genre fiction but almost everyone’s queer even though you can’t tell yet’. XD

Nutty (Court of Roses)

I use the term "LGBT-friendly" to indicate that they're present, but might not be the full focus

Cap’n Lee (Flowerlark Studios)

I write genre stories because I’m not that into romance-centric stories myself. I want queer heroes in the kinds of stories I like to read without the entire focus being on their sordid love-lives. I just want to read about the hero who slayed a dragon to rescue his prince instead of his princess, lol.

Glowbat (Aloe)

lol im in a similar position where i'd rather see the hero befriend the dragon

Cap’n Lee (Flowerlark Studios)

I have plenty of that in my comics, too!

There’s some nice dragons and some very-not-nice ones. XD

Glowbat (Aloe)

(im insufferable in d&d i was a bard who tried to be friends with everything)

eryl is on my lisssst <3

Cap’n Lee (Flowerlark Studios)

This is why I love bards

Glowbat (Aloe)

hehe

Phin (Heirs of the Veil)

I'm always happy when people mark their stuff as LGBTQ+ if characters are present tbh Y_Y

Phin (Heirs of the Veil)

Also agreed with everything said above

Cap’n Lee (Flowerlark Studios)

All right, now Imma definitely have to add the LGBTQ+ labels to my comics next time I do website maintenance.

Glowbat (Aloe)

yay!

Nutty (Court of Roses)

Aw ye aw ye

Join the brigade

Phin (Heirs of the Veil)

yiss

I feel a bit bad bc I rarely read sth that's not clearly marked as LGBTQ+ or where I know the authors are part of the community whoops

But it's mostly the fact that I consumed hetero-focused media my whole life and now I can...choose.....

the dream

Glowbat (Aloe)

heck yes

im way more drawn to stories that are marked lgbtq+

keii4ii

Don't feel bad, because seriously, even if you exclusively read LGBTQ+ marked stories? There ain't enough time in this life to read every good story that fits that bill.

There are too many good stories out there and we do need to choose.

Glowbat (Aloe)

its just nicer because then i can enjoy the story without having to worry that in the middle of it im going to get a rude wake up call from an off colour joke or somethin at my expense

Phin (Heirs of the Veil)

yeah that's true

keii4ii

Sometimes we miss out on stuff that we may have fallen in love with, but that's the name of the game, the game of not having enough time

Phin (Heirs of the Veil)

Webcomics feel a lot safer than other media in that regard atm

Jupp especially if you're also working on your own stories

Glowbat (Aloe)

it sucks thinking theres a bunch of stories out there that im sure id love if only i had the time or mental fortitude to sift through a bunch of others.

keii4ii

(OTL that reminds me... there is one instance of trope use in an early chapter of HoK that falls into that 'off color joke' category. I don't have any excuses for it, just 'I just thoughtlessly parroted a trope that I saw elsewhere.' I regret it and hope to figure out an elegant way to rewrite that one scene.)

Glowbat (Aloe)

i dont have the energy to be burned so often by stories that seem good and then hit me with random transphobic bs or using slurs as jokes

Cap’n Lee (Flowerlark Studios)

Yeah, as someone who grew up in a time when no one positively portrayed queer folks in mainstream stories (and there was no internet and living out in the boonies made it impossible to discover underground cultures) I love that now I can seek out tonnes of LGBTQ stories and drown myself in the gay every day.

Glowbat (Aloe)

yesss

Phin (Heirs of the Veil)

jupp ;;

Glowbat (Aloe)

man if i could give ten year old me printed copy of paranatural and turn to the pages with rj's identity being explained? that kid would have grown up way happier

living in small towns aint great for queer peeps

Cap’n Lee (Flowerlark Studios)

Nope it’s not. I was badly repressed until honestly only 3 years ago when I suddenly asked myself why I loved reading about and writing so many gay characters. And then suddenly my whole life made sense.

Glowbat (Aloe)

im so happy for you<3

Glowbat (Aloe)

its a heck of a thing thinking back on things and realizing why you do certain things

Cap’n Lee (Flowerlark Studios)

Honestly there were giant clues from when I was still a little kid and I can’t believe it took me so long. XD But I’m digressing from the comic talk, lol.

Glowbat (Aloe)

haha i understand what you mean

i think its why its so important for comics to be inclusive

spare some poor kids the heart ache and confusion

Cap’n Lee (Flowerlark Studios)

Yes! The internet has created such a boom for indie comics and that huge variety of voices has been so so important.

Glowbat (Aloe)

as much as comics are an art, they're extremely powerful as a vehicle for teaching and generally conveying ideas

FeatherNotes

Can i just say how happy i am that y'all are making LGBTQ+ comics that aren't just romance tho? I'm pretty indifferent and on the ace spectrum for sure, so its so refreshing that we can have a queer cast just being cool and not hurt by identities. I wish i had that as a kid

Also no shade on romance but there's def a lot and lgbtq+ isn't just for that genre

So yes yall are 'gay enough' lol

Glowbat (Aloe)

i agree! queer peeps shouldn't be squared off in romance, which unfortunately i think is a result of people's gross misconceptions

Cap’n Lee (Flowerlark Studios)

Admittedly, I use my comics as a vehicle to work through my own issues, so there are scenes planned where the characters have to deal with transphobia or homophobia. But I will always counterbalance that with other scenes that validate the characters’ identities.

Phin (Heirs of the Veil)

Hmhm my story also deals with transphobia and dysphoria bc I'm working through own issues. I don't think that's a bad thing though

generally I think it's pretty ok if the story is not a constant misery train

(even those can be written well, but they are usually not my cup of tea)

Glowbat (Aloe)

i think its perfectly acceptable to use comics as a vehicle for that lee

Phin (Heirs of the Veil)

yeahh tbh

MJ Massey

there's no wrong reason to make comics/create a thing

Glowbat (Aloe)

youre a queer creator and you're working with what you know so why not

Phin (Heirs of the Veil)

I know focusing on queer suffering has been criticised a lot but I feel there's more nuance to it. Especially if it's a LGBTQ+ person writing about it

Cap’n Lee (Flowerlark Studios)

Yeah. I’m a miserable emo and I write miserable emo stories, but I try to inject some hope into it, because I think that the majority of humans are good and/or want to be good.

Glowbat (Aloe)

theres this comic called dropout that does a wonderful job exploring the grittier truths of being queer

its a fairly short read but its super good

Cap’n Lee (Flowerlark Studios)

Hmmm, I may look that up

Glowbat (Aloe)

i can dm you the link! no pressure to read it tho

twothirty

gosh, i just want to chime in because i really relate to earlier comments around labelling comics. I'm bi, but i don't wear it on my sleeve, and my own comic has like...1 straight character. I feel like there is an expectation for comics labelled as lgbtq+ and i don't want to disappoint people who are really looking for that content to be directly addressed.

Phin (Heirs of the Veil)

Tbh I feel many people are just happy, if there's queer characters doing cool stuff (at least that's how it's for me).

Glowbat (Aloe)

i label my own comic as lgbtq+ and the plot hardly hinges on that being the central theme

just a bunch a gay scientists and robots in space

...i swear its way more interesting that that lol

man i wish i could get more of my comic out faster so i didnt have to worry about spoiling basic things geeze

twothirty

haha im into it! Ahh, well probably a big part of it is my own insecurities, but what are webcomics for if not... for figuring out your own crap (edited)

keii4ii

I feel that X'D

Phin (Heirs of the Veil)

juppp...I get the anxiety tho

Cap’n Lee (Flowerlark Studios)

Mess of anxiety solidarity.

Glowbat (Aloe)

oof yeah

also hey while we're at it with the queer biz in here:

aro/ace/bi peeps are all gay enough full stop

Cap’n Lee (Flowerlark Studios)

YES

Phin (Heirs of the Veil)

jupp

Cap’n Lee (Flowerlark Studios)

As a demi-bi dude I fully endorse that all labels are valid.

And that gatekeeping sucks and helps no one

Glowbat (Aloe)

yeah anyone who makes you feel like you dont belong under the lgbtq+ umbrella isnt doin right by you

and your comics should be allowed to be considered as queer as you want them to be

Cap’n Lee (Flowerlark Studios)

Also all gender identities are valid and don’t hinge on having a physical transition. You’re valid as trans whether you change your body or not.

Glowbat (Aloe)

^^^

YES

Phin (Heirs of the Veil)

YESS

Glowbat (Aloe)

all our experiences are valid and the comics we make because of those experience are beautiful

Deo101

Oh man I missed a huge convo, but I love y'all and it's wonderful seeing so many kinds of comics out there and seeing people make their own content

Erin Ptah (BICP | Leif & Thorn)

Yo, nothing "gross" about romance, and the reason people flock to it is because romance with same-gender couples and/or trans people has been treated as "deviant disorder that needs to be cured and cleaned up, or at least kept far away from polite society" for so long (and still is, in many places)

All queer stories are valid, queer characters don't need to be in a romantic storyline to count, but please let's discuss that without echoing homophobic rhetoric about queer romance being "gross", yeah?(edited)

MJ Massey

I don't think it was meant gross as in queer romance itself being gross, but more in the finding a general distaste for romance tropes and romance as a genre

but I agree, that we should be careful about implying those sorts of things with our work

keii4ii

Romance as a genre is valid too; the consensus was just that there's a lot of it, and other genres are valid too. That every genre is valid

MJ Massey

true, but people might just feel strong distaste for certain genres from a personal point of preference

it's part of what makes the fabric of human existence so fascinating, we all have different opinions, likes, dislikes, viewpoints...

Phin (Heirs of the Veil)

tbh I love romance stories but the thing that disheartens me is that the queer stories people take most serious are romances

keii4ii

The pigeonholing

Phin (Heirs of the Veil)

Can you elaborate on that Keiiii?

Erin Ptah (BICP | Leif & Thorn)

Those are the stories that get repressed and erased the most, is the thing, so it takes more effort to get them produced and shared, and that makes people extra-happy

Cap’n Lee (Flowerlark Studios)

I don’t think anyone said romance stories were gross?

Just that it’s not necessarily our jam.

keii4ii

Oh, I meant that's what people are doing when people start exclusively associating a very diverse experience/ group of people with ONE thing, to a point where the people in that group are not allowed to be anything other than That One Thing

Erin Ptah (BICP | Leif & Thorn)

I was reacting to "queer peeps shouldn't be squared off in romance, which unfortunately i think is a result of people's gross misconceptions"

keii4ii

and it's a really unfair, inaccurate restriction

Cap’n Lee (Flowerlark Studios)

Ahhhh

Phin (Heirs of the Veil)

OH okay, thank you for elaborating, Keiiii. I couldn't really associate anything with the term at first!

Erin Ptah (BICP | Leif & Thorn)

Misconceptions are the reason queer people have been excluded from most romance for so long

Phin (Heirs of the Veil)

I think in that case it was more about people's misconception of queer identities being inherintly sexual and/or romantic though?

and not about queer romance being gross

DanitheCarutor

Huh, I thought 'gross' in that context was more akin to 'outlandish' or 'exaggerated', but I could be misunderstanding.

Cap’n Lee (Flowerlark Studios)

I think it means more that a lot of people fetishise queer relationships when there’s only representation in romance.

Erin Ptah (BICP | Leif & Thorn)

Associating "queer people being sexual and/or romantic" with "gross" is still hella dicey

Phin (Heirs of the Veil)

the misconception is what's gross, not the queer people or their romance?

Glowbat (Aloe)

re: gross misconceptions :Oh! i think i said that Erin- i don't think i did a great job of explaining my thoughts on that. on sites like tapas and webtoons its fairly common for gay couples to be exploited for an audience thats less interested in representation than fetishization(edited)

MJ Massey

yes I think there was some lamenting that it could be difficult to show queer characters without an element of romance to make their identities apparent?

Cap’n Lee (Flowerlark Studios)

I don’t think they meant gross as in disgusting but gross as in ‘far off the mark’

MJ Massey

because some people wanted to have queer characters but not focus on a romantic plot

@Glowbat (Aloe) I know what you are talking about I think

Deo101

Yeah, though I'd like to add on as someone who is writing LGBT romance, I get lumped in with fetishization content a lot and that is very frustrating for me, too

Cap’n Lee (Flowerlark Studios)

And it does take a lot of digging to find respectful representation in romance instead of stories made by and for straight people that use bad stereotypes to fetishise queer relationships.

Not that all romance by and for straight people does this.

But it’s a problem in the genre

Deo101

I work very hard to portray healthy loving relationships and people lump me in to their hatred of romance in general or categorize my work as bl or discount it for having that. It gets fetishized or dismissed an awful lot and that's very frustrating for me to see happening

Erin Ptah (BICP | Leif & Thorn)

If you want to talk specifically about something you feel is stereotypical or fetishizing, I wouldn't object to that, it's the broad swipes at all romance that become a problem

Glowbat (Aloe)

agreed

queer romance is very important to represent

i dont think anyone here would imply otherwise

Erin Ptah (BICP | Leif & Thorn)

And, hey, sometimes queer writers/readers also enjoy a romance that's unrealistic or trashy or silly or melodramatic, I don't want to dismiss "all romance that wouldn't represent a healthy and respectful relationship IRL" either

Glowbat (Aloe)

very true

Deo101

Yeah, not what I was trying to say.

Phin (Heirs of the Veil)

Idk if anyone was saying that tbh

Glowbat (Aloe)

i think our initial conversation though boiled down to that we were happy to see stories with queer people being allowed to just be people doing things that didnt focus on romance

Phin (Heirs of the Veil)

I'm personally very glad that we are getting a wider variety of queer romance now

Cap’n Lee (Flowerlark Studios)

What we were discussing earlier is more that it’s important to portray queer protagonists in all kinds of genres, instead of only romance. Which doesn’t mean romance isn’t also a valid genre.

Erin Ptah (BICP | Leif & Thorn)

Sure, and part of my discomfort is that queer characters have already been "allowed" to do non-romantic things in mainstream media for a long time -- it's being "allowed" to have an explicit romance that's new and different

keii4ii

^ I don't know about that. It probably depends on where you are, both IRL and part of the internet?

Cap’n Lee (Flowerlark Studios)

I never saw a queer character that wasn’t either tragic, a deviant, or the butt of a joke in media until the late ‘O0s(edited)

MJ Massey

both views are valid--it's good to both want explicit queer romance and to also just want to see queer people doing a wide range of things

DanitheCarutor

@Glowbat (Aloe) Yeah, to parrot what you said. I just chalked the convo up to seeing queer characters expand into different genres, and being happy that queer fiction is starting to be known for more than just romance.

Cap’n Lee (Flowerlark Studios)

There was no positive representation in any genre in the media I had access to for most of my life(edited)

Deo101

It helps with the normalization of stories like that, but I also think it makes homophobes be "more comfortable" with gay stories sometimes in a way that bothers me

I have had someone say that my story is the only bl they can stand so I'm sensitive about this subject though

Cause there's a lot to unpack there

Erin Ptah (BICP | Leif & Thorn)

The "if there has to be a queer romance, at least make it awful and tragic" trope was absolutely true in my area too

yikes, I can see being sensitive about that

Deo101

Like me writing something that primarily isn't romance and just has a romance b plot is making homophobes and fetishizing people read my work and that's frustrating for me in a way I can't articulate. I'm very happy within the LGBT+ community to have these works be made but among the straight people I know it's uncomfortable when they start saying things like "oh yay finally some gay stuff that isn't romance" kind of thing

Phin (Heirs of the Veil)

yeah that makes sense

Deo101

From other gay people I get it, it makes sense and I'm the same way! Especially with the oversaturation of bl

DanitheCarutor

@Deo101 Gah I got a comment like that before, it was a weird situation because not only was it unnecessary but... TGtaHR isn't even a romance...

Thinking about it, that's actually kinda worrying.

Deo101

But it's important to remember that the LGBT+ community is a bubble and though it's safe to explore all sorts of stories here, it's not safe outside of our bubble

Or, not necessarily safe

Like a homophobe reading a gay story with an unhealthy dynamic could just bolster their bad opinions about gay people even if it's exploring it in a healthy way

I have a hard time explaining what I'm thinking and I really hope this all makes sense

keii4ii

I get you

Glowbat (Aloe)

(i get what youre saying deo <3 )

Deo101

And its not something we can really change but I think it's important to remember with regards to society at large and how our stories are percieved outside the community

Phew lol

Erin Ptah (BICP | Leif & Thorn)

I get what you're saying, although in that case, the homophobe was probably going to think that no matter what, and if it wasn't the story they'd find some other "evidence"

Deo101

Yeah absolutely

And I think it's important to remember that when talking about exploring stories that have unhealthy Dynamics and things other than romance and whatnot. I don't want those things to become safe for cishets to exploit basically

Like "oh great now I don't need to write them kissing so I can access BOTH the LGBT and everyone else!"

Erin Ptah (BICP | Leif & Thorn)

Ah, you mean like "the author says they're gay, so that counts as representation and LGBT people should buy this, even though there's never anything explicitly gay in the story"

right?

Deo101

Yeah

Deo101

Which again within the community I get and it's important to explore things like that for sure

Erin Ptah (BICP | Leif & Thorn)

I think the important difference is, writers within the community are going to do something to indicate the queer identity, even when it's not "having an on-screen romance"

And that's something that, say, your average JKR doesn't bother doing

Deo101

Again I have a hard time explaining myself and I might be tripping over my words a bit here

Yeah that's true as well

I trust LGBT people to be navigating stories with an inherent nuance

For the most part

Erin Ptah (BICP | Leif & Thorn)

That, or (I think people were talking about this upthread) we don't advertise a story as "look at all this representation!" while the characters' identities haven't come up in the comic yet

Deo101

Yeah I know I didn't say my story was LGBT til I had the married couple kiss cause I was worried people would think I was gaybaiting

I know I'm not but it feels wrong to me like I'm trying to rally up readers kinda thing...

But also if you know you're planning to do it I feel like you can say it'll be there

I just have anxiety LOL

Erin Ptah (BICP | Leif & Thorn)

No, I get you. Even if it's definitely going to happen in the future of the comic, it'll disappoint readers if you rally them up for something that isn't there yet

That would happen with anything, not just queer identities

Deo101

Yeah I also don't tag my pages or whatever for disability if a character isn't disabled on the page

Erin Ptah (BICP | Leif & Thorn)

Like if it was "read my comic for cool space battles!" when you had only posted the 5 pages of setup with characters having a chill talk in a field

sssfrs

I think what bothers me about lbgtq focused romance stories is that they’re often centered on how ~scandalous~ the relationship is and how the characters have to overcome personal biases or homophobia/transphobia as the central struggle

Deo101

I don't want the wrong audience. I mean I also could probably slap bl on my cover and I feel like I'd get a lot more readers but they're not the readers I want

sssfrs

Or at least I dont enjoy reading stories like that

Deo101

Yeah that frustrates me too, personally

But some people like seeing that overcoming idk

sssfrs

My comic has at least 2 visible prominent gay relationships but its not about romance at all

I guess thats personal preference(edited)

Phin (Heirs of the Veil)

I think a lot of the time you also know what intentions the person behind telling a story like that has? I have a straight aquaintaince writing BL and it's totally clear that she thinks the whole ordeal is kinda cute and endearing when it's pretty...harsh for actual queer people

Deo101

Mines got 5 and it is about romance cause I absolutely love romance and I love love, but I am overly frustrated with romance as a genre. Which is why I write my own

Erin Ptah (BICP | Leif & Thorn)

I think that goes back to the "talk about a specific trope that bothers you, don't treat it like the whole genre" thing I was saying

Deo101

Yeah I think there's a lot of nuance to it that cishet people largely don't have

sssfrs

I feel like it makes the romance into a statement about how society is bad and its not interesting or groundbreaking to represent that bigotry in your media without adding something new

Deo101

I'm frustrated with the often unhealthy Dynamics and the frequency with which homophobia and transphobia are shown.

I live in a homophobic household I don't want it in my romance cause it hurts to see

But, I don't think it's bad to tackle those issues it's just hard for me personally

sssfrs

I like pairing up side characters but only 2 pairs are going to have an Arc. so far....

Phin (Heirs of the Veil)

I...feel for many cishet authors it's also a good excuse to not have the characters get together right away without actually thinking about why they would not for other reasons (like personality based). So there's a lot of "I'm not gay!!!" type of thing

Also totally understandable Deo :C

Deo101

Yeah absolutely.

Cap’n Lee (Flowerlark Studios)

It’s also valid, as a queer author, though, to show characters that do have to overcome their ‘gay panic’ when they first realise they’re gay. It’s something a lot of us have gone through, but it’s important to show the comfort you finally feel in yourself when you come out the other end if it.

sssfrs

Why should fiction include all the shitty parts of real life

Deo101

I think straight people see LGBT authors tackle these issues and go "oh so I can too!!!"

And yeah this is why I'm largely drawn to sci-fi and fantasy, I get to entirely remove all the things that hurt me about reality. Dude can just use a cane and everyone is like dope

Cap’n Lee (Flowerlark Studios)

Because sometimes fiction helps us process all the shitty parts of real life. Both happy stories that take away shit and gritty stories that acknowledge shit are valid and important

Deo101

Ppl can just be trans and it's fine

I agree they're all important

Phin (Heirs of the Veil)

(I think I'm just super bitter bc here I've seen cis and straight women get awards for their queer romance stories which just hmm)

Deo101

^

Phin (Heirs of the Veil)

I agree it's a super nuanced topic

Erin Ptah (BICP | Leif & Thorn)

...I feel like you've also gotta make some allowance for bad writing. Like, maybe someone's not getting a lot of nuance in their story because their skills aren't sharp enough to handle it yet.

Phin (Heirs of the Veil)

Agreed, Erin!

Erin Ptah (BICP | Leif & Thorn)

And one of the ways they'll get good enough to write better stories is by working out issues through writing the worse stories.

sssfrs

My main character is a butch lesbian gnc completely androgynous person and no one is ever going to say anything nasty to her about it

Deo101

I feel you sssfrs lol(edited)

Deo101

I thirst for gentle, nice LGBT stories. I just crave them

Nutty (Court of Roses)

I feel that. As I build Prismal and decided to include lgbt folks in it, my first thought about it was "would there be any reason for them to be hated in this society? No? Then why would I include that theme?"

Deo101

And yes it's important to delve into the harsher realities and I think it's good to use fiction to explore and work through those themes, definitely, but personally no thx

sssfrs

I like where ppl are just all expected to be pan or bisexual by default

Erin Ptah (BICP | Leif & Thorn)

heh, I literally have 2 comics and one of them is "real world where characters struggle with realistic prejudices" while the other is "fantasy world with 0% homophobia/transphobia."

Something for everyone!

sssfrs

Nice

Cap’n Lee (Flowerlark Studios)

I’m too goddamn miserable to write such nice stories, lol. But writing gritty stories where my characters go through hell helps me process the stuff I go through in my life. But I love reading those nice stories where we can forget racism and queerphobia exist.(edited)

Phin (Heirs of the Veil)

hehe...I've decided to go into some queerphobia in my next comic only bc I want to...explore historical queer spaces and the kind of space does not make sense in a world that's 100% accepting

Deo101

Yeah it's just all about that nuance babeyy

Phin (Heirs of the Veil)

yeahhh

Deo101

I think that's also why we see so much more LGBT content of all kinds in indie media

Erin Ptah (BICP | Leif & Thorn)

Absolutely

Less gatekeeping, less opportunity for homophobes to shut it down

Cap’n Lee (Flowerlark Studios)

No big boss complaining it’s not ‘marketable’ to be inclusive

Deo101

And I worry that mainstream stuff will be like "ohoho, so that means I can do it too" *stumbles and sets gay people back 10 years in the eyes of the general public *

Cap’n Lee (Flowerlark Studios)

YEEEEEEAH there’s that

Erin Ptah (BICP | Leif & Thorn)

I think the mainstream is going slow enough that that's far from my biggest worry

Cap’n Lee (Flowerlark Studios)

But change never happens smoothly

Sometimes it goes up and down before society evolves into a better mindset

Deo101

Well yeah ofc, but even on a smaller scale of bad people reading good works it is kinda happening I feel like

Cap’n Lee (Flowerlark Studios)

So there’s gonna be periods of shit before being queer is faithfully represented in the mainstream

Deo101

Yeah for sure

It helps normalize things but it also can do it in an unhealthy way and it's frustrating

As in people going "yes let's include gay romance *it's just bl tropes *"

And things like that

Erin Ptah (BICP | Leif & Thorn)

I think the best way to counter that is by producing & supporting more stories of all kinds -- the more complex and multifaceted a view people get, the better

Deo101

Yeah

From people who are handling those stories well, too ^^^

Which is subjective of course I know that

Erin Ptah (BICP | Leif & Thorn)

Also, something nobody's mentioned that I think should come up...a lot of times you don't know who's straight/cis and who's not. Like, if it's Famous Mainstream Author JKR, you can be pretty sure, but with small-scale indie creators, how much can you tell the difference between "straight/cis artist who thinks BL tropes are how all real gay relationships work" versus "gay/bi/trans/etc artist who understands IRL fine, but it's fun and self-indulgent for them to write those tropes"?

Especially since the artist could be actively in the closet. Or could still be on their own journey of self-discovery and not know they aren't straight and/or cis yet. All the more so since indie creators are more likely to be younger than well-established mainstream standards.

Cap’n Lee (Flowerlark Studios)

I don’t know about you guys, but it’s always BLATANTLY obvious to me by how they’re writing.

Erin Ptah (BICP | Leif & Thorn)

How did you confirm it? Did you ask them?

Cap’n Lee (Flowerlark Studios)

Call it intuition

Phin (Heirs of the Veil)

I don't think it's always confirmable tho :C

Erin Ptah (BICP | Leif & Thorn)

Granted, sometimes a person writes with enough nuance that I can tell they're queer, but how do you tell a straight writer from an awkward/inexperienced/clunky queer writer?

Phin (Heirs of the Veil)

I know a lot of authors thinking they were cishet and later on realizing they were not

and some of them wrote a lot of "yikes"

Cap’n Lee (Flowerlark Studios)

There’s writing patterns and use of tropes that signal whether the person is actually respectful if the queer community or not

Deo101

Also just cause you're working through things doesn't mean it's a healthy exploration that is good for the community at large

Cap’n Lee (Flowerlark Studios)

Even if they’re queer and self-indulging, there’s a lot of tells both in the comics and in their commentary

Phin (Heirs of the Veil)

tbh I think some tropes are fair to criticise no matter if the author is queer or not but there are also queer authors writing disrespectful tropes

it's not sth that I see a lot, but I've seen it

Deo101

^ yeah this

Erin Ptah (BICP | Leif & Thorn)

All questions of their writing aside, there are definitely queer people who don't respect the community IRL, either...

Deo101

Like it's not good to write glorifying rape fic of pedophilia no matter who you are or how it's helping you work through things. I mean you can write it but then to share it is something else entirely

Not saying those are common things but they're pretty very much "bad" things

And actually glorifying rape is something I do see much more than I would have expected

Cap’n Lee (Flowerlark Studios)

And that’s problematic, too. When you’re part of a community but not respectful of it, that’s just as bad as a straight person being homophobic. Sometimes the worst homophobia cones from within the community, but that doesn’t make it okay or healthy.

Erin Ptah (BICP | Leif & Thorn)

If you share a dark story behind accurate warnings and labels, then it can reach other people who are working through something by reading it, and be avoided by people who don't.

Deo101

Yeah there's a lot of lateral agression within the community

Okay but glorification of it isn't a healthy way to work through those things it's not a dark story

Erin Ptah (BICP | Leif & Thorn)

I'm not saying homophobia from within the community is okay or healthy, I'm just saying it doesn't have to indicate that the person is straight/cis.

Cap’n Lee (Flowerlark Studios)

I have a lot of dark themes in my comics. There is rape, but it is never shown on panel and never never glorified. I think it’s a subject that’s important to talk about, but I find it extremely disturbing how much it’s romanticised in fiction.

Deo101

^^^

Phin (Heirs of the Veil)

yeah...

DanitheCarutor

Huh, this convo reminds me of an article a friend sent me from someone's Patreon. https://www.patreon.com/posts/25994657 It talks about creation policing, and problematic fiction. You all proooobably won't agree with it given the direction of discussion (which all points of view are totally valid), but this whole subject is super interesting.

Cap’n Lee (Flowerlark Studios)

All right, true, you can’t always know if an author is queer or not. I should have been more specific in whether an author has a healthy view of the LGBTQ community or not.

Deo101

So you might not be able to tell if someone is gay by their writing, but there are certain trends that gay people do not generally fall into that MOSTLY indicate someone is straight, though there's no way to know for sure.

Cap’n Lee (Flowerlark Studios)

THAT is always obvious to me.

Deo101

And like def there are bi women who fetishize gay men, and there is transphobia and biohobia and everything within the community

Cap’n Lee (Flowerlark Studios)

If they’re being homophobic or just don’t ‘understand’ the queer community, I mean

Deo101

Etc etc, so even if you can't tell whether a harmful representation is written by someone who is LGBT it's a harmful representation regardless

Cap’n Lee (Flowerlark Studios)

^^^^This

Phin (Heirs of the Veil)

Yeah. I'm always very hesistant on how to address things like this

Deo101

Me too esp since I have such a hard time saying what I mean

Erin Ptah (BICP | Leif & Thorn)

I'm not saying it's impossible to write harmful representation, but "this is harmful!" gets used as a cudgel against any representation, so often that I'm wary of talking about it as a vaguely-defined blanket category.

Cap’n Lee (Flowerlark Studios)

It’s hard to articulate things clearly when in fast-paced chats like this

Phin (Heirs of the Veil)

yeah, haha

Erin Ptah (BICP | Leif & Thorn)

At least it's good for leveling people up, huh?

Phin (Heirs of the Veil)

eifhiuef pfft

Cap’n Lee (Flowerlark Studios)

Lol. ‘You levelled up talking about homophobia!’

Phin (Heirs of the Veil)

(I feel we're all respectful and try to explain ourselves and give others the chance to do so too)

Erin Ptah (BICP | Leif & Thorn)

At least it's good for something??

Phin (Heirs of the Veil)

(so that's good haha)

Cap’n Lee (Flowerlark Studios)

Yes. Talks like this are super important to help see each others views on tricky subjects

Erin Ptah (BICP | Leif & Thorn)

Yeah, I feel like we're making good-faith attempts to understand each other, which...is not something you always get in internet discussions

To put it very very mildly

Cap’n Lee (Flowerlark Studios)

We all have our own stories and unique perspectives, and that’s important to share both in the fiction we write and in discussions with each other

DanitheCarutor

@Phin (Heirs of the Veil) The subject is pretty sticky. On one hand artists should be allowed to create whatever they like, on the other if that work can perpetuate harm for a certain community should it be allowed? There is a lot of this going around right now where people want sanitization in media, and what works of art are and are not allowed to exist. Not saying it's bad, but it is fascinating. I'm not fully getting into the convo because I'm honestly super neutral.

kayotics

I’m definitely watching the convo play out, it’s interesting to see a chat like this develop

LadyLazuli (Phantomarine)

yeah I'm taking notes this is not my area of expertise, and it's all good stuff to keep in mind

Erin Ptah (BICP | Leif & Thorn)

I'm okay discussing & criticizing specific examples (which is probably why I keep bringing up Dumbledore...), but I don't like being critical of broad categories, because they can be so ambiguous & easily misused.

Phin (Heirs of the Veil)

@DanitheCarutor I think it is very hard to differentiate between people who want difficult subjects to be explored (which is valid) and people who don't want to be called out for certain kinks for example and a lot of the times stuff like "purity policing" gets used to shut legit criticism up. On the other hand there are a lot of examples of callout culture gone wild and honestly ??? Idk anymore.

Deo101

Its very frustrating

Phin (Heirs of the Veil)

But I'm also at a point where I'm getting super tired of constant discourse so

Deo101

Yeah I've literally had to block words like "ace" cause it's just so often discourse from either side and I'm just so tired of it

Cap’n Lee (Flowerlark Studios)

Plus there’s always going to be stories that help one person work through things but that are very toxic and upsetting to someone else. Just like there’s people who are toxic to one person and important to someone else.(edited)

Deo101

I've also blocked LGBT and "feminism" kinda things

I JUST see cats and memes now thank you

Erin Ptah (BICP | Leif & Thorn)

Lee: absolutely, which is why accurate labels are important

Erin Ptah (BICP | Leif & Thorn)

Eyyyy, it's my turn!

Cap’n Lee (Flowerlark Studios)

Yes

kayotics

I think it’s important to curate your online experience, and sometimes NOT curating your experience leads to purity policing

Phin (Heirs of the Veil)

HMM

kayotics

But yes tagging is really important!!!

Phin (Heirs of the Veil)

I think there is the creation of a lot of anxiety in what and what you can't tell in stories

Deo101

Tags are super important but also when someone doesn't think or realize they're doing something harmful they might not tag it

Cap’n Lee (Flowerlark Studios)

Warning labels all around are always a good idea

Deo101

Like if someone is being a homophobe just cause etheyre homophobic they're not gonna tag that

Cap’n Lee (Flowerlark Studios)

True

Deo101

Why tag it's glorifying abuse if they think it's hot or reality and don't realize that's bad

Etc etc

kayotics

There’s definitely a lot of creator anxiety lately, I’ve had a lot of friends come to me with anxieties about not wanting to start a project they love because they’re afraid of who might attack them online

Deo101

^^^ I've been scared about this

kayotics

Me too, honestly

Phin (Heirs of the Veil)

Same honestly

Cap’n Lee (Flowerlark Studios)

There’s always the issue if ‘should harmful ideas be given a platform’ vs ‘stifling voices you just don’t want to hear’ it’s a fine line.

Deo101

I once got all in a tizzy cause I was like "oh my god my planet of women is asking a man for help"

Yeah cause some free speech silences other's

LadyLazuli (Phantomarine)

Same

Erin Ptah (BICP | Leif & Thorn)

And sometimes you get people thinking "if I label this with a warning that it contains Bad Content, the internet police will come after me," so they don't use warnings for that reason, and then it's just bad times all around

Deo101

Yeah.

And also there are things no one thinks to warn about, like some very specific triggers

Phin (Heirs of the Veil)

yeah...

Deo101

Its just all around a very difficult to navigate space

DanitheCarutor

@Phin (Heirs of the Veil) Right? People do that with anything, if it's not the "purity police" excuse it's "my style", or "I'm friends with -insert minority here-!" I don't bother with the arguments anymore since I've been pushed into them enough, I'm more into seeing opinion on general art policing, or what is and isn't allowed to exist in art. Sorry, I'm being slow at typing again.

Erin Ptah (BICP | Leif & Thorn)

Heck, if we're talking about actual psychological triggers, most of them are going to be super-specific

Phin (Heirs of the Veil)

I have a trigger for fungal growth on bodies now bc I have 3 people who either have probs with plants growiing on bodies OR funghi lol

Deo101

Ya I have a "someone watching someone else sleep" trigger which people use a surprising amount

Erin Ptah (BICP | Leif & Thorn)

...wait, Phin, now you have a trigger, or now you use a warning for it?

Phin (Heirs of the Veil)

@DanitheCarutor srsly don't worry about it, haha. It's a nuanced topic and I think generalizing is pretty bad when it comes to what you can and can't portray

I use a warning for it, sorry Erin, wasn't clear

I had multiple people approach me so I warn in update posts and should probs also do it on the website

Erin Ptah (BICP | Leif & Thorn)

no worries, just wanted to be sure

kayotics

I do have an extreme phobia of needles and you’d be surprised how many news sites use active needle shots for vaccination stories

Phin (Heirs of the Veil)

GOD I KNOW

I am not afraid of them but like once they are near skin

I don't wanna see...these shots

Cap’n Lee (Flowerlark Studios)

I have a deathly phobia of vomiting and there are NEVER warning labels for it.

Phin (Heirs of the Veil)

yeah I think most people don't regard it and sometimes it's hard to get everything...

a friend of mine, Eli, creates a very gory comic and they put all their warnings on their update post images

and I kinda wanna try to be similarly mindful?

Cap’n Lee (Flowerlark Studios)

(I’m okay if it’s in a comic and off-panel or the gross part is not shown but the sound and sight are crippling for me and shows and movies just SHOW it all the time)

kayotics

That’s true. Not a vomit fan.

DanitheCarutor

Ah I've thought about using page by page TWs, and I tried it out with one page, but with the amount of triggering thing in my comic I decided on a general warning. (since almost every page would get a warning) A few of my readers also said they preferred not to see them due to possible spoilers.

Phin (Heirs of the Veil)

Hmm...I have a list of possible triggers in my about section

Cap’n Lee (Flowerlark Studios)

I probably should start doing that bc my comics get very bloody

kayotics

I know I’ll have a scene eventually that I’ll want to have a warning on, but I’m not sure how to warn for it without spoiling?

Erin Ptah (BICP | Leif & Thorn)

I installed a spoilertext plugin on one of my comics for that! Now I can put specific warnings at the front of a storyline, and readers who don't have triggers & don't want spoilers can leave them hidden.

Phin (Heirs of the Veil)

OHH that's a cool idea

DanitheCarutor

Yeah, mine is like a general pop-up that you have to click on to proceed to the comic.

Cap’n Lee (Flowerlark Studios)

I’m going to have to look at that plugin. Potential spoilers are the only reason I don’t have really detailed warnings on my comics

Erin Ptah (BICP | Leif & Thorn)

Here's the one I use: https://wordpress.org/plugins/inline-spoilers/

Phin (Heirs of the Veil)

Yeah I'll look into it too. It seems super useful.

Heck thanks Erin!

DanitheCarutor

I don't know how you could make a warning without spoilers, @kayotics! I mean, you might have to if you want to do a page specific one.(edited)

Sorry, my cat sent the message for me.

kayotics

I was thinking a page specific one for the upcoming scene.

So I’m glad that doesn’t seem weird

Erin Ptah (BICP | Leif & Thorn)

I'd say super-general warnings are mostly not spoilers. A movie will say "contains graphic violence", and that doesn't tell you who's being violent, or why, or how it's resolved.

DanitheCarutor

^^^

Phin (Heirs of the Veil)

yeah, I think that's not a spoiler, especially if the comic was already violent

Cap’n Lee (Flowerlark Studios)

Yeah. I have warnings for things like ‘graphic violence, blood and gore, nudity, etc. But some chapters or pages probably warrant more detailed TWs.

Deo101

Yeah I'm gonna put in my a/n for a few updates before like "hey there are some spooky scenes comin' up!'

kayotics

I wouldn’t say my comic is already violent, so it’s more applicable for this one scene

Deo101

And yeah things like "watching someone sleep" is gonna be at least somewhat of a spoiler...

Phin (Heirs of the Veil)

hmhm

DanitheCarutor

@kayotics I think it really just depends on the person too. Some readers like page by page TWs, and don't see them as spoilers, others are the opposite. Your readers might appreciate a warning more than mine since your comic isn't overall super graphic.(edited)

Gah I can not type today!

Erin Ptah (BICP | Leif & Thorn)

I put "this will get bloody" before some of the vampire storylines, not spoiler-cut -- because it's not a given, but shouldn't exactly be a surprise, either.

Deo101

I also do not mind spoilers whatsoever and I WILL spoil to anyone who asks as I've said many times, but I know not everyone is like me and spoilers are a big deal to many people

"i don't mind spoilers" i love them and they make me enjoy things more for many reasons

DanitheCarutor

Ah same! I'd love to just spill everything!

Phin (Heirs of the Veil)

(Deo high five bc same)

Deo101

My people

Phin (Heirs of the Veil)

tbh spoilers got me interested in many comics and I actively spoil myself

like getting into new comics and reading the updates before jumping to the beginning haha

kayotics

I’m very much the opposite

Erin Ptah (BICP | Leif & Thorn)

I don't want to spoil anything, I want to keep people guessing! But sometimes you gotta.

Deo101

Yes. I get incredibly stressed about whether or not things will work out and spoilers relieve that. Even if it doesn't work out like at least I know

I get so so sooo stressed about it

kayotics

Whenever people tell me spoilers I actively like content less

DanitheCarutor

I don't mind them myself. My mom absolutely hates them, and used to make me spoil every movie if I saw it before her, so I'm pretty alright with it.

Deo101

Yeah ik many people are that way

Phin (Heirs of the Veil)

yeah I also think that's fair

DanitheCarutor

Also spoilers don't affect me either since it's not the content that means anything, but how it's used. Imo

kayotics

Usually for me it’s like. “Ok you spoiled a major character death/reveal, that’s not fun for me anymore”

Phin (Heirs of the Veil)

OH yeah Kay! Tbh

Erin Ptah (BICP | Leif & Thorn)

If there's a big twist, I want to be unspoiled the first time I watch/read/etc the thing. If it's handled well, I can always rewatch it again with the knowledge.

kayotics

Because then I don’t get to experience that anymore

Phin (Heirs of the Veil)

that's sth that can also ruin a story for me

kinda didn't get into the current season of CritRoll bc of such a spoiler

with comics it's kinda like...I see them on twitter, read along a few updates and then jump to the beginning so there I don't mind spoilers at all

it's more scoping out if the story's for me

Deo101

Oh man I sometimes only get into things because of spoilers LOL I know I'm weird with this but genuinely I love spoilers so much they make me comfortable with what I'm watching. I love rewatching things cause I know how it goes down and I'm not stressed by it

Phin (Heirs of the Veil)

I sometimes have troubles to deal with...raw emotions towards media so spoilers help me with that too

like preparing myself for it to hurt

(not always tho)

Deo101

Right yeah for sure

Even if I know it won't work out I KNOW and I don't put energy into getting my hopes up

Cap’n Lee (Flowerlark Studios)

I hate spoilers, personally. I love going into stories completely blind or with just the bare-bones ‘genre, overall theme’ because I LOVE being shocked and surprised and have plot-twists thrown at me, so that’s what I do with my own comics(edited)

Phin (Heirs of the Veil)

yeah that's also fair. Right now my brain's not in the mood for that so I gotta play it save hehe

Erin Ptah (BICP | Leif & Thorn)

I still don't like saying "here's what the Beings are" in ads or sales pitches for BICP, even though the page where it was revealed is several years old by now

Cap’n Lee (Flowerlark Studios)

But everyone likes different things so there’s nothing wrong with giving spoilers for your own stories if people want them(edited)

Phin (Heirs of the Veil)

yeah it depends honestly and that's pretty okay.

Cap’n Lee (Flowerlark Studios)

Everyone’s different and everyone’s valid

Phin (Heirs of the Veil)

I don't spoil my own story, except with artworks and mostly it's without context or cryptic enough that it's not...a real spoiler

yeah!

in that regard, it's just a huge matter of taste

twothirty

i also jump into webcomics, read them backgrounds for a bit then realized im actually into it and read it properly haha

Phin (Heirs of the Veil)

hahaha yes

If I get invested without context I know it's good lol

Deo101

I don't spoil on public platforms cause I know people don't wanna necessarily see that (unless it's in an ama but I try to avoid spoilers still) but in private? I'll spill whatever tf u want like

I have and I will again!!!! Lmao

I know no one is gonna write it like me and also it's p linear so the only spoilers people really ask are Character things not plot things, anyways

So I'm not worried about theft im not doing anything super wild or original lol

LadyLazuli (Phantomarine)

all my favorite panels I've done are all the most spoilery ones, so... whether I share them or not, I lose

Deo101

Aw man

Cap’n Lee (Flowerlark Studios)

SAME

Phin (Heirs of the Veil)

nooo

LadyLazuli (Phantomarine)

but it makes sense! I put all my effort into those moments where the story twists and turns

Cap’n Lee (Flowerlark Studios)

Some of my fave panels or pages are when big reveals or plot twists happened

LadyLazuli (Phantomarine)

and it shows

so meh, I'll live

Cap’n Lee (Flowerlark Studios)

So I can’t share them to people who haven’t read my comic yet XD

LadyLazuli (Phantomarine)

luckily they don't make a ton of sense out of context, but... as soon as people start reading they might be like OHHH I know what's coming now

but it got them reading so shrug

I guess all mileage varies

Deo101

I feel like even the way I talk about my comic spoils it LMAO whoops

I'm made out of spoilers I can t hold them all in very clumsy

Phin (Heirs of the Veil)

haha

I feel the same a lot

(But I also just wanna scream 24/7 about my stories whoopsie)

Deo101

I once had readers asking me to sum up a chapter caus ethey were confused and I just waited til someone else did it cause I was worried I'd spoil Something in trying to sun it up

Cap’n Lee (Flowerlark Studios)

Linear stories are good too, though! Just reading a satisfying, well-written story is great; there doesn’t really NEED to be twist and turns for it to be food.

Deo101

Who doesn't wanna scream all the time and their stories hahahahha

Cap’n Lee (Flowerlark Studios)

GOOD

NOT FOOD

GAH

Deo101

Millennium is yummy yummy yum

Erin Ptah (BICP | Leif & Thorn)

...for the in-universe version of spoilers, I just had a moment of "hang on, this scene could've been way more dramatic if this one character hadn't already been given a certain reveal last chapter"

Phin (Heirs of the Veil)

good food, agreed

Erin Ptah (BICP | Leif & Thorn)

Normally I get away with not having a long buffer prepped ahead of time, but for once I wish I could still change this

Nutty (Court of Roses)

i spoil a lot about my characters more than i do the plot lol

i mean except their backstories sometimes

Phin (Heirs of the Veil)

Oh :C sometimes it's like this, Erin. Reasons buffers are good, but when do you have the time....

Erin Ptah (BICP | Leif & Thorn)

I've tried putting this one on hiatus to prep a buffer, but it turns out I need the deadlines and the regular feedback to push me through making the pages...

Phin (Heirs of the Veil)

oh I see. Understandable though...the only time I create real buffer is when I finish a book for print and have a deadline there.

(I wanna try to actually...get better though, since I wanna start a second comic project)

Erin Ptah (BICP | Leif & Thorn)

I mean, sometimes if there's a process that works for you, you gotta just go with it and not waste energy fighting it. Even if it's not the Best or Most Professional way.

Phin (Heirs of the Veil)

yeah that's true. It's just frustrating when you compare the work you get done in these phases vs. every other time.

Erin Ptah (BICP | Leif & Thorn)

Clearly the solution is to split it up into smaller books, so you have more print deadlines!

Phin (Heirs of the Veil)

haha, that might be!

Cap’n Lee (Flowerlark Studios)

I need buffers or I get super stressed. Unfortunately I also find them difficult to keep up.

Phin (Heirs of the Veil)

Buffers are very hard to keep up. I'm running out of mine next week, whoops

But I've already started working on new pages

Erin Ptah (BICP | Leif & Thorn)

I have...a half-finished, past-deadline page open in another window right now, lol

Cap’n Lee (Flowerlark Studios)

I haven’t been able to draw for about a month, so one comic’s buffer is getting low and the other’s going to either miss this week or be late.

And I’m stressing about it. -_-

sssfrs

I’m so excited for my story to progress. I’m tempted to talk about it but when I am I think that nothing I say casually will be as impactful as just letting the story actually play out

Desnik

I deal with lack of engagement by throwing my ideas (or myself) at people. I learned that keeping secret twists as spoilers was inhibiting my growth as a writer, so instead I talk through my plots with my writing group and I often walk away with much better ideas to write

We're a kidlit/MG/YA group and I'm writing in a similar fashion, so we usually don't have to warn each other about anything we're writing, which is its own kind of freedom

if I can get the content to be good enough, and land in front of someone who'll help me take it further, then the engagement will follow

keii4ii

(This the right place?)

Deo101

Speaking of a lack of engagement, i feel like my engagement rates are incredibly low. I get a good bit, i get comments on every page and im very happy with that, but it's odd that i dont get more given my amount of readers and I wonder if some comics just aren't the kind of story people feel a need to say anything about, or what?

I think so?

Cap’n Lee (Flowerlark Studios)

My engagement rates are... almost nonexistent.

keii4ii

I TOTALLY GET THAT DOUBT

When my anxiety is bad, it gets... really bad. "Maybe my story isn't worth commenting/ there is nothing to talk about it." I know that's just anxiety, so I try my best to not listen to that voice.

Cap’n Lee (Flowerlark Studios)

Although I think my audience is just not there? My page-views are pretty low, too, so maybe I just don’t have enough readers to comment (outside of you awesome SF perps)

PEEPS NOT PERPS

MY GOD THIS PHONE

keii4ii

Yeah, my views are fairly low too, considering the sub count I have on platforms

Come on, phone. We're not criminals. (Probably. )

Deo101

Yeah, its just weird when i have like. 1000 readers on tapas and get 0 comments i guess? I do kinda feel like my comic is very.... Its very linear its character driven and people can onky say "aw cute ^^" so much so idk what they would say

Like its legit .1%

keii4ii

hides the bloody knife

Deo101

ITS IN THE FLOWER POT!!!

Cap’n Lee (Flowerlark Studios)

I was getting about 1k daily views right after I joined SF but now it’s back down to about 100 a day, so shrugs

keii4ii

Views though, it's natural they spike like that even if you retain 100% of the people who checked out your comic!

because typically, people only go through the old pages once

so they give you more views upon first visit

Deo101

^^^

keii4ii

But I 100% understand the worry of "why do people check out my comic and decide not to read it... is there something wrong with my work"

Cap’n Lee (Flowerlark Studios)

On webtoons I think I have relatively good engagement for Eryl considering my low sub number. I have about 350-some subs and get an average of 1-2 unique comments per page, though that number goes up when a character dies. (edited)

That’s true! They do get kinda ‘falsely’ inflated when people binge-read archives

Deo101

Most comments i ever got is when I said "tell me your pet names"

Cap’n Lee (Flowerlark Studios)

Lmao, I should try that

Deo101

And then outside of that when luzio and sage do something cute is the most I get like, organically just frim my content

Amas are second most comments which are again, me starting the discussion

Maybe alk my authors comments should be like "tell me about your fave color" that'll inflate my stats

keii4ii

One person told me they don't comment because everything seems so obvious, and they don't wanna be captain obvious. Which I can respect. But I don't think everything is that obvious if the most common comment I get is "I'm lost"

Cap’n Lee (Flowerlark Studios)

Hmmmm

Deo101

Hahahahhahahahah

Like "NO PLEASE SHARE THESE THINGS"

keii4ii

IKR

Deo101

Help everyone else out!!!

keii4ii

There is a term in Korean comment section culture

"Konan" (from Detective Konan)

It's a term for commenters who explain obtuse stuff for other readers

Sometimes you'll even see comments like "Hurry up, Konans! I'm too tired to think! Spoonfeed me what happened in this update!"

Deo101

Me reading every comic ever

keii4ii

I NEED A KONAN IN MY COMMENT SECTION

Cap’n Lee (Flowerlark Studios)

Honestly I wish western readers did that, but they either get attacked for being ‘Captain Obvious’ or people scream SPOILER!!!! at them

Deo101

I really wish people woukd expkain for me too because then i know some people get it, but ALSO i dont want to explain things i didn't show, accidentally.

snuffysam

one thing i've found that helps with engagement is making sure to include something on the page for people to talk about, no matter how relevant it is. like a while back i had a (in my opinion) fairly boring scene where it's basically "where do we gotta go" "i'm not telling" "please" "ok you gotta go here" so to give readers something to talk about i had one of the characters take a hotdog out of a pokeball and eat it.

keii4ii

There was also this incredibly, incredibly obtuse comic. It had a fascinating hook but then became almost impossible to follow. You'd see comments like "so this is the Forbidden Realm that even Konans cannot enter."

Cap’n Lee (Flowerlark Studios)

Hahaha

Deo101

I try to make every page have something, i usually have 3 goals i want a page to accomplish but it's not very... Fun i guess? Its just kibda like "yes this happened"

keii4ii

It's also kinda sad when you DO put something important to you, and nobody says anything (or worse, says "so when is it gonna get interesting???")

Deo101

Yeah...

Cap’n Lee (Flowerlark Studios)

So once I spun this theory on a comic by picking it up from context clues. And I was like ‘Hey guys, what if X character is the dragon???’ and everyone was like ‘WELL DUH IT’S IN THE HOVER TEXT.’ I read comics on mobile where hover text doesn’t always work, and after getting sneered at for something ‘everyone knew already’ I was put off of ever being a Konan type again.

Deo101

:(

I never read the hover text unless its by accident I just dont think t

Cap’n Lee (Flowerlark Studios)

Yeah. And it wasn’t obvious from reading without the hover text so I was really proud of myself for figuring it out. But it just goes to show how rude commenters can scare away well-intentioned ones.(edited)

keii4ii

aaaugh D:

snuffysam

tbh i'm not sure why an author would put something important in the hover text where mobile readers can't see it. or tbh in blogs, side stories, etc. if it's important to understanding the main story, it should be in the comic.

Deo101

Yeah that's what im thinking... Hover text should be for puns

Cap’n Lee (Flowerlark Studios)

It was revealed later that chapter in the main comic, but apparently it wasn’t a ‘secret’ like I thought it was.

keii4ii

Bleeeh, sorry that happened to you. >_< This is why we can't have nice things

Where is the nearest Konans R Us, I want to order one for each of our comics.

Cap’n Lee (Flowerlark Studios)

Yeah... I’m very socially anxious / awkward so I’ve been scared away from quite a few comment sections. I still read the comics and buy them if they go to print, but a negative commenting experience usually discourages me from ever participating in the discussion.

keii4ii

100% understandable

Cap’n Lee (Flowerlark Studios)

Which is why I feel it’s super important for the creators to moderate their comments (or hire a good moderator if they don’t have the time). A lot of comment sections get toxic if the author is lax about fostering a positive discussion environment.

Deo101

That makes me feel much better about the times ive asked people to cut Something out or deleted comments.

Cap’n Lee (Flowerlark Studios)

I appreciate that effort very much.

Deo101

I worry that its "disengenuous" or something and if someone has a negative opinion I don't want to be like "nope you're ONLY allowed to be nice to me!!!" But it's not good, i don't think, to let people feel safe being mean In my comments.

keii4ii

Yeah, there is being critical, and there is being mean

Deo101

So I rarely do it but I have and I don't feel any guilt over the times i have

Right

keii4ii

Sometimes a comment can tread the fine line between the two and it's really annoying that it's not Obviously, Blatantly Mean

Deo101

Yeah hahahahahhaha

keii4ii

But I try to remember that I too have walked that line unintentionally and obliviously, back when I was younger

Deo101

Right. I have too

I was like "oh man I am so smart and im about ti IMPART MY KNOWLEDGE ON YOU!!!" *Is a jerk *

Cap’n Lee (Flowerlark Studios)

That one comic I was talking about earlier: the author had a hard time keeping up with moderating and eventually took comments off the main site. It was 100% not her fault and she was herself getting emotionally distressed from the amount of negativity in the comments. Especially since the comic itself is really thoughtful and has a lot of messages of acceptance.

Deo101

:(

keii4ii

>_<

Deo101

Uhh but yeah! Does .1% feel like about what y'all get as far as comments:readers goes?

.1-.2

I feel like i have no actual gague for this lol

Cap’n Lee (Flowerlark Studios)

It varies from comic to comic (for no quantifiable reason, usually) but that is about right. 99% of readers are lurkers.

Deo101

Dope, I was worried I had like super low numbers when talking with some people and it got me worried about my content

Cap’n Lee (Flowerlark Studios)

Plus subs don’t necessarily translate to active readers. A lot of people just never clean out their library after they stop reading something / subbed it to read later and never got around to it or left the site entirely.

Deo101

But I've also just got a lot of anxiety about what im producing and how it's percieved in general

Yeah ik

Cap’n Lee (Flowerlark Studios)

I can see people binging my archives from my stats but maybe 1 in 100 or less leaves any comments.

snuffysam

on average, each subscriber to my comic has posted about 45 comments total (which is like 0.07 comments per subscriber per page) if someone clicks on a page (subscriber or not), there is a 0.5% chance of that person leaving a comment.

Deo101

See for me its like. 1 in 1000 leaves a comment...

Cap’n Lee (Flowerlark Studios)

(It’s okay I get anxiety over it, too)

Deo101

Yeah i was gonna say uhhh whats it called

Shoot i lost mt train of thought.

Right. I feel like the longer a comic goes on tbe less frequently people engage

Cap’n Lee (Flowerlark Studios)

Yeah, I’ve noticed that in my comics, too.

Deo101

Like less readers will have made it to the end, more will be inactive, etc

snuffysam

i've found that my active commenters take a jump in early march (i.e. right after the comic's anniversary), and any time a book ends (since, i guess people like seeing how all the stuff that's happened in the book culminates)

Deo101

Oh that's an interesting note

snuffysam

i suppose that's some other advice on increasing engagement - give a reason for even caught-up readers to leave comments. one thing i've been doing is redrawing old pages and releasing the redraws on anniversaries, which gives reason for people to re-read.

and for end of book stuff, i suppose people are more willing to predict how something is going to end when it's close to ending

Deo101

Hmmmm

I'm taking notes

twothirty

seeking validation through comments is my downfall, because i just dont seem to write a comic that has the type of readership who is into that. What helped was just looking at google analytics and being like "oh right, of course people read this, its clearly here in this data" haha.

Phin (Heirs of the Veil)

twothirty, same. It's kinda hard to get out of that mindset.

Cap’n Lee (Flowerlark Studios)

Raises hand I need constant reader validation and get depressed easily when there isn’t. It’s not healthy, but it’s really hard to break out of that mindset.

Deo101

Im not seeking validation through comments, but when i have thousands of readers and get only like 5 it does make me look twice and start wondering if there's something I'm doing wrong.

And yeah it's hard to break out of the mindset

Phin (Heirs of the Veil)

Me constantly atm haha

Deo101

Especially if you've bee. Hurt in the past and you feel like people secretly hate your work because... In the oast they have

Phin (Heirs of the Veil)

I wonder if it's actually...a change in how people interact with media nowadays?

Cap’n Lee (Flowerlark Studios)

Oh yeah, definitely, Deo. I got so much negative feedback when I first started posting webcomics and it still sticks with me today.

Deo101

Yeah I've been lucky where people have been mostly nice to me or otherwise just indifferent which makes it so I don't have a super negative experience that my anxieties latch onto

And its STILL hard

Because words of affirmation is my love language lol

Cap’n Lee (Flowerlark Studios)

Partly I think it was because I was creating a lot of gender-nonconforming characters in an era when that wasn’t well-accepted in Western comics (reminder that I was surrounded by a veeeery conservative environment at the time), and partly because my skills were just not what they are now. There were a lot of nasty comments from both strangers and people I knew, and it was really tough to work through. I think if I hadn’t had the Tomgeeks forum to hang out in, I probably would have given up.

(For you young’uns, Tomgeeks was a webcomic list site and we had a really tight group in the forums. A lot of that old crowd are now in Spider Forest).

Kabocha

(Sorry, saw the tomgeeks mention! I remember aspiring to be in that group one day, but I was a lil' too much of a noob back in the day.) A lot of media is kind of... Sometimes you need to put a call to action to be like, "HEY LEAVE A COMMENT!" or something - else, they forget in a lot of cases, but ofc that's no guarantee.

keii4ii

Re: people being less willing to engage the longer a comic has been going on, that is definitely a thing

I think it's called archive burn or something

and I feel it too sometimes, as a reader. I feel like I'm not "allowed" to start reading a comic unless I can find a big enough chunk of free time to finish the archive in one session

It's 100% irrational but... it is a thing

I've found that I don't experience it IRL, with physical books. The end of each volume is a really good stopping place

snuffysam

then i suppose a problem is that webcomics don't really have stopping points you can physically see like physical books like when you're reading a book series, you know where one book ends, but when you read a comic you don't really unless you check how many pages each chapter has

and even then it's hard to keep that in mind when it isn't physical

mariah (rainy day dreams)

I definitely understand that feel. It's kept me from doing a lot of the book club comics because I'm like "I got ten pages in, but that's not enough to comment" T_T

snuffysam

maybe someone could program a widget for comic sites that works similarly to the page indicators in ebooks. like "you're 40% of the way through the chapter, and at your current reading speed you have 10 minutes left"

Cap’n Lee (Flowerlark Studios)

Comic Rocket!

mariah (rainy day dreams)

Does Archive Binge also have a feature like that?

I feel like they might... I don't use those kind of readers so I'm not super familiar with them.

snuffysam

archive binge lists what page you're on and how many pages the comic has, but there's no reading speed thing no

Cap’n Lee (Flowerlark Studios)

I don't know. I'm technically on Archive binge, but didn't get any subs there so I didn't look into it past creating my listing. I don't use those services myself because I like a nice long archive to work through, but I know that comic Rocket shows you how much of an archive you've read.

snuffysam

also, the thing i'm talking about would be for chapters as well as the whole comic. because if there is a big archive, people like to know how long they have before a good stopping point

mariah (rainy day dreams)

I'm on Archive Binge. I don't think I have any subs either but definitely get traffic regularly as if I did. How even does internet work ¯\_(ツ)_/¯

snuffysam

i guess recently updated?

Cap’n Lee (Flowerlark Studios)

I usually check out the archive page of a comic to get a good idea of chapter length, myself. So I know if I'm in for 10 pages chapters or 100 page chapters. Plus, idk, I have no problem stopping anywhere and picking it up again later, but I may be a pretty atypical reader.

Lmao, I have no idea how the internet works. I was one of the first people to list on Archive Binge and I have never gotten a single click from it. I get a steady number from Comic Rocket, though.

keii4ii

I wonder if it'd be worth experimenting with chapter numbers? Like, re-number existing chapters like "Season 2, chapter 2 of 15" instead of "chapter 20" ?

Deo101

^ thats a good idea

seeing "chapter 20" makes me as a reader go like, oh god, theres so many,,

snuffysam

^ that's one of the major reasons i label things "book X chapter Y" instead of just counting up chapters forever though adding "out of" is an interesting addition...

keii4ii

I'm nearing the end of season/ book/ whatever 2. I should give this a try

Cronaj

Lol, my books are going to be 3 chapters long each, so I don't think it would make much sense for me XD

keii4ii

Yeah, my chapters are short but numerous, so this might have a different effect than comics with longer but fewer chapters

Deo101

I'd be afraid of saying "out of" cause... well, i dont know how many heheh...

it all gets wacky when it comes time to actually make the thing

snuffysam

i mean, could add 'em retroactively as each "season" finishes

Deo101

oh thats true!

keii4ii

I would probably do "Chapter x out of [REDACTED]" (not that but something similar) when I start posting book 3

Cronaj

Yeah, my chapters are around 35-50 pages, so they're pretty long'

snuffysam

listing how many chapters are in book 3 would kinda spoil a twist lol, so i'll probably only do it retroactively

same lol

and some are 80 pages

book 3's going to have one 120 page chapter which is wild

Cronaj

I was thinking about printing 4-5 chapter books, make it more like a manga-length

keii4ii

You know, some comics (Korean comics do this a lot) do like... Chapter 10: Happy Day, followed by Chapter 11: Happy Day (2), followed by Chapter 12: Happy Day (3)

Cronaj

but full color printing is expensive

keii4ii

Dividing what might have been a single chapter into digestible chunks

snuffysam

i've split "arcs" into multiple chapters before, but unfortunately there aren't really any solid split areas in the chapter in question

Cronaj

and I doubt anybody wants to shell out $25+ on a 200 page comic

This is of course, a consideration for the future, as I don't even have the first chapter finished yet, but ya know

Come next year, I'll have some big decisions to make

@keii4ii Is that a webtoon thing? I've noticed that webtoons have shortish chapters

snuffysam

webtoons an entire chapter is posted at once

keii4ii

It's a Korean thing, which means Webtoons gets some of it

Cronaj

I mean, technically I post my comic in scrolling format, so I consider it a webtoon, but it's definitely drawn for print

@snuffysam, I mean the length of the chapters. The chapters (or episodes) are usually somewhere between 50-100 panels long, which is anywhere between 10-20 pages of a traditional comic

keii4ii

(Tangent, but as a Korean speaker I'm very weirded out by the word "webtoon" in English contexts. Over there every webcomic regardless of format is called a webtoon; I guess it's like anime/manga in Japanese? That in Japan, every animated show is anime, and every cartoon thingie is manga?)

Cronaj

Yeah, that makes sense

In the english speaking world, originally there were comics and webcomics, with little difference between except that one was posted online

but when Korean webtoons entered the English-speaking market, the naming conventions changed

The major difference being the prevalence of scrolling-format webtoons, which made people think that the difference between webtoons and webcomics is the format

but really, it's just a naming thing

You can call a comic a manga, and people expect a black and white comic in a specific style, but really, it's just a comic in Japanese

keii4ii

Yeah

Deo101

I usually just say "scroll style comic" or "page format comic" because im putting pages up on webtoons so it feels... weird to me

keii4ii

That too

IT'S A PICTURE STORY THINGIE WITH SPEECH BALLOONS

Deo101

hahahaha

Cronaj

In the end we are all just children XD

kayotics

this is really late, but i've been getting a lot more comments on my main site lately and I have no idea what I did to encourage that.

Deo101

people caught on

kayotics

That's probably all it is, but it's really surprising that my main site is the one getting more comments, since I wouldn't say it's necessarily a well built comment system? It's the native CMS comment system, and I require the first comment to be moderated

keii4ii

Does this mean I can claim I started reading Ingress before it got famous 8)

kayotics

yes

BUT, I'd say that the estimation of 1% of readers (or whatever the number was) is still accurate.

Deo101

.1% ish

kayotics

I have the most eyes on my comic over on Tapas, and while I do get a handful of comments there, it still equates to less than 1% of the total people subscribed. I'm sure there's a lot of reasons for that (like subscribers who aren't regular readers, people who quit the app, etc), but even the ratio of views to comments is pretty low.

Deo101

yeah I've been noticing that too

I have the most eyes on webtoons but I still have like. a good chunk on tapas and I think those are just more... casual sites

kayotics

yeah absolutely

Deo101

like on comicFury I have way higher engagement rates and i think that's pretty typical cause most of that audience there is also creators

kayotics

I'm sure there's some people who are pretty dedicated on Tapas, but I'd guess that there's more dedicated readers on my self-hosted site, just because they have to specifically seek out the content.

Deo101

^that makes a lot of sense to me

I know a lot of people who follow me on tapas are following 100+ other comics

and i know for SURE I wouldnt be able to take the time/effort to comment on like 10+ comics a day, assuming theyre even keeping up with all thsoe

wow yeah I just checked my list this person has over 6,000 comics theyre subscribed to, and a few have over 500

just on the first page of my readers(edited)

sooooo yeah it makes sense why engagement would be low if people are regularly reading that mant...

keii4ii

I actually rambled about this on twitter recently!

Deo101

and also makes me feel a little bit less bad when people are confused hahahahaha

keii4ii

How I thought I'd get a very small readership who are into what I'm making, but I ended up getting that very small readership PLUS a huge number of people who are just casually reading it

That first expectation was mostly based on my experience with my previous webcomic, but things were different back then. Big platforms weren't a thing, so casual readers were less common.

Deo101

yeah that's really neat

since I've only been making millennium for like... a little over 2 years and it's my first comic, I kinda just started with like 5 mirrors and was like "alright well, lets see how this goes I guess"

I had only ever read one webcomic before i literally have no idea how or why i got so convinced into making a comic

but since I was like 12 years old I was like "hm... I am going to make a comic i think." I just never did any research or tried til recently

or read any. I dont know how this happened

keii4ii

Casual readers vastly outnumbering the dedicated ones used to make me feel like I was doing something wrong, but I think that's just how the times are.

Deo101

Yeah :/ it's hard NOT to notice and feel like you're doing something wrong though.

when its like "okay i have 7,000 subs and got 5 comments" it's like ??? what am i doing WRONG

even though... its nothing wrong

it just be that way

hard to match those two ideas up though

almost went to continue this thought in an entirely different channel.

I think there is also something to be said for people not wanting to repeat a comment

like "oh someone already said what I thought so I'll just give it a thumbs up"

keii4ii

That's what upvoting is for!!!

Deo101

yup!

keii4ii

though, tfw highest voted comments are like "I have no idea wtf is going on lol"

Deo101

YEAH.

also do you ever comment on your own pages?

like not replying to people

keii4ii

I think I did once or twice, back when I actualy had relevant info and didn't have enough room in author's notes or something

Deo101

I've done it a few times, but it's usually kind of to ask questions where I can get replies

keii4ii

I have also seen a pro Korean creator post "first" on their own comic because they were tired of seeing so many of those

Deo101

I did that once LMAO

it's funny when people comment on my comic "FIRST!!!" cause i'm like. dude i get like 10 comments it's not that special to be first

but i'm happy theyre there and theyre excited its kinda cute i guess

keii4ii

Yeah, it's harmless

Deo101

and it's also nice to have people think that they have to race to be first

even though they don't

so it's kind of a nice comment to get even if it's not commenting on my work at all

keii4ii

It's kinda like hitting the like/heart button, just with more HURRY POINTS

Deo101

yeah hehe

oh i do 100% like all my own pages though

Cap’n Lee (Flowerlark Studios)

I actually get the most commenters on Webtoons but I’m (fairly?) sure I have more readers on my website.

Deo101

on webtoons, I don't do it on tapas cause you can see i did it LOL

Cap’n Lee (Flowerlark Studios)

I think I only ever got one First! comment and that was the only comment on that page.

keii4ii

Hey no shame in being your own #1 fan

Deo101

the one time I said "first!" was cause it had no comments on it for like a year and a hal

Cap’n Lee (Flowerlark Studios)

Oh no, I don’t like my own pages. For some weird reason I feel like it’s cheating.

Deo101

and hell YEAH! I'm my number one fan so much that i'm making a dang comic for how much I like these characters ;D

keii4ii

I don't feel bad about liking my own pages, but I rarely do it because I wait a bit before even looking at the post

Deo101

inflate your own stats its cool. all the cool kids are doing it

keii4ii

And by the time I look at it, I forget about liking

Deo101

I only do it on webtoons cause I have to manually post there anyways

so i post and its like "heres the page!" and im like :) good job me :)

Cap’n Lee (Flowerlark Studios)

I might start doing it. XD I get an average of 5-10 likes per page so why not.(edited)

Deo101

I also rate myself 10* or whatever the max is wherever I can

keii4ii

Yeah, and TBH one like isn't gonna give you an unfair advantage anyway

Deo101

^

keii4ii

If you're making a dozen alt accounts to give yourself more likes, now that's a bit questionable

Deo101

yeah that would be not so good

but you're a real account who likes your work so why not!

keii4ii

Yeah!

Deo101

I also honestly kinda like to sub to my own stuff and like my pages partially to make sure it's all working right

Cap’n Lee (Flowerlark Studios)

I should probably rate myself 10* bc both my comics got ratings-bombed at one point for really dumb reasons.

Deo101

like to see when the page goes up and everything

Cap’n Lee (Flowerlark Studios)

The ratings have slowly crawled back up a ways, but it’s always disheartening when people attack my comics for stupid things.

keii4ii

Oh, to go back to an earlier point about asking questions to readers to encourage commenting, I might straight up ask next week if my comic is making any sense.

Deo101

ohhhhh man i dont like swingin at that hive lol

keii4ii

I'll have to word it well because I do not want it to be a pity party

Deo101

but i mean it might encourage the people who do get it to go "yup!"

Cap’n Lee (Flowerlark Studios)

I do straight up ask every now and then. Sometimes I’ll get a pity comment when I do and sometimes it’s still crickets.

Deo101

also I feel really lucky that I havent had anyone be like, mean to my about my work.

I feel like trolls have really gone down in popularity

keii4ii

like even right now I feel like nobody's getting it (except maybe <10 people) so..... I don't think the answers could make me feel worse

Cap’n Lee (Flowerlark Studios)

I meant I straight up ask for comments, ugh, I misread Keiiii’s post.

I GET IT, KEIIII

I LOVE UR BABIES

Deo101

oh man, I could never just ask for comments. if I'm feeling really down I usually send it to my friends like "can i have smth nice please" I just get really anxious asking people for things

not that asking is necessarily bad I just, as a person could never do that

also keiiii I havent read it yet but it's on my list cause the way you talk about your work and what I do know of it... seems like it would really jive right with me

Cap’n Lee (Flowerlark Studios)

I usually do it along the lines of: ‘If you enjoy this comic, don’t forget to leave a comment! Getting feedback motivates me to keep drawing!’

Deo101

oh okay thats not so bad

oh my god how are the eyes moving

Cap’n Lee (Flowerlark Studios)

I’m shameless, you can say it

Deo101

I have too much shame probably

keii4ii

It is my anxiety moving the eyeballs

Cap’n Lee (Flowerlark Studios)

Give me sone of your shame, it’ll even us out

Deo101

please take it

keii4ii

(anxiety with Nitro powers)

Deo101

NOOO dont be anxious im gonna love it

god that eyes shaking emoji is so great

keii4ii

ikr!

Cap’n Lee (Flowerlark Studios)

So fun fact- my real face eyes do that

keii4ii

I think Tatsumaki wants to see you do it

Cap’n Lee (Flowerlark Studios)

It’s called nystagmus and it’s super trippy if you’ve never seen it before!

keii4ii

OH, I knew someone with that condition!

I never noticed anything about their eyes (only heard about them having the condition from talking), because I never met them while wearing my glasses X'D;;

Cap’n Lee (Flowerlark Studios)

My eyes just RANDOMLY do it a lot and it really freaks people out XD

Desnik

I've found that comments don't matter too much, but getting a boost from someone with a big following does

and the only comments I take seriously are from people I trust, although I get it: chasing the internet numbers is fun

snuffysam

what do you mean by "comments don't matter" you mean, like, in terms of garnering popularity?

Desnik

yeah, and as validation they can be a bit fluffy too

my perspective changed when I started printing out my work as zines and got people to buy them irl, it was very eye-opening

very few people commented on them online but in person I've found out they're not bad? And one of them got me a lettering job

keii4ii

Eh, I think it's okay to have different goals. To some people, good comments mean the world, and that's totally valid to want that.

Desnik

I know, just stating my pov

keii4ii

I mean that to some people, a good comment is not just an "internet number."

Desnik

fair enough

I believe I allowed for 'good comments' as being from someone I trust

keii4ii

Me, I treasure insightful comments from anyone who's invested in my story. To each their own

FeatherNotes

I have a book that I write them down to give me a lil boost to morale when I need it! i def appreciate the time it took for someone to write something thoughtful

keii4ii

Yeah!

Capitania do Azar

Oh comments are like.. What I like the most! (not all comments are the same tho). The reason I put my story out there is so I can share it and discuss it with people and the fact that a few take some time off their day to actively tell me what they think it's what keeps me moving

eli [a winged tale]

I really enjoy comments too. I always respond to my Instagram ones but not the comic ones mostly because of platform difficulties

Glowbat (Aloe)

I love reading through all the comments- they really motivate me when I'm having a low point and need a pick me up to get goin on pages. I just wish I was better at knowing how to respond instead of just liking the comment and hoping they recieve my telepathic brainwaves of gratitude

Phin (Heirs of the Veil)

Replying to comments is very hard and I always have the anxiety of "ruining" it haha ;; whatever it is (the person's enjoyment of my work?? who knows)

Glowbat (Aloe)

I feel that- part of me is always nervous I'm gonna say somethin to off put them or smthn.

Though I do try my best to curate comment sections if things are looking like they're gonna get rowdy

keii4ii

YEAH, and/or sometimes you're like "this comment is Awesome and deserves an Equally Awesome reply... HOW DO I DO THAT" and get stuck in a loop

Glowbat (Aloe)

yesss exactly that

I'm not that clever and I require lots of time to come up with anything I'm confident in lol

and by the time I have something cool to say back its been like a week

keii4ii

I made a Discord icon to express my internal response in a visual form to such Awesome comments, but I can only use those on Discord

This one:

Glowbat (Aloe)

Hehe

cuteee

and also a mood

keii4ii

Sparkling tears of happiness

Capitania do Azar

I believe them

Cronaj

Man... I will admit, I barely respond to comments

And that probably sounds terrible

But I honestly don't have time to respond to every comment

As well as the anxiety of not know what to say

It does depend on platform tho

keii4ii

I mean, as a reader I don't expect a reply if my comment is like "ooo nice!"

Cronaj

Generally, I respond more readily to comments on Tapas than on Webtoons, because I only have like 2 commenters at most on Tapas

And usually it's readers who ALWAYS comment, so I almost feel like they deserve a response, even if it's just a smiley face or a "thank you"

keii4ii

But if I've written a long ass essay comment, it would be nice to have some kind of engagement with that. Don't get me wrong, the creator doesn't owe me a reply but it's like... should I ever do this again with this comic. Or is my reply-writing time better spent on another comic

Cronaj

True

keii4ii

I def respect that not every creator has time to read all of the comments, regardless of how many comments they typically get

Cronaj

On Webtoons, I have way more engagement, but most of it is thirst for my characters or talking about the art style

keii4ii

and that not every creator may even aim to get comments

Cronaj

So I don't usually know how to respond to stuff like that

keii4ii

But if that is the case........ I would rather know before committing myself to multiple essay-length comments

Yeah, that is understandable!

Cronaj

I read every comment, but I don't want to respond to all of them

keii4ii

I'm 100% cool with "thicc" comments on my MC's butt or on my tiger dude's legs, but I can't necessarily think of productive replies to those

Cronaj

The only comments I respond to on Webtoons are either a) incredibly funny, b) meaningful and noticing more than the art, or c) a genuine question

Like if someone asks about my update schedule

Or if someone wants to know which programs I use

I had one comment about how good my grammar in the dialogue/thoughts is, and I felt so honored that someone else noticed

Usually I get comments about the art (which is also nice), but I prefer comments about the story or subtleties

keii4ii

It's the best thing when people notice the things that you put a lot of thought and love into

Cronaj

For several years in high school, I played around with the idea of getting a writing degree, so grammar and literary language have a special place in my heart

sssfrs

I respond to every single comment... I get one comment a month pretty much though

When friends or readers say nice things about my comic on any platform I save a screenshot and read them if I start to feel like nobody likes what I’m making

LadyLazuli (Phantomarine)

I do the exact same

FeatherNotes

Its a good practice when things are kind of slow! Or just for that lip morale boost too

[sugapop-rp]

*:･ﾟƜιѕнℓιѕтѕ Oƒ Ɯιѕнєѕ

              ⠀ ⠀⠀⠀⠀⠀ hi, hi! tis bunny anna here and i thought i would decide to make a little wishlist for my muses! i figured this might be handy for in the future because who knows right? so read below to see what i have in mind for my muse beans and if you are interested, please like this post and/or send me a message so we can chit chat about them :) 

note:you do not have to be mutuals with me to do any of this (obviously lol), you can be a random peep passing by that is curious and that’s cool with me! you liking this means i shall be sending you a message instead thus make sure there is a way for me to do that (dm or ask). this will be also updated as time goes on depending on what new idea/muse i may have at the time

Choi Ha-joon, 26 and is an elementary school teacher

“muse a sings like an angel but is really shy so they only sing in the shower. everyday,muse b, who is their neighbor, listens to their singing and thinks muse a is actually a professional singer. one day they meet at the elevator of their building and muse b really wants to ask for muse a to sing a song for them, or just compliment them. but how will they do so without making things awkward? and to top this situation, muse a is also a lotattractive.“

give me that cliche old high school lovers see each other again after school by accident, the feels hit them once again and oof. make it angsty, make it fluffy, idc just give me some of that!

ha-joon is a book lover so what if ha-joon keeps coming to this book store that also involves your muse. they get to know each other for their enjoyment of books but the plot twist of this all is that ha-joon doens’t know your muse is not only an author but one of ha-joon’s favorite writers!

you left your USB flash drive in the library computer and i had to go through your files to figure out who you are and i ended up reading the entirety of this book you’re working on and wow you’re actually really good???? 

Kris Yamada, 26 and is an assassin

so lowkey when i made kris i got a bit inspired by the video game “assassin’s creed” so would be interested to do something loosely based around that. something like say your muse is working for the enemy organization that kris’s order doesn’t like. they meet and get closer (friendship or romantic, doesn’t matter) and go from there? very basic idea i know lol but can be fun i think!

give me assasin buddies, bro this is something that kris is in need of lol. sure he can be like a grouch sometimes but he knows how to have fun! he used to live the wild life so let’s do some wild friend antics lol

speaking of used too’s...why not bring something back from the past for kris?  say maybe an old friend from kirs’s childhood? they can maybe meet on the street one day and they may want to ask questions because of kris suddenly dropping all contact? or we could do the more cliche idea of said friend is now a target and oops, now kris is stuck in an oopsie :’)

Song "Hayes" Hyeok, 26 and is an indie music producer. 

hayes doesn’t have the best relationship with his parents (this can be read in his bio here) so maybe one day his parents may want to do a surprise visit because he does have good contact with his sister and she praised alot about him. his parents (specifically father) wants to see how “amazing hayes is doing”. cue hayes trying to make things not go south because his parents are not fans of the fact that hayes likes boys...so to see him having a boyfriend/fiance/husband may cause some problems to put it lightly. this could include hayes pretending not to be in a relationship with your muse or pretending they are just roommates. a bit of a heavy idea so far in this list, i know but it is something i would like to explore for hayes. 

rival music producers, just give me some of that drama lol

a mentor type friendship where hayes could take in your muse under his wing to help them out in the music scene

“🌟–– we had a really ugly break-up and didn’t talk for a long time but oh hey, you’re at this party too and we’ve had a few drinks and now we’re kissing and … oh, all that wasn’t supposed to happen tonight but we’re sort of on better terms now and yikes!!! i might be falling for you again …”

“muse a is in an accident which leaves them without memory, and muse b had been on their way to break things off with their beloved muse a. when they arrive at the hospital the only thing muse a remembers is how in love they were with muse b, and muse b is forced to keep coming back to positive. muse b is trying to move on, trying to find a way to tell muse b that they want to leave them, but find themselves falling back in love withmuse a. muse a of course, eventually get their memories back, even the ones up until the last moments before the accident where they remember the fights and tension and out of the silence ask ‘youre leaving me arent you?’ but by this time muse b is entirely in love with muse a again, and muse a just feels hurt and decieved“

Sarla Dunnavant, 26 and is a businesswomen (no longer active)

give me that cliche idea of the businesswomen falling for their secretary or something similar, i’m weak for cliche’s and this one would be just fun as fudgecakes lmao.

enemies to lovers;your muse is a rival to sarla’s company and they sort of can’t stand each other ??? but like ??? respect each other at the same time ??? it’s weird but they think they cannot stand each other but one day during some business event, they find out they actually like each other and can get along (can be romantic or platonic)

based of this iconic post

ok hear me out...a sugar baby plot? it doesn’t have to be a schmexy plot either! it can be something like out of kindness (and boredom becuase what else can she do with her money) she will give gifts to your muse. like you want that fancy make up collection? alright, your college? paid off at the moment as we speak. want a lifetime supply of donuts? she can do just that. all she asks is to spend time with her and just chill out. 

Angelica Heartorne, 25 and is a vampire huntress

legit anything vampire stuff related. i am not going to be flippen picky. 

just because she IS  a vampire huntress doesn’t mean it has to be ONLY to vampires. she is multiverse so she can be a hunter for anything supernatural really. this can be something discussed for sure but she is versatile, she doesn’t have to stick to only human like leeches lmao.

a bit of a weird but funny idea that jsut came to mind? but what happens if angelica was dating someone right? but what if that person she was dating...was a vampire and she had no idea about this until by accident or something? please this sounds hilarious to me and would love to rp this out.

“ muse a enters a coffee shop and was in such a rush that she forgot her wallet, as she explains what happened to the worker and ask for them to cancel her order, then suddenly there’s a hand that hoovers over her head and money is slapped on the counter incoming muse b paying for her. muse a is like wHAT THE FUCK ! I AM AN INDEPENDENT WOMEN I DONT NEED ANYONE TO PAY FOR ME, but she turns around and meets eyes with muse b who is beyond attractive. muse a then stumbles and ask how she could repay muse b and he tells her to sit down and enjoy her coffee with him “

“you said you’d call me in the morning but the voicemail you left had her voice in the background”

“ Humans start out at birth with milk white blood. The more crimes they commit, the darker their blood becomes. One day, you meet your soulmate. Skip a few years, and things are amazing… Until your soulmate trips, falls, and exposes black blood… “

based off this post

Jeong Jin-Gi, 25 and is an indie artist

“ Don’t give me one-sided unrequited love, give me two-sided unwanted love. Both sides are deeply in love with the other and both sides are like ‘fuck, really?? them??? really?’ “

“ ok so hear a sister out… i want an actual HEART WRENCHING  celebrity  &  non - celebrity thread. like muse a meeting muse b in the most random place and muse b KNOWS  muse a is famous but they’re not gonna say anything but on the inside they’re secretly freaking out. but they get to talking  &  muse b kinda forgets that they are because they’re just so normal and they have so much fun talking to them,  and muse ahas a rich lifestyle  &  is the most popular person in the world,  yet the only thing they wanna do is be with muse b. but dating the most famous person ever comes with the DISADVANTAGES.  i want the ugly stans drilling them over dating their favorite star,  i want the paparazzi making up stories about muse b  &  giving the constant break up  -  conspiracy’s,  i want the late night drama filled phone  -  calls about “ maybe this is just too much for me  “  &  muse b seeing muse a in a new picture released with ANOTHER  apparent love interest,  and i want new songs released by muse a that’s a little  T O O   emotional to just be a careless piece of work.  i just want the constant back  &  forth between them  & them wondering if their love is strong enough to overcome the difficulties or if all they are is a love that was never meant to last. “

jin ain’t no angel, he’s a bit of a person with an addiction to drgs so give me anything surrounding that. dealers or pals that find out about his addiction, anything really. just want to dive deeper into this side of jin

“i’m trying to start a celebrity gossip blog and you are an effing trainwreck so now i’m lowkey stalking you in hopes of getting a humiliating story” au

plot idea : muse a was a punk, and muse b did ballet. what more can i say? muse a wanted muse b, but muse b would never that secretly she wanted muse a as well. all of muse b’s friends stuck up their nose because they had a problem with muse a’s baggy clothes. five years from now, muse b sits at home. feeding the baby they’re all alone. b turns on tv, and guess who she sees? muse a rocking on mtv.

James Yeeun, 22 and is an art student in college

“im gonna claw myself apart. we watch netflix together and i keep a respectful and responsible distance; you lean against me to pause the screen. ask if i want cookies. i can’t stop staring at your lips. what? i say. i knew what you’d asked me even as you ask again, i just don’t want the moment to end. we’re just friends. we’re just friends.”

okay but how about an “i’m in my twenties and sick of still being a virgin, so one night when i’m drunk i think it’s a good idea to dm my old celebrity crush who is no longer really that famous anyway and ask them to take my virginity – wait why did they just dm me back?? giving me their number?? i don’t even remember doing this” au

“You kissed me on the playground the day before you moved away in the 4th grade and now your dorm is right across the hall from mine” AU

would love to do something where james could realize he DOES like boys as well. this is something he isn’t sure off himself so i would like to dive into this background of james.

so i was watching tiktoks last night and i’ve came across this story time and would love a plot for it… so muse a had a bad childhood for varies of reasons one thing lead to another and they were kicked out of the house, so they ended up couch surfing.. this enters their fear of the dark because they would wake up in the middle of the night not knowing where they are and everything is just dark and scary, so they begin sleeping with night lights or any sort of light that they have. well moving into college means roommates and muse a is too embarrassed to mention how they’re scared of the dark to their roommate. so first night, muse a wakes up screaming and enters muse b aka their roommate into their room and they’re like ?? are you good? finally muse a breaks and tells muse b what happened to them and then next night muse a finds a night light in their room, however, that night they still wake up screaming. muse b wakes up as well and just tell them that they’re ok and that they got them.. second year of college goes by and they’re not roommates anymore. first night moving in, it happens again.. muse a wakes up screaming only to find that muse b texted them that ‘they’re in their new apartment and that everything is going to be okay.’ it could turn into beautiful friendship or maybe something more?? i just want it pls

Rose Price, 23 and is a rebel along with school drop out

lowkey i legit got inspired by the video game character “chloe” from “life is strange” but i decided to do my take of chloe if that makes sense so...rachel amber inspired plot xD to those that are a bit confused, rachel amber the character is someone chloe befriends during her time when life is a bit downhill to put it lightly. they get close (some would say even romantic) and up until the final years of high school...rachel is gone. now in the games, rachel isn’t alive BUT i was thinking why not twist this around? make said missing friend (this would be your muse) show up out of the blue? with no answer as to why they just “left” and simply goes back to how things were. 

“gimme muse a just finished their sentence in jail and they lost contact with most of the people in their former life. on the day of his release, the gate pulls back and their high school sweetheart who they lost contact with years ago muse b is in the parking lot. “

  “i drove two hours to the closest video rental store that’s still operating and you were checking out the only copy of the movie i was after“

“we both decided to take a [yoga/fencing/cooking etc] class and we’re the only two assholes not taking it seriously and everyone else is giving us dirty looks but we keep grinning over at each other“

jsut give me any fxf plot ideas man. i want rose to get some love :(

Daehwi Goe, 24 and is an indie video game creator/works at a cafe

" give me a plot where both muses are each other’s pen pals that end up falling in love through letters please. threads would be in letter format up until they finally meet each other. please. “

“ imagine that you’ve been stood up by your douche of a boyfriend on date night and the waitress keeps asking if you’re ready to order but you keep asking for more time hoping that he’s just late. people are starting to look at you with those apologetic looks like they know and you start to feel worse and worse about the whole situation but as you decide to just get up and leave, this boy you’ve never seen sits down explaining loudly “sorry i’m so late, babe, traffic is crazy right now.” and he quietly adds, “i’m Michael. just go with it, yeah? whoever didn’t bother to show up is a dick.” and so you do go with it because he’s being sweet and trying to save you (and plus he’s the cutest thing you’ve ever seen) and as you’re leaving the restaurant after the best non-planned date ever, he asks you out for real this time. “

“ AFTER MONTHS YEARS OF REPORTING TO A JOB THAT ABSOLUTELY KILLS MY SOUL, I FINALLY QUIT! WITH NO BACKUP PLAN OR WAY TO PAY MY BILLS ONCE NEXT MONTH IS OVER, I WALKED DANCED OUT OF MY WORKPLACE WITH THE BIGGEST SMILE ON MY FACE.. BUT NOW REALITY IS SINKING IN, THAT I’VE JUST DONE SOMETHING CRAZY IMPULSIVE AND OMG YOU’RE WATCHING ME SPIRAL OVER WHAT A MISTAKE I’VE JUST MADE AND YOU’RE SO SWEET TO OFFER TO BUY ME A DRINK BECAUSE I SURE AF CANNOT AFFORD ONE. “

“we broke up right before a giant roadtrip our friends planned and we don’t want to bail on everyone and ruin the trip so yay, looks like we get to spend a five hour drive and a weekend in a cottage together.”

Adagio Seo, 20 and is a warlock

just give me that chilling adventure’s of sabrina plots man...it’s why adagio was even made lmao.

adagio while yes, i did made him specifically for that show universe, just like angelica he is mulitverse so he’s not off limits to that show only. if you want him to be in a harry potter au? cool with me. a normal college au? also cool with me. want to go full on twlight, even better lmao. just because he is mostly for the show, doesn’t mean he’s not expandable :)

“ does the “i slept with you the other day and i didnt know we had a mutual friend and now we’re sitting across each other for brunch and it’s awkward because i ran out when you were asleep” au exist bc i need that fic “

ok so adagio has an interest of necromancy but like the thing is he’s bad...like really bad at necromancy lmao (there’s a reason he skills in herbal) so like just give the whacky shiz that can happen when doing necromancy wrong. 

basically anything warlock/witch plots, throw them my way! want my wild warlock to have some love :(

Simone Hines, 22 and is a worker at the garden section of homdepot

the happy florist who delivers one flower to the boss of the hardcore law firm across the street everyday, just to make their day a little bit brighter

plot #001: in which muse a is really insecure and struggles with their self-esteem, so muse b, their best friend, starts secretly sending notes with all the reasons to love them.

plot #013: one day, muse a wakes up and finds themself to be in the future, seemingly married to their high school enemy, muse b.

any plot with a soft, sweet, submissive male that needs to be protected at all costs because he’s naive and doesn’t know how to speak up for himself with a girl that’s dominant, rough around the edges, not afraid of anything, and is ready to take on the world.

  tbh i just need a long distance relationship plot where they cry on skype bc they miss each other so much and they have passive aggressive texts bc of what’s on each others snapchat stories but then the fluffy moments when they see each other at the airport and all the desperate please don’t leave me again sex and i just need a long distance plot  

Levi Kim, 24 and owns his own cafe

highkey want a ‘someone wrote your phone number on the wall of a bathroom in my dorm with ‘call for a good time’ and i just texted you to let you know that i scribbled it out and oh wait you’re actually funny and easy to talk to and now we’re talking every day and i might have a tiny little crush on you even tho  i don’t even know your name’ plot

i got up at 2 am to get some snacks at the convenience store down the street and opened my door to find you trying to sleep on the floor of the hallway because your roommate has his fiancée over so i guess i’ll lend you my couch for the night AU

it’s 3 am and you’re blasting off classic rock at full volume and your music taste might be awesome but sOME PEOPLE ARE TRYING TO FUCKING SLEEP YOU SHITHEAD

utterly obsessed with the niche but incredibly romantic concept that is “late night radio show host falls hopelessly in love with and pines for recurring caller, oblivious to the fact that the person calling in whenever they’re on air is also in love with and pining for them after finding comfort in listening to their voice every night on their long commutes home”

Park Hades, 23 and is next in line for the Park corporations/modern day greek god hades

look i’m glad you have a healthy sex life and all but will you please try not to pierce a whole through my ceiling with your bed thanks

i have a policy of not giving my real name on dating apps and apparently you do the same. we have a good conversation so we decide to meet, but oh no … it turns out you’re my ex. yikes!!!

[thespermicidaljellies]

Positive reflective life ramble on adversity, sickness, and the aftermath of 'crisis mode'

So, getting severely physically sick gradually over the past year and a half---because really my doctors and I have figured out its been a gradual thing that's been deteriorating for a while, I realized that even though I've had a LONG series of really awful stuff happen to me, every single thing internally changed part of me in an extraordinary way that's so so healthy and solidifying. It's all because of the amount of work and time I've put in from like age 17 till now in therapy, personally, and within my relationships, and even though I couldn't abate the physical effects or my own frankly severe clinical depression due to genetics, the way I've handled and allowed events in the past year or so to impact me was like the stress test proving that the work has had a permenant impact? It proved to me that as a person I'm healthy, I take things in a healthy way, I approach people in a healthy way, I conceptualize criticism and failing in the healthiest way I can with my rsd, and I set healthy goals and have healthy desires. BUT I haven't been able to actualize any of it because honestly, after everything I kind of just wanted to stagnate and have nothing new happen event wise so that I could just breath and have some stability because I've been totally exhausted and burnt out. I should have taken a semester or a year off of school, the worry and sudden ambivilance to school really hurt my health and my ability to just breath again, and the decision to just tread water and endure without any real changes in my daily routine definetely hurt my energy and health. Taking almost a year off from any kind of dating and sex, and shit even research was good for me. Like to an extreme extent, but I should have listened to my body saying "I'm too exhausted to even use this extra time to benefit myself" and just taken time off from school to work and move out temporarily etc.

But none of that matters now bc I got very very sick, and being bed ridden, isolated, and totally stripped of any sense of security or complacency has really changed my entire perspective on life and the finality of it and the responsibility I have to myself not just internally but externally in the form of action and challenge. My family lives a supremely unhealthy lifestyle and it's impacted me greatly. Our diets are terrible, even with the changes I've made in the past to mine by eating less fatty meat and no frozen foods, it's not enough, I haven't exercised enough or respected my body at all and doing so now will literally kill me down the line. The second I'm medically cleared I'm getting a personal trainer/physical therapist and getting in very good shape, I was an athletic kid and I've said I wanted to do this in the past but there's this weird thing inside of me where a certain threshold is reached where I know that something HAS to happen and it's absolutely going to and it's there, I dont have a doubt in my mind that it's going to happen.

Mentally I need to find a stable medication and therapy routine to treat my dysthymia because I'm unfortunate enough to have inherited my mom's near Electroconvulsive Therapy levels of long term depression, but im extremely lucky it doesn't really come in the form of sadness, just all the other physiological and psychological factors like poor motivation, anhedonia etc. Finding the right treatment now will pretty much give me a baseline to know what my normal is, because it's been a FAT minute since I've been at my baseline, and that'll give me the awareness I need (combined with CBT) to identify warning signs because emotional states aren't identifiers for me. Lastly on a personal level, I'm in fucking shambles rn in all other facets of my life but my health destroying itself stripped me down to only my internal world, and who I am as a person as the only things left. And I feel incredible, like I feel so fucking healthy and loving and assured in who I am and my worth, and all of it has been tested and tried and proven through terrible events, but the only way to remove doubt from my brain was through those events.

I think the past few weeks have been really dark, depressing, and sad for me because its been this weird grieving period of fear and sorrow about all the negative shit that's happened and the perceived loss of the life I've been leading but really, every time I'd think it would lead back to a conclusion of how I'd benefited out of it and the reality that I havent been living, I've been in crisis mode since July 2017, and the strip back down to the core that I'm enduring now is exactly what needed and maybe even what was supposed to happen.

After two days ago, the worst I felt in my entire life, I woke up and like all the fear of intimacy, being vulnerable, taking risks, and making concrete choices is just gone, because there is  literally no more back tracking and hedonistic fleeing from fears even possible. The few people that I've not cut out in my life and have stuck around have said consistently over the past few weeks how much I've helped them and have given so many examples of times where I helped support them at their worst times, from suicide attempts to breaking off engagements to sexual abuse and changing careers, and I honestly didn't realize that people ever thought I'd had that much of an impact in that and I never really believed that I had earned or deserved to receive help or loyalty from people, it's been incredibly meaningful and validating for my biggest difficulty, vulnerability and accepting help. I think once I start to get my shit in order it's time I open myself up to a serious relationship or dating again, but without a goal of actively trying to obtain it, it needs to be with someone who's in the same position I am, the uphill climb AFTER the first uphill climb from neglect and lack of self respect to having identified what the soul needs and wants and what you provide and want others around you to provide to your life as well. I know this all sounds horribly pretentious but I'm here man, like it's all in the past been heal heal heal, and now it's like: the buildings are all built, let's occupy and use them and invite others in to use them as well. Idk yeah, that's everything I guess, I posted this for a specific few people who I know read my tumblr to keep an eye on what's been going on in my life since I'm not active on twitter/Instagram anymore, but thanks to anyone who read anyways.

Officially done with Lyme disease treatment today btw 🤘🏻

[jcmorrigan]

Top ten KH3 moments?

***SPOILERS AHEAD! SPOILERS AHEAD! SPOILERS AHEAD! DON’T READ UNLESS YOU’VE EXPERIENCED THE WHOLE GAME OR YOU DON’T GIVE A DANG ABOUT SPOILERS!***

Confession: in trying to come up with my answer for this post, I came up with THIRTY. I’ll just put the ten here, but if anyone wants to ask about those other twenty, feel free :-D

10. The reveal of who Luxu really was the whole time. It tied together a lot of things that made sense and it set up EXACTLY THE CHARACTER IT NEEDED TO to take up the villain helm in place of Xehanort. I’m actually going to skirt saying this name, even though I warned for spoilers, because this reveal is just SO good. And a lot of the endgame made me feel sour and numb due to THE HORRIBLY TRAUMATIZING DEATH OF KAIRI, but this scene picked me almost all the way back up to normal again. 

9. When Xemnas assembles Demyx, Larxene, Marluxia, and Luxord at the Keyblade Graveyard and it’s NONSTOP BANTER. Larxene firing off the most hilarious insults at Demyx (a CEREAL BOWL), Demyx openly admitting that he’s not imposing on purpose, Larxene trying to get Marluxia to start another coup, Luxord listening in the whole time and not letting on until his name is called, Luxord fiddling with the cards and making gambling metaphors, Demyx playing his sitar the whole time…and let us not forget the line that embodies a Big Mood: “Ugh. Xemnas.”

8. When Sora reunited with Hades. It was less “MY MORTAL NEMESIS WHO MUST BE STOPPED” and more “Oh, my weird friend of opposing morality who I don’t really like but have to say hi to.” Their reactions to each other were so hilariously casual. Then Hades introduced the Titans in the most EPIC way…only to realize he sent Sora EXACTLY WHERE HE SHOULDN’T GO and deciding this was fine. Also, bonus points for Sora later calling him “the H-ster.”

7. When the Demon Tornado (my personal name for the GIANT CYCLONE OF SHADOW HEARTLESS; canon will probably prove this wrong later) is about to wipe out everyone, but Ephemer helps Sora summon ALL THE KEYBLADES OF THE DEAD WIELDERS OF THE KEYBLADE WAR IN ORDER TO PULVERIZE IT. There’s so much going on there: the epicness of using a hundred Keyblades at once, the beautifully victorious arrangement of “Dearly Beloved,” the shout-outs to the player names in the commands, and, perhaps most of all, the realization after the fact that these blades were all of people who died killing each other for petty reasons…and after death, their spirits realized it was time to set aside their differences and focus on not letting Xehanort win.

6. Battling Davy Jones and the Kraken at the same time. The Kraken is one of the two Disney boss battle fights I have wanted for a DECADE (the other was Randall Boggs; you had your chance and you BLEW IT). I actually was half-disappointed with the naval battle portion because I had imagined it should be melee, but then Davy Jones turned out to be the first true Disney villain boss fight that wasn’t transformed into a Heartless or somesuch, and I’d been thirsty for content of him since arriving in that world. But then it turned out THE KRAKEN WAS WAITING IN THE WINGS TO ASSIST HIM and I actually DID get to fight it melee and it was just the PERFECT way to close out PotC’s role in KH.

5. Fighting Ansem, Seeker of Darkness; Xemnas; and Young Xehanort at the same time. First of all, BEST BOSS THEME IN THE ENTIRE GAME. It was the perfect culmination of putting all the Xehanort themes into one piece that flowed and made sense. Second, the sheer epicness of this CONCEPT. Third, the coordinated triple attack they make where Young Xehanort freezes Sora, Xemnas shoots him with the vines, and Ansem lets the lasers fly.

4. Even and Demyx’s one interaction. While I still don’t think Vexen/Even is hero material, the one thing that made that redemption worth it was this. Seeing these two diametrically opposing personalities, who you think would hate each other, play off each other perfectly. They’re just the right amount of annoyed with each other to be hilarious, and then there’s obviously some genuine respect passed between this odd couple. I will never be over how they have to shush each other in succession.

3. Ienzo’s intro to the plot, though this is kind of in two parts - I’m counting his initial reveal as Sora’s guide with his almost immediate return to help with tech stuff when Pence logs into the computer. Ienzo is just such a CINNAMON ROLL. He just wants friends now, he’s a total ambivert, he keeps slipping into jargon before realizing he’s the only one in the room who knows what he’s saying and reverting to layperson’s terms without being condescending, he flinches at sudden loud noises, he has a cute smile and a nervous laugh…oh. Oh, no. JCMorrigan has a crush.

2. When Vanitas is on the cusp of wrecking Sora on the Laughfloor…and Sulley intervenes by picking him up and YEETING HIM into a door. Oh, but not just that. Taking that door and THROWING IT INTO ANOTHER DOOR, THEN INTO ANOTHER DOOR, THEN INTO ANOTHER DOOR AND SHREDDING THAT ONE. I could NOT stop howling with laughter through this whole sequence. And about four hours later, it hit me that Vanitas could just Corridor out of wherever he got thrown, so Sulley basically did all that for nothing, AND NOW IT’S EVEN MORE HILARIOUS. BONUS POINTS STILL IF YOU THINK ABOUT THE KIDS’ ROOMS WHO EITHER HAD A DOOR FLUNG INTO THEM OR VANITAS HIMSELF. Also, can we appreciate how Sulley somehow knew after five minutes that Vanitas was THAT much worse than Randall that he’d need this treatment?

1. Randall Boggs hijacking the Monsters, Inc. factory. Randall is a legacy favorite villain of mine. He was a big part of my late childhood/young adolescence, and I was CRAZY over him. Over time, I’ve found he still holds up. I could gush about how KHIII’s additions to his entire characterization pretty much renewed my love for him afresh, but let’s focus on his finest hour. Normally, the designated villain of a KH world just peaces out and waits for you to find them at the boss location. Randall, instead, turns the entire factory into death traps and TAUNTS HIS QUARRY OVER THE PA SYSTEM GLADOS-STYLE. Not only that, but he makes TERRIBLE puns (”This one’s got some spark in him!” during the electric fence, “I’ve decided to ramp up the difficulty” as Sora climbs an upward-headed conveyor) and he easily slides from Large and in Charge (”Enjoy what’s left of your miserable little lives!”) to realizing he’s getting humiliated and trying to cover (”You get one freebie, but that’s it.”). KHIII did Randall so good I can’t even.

[animaelynn-blog]

Rant about work, read at your own risk. (I’d appreciate it though)

I want to log this experience.

First, let me tell you a bit about myself.

I’m a trans girl.

It’s been awhile since I’ve had a job, I’ve been looking for work. I’m a very outgoing person and absolutely love to be around people.

One day me and one of my friends went out looking to help get me a job, i brought resumés, and i personally like to fill out paper job applications so the employer knows I’m not the type of person to fill out things online only to not show up, i like to show my initiative.

So, eventually i make my way through the mall and find a place one of my friends work at. It’s amazing! It’s like a gift shop with all kinds of unique things i have tons of interest in, so obviously i ask if they’re hiring and when they gave me a paper application i filled it out then and there.

So, i wait and make sure to either stop in or call to make sure they know I’m serious about working there. Got a date set up for an interview - Aug 15th.

The day come i show up 20 minutes early and rehearse what I’m going to say because i really really want this job. I casually walk into the store about 5 minutes early and say I’m there for the interview. To which the reply was “Could you come back in about 10 minutes, we just had something come up”

Im all like “yeah, not a problem. I’ll be back then.” I sat down on one of the benches in the mall in my free time and quizzes myself trying to drill everything i need to say in my interview into my head. When time expires i took another deep breath and walk in again. I was thanked for my patience and we headed out of the business to a few seats outside the store. (To me this is odd, shouldn’t the interview be in the back where it’s quiet?) regardless i follow and the interview begins and I’m told the reason we’re outside the store is because they just found out that they’re going to have to move locations within the mall and i know more than most of the people that work there because that’s what the interview delay was about. I was asked if that was a problem and i said “no, not at all as long as you just don’t want me strictly for moving things” i said jokingly.

So, the interview continues and I’m feeling great I’m nailing all these questions and one of the questions was something similar to “am i accepting towards other people” and without missing a beat i said “well, absolutely I’m trans so I’d be quite the hypocrite to look down on others.” Oops, accidentally outer myself i thought. I can kiss this job goodbye.

But, to my surprise i was told most of the staff is LGBT and not to worry and that relieved me greatly and i was told i would get a call back soon (i was impossible to get a timeframe because of the move, understandably.)

So, i continued to check in every week or so until i was told to come in and they’d go over the basics and rules with me and get me familiar with the layout. (I wanna say maybe a week later) So, obviously i show up and everything was explained super hap hazardously because i was told “you won’t need to know most of this since were moving to another location... fair enough)

They had me put ceramic and fragile items in the proper boxes and such and then the next week they did the same after those 2 days i filled out a tax paper and was told about the app they used to communicate with and was added and told the schedule would be posted there.

They have me scheduled for 4 hours one day that was all i figured ok cool I’m new that’s no big deal. I was careful packing things and was praised for not breaking anything accidentally because i was told i would and it happens to everyone.

A month and a half pass and i get called into the new store to help organization and learn the new layout. I was secretly upset so i asked my friend when we got off why they didn’t schedule me at all during the move and i was told that the owner doesn’t like women doing heavy lifting and labor because of a past accident (a bit sexist i thought but it made me happy as i was being referred to by my employer as female, so I’ll take it)

My friend also told me in confidence that she was going to be promoted to manager and not to say anything but she was excited and i was excited for her.

My first day working (basically, since i was never really given proper training still.) THEY HAD ME OPEN BY MYSELF. I was sick to my stomach but there was instructions written down to help so i wasn’t worried and under the instructions on what to do and such it read “if any questions please contact (my friend), Manager 1, or Manager 2. (In that order)

My friend was listed first so naturally i thought that was the progression to go through, plus knowing she was in the process of being promoted i figured it was that way to help her understand how manager varies from regular employee. I followed the instructions to a tee. Found things to clean and stay busy during all of my shifts. I loved when the customers would come in it was very easy for me to establish connections and help sell stuff which was ya know my job. Always with a smile.

I’d come in for shifts and people hired around the same time as i was we’re sitting down doing nothing. I’m not the type of person to just tattle on someone so i try to help them and tell them to do anything to stay busy. To me we’re all like a family and i loved my coworkers.

I picked up on things really fast but i have the habit of repeating what was just said or wanting reiteration so i know what I’m doing is correct and it helps me remember for future reference.

Since, i picked up on things easy I’d have my coworkers asking me things which i just learned (because the computer system changed during the move and they were having trouble adjusting to the new one) and i was glad i could help them. It’s my work family i want what is best for us as a whole.

Now, this is where things start to get weird because this comes the day after the whole Trump wants to erase trans people thing.

I was asked my shirt size as all employees needed to wear them on the weekends and was told mine was lost. A few days before i noticed we had a for hire sign in the window which initially didn’t even catch my eye because i was told someone was in the process of getting let go because they made fun of a coworkers weight and didn’t stop.

Later, we had an abrupt day where everyone was to be at the store for retraining (wasn’t surprised because they really didn’t do it to begin with- this included Manager 1 overseeing Manager 2 while Manager 2 reviewed the normal employees. We went through the basics and i nailed it again, i actually got ahead of the Manager on something and how they were to be done because i was so proud of what I’d learned by myself with basically zero training.

I left there estatic. I nailed it.

I was asked about a minor screw up on my part i was never told about so i wasn’t worried.

I was asked “why i clocked out an 30 mins after close” to which i replied it was my first day closing and i wanted to triple check my math to make sure all the earnings for the day was accounted for.” To which i was told 15 mins after close is the absolute latest and i told my manager that it wouldn’t happen again.

I was also asked about my friend (you know the one that was going to get promoted to manager?) i was asked if i was told she was a manager to which i said no. Because ya know when something is said in confidence it stays there and i wasn’t about to get someone i deeply care about in trouble or fired especially someone who worked there basically since the beginning. I’m not the type of person to ever bring this info to their attention or hold it over their head. I believe good things come to good people.

A few hours later, i got this message through the app we used at work.

“Hi (My Name),

As you know I was in today to review employee status at (The store). After reviewing the status of all team members with (the owner) and (manager 2), it has been decided that we will not be able to continue your employment with (the business) long term. You can continue to work the next week that you're scheduled, and we can schedule you for one more week of work after that. November 10th would be the last possible day. We wanted to give you the courtesy of an advanced notice so that you can make future plans for yourself.”

I sat in my car re-reading this message thinking it had to be sent to the wrong person.

My first, response to this message was vague and thankful for the opportunity type response.

However, after talking to a few of my closest friends i was convinced to inquire more about this to which i was sent this message.

“(My name),

The issues we have been observing include difficulty with approaching customers and difficulty taking instruction and focusing on tasks. As the final decision was made with (the owners) input, it is not reversible.

These were my strengths, the things i was most proud of. I would have understood if it was things i wasn’t great at. But, it wasn’t. Which besides telling me in person was another slap in the face.

It because obvious that they were not basing any of this on any of the days i actually worked but only on a few hours that day. Keep in mind i never worked with anyone longer than one hour and worked alone mostly. At no point until the review day did i ever work with any of my managers since the store opened.

I got fucked over and I’m now currently looking for a job that accepts trans people and a place that actually takes interest in me as an employee and not a number.

Sorry, for this rant. I just wanted to share my frustration.

[proessaywritingssite-blog]

Finest University student Laptops - Picking The Greatest Notebook For Higher education Students

Likely to college and you come across your self in need to have of a university student laptop? Pupil laptops are inclined to change a complete good deal from low-cost ones to seriously cool quad main ones (a.k.a. not so low-priced ones). Getting the very best student laptops just isn't usually an simple task. 1 thing to acquire into thought would be what the laptop will be made use of for. If it will just be an accent applied to look at mail, watch movies and surf the website, then people do not go that high on the selling price selection and you could possibly get absent with a four hundred$ design. But, if the college student in question will be needing a notebook to do the job with, or requires energy from the laptop, the rate can go quite significant sometimes. Dependent on what spot of scientific studies the notebook will be used for, there are a number of components that want your consideration. A laptop computer for anyone who attends some variety of social experiments will mostly be employed for composing papers, generating PowerPoint shows and spreadsheets. These are the ordinary laptops which you can locate nearly everywhere. They you should not call for a large amount of horsepower to run straightforward programs this kind of as Microsoft Phrase, PowerPoint or Excel. If the college student attends lessons which need graphics get the job done or design and style, then a substantial stop laptop computer could be desired. If it is really graphic style and design, then a laptop with much more than a single CPU main, about 3GB or RAM minimum amount and a decent focused graphic card will be desired for points to operate easy. If you can find architecture included or complicated 3D rendering, then, again, some highly effective CPU, a minimum amount of 2GB or RAM and a a lot more than respectable graphics card that is in a position to show a good quality rendering to the incredibly past pixel will be necessary. One more style of scholar laptop computer would be the a person that is utilized for gaming. These laptops, like the beforehand outlined ones, can go rather a ton up on the price scale, since the latest technology of games calls for quite a whole lot from the whole computing method. A good start out is a dual main processor, with 2 GB of RAM and some of the more recent types of the nVidia or ATI committed graphics playing cards. Some of the most recent notebook styles even element two graphics playing cards in SLI configuration for final graphics overall performance! Ahead of heading on and acquiring the student laptop computer, you seriously have to check with on your own what it will be applied for. Portability is a different issue to get into account. You never want a bulky notebook which is particularly large to have all-around from class to course. Its dimensions really should also be taken into thought, since you seriously don't have to have a 21 inch monitor laptop to get a paper carried out. Also, the dimensions of the laptop computer must also be determined by the dimensions of the college student also. If the university student is of a shorter statute, then a smaller sized notebook would be suggested. Baseball gamers or jocks could most likely match a whole 21 inch monitor laptop in their baggage and won't even understand the matter as an obstacle. Because college or university is a also a substantial social experience, the appears to be like of the laptops should really also be regarded as. If you are likely to analyze company, or promoting, then you should go with a typical black design laptop computer that goes with a suit. If you are going to examine art or structure, then the laptop case could have the full coloration palette on it for all you care. Opt for a little something that goes with the variety of man or woman you are and the kind of lessons you go to. The difficulty most folks come across by themselves caught in when picking out a college student notebook is the lack of range to choose from. Outlets you should not have pretty a ton of alternatives when it comes to laptops, so you could have to be a little bit more patient in your searches. For a store to have extra than a small variety of laptops, it would have to be really a large in the IT niche. This is where the online comes into play, since you can compare quite a few laptops from mega-sellers these types of as Amazon and opt for the best university student laptop computer based on your desires. In advance of you leap in and acquire a notebook, you must critique a couple fundamental attributes for the greatest college student notebook you should obtain: CPU - Laptop Processor Laptop processor can differ really a lot in pace terms, so you will need to meticulously pick when selecting what you should go with. A one core processor can handle fairly a couple of duties, this kind of as net searching e mail access, IM chatting, film seeing and other lower processing electricity apps. You could simply write your paper on one of these and would be joyful with it. Tricky push place- Notebook HDD This is a single challenging preference. There are people today who use the fundamental purposes they get with the laptop computer and you should not need to retail outlet everything else on it. Then yet again, there are media freaks who are inclined to store up on anything, so they require anything very similar to a central library when it will come to storage place. You must commence with a normal computer HDD, of 100GB, if you really don't intend to shop much too considerably on it, and ought to go up to 500 GB if you intend to manically preserve every little thing you face on a day-to-day foundation.  

[teashadephoenix]

11 Questions

I got tagged by @pomegranate-belle <3 I'm sorry this took for fucking ever?!!??

I’ll tag @lioness--hart @fox-in-the-library and @whitegodiva if you guys want to do it? And anybody else, obvi <3

1. How long have you been writing?

Actually sitting down to type stories out? Eight years old. I've been making shit up since I could talk. I have it on good authority I am entertaining to listen to.

2. What are the major themes of your current wip(s)? LONG ANSWER

omg I really dont know. I spent several hours over several days banging on this question in my head both in front of the computer and away from it only to come to the horrified realisation that I Don't Know. *gay panic*

I know the things I like to write about. I like to write about free exchange of culture, of mutual respect and fraternity with your fellow humans (which leads to themes of unity, unconditional love not only of people but of the world, and the gray area of what it means to protect those things without giving in to hate, indifference and intolerance. THE GRAY AREA IS WHERE I THRIVE.)

I like to write about intergenerational relationships (which leads to themes of obsolescence, changing of the guard, and how people, in general, not individuals, never really change. Like, there's For a Good Time graffiti on the walls at Pompeii. That is HILARIOUS.)

I write a lot about family, both born and found. (Everybody has a place and everybody is loved.) I write about mental illness and being queer (which all by itself leads to themes of not knowing your place in the world even if you have one. Frequently comes up against the previously mentioned theme)

So yeah. I don't know. My big WIP, the Aalee Rise series, is about a young woman on the cusp of adulthood going out into the world for the first time. It's her idealism vs reality. The other main characters in that cast are all foils re: various facets of societal structure and ideologies. One challenges her idea of government, another her idea of religion. She falls in love, her loyalties to her brother and parents are tested, she makes mistakes, she fights monsters and saves the world. A lot.

tldr; It's my sandbox and I just wanted to build castles in it. I don't really know if the castles will mean anything when I'm done. I hope they do.

3. What do you want people to take away from your story once they’ve read it?

My greatest ambition is that I could ever write a hero as beloved as the heroes I read about growing up, figures that reminds not to give up hope, to get back up when we're down, that the dark times ahead of us will come to pass.

At best, if I've done that, I'll be ecstatic and satisfied.

At worst, as long as you had a good time, if you didn't throw the book across the room in disgust, I'll take it.

4. Would you be excited if people write fanfiction about your wip(s)?

YAAAAS. I would literally never read it because Im terrified of accidentally absorbing someone's ideas and making them my own bc Christ alive that's a legal nightmare, but yes that would make my life.

And you can have my firstborn if you send me fanart.

5. What’s your go-to writing beverage?

Tea. Really strong and sweet. I make a fresh quart each morning and usually go through it by the end of day.

6. Who is your favorite oc? Tell me about them!

OMG ALL OF MY CHILDREN ARE PRECIOUS. (it's Aalee.)

Aalee Dering is the eighteen-year-old protagonist of my Aalee Rise series.  When we meet her in volume one (Worldwalk) she and her twin brother are setting off on their coming-of-age journey around the country. Her people, the Noruahai, have defended humanity for generations from unearthly creatures called asmic, and if she wants to become a licensed Marshal like her famous mother (and wow, she really, really does) she'll have to prove herself on her Worldwalk.

Aalee thinks with her heart first and always. She loves beautiful things, and all things are beautiful to her. She's quick to cry and struggles with anger, as well as distraction; she has trouble keeping focus. Good for getting into trouble. Not so good when it comes to being a responsible adult.

It would probably be easier if she wasn't of two minds on every single decision she has to make. She empathises with everyone, which can be paralysing-- how can she fight someone whose point of view she gets?

7. Do you feel that mistakes are important learning tools in the writing journey?

Mistakes are learning tools of life, darling. In writing they generally aren't the types that will destroy friendships, health, financial status, etc, which means they're generally easier to bounce back from. Unless you commit career suicide in some way...

8. Rank your ocs by their capability in a footchase (either running after or from smth, your choice)

1. Fall from the Aalee Rise series. He's a complicated human. Without getting into the context of the world he's from, he's hard to explain; but the short version is he's half-ghost so he can basically turn himself into the wind.

2. Rosie Frey from Color of the Stars but only when she's a lion. In her human form she's pretty normal.

3. Lynn Blythe (or any of the other vampires) from Echoes of Eden, because they're cheating cheaterfaces who use mystical vampy powers to be stronger and faster than humans

4. Sendmarshal Henley from the Aalee Rise series. Probably the fastest regular human. Imagine the most beautiful, tall, leggy black woman you can, all lean muscle and elegant grace, and now imagine her scooping you up and zipping out of danger with an easy smile on her face... *fans self* I stan.

5. When running headlong into danger to save someone? Aalee Dering. When running away? Frustratingly, satirically slow. She's one of those idiot heroes who stops to make sure everyone got away okay so Fall's always running back to grab her ("MOVE, IDIOT" "But that little old lady--" "FIRE-BREATHING MONSTERS. MOVE.")

9. Does your wip have romance? tell me about it!! if not tell me about a friendship/important relationship in your wip!! MORE LENGTHY BLAH

Relationships are the driving force of my writing. How one loves or is loved by other people, how they relate and engage with others, is how one grows, in real life and in fiction. There are a number of relationships in all my series that I'm fond of for various reasons. (For instance, even though she cannot STAND him, I'm eager af to write Eden and Lynn's relationship in Echoes of Eden because of how complicated it is.)

And as a rule all of my characters are queer or questioning unless otherwise stated, and I ship everybody with basically everybody else, and almost everybody has a love story in their history. (at least, their parents certainly do because I am a gross vile romantic and these fuckers came from somewhere.)

That having been said, for the sake of brevity I'll stick with Aalee Rise and limit myself to the Big Three: Aalee and her brother Elles, Aalee and her best friend Norah, and Aalee and Fall.

FAMILY: Aalee and Elles are twins. Born together and never separated, which stands out in a world where families are broken up by chaotic circumstances and random death on a regular basis. Aalee is easily distracted and has difficulty communicating her thoughts, so she tends to act on impulse; Elles is forever the cool head and the hand grabbing her by the back of the shirt to stop her from walking into danger. And after eighteen years of this... he's tired of it. He loves his sister, but he longs to see the world on his own terms, walk his own path. And Aalee doesn't share that sentiment. Not only doesn't share it, but is blown away when it comes into play. Her partner in crime wants to break away, and she does not take it very well. The first volume (Worldwalk) explores how their relationship suffers, grows, and changes due to this break.

FRIEND: Aalee's best friend of ten years is Norah. They met as little girls in a monster-ravaged town; Norah was entertaining the youngest orphans with a story and Aalee joined in. The pair of them spent a long night keeping civilians from panicking while Marshals battled asmic beyond the walls of the bunker. They exchanged addresses and became penpals over the next few years, since both of their parents travelled and they were rarely in the same place at the same time. That changed suddenly when Norah lost her father. Since then, Norah's family and Aalee's have lived in the same town. Norah is her warm hand in the dark, her shoulder to cry on, the first person she tells any good news. for Norah, Aalee is the only person (at the beginning of the story, anyway) with whom she can be her real whole self. They love each other no matter what.

ROMANCE: And then there's Fall. Aalee meets Fall when she rescues him from being murdered in a back alley-- except, oops, turns out it was a sting operation to catch the killer because he's not actually the helpless filthy vagabond she assumed he was; he's actually a powerful Marshal who was on assignment. Stuck together for various reasons, he becomes a mentor to her on her worldwalk, while she blatantly digs into the mystery of who he is, which turns out to complicate their lives, the lives of their friends and families, randos they happens across, their enemies, and also God's. To say they fall in love with each other is an understatement of cosmic proportions. They choose each other.

10. Do you believe in the advice kill your darlings?

Yeah but I take the advice as intended; which is not, as most assume, kill your fave characters, but to get rid of that which does not work, even if you love it. That pearlescent line of dialogue, or that golden bit of allegory? Doesn't matter how much you love it and how proud of it you are, if it does. not. work. it HAS. TO. GO. (save it in a new file to reread when you feel down and scrap that shit from the main file.)

that said re: killing characters, in my youth I was very much of the George RedRum Martin camp of "KILL THEM ALL" but as Ive gotten older my main focal point has been "What purpose does their death serve?" Death is not the only sacrifice worth writing. So while I am not afraid to kill my characters, I do take the nature of their deaths in the writing very seriously. There has to be a point.

11. Do you prefer plotting or worldbuilding? Why?

WORLDBUILDING MANYEXCLAMATIONPOINTSGOHERE! Plotting is like the maths of writing. It's measurement, it's brickwork, it's demolition when the wall you put up last week is three feet too long and now you have to scrap it and start over. Vital. But not my favorite part.

Worldbuilding is the art. It's the music your OCs hum and the stories that they treasure and the faith that holds them up when the crap you throw at them might tear them down. It's the story behind the jacket they wear and it's the reason they nod to the altar when they enter a place of worship and it's the meaning of their names. It's the magic. How the world works, the little details that make it real to the reader because it's real for your characters, is my favorite part of writing.