#noreen dixon

[sheltiechicago]

Bush Flowers by Pammy Kemarre Foster forms part of the Grounded projections. Photograph: Che Chorley

Parrtjima festival 2023: shining a light on the red centre – in pictures

Parrtjima is an annual, 10-night, large-scale light and sound festival that celebrates Aboriginal art, culture and music. It’s held in the Alice Springs Desert Park in Mparntwe country, with the rugged and ancient MacDonnell Ranges forming a natural canvas for the projections. This year’s festival theme is Listening with Heart, with works that explore coming together, meeting and taking time to reflect

The dazzling light show is projected on to the MacDonnell Ranges. Photograph: Parrtjima 2023

Hot Sand by Jane Young, part of the Grounded animated sequence of projections. Photograph: Che Chorley

Sisters at Watarru by Noreen Dixon is accompanied by an atmospheric soundscape. Photograph: Parrtjima 2023

This year’s festival theme, Listening with Heart, is inspired by the artwork surrounding the Uluru statement from the heart. Photograph: Che Chorley

[psikonauti]

Tinpulya Mervyn Rosemary Peters & Noreen Dixon & Virgillia Multa & Natalie Robin

Waru at Watarru

[rattlerinthewheel]

Workshopping Daryl’s parents’ names. Willard S. and Creelyn Winnie Dixon. Maybe Noreen instead of Winnie? Penning them as being born about ‘37.

[bloomsburgu]

Next step, graduation stage

One step closer for these Class of 2018 members as they were honored this spring during the First World Graduation Ceremony by Bloomsburg University’s Office of Multicultural Affairs.

The bi-annual First World ceremony is celebrated each December and May to congratulate the achievements — academic and leadership roles — of BU’s multicultural students at the baccalaureate and graduate degree levels. This class was among the largest ever, according to Madelyn Rodriguez, director of the Multicultural Center.

First World Honorees

Cache Catlett, Olivia Chandler, James Clark III, Christina Cragwell, Leigha Coates, Veronica De Jesus, Chantel Detreville, Brianna Dixon, Gerald Douglass, Xavier Fonville, Tirah Hall, Lawren Harris, Giovanni Hernandez, Shakoor Henderson, Michara Leveille, Aketzali Meja, Basil Mickens, Kaitlin Muzzy, Edwin Nunez, Dietrich Patterson, Alondra Quintanar, Latasha Reid, Natasha Reid, Nazia Noreen Riaz, Khadijah Riaz, Brandon Richardson, Maurice Robinson Jr., Wanda Tarvin, Deondra Taylor, Enmi Tejeda, Brittany Marie Thompson, Tanisha Webster, and Maritza Williams.   

[carylineb]

Groups

Group 1

Isabelle Hutcheson

Iskanda Wattanathorn

Ben Kennedy

Helen Kwan

Jenna Oliver

Milla Paterson

Margot Vincent

Johnlevy Rocreo

Alyssa Tai

Liberty Taylor

Lily Yi

Group 2

Bailey Dixon

Noreen Chen

Milan Healey-Furniss

Rachel Hempstead

Heath Johnson

Zara Lane

Mehul Patel

Kendra Smith

Henk Tomkins

Maxwell Benjamin Weaver

Johnny Kauri

[lindyhunt]

Cinematic Glamour at ZOFF and Mikhael Kale’s Streetwear Cowboys Ruled Day One of Toronto Fashion Week

Is it really that time of year again? Toronto Fashion Week has once again returned to inject the city with a dose of much-needed glamour. For a precious few days each year, all eyes in the city are firmly planted on the fashion industry, which frankly doesn’t happen enough. Yet just thinking about the week makes me tired; It’s preemptive exhaustion at the mere thought of the late nights and nonstop hobnobbing to come – but luckily there’s a whole cream of fresh talent that makes it worthwhile.

Photography Courtesy of George Pimentel

Day one kicked off with a throwback to Old Hollywood thanks to the double-bill showing of ZOFF/Alan Anderson at the Hazelton Hotel. (The hotel’s event room was transformed into a flowery showcase where everyone sat front row.) Designer Michael Zoffranieri, who graduated from Ryerson University’s fashion design program in 2016, teamed up with seasoned bauble make Alan Anderson to present a collection that was wholly considered in its commitment to glamour. Models of all shapes and sizes (a phrase that I frankly shudder to type, but until diversity on the runways becomes industry standard, it still bears mentioning) paraded down the runway in sparkly, gala-ready gowns complemented by Anderson’s chandelier necklaces and doorknocker earrings. A particularly spirited older model, Judith Maria Bradley twirled down the runway in a silky green cape bedecked with  a pirouetting princess. The sensibilities of the two designers fused to produce a highly-effective, knockout collection. “I think we’re ready to bring more magic to Toronto,” said Zoffranieri in an interview backstage. “And less black!,” Anderson added. “You go to every function in this city and no one wears colour! It’s like, you know what? Be an individual, stand out!”

Photography Courtesy of George Pimentel

After a significant break in the schedule, Wuxly Movement, an upstart parka brand created by former CFL football James Yarichuk after he couldn’t find a down-free park enough warm enough for his Brazilian girlfriend to wear, delivered a hilarious and good-natured spectacle. Professional figure skaters, including 2018 Olympic gold medalist Gabby Dale, engaged in an icy showdown clad in the brand’s boxy parkas in a competition that was judged in part by FASHION’s editor-in-chief, Noreen Flanagan. “They said ‘put on a static presentation.’ I don’t do static. I’m an athlete, I’m always moving,” Yarichuk said of his decision to upend up the fashion show format.

Stalwart designer David Dixon’s show was held in the Arcadian Court of the Royal Ontario Museum, a standout venue that felt a bit like attending a show in Canada’s version of the Grand Palais. Dixon has begun to use his label as a platform charitable cause célèbres in recent years, and this season he chose to shine a light on osteoporosis. (“Fashion is a good conduit to communicating ideas to an audience,” Dixon said in a brief video that preceded the show.) By incorporating none other than bubble wrap, a “universal symbol of protection,” he was able to produce an unexpectedly elegant, haunting collection. The standout piece of the collection was a white dress artfully slashed at the back to resemble the bones of a ribcage.

Photography Courtesy of George Pimentel

Photography Courtesy of George Pimentel

Photography Courtesy of George Pimentel

1/3

Mikhael Kale F/W 2019 at Toronto Fashion Week

2/3

Mikhael Kale F/W 2019 at Toronto Fashion Week

3/3

SS3_9115

The final show of the evening, Mikhael Kale took place in what my friend quipped was “every woman’s dream” – an underground parking lot at 10pm at night. Despite the sketchy environs the show was a blast. Kale’s singular vision is always a treat and this season he delivered streetwear cowbows with a Victorian twist – a combination that sounds bizarre but somehow worked. Latex turtlenecks were styled underneath boned corsets paired with cowboy boots. (Though I certainly had…questions about the designer’s decision to bedeck white models in cornrowed hairdos.)

Now it’s time to gear up for day two.

[jessicakehoe]

Cinematic Glamour at ZOFF and Mikhael Kale’s Streetwear Cowboys Ruled Day One of Toronto Fashion Week

Is it really that time of year again? Toronto Fashion Week has once again returned to inject the city with a dose of much-needed glamour. For a precious few days each year, all eyes in the city are firmly planted on the fashion industry, which frankly doesn’t happen enough. Yet just thinking about the week makes me tired; It’s preemptive exhaustion at the mere thought of the late nights and nonstop hobnobbing to come – but luckily there’s a whole cream of fresh talent that makes it worthwhile.

Photography Courtesy of George Pimentel

Day one kicked off with a throwback to Old Hollywood thanks to the double-bill showing of ZOFF/Alan Anderson at the Hazelton Hotel. (The hotel’s event room was transformed into a flowery showcase where everyone sat front row.) Designer Michael Zoffranieri, who graduated from Ryerson University’s fashion design program in 2016, teamed up with seasoned bauble make Alan Anderson to present a collection that was wholly considered in its commitment to glamour. Models of all shapes and sizes (a phrase that I frankly shudder to type, but until diversity on the runways becomes industry standard, it still bears mentioning) paraded down the runway in sparkly, gala-ready gowns complemented by Anderson’s chandelier necklaces and doorknocker earrings. A particularly spirited older model, Judith Maria Bradley twirled down the runway in a silky green cape bedecked with  a pirouetting princess. The sensibilities of the two designers fused to produce a highly-effective, knockout collection. “I think we’re ready to bring more magic to Toronto,” said Zoffranieri in an interview backstage. “And less black!,” Anderson added. “You go to every function in this city and no one wears colour! It’s like, you know what? Be an individual, stand out!”

Photography Courtesy of George Pimentel

After a significant break in the schedule, Wuxly Movement, an upstart parka brand created by former CFL football James Yarichuk after he couldn’t find a down-free park enough warm enough for his Brazilian girlfriend to wear, delivered a hilarious and good-natured spectacle. Professional figure skaters, including 2018 Olympic gold medalist Gabby Dale, engaged in an icy showdown clad in the brand’s boxy parkas in a competition that was judged in part by FASHION’s editor-in-chief, Noreen Flanagan. “They said ‘put on a static presentation.’ I don’t do static. I’m an athlete, I’m always moving,” Yarichuk said of his decision to upend up the fashion show format.

Stalwart designer David Dixon’s show was held in the Arcadian Court of the Royal Ontario Museum, a standout venue that felt a bit like attending a show in Canada’s version of the Grand Palais. Dixon has begun to use his label as a platform charitable cause célèbres in recent years, and this season he chose to shine a light on osteoporosis. (“Fashion is a good conduit to communicating ideas to an audience,” Dixon said in a brief video that preceded the show.) By incorporating none other than bubble wrap, a “universal symbol of protection,” he was able to produce an unexpectedly elegant, haunting collection. The standout piece of the collection was a white dress artfully slashed at the back to resemble the bones of a ribcage.

Photography Courtesy of George Pimentel

Photography Courtesy of George Pimentel

Photography Courtesy of George Pimentel

1/3

Mikhael Kale F/W 2019 at Toronto Fashion Week

2/3

Mikhael Kale F/W 2019 at Toronto Fashion Week

3/3

SS3_9115

The final show of the evening, Mikhael Kale took place in what my friend quipped was “every woman’s dream” – an underground parking lot at 10pm at night. Despite the sketchy environs the show was a blast. Kale’s singular vision is always a treat and this season he delivered streetwear cowbows with a Victorian twist – a combination that sounds bizarre but somehow worked. Latex turtlenecks were styled underneath boned corsets paired with cowboy boots. (The only questionable element were the white models in cornrowed hairdos.) Kale’s point of view is fresh, combative and exactly what Canadian fashion needs.

Now it’s time to gear up for day two.

The post Cinematic Glamour at ZOFF and Mikhael Kale’s Streetwear Cowboys Ruled Day One of Toronto Fashion Week appeared first on FASHION Magazine.

Cinematic Glamour at ZOFF and Mikhael Kale’s Streetwear Cowboys Ruled Day One of Toronto Fashion Week published first on https://borboletabags.tumblr.com/

[caymannewsservice]

Missing woman’s sister sues dump managers

Missing woman’s sister sues dump managers

Chief Inspector Richard Barrows with a picture of the missing woman, Anna Evans (Photo by Dennie Warren Jr) (CNS): Noreen Dixon has filed a law suit against the government’s Department of Environmental Health on behalf of her missing sister’s estate and five children. In the legal claim filed last month Dixon points the finger of blame at the management of the dump where Anna Evans was working…