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somnoir · 2 months ago

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Gotham's newest Crime Lord - Part 1

Prompt: Dan kills the joker and unintentionally becomes a crime lord

Dan didn't mean to become a Crime Lord. It wasn't his fault that the Joker was fragile and easily killable with one punch to the head. He didn't know that the seemingly immortal clown was easily killed once the impact practically snapped his neck. So yes, Dan didn't mean for this shit to happen. Not when all he wanted to do was go to college, make sure Danny and Elle weren't attracting trouble back in Gotham academy.

It wasn't his fault that the crazy bastard thought it was a good idea to nab his siblings and try to use them for ransom. It's not his fault that his first instinct was to introduce his first to that pennywise knock-off. It'd not his fault that this city was haunted by vengeful ghosts that wanted to tear that motherfucker to shreds.

They were supposed to lay low after the mess with their parents and their name changes.

But nooooo!

They had to have an absolute hatred for clowns and now he's somehow made himself a crime lord. Why the fuck were the Joker's goons so fucking stupid?! They either tried to kill Dan for killing their boss or they tried to fall under him and make him their new leader. It was like a fucking cult in his eyes. Seriously, what the absolute fuck was going on with this shitty city?

It's not like he could call Jazz and say "Hi sis! I killed a crazy clown and I'm now the boss of his weird goons. I also might end up on the local vigilante's hitlist."

Yeah, no. He's not doing that.

But this might not be so bad... Not really. Being their boss could be treated as a source of income if he utilized the Joker's shit properly. I mean, he couldn't always rely on the fruitloops money, not when Vlad could turn traitor and use the money against them. He needed to find a way to support his siblings, one way or another.

And Clockwork did say to get a hobby. If not mass genocide then he could resort to carefully planned crime. Yes. This could work. He'll make it fucking work for the sake of his siblings.

Besides, if he was a crime lord—in motherfucking Gotham—he doubts that the GIW will even try to fuck around in a city where a ghost controlled some part of the criminal underworld.

Oh... Oh, he was gonna fucking do this.

(Clockwork watched as his most troublesome child shifts from world ender to crime lord. At least it was an upgrade from mass genocide.)

Nightwing didn't particularly know what to make of this mess. There were rumors of a new crime lord, of a new rogue.

One day, Joker's body was dropped into the harbor and found by the workers, all confused and scared as to why the Clown Prince of crime was dead in the water. It was humiliating in the Joker's standards, to be discarded like trash into the sea rather than have his body displayed for everyone to gawk at. The clown would have adored being glorified but whoever the hell killed him knew this and fucked the guy up bad.

His head snapped and his corpse tossed out like leftovers.

Jason had laughed, outright celebrated and Crime Alley was as festive as it ever was with the Red Hood blasting music through the streets and partying like there was no tomorrow. All of Gotham was celebrating, parading through the streets with pinatas that looked like the Joker. Harley would drop down from whatever roof she was on and swing her bat at the pinata, spilling red candy as everyone cheered and laughed. It was morbidly glorious.

But the festivities didn't erase the fact that someone had killed the Joker and knew what to do to disrespect him in the worst ways possible. It wasn't long until Joker's old lackeys were rallying to someone—a new boss. It wasn't odd for goons without bosses to move on to find different jobs, but for all of Joker's old minions to work for the same person? This was definitely the guy who killed the Joker.

No name, no appearance, nothing. Just quiet activity with organising his new goons to do strange errands. Stuff that didn't point them in the direction of criminal activity.

"You got anything?" Dick murmurs as Tim slouches over the batcomputer, watching as his younger brother sneered at the screen.

"Nothing. Absolutely nothing." He snaps, "All footage of this new rogue is immediately corrupted."

Babs hums, "And it's not like it's altered after it's been taken. The distortion happens live. They either have some tech on them or they're a meta who can avoid cameras." She adds, taking a leisure sip of the tea Alfred kindly offered them. "Whoever this is doesn't leave a trace aside from this shitty footage."

Tim groans, "I officially hate this guy!" He almost tosses his mug out of anger, shaking his head.

"Does Jason have any info on this one?"

And like the fucking menace he was, Jason pops up without another word. "He goes by Wraith." No one was startled, just sparing him a glance before nodding.

"That's it?"

"The goonions adore him." Jason shrugs, "Guy's been quick. Dealing with shit like Black Mask and other trafficking operations. Some of the kids he's saved wear clothes that have this specific symbol on them. It's a good tactic mind you. Tells people to fuck off and don't come anywhere near the kid or else he'll sic whatever bullshit he has in someone."

Dick narrowed his eyes, "Is it effective?"

"Hell yeah! One of the kids got kidnapped just last week. I went to save the poor thing but he walked out of that warehouse while the kidnappers were bleeding and sobbing." Jason once again grins, "Little Tommy threatened me if I try to arrest Wraith."

"So more anti-heri than villain. Good enough, at least." Dick sighed, shaking his head as he narrowed his eyes on the screen. More distorted footage.

"Thanks for the info, little wing."

"Just updatin' you guys. Heard some rumors that Harley's on the hunt for Wraith to thank him."

Great...

It's been a solid two months since the death of the Joker. Batman and the rest of his birds were increasingly wary of the Wraith and his two new associates that went by Phantom and Specter. No footage on the three could ever be recovered, making them all assume this was the work of a meta.

Most of them weren't sure if this guy was a threat or not. Red Hood, on the other hand, had a fairly positive opinion on the guy who's been hanging traffickers by their legs and immediately staking their claim on the kid to keep them safe.

The new crime lord was slowly dismantling the criminal underworld and building it back up to their design.

"FUCKING HELL!" Dick glared at the screen again, "That's Wraith's doing, isn't it? No way did the Riddler blow up that building."

"Wraith's only been dealing with traffickers so far. Why would he do this?" Steph murmurs, staring at the recording of a building that had suddenly went off. Numerous were dead, some barely survived.

"That's the motherfucker's symbol." Dick pointed to the glowing green symbol that looked liked a fire with some obscure letter they couldn't really make out. (Was it a D or a P?)

"Okay... Why would Wraith blow up a building and kill everyone?" Jason immediately asked, seeming to be defensive of the man. "He doesn't just kill people, Dick."

"Even so..." Bruce grunts, clearly displeased with the bloodshed. All that death...

"We're going after him." Bruce announced, "I'm not putting of the Wraith investigation anymore."

Dan stared at the pictures of the bodies, pudding out smoke without a cigarette in sight. His new minions—they preferred the term goons—were clearly apprehensive and continued to observe their new boss's expressions. This explosion had been his first act of pure and utter violence, a massacre of sorts.

He glances at Danny who melted out of the shadows, startling his goons.

"Can't say I'm not upset but I get why you did that shit." He begrudgingly admits, sitting across Dan. Phantom was a reluctant associate to his new organization of crime—ish.

"They weren't just trafficking kids, squirt. Pimping them, killing them and selling their organs, hosting matches and making meta kids fight to the fucking death." Dan clicked his tongue, "No redemption in that, Phantom."

"I get it, alright!" Danny snapped, "But the you've gotten the direct attention of the Bats now. They're gonna come for us, Wraith."

"Boss?" One of the goons—Dan remembers him as Jeremy Nelson. One guy just trying to support himself and his kid, trying to keep his sweet little daughter in school with as much money as he could get. Dan remembers giving the man a raise and a jacket with their family's symbol stitched into it—one for little Marigold.

"I'll deal with it. For now, you guys spread the word on that shit. I don't want anyone thinking I killed a bunch of kids." Dan growled, "My reputation can burn for all care, but like hell am I letting people think I hurt kids."

With Jeremy leading the other goons, he nodded and hurried out of the office to spread a word. The former Joker goons had taken a liking to their new boss, preferring his ways rather than their dead one.

"Jazz won't like this, y'know." Danny sighs, "I'm not gonna tell her. Never. But she'll find out, one way or another."

Dan frowns, "You think I don't know? It's Jazz, Danny."

"Yeah, yeah. I just didn't expect you to be like this. Crime Lord and everything."

Dan snorts, "I was the world ender, brat. This is mild compared to what I've done."

"Yeah, sure."

He shook his head, "You've got your own problems, brat. The Observants are still fussin' about you being king, your majesty."

An identical scowl looks back at Dan, and he's reminded that this kid is him. An alternate version of himself and yet they were brothers now. "I know. You killing the Joker fucked some stuff up. Apparently, the motherfucker was cursed to hell."

"Meaning?"

"He's got a lifetime of people in his shadow. Vengefu souls that want him dead." Danny huffs, "Had to deal with the paperwork cause everyone's wantin' a taste of him. I'm workin' on letting Walker release him so his victims can execute his soul."

"Cruel, little king."

"I'll give you his file. Bastard deserves to have his soul destroyed." Danny viciously grins. And once again, best reminded that this twerp is him. They were one and the same, different as well.

"Alright, alright. Fuck off now. We've still got some bats and birds to deal with." Dan immediately showed him away, noting Danny's eye roll.

"Better prepare a birdcage then."

Part 2 | Masterlist

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good--merits-accumulated · 1 year ago

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truly truly Neil Charlie Todd triumvirate is king please share any thoughts you have on them

OH BOY ANON YOU HAVE OPENED A CAN OF WORMS.

I. OPENING THESIS?

Basically, here’s my abstract for this whole thing:

(Les Misérables, trans. Isabel F. Hapgood)

And having put this down, I’ll ask you to overlook it, lol. Or treat it as a very loose guide! (If you haven’t any idea what the context of this refers to, here’s a quick rundown: a chief is a leader and someone who people rally behind. A guide is an enthusiast about all things and an advocate for progress, someone who checks the rampant idealism of the chief. The centre is warm, loyal, and acts almost as a mini-Sun for the chief and guide to orbit around, to stop them shooting off on their own wild trajectories.) In the interest of complete transparency, reading Les Mis at a young age had this irreparable effect on me where I now have to think of every triumvirate as a chief/guide/centre dynamic, but I don’t think this model applies 1:1 towards Neil/Charlie/Todd. Instead, I think of them a little as composites, interplaying with each other – Charlie as a guide who would much rather be a chief, Neil as a chief who works better as a guide, and Todd as a centre who’s never given the grace to grow into that role. Let’s go!

II. CHARLIE AS THE CHIEF-GUIDE

Charlie is like if rowdiness was a Guy. He’s big, he’s brash, he’s the instigator and he’s the captain and he’s the shameless one and he’s a side character! I have always found this very interesting whenever I watch DPS; despite Charlie’s main character-ness he is secondary, and doesn’t even get his own sideplot in the same way that Knox (for example) does. He’s a born leader who by virtue of the trappings of his story is relegated to supporting others, although you can so, so clearly see him fighting for space in the story. He gets pushed into being a guide almost by default; only the trait of enthusiasm really applies here. If Neil wasn’t there he’d be the leader of their group, no question. And the thing about Charlie is that he gets things done. He’s the one pushing the most for the re-creation of the Dead Poets Society after Neil, he’s caustic about things that are in his way (“Well, why don’t you stay home?”), people follow him! See Knox running after him, asking to be taught:

Charlie is the man of action – the telephone stunt is the biggest incident of that. And the way the boys gather around him afterwards as he regales them is chief-like; here he is acting as the chief, because this is around the same time that Neil’s chief role starts to slip away from him. But more of that later.

The big thing is that Charlie never gets to really assume that role of chief, because Neil is always there. I talked earlier about how he pushes for the re-creation of the Society; well, Neil is the one who finds Keating’s old annual and reads it aloud to them. Charlie is the one cutting down the guys’ concerns about sneaking out after school: Neil is the one who suggests it – more than suggests it! Almost commands it, in a way that leaves little room for debate:

(Note that in this section, it’s Charlie who does the arguing for Neil, who doesn’t speak except to lay down the law and then ask who’s coming. Real king and knight energy.)

Charlie never quite manages to edge into centre stage. You can sort of see how there might be resentment there – perhaps there would have been if they had gone on uninterrupted. But then of course Neil dies, and Charlie assumes the chief role by default, but it’s no longer glorious or something he can covet. But he does it anyway; he wakes up Todd, he breaks the news to him, very, very gently, he wipes Todd’s mouth with snow when he vomits and tells the others to leave him alone. But by this point, Charlie going into the chief role he’s so good at isn’t enough to stop the splintering of their group or his own expulsion.

III. NEIL AS THE GUIDE-CHIEF

Part of Neil’s tragedy is that he would be good at the things his father wants him to do! He’s a wonderful all-rounder, he's the perfect all-American specimen, there’s no doubt in my mind he would have been a great doctor – except he wouldn’t, because the enthusiasm and the motivation would have been lacking entirely. (As someone who just did a shit ton of medical school interviews, yeah, they would have sniffed this guy out really fast. Or maybe they wouldn't… not sure how stringent they were in the ‘50s.) He would have been technically great. But being able to do something doesn’t mean you should; these are the things that Mr. Perry conflates and which Neil is never able to verbalise to him, except in a way in which he thinks he’ll understand:

In this scene, when he talks to him post-performance it’s not “I enjoyed it”, but a very simple, “I was really good”. And despite this concession of terms he says it when his father can't hear, because he knows he would never relent, oh God.

Actually, a lot of what I wanted to say about Neil has already been said in Charlie’s section. (The summary is basically that you must imagine me offstage with a megaphone as the movie plays, yelling, “YOU TWO NEED TO SWITCH PLACES, FUCKOS”.) Neil is a good leader, but that doesn’t mean he likes being one, or that he should be one! He has a few characteristics of a guide – he’s enthusiastic about everything, he has this boundless kind of delight in the things he loves (not idealism; that’s slightly different). But this is honestly where the model falls apart. I don’t think that Neil would make a great guide either, logic not being his forte; the irony is that the role of the triumvirate he most fits IS the chief, it’s just that that’s what kills him. The responsibility that comes with being someone who “speaks and people listen” isn’t good for him – this dichotomy of having “control” over the friendship group/no control over his personal life is terrible. He does get to lose the chief role, but it’s not in a way that is good for him; instead this manifests in a loss of control that happens very very quickly, which just makes him reach for ways in which he can control his own life. And besides, stepping outside of a leadership role with a great deal of responsibility and losing control over the course of your own life are two very different things. I just think that he should get to go offstage for a little bit and rest, with zero expectations on him ever. (Also there’s something here about how he gets to play Puck – a side character who has major effects on the story but doesn’t have to actually put his skin in the game. This is what I think Neil should get to do In Real Life.)

IV. TODD AS THE PROTO-CENTRE

One thing about Todd is that in my mind, I always imagine him as much redder than he actually is in the movie. I don’t mean I imagine him to blush more often – I mean ruddier, more flushed. Going back to the Les Mis quote – in my mind he does “possess all the qualities of a centre, roundness and radiance”! Todd is a catalyst like Keating in a way that Keating isn’t; this is never explicit at all but he has always felt to me like someone who inspires others by their presence. He’s such a wonderful, calming, grounding influence. Even when he talks to Neil and they have that non-argument he tempers Neil and reminds him what’s at stake without looking down on him. And when he realises how serious he is, he goes with it and supports him to the best of his ability – he says “Oh, Neil, Neil, you’re crazy” but it’s fond, he’s overjoyed for him. And you can see similar behaviour perhaps to a lesser extent with Charlie in the way particularly he calls him Nuwanda after his request, which is taken as ridiculous by other characters:

And even after Neil’s death he does so, refusing to go back to normal:

But the reason I’ve put “proto-” for a prefix is because these are all singular occasions. The thing is that I think Todd could be that brilliant, grounding, assured man, a lighthouse of a man, almost. But he isn’t – he clearly isn’t – at the beginning of the movie he is shy and diffident and the non-argument I mentioned early does go a little sour, because while he speaks from a place of concern and love, his anxiety manifests in the conversation and makes him a little less tactful than he might have been otherwise. If things had gone on better than they went, and if Todd had been allowed to grow and develop more and without worry, he really, really would have blossomed into this kind of centre, this very steady man who would have reminded Neil of the consequences of his actions and made Charlie care about the consequences of his. But he doesn’t get to do that – by the time he grows and becomes more confident it’s too late, the worst has already happened.

V. SUMMARY

I’m so sorry, anon, this is a prodigious answer to what was a very simple ask, but you hit on the subject I have Very Strong Feelings About. Not to toot my own fanfic horn, but there’s an excerpt from the fair folk AU which I think sums this up pretty well:

TL;DR: Charlie gets pushed into a secondary position which doesn’t suit him; Neil gets pushed into a leadership position which suits him, but he hates; Todd is willing to step into that secondary position as a behind-the-scenes supporter, but never actually gets that opportunity. Hence the tragedy. Hence the taking of lives. Hence how many fucking tears I have shed over this movie, Jesus.

(I had a lot of fun writing this – thank you for giving me a reason to!)

#anon oh my god i'm like. brewing some tea for you right now and sitting you down. thank you so much for asking the question #and giving me an excuse to word-vomit for a while #ask #dead poets society #dps #charlie dalton #neil perry #todd anderson #dps fandom #dead poets fandom #also: neither here nor there but i have a pet headcanon where the triumvirate rent a flat together after uni #and each have their own studies with todd's in the middle #the walls are very thin so that sometimes neil and charlie will have solid long arguments through them #and sometimes todd will interject and/or mediate #god i love him #if the argument gets heated neil or charlie will actually go into todd's room to yell through the wall closer #instead of leaving him alone. he finds this all intensely amusing #tristan writes

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