#nope movie 2022
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hardcockforhitchcock · 9 months ago
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Nope (2022) directed by Jordan Peele
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spooksier · 2 years ago
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what’s a bad miracle?
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bhramarii · 1 year ago
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it was a one-eyed, one-horned, flyin' purple people eater
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fadeintoyou1993 · 9 months ago
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bru & dee's friday movie night — nope (2022)
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andichoseyou · 4 months ago
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Nope (2022) dir. Jordan Peele
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julesdap · 2 years ago
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a hungry audience
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lemonadeslice · 11 months ago
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siblings in horror: ride-or-die edition
the strangers: prey at night | nope | house of wax | the lost boys
codependent | blood-soaked | haunted | damned | dumb-ass
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jolyjamboree · 8 months ago
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fanofspooky · 6 months ago
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Scream King - Keith David
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pandadrake · 1 year ago
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Horses. I really like that other movie that Hobie's voice actor was in.
IDK why I ended up putting so much effort into the rendering this was just supposed to be a shitpost.
Hobie's pose is heavily referenced from a shot from the movie Nope (2022). The background texture is also from the same frame.
Miguel is cast as the stressed-out, half-Latino, tech guy with an angel name who watches camera feeds all day and bitches about his life to people he just met.
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millenianthemums · 7 months ago
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i was thinking about how a lot of horror stories set in one location get the “why don’t they just leave” criticism, but in real life it isn’t usually that simple. even really mild reasons characters might have for not leaving or for going back to the scary place can make total sense sometimes. and i thought about OJ’s “i got mouths to feed” thing, about taking care of the horses.
but then i was like “well OJ didn’t JUST care about the horses, it was also about not wanting Jean Jacket to win. but yeah he cares a lot about the horses, it makes sense. and he’s not the type to make big heroic speeches anyway, he’s not showy like that.”
and then i realized something cool about OJ as a character. OJ not being showy, not caring about spectacle, is what sets him apart from everybody else in the movie. others see the spectacle, he sees the people and animals caught up in it. in his first scene the others want to hurry and film, but he sees the horse is stressed; if they’d listened to him and backed off, it wouldn’t have kicked. he tried to save the motorcyclist who was just yelling at him to get the camera before being eaten. he’s the kind of person who wasn’t around on the Gordy set, who knew when to stop pushing and listen before something bad happened.
He was the only one who realized not to look in Jean Jacket’s eye. He didn’t give in and look up at the spectacle in the sky. He kept his eyes low, and because of that he saw the ones on the ground who were suffering and wanted to help. He SAW the horses, he cared for them and he risked his life to save Lucky. He SAW his sister when their dad broke a promise to her for fame and money.
Emerald was the one who got the “money shot” of Jean Jacket and defeated it. i think that was important and good for her to do. Defeating this thing that had caused her so much pain, that had killed her father, her friends and maybe her brother. And in doing so she captured proof of what she and her friends went through, made sure that suffering wasn’t all for nothing. OJ helped it happen, he was behind the scenes staring down Jean Jacket while she escaped. But Emerald was in the spotlight at the end. She won.
But with all this in mind, I think it’s really beautiful that the final shot of the movie, the REAL money shot, wasn’t Jean Jacket. It wasn’t anything all that weird or spectacular. On the contrary, it was deeply familiar.
It was OJ, on a horse.
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horrorpolls · 5 months ago
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firelise · 1 year ago
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Emerald Haywood Appreciation (Nope, 2022)
Oh and I’m Emerald Haywood! I also act, write, direct, internet, fashion, VFX, motorcycles, baby... And I make a mean grilled cheese if you’re looking for Crafty! I’ll be over there...
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bhramarii · 1 year ago
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i wear my sunglasses at night
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creaturefeaturecommando · 2 months ago
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It really bothers me because I thought that after Get Out came out it would let black people finally break out in horror and it did but every black horror movie after Get Out is a Get Out knockoff that always has to do racial horror and I’m actually fucking sick of it. Like whenever Jordan Peele releases a new horror movie and everyone wants it to be another Get Out that they get disappointed and don’t even give movies like Nope a chance. Let black people fight aliens, let them fight zombies, let them fight ghosts that aren’t racist white people trying to put them back into slavery or some shit, give us more black slashers or something. I don’t fucking know.
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fridjitzu · 7 months ago
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So I recently realized the reason why Jean Jacket didn't (as far as we know, anyway) try to hunt the parkgoers at Jupiter's Claim for the six months or so that she was hanging around the valley (at least, until the Star Lasso Experience, but I'll elaborate on my theory about that under the readmore):
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The territory was already claimed (lol) by another large, one-eyed floaty thing.
I mean, yeah, it doesn't look much like a fellow sky roomba, but lots of animals are easily spooked by things that only sort of look like things that are dangerous to them. That's why eye spot mimicry is so popular in butterflies and moths, after all, and why cats are so easily spooked by cucumbers.
But then, why did she come anywhere near the arena for her weekly horsey snack for the six months before the SLE? It's on the very edge of the park, but it's still next to the main area, right?
Well, guess who isn't facing in the direction of the arena?
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She might have been just pushing her luck each time, seeing how much more territory she could steal behind Lil' Jupe's inflatable back, or maybe she was just thinking "It's not looking at me, so it doesn't care if I hunt the horses that show up in this gulch". Either way, no eye contact = not a threat.
Of course, there's still the question of why JJ suddenly changed up her behavior during the SLE incident. There's evidence of her rampaging through the park itself when OJ arrives on the scene, like the suddenly empty petting zoo, and the pig on the sheriff's building.
My theory on that is: with that horse statue stuck in her craw, she was in pain, and was fixated on looking for a way to flush her system out. Much like how Gordy acted aggressively and didn't listen to his offscreen trainer like he presumably normally would, JJ was too agitated by pain/discomfort to give a shit about respecting presumed territory lines, and it's not like Lil' Jupe was doing anything to stop her in the moment. She just had "ow ow ow still sore, must find more prey and eat it, that will flush out the sore thing" going on in whatever her equivalent of a brain might be.
(a minor tangent: I will note that there's what appears to be a body of water next to the park, which I think would have probably worked to flush the horse statue out just as well as pureed parkgoer, but who knows if JJs even know how to drink water? They live in clouds, they can probably absorb all the water they need from the atmosphere.)
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(Here's screencap proof that I'm not just pulling that detail out of my ass.)
Anyways, back to my main point:
The implication that JJ had been considering Lil' Jupe a rival sky beastie defending its territory for that whole ass six months before the main events of the movie also makes the final confrontation kinda extra dramatic (and funny) in context. It's not just her having sudden beef with a random thing with an eye this time - from JJ's perspective, it's her rival, whose territory is frequently swarming with prey, and now, instead of just lurking near the ground, it's in the clouds with her! And she's already agitated and upset from beefing with the Haywoods, so no wonder she jumped to trying to eat it so quickly. (Not that it ended well for her. Nobody fucks with Haywood, after all.)
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