#no that takes away Jasons whole autonomy

[batfambrainrotbeloved]

Ask Batman what his greatest failure is? In a millisecond dozens of things will flash through his mind.

Allies and Friends broken because he wasn't fast enough, life's lost because his arms couldn't reach far enough, and cruel fates of minds he could not find enough reasoning against the fates.

Ask Bruce Wayne? All he sees are glimpses of those grey blue eyes, looking at him as if he'd hung the stars in the sky and handed over the keys to a rocket.

Those blue eyes, turned dull- as a fathers grief could do nothing to return life into the broken body he cradled in his arms long after the flames turned to embers.

Now, green eyes, who hesitate to give him more than a glance- who portray more hurt and betrayal than he can comprehend without feeling ill.

His son- whom he failed, all because he made believe he wasn't enough.

tbh I think jason shouldn't ever be called "batman's greatest failure" because he's bruce wayne's greatest failure I know they're the same guy. But there's a degree of separation batman gets to have — the difference between a soldier and a son

[adelinamoteru]

I think what I dislike most about a lot of jason recovery fics/meta, especially where there’s a reform of his vigilante life, is that it frames jason as being the only victim of a vigilante life. like “jason theres smth deeply unhealthy with your mental state and you need to make changes, the rest of us however are handling a vigilante lifestyle completely fine and none of it ever stemmed from traumatic events either. we are doing a great job at this.”

its the inability to take what jason represents as a character and leave it at that, but being fine with bruce continuing to be batman as if he isn’t also stuck in a defining traumatic moment of his life. just because jason chooses a lethal method does NOT mean that what he’s doing is any more unhealthy to him as a person than the rest of the batfam.

[snakeredbirdbatkatana]

So I know how we have a lot of Jason and Dick or even Alfred drugging Tim in fics.

I have never liked that what so ever.

Like I don't think we as fandom really think about it.

I want you to imagine your brother or grandfather adjacent person handing you a drink that without thinking you take. You drink it and then nothing your are just out for over twelve hours.

You don't know what happened, you will never know what happened in that time frame all because you weren't sleeping the amount they wanted you to.

Also these are trained vigilante's who have more than likely witnessed rape cases with drugs who have had to help someone who was roofed home why in the fuck would you do that to one of yours.

Now another aspect why in the fuck would Jason Todd no drugs to children, and Dick Grayson who has had his bodily autonomy taken from him do this to their brother.

Alfred ok maybe he's done it to Bruce so many times he just doesn't think.

But look me in the fucking eyes and tell me they wouldn't lose their actual fucking shit if that was done to Damian or Tim.

They wouldn't be cool with it, they wouldn't laugh at it.

Imagine Jason and Dick chilling in the cave it's been a long patrol about to head to bed when they see Alfred come down and hand Tim coffee an energy drink pick your poison. They watch as Tim looks at Alfred before shoving it away.

"Master Tim it would be beneficial to your health if you drink your beverage."

"Sorry but I don't feel like being drugged tonight."

Dick wouldn't even blink before shattering the mug. Jason would be screaming at Alfred.

They would never trust that man again, the man who fed and taught them someone who had their backs.

Betrayed everything it doesn't matter the reason.

Or what if Tim drank it.

He starts slurring his words, starts to almost fall over calling for Jason or Dick.

"It was Drugged."

Falling unconscious into Jason's arms.

Jason who is screaming for help they don't know what it was they assume someone poisoned him not their sweet grandpa Alfred. The whole family rushing Dick practically crying only for Alfred to not blink tell them to get him bed as if it's normal.

In conclusion Dick Grayson and Jason Todd would not be the the spokesmen for drugging your baby brother and then carrying him to bed. They would not tamper with Tim or Damian's food. They would not ok with little brothers falling out of chairs or losing time not knowing what happened. All because they weren't following someone else's rules.

Well Tim hasn't slept in twenty four hours oh ok then let's drug him without his consent because I want him to go to bed.

That's some Arkham level bullshit.



[ruegarding]

so. percy's arc in boo (learning to step back, allowing leo to sacrifice himself despite his loyalty/fatal flaw) sucks. for many reasons.

for one, percy yielding is such an integral part of pjo. all of pjo. but even if u somehow missed it in the first four books, tlo explicitly spells it out. "sometimes the hardest power to master is the power of yielding" hestia says to percy. "i yield when necessary. can you do this?" and then this is the climax of the story. "you are not the hero...it will affect what you do." percy has spent the last five books being told that he's the super powerful chosen one able to save or destroy the world, and he still chooses to yield to someone that has done nothing but betray him. "the line from the great prophecy echoed in my head...my whole world tipped upside down, and i gave the knife to luke." hoo acting like this is a lesson percy needs to learn is an affront to reading comprehension. percy lives bc he yields. and then he does it (yielding) again when he surrenders godhood, and power, to choose other demigods instead. this is not subtle writing.

for two, percy has rejected power, and his title, for the entirety of his story. percy doesn't even fully recognize how powerful he is until the volcano in botl. and he had to be told directly that it wasn't a fluke. then in son, percy immediately rejects the power and status offered to him. repeatedly. reyna offers him praetorship, he turns it down. frank is abt to let percy climb the wall first in the war games, percy says it was frank's claim. percy doesn't even want to go on the son quest but relents bc frank asked him. in moa, percy never demands that he lead. instead, he includes frank where he probably wasn't necessary, supports hazel, encourages annabeth, follows leo and piper's lead, and strategizes w jason. he isn't acting as a leader, but rather as part of a team. percy didn't need to "step back," the writing for the other characters needed to step up.

for three, percy had to be kidnapped and manipulated to be on this entire quest. he's not there bc he has a hero complex. acting like he has to learn to step back when he was quite literally shoved into place is wild.

for four, an integral part of percy's character is freedom, autonomy, and he extends this to the ppl he's loyal to. this is pretty explicitly established in tlt: "you're enough like me to understand," sally says. "if my life is going to mean anything, i have to live it myself." percy respects ppl's decisions. this is one of the first lessons he learns when he becomes a hero and an integral part of pjo: percy has to let sally save herself. percy has to let tyson go to the boiler. percy has to let bianca defeat talos. percy has to let nico walk away. percy has to let annabeth fight. if he loves them, he's going to let their lives mean something. even in hoo, percy still lets annabeth go on her quest alone, despite hating it, despite disagreeing w it, bc it's not his place to tell her what she can and can't do. this is her life. she has to live it. so this plotline doesn't even work it we ignore all of pjo and focus solely on hoo.

this theme of autonomy is especially important bc pjo is abt disability. one of the first things ppl try to take away from u when ur disabled is ur autonomy. the fact that percy vehemently defends it not just for himself but for others is essential to the narrative. percy advocates for other demigods, other disabled kids, and tyson, and he does so while maintaining their autonomy. it's why he's the leader, it's why he's the protagonist, it's why there is a callback to it in every pjo book. trying to act like he wouldn't respect someone's autonomy is a bastardization of this entire theme. which is actually fitting for hoo considering it bastardizes the rest of pjo anyway.

[mostly-imagines]

🌻 anon here

The last few days I stumbled into a few posts about Jason having +18 pics of reader in his phone and I just can't stop thinking "would he tho??" Like would he trust enough his device to have r18 pictures of the one he love and literally worship in his phone??? Knowing he knows damn well how easy it is nowadays to get those types of pictures through hack and stuff??

And I'm not saying he would share the pics, HELL NO he would never. But because I don't think he would trust his phone -and also because it cracks me up- I imagine him having a Polaroid to take the pics. The photos get printed automatically and if he have to he can't literally burn those without having to overthink about someone hacking his phone.

Like can you imagine him just casually take a Polaroid you didn't know where there out his nightstand and taking a pics of you while you reaching your peak??

Anyways all of that just to ask what one of my fav Jason writers would think about the whole Jason having spicy pics of you in this phone

18+

i’ve honest to god been thinking about this non stop since you sent it sunny

i think you're dead on, jason's protective streak rings too loud in his mind to ever take the chance of someone else maybe seeing those photos of you. personally, i’m of the belief that he uses his phone for the most practical purposes only and that his photo gallery is borderline empty, with few exceptions of nondescript images. like the only pictures of you on his phone don’t show your face or any revealing information about you. yeah, he’s a little paranoid in that way but it just makes his alternative that much more interesting.

there’s also something about it that feels more personal, more intimate. there’s not a chance in hell those photos are going near another person and he likes the idea that you’re giving him this amount of vulnerability and trust.

i also think he is an avid supporter of your personal autonomy and feels better knowing that if you want a picture gone, all you have to do is burn it and it's gone forever. he doesn't really like the idea that so many things on electronics can be spread or seen without you even knowing, so he's perfectly fine to stash a few polaroids in unsuspecting places.

he’d be really hesitant to ask you the first time, he was worried he’d make you uncomfortable or that you’d think it was weird. the thought initially came about after he’d gone on an away mission that lasted twice as long as it was supposed to and he was bordering on losing it without a single image of you. that, and frankly, he was stressed and he has never experienced a stress relief quite like you.

so the night he comes back he’s kissing you hard and rubbing up against you, but all he can think about is how badly he wants to capture all your facial expressions and imagery he couldn’t stop imagining while he was gone.

he breaks away from your lips breathlessly, “can I take a picture of you?”

you give him a bemused look, “what? like, now?”

he fiddles with the waistband of your underwear, not making eye contact. “well…in a few minutes..”

his timorous disposition gives you a solid clue of what he means and you smile up at him. “yeah?”

he finally meets your eyes, looking hopeful. “is that alright?”

“of course,” you nod and he leans back down against you, lips meeting your pulse point. “what brought this on?”

he noses at your neck, “jus’ missed you. a lot.”

you nod, pulling back and running a finger down to the tip of his nose. “take as many as you want.”

and he did.

his favorite pics are the ones he takes right when you cum, lips slightly parted, brow pinched. he’s also fond of the moments right when you’re just starting to feel it.

the photos of you on your knees, trying to take him in your mouth as much as you can really do something to him. your eyes watering and you holding his hand for support. he has to pace himself when he looks at those, especially the ones where you’re looking up at the camera.

he doesn’t usually like to be in the pictures, other than his dick in/against you or his hand splayed across your stomach or neck. he also has one or two where you’re riding him and his free hand is on your hip guiding you.

you’d have to be having a particular kind of sex for it to even occur to him to stop and take pictures. it only really happens during the easy times, when you’re both just having fun more than anything. it’s then when he’s really able to take his time with you and savor things, which is why the majority of your polaroids are taken then. he’s also more likely to be in a teasing mood then and not in a particular rush to get you where you’re going. a lot of those pictures show you smiling and completely relaxed which is another reason why he tends to revere those moments.

a grade A way to make him feel better after a long week is leaving him some surprise polaroids in the stash, it makes him crazy. he’s honestly just really obsessed with the idea that you trust him so much with those kinds of photos that you’d go out of your way to take some for him when he’s not even there. i actually think that’s at least half of what turns him on so much about the whole thing, the trust that you place in him and only him to not only see you in those moments but also relive them afterwards. just pics of you in lingerie or even just one of his shirts—it’s over for him.

[mysadcorner]

Hello! I like your work, really, especially how you write about Jason, and I was wondering what if Jason, who is arkham knight, goes after the Oracle, but finds one that he thought he would never see again. And she tries to convince him to come back and says that she still loves him.

Of course, if you have time.

ArkhamKnight!Jason Todd x Reader Headcanons

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-Credit to the images owners - Please be specific about characters wanted in requests -

Masterlist Navigation

• Jason didn’t expect to see you when he went after Oracle, and he’d be lying if he said that he wasn’t glad seeing you healthy and well after all the time that had passed. After having you in the back of his mind, seeing you again has settled him in a way and reminded him that you were one of the very few things that were keeping him going, and he doesn’t want to let you go now he’s come across you again.

• When he first lays his eyes on you he probably wouldn’t register it at first and would just go ahead with whatever he had initially planned. But once the sight of you kicked in, Jason would dismiss his priorities and perhaps take you in Oracles place so that he doesn’t need to worry about looking for you again whilst also causing damage towards Batman still.

• He’ll seem very on edge and a bit distant towards you when you’re first able to spend time with him again, but thats mainly because he wants to hide the real Jason deep inside of himself. He isn’t willing to let him out yet so you’ll have to encourage him quite a bit so that he can open up to you properly and maybe even see the reality of what his actions are doing.

• When you try to convince him to come back and join the rest of the family once again he’s very against it and won’t hesitate to snap at you whenever you bring it up. However, you’re the only person Jason wants to listen to; so if you try to encourage him enough he’ll slowly start to see your reasoning and change his standpoint gradually over time if you’re consistent with it. There is still a long way to go to actually get him to change his ways though.

• The last thing Jason lets you have after he gets a hold on you is freedom and complete autonomy. He doesn’t want you to escape of find a way to lock him out of any space he’s keeping you in, so he’ll keep a very close eye on you until he feels comfortable knowing you won’t abandon him or run away. He’ll provide you with anything you want despite this and will try to make things as comfortable for you as he can, rather than keeping you in a dark setting like he had become used to.

• Jason would overboard towards Batman and trying to keep any intervention away, all in order to prevent anyone from taking you away from him. Although, he will use you as a means of further hurting the family he was once a part of (having them know that he was in possession of someone innocent) whilst keeping you safe away from all the action with very few people actually knowing your location.

• After a long while of being with you, Jason would finally start to see your perspective on the whole situation which caused him to become the Arkham Knight, and would also take into consideration that Joker’s manipulation still had a hold over him. With your encouragement he would change his ways, but it would be difficult until Bruce finally knew that Jason was back and was also there to help him come back from the trauma that holds him.

[kiteou]

What do u think sabo would do to bruce after the latest gotham war events?

I am so sorry for the late response forgive me,but thanks for the ask!

(Usually I never receive asks so I never really look at my inbox majority of the time.I should check more often since this gave me a bit of a jump scare)

Honestly anyone with reading comprehension would know what Bruce did is pretty bad.(the whole war was awful in general,and just not great to read through at all)

Bruce violated Jason’s autonomy because he thought he was doing him a service/not wanting to deal with him.So any other person’s reaction especially Sabo would be pretty pissed.Especially doing that to someone they both care about.

In this case if Sabo was there and in a relationship with Jason.I can see him practically seething at what Bruce did to Jason.Like Sabo can attack or punch Bruce for what he did,but his main priority would be Jason.Especially with the fail safe that was implemented on him.Just taking him to safety away from danger and dangerous people.

Sabo would stick to his side the entire event;making sure he’s alright.

(If you want to include the whole Jason saving the kid from the fire.)

I truly believe Sabo would go save the kid and have Jason wait outside of the building with his top hat.Sabo would give it to him as a source of comfort,so when he starts to have those attacks he’ll just touch or hold the hat to reduce his stress a little.Right after that child is safe,they’ll continue to run to safety.

Afterwards,I can see Sabo giving bruce a real big side eye.Honestly would not be surprised if he asks Jason to drop him completely after all of that.I also think Sabo would gently lead Jason away from Bruce.I don’t really blame him for that honestly.

As an extra:

Sabo would be weirded out at what Rose said to Jason.(appropriate reaction anyone would have when reading that page).At that point she probably didn’t know they were together.I’m a firm believer Sabo will tell her that some comments aren’t necessary and there are people dying.(save Rose she deserves better,idk why they did that to her character I hate it so much)

(I did go overboard with the throughout and a small section with after sorry…..)

[bookwyrminspiration]

#synopsis mentioned Jason making a mistake and I’m afraid

alright yea coming back to say Jason has severely fucked up. um. i did not think it would be that bad but wow

starting a sequel right after finishing the first book can give you whiplash sometimes because Aza Ray is just causally like “yea me and Jason have been having sex for several months now :)” and I’m like!! Girl you just had your first kiss 30 pages ago in book one what are you talking about!! wdym a year has passed it was 16 minutes for me

[stxleslyds]

LET'S TALK: THE LAZARUS PIT

(2022 VERSION)

It has been a long while since I have put some of my thoughts on this piece of DC lore out there. If you have ever come across some of my Lazarus Pit posts you would know that I am very disappointed with how DC and Fandom have transformed the “green soup” that restored any injury (not death) successfully with little to no side effects into something along the lines of the Lazarus Pit the mighty green juice that will bring you back from the dead no matter how long you have been dead for and also Lazarus Pit Madness (that can be used to take autonomy away from your fav character to make him bland.)

So, yeah, as you can see, I have some problems with the progression of the Lazarus Pit lore in fanon but mostly in canon (or wannabe canon). We took something that was used by a selected few to recover from injuries in an almost ritualistic way and others when they got the chance if they did things right, into what is basically a free for all that also brings you fully back from the dead.

I mean, aside from the adventure and magic or mystic thing that is lost, we also loose the big impact of death in comics (which is already in shambles), someone dies now and if editorial doesn’t want to look away profusely, the Lazarus Pit might be a page a way to resurrect anyone.

It is not that it happens a lot, but the prospect of it is boring and kinda lazy.

But to the Lazarus Pit we are now adding the Lazarus Pit Resin, that super chemical green juice that cannot be given to living things but can bring back ANYONE from the dead (fully or not depending on how much of it is provided). And, if you give it to living things you might drive them insane and make them high as fuck.

The thing is… right now both things kinda do the same, they both, in canon, bring people back from the dead, so I wonder, what’s the point? You are just giving us more options on how to use the green juice? Seems lame to me!

I was thinking that maybe it is due time that the Lazarus Pit gets a soft reboot, or much like DC does, just rewrite the lore and tell no one about it.

What if the Lazarus Pit goes back to its “green soup” self, the one that can ONLY restore injuries of any kind, with an added difficulty of there being very few Pits and in the possession of people who do not want to share it unless they get something pretty big in return.

But to add some dept, you could have some very shady people, who got access to a Lazarus Pit (in shady ways) and have developed a serum or whatever called Lazarus Pit Resin that through various attempts (that can be explored) it is now able to bring back people from the dead if a full dose is given.

Which, I KNOW, is the plot of Task Force Z (or at least up until the point in which I read it) but the major difference that I am offering is that the Lazarus Pit just doesn’t bring you back from the dead and we just rid ourselves of the “Pit Madness” or whatever, that didn’t exist and shouldn’t have been brought into existence.

It is so weird for comics, that already have many ways to bring characters back from the dead, to have more things, like the Lazarus Pit, turn into an endless source of “bring back to life juice”. It is just boring and a bit lacking in creativity, because it was never the Lazarus Pit’s purpose.

Jason Todd, the character that I care for and the only reason why I am writing this post, was brought back to life because of COSMIC JUJU. Superboy literally punched reality and Jason woke up dead in his coffin.

Jason Todd was NOT BROUGH BACK TO LIFE VIA LAZARUS PIT. Jason Todd is an interesting character with a whole book that dives deep into how he came back to life and how the Lazarus Pit was used to HEAL HIS MIND while his body was starting to work correctly.

Whatever came after is pure nonsense. I dare anyone to try and keep up with Lobdell and Tomasi’s bullshit regarding Jason Todd and Talia and whomever else’s use of Lazarus Pit to bring back Jason from the dead, give him some sort of mental strength to see power within himself or whatever else…. If you keep up with that, you actually have superpowers, congratulations!

Now, I didn’t finish Task Force Z, but when I was still reading it Jason died again and was given the Lazarus Pit Resin, so there is that PLUS a theory that I had (that I don’t know if it was real) that Jason had been given small doses of Lazarus Pit Resin while he still was alive…If that was true, it would have implied that people who had previously took a dip in the sauce were more Lazarus Pit Resin friendly in life, but THAT is just a former theory of mine that I never got to see if it was real or not.

Anyway, this is my Lazarus Pit rant of 2022. I couldn’t really let this year pass by without me talking some nonsense about this nonsense.

[bigskydreaming]

Brain topic du jour is reflecting on the frankly weird as fuck pattern in Dick’s life where....he barely ever experiences losses one at a time. Most of the loss he’s experienced in his life is compounded by him losing multiple people and other elements of stability all at the exact same time.

1) When his parents died, in some continuities this is coupled with him losing his extended family of his aunt and cousin as well, with his uncle left comatose and on life support for years before he eventually died as well. Even in continuities without Richard, Karla and John, the loss of Dick’s parents is compounded by the additional loss of his circus family in the sense that he was taken away from them by the state and their constant reassuring presences in his life were no longer comforts he was able to rely on.

2) When Jason died, Dick didn’t just lose his brother, as the tragedy was compounded by Bruce’s reaction. I’ll never be able to gloss over the effects of NTT #55, personally, because I think its too key to Dick’s entire characterization and the specific direction his character took in the years that followed this, to like....disregard that Bruce however unintentionally, while lost in his own grief, added to Dick’s own sense of loss for Jason in probably the worst way possible. As by kicking Dick out and telling him to leave his keys, Dick - having no way to know or guess that they’d ever reconcile, just like he never actually went back to the circus being a regular presence for him - to Dick, this was in essence the equivalent of his childhood tragedy all over again. Losing not just one family member, but his whole family in one sweep, and all the comforts and stability offered by a home he was forced to leave. Even Dick’s contact with Alfred was minimal for awhile, because why would the guy who basically JUST saw history repeat itself and was like, well I know how THIS tends to play out.....why would he think that if Alfred felt forced to actually choose between his loyalties to Bruce and Dick respectively, that Alfred would pick Dick over the man he’d known and raised from childhood himself?

3) Titans Hunt. I know I harp on this one a lot, but you can’t deny that it fits the pattern. Dick didn’t just lose one friend and teammate.....he lost Joey, he lost a good four or five lesser known Titans who nevertheless were people he viewed as directly HIS responsibility to keep safe. With these tragedies compounded by the fact that though comics played out a lot more slowburn and extended stories over years back then, like.....the aftermath of Titans Hunt was still everpresent and directly died into Dick’s reactions and emotions during the Mirage storyline and everything that happened with the failed wedding and his breakup with Kory AND the fact that he was literally forced off the team he’d basically founded, by the government agency that took over the team and appointed Roy as its leader in his stead.

3) Graduation Day. The second time the Titans disbanded it was again not due to a singular loss, because Dick didn’t just lose Donna at this point, but also Lilith died in the exact same story and though Lilith is criminally underused, like, she’s also one of Dick’s oldest friends. She was literally the first Titan to join after the original five. This then led into the Outsiders era, where Dick was shown to still be reeling from the losses of this story for an extended period of time, and in a fun parallel to the Titans Hunt aftermath, Dick was also ousted from his leadership of THIS team by essentially a vote of no confidence by his teammates (and uh, Bruce too, literally).

4) The Blockbuster arc. Where Dick’s emotional state was due to a continued string of multiple losses. He lost his apartment building and almost every one of the neighbors he’d built a community out of, as we’d been shown him actively involving himself in their lives and vice versa for YEARS before this point. Then he lost his circus, his childhood home, burned to the ground and with dozens of deaths - both spectators and actual performers Dick had known and loved as a child. Then he lost his relationship with Barbara, his sense of self-security and autonomy to Tarantula, he lost another teen vigilante who died in his colors, the mantle HE’D created, when Stephanie was believed dead in War Games, and it all culminated in losing the city he’d invested himself in as his CHOSEN home, the place he dedicated himself to protecting, when Chemo blew it up.

Oh just for the record - my nonexistent passport to the magical kingdom of Narnia for a fic that raises the point when bringing up Tim’s losses in the Red Robin era, that like.....ALL of the above happened at literally the EXACT SAME TIME as all Tim’s referenced losses occurred. Obviously Steph meant more to Tim than Dick on a personal level, but I also included her largely as an anchor point to the timeline, to show how that death, and not long after that Jack Drake’s and then Superboy’s.... occurred right smack in the middle of one of the absolute WORST periods of Dick’s life. To be clear, I don’t intend this to suggest that no actually, Dick had it harder than Tim - nah. 

No thank you. Hard pass. I hate that sort of thing even in support of my own faves over other characters. No, instead the thing I’d love to see explored more is just in light of the SPECIFIC angle fics take here - that Dick’s actions while Bruce was lost in time showed an obliviousness to everything Tim had lost lately - for literally ANYONE to bring up or introduce into the timeline here an awareness of everything Dick had lost AT THE EXACT SAME TIME PERIOD. To establish that actually, Dick didn’t just ‘not understand what it was like’ - rather, its more accurate to say that nobody in universe around this time ever shows an awareness of Dick’s own losses and says oh wait, that doesn’t track then. 

Because obviously, with this stuff put in proper perspective, Dick understands VERY VERY WELL the exact thing we’re accusing him of not understanding by being oblivious to Tim’s losses that he’s not actually oblivious to because he tries to talk to Tim about them all the time, while meanwhile its everyone else who has absolutely mum to say about the fact that Dick’s emotional state is compromised to hell and back at this point, not JUST because of losing Bruce, but also because *gestures wildly* literally ALL OF THE ABOVE in the exact same time frame Tim’s extended losses happened in.

And okay I am going to indulge in slight tiny itty bitty pettiness and point out my ire that so many fics set during this time tend to recite listicles of Tim’s losses, with Steph, Kon and Jack Drake at the very top of said list....while paying no attention whatsoever to the fact that STEPH WAS LITERALLY BACK BY THE TIME THE RED ROBIN SERIES HAPPENED. She’s LITERALLY a person Dick sends to check up on Tim after Tim turns Dick away when he tries himself. How are you gonna stress the impact Steph’s loss has on Tim when you’re not even acknowledging STEPH’S RIGHT HERE IN THE EXACT SPECIFIC CANON STORY YOU’RE CITING??? I just. afhioskhflafhlafhklfahlfa. 

And not to put too fine a point on it, but you know who ELSE was also back at the same time? CONNOR. Superboy LITERALLY was already back to life by the time the Red Robin series even began. Like, the issue where a resurrected Kon and Cassie (Wonder Girl) have a heart to heart about the fact that Tim and Cassie ‘connected’ during his absence and Connor stresses that this doesn’t bother him or make him feel negatively towards either of them at all, because hello, he was literally dead at the time, why would he mind that two of the people he loves most in the world sought comfort in each other? Yeah, that issue? Literally came out BEFORE Tim even became Red Robin.

I MEAN. I’m just saying, when people constantly take shots at Dick’s choices during this period because of how much Tim had lost before Bruce already, in order to shift focus away from the fact that Dick lost Bruce every bit as much as Tim did......and you repeatedly emphasize the SAME three names as the focal point of Tim’s losses while paying no acknowledgment whatsoever to everything Dick lost at the exact same time Tim lost these three.....it quickly becomes kiiiiiiinda relevant in my opinion THAT TWO OF THE THREE NAMES CONSTANTLY MENTIONED AS BEING TIM’S LOSSES ARE NO LONGER EVEN LOST BY THE TIME THE SUBJECT COMES UP. Again, I’m just saying! Pettily, mind you! I am aware of the pettiness, I just beg awareness of like *again gesticulates wildly at all of the above* ALL THAT!

LOL.

But I digress.

5) When Bruce was believed dead while he was lost in the timestream. Again, Dick didn’t just lose the father who had been the only parent in his life for almost TWICE as long as his first parents......this was coupled with the loss of numerous other sources of stability in Dick’s life. There’s the matter of his personal sense of identity and self-expression....Dick FOUGHT against becoming Batman, trying to handle Gotham in Bruce’s absence as Nightwing for as long as he could, because he knew being Batman was very much NOT going to be good for him. He put so much of himself into building his identity as Nightwing, establishing himself in that role, that self-image, that yes, I maintain it was an actual LOSS for Dick, to feel like he had no choice but to give that up and everything it meant to him and his own life, in order to essentially live Bruce’s life for him in his absence. 

Because it wasn’t just being Batman that Dick was struggling with at this time....he also had to act as the patriarch to the Wayne family, essentially raise Bruce’s ten year old son, step into Bruce’s old role in Wayne Enterprises, all while getting no acknowledgment for any of this, for literally LIVING his father’s life instead of the life Dick had worked so hard to build for HIMSELF....because of course Dick’s actions and struggles couldn’t even be advertised beyond the family and close friends, because the whole point of him doing all this was so that nobody else even realized that Bruce wasn’t really there anymore. Dick didn’t just assume Bruce’s responsibilities. Dick assumed Bruce’s life, so thoroughly that most people didn’t even put together that Bruce was ‘dead,’ between Dick handling Bruce’s actual roles and responsibilities while Hush made public appearances as him. 

Like, when you’re living someone else’s life so completely that nobody can tell they’re even gone....how on earth does that leave any time or space for you to have ANY kind of life of your OWN, y’know? Not to mention the fact that like in so many times previously....all this meant that Dick couldn’t even afford to let his grief for his own losses show, because he wasn’t supposed to be grieving any losses in the first place, that was the whole point of the con!

Additionally, couple this with the fact that throughout this time period, Dick didn’t have Tim to lean on at all, because it was never that Dick kicked Tim out or neglected him or didn’t care....he’d actively stressed how much he needed Tim, because the partner Tim was convinced Dick chose ‘over’ him - Dick was the first one to admit back then that he DIDN’T trust Damian yet, couldn’t afford to, because he was all too aware that Damian didn’t give a fuck about him yet and couldn’t be guaranteed to step in to have Dick’s back - because that required mutual trust that Dick literally just hadn’t had time to build yet. And add to THAT the fact that during this time, Jason was actively antagonizing the family and Dick in particular at every turn, trying to bring them all down and basically write over what all of them saw as Bruce’s legacy with Jason’s own version of what he thought that should look like.

Also also, take into account that unlike how often we see fanon depict Dick as just too stubborn or proud to ask for help, there’s the fact that he actually had very few avenues TO ask for help! As already established, he DID ask Tim for help. Not like Jason was an option at this time, and Dick’s friends weren’t actually just sitting waiting in the wings and groaning about the fact that Dick was trying to do all of this solo....nah, they kinda had their own problems, which Dick was all too aware of?

Like the fact that in the wake of Final Crisis, it wasn’t just Bruce that was believed lost. Many other key Leaguers like Martian Manhunter were dead or lost, with others struggling to fill the gaps left in their absence. Cry For Justice happened right after Final Crisis too....that story where Lian was murdered? So it wasn’t like Dick was remotely going to try leaning on Roy when Roy had just lost his freaking DAUGHTER and very much wasn’t handling it well (and not to overshadow Roy’s loss at ALL, but please let’s not act like Dick - who had literally been the person to put a baby Lian in Roy’s arms for the first time and had known that girl for pretty much her entire life - like, it shouldn’t be used to detract from Roy’s loss at all, but it shouldn’t have to, to just acknowledge that Lian’s loss right at this exact time was painful as fuck to Dick, who’d loved his niece like crazy.)

The pattern of compounding, concurrent losses in Dick’s life. I’m just saying. Its there.

And it extends into the New 52 as well, where Forever Evil came right on the heels of Dick losing his circus in THIS continuity to the Joker, just as a way to hurt him in Death of A Family. And with the aftermath of Forever Evil and Dick’s own literal death, being like....the complete loss of Dick’s entire life, even though he was revived quickly. That didn’t mean he got to live HIS life though, since Dick Grayson was believed dead and he was told had to remain so, so its like fuck whatever he actually wanted to do as he went about on the Spyral mission aka something that pinched his own sense of morality and personal agenda at every turn and was kinda the last thing a therapist would recommend for a trauma recovery period, lol. And like, for all the focus that was paid to how Dick’s family were hurt because they believed they’d lost him when he was actually alive, let’s not forget that for all intents and purposes, Dick DID lose his family in the wake of his resurrection because he was flat out told over and over that due to what ‘he’d LET happen to him’ he was an ACTIVE danger to them, and thus wasn’t allowed by Bruce to contact any of them or lean on them to any degree, until Bruce got amnesia and stopped blocking Dick’s pleas to return home by just not being there to pick up the secret phone line at all. 

(And omg, the obliviousness that just EMANATES off the hot takes that Dick had a ‘choice’ in all this and he still CHOSE to do what Bruce told him....like. LOLOL, stop being pissy about me bringing up the term abuse apologism when its literal victim blaming to paint the guy who had to be beaten into ‘agreeing’ to the Spyral mission in the immediate wake of the trauma of DYING, all while his father vocally blamed him for his own suffering and the ‘threat’ he now posed to his family, keying directly into the guilt complex Bruce knows damn well is at the core of most of Dick’s motivations.....fucking please. There’s no choice in all that. That’s active emotional, mental and physical abuse aimed at directly manipulating Dick’s actions, delivered by the guy who knows Dick best in the world and whose approval - particularly when Dick is at absolute rock bottom aka Current Location - matters more to Dick than just about anything because his sense of self-worth has more in common with dog shit than actual dog shit does. Or something. Idk. That analogy got away from me. But like. You get it.)

BUT. I. DIE. GRESS. (I guess).

Aaaaaaanyway, so yeah! That repeating pattern throughout Dick’s life of ‘loss? What loss (singular)? My losses only come in groups, lolol, fuuuuuun’ - mmmm. Yeah. So that’s what’s on MY brain right now. Thoughts?

[why-this-kolaveri-machi]

we are our family, even if we don’t want to be.

Titans 3.07

a bit over halfway through the season, and we still don’t have all of our main characters on the board! i love this show.

as always, typing this up as i watch. live reaction, baby! *shadowboxes*

SPOILERS AHEAD

1. i don’t think i’ve mentioned this before, but i kinda miss the old ‘dc universe’ intro. it was cool! the whole idea of it was wild and waaaaay over-ambitious, but also very very on-brand because of it.

2. this is... the third time we’ve seen dick sleeping this season? that’s a record! checking another thing off my s3 wishlist...

2.5. i guess i rag on titans all the time for its wafer-thin plotting and bad pacing, but i have to admit that this season has been a step-up from the last one in this regard. titans has very reactive rather than proactive protagonists, and a lot of the last season seemed to be: x happened, the team reacted badly, then y happened, they reacted badly, etc. this time around, it’s not a huge leap up by any means, but at least they’re doing something about it. 

i do appreciate the focus on character arcs over everything else. and when i say everything else, i mean it: arcs that started two seasons ago with no big cathartic moments, intermittent payoff and multiple relapses. big bads have ranged from interdimensional demons to superpowered assassins to whatever in the world scarecrow is, but trigon’s big weapon against the titans was to... use their worst fears against them. slade’s was to... use their fears to break them up. crane’s is to... use red hood to use their fears to break them up. even the threat of gotham’s citizens being in danger doesn’t feel real: gotham is mythologised into an entity of its own, infecting our heroes like a parasite. like. this is not to say that most other superhero media aren’t big character arcs intertwined with the main plot, but titans doesn’t even make pretend that it’s anything but.

anyway. that’s my entry #2345 to ‘give a grand unifying theory for titans’. thanks. i’ll be back with more.

3. “anger is just fear in a little black dress.” god I HATE HIM

(what’s he doing with barbara’s likeness? oh... oh god. a terrible thought just occurred to me. what if they introduce hush at the very last minute for plastic surgery shenanigans? would you put it past this show?)

3.5. jason, nooooooooo

3.75. i mean, they’re making it very clear here that scarecrow is the one in control--the one who’s always been in control--and is manipulating jason and literally poisoning him, but i hope it doesn’t end up erasing nuance or jason’s autonomy. if jason’s to reckon with the issues that brought him here, then the lines of responsibility will need to be set somewhere. 

(this applies to dick as well but more on that later, i guess.)

4. just--the phrase “40% loss of income” is so funny to me. like, gotham is full of these larger-than-life characters who are idiosyncratic beyond belief, colourful and dramatic and creating chaos just for the sake of chaos, and then there’s the regular criminals and their henchmen who just want to make a quick buck sitting down with pie charts and graphs, griping about the joker reducing their returns or debating high risk investments in, i don’t know, two-face’s next scheme.

“yyyyeeeeeaaah, my financial advisor is telling me that going all-in with a guy who literally makes decisions on the flip of a coin is probably not the greatest idea.”

4.5. god i hate smug!smarmy!scarecrow so much

4.85. as big plans to “control” gotham go, it’s pretty bog-standard. clearly scarecrow has some bigger plan in mind but it really feels like we’ve got no clear insight into him and he’s this generic creepy mystery-man who knows more than he lets on and springs a twist/cliffhanger every now and then. i liked the scenes with him and dick in 3.04 where it seemed like he was genuinely on the backfoot and things weren’t going as he predicted. for all of his faults, dick is at least familiar with scarecrow’s bullshit and knows not to give what he wants.

5. i mean... i see where dick is coming from with the “he’s not jason anymore; he’s red hood” because his immediate glaring concern is scarecrow’s drug and the damage it could potentially cause gotham? i do not doubt that it’s something batman drilled into him, too, but when you’re expected to take point on a situation where the lives of an entire city weigh down on your shoulders, it’s better to simplify things and prioritise. i’m not saying it’s great or healthy! gar is absolutely right to consider this facet of the situation. it’s just dick can’t.

6. hmmmmmmm. HMMMMMMMMMMM. 

i don’t know that i’m super fond of this iteration of oracle???? it looks like a cross between cerebro from x-men and jarvis from iron man. it’s giving me second-hand embarrassment. somebody help me.

(at least they remembered dick’s middle name is actually “john”. i like to think bruce printed D in that contract because for a while he genuinely thought richard “dick” grayson was his full name. duck duck goose, dick dick grayson, i don’t know alfred, the kid was in a circus, maybe they thought it was funny. or maybe it was a test in anger control, who knows.)

6.5 “maybe you two would like some time alone?” even AI can’t help hitting on dick grayson in this universe.

“oh mr grayson, if i only had another eye to see you better...”

6.8. on one hand, it’s a bit disconcerting that the title of ‘oracle’ has gone from barbara herself to this gigantic machine; from my impression of the comics-verse, barbara had an extensive computing and surveillance system, true, but she was very clearly the brains behind the operation. on the other hand, i’m kind of glad that the ethical boundaries that this kind of surveillance violates is a sticking point for barbara. (tho let’s be real, the nsa would kill to have this in their arsenal).

6.9. also it’s now obvious that scarecrow’s big plan is to take control of oracle itself. it’s why he had lady vic take that picture of her eyes, or why he’s meddling around with it on his computer.

6.95. if only i could ‘command sleep’ anybody overstepping their boundaries re: personal information...

7. “you can just sit back and watch as the titans destroy themselves.” i mean... he’s not wrong

8. “dick’s parents were killed by a criminal mob; he won’t work with them.” it’s wonderful that you have this insight into dick, kory, i just wish we could’ve watched some of these conversations actually happen on-screen.

8.5. i’m glad that kom’s being treated with such nuance and understanding, though it’s obvious that she definitely has a Plan of her own. (and did i entirely imagine her ability to mimic other people flawlessly at the end of s2? or is that going to come into play at some point?) i think her story has the potential to be genuinely poignant, and in a universe where being Different, either because of mental health or physical differences or whatever else, leads a straight line to Evil, it’s important to acknowledge and then emphasise that the mere fact of your existence as a Different Person doesn’t predispose you to evil. maybe your act of destroying a system that has destroyed you and not scrambling to “fit in” is only evil as defined by that system. 

8.8. “you’re trespassing, i should call the authorities, i feel unsafe.” now this is a villain lady who’s definitely aware of her privilege.

8.85. kom smirking knowingly at her sister is everything.

“oooh that’s the kory i remember”

9. conner and dick working together woo!

9.25. god i hate a villain who’s always just a step ahead, no matter what. so crane anticipated dick using oracle to track his personal communications and set him up? how did he know when exactly dick would get to do this? how long did he have that poor man tied up in that van?

(the “save me, grayson” is a nice touch, tho. send dick spiralling even further! because if there’s one thing dick will do, it’s take responsibility for every goddamn thing that goes wrong.)

9.5. ahem. i’m going to need a million gifs of conner yeeting dick across that yard, fandom, thankyouverymuch.

(i understand conner is invulnerable to explosions, but how do his clothes survive??)

9.8. oooh crane is already in oracle! i’m just sitting here laughing helplessly because they’re overpowering this goddamned guy so much. he can build a lab in arkham’s basement! he has access to lazarus puddles! he has minions working across gotham, including a fully functional chemical laboratory staffed by chemists who only answer to him! he has the crime families of gotham quailing in his very presence! he has assassins at his beck and call! he’s enough of a manipulative bastard to have red hood under his thumb! and now he has enough of a tech know-how to not only be aware of oracle, but know how to hack into it! i’m sick of exclamation marks! i’ll shut up now!

9.95. dick leaving behind that smouldering grave for a person he failed to save without taking a second to process how he feels about it and running towards his next plan to corner scarecrow: a microcosm of where his head’s at right now.

10. really hammering in the themes of this season, aren’t we. 

10.25. the interesting thing is the titans repeatedly call themselves a family this season (none more so than dick) and while that found family has helped encapsulate and put away their traumatic experiences with their ‘original’ families, it’s meant that they’ve not really dealt with those issues. and dick and gar and jason come from ‘found families’ of their own: they are twice removed, traumatised two times over. they still cling to this identity however, and because of it they’re losing each other. a family isn’t static. it’s an ever-evolving dynamic and you have to put in work constantly to keep it healthy.

10.5. anyway, that’s entry #2346. i’m here aaaalll night.

11. lookit gar the detective! half-transforming and using his powers to deduce things! what a hero! i’ve said this for a long time, but gar is the bedrock of this team, and an unsung one at that.

11.25. i’m confused about him calling this room jason’s though. it seems to me that this is dick’s room that jason later used, and one that dick’s using now. so the unmade bed isn’t really jason’s fault; dick was woken by barbara that morning, and in his hurry, he left without making his bed.

(it still confounds me that bruce didn’t find jason another bedroom in that gigantic mansion of his. you really didn’t give this kid a chance, did you?)

12. oh well. so much for the oracle.

13. ... sorry, wait. you didn’t think i wasn’t going to address the bit with dick right now, did you?

12.5. i honestly don’t think it’s very complicated: dick’s been reeling from one traumatic thing to the next, and just when it seemed like at the beginning of the season, he felt happy and secure with his team and his place in the world, bruce ups and leaves gotham to him, specifically naming him a successor and calling him a ‘better batman’. he’s lost garth and jericho and donna and jason and now hank and dawn. he’s not even sure where rachel is or what she’s doing. after being told that batman was a psychopath for moulding him into a weapon, he’s also been told that his failure to be a ‘better batman’ lead to further disaster. of course he’s going to get batman-goggles. of course he’s going to be a prick. 

12.8. i don’t know what to say. i feel his frustration acutely. i don’t think he should’ve said what he said to barbara (can people stop pushing her around this season????) but that pressure to step in where your parent fails? to clean up their messes and try to think like them? to fall into habits drilled into you when you developed them as coping mechanisms growing up? I FEEL THAT. 

every step he’s taking he’s putting 110% of himself in it and scarecrow’s still playing mindgames with all of them: i absolutely feel his desperation to take control of that game and turn it on scarecrow, no matter what it takes.

and he did apologise almost immediately, and finally--finally--actually works with barbara. 

12.9. again, not excusing him! but i get it. and i think that’s a sign of great character writing.

“did you know i just reminded emmram of all of her daddy issues? what the fuck????”

12.95. i love that dick&barbara, kory&kom, and gar are all approaching solving this mystery from different angles, each as valid as the other. also, conner is there as... emergency bomb defuser man?

13. it’s like all fancy rich people in fancy rich houses do is pour fancy rich alcohol into fancy rich glasses on pristine, untouched tabletops. i wonder what it’s like to live like that.

13.25. I KNEW IT! poor michael. it was nice knowing you.

13.5. man, kory is contending with a lot of issues that she’s successfully bottled up and compartmentalised until now. the cold reality that a child can seek out their parents as refuge and they can view the child as a piece to be moved in a greater game (never out of cruelty, though, never, and somehow that makes it worse), that truth of blackfire’s treatment on tamaran because she’s different, and her own culpability in what happened. she exchanged one family for another, after all, and left that family to die and her sister to suffer. like dick, like gar, kory’s being forced to reckon with what the titans are meant to be, the larger implications of creating their found family in their own space.

14. it’s probably because it’s one in the morning and i’ve had two glasses of wine but i did not follow that bit of exposition at all and victor freeze??? what? 

anyway. look at them solving things! together! go team!

“you made a deal with the mob?” oh the sense of betrayal on his face! fuck off, dick, your issues aren’t kory’s. 

15. conner is really sweet and a bit of an awestruck crush on kom is to be expected. especially after that power rangers-esque transformation (i say this as a former huge power rangers fangirl. i’ve seen every series until 2007 including the original japanese versions and written fanfic for all of them. so i love a cool costume transformation, is what i’m saying.)

also?

FUCK YEAH

16. i love the gotham crime families just chillin’ around eating ice cream. I LOVE THEM

16.5. that was a fun fight sequence, if marred slightly by that bit of awkward flirting between conner and kom. i wonder if she’s really planning to use him in a larger scheme to get kory back to tamaran, or maybe something else. 

16.75. so i’m assuming that scarecrow has jason either so paralysed by fear that he can barely move, or jason’s withdrawing from the drug that he’s been sucking in every few minutes. 

17. it’s nice to see them chill after a successful mission! and it can be awkward, but conner’s crush on kom and him striving to impress her is also, well, uh... cute.

17.5. i guess the dick/barbara scene was inevitable, especially given the... unresolved nature of their relationship in the flashbacks? and they’ve been through a rollercoaster together this episode, discovering and then destroying an incredible tool within a matter of hours, re-discovering just how well they work together as a team. dick’s swimming in the nostalgia. i don’t expect it to last as a long-term relationship, but i totally get why this is happening now. and hey, they’re cute!

i have a weeeirrrrd feeling that kory is going to leave to tamaran at the end of the season and that dick and kory will rekindle--or rather realise--their relationship just before that. it’s going to be devastating and beautiful and painful and i will be writing essays about it which would be me just wailing into the screen.

18. gar found molly!!!!!!! MOLLY’S BACK! \o/ gar is the BEST

19. that was a fun episode! i love this silly show, even if it does destroy me sometimes <3

[stevetonygames]

Spotlight Post: Canon Soulmate Bonds

Yooo, this is a blog takeover, Mizzy here, ready to champion one of my favourite fictional causes: canonical soulbonds in the Marvel universe.

We all love a good soulbond fic. Words on your body, names on your wrist, red string of fate...so many glorious versions, and all of them *completely awesome*. The problem sometimes with starting a soulbond fic, though, can be all the worldbuilding required to make it work. But what if I was to tell you that no worldbuilding was necessary? That you could technically write a soulbond fic without having to set it in an Alternate Universe? What if you could set your soulbond fic *directly in main canon?*

Marvel 616 delivers you a canonical soulbond mechanic… not once… but at least *twice*. There could be more. There’s a lot of comics to go through and I’m only smol. But here’s the two I know about and I’m here to introduce you to today. :)

The was a ripple of mild confusion around fandom when Kevin Feige announced that the Eternals were getting a title movie in the next phase of the Marvel Cinematic Universe. Created by Jack Kirby in the 1970s, in a wild combination of mythological fascination and spite at DC comics for not letting him finish his New Gods saga, the Eternals were an offshoot of humanity, created by the Celestials for humanity’s protection; this reason for their existence would lead them into their ongoing conflict against the deadly Deviants. There have been a few Eternals runs (notably one run by Neil Gaiman, which did not serve to bring the Eternals the commercial success Marvel was searching for with the title, that nevertheless remains the most fun and accessible Eternals volume), but they’ve not yet really reached wide-reaching traction among even the most die-hard comic fans. The MCU might change that, and here’s hoping, because I love these nearly-immortal idiots, and I’m hoping not to be alone in that for much longer. :D

But even my Eternals-happy soul has to admit, Eternals canon for the most part is dense and can be convoluted, and the spellings—both of their character names and one of the main fun parts of their existence, the Mahd W’yry—are enough to give one a headache. The idea of the Eternals is that they’re long-lived and have interacted with human history over the years in various impactful ways. You might think at first glance that you’ve never heard of the Eternals Sersi, Ikaris, Makkari, but I think you wouldn’t find Circe, Icarus, or Mercury unfamiliar names.

The Mahd W’yry is a symptom of the Eternals being so long-living. In order to stop them going insane, the Eternals have to bond into something known as the Uni-Mind, which basically squishes all their consciousnesses together into one, where they can share memories and blend temporarily into one mind. Regularly bonding into the Uni-Mind allows them to stave off the Mahd W’yry. (Yep, that’s just a headache-inducing spelling of ‘mad worry’, we know.)

Anyway, did you need to know all this? Eh, maybe, a little bit of canned backstory is always handy for you to briefly glance over and promptly forget. Because along with some dense mythological adventures, some glorious angsting across beautiful landscapes, and that ability to turn into a big massive floating brain, the Eternals also gave us a beautiful gift:

The Gann Josin.

In Avengers #361, Ikaris comes down to Earth and decides that Sersi needs to be bonded to Dane Whitman, an Avenger who canonically didn’t have any powers, he was just a *really good guy*, destined for tragedy. Honestly. That’s his bio. Really good guy. Destined for tragedy. The character creation in the 90s was peak talent. Dane, sadly, was in love with another woman, but did this matter to Ikaris? No. Apparently the Eternals don’t know about the dangers of letting himbos like Ikaris have life-changing powers, like the ability to create the Uni-Mind. 

Because the power to control the Uni-Mind also gives an Eternal the power to form a Gann Josin bond. And that’s what Ikaris does in Avengers #361—he forces a Gann Josin bond on Eternal Sersi and tragic human Avenger Dane Whitman.

Gann Josin (sometimes Gan-Josin because what is spelling continuity in Marvel comics) is both the name of the bond, and the title given to an Eternal and their chosen life-mate. It has a bunch of cool side effects. Both Gann Josins get glowing full-red eyes. It’s a really intimate tiny form of the Uni-Mind (without the part where you become a big floating brain), and creates a small scale mental union. The Gann Josin bond makes the Eternal and their partner lifelong soulmates. As the bond progresses, it creates a telepathic/empathic bond that strengthens in time. According to the Eternal Sprite, humans are rarely chosen by Eternals for the Gann Josin.

Now, Dane Whitman does manage to break the Gann Josin several issues later. But… it’s not easy. It’s rare. When Dane manages it, it is called an “astounding act.” It’s pretty dang hard, in other words. There’s every chance your chosen Gann Josins won’t have the mental fortitude of Dane Whitman to break it. (Although, we’re talking about Steve and Tony, and are there any bigger stubborn idiots in the universe? Probably not.)

But Mizzy, I hear you saying. I don’t want to write about Ikaris, even if he is a party king and that sounds pretty nifty. I don’t know anything about the Eternals and I don’t want to go down that gnarly rabbit hole.

That’s totes fine, my friend. I am here to save you. Because in very recent canon, during Jason Aaron’s turn at the helm, the Eternals are all dead. Very dead. That whole Mahd W’yry thing got ‘em, it got ‘em good. But before Ikaris died, he granted his Uni-Mind power to someone we all know and love.

Yep. Tony Stark. Tony Stark currently has the power of the Uni-Mind.

Which means that Tony Stark can now Gann Josin people.

In Avengers #361, Ikaris performs the Gann Josin by basically just pointing his hands at Sersi and Dane and some light goes WHEEEEEEE!! in their direction, and bam, this rare and special bond is done. And Tony Stark can do that now. To anyone! Unfortunately Ikaris is dead and didn’t leave Tony with an instruction manual. But the point is, he *can*. You can make up all sorts of fun things with this canonical fact (or write your own version because lbr Canon Is Dead; Long Live Canon.)

There are so many possibilities. Does Tony deliberately learn how to use it so he can bond himself to Steve? Does Tony *need* to be able to hear Steve’s thoughts (to thwart some bad guys) and thus end up soulbonded forever to Steve in result? Is Tony’s power activating at random because he can’t control it, and he ends up soulbonding everyone around him? Does he just subconsciously bond himself to Steve without consciously meaning to? Do Tony or Steve want to try it for science?

Gosh, I love comics.

But WAIT. There’s MORE.

It’s not just 1990s comics going ham on the soulbond idea. No, we got some *this year*. Canonical soulbonding? TWICE? In one universe? Two different kinds??

And this time, it’s not in a D-list Marvel title. We’re up the ranks to the big leagues this time, folx, with a brief trek to the world of the Fantastic Four.

In Fantastic Four (Vol. 6) #15, we’re introduced to a Spyre citizen called Sky, a winged team member of the Unparalleled (more cosmic-powered superheroes), who work under The Overseer. (The Overseer, in a burst of beautiful retcon in the way Marvel comics keeps doing to us, is apparently the entity who is responsible for giving the F4 their powers. Huh. The more you know.)

On the planet Spyre, all children are brought before something called The Great Eye. This measures them against the radiation signature of everyone on the planet, divining who their perfect match is. 

Sky looked into The Great Eye, only to find out her match was Johnny Storm, who was 44 light-years away at the time. Long-distance relationships can be tough. Anyway, plot happens, the F4 get stuck on Spyre, get told they can’t leave, and Sky tells Johnny Storm that she is his soulmate. Oh, and she attached a soul binding onto him while he slept. Neat, huh, all the bodily autonomy people get in this universe before being force soulbond to people? So neat, much consent, wow.

Johnny feels a connection to Sky, which is supposed to let us know this lack of choice is a good thing I guess. The Overseer wants Sky to renounce Johnny and crush the F4 which obv doesn’t happen, so of course she leaves The Unparalleled and skips off to Earth to be with Johnny. 

Who knows how this relationship is gonna last. I mean, you can look at the rest of Johnny’s relationship history and have a good guess. Who knows. Anyway, Reed and Sue are each other's soulmate, and also share a “Soul Binding”, so there’s some canonical proof right there that maybe this system has some validity going for it.

The soulbond for this form takes the form of a golden bracelet worn on the upper arm, that Sky explains her people call a “Soul Binding”; it represents them as being soul-mates. This bracelet can only be removed by your soulmate. This soulbond doesn’t seem to come with any extra powers, it’s just to show that The Great Eye has measured their radiation signature and declared them a match that is supposed to mean they’re perfectly compatible in every way: spiritually, mentally, and physically.

I don’t know about you, but I have a pretty good feeling that Steve and Tony might just have matching radiation signatures… Or what if Steve and Tony have perfect matching signatures….with other people? (Someone else on Spyre believes Sky is *their* perfect match, after all!) What if Steve has feelings for Iron Man, but he’s a perfect match with Tony Stark? I feel faint already just thinking about it.

So here you go. Two canonical types of soulbonds for your fannish consideration. Feel free to ask me questions! You can find me on tumblr (@mizzy2k) or on discord (addy#0908).

[smells-like-ink-and-fire]

I did not expect that but you just lit my heart on fire holy shit— but yeah, I think overall, Black Widow Jason would be protective. The Red Room took away basic human autonomy from him until he escaped, and he sees someone that is so tortured and broken that he just can’t fight back, he’d be extremely protective when Roy is back with him because he’s not letting anyone take away that spark again. Roy shares that similar mindset, although in a more possessive way, because he has something again

First of all, sorry it took me so long to get back at you, I was thinking about an appropriated response and then I got sucked into finals week.

Now, on the Avengers/Shield-Batfamily mash-up.  

Janet and Jack were the ones to create Capitan America Dick which kinda makes Tim Iron man but not really because he wouldn`t go by that name, but the basics are there. He looks up to Dick but since Jack and Janet were always more business orientated than humans, Dick wasn’t very keen on then. In other words there’s a lot less resentment there.

Tim is, unsurprisingly, the one who finds Dick. He goes straight to Bruce with is findings and he takes this child with very bright eyes and indisputable proof very seriously. Alfred puts another plate for lunch, the young master drake is to thin and needs better care, he hopes the boy will stay.

Talia was the one who found Jason. Ra’s may be willing to overlook the Red Room training program but Talia look’s at this child who she just knows is Shiva’s and says fuck no. Even the League has it’s standards. Ra’s is conflicted on one hand he lost a valuable ally and asset on the other the RR was a competition and really they can do better. The rest of the Black widows, aside from Jason, stays with the League or Talia gives them new identities, either way, they are happy and treated as human beings.

Selina was the one who convinced him to give a try at the whole hero thing. She is not a squeaky clean superhero either, and she understands survival in terrible circumstances can do to a person. She and Jason meet in Gotham when he goes back to look for whatever pieces of his past he can find. He doesn’t like what he finds, apparently, his would-be life wouldn’t be very good either. Still, they meet and Selina is the one to introduce him to Bruce. 

Because I still want Bruce to be a Dramatic Orphan Adopting little shit I want Thomas and Martha to be involved in creating Captain America as well, they are basic Erskine.  Their deaths are Hydra related. Martha is Peggy, kate follows that line.

Bruce and the Drakes are business partners, Tim is a very late-born child and Bruce was early on one. 

Shield does not exist as we know it, but my take is that Bruce and Kate, alongside Alfred, whom the Waynes meet a few years after Dick`s fall, create something similar to it.  

Dick was not frozen for sixty years. Thirty to Forty is my estimative.

Still working the kinks out, not sure what to do with it,  tell me what you think!

[thisisntjet]

Letter to the Future

It's Monday, 14th March 2011, 2327h. Let's begin..

This was originally a personal letter to myself, but I thought it'd be better to put it up on my blog. Who knows what will happen then? Will I be in Singapore? Married? Dead? Will I even have access to this blog? Will anything even exist? Will I be famous? So many things running through my mind about possibilities. But that's not why I'm writing this. I'm writing this as a reminder of who I am (or to the future, who I was ten years ago).

At the very least, I am happy. In the general sense, I am contented with what I have and where I am. It doesn't mean that I don't desire for a better life but I don't hate where I am right now. Maybe sometimes the yearning to move ahead tempts me to just drop everything and go, but I know the time will come. Right now I just have to wait.

I can say I'm rather confused too. I don't know what's in store for me and frankly I don't have any plans. I don't want to make plans. That's the whole point of it. I know what I want to be, but not what I want to do. My possible paths are along the lines of drumming and writing—though cinema operator and librarian seems pretty appealing too. I wonder if those jobs will still be around in ten years, or will digitalization of everything wipe off books and movies? Who knows.

Moving on, what I want to be is simple—free. Free from want, desires, sadness; I want to achieve the good life. I want to be more contented, more loving, more accepting, more humble, more motivated, happier. This is the person I want to be. Money and power do not allure me. I believe that a certain level of affluence is necessary for basic survival and happiness, to provide for what I need and nothing more. Render unto Caesar the things that are Caesars. Love is ineffable, Wisdom is ineffable, Happiness is ineffable—but to strive for. Actions speak louder than words; practice what I preach; be the change I want to see in the world. I want to be less hypocritical and less critical. To be more confident and outspoken but less arrogant and aggressive.

I aim to be less self-serving and more people-serving. Corporate jobs kill the soul—in fact, any form of work kills the soul. Do what you love; you can choose what you do but you can't choose what you like to do. The true artist starves for art for only the hunger for expression needs to be sated. Life is short, live the way you'd want to be remembered. Getting paid to do something is work, and it destroys creativity. God is good; God is love. God is music. Religion is blasphemy. We should be Christ-like, not Christians. Principles over rules; Christ came to break the rules. Children should be accepted and loved; understood and appreciated. They are 4-year old Buddhas. Wilfulness and frustration is born of misunderstanding and lack of empathy, therefore learn to empathize with children as well as adults.

Being open-minded is not to be naive. It is to be active-minded; to be conscious of what you take in and what you reject instead of being a jar that the world constantly fills. Be happy, be mindful, live life! There is no such thing as wasted time or lack of time. We let moments pass away without appreciating them. Every time we queue, travel, wait, or sleep; appreciate it! Be in the moment. Life is too short to float through life. Too often we complain that there are not enough hours in a day; Truth is, most of the little moments pass by us unnoticed—uncelebrated.

Prayer is powerful. Justin Bieber is talented. Do not dismiss things you do not understand. It is careless and unbecoming behavior. Look for the merits in everything—life, people, situations. All dark clouds have their silver linings. Form your own opinions, make your own decisions. Do not be shy, do not submit to general consensus or peer pressure. Your life is yours, do not surrender your autonomy. The government should be for the people, and by the people. Mubarak and Gaddafi of the Egyptian and Libyan protests show examples of poor government.

V for Vendetta is a good movie. Fight Club is a good movie. Kick-ass was pretty awesome. John Mayer, Jason Mraz, Eminem, Michael Jackson and Dave Matthews Band are at the top of my list—amongst several hundred other artists and musicians. Leonardo da Vinci was a genius. Diogenes, Socrates and Epictetus are my greatest influences. Buddha and Jesus are also my greatest influences. The Night Angel Trilogy, The Happiness Project, The Age of Absurdity are some of the good books I've read.

Facebook and Twitter are the biggest social networking sites now. The world is destroying itself. I hope 2021 is a better year for humanity.

[writerseven]

hey if you're still doing commentaries could you maybe do one on the conversation dick and alfred have in the most recent chapter thanks

 I am always down to do commentaries!

This got long, so I will put my rambles about this bit from brother chapter two under the cut:

so when plot was just starting to happen in the series, I actually debated for a bit whether or not Alfred would know, and how much. Ultimately, I felt like him knowing would make more logical sense and feel more grounded, and some version of that reveal has been in my outline ever since I had an outline. I have been waiting for the chance to write that, like, five second moment of one of the kids having a stomach-dropping realization that alfred has known this whole time. I think early on it was much later in my outline and it was Tim? But in terms of plot machinations and where things are headed and characters emotional states, it ended up fitting perfectly for Dick in this moment.

Setting that up was tricky. I figured some people would already suspect, but I still wanted it to be potentially shocking for readers who anticipated a nicer Alfred? I really tried to figure out how to tune that entire chapter to feel like it was building up to Good Guy Alfred, and add in little mentions from Dick’s PoV of Alfred being great/kept in the dark/etc that would set expectations without being too obvious as red herrings.

Honestly, I’m not sure I really succeeded on that, but as long as that moment is still horrifying and awful, that’s more important that being shocking. If I were to go back and edit this series as a whole, I would probably try to set that up for longer to really pull the rug out from under people.

asdfjk I’ve written a bunch and I haven’t even gotten to the actual convo you asked about yet

OKAY. So Alfred doesn’t have a lot of lines because it’s not a very long scene all things considered, so I tried to really be thoughtful about what he did say. Right before Dick “tells” Alfred, we get this:

Alfred doesn't complain, glancing over his shoulder. His mouth gives a wry twist at the display. “Ah, well. You know Master Bruce. It does not matter what logic or decency or I say when he's determined to wallow in guilt.” 

They’re talking about the Jason Robin suit display, but that’s also setting up everything that comes after.

“Were I capable of stopping Master Bruce from every foolish idea that gets into his head, he wouldn't be gallivanting about each night to risk his life dressed as a flying rodent,” says Alfred, pushing the kettle back into its designated place. “I can protect him from many things, but not himself.”

And that’s kind of the basis of Alfred’s feelings here. He doesn’t approve of Bruce abusing the kids; of course he finds it indecent and misguided and perhaps, if he can admit it to himself a tiny bit, wrong--but it’s not his doing, and, gosh, well, he’s tried his best to steer Bruce right and you can’t win ‘em all, right?

He’s also, like, super focused on Bruce above all others. Alfred calls Batman a foolish idea because of the way it endangers Bruce, and even frames the idea of stopping him from being a pedophile as “protecting him from himself.” Alfred cares about his pseudo-grandkids and would rather not have to chose, but Bruce is his baby and will always come first.

A lot of enablers of this kind of abuse are romantic partners, and because of the unusual way the Robins were raised, that’s not a far off comparison from their side of things; Alfred took somewhat of a parental role for Dick and Jason especially. But in terms of Alfred’s psychology, I think of this more like an enabling parent--the kind who wants their kid to be good and well-raised, but ultimately just cannot accept the concept of their precious child having done something truly bad. And if that kid ever did, they’d be helping bury the body instead of asking questions.

Alfred's eyes are low—No. Alfred's eyes are averted. His lips are still pinched, brow still creased. Dick doesn't get it at first. But something cold creeps into his chest. “Alfie...?”

[fixed typo count: 1. how am i so bad at this]

One of the most annoying things about describing facial expressions (or body language) is that you can describe it textbook-perfectly for a particular emotion, and still have it not convey the emotion you mean it to. Part of that is that we only have so many words for the ways faces move, part of it is that individual facial movements can convey multiple expressions (e.g. frowning can be for irritation, disapproval, disappointment, sadness, etc), and part of it is that if you’re not using words that convey obvious emotion (’scowl’ ‘smile’ ‘grimace’ etc) readers kinda have to take a second to actually picture what you’re describing before they can discern an emotion from it.

...on the flip side, if you want characters and/or readers to misunderstand an expression, that means you can still get away with a lot of describing.

All that lowered eyes, pinched lips, creased brow could be the sign of someone taking in horrible news and trying to suppress a strong reaction, which is what Dick thinks at first--and then a little word choice of flipping the vaguer “lowered” to the distinctly guilty “averted” and Dick starts to get it.

“Perhaps,” Alfred says, carefully selected words, “you should let it not be true.”

And there we get to, like, the entirety of Alfred’s justification. Love for Bruce is why he lets this continue, but the how is just a straight up I Do Not See It. From a little later:

“There are things in his life,” Alfred says tightly, refilling his cup, “in any loved one's life, that are simply separate from our own.”

I don’t know if this is ever going to come up, so I don’t mind mentioning it here though it hasn’t been explicitly shown in the story--but this is the first time Alfred has ever really discussed this with anyone. Dick is the only person who is fully aware Alfred knows.

If you go back, you can actually see brief mentions in Bruce’s PoVs of keeping things hidden from Alfred, e.g. debating if he could convince Alfred that short-shorts for Robin are a tactical decision. I think I dropped that in the first time before I had actually considered Alfred’s role in a longer story, but I ended up liking the idea that not even Bruce is certain whether Alfred is aware of his abuse. He goes back and forth between thinking maybe Alfred doesn’t know and he must hide it (because clearly Bruce is such Clever Genius Sneaky Man that no one could ever learn his secrets), and suspecting closer to the truth: that Alfred knows, but the silent condition for his enabling is that Bruce never ever brings it up and lets Alfred feign ignorance.

I realize I’ve talked a whole bunch about Alfred here and said almost nothing about Dick, but to be fair, we’re already in Dick’s PoV so there’s not as much new stuff to cover.

What if he doesn't? Dick can say something stupid instead, watch Alfred's face clear and that smile return. They'll go upstairs, maybe, have tea with Jason, laugh and reminisce. Bruce and Tim will return later, change back in the cave, and come upstairs where they can all be together. This little messed up family in the kitchen, happy and unbothered. Alfred won't have his heart broken, and Jason can warm up again, and Bruce will smile at Dick, and Tim won't resent him. And all Dick has to do is pretend he was wrong and never say anything, until he starts to believe it himself.

They could be a good, happy family. The blissful life of ignorance.

I feel WEIRD talking about my own feelings on my writing (because what if they’re completely off base from how it reads??) but I think this was the most crushing bit to me. Dick so badly wants the good family that he deserves, wants his dad to love him, wants everyone to be happy. And, without knowing it yet, he’s basically described what Alfred actually did. Dick is going to push past this moment of weakness, do the right thing instead of pretending, say something so incredibly hard--and then find out it was all pointless because someone else already made that choice.

Sad. Alfred looks sad. Dick doesn't understand, he doesn't understand. It's the wrong sadness. And Alfred's—being—gentle.

“Let's get you some tea and a chat,” Alfred says. Dick means to refuse that too, but the words get choked up and the next thing he knows Alfred is guiding him up that long staircase. That hand on his shoulder is so gentle and the words are so gentle and the pace is so gentle and Dick can't seem to resist any of it and he doesn't know where his—body has gone.

I kind of realized after I wrote the previous chapter that I would never be allowed to use the word “gentle” in Dick’s PoV without it carrying a very specific connotation. And on the bright side, I can just drop a single word and have already established the emotion behind it!

Alfred is now placed alongside Bruce (and Catalina Flores, and the BPD, and those appeared-for-two-seconds traffickers...) He has the upper hand, and has no need to be cruel.

(also that “he doesn't know where his—body has gone” my dudes, Dick must have, like, so many issues with bodily autonomy after all the shit he’s been through, even in a ‘verse where Bruce isn’t an abuser, and I could do a whole post about that y’all)

Alfred gets him some tea. Dick stares at it until a soft sound and Alfred sipping his own in demonstration stirs him to follow suit.

They're sitting at the kitchen island. Dick is sitting at the kitchen island, dangle of his legs off the bar stool making him feel like a kid again. Alfred stands on the island's other side, patiently watching him. Tea. Kitchen. Alfred knows. Dick has the vaguest presence of mind to wonder if they passed Jason on the way up. He's pretty sure they didn't; Jason must have moved.

[dissociation intensifies] adjf honestly I was like “oh no am I using dissociation too much in this series” because part of me always wants to highlight the different ways people can react, but IN MY DEFENSE dick has a canonical history of reacting to traumatic events like this so. yeah. Errbody dissociating.

(For the record, Jason did indeed move and they did not pass him.)

There’s a middle bit to this conversation that I don’t have to much to say about where Dick is just trying to come to terms with the revelation and completely failing to understand how Alfred can not do anything. because Fundamentally Good Person Dick Grayson reigns supreme in my heart.

and then that tension escalates to:

Dick hands clench on the tiny teacup. “He's raping kids.”

“Richard.”

From getting to chat a bit in the comments, it’s not just me, but I’ve always found that initially naming a thing can feel more shocking than the thing itself. Bruce grooms his victims (Dick included, though Bruce never raped him), and gradually submits them to more and more discomfort, and gaslights them, and that sort of slow ramp up can make things seem...less awful, or less definable, or less abusive than they actually are.

I’ve always found things seem a lot clearer in retelling (or, for fiction, in telling at all), when in the moment, in real life, there’s a lot of second guessing and ‘is this really happening?’ and ‘what exactly is happening?’ and ‘is this really what i think it might be?’ And then you don’t want to get it wrong and be jumping to conclusions.

So there’s also a power in my mind of being able to name things? The first time is really shocking and hard, but then suddenly there is this title you can group it under. And maybe you don’t know what to do about “my adoptive father who i love but is sometimes difficult is maybe carrying on a sexual relationship with my not-brother who swears that it isn’t happening and also seems to want to be there, and i don’t want to hurt anyone,” but you probably have a much clearer reaction to “this man is raping children.”

I think it takes a lot from Dick to name it as such--And there’s a reason why that is the moment Alfred snaps. “My employerson who I love has a complicated relationship with his kids” is a lot easier to be willfully ignorant towards.

Finally, the end of the conversation is just Alfred laying out why Dick can’t do anything about it and how no one will help. And also trying to guilt Dick into believing this is for the best. Alfred is happy to have all four of his boys around, and he would prefer that illusion of being whole and happy to losing any of them for the sake of helping the others.

...and, I’ll be honest, that ending explanation is also for me the author to be able to explain it. If you’ve got a purely logical viewpoint here, there’s a question of, like “why doesn’t Dick just ask Diana to use her lasso, or ask a telepath to read Bruce’s mind?” etc etc, and my hope is that it will be clear to everyone that emotion is about a million times more important than rationality when it comes to trauma reactions, and that Dick actually does even have good reason to doubt talking to any of those people would help!

Because the person he trusted most in the world to have his back re: Bruce already knew, and doesn’t want to change anything.

[nightcoremoon]

ok so let's talk twilight. girl meets vampire. girl falls in love with vampire. vampire falls in love with girl. girl and vampire start dating. evil vampire wants to eat girl. vampire kills evil vampire.

new moon. vampire leaves girl. girl gets depressed. girl rebounds with werewolf. werewolf wants to fuck girl. werewolf realizes he's the rebound. werewolf leaves girl. girl seemingly attempts suicide. vampire learns about this and attempts suicide. girl goes to tell him she's not dead. vampire king gives a warning.

eclipse. vampire and girl are back together. evil vampire girlfriend wants revenge. evil vampire girlfriend makes evil vampire army. vampires and werewolves kill evil vampire and army. vampire king gives another warning. vampire marries girl.

breaking dawn. vampire and girl get married. and fuck. girl gets pregnant. baby will kill girl. but abortion is ~evil~. girl dies and gets turned into vampire. werewolf wants to fuck the baby vampire. vampire king shows up to kill the baby. it was a big misunderstanding lol. happily ever after except for the people who died.

that's the gist of things for anyone who doesn't remember.

ok so there's two groups of people. team edward, people who are satisfied with the canon. team jacob, people who say "fuck that, girl should be with werewolf instead". and many people on team jacob proceed to say that team edward all condone pedophilia and stalking and other terrible things. fandom wars happened. and in the end, most people moved on.

...

but not me.

now, I wasn't an obsessed super fan. I thought the first book was boring as shit until the second half. it took me a month to read the first half and three days to read the second half. I read the entire second in literally one day. the entire third in like 3 days. and the entire fourth in like 5. I watched all the movies in theaters. but none of this was by choice. my mom and my several sisters basically made me, but it was okay I guess. personally my fandom progression started with final fantasy 12. it moved into eragon, death note, jak and daxter, avatar the last airbender, invader zim, tales of symphonia, a dash of harry potter, sly cooper, my little pony friendship is magic, dead space, red vs blue, twokinds, resident evil, etc. I'm not in the twilight fandom by choice, but I know all the lore and trivia so fuck it. I might as well be.

I'm team edward.

I know what you're thinking. "but he's 100 years old trying to fuck a teenager! he watched her sleep! he almost killed her drinking her blood! he made her suicidal and depressed! he was super jealous and possessive whenever jacob was around! he broke her bones when they had sex! he impregated her with a monster baby that killed her! HE IS TEH EVILEST EVAR!!1"

let's take this one piece at a time.

1- he didn't try to fuck her. she tried to fuck him. but he said not until she's a full grown adult capable of making her own decisions, and not until marriage ~because premarital sex is wrong~

2- yeah watching her sleep was a little creepy but we can attribute that to stephenie meyer thought it was romantic because she's a dumb white mormon cultist

3- he is a VAMPIRE, and not by choice. and it was either suck the poison out of bella or let her become a vampire. which he didn't want to happen because ~being a vampire sucks 🥁~ so yeah he saved her life. and he managed to not drain her dry and kill her even though her blood is so goddamn delicious because she's a fucking mary sue

4- he didn't make her suicidal and depressed by leaving the country so she didn't get in any life threatening situations like being around jasper who has the self control of a fat kid in a twinkie factory. bella just took the breakup really really badly, and if someone reacts badly to a breakup, it's on THEM, not the other person. saying any differently is, what's the word, toxic and clingy. her emotional instability for plot is just indicative of the author's inherent misogyny (which makes sense, as dumbass mormon cultists are rife with the stuff)

5- he was not jealous and possessive. JACOB was the one who was toxic, since "that cold one will TAKE MY BELLA AWAY FROM ME". jacob wanted bella for himself because he had a crush on her since they were kids, and it was a super unhealthy obsession. edward could read his thoughts and was pissed; consider his backstory in hearing potential rapists' thoughts and killing them. but edward couldn't kill jacob because he was bella's friend. nothing more, though, and jacob fumed in his nice guy fedora

6- again, edward is a VAMPIRE, and a horny bastard at that, because he is a gentleman and therefore probably was a virgin too. he even told bella countless times that it would happen but bella thought it was #WORTH to get some of that hot vampire dick. I guess she's into some super kinky shit. no wonder 50 shades of grey made sense as a twilight fanfiction. anyway, bella seems to have fully consented, otherwise she's the world's most unreliable narrator.

7- the monster baby plot arc was propaganda against female bodily autonomy because "teh babby haz a SOUL and abortion is MURDER even tho she'll LITERALLY DIE otherwise but hey backwoods redneck mormon values are more important than the lives of women, right? anyway, ironically enough, he respected her bodily autonomy by not fixing the mistake he didn't think could happen (uterus vampires can't get pregnant but dick vampires can get other people pregnant? NANI, THE FUCK???) because bella didn't consent to him killing the fetus that was literally breaking her bones from inside since ~abortion is wrooOOoong~

and now, counterpoint.

...and counter-counterpoint.

"edward groomed bella" edward's main focus when she was 16 was to not kill her and drink the delicious cherry fanta, and his main focus at 17 was to make sure she didn't die and that nobody else killed her and drank her delicious cherry fanta, and only when she was a full ass adult was he like "alright fine you wanna marry me sooooo bad here's ur fuckin diamond ring". yeah they made out but like, consider that a FUCKING MORMON WROTE THIS BOOK. one can't fault a character for the dumbassery of the author. that's why in this house we stan james potter. and besides, a few years ago whilst playing truth or dare I at 21 was dared to kiss a 17 year old and I did- granted I didn't know he was 17 at the time but that doesn't even matter because granted edward was a lot older than 21, but granted that doesn't even matter anyways because you know how many teenage girls would make out with oscar wilde, keanu reeves, chris evans, or danny devito jason momoa if they had the chance? I know I would have. it isn't necessarily sexual unless you want it to be. besides, the argument could be made that brain development stops when you become a vampire, considering their body stops developing too. technically edward had the brain and body of a 17 year old, he was just 17 for a long time. so any way you slice it, there are acceptable explanations justifying this in the magic fantasy land of what-ifs and JUST BAD WRITING.

we good?

now let's tackle jacob.

he demanded she "choose" him over edward. he was just as childish and petty as mike. oh, poor mike. he was just too dumb. SWM be like. anyway, he literally abandoned her, his friend, because she wouldn't fuck him, when she needed her best friend the most. because that's who jacob was to her. he was her best friend. she kinda ignored him because edward is smexy and it overpowered her tiny teenage girl brain, or at least that's the author's excuse (yay for internalized misogyny). when they were in the mountains and he was keeping her from dying of hypothermia edward literally had to ask him to stop thinking about fucking her. while she was unconscious. which is kinda rapey. and then to top it all off, he wanted to fuck her baby daughter. so jacob is literally every single thing people called edward. he is jealous, possessive, creepy, obsessed with bella, and a whole bunch of other stereotypes associated with brown skinned man wanting to fuck white skinned women.

...

...

...

oh dear god.

wow I can't believe that the white woman who took an existing native american tribe and rewrote their culture to fit her vampire love story for white girls to have a sexy ~exotic~ savage feral werewolf boy in the love triangle turned out to be a racist all along.

so ideally, jacob would be the ideal partner for bella. lore-wise as well. bella and jacob grow old together in their plain regular normal human lives (and hopefully bella's face doesn't get clawed off like sam and leah BIG OOF FOR THE DOMESTIC VIOLENCE), edward and tanya get married like they were supposed to do all along and gallivant off and do vampire things, all that jazz. edward isn't creepy and weird, bella isn't a magic mary sue with a magic fucking jean grey mind shield, jacob isnt an asshole.

but after reading the books and the evidence provided, I cannot in good conscience be team jacob over team edward.

thank you for your time.

fuck stephenie meyer.

and fuck all the dudebros who dog on girls for liking twilight anyways, as if dudebros don't watch and consume shitty media all the time.