#no hate i just think it's funny that like the first thing people think when they're talking about spice is

[hawkins-batman]

The Noah Schnapp Situation Going Into S5

With Stranger Things Season 5 coming out this year, we are unfortunately going to see a revival of the debacle around Noah, even though by then it will be an almost 2 year old subject. So, I thought I would get ahead of that with some of my thoughts based on what I've seen these last few weeks and more broadly over the last 6 or more months I've been on this scene.

Spoiler Alert: This is going to be a long one. It'll probably be my new pinned post.

Why Still Talk About It?

Frankly? Because it's still going on. Keep in mind, Liam Payne died in October 2024 (just three months ago), right around Noah's birthday, and THIS is how Twitter responded to that.

And just in case anyone thinks I had to dig back a whole 3 months to find Noah-hate-content on Twitter, here was just random things I grabbed from the last week:

Which brings me to the next point.

Why Do You Even Care?

"Noah doesn't know you." "He's not your pookie."

I know that. The funny thing is, from what little I know about Noah, I'm pretty sure if he DID know me beyond the ONE DM conversation we've had, he'd probably tell me to chill. Dude is very non-confrontational and nice. So, why do it?

Because I think the online movement in favor of Palestinian self-determination has been hijacked by teenagers and performative leftists who care more about looking good for their peers than practicing what they preach.

Because (as you can see above and in screenshots like the one below), people who claim to hold my liberal/progressive/left-leaning values have used this as an opportunity to be openly homophobic and antisemitic towards a then-19-year old who had JUST come out of the closet.

Proponents of the hate campaign against Noah have said that they are just "holding him accountable" or "criticizing him" in the hopes he "learns something."

Look up. Point to me which image is accountability. Point to me the valid criticisms.

There are none. There is just flagrant homophobia. And then there are posts like this one, coming from the same crowd:

This behavior is wrong on its face.

It is violent. It is bullying (which doesn't seem like strong enough of a word) and it's bigoted.

Wanna see more? Look up @noah_schnapp on Twitter/X. See what they've done to his account.

Inevitably, some of the people participating in this will see this blog post. If you've made it this far, this is for you:

This behavior discredits your activism. It makes you look performative and fake to say in one breath that you are a "Leftist" who cares about Palestinian lives as well as the lives of minority groups worldwide, and then to turn around and talk like this about a Jewish person and a gay KID. Because he WAS a kid when this started. Furthermore, it makes it clear to those of us who actually hold the beliefs we claim, that you are vapid enough to use Palestinian suffering for your own personal vendettas. That the APPEARANCE of goodness is more important than goodness itself. And that you will shuck solidarity with minority groups the MOMENT one of them steps out of the lines you have drawn around them.

Not to mention...

It's Based Mostly On Lies

As a reminder, this is what Noah Schnapp actually said shortly after October 7, 2023:

Read that again.

"...we will hope and pray for safety, justice, liberation, and self-determination in Palestine." That was part of the very first thing he ever said about the issue.

And then this happened:

This was the image he was crucified for.

Stickers that weren't even his. That he wasn't holding up or making. He was in a cafe, someone else came up to him with them, and he was videoed with that person.

That's it. That's all. All those tweets you saw above? The fake stories made up about him like this one?

All of that was supposedly "accountability."

The harassment of his family. Murder threats. Rape threats. All for stickers that weren't even his.

There's even a paid Stranger Things author on this very site, styling herself as a Byler shipper, who has contributed to the lies that have further added to the hate campaign I've described.

As an aside, Noah wasn't the only one in that video. The influencers that actually posted the video and HAD THE STICKERS?

Nothing. Nada. Zilch.

And just to be clear - I don't think they should get hate. I think non-Jewish online Leftists appropriated a term from Jewish culture, redefined it, and are weaponizing it to beat down Jews all over the internet—which is par for the course for this charcuterie board of performative activism.

Yet the point stands. Noah was specifically targeted; and the homophobia that IMMEDIATELY came from the Left suggests to me that it was his sexuality and cultural/religious identity that motivated the attacks.

Again, I'll say, this is wrong.

Noah Has Since Responded

It hasn't stopped the bullying.

Didn't stop him from withdrawing from spaces he loved. From needing therapy from what we've learned from his now-deleted second TikTok.

And that really says something, does it? He cleared up his point. He tried to clarify and even apologize.

They didn't accept it. Not because it wasn't good enough. Not because it was "too late." Because this was the point. They wanted to keep doing it. They get sick joy from it.

Which is why...

I'm Not Shutting Up About This

This post doesn't even nearly cover the whole situation. The Byler fans who try to replace Noah's image in fan art and fan fiction. Who fan cast themselves as Will instead of Noah. The stalking and doxxing on Twitter. People reporting to GIANT hate accounts his location and when he's alone, PRAYING for him to be hurt.

I wish I could cover it all.

We have to stand up to this. On tumblr, on TikTok, on Threads, Twitter/X—everywhere we see it.

For our gay and Jewish siblings who see how Noah was attacked and feel less safe in their online spaces as a result, we have to speak up and say something.

And yeah. We have to say something for Noah, too.

The person who replied to me like this:

Him?

He did it because he needed to see a show of love from his fans. Doesn't mean he's perfect. Doesn't mean he won't mess up or do something in the future.

And no. Standing up for Noah, or for Jewish people, or other gay folks does not make you a genocide supporter or apologist. It doesn't mean you want any innocent people harmed. Don't give them the power to talk down to you like that. It's bullshit. You know it, and I know it.

All standing up to this vile shit is is an acknowledgement that Noah is a living, breathing person, as some of these people tend to forget.

And he didn't deserve this.

Any of it.

[dollishmehrayan]

# “THE WOMAN WAS TOO STUNNED TO SPEAK…” ── .✦ ( batboys w an unhinged!reader and blunt!reader )

a/n: this is from my little brain of mine , and I like to honor it for @kyriakis anywhoo I’m back and omg 1k?! Alsoo guys dw! I’m gonna do the event tomorrow && I’m gonna pick out some prompts I have organized, so i didn't forget okay but i just got a lot of DMs asking when I’m gonna do it for you guyss so yeah it’s gonna be tomorrow since I’m gonna re-edit + add some ideas of your guys votes!! Tags: (batboys x unhinged!reader)

© dollishmehrayan — ( all rights reserved to me. These works cannot be reposted, translated, or modified. Thank you for understanding dollies! )

DICK GRAYSON ── .✦

He’s always caught off guard but loves it. Your bluntness is a breath of fresh air for Dick, who’s so used to diplomatic conversations. You say whatever’s on your mind with zero filter, and he’s like, “Oh, wow. Okay. I respect it.”

Hates it when you don’t hold back with him. He’s used to being the charming, funny guy who makes everyone laugh, but you hit him with a “That was dumb, don’t do that again” and his brain short circuits for a second. “You can’t just say that!” “Why not?”

Finds it hilarious when you wreck other people’s egos. You have zero time for anyone’s nonsense, and when someone messes up, you let them know. Dick’s in the background, trying not to laugh. “Do you not think before you speak?!…” He’s always acts so shocked but hey, he’s kinda enjoying it unless it’s aimed at him. (He can’t fight verbally for the life of him without saying some cringe shit)

Doesn’t even try to change you. Dick knows what he’s getting into, and he loves you for it. He’s never going to ask you to ‘tone it down.’ He actually finds your unapologetic attitude pretty hot.

He’s 50% worried you’ll get into trouble, 50% impressed. But in the end, he’ll always back you up, saying, “She’s just honest. Get used to it.”

JASON TODD ── .✦

Finally, someone who speaks his language. Jason lives for the fact that you don’t care what people think. He loves how blunt you are, especially when you cut through the BS with the precision of a sharp knife.

Gets protective when people try to push your boundaries. If someone dares disrespect you, Jason’s the first one to step in. “You’ve got a problem with her? You’ve got a problem with me.”, “Jason that was so fucking cringey..”

Appreciates that you don't sugarcoat things for him. You’ll tell him exactly how it is, whether it’s about his attitude or a bad decision he made, and he respects it, it’s like the tt sound where “that’s when it hit me, it was the best idea I ever had..” but like this: “Not gonna lie, that was a terrible plan, Jay,” and he’ll just nod. “Fair.”

You guys have the most chaotic, weirdest conversations. It’s a mix of witty banter, ridiculous one-liners, and deadpan sarcasm. Other people can’t even keep up with the energy.

The idea of dating a ‘good girl’ never appealed to him anyway. He thrives off your unhinged energy. You’re unpredictable, and it keeps him on his toes, which he loves. “Yeah, you’re definitely not boring.” (Although the thing is he does love innocent people, like if you’re like gen clueless he wants preserve your innocence.)

TIM DRAKE ── .✦

Tim’s brain can’t keep up with you. Your blunt, no-nonsense attitude constantly makes him blink in confusion. One minute you’re casually roasting someone, and the next, you’re giving a straight-up critique of his latest plan. He’s learning that he can’t outthink you.

He admires your unapologetic honesty. Tim has a lot of internalized doubts, so watching you casually reject anyone’s judgment is a nice contrast. You don’t apologize for your thoughts, and it’s something he secretly admires.

Constantly second-guesses himself around you. Your sharp tongue makes him want to be as confident as you. He gets nervous about saying anything that might sound soft, so when he stumbles, you’re like, “What was that? I swear you just whispered something.” And he’ll blush hard, muttering an apology.

You both have a sarcastic sense of humor that others don’t quite get. You say something outrageous, and Tim will respond with the driest remark possible. People in the room often wonder if you two are joking or just genuinely a bit rude.

Not scared to call him out. When Tim’s too nice, you’ll be like, “You need to stop letting people walk all over you. Grow some teeth.” Tim won’t admit it, but that does motivate him to be a little bolder.

DAMIAN WAYNE ── .✦

Damian is a bit taken aback at first. He’s used to people being respectful or like seeing him as kinda a role model, so when you come out with a “That’s dumb, don’t even talk to me right now,” he’s not sure how to handle it. He will stand there, blinking, while processing your bluntness. (He’s too stunned to speak 😞)

Genuinely respects your forthrightness, though. “I’ll admit, I have never met someone so… honest.” He starts respecting you even more, thinking you’re someone he can’t manipulate or charm easily.

Loves that you’re as stubborn as he is. If you’re determined about something, there’s no changing your mind. You’ll fight for your opinions even if it gets you into a heated debate. And Damian’s right there with you, arguing like it’s the most fun thing in the world.

Tries to match your bluntness. “You talk too much,” he says one day, and you immediately reply, “And yet, here you are, listening to every word I say.” Damian actually pauses for a second, impressed. “Right..”

Loves how you’ll shut down his critics with zero hesitation. Someone says something disrespectful to him, and you’ll be the first to shoot back, “He doesn’t need your advice, trust me.” He’ll give you a proud little smirk. “I like the way you handle things.”

BRUCE WAYNE ── .✦

At first, Bruce is a bit disconcerted by your bluntness. Bruce’s the kind of guy who expects people to be formal and classy, and you just come in with “This entire meeting is a waste of my time. I don’t care about any of this.” He blinks, then quietly admires your bravery.

Totally respects your unfiltered honesty. Bruce has had enough of the world’s games, so when you don’t bother to pretend or hold anything back, it’s like a breath of fresh air for him.

Secretly loves when you don’t play nice." He knows you're not afraid of saying what you think, and when you call him out on his brooding or overly protective behavior, he listens. “You’re right. I’m sorry for not trusting you more.” (He totally doesn’t have a tracker on your hair clip..🥰)

You both have moments of pure savage honesty that no one else gets. There’s no need for filters, and you’ll both exchange one-liners so dry that it leaves everyone else in the room confused.

Finds it endearing when you make his plans more interesting. “This is ridiculous. Why are we doing this again?” You snap at him in a room full of his board members, and he just gives you a look that says, “I’m never apologizing for you.”

[slurmpinheimer]

from @cyber-harpie !! spit that shit homie!! I thought this deserved to be seen because it brings up a lot interesting points—and I do agree with this, though it got me thinking again. I would like to add a few things to my initial statement because analysis and talking about Kim is fun;

(WARNING: MAJOR KIM-RELATED YAPPAGE BELOW)

I’ve watched several play throughs where (especially at the beginning of the game/if they have low psyche) people aren’t sure of Kim, or even go so far as to call him annoying, a buzzkill, or an asshole. At first I found myself getting really defensive about this. Obviously not to the point that I made any hate comments or anything, that would be silly— But just in my head, automatically dismissing it because I love him and didn’t want to hear it. I couldn’t imagine anyone disliking him, instead of thinking deeper and considering *why* people might come to these conclusions.

I believe the bits we get from Esprit and Empathy support my initial point that Harry is the perfect narrative device to meet Kim through. If I remember correctly, Kim was written specifically to find Harry funny, and Harry’s skills let us see that. and that’s IF you succeed the checks, or if you’re dedicated enough to save scum to see other possibilities/go through Fayde to see what other options might have held.

Like, before I learned about the end of the Homosexual Underground thought line, I certainly had my suspicions. I definitely thought Kim was at least queer-coded and headcanoned him as gay, but that thought trail is behind a legendary Composure check that I spent like 10 full minutes save-scumming. I had low motorics on my first run, and I only tried so hard because I had been spoiled and knew that it gave a thought called “Homosexual Underground” and needed to see where that led with my own eyes.

That’s just one example too—There’s several times that Kim Lore is behind hard checks (Ace’s High/Low, that tidbit about him smoking weed lol) or things he just refuses to elaborate on without specific circumstances. Plus there’s all the stuff that you can learn when you play a different quest line. I’ve had several people tell me that going through a fascist ends up with Kim actually being pretty open about things you don’t learn about in other questlines. I don’t even know all the details of that yet because I’ve been so busy doing the other quests and achievements that I haven’t finished a fascist run yet.

My thought process with all this is that without seeing Kim through the lens Harry, who works with him almost constantly for a week straight in a situation where deep and meaningful conversation is not just encouraged but *needed* to build a repertoire and ultimately solve the case—Not to mention the patience and care Kim treats Harry’s situation with—I can see how someone would look at Kim from the outside and find him to be… (anguish at typing out this word) …mid.

So yeah. On the surface level; Kim is a cop. He can be condescending and uptight, sometimes leading into lecturing people (something he himself admits). He plays his cards close to his chest, with both his moralist beliefs and even more so his sympathies for the rebellion—Which can make him look a bit like a fence sitter. He can be emotionally unavailable towards himself and others, making him hard to read and sometimes appear cold.

But past that, he is a beautifully crafted, deep character, and the perfect foil to the chaos that is Harry. He is the man that reaches out to shake your hand even though you ghosted him two days prior. He will pat you and give you a handkerchief when you throw up. He can be the man that sticks up for you time and time again, not just because he needs to in order to solve the case, but because if you really try, he believes you’re a good detective at heart. Past suicidal rants and nervous breakdowns, he encourages you to keep going.

He has been beaten down, ground and polished to a smooth finish by mutiple facets of oppression—from his glasses, to his race, his sexuality, all fundamental parts of himself that he cannot change. From years of working in a high-pressure, volatile work environment with low pay and little benefits other than the small satisfaction of completing a case, only to dive headfirst into the next one.

He pushed aside his lofty dreams of the skies to be down with the rest of us in the dirt and mud, trudging, struggling through life until we all inevitably burn away the fuel reserves and are nothing but smoke, a memory in the mind of fire.

Beyond that carefully constructed exterior, past his wall of professionalism (and habit of using his notebook as a shield) hides a goofy nerd, a lover of crosswords and cars, of silly radio stations, and a deep appreciation for beautifully bearded muscular men. He is an expert user of sarcasm and master of cryptic jokes, some even philosophical or political in nature. At his core, he wants to make things better for the people around him. He wants to believe he can make a difference, no matter how long it takes or how small the change is. Even if working for the RCM destroys him before he can see it come to fruition.

He is wonderful. He is amazing. He’s probably my favorite character all of fiction, and I don’t think there will ever be a day in my life that I stop loving him. That’s pookie you’re talking about. I’ll always have space in my heart for him.

He will live on as long as we do, as real as The Man From Hjemdall is to Roy because Disco Elysium *made* him real, handcrafting him, giving him life between margins and pixels. And that is worth everything.

Kim Kitsuragi is a fascinating character because there's not that much fun or interesting or compelling about him. And yet somehow over the course of playing Disco Elysium the game rewires your fucking brain around him. He's the middest man you've ever seen in both appearance and personality but at some point he says something kind to you or something critical of you and you feel like you just got hit by a truck and you need his approval like you need oxygen and like how tf did this happen. what are you

[doberbutts]

hello! I'm the one that sent you that ask a week or so ago. Sorry I didn't check to see if you'd answered for a while because I was just so upset and had to take a second. I will say I scrolled through a bunch of helpful posts you reblogged before I even found the ask again that helped a LOT.

Two things I thought you might want to know is that it wasn't speculation that you'd blocked the weirdo blog that sent me your way: they literally have "proudly blocked by doberbutts" in their bio which was why i felt safe coming to you lmao. Second is I guess my struggle with this issue was an overall struggle with how bad wider misogyny has gotten in general and how muddied it's gotten with the "male loneliness crisis" and like, centering men's issues under patriarchy and just how insanely upset it's been making me. Seeing cis MRAs identify with trans men freaked me out because like, yeah it's important to talk about how (cis) men suffer under patriarchy but it's just so rare for me to find men do that without devolving into misogyny, and I start to feel so helpless because I know validating these issues matter but women are being literally dehumanized openly. I do play oppression olympics with this specific issue and just of COURSE women suffer more under patriarchy, but the same men who demand space to air how they suffer won't acknowledge that truth. (sorry for soapboxing; some of them do! It's just...things are so bad for women rn lol it's really hard to have compassion when it feels like none is being given to me).

So the more I see this issue the more I think people are being affected by larger misogyny like I am, but are doing the typical thing that happens where you lash out at a group you can "reach." Policing and harassing trans men's behaviours is way easier than cis men. I've also been seeing some parallels between this discourse and the "gay men vs lesbian women" discourse. It's not really a one-to-one but the discussion of the role of misogyny re homophobia towards gay men who still have male privilege but, come on, if they have feminine affectation it's Different and the back and forth that used to happen when gay men and lesbian women did oppression olympics, it just feels similar.

idk as i type this I hope I don't come across disingenuous or like, my Too Casual Overly Respectful tone is trying to subtly incept you. I worry my vibes are too "women first" but I just can't help it misogyny really is ruining my life 😭. Anyways I'm very grateful for your perspective and your blog. I feel more settled and equipped to push back against anti transmasculine behaviour with rhetoric that can actually challenge people

To respond to each point in turn:

1: Again I still don't really know who that is, though I am somewhat bemused by the idea that someone I clearly don't really remember is still so obsessed with me that they're proud I've blocked them. For the record, my block list is as follows: people who send anonymous hate, people who continue to harass me after I've told them to stop, people I catch with posts containing inexcusable bigotry, obvious trolls, self-identified zoophiles and MAPs, and people who repeatedly send me fundraisers after I have already said I only share fundraisers from people I know and trust. Being on my block list is, um, not really good company, so it's kind of funny to me that someone is proud to be there. Yeah I'm sure they'll fit right in with the neo-nazis and dogfuckers and cyber bullies. Oh and I guess my ex but I only blocked them after they started harassing me about our failed relationship years later. Enjoy block hell I suppose.

2: I'm not really here to play who has it worse, not because I don't recognize the wider understanding of privilege vs oppression but because I think it is a self-defeating thread of thought because you will always find a "more oppressed" example, and I think that people should be allowed to talk about their hurts regardless of their status of "more oppressed" vs "less oppressed". Talking about the ways society has hurt them is not what makes MRAs dangerous. What makes them dangerous is who they blame, how they go about fixing their problem, and the solutions to their problems they come up with.

To be quite frank, the majority of MRAs are men who have experienced some form of social rejection or isolation. Most have been sold some patriarchal lie about how by being men they inherently deserve good sex with hot women on demand, a wife at home to keep barefoot and pregnant, a high paying job where they are respected and valued regardless of the effort they themselves put into it, and all the luxuries that lifestyle can afford. This is a fantasy, you and I both know it. And when these men realize the hard reality that we live in an age of extreme social isolation, that in order to have a partner you need to actually have more personality than a used dishrag and with only half the mess at max, that good sex is about give and take and not just yourself, that these high paying jobs are few and far between with most takers being born into some level of wealth rather than any merit they themselves have earned... they lash out.

It does not at all help things to understand that many of these MRAs are themselves marginalized in some way, but their framework not only doesn't let them see it but also advocates a harsh rejection of anyone who is self-aware enough to realize it. A lot of these guys are undiagnosed, have trauma, and are just as affected by the systems of racism, classism, homo- and trans-phobia, xenophobia, sexism, and ableism as the rest of us.

Quite frankly, I'd rather these dudes see a group of (trans) men fighting for our place in society by joining hands with other activists with more feminist, black-friendly, disabled-friendly, gay- and trans-friendly in an attempt to lift everyone out of the pit rather than continuing to fight over scraps... than to see them continue to blame women and Jews and then go shoot up a school or a mall about it. One of these helps. The other just kills people and excuses rape. There's a lot of value in deradicalizing people by offering them a path to resolving their pain that is perhaps less destructive and more constructive.

This is also why the constant comparison to MRAs annoys me. MRAs kill people in senseless acts of terror and despair because they're upset that they're not having the sex fantasy the patriarchy sold them. Trans men talking about our oppression- regardless of the word we use to express it- are mostly talking amongst ourselves about suicide and rape statistics and sharing ways to get hormones and surgery despite unwilling doctors and insurance companies. We're talking about how our social groups rejected us the moment we came out, or how people use us being men against us in ways that was not happening before we came out or passed. These are not at all equivalent conversations.

3: Again I ask you- I see people using both cis and trans feminist frameworks to hurt other people. Where is your concern for that? I am equally concerned about TERFs as I am about MRAs, as they have driven multiple transgender people and our allies to suicide and even have committed acts of violence against people irl as a result of their ideology. Most TERFs will also be the first ones to tell you that they have been hurt, deeply, by men and that they also are frequently undiagnosed or untreated, traumatized, and affected by the same systems of oppression. Does their existence and their determination to latch onto every feminist conversation including those of people who are staunchly against them then poison all feminism to you? If not, then why make that distinction for trans men and MRAs?

I am black. I am Indigenous. I am transgender. I am gay. I am disabled. I am poor. I suffer. People hurt me. I see every day how bad things are. Do you think I cannot see it, or that my ignorance is the reason for my request for compassion? Perhaps consider that it is rather my knowledge and my lived experience that fuel my call for compassion, instead. I never said it would be easy. But I do think it would make a better world.

4: I do actually agree that it is very similar to the gay man vs lesbian conversation and have said for a while that it's the same queer infighting discussion we've already hashed out for the last 50 or so years, but the target groups just swapped out. It's just butchphobia, it's just biphobia, it's just aphobia, it's just panphobia, it's just nbphobia- it's the same fucking shit over and over and over again. It was shit infighting before and it's shit infighting now. Privilege is a conversation that depends so heavily on context, and the way it has been bastardized by the internet's poor understanding of political frameworks developed by women of color and their allies into cute soundbites and phrases rather than a deep, nuanced knowledge will never fail to annoy me.

Do gay men have privilege over lesbians? As a class, sure, they would have male privilege. But what do we mean by male privilege? The privilege to not worry about being assaulted on the street? To walk home late at night unbothered? To marry who they want, to have the romantic partner they desire, to feel safe within a domestic partnership? You and I both know that doesn't quite match up to the lived experience of gay men worldwide or even here in the "gay paradise" US. How does this interact with other marginalizations? Does a black gay man have privilege over a white lesbian? What happens if he's a drag queen dressed up for an event and she's a butch that passes for cis male? Does that change retroactively if this "gay man" figures out she's actually a transbian 5 years later, and the lesbian is a TERF? I'm not saying this breaks the framework of male privilege- I am saying that sometimes the theory doesn't match the reality, and a nuanced and intersectional understanding is required when talking on an individual scope rather than class politics.

Additionally- as a side note- it is also incredibly annoying to watch people act like privilege = oppressor = dangerous, and oppressed = victim = safe. Privilege, and whether or not you have any, is not a moral indicator nor is it an indicator of the safety of the person you're interacting with. I have privilege over people who cannot walk, because I can. I am not objectively or systemically oppressing people who cannot walk by the use of my legs in my day-to-day life. Oppression is action- if I vote for policies and politicians that removes ramps and safety regulations and provisions to assist wheelchair users? Now I am oppressing people who cannot walk. If I block or move or interfere with the disability aids, if I mock people or assault or harm them, if I dump them out of their mobility aids or break them, that is oppression. The act of climbing the 3 stairs on my front porch to get into my house is a privilege, but the oppression stems from the people who built my house to even have stairs on both exits.

5: lastly to end a very long post, I don't actually think there's any harm in centering yourself when discussing things that objectively affect you, as long as you remember to include others who are affected and let them have their floor to also center themselves when they need to speak up. I am a black trans man. My politics are pretty centered on black feminism. I don't think that is objectively a bad thing. I prefer to let the demographics with similar problems speak for themselves- I would rather my trans fem friends get the mic when they open their mouths, my lesbian friends, my Jewish friends, my latino and asian and arab friends. I don't think there's anything wrong with them centering their own problems and outlooks, as long as they recognize that there's shared space to be had with others who feel similar hurts. I think it's pretty normal to center yourself. I think the difficult thing is knowing when to relinquish the megaphone to someone who's been dying to use it, while you yourself still have so much to say.

[msmk11]

okay so hear me out for an angst idea. remus x muggle reader. they’re dating and so in love and she doesn’t know he’s a wizard or werewolf yet. all of the sudden he shuts her out (cause he’s scared to tell them) and she’s stressing thinking he’s done w her and go from there where you please 😘

(also feel free to make gender neutral i just used she pronouns bc that’s what i use lol)

Magic Tricks

Remus Lupin x fem!reader

WC: 2k

CW: Angst; hurt/comfort; Remus doesn’t know how to communicate

A/n: thank you for the request lovely! I definitely tried to make it angsty, but I didn’t wanna prolong it cuz I know Remus would be trying to remedy the problem ASAP!! I hope you enjoy

The first day or so of silence you give him an out, figuring something is going on. But when he still doesn’t reach out after four days, a pit of dread begins to fill your stomach. This isn’t the first time something like this has happened to you. Not with Remus, obviously, but with other boyfriends. Disinterest was always the first step, and then silence, and then the inevitable “it’s not you, it’s me.” You just don’t understand what you could’ve done wrong. Things with Remus, at least you thought, were going well. Great, even. You were certain he was going to be the one you would marry. But now? Now you’re not so sure.

Instead of spending Friday night depressed and alone, you tag along after work to the company’s happy hour. You hope it’ll get your mind off your suddenly distant boyfriend and even help you loosen up.

You’re sitting at a table chatting with some girls from your department about one of their annoying neighbors when the restaurant door opens again and a chilly breeze blows through. You tighten your jacket as you look up at the brisk intrusion and falter There, getting seated by the hostess, is Remus. With another girl. 10,000 emotions are swirling through you, but the worst by far is shock.

Your shoulder is shaken, “hey, you okay?”

Your throat constricts in your chest and you’re not sure you can respond to your concerned coworker, “hmm?”

“You don’t look so good” another says.

“I- I’m sorry I just, I just saw my boyfriend, over there, and he’s with another girl.”

A plethora of protests and groans of disgust emit from your friends but you tune them all out. You’re hurt and confused, and before you know it, your legs have carried you over to where Remus and this redhead girl are sitting.

“Remus?”

You hate how hoarse your voice comes out, and your stomach twists in embarrassment.

The brunette’s head snaps up, eyes meeting yours and widening, “dove?”

Your eyes flit between the happy pair and you scoff, “funny seeing you here, sweetheart. I see now why I haven’t heard from you in days.”

The redhead chokes on her drink, cheeks turning a dark shade of crimson, “oh no! That’s not! We’re not!”

You glare at her and look back at Remus, arms crossed, “what the fuck, Remus? If you weren’t interested in me anymore you could’ve just said it. Instead, you’re going behind my back with other girls. That’s low.”

You turn around and begin to storm off, angry tears building in your eyes.

A warm, familiar hand grabs your wrist, stopping you, “dove, wait, no! It’s not what it looks like. I swear! Please give me a chance to explain. This is Lily! You remember her, right? I’ve talked about her before. She’s my friend from school.”

You stare at the love of your life disbelievingly, “seems like she’s more than just your friend.”

Remus shakes his head desperately, “no that’s not it. Please, let me talk. Just-“ his eyes flit around the room anxiously, aware of the many people watching the scene unfold, “can we go somewhere private to talk.”

“Now you wanna talk?” And damn it, a few tears start rolling down your cheeks, “Remus I haven’t heard from you in a week, and then I catch you with another girl. You have to know how it seems. Even if nothing happened, it doesn’t change the fact that you’ve ignored me, and made me feel worthless. I- I can’t be with someone who ghosts whenever they feel like it!”

“Baby, my love, please,” he pleads, his hands trembling.

“Remus, I’m done. I can’t,” you pull out of his grasp and stalk back over to your table, grabbing your purse and leaving in a hurry of embarrassed tears.

You’ve been bawling your eyes out on the couch for the last few hours, wallowing in your own self-pity. You can’t believe it. You and Remus are really over. The love of your life is gone. You’re not sure you can ever recover. Your phone has been buzzing like crazy- likely Remus- but you choose to ignore it. You can’t talk to him right now, not after everything that happened tonight.

A knock on the door interrupts your thoughts and you stand, wrapping a blanket around you and wiping the remnants of tears from your stained cheeks. When you open it you’re surprised, but not, to see Remus.

“What are you doing here?”

“Dove. I came here to see you…. to explain….everything. I didn’t get the chance at the bar, and you wouldn’t answer my texts or calls. So I’m standing here now, before you, to just give me one chance to make things right. Please, sweetheart, I’m begging you.”

You concentrate on him, eyes scanning his form. His brunette hair is tousled and messy, his clothes are disheveled, and he looks unbelievably tired and stressed. Even though you’re angry and upset, you love him still, and your heart tells you to fight for any possible chance there might be to save this relationship.

“Fine, come in.”

You turn around and stalk into the living room. Remus’ heavy footsteps fall into step behind you and he shuts the door, sealing off the cold night. You take up home on your gray couch again, finding comfort in it amongst the most uncomfortable situation of your life.

He looks at you awkwardly and ruffles his hair, “can I sit?”

You scootch over to give him room even though your body craves to be closer.

“So, what great excuse do you have for tonight? For ignoring me?”

Remus coughs and turns a shade paler, “uhm, right, okay. Uh- I,” he curses quietly, “sorry. I. Okay I’m just gonna say it. I’ve been ignoring you because I’m- I’m a wizard. And I was scared to tell you because I thought you’d run away and think I’m crazy and I love you so much and. Yeah.”

Disbelief. That’s the only emotion you feel. You scoff loudly and glare at him, “are you fucking kidding me, Remus? A wizard. That’s your excuse? And what great one do you have for Lily, huh? Let me guess, she’s a vampire.”

“Well no she’s a witch actually and-“

Remus freezes, realizing that doesn’t really matter because you aren’t being serious.

Tears threaten to spill from your eyes again and you stand up, wiping them away frustratedly, “Do you think I’m stupid, Lupin? Do you really discount my intelligence and dignity so much that you think you can use a bullshit excuse like that? I thought you’d at least grant me a mature conversation, but your behavior this past week should’ve warned me that wouldn’t be the case.”

“No, beautiful! I’m not lying, I would never, ever treat you so unkindly I- Well I know I’ve been unkind this week, but just let me show you.”

He fumbles in his dark brown coat and pulls out a long brown stick.

“Let me guess, that’s your wand. And where’s the broom?”

“I can’t afford one,” Remus says with a blush.

You only roll your eyes, “right then, let’s see you do a spell if you really are a wizard.”

He clears his throat nervously and nods. He flicks his ‘wand’ and a bouquet of red roses appears in his hand.

Your eyes widen and you’re impressed, but still not convinced. A flower- appearing-trick is an act you’re sure any skilled magician can pull off with some practice.

Remus extends them to you- “an apology. For being a right prick.”

A smile wavers on your face but you push it down and don’t accept his gift, “is that supposed to convince me, Remus? Any magician could do that.”

His hopeful gaze falters and he bites his lip, “right. Okay- okay hold on uh….Please don’t freak out.”

Remus stands up and moves to the middle of the room, and it’s not lost on you that you really feel like you’re attending a children’s magic show. He holds his hand with the wand to his head and taps twice and right before your eyes Remus slowly disappears into thin air.

Your heart quickens in your chest and you curl into the couch, “Remus! What the fuck?”

“Dove! I told you not to freak out.”

Something touches your arm and you scream, flinching away.

“Sorry, sorry, my love. It’s just me. I’m right in front of you.”

You tremble as your eyes dart around the room, brain not comprehending how you can hear but not see him.

“Baby, reach out slowly.”

You shake your head.

“Please,” he asks in a strained whisper.

With shaky hands you reluctantly reach out until your hands hit something. You flinch slightly, but when something warm wraps around your wrkdr you relax. Even when invisible you’d recognize that touch- the gentle, calloused skin of Remus’ hands.

“H-how? I- you- magic….”

Slowly Remus appears back in view and sits down, tentatively taking both of your hands into his. He almost sighs audibly when you don’t fight his touch.

“I’m happy to answer any questions you want, dove. Just, I want to know… do you still want me? Can you forgive me for lying and ignoring you? Do you think I’m a freak?”

You’re certainly dazed, but you’re awakened from your trance at those final words…. do you think I’m a freak?

Are you overwhelmed? Yes. Are you freaked out? Absolutely? Do you still not totally belive magic is real? For sure. Are you still mad at Remus? Yeah, maybe a little.

But do you think he’s a freak?

“Baby,” you sigh, eyes softening and hand moving to cup his face, “of course not. We… we certainly have a lot to talk about… both magical and communication based… but that doesn’t mean I love you any less. I’d love you less if you cheated or were a terrible person, or lied for a bad reason. But for being different than me… for being you, I could never, ever hate you. I don’t think you’re a freak baby. I love you, for all that you are. And I wish you would’ve trusted in me a little more.”

“I was just so scared to lose you,” he confesses hoarsely, his tired eyes dimming with sadness, “but I see I did that more by hiding than just telling you the truth.”

You hum and nod, running your thumb over his bony cheeks…

“Rem?”

He hums, brown eyes looking at you so softly you melt.

“I obviously have lots of other questions but first… Lily… you’re really not-“

“No! No! Dove, never. I love Lily, but she really is just a friend. She was actually lecturing me on the way to the pub tonight about how I was gonna mess things up with you if I didn’t get my act together.”

“Think I need to meet her formally…” you murmur amusedly, “we’d get along well…”

Remus chuckles fondly and carefully wraps you into his embrace.

You go nearly boneless.

“I really am sorry, my love,” he murmurs into your hair.

You inhale the scent of his sweater and the lingering smell of old books on his collar and sigh, “no more apologies, baby. Just promise me you’ll never do that again.”

Remus kisses your forehead gently, “never. But on that note, I should probably confess that I’m also a-“

[treefey]

I like this! But! I wish they had just made it explicitly Eowyn narrating rather than Miranda Otto doing her best Galadriel. I didn't really like the narration except for the prologue and epilogue parts (sorry). I also hate that they open with the Rings theme-- we'll get to my imaginary better alternative later

If they were gonna reference LOTR, I think a frame story where explicitly Eowyn is telling the WOTR story would be perf. She's telling the story to her kids, maybe they're sick à la Princess Bride. Which would also be perfect because she's a healer. We don't even need visuals; honestly it would probably be great without it because the audience could feel like we're the kids. And who doesn't want to feel like you're in a boring post-war Gondor with the best parents tucking you in and telling you a very bloody bedtime story? Also it would shut up the conspiracy theorists who think media is pushing women to not want kids, not that we need to bend to those people

I love the opening over the map, so open over a map of Gondor with the Gondor theme. And then have Eowyn talk about how she is gonna tell a story of her people, maybe that she knows we want to hear about the war of the ring, or Merry & Pippin's homeland, or one of their dad's ranger adventures, but instead she's gonna tell us a little known tale of the Rohirrim, a tale of adventure and loss and the human spirit. A time when the shieldmaidens' banner hung proudly in Meduseld. Then pan over to Rohan and say the story takes place during the first line of Rohan, x years before Theoden reigned. Idk, maybe it's cheesy, but the right lines could make it soo cozy and focus the story a little bit more.

Maybe there's kids in the voiceover, maybe not. Depends on just how much cheese we want. And how much you think the audience would believe that we could have a very maternal storyteller who is also so unfazed by blood she'd tell her kids this story. (I mean, she probably has had her hands up to her elbows inside people when there's a farm injury or a breech baby, so I'm not surprised we get a bit more gore than LOTR)

There's other things I would do to focus the story around the war more, give it more a three-act structure. But specifically in regards to doing a frame story rather than regular narration, I wouldn't do any more Eowyn voiceovers until the end. Or if we did wanna do the whole Princess Bride version, have a kid ask why Gondor didn't help out and have her or Faramir answer what was going on in Gondor at that time (would be funny if Faramir started answering and Eowyn interrupts and says it's time for a Rohan story right now, and the two kingdoms weren't always as close as close as they are now, let's get back to the story). But back to the end, I like the "that's how the first line ended and second line started." We could add more, like the throne passed from uncle to nephew as it did later. And remember whenever you feel alone or scared, that not only does the blood of Helm Hammerhand flow in your veins, but also the blood of his daughter who protected her people by wit and by sword. And even though most accounts have forgotten her name, we're all still here because of Hera's bravery.

I'm obsessed, actually, like parts of the story that reflect Eowyn's (and Eomer's but mostly Eowyn's) story from LotR sort of in an "each stanza rhymes" kind of way until it occurs to you that Miranda Otto is narrating with this sort of implication that it's Eowyn herself telling the story and reading it through her own experiences plus the fact that it's mostly a behind the scenes sort of story and all the great deeds were attributed to other people (Hera isn't even named in the appendices) alongside the explicit statement that Hera isn't remembered in any of the songs, making this something Eowyn either heard passed down in a non-traditional way, reconstructed from historical evidence she found herself, or possibly learned about from Gandalf, which loops back around into Eowyn's own complex with regards of all the great deeds being done by the men and not remembered for great deeds in songs -- and like okay maybe I'm reading too much into it but I'm obsessed okay

[thehelltingvilleclub]

May Osewai - Crippling Case of the Cringe

you better hope to god she isn't actually sadako, because she will judge you on your search history on her way through your browser--

Mayumi “May” Osewai [09/09/81] Secretary of Manga AOL / Online Users : [sadako_chan] Theme Songs: Living Dead Girl - Rob Zombie | She’s Out of Her Mind - blink-182 | FUNERAL GREY - Waterparks

Favorite Shit: Anime Adaptations, Visual novels, Horror / Gore, Battle Royale(s), Monster Movies, Slasher Flicks, Acrylic Stands, Hard Covers, Asian horror, Foreign Films, Evangelion : Neon Genesis, Ghost in the Shell, Corpse Party, Torrent Sites, The X-Men, Spawn, Teen Titans, Accurate Translations, Uncensored Doujins, Silent Hill, Serial Experiments : Lain

Dude get this girl a therapist and someone other than a rabid werewolf for a brain-worm weird fluttery thought friend GUEHAKL. please. please. With literally no other friends and no longer in an environment surrounded by.. "peers", she kind of has no choice but to keep putting up with Bill despite how much of a creep he gets sometimes. They're like a family.. A horrifically disfunctional family that should maybe only meet every other christmas, and yet they're glued together despite it all. It has to be karma punishing them, right?

We are the weirdos, Mister.

This poor girl has a really bad anxiety problem and is also horrifically oblivious to a lot of things which is not a good combo. She hates the thought of missing something or making someone upset by having to make them explain, but good god she cannot read a room sometimes--

She also maybe most definitely has autism. that might have something to do with it..

She masks well enough that she genuinely just thought she was "weird" and just kinda accepted it when she moved to the states. She didn't even start to think about it until Jerry started bringing up the shit he learned in therapy.

She honestly is just kinda.. Blunt? good or bad, though she does have enough forethought to keep the bad thoughts to herself most of the time. It's more in a quiet "wait, what did she just say?" kind of way.

She struggles to express actual internal monologue, her actual emotions and thoughts on the boys, but she shows it in.. other ways.

She genuinely cares about the boys, yes even bill, though he's like.. Like if Jane and Bill were closer in age and Bill actually wouldn't leave her the FUCK alone.

Though it's not like Pete's any better-- he always so weirdly macho and it's... kinda funny? Weirdly endearing? Like a little terrier going going absolutely ballistic on the screen door. Heh. cute.

May has designed entire pokemon decks and trainer teams for the boys. They'll get posted eventually I promise vuv

She absolutely tries to play card games with Jerry and Matt, though she really only likes the play Pokemon and Yu-Gi-Oh, but she'll happily watch the two smears duke it out.

its kinda funny seeing Matt lose every once in a while.

May and Josh argue about Evangelion ALL THE TIME and it's honestly annoying but it's also very funny to see Josh get flashbacks about asuka--

She is also one of the first people Josh goes to to hang out with, even if it's just over a phone call.. well, at least for a while. He likes to talk, so she just kinda doodled mindlessly or painted her figures while listening.

... she could tell he needed it.

ALso girls omg she is still the clumsiest woman I have ever seen. She might need a new prescription like seriously.

May got a job at the local family video, so you bet your ASS Pete harasses her at work whenever he can sneak out of his own work duties. He's lucky he's cute...

She may be oblivious to some emotions, but she's not stupid.

She collects stuffed animals, but mostly pokemon plushies and assorted horror mascots. She is still really embarrassed about having them, but literally can't sleep if she doesn't have at least one like it's a problem--

She is also like icy cold. All the time. like she just pulled her hands out of the freezer. Pete uses this as an excuse to hold her hands because he's a fucking smear I swear to god he needs to grow some BALLS

ALSO HI CAN I TALK ABOUT HER SHIRT FOR LIKE 10 SECONDS ITs an indie japanese-canadian band called "Rotten Cherries" and it does rock covers of japanese pop music and even some remakes of songs by The Cranberries and Boa

THanks guYs

Also I enjoy the reference pic for her pajama shorts LMAO

GUYH Have May.

Also sorry for repeat info at the top, it's to keep with the formatting fhdsjkafinfdsajhfkdlsfhl

[khaopybara]

I think Kant would have gotten far less criticism or hatred if KantBison were not being shoved into our throat. Like, clearly the showmakers want us to root for KB, everyone from Style to Cop Chris saying how Kant has fallen for Bison yada yada but at the same time Kant casually talks about Bison, the supposed love of his life, getting shot dead or spending his entire life in prison....without any sign of pain in his voice or face...like he's talking about mildly uncomfy weather.

This is clearly a narrative problem but it does make viewers frustrated and Kant's character has to bear the brunt of this narrative folly. I am very sure if the narrative made it clear from the start that KB are not, under any condition ending up together, the situation would have been different....but of course gmmtv has to sell their cp (by which I mean cp merch and stuff). The showmakers already have a pair (FadelStyle) that are hitting all the right spots for how a romantic pair should be and they can be easily shown to be having a happily ever after. Ideally they should have kept KantBison 'lovers to enemies' actually ending up as enemies...but well....cp 😒

i'll start this by saying this is the one and only ask with hate for kant/kantbison that i will answer because from your oh so many words, i can already tell you fit into the exact category of people who already made up your mind about the character and nothing i say will change your perception. but bc i'm not feeling like being the bigger person, sure, you wanna talk about this, let's talk about this.

first of all, i wanna talk about your apparent hatred for cps (or maybe it's just fk, we never know) and gmmtv's system, and you know, that's so funny because that's, and i know it'll shock you, their thing😯. so maybe if you didn't want to see that, you shouldn't have started watching the show, even after knowing that the two couples would end up together in the end because guess what, this was advertised as a romcom. and we what do we get with romcoms? exactly, happy endings. a travesty.

i find it so funny when people say fadelstyle are hitting all the spots for a romantic pairing, because that's what's supposed to be (again, a romcom), they are the more traditional romantic storyline (or as traditional as you can get with a killer and a guy who only started hitting on him and continued to do so because he wanted a car) so they are supposed to be hitting those spots. it's their storyline.

see, kantbison hooked up that very first night they met, clear attraction, kant was besotted by his one night stand and was calling him a ghost because bison up and ran before they could wake up together. their first interaction together and it had nothing to do with the police, or lying or manipulating, so maybe it's not a narrative problem that kantbison are "being shoved down our throats" maybe it's just a you problem if you didn't notice what they were being set up to.

and many people have talked about this already, and if you cared to read either liz's or lauren's meta about kant, you wouldn't have come to my inbox complaining about kant not being expressive when he clearly can't let himself feel the things he wants because his priority will always be his brother (just like fadel will prioritize bison always) in contrast to style who doesn't have to carry the responsibility of raising and caring for a younger brother on his shoulders.

and darling, if you started this show thinking at any point, from the trailers, pilot or official, promotional photos, osts, novel, press, anything, that kantbison would not be a thing, again, it's not on them, it's on you and your poor observation skills. there are plenty of people way more qualified than me to talk about this and how kant actually cares for bison, and how he's torn between his heart and his brain, but you don't really care, so why bother.

[yuzuvrse]

Can we have some of ur mouthwashing headcanons for the tulpar crew? (Can be about anything btw) The brain worms are getting hungry again I fear… 😞

-ig ill be 🪷 anon if it’s not taken yet?

HELLOOO BABYYYY sorry this took so long i was dying bc of my finals </3 but anyways welcome 🪷 anon to the family!!!!!! these hcs ended up so unserious LOL

the crew got banned from playing uno after anya nearly flipped the table when daisuke put down like five +4 cards in a row now they just stick to sorry!

swansea hums to himself when he's working, it's usually like old songs but recently daisuke's pop songs have been getting stuck in his head. (i think it would be unbelievably funny if swansea starts singing like the brainrot versions of songs js bc daisuke keeps playing them. yk like the 'oh the weather outside is rizzy, and the fire is so skibidi' LMAOSKJDSK

daisuke doesn't really have a specific music taste, he listens to a mix of everything. doesn't know how to answer when people ask him what his fave genre is so he tries to act cool and says he only listens to rap music.

anya had a wattpad phase. i can't explain further i can just FEEL it.

curly is actually a decent dancer. his mom sent him for dance classes as a kid and he has a good sense of rhythm. jimmy makes fun of him for this though so he doesn't ever mention it.

jimmy has rewatched american psycho probably more than 117 times. he watches it and he's like:

(i am currently watching + reading it for the first time and patrick bateman is literally jimmy to me.) more content utc!

anya is terrible in the kitchen. like seriously do Not let her in there or the house will burn down just from her boiling water or smth. it's okay tho i will be her housewife <3 (i can't cook either) she is also very good at tetris for some reason. she's a little forgetful so she usually writes things that she needs to remember on the back of her hands but by the end of the day they're all smudged smh. but also she always has perfect nails!

curly is one of those guys who's just naturally good at things. yk when people are like 'oh yeah i never practice' and it pisses you off? he's one of those guys. ik ppl say he's british but he's so american to me??? he was definitely the jock in highschool that every girl crushed on but he never even realised.

swansea is a dog person. he's chill w cats but he definitely prefers dogs. he likes how loyal they are, and i can see him having a massive dog like a st bernard at home waiting for him. but if his kids ever brought back a kitten or smth he'd be the one to be all 'you guys better take care of it bc i won't' but then you see him becoming besties with the cat LOL.

daisuke LOVES the beach. literally a water baby. he's very good at surfing, and always ends up with a tan that makes him look even more handsome bc it compliments his dyed hair so nicely. i think that he grew up in a big family w lots of cousins around where he would be one of the older kids, so he's very good w children as well. he somehow knows the best way to entertain them and keep them out of trouble. (primary school art teacher daisuke are you guys seeing my vision?!?!?!)

jimmy gets nightmares and thus has difficulty sleeping. he lies whenever curly asks him about it but those dark circles say otherwise. this might be random but i also think he's good at singing. in another world he could have been a sleazy rockstar but instead he went to space. are u guys seeing the visual of jimmy laying back in bed strumming his banged-up electric guitar... i hate this mf.

anyways that's all for now! i had a lot of fun w these hehe <3 hope you liked them!

[heavenpierceher]

just played portal 2 for the first time yes somehow ive never played it before. reposting my thoughts as i played here:

I fucking hate wheatley. Little white cuck ball

As i understand it wheatley turns out to be like Secretly Evil later or whatever but like he’s so blatantly passive aggressive and casually shitty to you that i don’t see how anyone didn’t go okay fuck this guy immediately. Like he’s clearly acting as a sort of arm of aperture itself which constantly bombards you with like jokingly ableist/eugenicist/classist/misogynistic shit

like the juxtaposition of him being a huge asshole because he thinks you have brain damage and the announcer being like ‘ok if you’re old or stupid go back to your Primitive Tribe so we can have Good Subjects for Progress’ is 110% deliberate

also him assuming the person who killed glados was male LMAO

I want glados so bad

Some arasaka tower shit is happening to me

My psionic warriors find me art of chell dribbling and dunking wheatley like a basketball

Glados wants me so bad

my coworker losing his mindddddd 😂 😂 😂

I’m finding these puzzles easier than portal 1 but like in a good way. more intuitive

Also this has almost certainly been said before at length but god valve is so so so good at environmental design

HL is really good too obviously but it really shines in portal where they get to play with contrasts

the really harsh visual contrast between all of portal and the escape stages and the fact that you can see hints of it before it happens. chefs kiss

Single biggest visual improvement: the scary fucked up water that kills you

Yeah I do wish id played this earlier LMAO

glados hums me beautiful songs

I’m imagining that literally none of this is landing for chell like she doesn’t care. and/or glados is just making shit up and so chell also doesn’t care

wheres the dev thing where they were like ‘chell doesn’t talk because she’s just fucking pissed’

She's literally obsessed with me

Genuinely why does anyone like wheatley I'm gonna crush this little shit like a soda can

Guy accuses a woman who has literally never spoken to him or responded to a thing hes said of being bossy

At least the ways in which cave johnson sucks are really funny

i was talking about how wheatley is kind of a stand-in for aperture as an entity and i think cj is a continuation of that. like the above screenshot lines up as being an evolution of cj’s distaste for the ‘lab boys’ and ‘bean counters’; a top-down disdain for the people actually making ‘progress’ possible and keeping things running

me when i have 60 dollars

Valve in particular has a way of making its social commentary so pointed and over the top that its funniness almost but not quite overshadows the point it’s making. In a good way let me be clear

Like it’s so ridiculous you almost forget it’s criticizing/interrogating real phenomena that it’s honestly not depicting that absurdly because everything is very very intentional

i like the idea of chell being like. essentially an ordinary uninvolved person as much as she can be just thematically. glados is petty in the way that humans are petty, she chooses insults that are like… low-hanging fruit because of the environment she was cultivated in, so i think it’s both funnier and more thematically resonant if chell is like. Not even a little bit emotionally affected by glados fucking with her she’s just like Get me out of hereeeeee

A lot of people’s theories about this game seem to rely on glados being truthful which is fucking hilarious

woman who is making shit up to fuck with you: I am making shit up to fuck with you gamers: goly FUCK theory #CONFIRMED?????????????

aw hell no not the aperture science ejaculation gel

Wheatley can you quit jacking off over mic. Genuinely discusses me I hope he explodes

I do not want him to experience pleasure in any form much less as a result of my actions

The fucked up turretcubes are very cute though. Like hermitcrabs

Oh hey it’s the part where he kills me

this is a really good visual gag

Genuinely how does anyone admit to wanting to fuck wheatley how is that not an incredibly embarrassing thing to admit to

how sexist the adventure sphere is was funny and again it is not common for me to say that. valve just knows what they're doing

She’s holding my hand…

Rent free in her fucking head

Rent. Free.

Literally obsessed with me.

I don’t think it’s supposed to do this but it’s on a black screen with no options and has been for like five minutes and i sat there for the entire five minutes like ‘wow this is so poignant…’

Anyway yeah that kicked ass

[mai-komagata]

a (not) short little rant

This isn't about shipping but about people complaining about rings of power, but i need to explain a thing about shipping first. The actual rant is short.

look i have repeatedly said i have nothing against shipping. I love shipping, i multiship, etc. *fandoms* can sometimes be toxic when people are insulting, but like, the transformative act of shipping is great.

I am even in support of meta/textual analysis about how the subtext needed for shipping is a great addition to interpreting a work, and how you are able to convey emotions in an understandable fashion to the audience using sexual/romantic cues, because most people have experience with romance, with sexual abuse, with lust, with breaking up with someone, with romantic betrayal, and you can use the imagery of such to imply very strong feelings via simile that you can't if you can only draw on the audience's experiences with workplace acquaintances. (Like how do i explain fealty worth dying for by comparing it to my lunch buddy jeff?)

I am also in support of there not being a single interpretation of a story, like if in your head in the scenes we didn't see the characters they fucked nasty, well i can't say you are wrong. You can watch and have fun with the medium that way, and if it makes the work richer for you then its valid.

What I have found amusing is then people sorta feel the show is *only* about their interpretation? Not like "Oh i think frodo and sam might have been gay, and it actually adds to the story to interpret it this way" but "frodo and sam ARE GAY and if you don't think so you don't understand the show" or "if they focus on rosie cotton too much they will be ruining the whole point of the Lord of the Rings". Like, even if they were "canon" that isn't what the show is about. (This isn't about sam/frodo, i just think they are very uncontroversial and hit all the beats im talking about. Apologies if there are actual sam/frodo ship wars going on.)

But that isn't what this rant is about. What I find funny is not shippers thinking this way. That is understandable, if you love a thing you want to see it everywhere and it's frustrating when you don't get everything you want and you want more of it.

What i have seen is people who *HATE* a ship then hate a show because of that ship. A NON-CANONICAL SHIP. They refuse to watch the show because they think the show is just about that ship. Which they hate. WHICH IS NOT CANON. It's like Reverse shipping, you interpret the ship as canon, not because you love it, but because you HATE IT and it gives you a reason to hate on the show. They hate that the show is a cheesy romance now and that the show made the protagonist a romantasy protagonist with no motivation but romance. WHEN IT ISN'T. They ignore all aspects of the canon that contradict that ship, just like a shipper would. EXCEPT THEY ARE INTERPRETING IT THAT WAY TO HATE IT.

Like, dude. You have complete freedom to interpret a piece of art in ANY WAY YOU WANT. Why would you ever choose the way that makes you hate it the most? (BTW, this isn't the fault of shippers.)

It isn't just with shipping, but I've seen a few complaints about Rings of Power like this. Just interpreting a scene or an event in the way that MAXIMIZES how much they hate it.

[stoic--rose]

over the last two weeks or so ive played through earthbound two and a half times, and mother 1 three times. replaying both back to back repeatedly has made me realize a lot of things

1.) mother 1 is a LOT more open in what it lets you do, where it lets you go, and when. once you open up the train tracks, you're free to go do the rest of the game in pretty much any order you want. hell, you can make it all the way to R7038xx without ever getting a single melody, which i find to be pretty interesting. not only that, but you dont even need to get most of the party members. strictly speaking, the only one you truly need to get is Loid, and that's just to get rid of the rock on the train tracks. and even then, with the use of an exploit i found out about only a few days ago, you can get rid of him and go fight giygas by yourself, which is pretty funny.

2.) mother 1+2 is like, wicked impressive. nevermind the fact that they crammed earthbound onto the gba, they also packaged it with mother 1 as well, and they're both the full games. it ain't no rayman advance kinda deal either where it's a super botched port, like it's a perfectly valid way to play both games, and some people even prefer the gba version of mother 1 since it makes a couple of quality of life improvements. not to mention, they rebuilt both games from the ground up, it's not like they could emulate snes on gba. (i mean, you can emulate NES apparently, since there's that nes classic line of games for the gba, but... this is cooler.) the sound department could... definitely use some work, and the colors look pretty washed out, but there are patches to fix the colors, and if you're playing the game on a real gameboy, i think the sound is the last thing you'd be concerned about. also, apparently some people took the time to apply the earthbound script to the mother 2 half of mother 1+2, and even reprogrammed the text system to have the original fonts and make it non-monospace, which is SUPER impressive. for my second playthrough of earthbound i played it with the new fantran patch, and it's pretty damn slick.

3.) man, fuck the sword of kings. i realized very recently that i'd never fully committed to the sword of kings grind, and decided that this would finally be the time i claim my birth right as a mother fan and do it. and like, it SUCKS. i mean, to begin, yes it's annoying that it's a 1/128 chance, but it goes deeper than that. the fact that it's only dropped by an enemy that you can potentially never see again, and it's the ONLY item poo can equip as a weapon is pretty fucked up. not to mention, the other enemies that they put in the starman base just absolutely suck, i hate the nuclear power robots so much. they made the grind WAY more painful than it already would have been otherwise. at the very least, i find it to be very gracious that jeff's spy command has the secondary effect of letting you steal whatever item an enemy would have dropped mid battle, just so it doesn't get overwritten by another enemy drop, which by the way YES that can happen, and YES i had it happen to me. it sucks ass. and the worst part is, the sword of kings isn't even that good!! and neither is poo on a gameplay level! you get the guy way later than any other party member, he has all these little catches like not being able to eat american food or equip anything but the kingly items, he gets taken away from you almost immediately after you get him, he just feels really weird. starstorm is pretty cool, but you only get the omega version right before the final area, and you can only use it on the handful of encounters you get there since you can't really use it in the final boss. (i mean technically you can use it in the first phase, if you want to get a biblical reflected beatdown when it hits both pokey and giygas) idk, the guy just isn't all that useful, and it's unfortunate since i really like him on a design level.

i have more words i want to say but honestly i might save them for an entry on my website instead since im very close to the tumblr word limit rn

[cyanrendipity]

#youre correct op but also#nononono i think kabru could Absolutely catch kira#like . gestures to kabru deducing laois’s party being the ones to help them each time(? i may be misremembering)#and how he reads laois as not being Malicious when they thought each helpful encounters were thefts#actually having kabru and light meet would be really funny because its kind of like a mirror?#not exactly of course if it was then i wouldnt like kabru as nearly as much as i do#but its like. putting up personas to get info out of others (Maybe i am so sorry kabru. but thats true for light)#the internal monologues. trying to get into the mindset of whos around them. like on the surface level i feel like light and kabru would ac#t Exactly like each other first meeting- humble but smart and.. not nice but. well-rounded#the only trouble kabru would have would be proving it probably. but at the same time i feel like he could figure something out yknow?#i also wonder how he would feel about the kira case? like hes definitely killed people in the dungeon for crossing him and his team but he#seems to generally want to keep innocent lives.. alive. gestures to the utaya incident#would he think that the killings are deserved or would he think its Too Much- kira crossing a line in a way#its been awhile since ive read dungeon meshi so i . sont know#also to any kabru fans if i misinterpreted him please correct me. i enjoy kabru greatly its just been a While

You come over here, you. You get it (It's me op, reblogging here cause I got shy about rambling about death note) anyway

THEY ARE SIMILAR IN A SENSE BUT ALSO COMPLETE OPPOSITES

Both of them are "willing to crack some eggs" for the "greater good" but there's a massive difference in what this greater good is! For Kabru it is to stop a massive tragedy from happening again, he believes adventurers should be working towards stopping something like Utaya from repeating, he wants to find the truth about Dungeons and whoever is acting in self interest like the corpse retrievers is an obstacle he's willing to get over. For Light the "greater good" is "creating a world for people who deserve it" for Light there's objectively people with more worth and less worth than others, and he thinks of himself as the best person to judge who is who.

One of them is willing to sacrifice people to stop an immense tragedy from happening again the other one is willing to sacrifices people cause he feels like it's his right to do so! They're not the same!

Light hates humans even before he becomes Kira he would never do what Kabru does to save them, everything he says about creating a new world for good people is bullshit he spews for his own ego U_U

Kabru would be able to realize the hypocrisy of Kira right away like L and realize it's dangerous for someone like him to have that power (perhaps he would realize it would be dangerous even for himself to wield it, similar to being a dungeon lord)

Anyway like these replies said, Kabru would def make the Kira killings stop if he found Light, I wont count is as catching him tho, eliminating is not the same thing, bad Kabru, play by the rules (<3)

(oh yeah the difference is that "solving" the Kira case means proving it, I think that's harder than just knowing Light is Kira and dealing with him outside justice)

Now would Kabru be able to catch Kira? Probably not, but can you imagine? The amount of silent staring while thinking in actual death note is nothing compared to what that could be

[horse-girl-anthy]

this is gonna be an off the cuff ramble/vent so don't read if that doesn't interest you.

I am thinking I'm going to back away from Ikuhara fandom in the next six months (coinciding with when I finish the rewatches I'm doing in my server). I feel like I've exhausted what I have to say about his shows, and I've also developed a very specific way of understanding them which clashes with others. I'm torn between feeling like it's worth trying to delineate my own understanding and feeling that I'm just being territorial, pedantic, or close minded. at a certain point, even if I could be proved "right" on my interpretations, I'm losing the enjoyment I should have in the stories by caring what other people think about them. at the moment, I'm thinking I want to flesh a couple more ideas and then let it rest. I'll always be grateful to Ikuhara and happy I put time into this blog, but nothing lasts forever.

so all of that to say... I was on the fence about writing what I'm about to write. I recommend people who don't want to read someone objecting to common RGU fan interpretations to just check out now. I'm not trying to start anything. but after reflecting on it, I decided it to share my thoughts on this topic; I think it's worth saying, even if it makes me look contrarian or problematic.

---

I watched RGU in 2014, right as the western fandom was experiencing a shift in how it approached the show. I won't detail all that went on during that time--today I'm specifically interested in two characters: Nanami and Miki.

before, I'd say the fandom was overall less critical. things were taken more at face value. for instance, Nanami was not always taken seriously, while characters like Miki, just because they were "nice," were seen as "good guys." however as time's wore on, there's been a backlash to that way of approaching the show. the characters most likely to have received misogynistic hate in the past (Anthy, Shiori, Nanami, and Kozue, mainly) were reinterpreted, while "good guy" characters were increasingly scrutinized.

that was a good thing, as it was a counterbalance to the previous attitude. however, it's been more than a decade since I joined the fandom, and I still see people talking like it's 2014. the way that people have reinterpreted the anime has, often, not resulted in interesting readings. this is because people are still applying an ideological lens to the story, rather than engaging with how it presents itself.

I specifically want to highlight Nanami in this regard. I check the RGU tag almost every single day, and I have seen scores of posts which are nigh-identical to each other. it's always people talking about how she's a "calf to the slaughter," she's actually a victim, etc. and I just... don't get anything out of it.

I think a lot of this shift began with this essay series called Palace Perspective. it's been a long time since I read it--actually before my Utena renaissance--but I didn't like it at the time. it was written in this very self-serious style, and all I remember it arguing was "Nanami is a victim, Touga is a bad guy." I'd loved the Touga/Nanami relationship since I first watched RGU, and that was never how I felt about it. Touga certainly harms Nanami, but based on the series itself, it seemed to me that in large part, Touga was the victim, and Nanami was harmed by his victimization.

anyway, since around the time that essay series came out, people have had this attitude of "actually Nanami is a very deep character, you guys," as if it needs to be repeated over and over. and there's a denial that Nanami is a comic relief character--"actually her being funny is just a ruse because the show is camouflaging that she's a victim!" okay, yes, they do lure you in to Nanami's story slowly; she's initially silly, but all along hiding under that was some serious shit. I'm not denying that. but I'm also not buying that line entirely.

the Shadow Girls do an entire play about how Nanami's comedic suffering is the result of her own actions (they call it "divine justice"). take episode 16 specifically. yes, we have Nanami dreaming about being a calf for the slaughter. that is a great scene and indicative of the unhealthy relationship between her and Touga. but isn't the crux of the episode that Nanami is making a fool of herself??? she tries to one-up Juri at a party. her failure to realize what the cowbell is highlights her ignorance. the show is absolutely poking fun at her. you can go into why Nanami ended up this way, but I don't understand how we've gotten to the point where people are so over-serious about Nanami--and RGU in general--that they can't laugh at it.

I'll take a detour here to talk about Miki. it's become increasingly popular to frame him as a sexist--I've even seen him termed a "raging misogynist." he gets blamed for his strained relationship with his sister and written off as "just as bad as the other male characters." that's another case where I really don't see it. or at least, I feel like people have lost track of degrees in these things. Miki seems unsure of what he believes, sometimes expressing progressive views but other times regressive ones, and he does act within a patriarchal system. but does he comport himself that badly? or is he just a normal 13-year-old boy who falls into temptation?

I want to make a comparison between him and Nanami here. I think you could make a very real case that Nanami has far more sexist beliefs than Miki. she treats every female character as competition, as a hussy out to steal her brother. when she finds out the truth about Anthy and Akio, she immediately jumps to victim blaming Anthy. and another thing: Nanami plays princess.

the fact that so many people write about Nanami but this aspect of her character is rarely commented on is mind boggling. it's like, her whole thing. Nanami wants to be the center of the universe; Touga is her everything and she wants to possess Touga. she constantly acts the victim and tries to manipulate things so her enemies look like the villain.

I'm not saying this to shit on Nanami! I love Nanami, she's one of my favorite characters of all time! but I've found it alienating to be in a fandom where whitewashing is framed as appreciation. even her backstory: people make post after post about how it wasn't Nanami's fault she killed the cat, because she's a victim. here's the problem with that: why are we engaging with the story on the level of blame? I recently read an essay on methods of analysis that placed "vilification and heroization" as the lowest form of engagement with fiction. I understand why someone would want to defend a character from attack, but aside from like, youtube comments or old forum posts, who exactly is attacking Nanami? and also, how is saying "actually she's a victim so that explains everything" accomplishing anything?

I am being unfair here, because some people do engage with the work enough to say more than that. people will point to the neglect Nanami experienced as the cause of her behavior. that's there, it's certainly there. I'm not objecting to serious attempts to explain character motivation in reaction to vilifiction, but more to the impulse to try to paint characters as morally pure. isn't Nanami so great because she's so complicated? when people approach the story with the drive to whitewash, so much of the nuance and feeling of the work goes unnoticed. episode 31 and 32 do portray Nanami as a victim (of Touga and of her parents and of Akio). however, they also portray Nanami's motivations, and not all of them are pretty. over the course of the arc, you watch her entire worldview fall apart. it doesn't matter whether not it's "her fault" she has that worldview--the process is painful and humiliating either way.

all of this carries through to how people react to both Nanami's final scene in the show and her comic relief section in the film. the comic relief scene is bad because it doesn't take Nanami seriously enough, while her final scene is bad because it shows her waiting on Touga and Saionji, which is sexist because she's partaking in traditional gender roles. the only way I can understand those reactions is that people didn't actually pay attention to how she was portrayed in the show, as a comic relief character or as a serious character. I'd understand the objection if Anthy's final scene involved her waiting on Akio, but Anthy and Nanami are different characters (I also don't get much out of the endless Anthy/Nanami posts because of how they are flattened in comparisons). unlike Anthy, Nanami spent the entire show demanding to be waited on, but when we see her for the last time, she's contentedly serving others. that is called character development.

I wanted to highlight Miki and Nanami because I feel they point to a major problem of the fandom: the maintenance of the prince and the princess, just with new definitions. the prince is bad, masculine, harmful, and needs to be rejected. the princess is good, feminine, eternally victimized, and above question. I find this sad because I thought we were supposed to be transcending the gender binary. I know saying this makes me sound anti-feminist, but I'm not. I'm not saying "oh we need to transcend the gender binary by never criticizing men or ignoring how women are victimized"; that would be stupid. but my vision of feminism is vigilantly critical of all things, evaluates each situation on an individual basis, and avoids self-flattery and self-deception.

[stitchzin]

Letter from a Crow

As soon as Rook disappears, Lucanis is the one who decides to tell Viago, the word spreads as Rook's friends begin to read books on how to rescue her. Lucanis goes to Caterina, they meet at the Cassino, and says he stopped her from confessing because he didn't wanted bad luck. Now he feared he would never hear this again.

"She wanted to call me Vhenan... do you know what it means... It means, my heart."

"My poor boy..."

"Raise your head" Illario appears behind him. "You won't avange her while having it down." They were a weird family but they were there, healing some woulds.

But Viago's family was Rook and Teia. And both don't know what to do this time. One day the owner of one of the city's theaters enters the Cantori Diamond, and gives Teia a letter that looked like it had been read several times.

She said that regardless of whether Rook was found or not, Viago should read it.

Rook was unique in relation to many crows, she did not move from the main house after she started earning her money. In fact, she even has a rented room near the theater, but she only used it when she had her nights with friends. Her "real" room was positioned next to Viago's room. Every morning he opened her door and said "Those who earn money lying down are whores, get up", even if Astraea was already awake.

He drank coffee Rook drinked her chocolate, talked about various subjects, nobility and Crow gossip, new poisons and the weather. Teia adored that, It was rare that she and Rook shared the breakfast table, but it was pure entertainment to watch Rook and Viago have the same mannerisms.

Viago was training when Teia delivered the letter, the exhausted body of a man who tried to throw his emotions on anything but those around him. He had returned from a visit to Caterina, who had been through something similar. There was no way of knowing what the first Talon had advised him, but it had had an effect on him.

And reading that yellowed paper, with purple ink and a dried jasmine branch on the page made him freeze. Rook had had the courage to say what he had never said explicitly. And without her there for him to provoke, or correct.

He didn't know what to do.

The only person he wanted to talk to about his favorite's disappearance was herself. Teia and he sat on the balcony drinking wine. The balcony of Rook's room, surrounded by her things he asked the servants to keep it neat. The vases of jasmine that never died made everything smell like her. And he read it again out loud.

Nesryn,

I remember the day I arrived in Treviso, the way I followed Viago because I thought I could rob him he was covered in silver and good quality leather, only to witness a murder. I didn't even feel afraid it was so quick and ellegant. He dragged me by the ear to you, thought I was one of your children and apologized afterwards and turned his back. I think he thought my Vallaslin was a theater painting because of its unique lines.

Despite everything, the following week I followed him, he told me to mislead people and I did it, he told me to deliver messages and I went.

He would give me a candy, a bag of fruit or a silver coin. If he was having a good day, a full meal before correcting my acrobatics. Funny two weeks. But... If I hadn't stolen keys from that smuggler and entered that warehouse and freed him of that trap, he might never have taken me to Villa De Riva. If Viago had been impressed by my peculiar way of moving between the rooftops before, he didn't show it until that day, always so critical. In my 12-year-old mind he hated it, but today I know he corrects it, because he cares.

"Astraea is your name now, Sitara is dead in that desert." I didn't want to stop being Dalish, and when Viago said he would never ask for such a thing, I accepted. I think he just accepted that I would always be this slightly wild thing with blue hair.

I arrived at the Crows knowing much more about hunting and survival than murder and became my unique self, always thinking of a way out, a new trick. Even so, with all this transformation I still saw myself arriving at your house. With bruises, cuts and sore muscles. Learning to make medicines, cook with you or play one of your instruments. You asked me to leave thw Crows, and I asked where. Still you were there when I became a crow, and when I did so well at my job that I earned the family name.

I heald high for many years.

When Antaam arrived, when he caught you, I had to show my gratitude by saving you. Obviously, the Talons weren't happy, but I trusted Viago. Even though I was afraid of being abandoned again. After a lot of yelling, Viago sent me away. I knew he was risking his neck by doing this, so I obeyed. And I didn't regret saving the friends I made at the theater. Nor did I regret traveling together. We passed through villages while I hid half of my face. There I saw a different family, light conversations at the table, lessons on sewing clothes, who would wash the dishes, putting feelings into poems and songs.

It was a beautiful time. And thank you for showing me this family that was made up of our friends. It was beautiful to see worlds within the world, realities marked by a veil that separates them from the rest. Dancing gave me new ways to practice sword and dagger, so beautiful that you had me as a nighttime attraction, using a ribbon to disguise the murderous beauty of my hands.

The thing is, my world is different from yours. In my life, I learned to get up when I fall, to keep walking because no one will save you, to endure pain so that it becomes a surmountable difficulty, to feel the effects of poison before receiving the antidote and to build up resistance. It wasn't easy. But that's what my family taught me. And that's what saved me many times.

Nessie the issue is... staying with you, away from Treviso without being able to return reminded me that Viago is my family. He and I are within the same veil. And the difference between you two is brutal.

You told me that "It's possible to live even after discovering that the world has gone bad, as long as I don't allow the world's evil to seem normal."

Viago told me "We carry death in the shadows, and at the same time we look in the eyes and say: not today."

We have different lifes, different sayings to keep our heads held high in the world we live in.

Being in this family these days rekindled my light and I'm going to use it to deserve to return home. That's why I'm leaving with Varric and Harding. I promised I would only send a letter to Viago through a contact, but life is as untamed as I am.

I'll see you again in Treviso.

Love, Astraea De Riva.

[swan2swan]

The biggest problem with Dominion is the dichotomy of Maisie's plotline with regards to motherhood, and the way both plots revolve around it from wholly opposite perspectives while never actually clashing.

Her plot starts off simply enough: she's angsting about not being a real person, Claire's trying to protect her, and Maisie spits at her with the "You're not my mother!" line right before she's kidnapped.

This is a classic Finding Nemo setup, which Claire takes to with gusto: she calls on favors, slips into seedy markets, fights a crime boss, eludes raptors, jumps out of a plane, and crawls through a forest to get the girl she calls her daughter back. Most stories would show this as a trial: ye olde "GASP! My parents love me!" story.

But the fact that Claire has no obligation to bring Maisie back is never challenged. Soyona doesn't bother with asking or playing the role of the tempting serpent instilling doubt; the closest the movie comes to that is Franklin giving her the "I told you this would happen" speech. It's all taken for granted, which is...okay, because we have already established who Claire is, but that's not the problem.

The problem comes with the other half of the story: Maisie mopes to Wu about how she's just a close, and Wu immediately points out how no, she was conceived and carried in a human womb just like everyone else! And he calls Charlotte "your mother".

And Maisie goes "Is that my mother?"

And when she meets Ellie, Dr. Sattler is somehow fully aware of who Maisie's REAL MOTHER, the one who created her and who she looks like, is, and gushes about how great of a eugen--person she was. Every single time Maisie talks about "her mother" with the people around her, the word is referring to Charlotte Lockwood, the woman who birthed her.

Meanwhile, that Claire woman is crawling into a slimy pond to get away from a twenty-foot-tall Kreugersaurus because she wants to get Maisie away from kidnappers.

Of course, Maisie runs back to her and yells "Those are my parents!", but there's still something missing there. Claire's side of the story is all about her powering through, risking her life time and time again to track down her daughter...but there's never really a moment between them later. Maisie even posits the "So I was just an experiment to her..." plotline that has been seen before, but even that's immediately refuted.

The movie's not wrong for avoiding the cliches and the oft-used tropes of foster motherhood, but it doesn't really break any new ground, either. Obviously, people can have more than one mom, but there's something of an imbalanced focus on Charlotte as Maisie's mother in the Maisie and Jurassic Park plotline, while Claire in the Jurassic World plotline is doing all the expected Mom Stuff.

I can't wholly express what's bothering me about it, maybe I'm overthinking it, but it...doesn't quite sit right with me.