#no game will ever get me like this one

[smilesrobotlover]

I apparently can’t play twilight princess normally without going ballistic everytime

[egophiliac]

don't think I'm not still obsessing over 7-12

[humming-fly]

Delighted to discover that the way shadow unlocks new abilities in sxsg is a perfect parallel of the pringles iron maiden

[qosic]

I put all my 愛 for the game into this one, to everyone who has beared my shouting about this modern classic for the last 4 years, I thank you!!!

Commissioned by Greg Chun (eng voice of Kaname Date) He will be doing a signing session at a later date where you can get this as a print, go follow him for more info on that!

[asterkatt]

ISAT ACT 4 SPOILERS

okay not to continually yap about isat (i'm gonna continually yap about isat) but I cannot get Odile and Siffrin out of my head.

like it's usually isasif (and ship-wise it will always be isasif) but MAN completing the sus quest has me thinking about the two of them constantly. I feel like their dynamic is one that's so under-utilized in media???? like yeah protective people are a thing. cold people (with a secret soft spot) are a thing. but oftentimes I feel like it's only children that they're protective of?? and don't get me wrong, Odile is definitely protective of Bonnie. but to have that worry and care extend to the whole party - including Siffrin?? peak.

she cares so deeply for all of them. she's hard on herself sometimes when she can't help them (there's multiple instances iirc of her saying I should have noticed or I'm not good for that kind of thing that implies that she wants to or feels helpless when she can't). she often relies on the more emotionally open people (Mira and Isa) to handle the emotionally charged moments - but she also pays so much attention and goes out of her way to tell Sif that she's there for him - because she knows that the overwhelming emotion isn't always what they need.

her methods of approaching Siffrin hurt in such good ways. she's always always checking up on him. it's not in big obvious ways. it's not always spoken. but she has one eye on them at all times later in the game because she can tell.

It's so special to me that she's the one who notices. like sure. Mira and Isa occasionally question if Sif is okay or mention that they're acting a little bit different. but they don't really do anything further than that. Odile herself says that if she finds something strange, she "gives it her full attention". she only noticed because of how closely she was watching. she only put it together because of how closely she was watching.

and you can never convince me for a second that it's just because she was suspicious that he had something to do with wish craft - because she never would have picked up on it if she wasn't already paying attention to them because his odd behavior worried her.

and to notice that he was acting odd, she had to know how they acted before. she had to have always been watching. she has been watching for a while because she's grown to love this group and all its members.

she notices because she cares. she notices because she loves them. she loves them she loves them she loves them she loves them.

Odile loves her family. she would do anything for them. she would do anything - "as long as I can be sure you were all safe." anyways. I love Odile.

[poorly-drawn-mdzs]

Let the revenge games begin.

[First] Prev <–-> Next

[applestorms]

L can be such a possessive character at times. he always strikes me as the type of person who is deeply aware of everything that he owns, both in a more literal sense and metaphorically-- like, he knows what money he has and how to use it, what resources are readily available to him and what he has to be sneakier to utilize, the habits and tendencies and emotional states of individuals and world governments both. the DN musical really puts an emphasis on the more computer-y aspects of how his brain functions, which isn't as obvious in the manga/anime but i think still works well as a way to follow his thinking. it's kinda what near does too: everything is a factor to them, every tiny detail a new opening to optimize for the best results, every person and location and object a part of a puzzle waiting to be solved. and as a part of that, L is deeply aware of every and any little thing he may or may not have control over, and exactly to what degree.

his habit of stealing titles as depicted in the LABB murders novel is such a good example of this. ryuzaki, eraldo coil, deneuve. he eats people alive and then takes their names for himself like some kind of fucked up fae or trickster god, creating new masks and personas to hide behind from the remains of the people he's devoured. i have to wonder if he would've used the title of KIRA for himself had he won-- i can hardly imagine what kind of power such a title could hold if held in his hands. of course, he could've just used the defeat of KIRA as a way to build up the L title even further, offering up the body of a dead god like perseus showing off the head of medusa. but L is so emotionally attached to the kira case, i struggle to see him allowing it to fade from existence so thoroughly as near does, even if it is only kept close on a private level...

this is part of why i think it genuinely makes a lot of sense that L's ultimate win state would include capturing light to some degree. even if the memory of KIRA somehow manages to fully disappear from the public consciousness, there is no fucking way L is letting light yagami out of his grasp. honestly, the moment that L truly loses this game is not when he starts investigating misa while still under rem's watch, not when light gets back his memories, not even when he dies, but the moment when he allows light to be freed from the handcuffs. the moment when he allows the other members of the task force to turn off the cameras and keep him from watching light and misa talk in the lobby. the moment when he gives up, lets light yagami go outside of L's personal sphere of control, is the moment when L starts the clock ticking down to the end of his own life.

this is one of the key ways in which i see light as a true equal and parallel to L, as after L's death he, intentionally or no, continues the same tradition and takes L's title for himself, twisting the two sides together into the L-KIRA amalgamation. only, the L title functions a little bit differently than every other persona or title that we see in the series-- because L's true name is L. that's all that he is. on a literal, legal, and emotional level, i don't think that L is anything more than L. he is the world's greatest detective, he's an incredible, weirdo super genius, but he does not afford himself much more than that, barely allows himself personhood or humanity outside of his work. light was the one to ultimately defeat L because he did not just put a stain on his character (as BB attempted), did not just kill him, but stole his very identity and took it for himself.

one of the biggest contradictions of L's character that i think you must accept should you attempt to portray him accurately is that he is both deeply detached from humanity while also having all of his work and effort and life be focused around saving it. it's one of the ways in which he is an exact opposite to light-- where light relies on humanity for external validation, to be Seen, while also looking down on it as dumb and immoral and spineless, L is so separated from it that he barely exists as a person, all the while dedicating almost every action he takes to helping it. remember: for all the emotional turmoil that wammy's house and the legacy of L may put on the kids living there, ultimately it's entire existence is nothing more than L's logical solution to his potential demise. if he dies, the world goes down with him, all of the cases that are yet to happen and he is yet to solve being left in the air. he has the foresight to set up a fail safe, but not to consider the emotional implications of what being that fail safe might feel like, how high the price of your own humanity is if you are not already alienated from it, the inability to have your own name on your gravestone-- though perhaps some of the blame also falls on watari's shoulders in this case, philanthropic old bastard that he is.

imo, playing his game really got it right in presenting L and light as one and the same, synonyms on either side of the mirror. in every action they take they are both so selfishly selfless, playing the game for themselves and their own pleasure but plastering the needs and will of humanity on top of it. L isn't invested in saving humanity for the sake of humanity-- he just likes the thrill of having the stakes raised so high. hard to shit on ryuk for wanting entertainment when the humans he finds are just the same as him.

[cozylittleartblog]

9th annual nick valentines day (ft. soup again) + doodle i made last year that i forgot about, from when bethesda gave us that free update

[okjii]

extremely hairy kevin day is canon to me. we just dont know it cause he loves to be Smooth so he shaves like a madman. but I KNOW THE TRUTH

[backpackingspace]

Odysseus: demanding Athena take off whatever enchantment she put on him the second the situation ends.

Odysseus: who constantly reminds Athena that he has great plans to grow old and die with his wife so don't even think about getting any ideas.

Odysseus: side eye diomedes who has started fucking glowing he has so many enchantments on him: bro you should talk to Athena about getting those removed. You're going to end up immortal or some shit

Diomedes: who has been a solider since he was 5 who has intersting thoughts about his own personhood who has a much more traditional relationship with Athena and would rather literally stab his own eye out with a rusted sword than speak out of turn: I don't know what you're talking about

[sparta369]

I bought slay the princess but haven’t started it ‘cause it kinda intimidates me, can you convince me to play it?

Ok now I know you just asked me to convince you to play it but hear me out

Don't play it yet

There's a huge, Free Content expansion coming out on the 24th of this month, in just 8 days called The Pristine Cut, which is going to expand the game by about 35%. The Devs themselves have said to wait for the expansion release if you haven't played it already lol

That being said, I'd never pass up an opportunity to gush about one of my favorite games ever created

I realized far too late that I'd accidentally written far more than either of us probably wanted. So I'll try to sparknotes it, and leave the full thing below the cut.

The less you know going in, the better. However, it is still a horror game. You can find a list of content warnings here. It's just a list, so it doesn't really reveal very much.

A single playthrough lasts about 3-4 hours on average, though I can guarantee you'll want to do more than one. The game is positively dense with choices. It's impossible to see everything in one playthrough, and one would be hard-pressed to have the exact same playthrough twice.

Words cannot really capture how much I love this game. It's story masterfully crafted with a vast ocean of choices for the player to make, all of which make a true and profound impact on the narrative. If you enjoyed Disco Elysium or The Stanley Parable, You'll like Slay the Princess. The game was lovingly hand-drawn, pencil on paper, and the music was beautifully composed. The voice acting, featuring the talents of Nichole Goodnight and Jonathan Sims, are also, in my opinion, phenomenal.

I truly cannot express the emotional impact this game has left me with. It's a game I'll carry with me for the rest of my life.

Whether you intend to stop here or read on, I'll leave you with this one screenshot. It's only text, and it's literally the second thing you see upon booting up the game, so don't worry about spoilers lmao

"Whatever horrors you may find in these dark spaces, have heart and see them through."

"There are no premature endings. There are no wrong decisions."

"There are only fresh perspectives and new beginnings."

"This is a love story."

Oh boy you clicked the "keep reading" button :o) I wrote this over the course of most of my day today before I realized exactly how long it was. Besides a small change to the end, I'm going to leave most of it un-touched, just for the sake of preserving whatever the hell was going on in my head at the time :o)

Slay the Princess is one of those games where, the less you know going in, the better, So I'll do my best to convince you without revealing anything.

Still, though, It is a horror game. If you would like to look through it just in case, you can find a list of content warnings on their website here. It gives a list of many things you may encounter, but there is a 0% chance that you will encounter all, or likely even half, of the things described in there. In addition, they present these things in a way that reveals as little as possible. Still, I would personally recommend against reading through them, but there's no shame or judgement if you go dig through it. You know yourself better than anybody, if you think ya need it that's fine.

There's also some flickering image effects & a parallax effect that has caused motion sickness for some players, but both of these can be disabled in the settings.

With all that out of the way...

Words truly cannot explain how much I love this game.

It is an absolute masterwork of interactive narrative storytelling. No other game I've played or heard of in my life gives as much weight to every single choice you make, every little thing you do. There are so many choices and possibilities, and not once does the game ever make you feel like you've chosen "wrong." It's impossible to see everything in one playthrough, and you would be hard-pressed to get the exact same playthrough twice. Quite literally, every time I've watched somebody else play the game, they happened upon something I'd never seen before, despite me having 100% of the achievements.

One playthrough usually takes around 3-4 hours, but you will almost certainly want to do more than one.

There are also a number of places where you can safely and logically pause and come back later, should you need to.

The narrative itself is expertly woven. The storytelling is phenomenal, interweaving paralyzing fear with heart-aching beauty, while also carrying a healthy amount of comedy at carefully chosen places. The themes carry through beautifully. I've cried actual tears on more than one occasion, and it's not easy to get that out of me. Slay The Princess is a story that will be a part of my heart for as long as I live.

If you've played and enjoyed Disco Elysium, you'll enjoy Slay The Princess.

If you've played and enjoyed The Stanley parable, you'll enjoy Slay The Princess.

I know that I often struggle with games that require a lot of reading, and that includes a lot of visual novel type games.

Thankfully, the game is, for the most part, fully voice-acted :) The very few bits that aren't voiced are that way for narrative reasons hee hoo

The voice acting itself is, in my opinion, phenomenal. Both actors put their heart and souls into their roles, and their care shows in their performances. The Princess is voiced by Nichole Goodnight & the Narrator is voiced by Jonathan Sims (Who you may recognize from The Magnus Archives, if you were ever into that).

The art of the game is beautiful. It is all lovingly hand-drawn, pencil on paper. Thousands of images, and even a few animations, all coming together to form a wonderfully unique visual style that lends itself well to the game itself.

The soundtrack of this game, composed by Brandon Boone & with vocal performances by Amelia Jones, is absolutely breathtaking. It does a phenomenal job setting and supporting the tone of the game, whether it be tension, fear, hope, joy, or anything between and beyond. I can't put it's beauty into words.

Brandon Boone actually just recently won the "Game Music Award" at the World Soundtrack Awards for his work on Slay The Princess, and I deeply believe that it was 100% deserved.

This is... probably far more than you ever asked for. But I mean it when I say that Slay the Princess is one of my favorite games of all time. I mean it when I say that Slay The Princess is a story that will be a part of my heart for as long as I live. I'll take any opportunity to make more people play it, in hopes that it might impact them even a fraction as much as it has impacted me. I've bought a total of 11 copies of this game (1 for myself, 9 which were distributed to friends, and one that's coming with the Collector's Edition)

As my final word, I'll once again remind you:

"Whatever horrors you may find in these dark spaces, have heart and see them through."

"There are no premature endings. There are no wrong decisions."

"There are only fresh perspectives and new beginnings."

"This is a love story."

[wu-wakfu-undertale]

bonjour wakfu fans. i am, how you say, back in the fucking building.

also do we remember when this happened

[xbomboi]

5 times Apple hugged Raven…

————————

…and the one time Raven hugged back.

(see my previous eah comic here)

[millionsknives]

bait / hook / line / sinker

[ylissebian]

HAPPILY PHOREVERAFTER 💗

[hildegardladyofbones]

One of the best things about Disco Elysium by far is that it does not fear ugly women. The world is full of ugly men, but ugly women are so hard to come by.