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#no foreshadowing there at all dw dw
angeart · 1 month
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hhau mimic arc rambles part III bonus: the eclipse
(~2,8 k words) // other parts & au masterpost here
Every couple of years, there’s a total eclipse in this world. The moon is big, obscuring the sun in a horrible totality, entrapping it for what feels like too long. This is a big event, but not because people are eager to spectate the sky and bask in its weirdness. No, it has much worse connotations.
Because the eclipsed moon affects many of the hybrids. Especially the animal ones.
Hunters look forward to the eclipse because it promises a lot of loud, distressed, instinct-driven hybrids scattering about without many defences. They prepare traps specifically for this occasion and organise big hunting parties, eager for the upcoming bloodbath and bounty.
The eclipse happens mid-winter while Scar and Grian are on the server.
And it’s awful.
[cws violence, murder (no known characters), panic, mind-altering states and a loss of self control, haywire instincts, non-consensual manhandling, horrory vibes]
They don’t really know what is happening at first. Hermitcraft is a safe server which has many things coded differently, and because eclipses hurt many hybrids, they never happen there. So Scar and Grian have never experienced anything like this, and the yank it has on Grian’s state in particular is startingly sharp and terrifyingly confusing.
Scar himself is alright, because—and the two of them don’t know this at the time—vexes are immune to the eclipse. 
Actually, that’s not quite accurate. The eclipse helps heighten their magic.
They thrive.
Grian does anything but thrive.
His instincts go absolutely batshit haywire. He starts getting disoriented and incredibly uneasy, anxiety holding him in a choke hold, and all rationality and caution leave him, replaced by pure fear. 
He starts making inadvertent chirping sounds, panicked, and no matter what Scar says or does, Grian can’t seem to stop.
It’s so dark outside. And Grian’s chirping isn’t the only one that sounds through the forest.
In a world where they thought avians might be all nearly hunted to extinction, there are now suddenly, in this darkness, piercing faraway chirps. Just as panicked and lost-sounding as Grian’s own.
But those are not the only sounds the looming forest has to offer.
There’s also hollering and cheers. Whistles and barks. Twigs snapping under careless boots. Hunter parties following every single hybrid noise right to its source only to slice it shut. Shrill, chilling screams before some hybrid inevitably plunges into absolute, horrifying silence.
Scar’s desperately trying to get Grian to shush. He pleads him to stop, to be quiet. Tries to calm him down.
But it’s all futile. Grian has no control over himself. He can’t make it stop; it’s a wholly new kind of fear, overpowering and unfamiliar, yanking at his instincts. (It feels, a little bit, like a huge moon crashing down while the ground underneath him shakes and disintegrates.) (It feels like locking eyes with someone and not being sure if he’ll ever get to see them again.) (It feels like apocalypse. Like the end.) (His mind screams at him and he can’t help but scream along with it.)
Scar wonders if he should put a hand over Grian’s mouth. He doesn’t know what to do, but the hunters are out there, in large numbers, tireless and eager, and Grian’s voice is now the beacon luring them over, pinging with their exact location.
Grian is slowly backing away, hunched, feathers puffed. His wings are semi-curled around him, no longer tucked under the cloak, even though they’re out in the open. 
He doesn’t seem like he’d do well with being touched.
But Scar needs him to be quiet. For Grian’s sake too.
Before Scar can do anything, though, Grian’s earwings flit wildly and he whips his head to the side, honing in on some noise.
It’s a distressed chirp, one that sounds closer than any of the other ones. 
It’s an avian in distress calling for help.
Grian thought there aren’t any avians but him, and now there is one, still alive, so very close, desperate for aid, and— Grian’s mind blanks. There’s only one single thing to do here. He isn’t thinking. His heart beats wildly in overdrive. His body moves.
Blindly, Grian bolts in the direction of the sound. 
And it’s up to Scar to scramble and run after him. 
It’s more than that. More than just following Grian. Because there is so much at stake, and he needs to stop him and quiet him and— And he might have to exert force, and—
Oh. He is basically hunting Grian down here.
He is the hunter following in the steps of a terrified avian.
And Grian, in his dazed and fragmented perception of the world, feels just like prey. There is so much happening for him right now: it’s dark and all he can see is Scar’s piercing vex eyes when he glances over his shoulder; he’s lost in panicky instincts, trying to reach another avian in distress, hurtling blindly towards potential danger; and he does feel hunted.
On top of that, he can’t stop the stream of bird noises. He can’t pull his wings under his cloak either. He’s stumbling and tripping and scaping himself all over, but he feels like he needs to keep running.
He no longer knows if he’s even heading the right way. The chirping he was following fell dead silent. His head is just screaming at him. Hot white panic and a cacophony of unstoppable, overpowering instincts.
Scar has to stop him before he gets himself killed.
As awful as it is, Scar doesn’t care about that other potential avian (it could be a trap) nearly as much as he cares about Grian. His priorities here are clear, desperation thick and loud in his lungs, pressing at his ribs. There’s no time for bargaining or for steeling himself. 
He needs to act.
Scar grabs Grian and tackles him to the ground.
He’s pinning him down, sort of straddling him, hands on Grian’s mouth, hopelessly trying to muffle the noises. He feels absolutely vile, but he doesn’t know what else to do. His breaths come in little sharp huffs of blue magic, shiny through the darkness as he expels a ton of emotional energy just to keep himself from panicking and crying.
He finds that it’s not as easy to hold Grian down when he doesn’t want to be pinned down. But also it is. It is easy, far too easy—harrowingly so. Grian’s so light. (It frightens Scar to even touch the thought of how simple this would be for the hunters too.) 
He’s terrified of hurting Grian accidentally. He’s very capable of it; Grian’s made of brittle hollow bones after all, and Scar’s grip is a bit too strong, but he doesn’t have a choice here. Grian won’t stop thrashing, fighting to be freed. (But Scar knows that letting go would almost surely result in Grian’s death.)
And where Grian’s attention is kind of selective, not processing things at all, Scar’s attention is sharp—sharpened by panic—keenly attuned to their surroundings. He hears all the various noises come and go. Not necessarily chirps; other hybrids, too. Them falling silent. The hunters yelling. And the screams. God. The awful screams.
They’re all too far away for now, thankfully, but if Grian won’t stop, they’re bound to come this way. After all, if Scar can hear them, surely they can hear Grian too—?
Scar feels nauseous and horribly helpless. The hunters cheer and laugh as the hybrid noises go dead silent, one by one— only the hounds left barking and howling in their wake.
Scar knows that, even though it’s awful, they can’t help any of those hybrids. But he’s going to do everything in his power so that at least the two of them can survive this.
Despite all his (pointless) efforts, the hunters catch up to them anyway.
As they approach, Scar is struggling to quiet Grian down, and Grian isn’t thinking straight enough to properly fight. It’s the worst possible situation. 
There’s no point in quieting Grian down anymore when the hunters are right here though, and so Scar moves on the defensive, ready to give it all to keep Grian alive. The fight is ugly, drenched in frightening desperation; Scar is numb to the pain even when something tears. Grian’s chirps get worse. Warmth drips down Scar’s face.
But then a different sort of howling breaks through Scar’s mounting panic, and—
A group of wild vexes rushes in. Not to save Scar and Grian in particular; it’s just a lucky timing.
Because as it turns out, just the way hunters set off to hunt down hybrids during the eclipse, the vexes—who are more powerful at this time, magic thrumming strongly in their veins—set off to hunt down the hunters. So nicely accumulated for them. So loud. So easy to find. 
The vexes and the humans clash, and in the swell of the chaos, Scar manages to drag Grian away. 
He wants to keep going, increase the distance between them and everyone else as much as possible, but all too soon the forest opens up into fields, and no way he’s pulling a dazed Grian out there where they can’t hide. So instead he swerves, anchoring them against a rock formation—an array of boulders and a jagged cliff wall. 
He presses Grian into a small dent there, covering him with his own body (imprisoning him there, in a way). Hiding Grian’s wings, muffling his chirps, whispering frantic things that are meant to be soothing. The sky is still dark, and Grian’s still chirping, although it’s quieter now; it’s clear he’s exhausting himself, but he’s still making noises. Still unable to stop, despite the terror and the fatigue.
They get found again.
But it’s not the human hunters that find them this time. It’s the vex group, sneaking up on them, all their sharp edges drenched in blood, glowing with magic.
Scar turns his back to Grian, still pressing against him, tucking him against the rocks, hiding him as much as possible. He’s ready to lash out. He’s ready to fight with these vexes, even if he’s outnumbered. (He’s got no species loyalty here, after all.) 
In a curious tone, one of the vexes says: “That avian is going to get you killed.”
The words register to Grian through the haze. He’s still absolutely lost amidst this all, barely understanding the world around him, struggling to process anything. But there’s something about the words avian and get you killed, and the thought of Scar, that makes it through the fog.
It only serves to make him more distressed. He breathes in sharp, shallow breaths, and his chirping grows louder again, high pitched. But it’s not just the chirps this time. Some of the sounds he makes are choked, merging into something more like himself—the sound of helpless sobs.
Scar is shielding Grian with his back, but that means he’s turning his back on Grian’s cries and all of his misery. He cannot comfort him. He has no words that would make Grian not afraid right now.
The vex suggest leaving Grian or—worse—using him as a bait.
Scar’s staring them down, growling lowly, one eye squinted as blood runs down his face. “How about you leave.”
The vex don’t budge. They think they’re after a good thing here, after all. Surely, Scar also wants these hunters dead?
What they’re suggesting isn’t to sacrifice Grian as a bait—they don’t actually want to outright hurt or endanger him, even if it maybe doesn’t translate well through their stance and words. They’re not malicious in that way. What they’re suggesting is simply pragmatic in their minds. (I mean, they wouldn’t grieve if the avian happened to die there, but it wasn’t their goal to let it happen.) 
“We’re hunting the humans,” they note, as if that should’ve been enough to sway Scar. “We could use the avian—”
“No.”
One of the vex, white hair braided and smile sharp, peeks past Scar, trying to glimpse the feathers. The violet shade reflected in the glow of their magic tells him everything he needs to know, sating his curiosity, and he whistles, impressed. Amazed that an avian like this has lasted so long.
Scar lunges at him for getting too close.
He gets laughed at in return. What’s he gonna do, all alone? Not even channelling his magic to heal his own wound. It’s just funny to them. Cute. “What’re you going to do?” they tease, a bit too cheerily for the situation at hand. It rings threatening. “You’re outnumbered, pal.”
Scar doesn’t back down. “I’d take at least one of you down with me.” It’s a big statement. Covering up all of his nauseating fear and unending tension. Because he’ll do it. He’ll fight if he has to, and it will be ugly, and he might fail—he might die—but he’ll for sure give it everything he has.
And he can tell there’s camaraderie between this group of vexes. That they don’t really want any of them seriously hurt. 
They, as vexes, know the best how dangerous a feral, cornered vex with something to protect can be.
There’s a sliver of respect this earns Scar, unbeknownst to him. The will to stand up to them even when he’s outnumbered like this. To not give in to the pressure and instead fight for his values. For what he cares for.
The white haired vex—seemingly a leader of the group of sorts—reiterates, tone a bit lower, that the avian is going to get Scar killed. That he’d be better off without him. (Essentially voicing the deep rooted fear Grian already has.)
He also extends an invitation, almost in the same breath, impressed by Scar standing up to them. But it’s only Scar who is invited, and it’s blatant—the condition laid down is drop the avian or let’s use him as a bait and hunt together. 
With sharp ire and a swell of protectiveness, Scar counters that he’d be better off without them, actually.
There’s a snort and a mocking, “Aight, let’s see how long you can last.”
The relief Scar feels when they relent and leave is immense, leaving him weak in his knees.
He thinks they’re foolish, risking themselves like that. In his mind, they’re the definition of the violent vex, that dark reputation that seems to now stick to Scar and follow him too by the virtue of being the same kind of hybrid. He doesn’t want anything to do with that. 
And of course, he’d never leave Grian.
Grian is his last connection to home. He loves him, even if it never feels like it’s enough.
Excruciatingly slowly, sun eventually peeks back out. But even then, it takes Grian a very long time to untangle himself from these dazed, nonsensical instincts. It’s such a heavy, sticky veil and he’s left disoriented and confused for the longest time. Through his exhaustion, he feels weak and dizzy and out of it.
Scar is also exhausted, but they’re nowhere near safe yet. Still pressed against the rocks. Every nerve ending is flared up, Scar’s senses alert to the point of flinching at the subtlest sound, hypervigilant. But as Grian slumps and quiets down, Scar’s firm grip on him follows. 
Slowly, so slowly, Scar’s hold on Grian becomes comforting instead of restricting and terrifying.
He can tell that it left bruises.
Scar hates everything about it, but— They’re alive.
The sun is back, Grian is quiet, and they’re alive.
But they still need to find safety. And Grian’s so frazzled, still processing what even happened. The blurred memories of chirps and howls and screams swirl through his mind. He feels lightheaded, and like his skull is stuffed full, unable to think clearly. He doesn’t quite understand any of it, and his body feels locked in place. 
Grian wants to stay sitting here until everything starts making sense, but they don’t have that kind of time. They can’t stay. They need to move. They need to properly hide. 
Scar feels awful, but he needs to push through. He needs to force Grian to move.
The snow is splattered with blood. The forest is dead silent, scattered bodies left behind all across it. The area is riddled with traps, some activated and others still hidden, waiting to be triggered. 
The sun is shining.
The silence is eerie.
The scent of blood is thick and fresh and nothing feels safe.
--
Later, when Grian’s more coherent, he says, “They were right.” In an incredibly quiet, fragile, unsteady voice—but laced with determination—he tells Scar: “You should’ve taken their deal.”
Scar immediately tries to dismiss it. Preferably to not engage with this conversation at all. “Not interested.”
Grian registers the shut down of the discussion, but that doesn’t make it any less loud inside of his mind (and heart). He simply goes quiet and withdraws. Lips pursed, lightly frowning, staring somewhere away.
They don’t talk about it again.
Late at night, when Grian can’t sleep because he’s too high strung, he thinks of how it’d feel like, to be used by those vexes as a bait.
He dreams about it.
He dreams of faraway chirps and laughter and hounds finding him.
He has so many nightmares after this.
-------
BONUS screenshot for shits n giggles:
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ohmerricat · 4 months
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hey insane doctor who people. remember the snowman scene in the church on ruby road? there was no baby in the pram 👀 instead of a baby it was “shopping” . tags i left on a gifset then realised fuck it, it deserves its own post
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gift-wrapped baby that’s not a baby. saved by the doctor from imminent mortal danger but the snowman was hollow on the inside too…
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so this "coding" you speak of----
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muntadhir · 3 months
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Since I had the game open anyway, I figured I'd stare and stare at the statue's plaque until it started making sense, so I did. As I thought, it's similar to that statue I shared a while back: GUI says one thing (don't listen to Geppetto's lies!), while the actual texture has an excerpt from Pinocchio. The punctuation and wording aren't exact this time because holy shit is the text small, and my eyesight bad.
What the GUI says:
In honor of the happiest days of our family because of her presence I still miss you, Camille. - G.G.
What the texture on the plaque says:
After they had gone another mile, Pinocchio heard the same little low voice saying to him: "Bear it in mind, simpleton! Boys who refuse to study and turn their backs upon books, schools and masters, to pass their time in play and amusement, sooner or later come to a bad end. I know it by experience… and I can tell you. A day will come when you will weep as I am weeping now, but then it will be too late!" On hearing these words whispered very softly, the puppet, more frightened than ever, sprang down from the back of his donkey and went and took hold of his mouth. Imagine his surprise when he found that the donkey was crying — and he was crying like a boy!
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razzledazzletrassh · 2 months
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no major fic updates just yet guys TAKE MY WOY OC I MADE LIKE. April of last year IM PLUGGING SOME INFO ABOUT THIS GUY IN THE TAGS.
I may also redesign her soon or something. Make her more bug-like with some stuff. I can cook guys let me cook !!!
#THIS IS VAL !!!! dubbed her as a he/she er..#I have lore about this guy and his homeplanet Amore and the Lovebugs..#all that’s really important to know is that ive based the worldbuilding for Amore around svtfoe’s mewni#design wise mostly. I’ll emphasize.#in terms of the societal parts of Amore the kingdom kinda flourishes in the arts of all sorts and trade within the kingdom it goes crazay…#they were pretty closed off from the rest of the galaxy though. like their tech and stuff is pretty outdated compared to most of the other-#planets with atleast escape ships and all that fun stuff.#foreshadowing#ANYHOW lovebugs are silly guys I think of them as like weird hedonistic freaks of sorts#they have very big dionysus worshipping energy to them just to give a perspective#and of course they prioritized relationships and the different forms of love#romance actually wasn’t even the big thing that built the kingdom#it was more like a love for community and friends#which is also kinda silly because of the monarchy aspect to Amore and all that#OH ALSO these guys go absolutely crazy with fashion and makeup. gender isn’t a major thing in the kingdom in my eyes#you WILL serve cunt!! /silly#WORLDBUILDING ASIDEEE Val was the prince to the kingdom and was set to be the heir to the throne#the designs are like three different route ideas ive had for Val#the first is just a baseline design so like. pre amore‘s destruction from dominator#the second is like a good ending design of sorts to my ideal lineup for a season three for woy with val continuing to embrace the lovebugs-#history and culture even with Amore gone and a good portion of her people#and the third. is a bit hard to describe because it’s more of an au but it’s just a concept idea I had of Val teaming up with Dom#(it would be short lived like probably a few months max so dw)#and silly note i joked about the idea of val being an ex to peepers BUT I WANNA DEVELOP THAT MORE BEFORE I SHARE.#tap into that this may be cringe but i am free mindset or something slash silly TEEHEE#BUT YEAH Val’s just a silly gal in my heart and soul no matter what. ive missed her a lot i wanna work on fics with him and especially to-#develop more stuff for Amore and the Lovebugs before Dominator’s destruction of the planet#BUT YEAH i wanna Val post more. go into depth for their dynamic with the other characters and all that#I may cook some more stuff with him once I get these stargazing fics all set and whatnot SO WE’LL SEE!#also /nf but if anyone would wanna ask questions about val/amore/lovebugs ask away I’d love to answer any questions! 🥺
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thirddoctor · 3 months
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how are all the TV show theorists feeling
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sillyfudgemonkeys · 6 months
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Me, at my coworker: I finished both Kyoshi novels. Coworker: Uh oh. How you holding up? Me: I thinking about walking into traffic
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genderqueerpond · 10 months
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DONNA GOT TO SAVE HIM BY LIVING
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zevsarainai · 3 months
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man dw really did not stick the landing huh
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sygzie · 1 year
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will truly never get tired of thinking about timepetals they r so Infinite
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lizstiel · 10 months
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so many thoughts. head scrampled egg.
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tenrose · 3 months
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We all thought we were smart ass for firguring out the most simplest anagram lmao
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ohmerricat · 6 months
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you know what this shot reminds me of?
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this mtg face the raven artwork by sid mills
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the musical score forming wings
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roaringheat · 1 year
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Ohhh my god the parley quest was so good. this game is way too good at storytelling and making you feel shit
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daedelweiss · 2 years
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“LIFE MISSION: SAVE MY BROTHERS” 💖 The Red Knight’s Mission (Episode 1: The Buried Memory Page 28-41)
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and, finally, the last set for this episode. this was actually harder to get through compared to the rest of the sets, physically and emotionally 😭 drawing leo grieving broke me and i cried like a baby sketching that panel. i wish i could add more panels in but i didn't want to drag out the comic too long and give myself too much work. it was supposed to play out similarly to "E-Turtle Sunshine of the Spotless Mind" where leo's memories pushed back against him to avoid painful memories but i feel like that would've destroyed the vibe and somberness of the softer moments. plus it'll make the episode much MUCH longer. also leo didn't actually lose the colors of his scarf. it was more for symbolic reasons. and if the last panel of page 35 looks familiar, i took inspiration from the movie and imitated the expression mikey had when he tried to open the portal for the third time to save leo. (no, i did not trace it) it may or may not be foreshadowing for later 🤭 and yeah, the comic will be taking a hiatus……. to make more of the comic 😂 dw it's not for mental health or personal life reasons… actually it's partly that because i have an upcoming VISA interview 😭 bUT i'll still be making LM stuff behind the scenes, dw >:3 next episode won't be as drama or action packed as this one but… we will meet raph for the first time 👀 i'm really rEALLY excited to work more on the comic, and that's TWO reallys! i just hope y'all will be patient with me because it is no easy feat working on this. i love it but i'm only one person, after all 😄 thank you so so much for supporting this comic again! comments and shares are very much appreciated! 💖 BEGINNING / PREV / NEXT EPISODE (coming this april) •
( 🌿 please do NOT repost, edit, trace, use, and/or sell 🌿 )
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franki-lew-yo · 6 months
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Eve and the Witnits
Pip and Ev's adventuress of all time.
The Arthur refs really would have worked better in the canon timeline, but I mostly think DW would also grow up to murder her older sibling and become a dictator if given the chance. It's just especially funny that Philip tells her to go back to her home when in this AU the Wittebros literally live in her house.
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'A lonely child is what you're gonna be when I sell you' (foreshadowing).
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