#no credit is needed at all | Explore Tumblr posts and blogs

confessedlyfannish · 8 months ago

Text

Writing Prompt #12

Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.

Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.

Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.

While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.

These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".

There is a knife to his right, if memory serves (it does). In the next five seconds—

"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.

But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.

He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.

"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.

"What a shame," he says, placing it face side up on the table.

"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.

He doesn't look away from the man.

"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."

"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.

The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.

The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"

Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."

"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."

He offers Bruce the watch. After a moment, Bruce takes it.

"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.

"You can look left, Mr. Wayne."

Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.

"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."

"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.

"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."

"Him."

"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."

"Why me?"

"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."

This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.

"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"

"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."

Bruce bristles. "I bow to no one."

"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."

"A weapon you want me to bring to my city."

"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."

"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."

"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.

"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.

"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."

"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."

"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."

Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.

Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.

"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."

The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.

"We will not meet again for some time, Mr. Wayne."

Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.

"Ask your question, Mr. Wayne."

"I have more than one."

"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."

"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"

There is a pause.

"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."

"Resolve what?"

"It is not his future I mean to protect," the man says. "It is his present."

"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.

"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."

Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."

The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.

"I am not inclined," Clockwork says slowly, "To this future."

"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."

"They will have already muzzled him."

Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.

"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."

"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—

Clack!

"sluuuuurp!"

"Master Timothy, honestly!"

"Sorry Alfred!"

#i feel like I'm going to reread this and want to add other stuff #but I also just want to post it and get it out there #fun fact i scribbled a bunch of lines down at 2am bc i didn't want to forget them #im bad at multiple drafts #my writing #dp x dc #dp x dc au #dp x dc prompt #dp x dc crossover #danny phantom #batman #i live to make everybody dramatic #but also i subscribe to a world where clockwork doesn't know how NOT to be dramatic #lol he's a ghost from all of time he doesn't know how to speak to humans and tailor it to the century let alone the decade #and his favorite little girl who calls him clocky loves how he speaks so #he doesn't need to change for nobody #nor feels inclined to #also I feel like as god he's way more inclined to threaten to get what he wants than like...be vulnerable #jazz: let's unpack that #clockwork: we never do #jazz: are you saying that because it's true or because that's what you want to be true?#clockwork: ...#also I cannot take credit for BITCH I MIGHTWING #wish i could #that is cash money right there #shoutout to 11thsense

2K notes · View notes

buddie-buddie · 2 months ago

Text

Buck drums his fingers anxiously on the steering wheel of his Jeep, his left knee bouncing as he waits out the red light in front of him. His shift ended half an hour ago, but the tension in his shoulders hasn’t budged. He thought the drive across town to Tommy’s would help— windows down, music blaring— but it’s done nothing to quiet the anxiety buzzing beneath his skin.

The light turns green, and Buck presses the gas pedal a little too hard, the Jeep lurching forward. Driving through the quiet, tree-lined streets of Tommy’s neighborhood usually settles him, quiets his mind in the way that only the promise of strong arms and that warm, familiar smile can. But tonight, even the hum of crickets and the soft glow of porch lights can’t soothe the unease twisting in his gut.

He pulls up in front of Tommy’s house and sits for a moment, his hands resting on the wheel. He stares at the front door, watching as a couple of moths flutter around the porch light Tommy always leaves on for him. It’s something so small, yet it hits him right in the chest every time. It makes Buck’s skin flood with warmth, makes those three little words rise in his chest until he can practically taste them on the back of his tongue.

In every other relationship, those words felt like a lifeline— something he had to cling to, something that had to be said and something that had to be heard, just to make sure he wasn’t standing on shaky ground. He found himself constantly waiting for that reassurance, always needing to feel wanted. Even when the words came, they didn’t bring the safe, steady feeling he was so desperate for. Instead, they left him restless, chasing a sense of belonging that slipped through his fingers, no matter how tightly he held on.

It’s different with Tommy.

He doesn’t feel rushed, doesn’t feel pressured. He doesn’t feel like there’s a countdown ticking in the background, waiting for the moment those words will finally fall from his lips or Tommy’s. He’s content to let it be what it is, for as long as it takes.

Because with Tommy, it doesn’t have to be said. He can feel it.

He hears it in the quiet moments that hang between them on slow mornings, when they’re curled up together in bed, limbs tangled beneath the sheets, the world outside forgotten. He feels it when they’re in the car together, when Tommy’s left hand rests on the steering wheel and his right hand settles on Buck’s thigh like it belongs there.

It’s in the small, thoughtful things— like the porch light, glowing softly and guiding him home. It’s in the way Buck’s favorite coffee quietly appeared in Tommy’s cabinets, how his fancy, hard-to-find body wash showed up on the ledge in Tommy’s shower one day.

It’s in the way Tommy leans in close, steadying him when his mind runs too fast, grounding him without a word. How he always remembers the little things— like Buck’s complicated coffee order from the cafe down the street from the loft, or how he always wakes up thirsty in the middle of the night.

It’s in the glass of water that’s always on the nightstand next to Buck’s side of the bed. It’s in the feel of Tommy’s hand on the small of Buck’s back when they’re out, a touch that says I’m here without needing to say anything at all. How, when Buck has had a hard day, Tommy makes space— quiet, gentle space— for him to just be, without asking for anything in return.

It’s in those little moments, tucked away between heartbeats and breaths, where words aren’t needed.

Tommy leaves the porch light on. And even if they haven’t said as much yet, it feels like love, all the same.

Buck leans his head back against the headrest and closes his eyes for a second, exhaling slowly through his nose. The knot of unease in his chest hasn’t disappeared, not entirely, but it’s loosened just enough for him to get a deep breath and turn the engine off.

He finally gets out of the car, grabbing his bag from the passenger seat. He walks up the path to the front door, the sound of his boots quiet against the brick. The porch light casts a warm glow over everything, and Buck finds himself smiling, just a little.

Before he can dig out the key Tommy gave him a few weeks ago, the door swings open, and there’s Tommy— hair mussed, barefoot, wearing one of his old threadbare t-shirts that’s too soft for its own good. Buck’s heart unclenches just a little.

“Did they let you out early for good behavior?” Tommy says by way of greeting, his mouth curling into that little lopsided smirk Buck loves so much. He steps to the side, his back against the open door to let Buck through.

“Oh, you have no idea,” Buck mutters, pausing as he steps inside to meet Tommy’s lips in a soft kiss. While Gerrard didn’t technically let him out early, it was the first time in the last few weeks that he didn’t approach Buck in the last twenty minutes of the shift to saddle him with a ridiculously tedious task–– the kind that takes at least an hour–– and tell him he wasn’t to leave until it was finished. Which meant that Buck actually left the station on time for the first time in the better part of a month.

“Hi, baby,” Tommy murmurs against Buck’s lips.

Buck exhales, the tension in his chest loosening just a bit as he leans into Tommy, chasing the kiss for a moment longer. His hands come to rest lightly on Tommy’s hips, grounding himself in the familiar feel of his steady, solid warmth.

“Hi,” he whispers back, his voice low and tired. He lingers there, forehead pressed gently against Tommy’s, letting the moment stretch between them.

Tommy pulls back slightly, his thumb brushing along Buck’s jaw in a way that feels like both a comfort and a promise. “Rough shift?”

“Uh,” Buck toes his sneakers off, leaving them beside the door next to Tommy’s boots. “Weird one,” he says, trying and failing to suppress the weariness that pulls at the corners of his voice.

He lets his bag drop to the floor beside his shoes as Tommy turns to close the door with a quiet click. Buck watches as he locks up and flips the porch light off, a quiet confirmation of Buck’s suspicions that Tommy turns it on for him, a 60-watt beacon guiding him here, guiding him home.

The realization settles deep in Buck’s chest, spreading warmth through him like a slow-burning fire. He doesn’t think he’ll ever tire of being cared for like this— so subtly, so consistently, without any sort of fanfare or obligation. It’s not something he had to ask for or fight to get. It’s just here, waiting for him.

Buck swallows hard, the tight knot of exhaustion and frustration from his shift loosening just a little more. Tommy catches the look on Buck’s face, his expression softening as he steps back into Buck’s space.

“C’mon,” Tommy murmurs, his hand finding the small of Buck’s back, the same familiar touch that grounds him every time.

Buck leans into the touch, letting Tommy steer him toward the couch. He slumps onto it, dropping his head into his hands with a low sigh. Tommy sits beside him, close enough that their knees bump, but doesn’t say anything else. He’s good at that— letting the silence sit until Buck is ready to speak.

“Gerrard hugged me,” Buck blurts out, his hands tugging at his hair.

Tommy goes still for a second, and then— “He hugged you?” There’s disbelief in his tone, and when Buck lifts his head to meet Tommy’s eyes, he sees that crooked smirk forming again, fighting to stay serious.

“That’s not even the worst part,” Buck mutters, voice tight with frustration. “He— He told me he’s gonna take me ‘under his wing.’” He tears his hand from his hair long enough to make air quotes around Gerrard’s words.

Tommy blinks. Then snorts.

“Under his wing?” Tommy echoes. “That’s where all the love and joy of life go to die.”

Buck huffs out a laugh. He leans back against the couch cushions, his hands falling to his lap. “You’re not helping.”

“I’m not trying to help yet,” Tommy replies, smirking again. He nudges Buck’s knee with his own. “I’m trying to make you laugh so you don’t spiral. Looks like I’m halfway there.”

Buck shakes his head, but the small smile pulls at the corner of his mouth anyway.

“Okay, seriously,” Tommy continues, his voice softening. “What happened?”

Buck sighs, letting his head fall back against the couch, eyes fixed on the ceiling. “I– I don’t know. He had us line up at the start of shift. Went down the line and was his… usual self to everyone else. And then he got to me and– and…” Buck’s voice trails off, discomfort curling in his gut as he relives the moment. “He– He told me I saved his life and then he hugged me.” He drags his hands down his face. “And now, suddenly, I’m his pet project.”

Tommy’s brow furrows. “He really hugged you?”

Buck makes a sound somewhere between a groan and a laugh. “Yeah. A hug. Not, like, a friendly slap on the back, but a full-body, completely awkward, get-in-here-son hug. You should’ve seen everyone else’s faces. I thought Eddie was going to keel over.”

Tommy lets out a low whistle, eyebrows raised. “That’s... something.” He leans back, resting an arm along the top of the couch behind Buck. His fingers slip into Buck’s hair, running through his curls as the silence hangs between them. Buck relaxes into the touch, tipping his head toward Tommy, leaning into the warmth and steadiness of his hand.

“Under his wing,” Buck mutters again, almost to himself. “I don’t even know what that means.”

“It means you’re officially his new favorite. Congratulations, babe. You’ve leveled up.”

“Oh, yeah. Lucky me,” Buck deadpans, dragging his hands down his face. “Just what I’ve always wanted—mentorship from a guy who makes my skin crawl.”

Tommy lets out a soft chuckle, his fingers still threading gently through Buck’s curls. The silence between them stretches, comfortable but charged, like Tommy is waiting, watching, reading Buck the way he always does. The humor fades from his face, replaced by something softer, more careful. “Okay,” Tommy murmurs after a moment, his fingers brushing lightly along the nape of Buck’s neck. “What’s really going on?”

Buck freezes for a second, caught between wanting to say it and wanting to shove it down. Tommy always has this way of coaxing things out of him without even trying. He approaches him with equal parts gentleness and insistence, like peeling back layers until Buck has no choice but to lay it all bare.

“It’s nothing,” Buck tries, voice thin.

“Evan.” Tommy’s voice is low, steady, patient. His thumb sweeps a slow circle against the back of Buck’s neck. “Talk to me.”

Buck blows out a breath, frustrated more with himself than anything. He leans forward, elbows on his knees, running a hand through his hair as if it might shake the thoughts loose.

“I don’t even know that I meant to save him,” Buck admits, his voice tight. “I can’t... I can’t tell if I pushed him because I heard the blade, or if I just— snapped.”

Tommy stays quiet for a beat, letting the weight of Buck’s words settle between them. His hand doesn’t leave the back of Buck’s neck, fingers still working in soothing circles. “Maybe it’s both.”

“Both?” Buck glances at him, brow furrowed.

“Yeah.” Tommy shrugs, his expression steady but kind, his gaze warm with quiet understanding. “You’re not exactly known for your patience, Evan. But that doesn’t mean your instincts aren’t solid. Maybe you snapped, and maybe you also saved his miserable life at the same time. Those things don’t cancel each other out.”

Buck lets the words sink in, his jaw tightening as he rolls them over in his mind. He exhales slowly, the tight knot in his chest loosening just a bit. “I– I don’t know. I keep thinking, what if– what if it wasn’t instinct? What if it was just... me losing control?”

Tommy’s thumb strokes a slow path along the back of Buck’s neck, and he leans in even closer, their foreheads almost touching. “You’re human,” Tommy says, his voice gentle. “You get angry. You hit your limit. But you wouldn’t have let him die, even if you wanted to knock his teeth out.”

Buck huffs out a wet laugh, shaky but real. “I definitely wanted to knock his teeth out.”

Tommy grins, brushing a kiss against Buck’s temple. “Rightfully so.”

Buck closes his eyes for a moment, letting himself sink into the warmth of Tommy’s presence, the steadiness of his voice, the way his hand stays firm and reassuring on the back of his neck.

“I just don’t want him anywhere near me,” Buck admits, well aware of how petulant and childish he sounds— and yet, he doesn’t care. Something about Tommy makes it easy for Buck to drop the mask he wears everywhere else, to let the frustration and helplessness spill out without fear of judgment. With Tommy, he doesn’t have to be composed or tough all the time; he can just be— messy, tired, and human. Tommy’s presence is like a safety net, one that will catch him no matter how ridiculous he sounds or how tangled his emotions get.

“I don’t know how I’m going to survive this,” Buck mumbles, scrubbing a hand over his face.

“You will,” Tommy says without hesitation. “Keep your head down, lean on all of us who’ve got your back, and wait him out. He's going to burn out or screw up sooner or later. You’ve just gotta outlast him.”

Buck huffs a tired, bitter laugh. “I’m not good at keeping my head down.”

“I know,” Tommy murmurs, his lips brushing the top of Buck’s hair in a soft, steadying touch. “But you’re good at the important stuff— like saving people. Even assholes who don’t deserve it.”

Buck closes his eyes, leaning into Tommy, the familiar weight of his hand still resting on the back of Buck’s neck. The knot in his chest loosens just a little more, the tension in his shoulders easing just a bit under the warmth of Tommy’s words. “Yeah, well... maybe I’m getting tired of being good at that.”

Tommy’s arms tighten around him, pulling Buck closer. “That’s okay, too,” Tommy says simply. His voice is barely louder than a whisper, low and steady and full of quiet, unwavering conviction. “You don’t have to be perfect. You don’t have to carry all of it by yourself.”

Buck closes his eyes, sinking deeper into Tommy’s embrace. This time, when those three little words rest on the tip of his tongue, he doesn’t swallow them down. Even though he knows they won’t ever be enough, he can’t think of anywhere better to start.

“I love you,” Buck whispers, the words slipping out like an exhale, simple and unforced.

For a moment, Tommy stays perfectly still, as if letting the words settle between them. Then, slowly, a smile curves against Buck’s temple.

Tommy presses a kiss to the top of Buck’s birthmark, soft and reverent. “I love you, too.”

And just like that, everything feels lighter. Not perfect. Not fixed. But it’s enough.

It’s quiet between them, the kind of silence Buck used to hate. The kind he used to scramble to fill with words, desperate to bridge the gaps. But here, in Tommy’s arms, the silence feels different. It feels easy. It feels safe.

It feels like home.

also on ao3

545 notes · View notes

annqer · 10 months ago

Text

Penacony welcomes you!! Only now for the low low price of your soul, you too can spend your life in the land of dreams!!

1K notes · View notes

spiderrverse · 1 year ago

Text

Hobie Brown icons 💥

#aka unmasked icons lol #no credit needed #all i did was edit them to make them more clear #atsv #across the spiderverse #spiderpunk #spider punk #hobie brown #atsv icon #spiderpunk icon #srry some are low quality #its a nightmare trying to get good ss of bootleg clips lmao #vark posts

4K notes · View notes

drathe · 3 months ago

Text

Finally DA: Keep tiles for Dragon Age: Awakening crew! Nathaniel Howe, Sigrun, Velanna, Justice

407 notes · View notes

regenderate · 11 months ago

Text

still making my way through rtd's non-doctor-who work. currently at mine all mine which is from 2004. one character says to another character "you should meet ianto." i (not welsh) (never been to wales) (only know like one welsh person) am like "oh ha ha like ianto from torchwood?" and then immediately shut that down like "ianto is probably a very common welsh name, the fact that my mind immediately goes to ianto from torchwood is just a sign of my ignorance/lack of interaction with welsh people." character shows up to meet ianto.

[image description: a screenshot from the tv show mine all mine. it depicts two young men standing next to each other in a club. one of them is played by gareth-david lloyd. end image description.]

it's ianto from torchwood.

#i told multiple people about this on discord but i'm still having the moment about it so i think tumblr needs to know too #torchwood #russell t davies #mine all mine #he's credited as 'yanto jones' by the way #i know rtd recycles names a lot (there are a LOT of tylers across these shows too) but this feels excessive

1K notes · View notes

describe-things · 11 months ago

Text

[Image description start. A photograph of a large, outdoor mural showing a blue iguana held in dark-skinned hands, with the person wearing gold bracelets and traditional clothing. The background is red with green blades of grass, and monarch butterfly.

On the far right of the mural are small signatures from the artist that are hard to make out, but seem to be info for social media.

The first is in yellow and has an at symbol, but the rest is too difficult to read. The next seems to read koka.mexico, and is partially cut off by a tree branch in the way. The next seems to say, "Dovlez" the last says, RNX_AF", before being cut off by the tree branch.

Image description end.]

(Tomorrow I will try to find direct links to the original artist since the tree branches in the way and making it hard to read the signatures)

Rolando por el bosque de Tláhuac

#made with speech to text #sorry Tumblr wouldn't let me zoom in on the photo once I started typing I can't tell if that's a monarch or a viceroy butterfly #please copy and paste the image description into the original post for accessibility #it should stay in plain text like it is now and not go under a read more or be put in italics or color or anything like that #image descriptions are for the blind and visually impaired the way subtitles are for the death and hard of hearing #please also feel free to edit the image description to correct any mistakes I made or add in details I missed #no credit is needed at all

21 notes · View notes

dreamofbecoming · 2 years ago

Text

listen i know we all love steve “completely ignorant of queer culture to the point that bisexuality is a surprise” harrington being roasted and educated in turns by robin and eddie, yadda yadda, good stuff. i read “they made a horror version of rocky?” in a fic recently and cackled. also a big fan of “he knew he was bi from the start and just never talked about it” as a trope, love it excellent well done

but what about steve who realizes after starcourt that the most important person in his life now has this thing that’s a major part of her life that he knows nothing about, and what if he fucks it up? what if he says something ignorant or rude by accident, and hurts her? what if he loses her because he didn’t know the right thing to say? what if he can’t keep her safe because he doesn’t know what to look out for? absolutely fucking not, this steve says

and listen she’d never say anything, because she can tell that he can tell how much she likes teasing him and teaching him things, so he plays dumb, and she thinks it’s very sweet. but she notices when the zines she keeps under her bed that she buys at that one secret bookshop in indy when she can sneak away on family trips start going missing, always one at a time, and replaced in a few days with another disappearing. and she finds the new ones he must have gone to buy the weekend she was at her aunt’s house hidden in the back of his closet when she goes to steal one of his sweaters. and she notices when he slips more of her queerer movie recommendations into his personal take home pile rather than the movie night stack when he thinks she’s not looking.

she doesn’t notice when he drives to indianapolis after she tries to explain to him why she can’t just ask out a cute girl, tries to impress on him the fear attached to every moment of attraction that he simply has never had to feel, but later she finds a crumpled receipt from a diner in one of his jacket pockets when she’s looking for his keys, and the address is across the street from the bar the gorgeous woman at the bookstore told her about, the one she memorized the address of but hasn’t worked up the guts to think about visiting, and she knows he must have gone looking for a place like that, must have been trying to understand, must have been scoping it out to make sure it was somewhere she could feel safe, after she told him she never had.

so when eddie nearly pops a blood vessel when they clock each other and she mentions that steve is the only person she’s ever come out to before, her hackles come up. because she gets it, she does, he’s only known king steve until recently, so it makes sense that he would be afraid, be concerned for her safety.

but steve is her person, and no one- no one- has ever made her feel as protected or as cared for as he does. no one has ever tried as hard to understand her, no one has ever put so much work into making her feel safe and seen and loved. and she thinks maybe even if no one else ever does, that’s ok. because she has steve, and more importantly steve has her, and that means no one gets to question his ally credentials in her presence without a dressing down to remember, no matter how well they mean or how recently they helped save the world.

(and maybe she’s not as surprised as she could be when he figures out bisexuality all on his own, because she’s been reading all the same pamphlets he has, after all. and she’s seen the way he looks at eddie, i mean come on. maybe no one else has noticed, but then, nobody knows steve harrington like she does.)

#stranger things #steve harrington #robin buckley #platonic stobin #steddie #(if you squint)#this got away from me #i just really love love giving steve a bit more credit yk?#like yes he’s very stupid and he has a history of being self absorbed #and we love that about him #he’s very flawed and that makes him interesting #but i really feel like one of his defining traits is his need to be useful to the people he loves #combine that with his abandonment issues and i really feel like he would be scared of fucking up and losing robin #and yeah he would play dumb like he does with dustin and d&d #but i don’t believe he knows nothing about d&d after all this time and i don’t believe he would let himself know nothing about queer culture #i’m just so so attached to the idea of steve who knows that teasing him for being dumb is his friends’ love language with him #so he pretends to be dumber than he is so they have chances to explain things to him #also stobin sharing clothes is so so so important to me just putting that out there #anyway i just think they’re neat #my writing

2K notes · View notes