#no but i'm obsessed with her dynamic with quentin

[cherlawa-panna]

Gwenpool Strikes Back #2

SHE DID QUENTIN SO DIRTY 😭

+ bonus:

Gwenpool Strikes Back #3

That what you get after breaking up over text

[statisticalcats2]

Top 5 favorite characters dynamics? In movie, fanfic, book, whatever... Lol

(This is in no particular order)

Happy and Peter P. from the MCU but kinda more accurately from my mindstories fryeihudw. Happy is traumatized Peter's Safe Person in a special way no one else can compare to. I really should talk about my mindstories about this. Anyway, Happy is an uncle/father figure to Peter and is very protective of him. Peter trusts Happy completely and while he knows that he's much stronger than Happy, there's still a feeling of safety that comes from Happy being near.

Steve and Robin from Stranger Things. I usually have little to no interest in the concept of platonic soulmates but these 2 are the exception, idk how I ended up so invested in their relationship. I have quite a focus on not-platonic shipping in fandom and I have such ships for these 2 as well but none are as important to me as their relationship with each other.

Tony and Peter P./Quentin and Peter P. from the MCU. This might be cheating but these are so intertwined with each other in my head I felt like they belonged in the same slot. Tony's importance to Peter, Peter being one of the few people who don't constantly treat Tony like shit and genuinely loves him, all of him. Tony inventing time travel basically just for Peter, with the billions of other Snapped people being a bonus. There's a bit of obsession inherently there on both sides and I love that. And Quentin preying on those feelings, placing himself in Tony's role, filling that empty space left by Tony's death. Really ensnaring Peter and making him emotionally attached (faking a near-death experience that parallels Tony dying as Peter helplessly watches, that is so beautifully fucked up.) Quentin getting more attached to Peter than he planned to. But it's not a redemption, it's a dark obsession.

Slade and Robin from Teen Titans 2003. On the topic of dark obsessions. I'm just recently rediscovering this show but holy heck do these 2 have a dynamic. A two-way obsession that causes the hero to blur morals more and that's exactly what the villain wants. Slade was such a huge focus for Robin, he'd cover his room with news and info on Slade. I feel like Robin probably had an unexpected... emptiness in him when Slade died. The way Robin still keeps a Slade-dedicated box after Slade's death? 👌

Mungojerrie and Rumpleteazer/Mungojerrie and Demeter from Cats the musical. Another kind of cheating one but they feel connected in my brain regfyidwhu. Mungojerrie discovering love and caring through Rumpleteazer. Rumpleteazer discovering freedom and (kind paradoxically) independence through Mungojerrie. And for Demeter, Mungojerrie's the one who has seen her at her worst but was her one source of comfort and companionship during most of her stay in Macavity's tribe (other than Macavity himself who was both comfort and threat.) They have a similar level of devotion to one another as Mungo also has with Rumple. Demeter has a lot of trust in Mungojerrie and Mungojerrie will always look out for her and her kittens.

[starcchild]

NO BUT THE OPPOSITES!!!! In main verse Carter would END her relationship with Quentin after realizing he's a villain, but in main ikau Carter would probably try to REACH OUT to Quentin after realizing he's a villain. The opposite dynamics from one verse to another, the SYMBOLISM. This is so sad Alexa play Despacito. I'm sobbing Alexa.

((I mean, in both verses, Carter isn’t going to be so quick to give up on him, given that she has reason to believe he can be different. She’s not that kind of person with anyone. She’s been betrayed before by someone who was close, but... she really does want to believe the best in people. She’s going to want to reach out to him, because she doesn’t want to believe the man she fell in love with was a lie, but... she also sticks around, in both verses, for far longer than she should. She’s gonna end their relationship sooner in her main verse than in the ikau, because she’s already been in a toxic relationship and really isn’t up for continuing another, but... again, that doesn’t mean she’s going to give up on him so easily. She may not want to be involved romantically, but she also doesn’t want to damn him, y’know?

and, like with the obsession thing I mentioned, he could be obsessed with her because of the attention she’d been giving him. It was enough to fuel his ego just right, and maybe he felt Tony was somehow to blame for her breaking up with him, instead of taking a step back and realizing that he was being awful to her. He was mistreating her, and she finally had enough of tolerating it and left, because she finally accepted that he didn’t love her the way he said he did, and definitely not like the way she loved him. 

either way, though, when she finally realizes that Quentin isn’t gonna be leaving the whole thing he built around Mysterio, it’s absolutely gonna break her heart. And, in the ikau, I could very easily see it ending where she has no other option but to kill him, even though, up until the end, she was doing everything she could to convince him to stop and to let her help him. 

[swiftsnowmane]

You have such great taste, so I'm coming to you for advice. What are your recommendations for art house Halloween movies?

Oh, what an excellent ask! I absolutely love artistic horror films, but I’m by no means an expert on them. Since I wasn’t sure if I had enough to recommend, I decided to just make a compilation that best exemplifies my personaltastes. Many do not have anything to do with Halloween, and some are not eventechnically ‘horror’ films at all, but are simply films and/or series that Ienjoy watching at this time of year.  :)

Below you will find a widevariety of recommendations, including silent film, film noir, gothic horror,sci-fi and dark fantasy, vampire films, zombie movies, tv series, comedies, parodies, mockumentaries,and my greatest love….folk horror.

Silent film:

- The Cabinet of Dr.Caligari (1920), dir. Robert Wiene – Iconic and a highly-influential silentGerman expressionist film about a creepy ‘doctor’ who hypnotizes a sleep-walker(a ‘sonambulist’) to do his bidding.

- The Phantom Carriage (1921), dir. Victor Sjöström–  On New Year’s Eve, the driver of a ghostly carriage forces a drunken man to look back at his wasted life.

- Häxan (1922),dir. Benjamin Christensen – Fictionalized Swedish-Danish documentary aboutwitches and witchcraft through the ages. Often categorized as folk horror, thisfilm contains evocative visuals and some memorable dramatizations, including a (literally) hysterical ‘nuns gone wild’ sequence. Despite its sensationalism, it is actually quite a sympathetic take on thetragedy of witch hunts, from the medieval era to the contemporary (1920s)treatment of women with mental illnesses.

- The Lodger(1927), dir. Alfred Hitchcock – Considered by critics to be the first true‘Hitchcock’ movie, this silent film is suspenseful, visually entrancing, and surprisingly moving. One of my personal favourites.

Other old movie classics:

- Double Indemnity (1944),dir. Billy Wilder – An insurance man falls for a married woman, and togetherthey begin to plan the murder of her husband. A noir classic, the first tocontain all the elements that would come to define the genre. A favourite ofmine.

- Laura (1944),dir. Otto Preminger – Another filmnoir fave, this time a murder mystery starring the mesmerizing Gene Tierney. Oneof the (many) inspirations for Laura Palmer in Twin Peaks. ‘Not just anotherdead girl,’ indeed.

- The Innocents (1961), dir. - [summary forthcoming]

- The Seventh Seal(1957), dir. Ingmar Bergman – This Swedish existentialist meditation on deathand mortality needs no introduction from me. Not a horror movie per se, but dueto its themes and visuals, it is very haunting all the same.

- Hour of the Wolf(1968), dir. Ingmar Bergman – Another Bergman classic, this time a surrealistpsychological horror-drama. A man lives with his pregnant wife on a remoteisland, and suffers from insomnia. He begins to be plagued by visions of‘demons’ and haunted by images from his past.

- Hitchcock films– Some of my personal faves include TheLady Vanishes (1938), Notorious (1946– noir classic), Spellbound (1945 -worth watching for the stunning surrealist dream sequence designed by SalvadorDali), Rear Window (perhaps not asvisually interesting as my usual picks, but a nostalgic fave that I used towatch with my dad), Psycho (1960 -cliché to list this  one, I know, but Ido  legitimately enjoy this film), Vertigo (1958 - another I used to watchwith my dad), and two of my absolute faves, Rebecca (1940 – see below) and the aforementioned The Lodger (1927).

-Hammer horror (aka British horror of the ‘50s-70s) - you can’t go wrong with the Hammer Dracula series, and/or anything starring Sir Christopher Lee and Peter Cushing. -  [summaries forthcoming]

Halloween films:

- Sleepy Hollow(1999), dir. Tim Burton – Fave Tim Burton film. Fave Johnny Depp film. FaveHalloween film. Just fave.

- Trick ‘r Treat(2007), dir. Michael Dougherty  –  Of all the quintessential, straight up‘Halloween’ movies, this anthology horror film is another top pick. It’s justsuch good fun.

- The Crow(1994), dir. Alex Proyas - A list of my personal faves could not be completewithout this fantastical, noir-ish tale of lost love and revenge. A nostalgicclassic.

Other ‘scary movies’:

- Behind the Mask: The Rise of Leslie Vernon (2006 mockumentary), dir. Scott Glosserman  - I’m not all that into *actual* slasher flicks (other than the original Halloween, which still to this day scares the shit out of me), but I’ve always greatly enjoyed this satirical take on the subject. :D

- Return of the Living Dead (1985), dir. Dan O’Bannon – While zombie films aren’t necessarily my fave horror sub-genre either, I can’t help but adore this one. Early Greg Nicotero visual effects on full display. Not to mention the iconic naked dancing in the graveyard scene.

- The Crazies (2010), dir. Breck Eisner – Probably my fave ‘zombie’ film. I use that term loosely as it’s not really about zombies, but it has a similar vibe. This movie immediately pre-dated The W@lking Dead, and now that I can no longer stand to watch that awful show, it has sort of become my preferred ‘version’ of this type of scenario.

Vampire films:

- Vampire Hunter D:Bloodlust (2000), dir. Yoshiaki Kawajiri – With its incredibly rich anddetailed visual design, based on the art of Yoshitaka Amano, and an evocativepost-apocalyptic western/ gothic setting, this classic anime film is along-time fave. When I was younger I wanted to live (and die) inside the aestheticof this film, and to this day it remains my favourite vampire movie. Alsocontains one of my all-time favourite vampire/human romances, the Hades andPersephone-esque Charlotte and Meier.

- Let the Right OneIn (2008), dir. Thomas Alfredson  - Swedishvampire movie. Not the sort of thing you’re probably expecting, either.

- 30 Days of Night(2007), dir. David Slade – One of the few vampire films in which the vampires actually terrified me.

- From Dusk till Dawn(1996), dir. Quentin Tarantino – Over the top action-horror ridiculousness. Myfavourite thing about this film is that it includes a scene of a young girlgetting her white t-shirt splattered with blood. Bethyl fans will understandwhat I mean. ;D

- What We Do In theShadows (2014), dir. Jemaine Clement and Taika Waititi – Mockumentary aboutvampires in New Zealand. Probably my fave thing I’ve seen in years. HIGHLYrecommended. :D

Dark fantasy/sci-fi:

- The Company ofWolves (1984), dir. Neil Jordan – A young girl in present day has a feverishdream in which she and her family live in a fairytale forest. After her oldersister is killed by a wolf, she repeatedly dares the dangers of ‘the wood’ tovisit her grandmother. Based on Angela Carter’s tale from The Bloody Chamber, with a screenplay co-written by Carter herself,this film is a must-see for anyone who enjoys a blend of eroticism and horrorin their Little Red Riding Hood tales. Despite the low-budget and cheesy qualityof some of the effects, I totally love this movie. :D

- Brotherhood of theWolf (2001), dir. Christophe Gans – Perhaps not the greatest film evermade, but I have an eternal soft spot for the legend of the Beast of Gévaudan.Not to mention my girl-crush on Monica Bellucci, lol.

- Angel’s Egg (1985) - [summary forthcoming]

- Pitch Black (2000),dir. David Twohy – The other films in this franchise might be more famous, butthe first entry is, imo, a sci-fi horror classic. My favourite part is thedynamic between the ‘boy’ Jack and the notorious criminal, Riddick.

- Pan’s Labyrinth (2006),dir. Guillermo del Toro - In 1940s Spain, a young girl finds escape from thebrutal fascist regime by visiting a labyrinthine underworld full of strange andmagical creatures.

- The Prestige(2006), dir. Christopher Nolan – In late 19th c. London, rival stagemagicians obsessively compete to find the best stage illusion, with strange,and often tragic, results. Not a horror film, but an intense and suspenseful thrillerall the same.

- Solomon Kane(2009), dir. Michael J. Bassett – Based loosely on the classic pulp-fiction stories ofRobert E. Howard (aka, creator of Conan the Barbarian), this film is a mix ofdark fantasy and horror elements. JamesPurefoy and Rachel Hurd-Wood in a SanSan-esque type dynamic. Super cheesy, yes,but such a guilty pleasure, OMG.

Gothic romance/horror (aka, ‘young woman goes to live at manor house and creepy things ensue’ ):

- Jane Eyre (2006BBC miniseries), dir. Susanna White – There are countless adaptations of thisclassic, and all have their merits. While the 2011 Hollywood movie has a higherbudget and some very lovely visuals, for me, nothing tops the version with TobyStephens as Rochester!!

- Northanger Abbey(2007), dir. Jon Jones – My personal fave adaptation of Jane Austen’s gothic horror satire, starring an adorable young Felicity Jones as thewide-eyed, imaginative heroine.

- Rebecca (1940),dir.  Alfred Hitchcock – A self-consciousyoung bride is tormented by the memory of her husband’s late wife. LawrenceOlivier and Joan Fontaine in a visually haunting Hitchcock classic.

- Dragonwyck (1946), dir. Joseph L.Mankiewicz – In the 1840s, a young women from a Connecticut farming community isinvited to the estate of a wealthy patroon.Worth watching for the ever gorgeous Gene Tierney and an extremely attractiveyoung Vincent Price. Such good chemistry!

- The Crimson Petaland the White (2011 BBC miniseries) – Based on the novel by Michael Faber,this is the story of Sugar, a prostitute in 1870s London, and what happens whenshe becomes the mistress of a wealthy soapmaker. At once sensual and deeplyunsettling. Plays heavily on the Victorian theme of ‘the angel in thehouse’.  Highly recommended.

- Crimson Peak(2015), dir. Guillermo del Toro – A culmination of all of the tropes andplotlines from the classics mentioned above (with the most direct nods to Dragonwyck).Guillermo del Toro takes the horror elements that are generally only present asundercurrent in these gothic romance stories and brings them, in all theirgrotesque and terrifying glory, to the surface.

Folk horror:

- The VVitch (2015), dir. Robert Eggers – In 1600’s New England, a puritan family must move from the safety of a settlement to the edge of the wilderness. One of my top favourite folk horror films, ever.  

- A Field in England (2013), dir. Ben Wheatley – Deserters of an English Civil War battle travel through an eerily empty English countryside landscape on a psychedelia-tinged trip. This film is not for everyone, but is visually stunning and ticks many of my personal boxes. HIGHLY recommended for anyone who enjoys alchemical themes and imagery.  A folk horror masterpiece.

- The Wicker Man (1973), dir. Robin Hardy – This iconic film needs no introduction. Features one of my all-time favourite Sir Christopher Lee performances, as the incomparable Lord Summerisle. A must-see for anyone remotely interested in the folk horror genre.

- Witchfinder General(1968), dir. Michael Reeves  –Another 17th century period classic, starring Vincent Price as the villainousMatthew Hopkins, aka the Witchfinder General. While perhaps not as well-belovedfor me as the three listed above, I very much appreciate this film’s settingand overall aesthetic, as well as its absolutely beautiful soundtrack.

- The Devil Rides Out (1968) - [summary forthcoming]

- The Blood on Satan’s Claw (1971)  - [summary forthcoming] 

- Black Death(2010), dir. Christopher Smith - Sean Bean, Eddie Redmayne, and Carice VanHouten in a supernatural-tinged medieval thriller. Essentially, ‘The Wicker Man’-meets-‘Heartof Darkness’, set to the backdrop of the black plague.

- Apostle (2018) - [summary forthcoming]

Misc/other:

- The Devil’s Whore(2008 miniseries), dir. Marc Munden – Despite the title, this is not actually ahorror movie, but is an exquisitely beautiful romantic period drama, set duringthe English Civil Wars. One of my all-time favourite historical miniseries,ever.

- Flesh + Blood(1985), dir. Paul Verhoeven – Set in Italy in 1501, Rutger Hauer is a leader ofa ruthless band of mercenaries and Jennifer Jason Leigh is the young maiden whobecomes their captive. Not a ‘horror’ film in technical sense, but Verhoeven’stypical bloody visuals and dark themes and tone secure it a place on this list.TRIGGER WARNING: Contains an intenserape scene.  

- Imprint (2007),dir. Michael Linn – Native Americanfolklore-based suspense/thriller. One of the many reasons I love this film isthat it was actually filmed onlocation in South Dakota (you have no idea how many times filmmakers try to pass off California landscapes as ‘SouthDakota’, it’s soo annoying).

- Southern Comfort(1981), dir. Walter Hill - In 1973, a Louisiana Army National Guard squad ontheir weekend maneuvers in rural bayou country antagonize the local Cajunpeople and end up ruthlessly hunted. A southern gothic thriller, with someWicker Man-esque elements.

- Winter’s Bone(2010), dir. Debra Granik – A teenage girl in the rural Ozarks must track downher missing father in order to protect her family. Not a horror film, but aquietly intense thriller.  A personalfave of mine.

- The Revenant (2015), dir. Alejandro González Iñarrítu– [summary forthcoming]

- Wind River (2017), dir. Taylor Sheridan – [summary forthcoming]

- Dunkirk (2017), dir. Christopher Nolan –[summary forthcoming]

- Trollhunter (2010), dir. André Øvredal  – Taking the form of a ‘found footage’ mockumentary, this movie follows filmmakers who set out to capture images of elusive Norwegian trolls

- Ed Wood (1994),dir. Tim Burton – Not a horror film, but rather a biographical comedy-dramabased on the life of the titular B-movie producer. An underrated TimBurton/Johnny Depp classic.

- Clue (1985), dir. Jonathan Lynn - A classic comedy, and one of my all ‘round fave murder mystery movies. No matter how many times I’ve seen it, this infinitely quotable film still makes me laugh, every time.

- The Whisperer InDarkness (2011), dir. Sean Branney  –Independent film, based on H. P. Lovecraft story of the same name. Made with ablend of vintage and modern techniques, intended to evoke the style of filmsfrom the 1930s.

- From Hell (2001),dir. the Hughes brothers – Murder mystery/thriller based on the Alan Mooregraphic novel. Gruesome and memorable interpretation of the unsolved tale ofJack the Ripper.

TV series:

- Ripper Street (2012tv series) – A period-drama procedural set in the aftermath of the Jack theRipper killings in late-Victorian Whitechapel, London. Centers around ChiefDetective-Inspector Reid, who is haunted by his inability to catch the serialkiller, as well as by dark events from his own past. (I only recommend thefirst two seasons, however, as after that the quality of the storylines greatlydecreased, imo).

- The League of Gentlemen(1999 tv series) – Legendary dark comedy/folk horror series created by MarkGatiss, Reece Shearsmith, Steve Pemberton, and Jeremy Dyson. If you enjoy the bizarre and grotesqueside of British humour, look no further. (See also the Christmas Special (set between series 2&3), The League of Gentlemen’s Apocalyse (2005), and the most recent, and incredibly well-done, Anniversary Special (2017)). 

- Psychoville (2009BBC series) - British psychologicalhorror/black comedy sitcom, created by above-mentioned The League of Gentlemen’s Reece Shearsmith and Steve Pemberton. Memorablecharacters include David and Maureen (a hilariously creepy mother and son duo),Mr. Jelly, a grumpy clown who never removes his face paint, and Jeremy thelibrarian, who is tormented by a mysterious nemesis, the Lynchian ‘Silent Singer’.

- Inside No. 9 (2014tv series) – Another excellent show by the evil geniuses that are ReeceShearsmith and Steve Pemberton, this is a series of stand-alone episodes that Ican only describe as ‘short stories on film’, each in sightly different genre. Someare comedic, some are psychological, some homages to famous things, some sad,some bizarre, some are downright terrifying (there is an episode entitled‘The Devil of Christmas’ that was probably the most disturbing thing I’ve seen in a longtime).

- Twin Peaks(1991 tv series), by Mark Frost and David Lynch – Don’t think I even need toexplain why this seminal and endlessly influential show makes the list!

- Miss Fisher’s Murder Mysteries (2012 tv series) – Not remotely scary, or even remotely ‘horror’, this is rather a delightful little romantic period drama about a lady detective in 1920s Melbourne, Australia. Cheesy as hell at times, but worth it for the absolutely delicious chemistry between the two leads.

- Stranger Things (2016 tv series) – The first season is iconic in its own right, and the second season did NOT disappoint. This show is just the right combo of creepiness and comforting nostalgia. Not to mention the wonderfully-written and endlessly endearing cast of characters. I love it so much.  

Currentlywatching:

- Bates Motel (2013tv series) – Started watching this over the summer, and it is extremelywell-made and most definitely creepy and unsettling in every possible way.  I was very impressed so far, but I had totemporarily stop watching because this past summer was a difficult timeemotionally, and I didn’t want to compound things by watching something sopotentially disturbing. I plan to resume it asap, though!

- Project Blue Book (2019 tv series) - [more detailed summary forthcoming] Creepy/mysterious period drama about UFO coverups in the 1950s.

On my ‘still towatch’ list (**updated 08/04/2019):

Kwaidan (1965)

The Love Witch (2016)

Only Lovers Left Alive (2013)

The City of the Dead (1960)

The Masque of the Red Death (1964)

Picnic at Hanging Rock��

Penda’s Fen

Robin Redbreast

Tam-Lin (1970)

The Borderlands (2013)

Kill List (2011)  - tried watching this one, but struggled to get through it, tbh

Mullholland Drive (2001)

Penny Dreadful (2014 tv series)

I realize that the majority of these are not ‘art house’ films by any definition, but I hope this list is nonetheless of some interest. If I’ve left out anything essential, it’s probably because it’s either slipped my mind, or I simply haven’t seen it yet. 

Thanks again for the ask – it’s reminded me of some excellent films I hadn’t thought about in a while. :)