#niche answers for a niche audience

[hattiestgal]

SHAKES YOU how do you draw taurs. i need help i genuinley cant wrap my head around the anatomy of it. optionally i need help with fat taurs but any kind of taur is okay

Ooh, I love these sorta questions!!!

So there are two main things folks usually struggle with when it comes to drawing taurs as a whole. 1, they struggle with quadrupedal anatomy and 2. connecting the humanoid upper body to the quadrupedal lower body. Obviously there's no shame in either of these things, drawing four legged animals, especially if you're more used to the anatomical structure of something more humanoid is quite tough! And finding the sweet spot where humanoid and quadruped meet to make a taur is a bit of a struggle for folks who're still figuring it out.

So! The first thing you wanna do really is just familiarize yourself with quadrupedal anatomy. Look at the skeleton of the creature you're trying to taur and see how things like their limbs bend differently or how they're just differently naturally posed as compared to someone who walks upright.

This is a very simplified skeleton of a cat, but you can pretty immediately see how differently everything bends. And I'm not saying it's something you have to perfectly master to know how to draw a taur (especially when you get to drawing fat taurs), but i highly recommend becoming familiar with how a quadrupedal body is structured, the silhouette of most animals is quite misleading! And absolutely use reference!

Heck, our first go at drawing taur Riley was super heavily referenced (I'll even share the ref image if anyone is interested!), and this still came out real jank. Practice makes perfect!

As for connecting the upper body to the lower body, this is a little more subjective and up to you, but I'll lay out some general guidelines.

Generally speaking, you wanna put the humanoid torso where the base of the neck is, the front of the torso kinda merging with the rest of the taur body just after the tummy, basically just before the crotch starts.

As for the back, you're gonna want to shoot for just shy of where the butt starts, waist having curved back outwards. It gets a little awkward if you go higher or lower than that. And obviously, you wanna make sure the torso is firmly planted in the center of where the neck should be, ehehe.

That's pretty much the basics though! As always, i recommend looking at how your favorite taur artists draw the creatures and studying off of that! Familiarize yourself with quadrupedal anatomy, and use reference!! You will absolutely get it down with time. I will absolutely cover fat taurs if there's interest in it, and ofc, lemme know if there's anything I missed or need to go over! I hope this helps!

[sovonight]

I have noticed that it’s been quite a while since you last made art for Gravity Falls. Naturally, you have all the freedom to do and make art of whatever you want: I am not complaining about this, and I still love your style and your art. I do have a question though: how do you feel about Gravity Falls (and Ford) as of now? Do you still like it, or have you simply “moved on”?

at the present moment, i've moved on. ~10 years ago i also moved on from baldur's gate, until last year when my enthusiasm returned (albeit greatly transformed from the 10 years i'd lived since then), so "moved on" isn't necessarily a forever thing

[kataraavatara]

cruising the neris tag and saw your thought about mama archeron and beron planning a marriage for nesta and eris reimagined in the asoiaf world, then saw a comment giving the idea that if these characters were in the asoiaf world, nesta would be a blackwood/eris a lannister.

here's a one shot idea: a neris fic for a lannister/blackwood alliance.

author’s note: No, Eris could not make it to Raventree Hall that fast, just pretend.

Beron Lannister drummed his fingers against the table. “No. Our fortunes have improved since that arrangement was made. We can find you a better match, from another great house.”

“We gave our word,” Eris countered, “We can’t simply break off an engagement on a whim.” The Blackwoods were much diminished, but still an ancient and respectable house. He didn’t understand his father’s fixation on finding him a bride from one of the other great houses. His own mother was a Tarbeck, anyhow.

“Why not?” Beron retorted, “We’re once again the wealthiest house in Westeros. A Blackwood bride is not fit for my son and heir any longer. You can marry a Tyrell…Tully has a daughter who’s flowered, I hear…”

“Elissa Tully is fourteen,” Eris gritted out, “And what would happen to Nesta?”

“I have several other sons. She can marry whichever one she chooses. Just not my heir.”

Eris’s stomach dropped at the thought of Nesta being anywhere near his younger brothers. Lucien was the only decent one, but he had long since fled to Essos…

“We made a vow,” he tried again.

“What are vows compared to gold?” Beron scoffed, “Lord Blackwood is a weak man. I could throw a few coppers at him and he’d grovel at my feet. He should be thankful that we aren’t breaking the engagement off by saying Nesta has sullied herself.”

“She hasn’t,” Eris tried to keep his voice even, “She’s in the company of her sisters all the time. It’s impossible. No one would believe us, and it’s cruel besides.”

“So?” Beron twisted his signet ring around his finger, “Someday, son, you’ll understand what it means to make decisions for the good of one’s house. Once I’m gone and you have to run things, your petty morality will go right out the window. I could pay some singers to spread the word, and this betrothal would be finished…”

“Wait, just…” Eris swallowed, thinking quickly, “Let me meet Elissa Tully, at first. I won’t break off my betrothal without knowing that I like the replacement.”

“Atta boy,” said Beron, reclining in his chair, “Though I will tell you, she’s got a pleasing enough face, but very flat.”

“And why would that matter?” Eris said when he really wanted to snap Of course she is, she’s little more than a child.

Beron raised his eyebrows. “Nesta has big teats. I’d assume you’d miss them.”

Eris gave his father a slimy smile that made him want to crawl out of his skin. “I’ll manage,” he said, hoping his father couldn’t see the hatred behind his eyes, “Might I take my leave? The Reynes haven’t paid the gold they owe us and I’m eager to get it back.”

“Taking initiative,” Beron nodded, “I like it. Take twenty men, you shouldn’t need more.”

Eris nodded, left the room, picked out twenty men who were loyal to him instead of his father, and set out in the opposite direction of the Reynes. Towards the Blackwoods lands.

Nesta pursed her lips but didn’t say anything as she watched Elain diligently embroider a seven pointed star. Nesta sewed a simple raven, but of course, Elain must impress her betrothed. Grayson Bracken and his house worshipped the Seven, and Elain fell in line without so much as a word. Nesta wanted to say a lot of things to Elain. That she would insist on getting married under a godswood tree no matter what Eris Lannister wanted. That Blackwoods and Brackens had intermarried dozens of times before and it had done nothing to stop the fighting. That she wished Elain had let her broker her betrothal instead of their impotent father. That her little sister’s upcoming marriage was nothing more than a concession, an acknowledgment that the Brackens had the upper hand and a daughter in return. There were many things to say, but she held her tongue as she always did, because Elain was sensitive.

She heard the sound of horses and turned, expecting to see Feyre and some of the guardsmen back from their hunt. But instead she was met with a snow white stallion with gaudy gold detailing on its tack and Eris Lannister sitting atop it. What could he possibly want? They had both mutually agreed to put off their marriage as long as possible, so Nesta might stay and make sure Father’s confusion and incompetence didn’t run their house further into the ground. Elain was too timid and Feyre too wild to manage the castle, much less their house’s interests. But she had worried of late that she was perhaps pushing too far, stalling too much. Losing the betrothal to him was not a mistake she could afford to make, quite literally.

When the match had been arranged, back when Nesta and Eris were no more than infants, houses Lannister and Blackwood had actually been on somewhat equal standing. The Blackwoods had always been old, proud, and respectable of course, but the fact remained they did not have the lands or authority to reach the heights of the seven great houses. But her father had been Master of Coin, and an apt one. Showered by favors from the King while her mother dazzled everyone at court, House Blackwood had become even more golden than the lions on the Lannister sigil. For a while.

The Lannisters, on the other hand, were as low as they’d ever been. Lord Beron had been too agressive in his campaign to crush alleged rebellion in the Westerlands. Even the endless coffers of Casterly Rock could not bear the strain, it seemed, and Beron’s zealousness had smallfolk lining up underneath the Iron Throne every day to tell horror stories. Only a very generous loan to the crown saved Beron from the King’s Justice, it was whispered.

Perhaps her mother had foreseen what no one else had. Perhaps she, a clever wife had recognized another one in Lady Lannister. Perhaps she reasoned that the Lannisters still had Casterly Rock and the position as wardens of the west, and would recover eventually. Perhaps she knew her husband was an idiot. It didn’t matter now; Lady Blackwood had taken her secrets with her to her grave, and a few years later her husband lost so much of the Crown’s coin he barely escaped King’s Landing with his head.

All of this went through Nesta’s mind in a flash as she stared down at the red and gold procession. Elain perked her head up. “Is it my betrothed?”

“No,” said Nesta slowly, “It’s mine.”

let me know if you’re interested in a part two, and sorry this took so long to write!!

[simplydnp]

one one hand they're kind of bad at a bunch of games. on the other... they're good at platformers and teamwork (it takes two :')) so they did just as good as i expected 🫡

see my counter argument here is bread and fred

exact same idea, executed in a different way (spinning vs bouldering, 2d vs 3d, cute vs hell). and dnp were terrible at it. to the point of like, actual frustration. some of it was played up but there were nerves hit during that video.

but yes, they did well with it takes two. so i didn't think they would catastrophically fail, but i've seen enough youtubers play this game and have varying rates of success to say that i expected them to struggle more.

now, this assumption was made before i saw that phil was using a controller, because, of his own admission, he is not good at wasd-ing. since that was no longer a huge negative for their prospects, the odds certainly changed in their favour. i believe i said this in the tags of my reblog about their success.

i'm glad you had faith in them, anon. i'm an optimist, but i'm also a realist, so given what i was presented, i made my prediction.

[sibyl-of-space]

unhinged crossover idea of a musical/ballet double feature:

Rite of Spring, but the Chosen One is replaced with Victoria from Cats (stageplay). Nobody acknowledges that one of the girls is a cat. Everything is played completely straight. She still dances the sacrificial dance.

However.

At the end, after she dies, she comes back to life, because cats have 9 lives. She then gets one last flex dance solo before curtains. The song quotes from the Cats soundtrack and is the only instance of electric piano in the production.

Then there is a completely normal production of Cats, except the Chosen One takes the role of Victoria. Nobody questions this either. The play would not be changed at all. She would also be willing to touch Grizabella.

[clairedaring]

Okay, I dare not reblog your response to the essay post because the length of it is already too much, so Imma continue/reply through this new ask instead! ---------------

First: Thank you! I'm delighted that you enjoyed my rambling essay so much! And if it's good, it's only because you asked the right questions and gave me this opportunity to yap! An answer is only as good as its question allows it to be, after all!

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Assuming that the paper receipt Win found in the last episode implied his missing? dead? dad was also caught up in some money laundering shady business at the temple, I think Win will play some kind of double agent character in S2 where he’s forced into both running shady temple business all the while reporting back to the RDJ-looking cop.

YES! I think Win's gonna find himself in a teeth-clench cooperation with Cop RDJ (and the feelings might be mutual until maybe the two of them reach an understanding as S2 progresses)!

That cop seriously has more things going on with him beyond what we glimpsed. He has very personal goals he wants to achieve—whatever means necessary. Could he actually be a personal friend of Win's father? Or someone who used to work with him? Is Win's father the common thread between Win and Cop RDJ?

I'm very interested in his side of the story, man!

----

To be honest, they’ve ended Monk Dol’s arc so well, I really don’t want to sacrifice his character’s integrity and beliefs for the sake of the narrative but I also badly need him onscreen again as the only character with a moral compass in this series full of peope without it ಥ_ಥ

Sadhu, you nailed my struggle! I know I shouldn't be attached, but bro, I am. Too late!!! Y'all made him too charismatic and earnest in his practice and conduct, and now you created one of the best religious-affiliated characters I've ever met in my personal list of fiction.

Imagine if Monk Dol was a real person I know!!! Yo, I'll do anything to be his kalyāṇa-mitta ("noble/virtuous friend;" Buddhist friendship characterized by camaraderie in helping each other improve while practicing The Noble Eightfold Path. It includes chastising each other for unskillful conduct, etc).

I like to point out that Monk Dol was also written to be afflicted with the Three Poisons (klesa) through his attachment to Dear, so he's actually flawed despite being the best boy person in the series. He showed delusion (moha) such as thinking Dear could ever be with him and that he should disrobe to be with her. He showed attachment (rāga), most obvious in his dream of Dear and that scene in the bathroom. The only klesa he exhibited the least, even when he had grown attached to Dear, was aversion or hatred (dosa), but it was still present—in his quiet resentment and growing regret over becoming a monk at too tender an age. He was growing averse to his life as a monk.

So I think, one of the many functions Monk Dol provided in สาธุ was also about a Buddhist's valorization of growth from mistakes. Instead of characterizing his lapse with Dear as a sort of fall in morality or failure in his religious duty, the emphasis was placed on how Monk Dol overcame his delusion. In Buddhist ethics, moral progress is extolled—more so than moral duty and moral adherence. It's all about effort, striving, and using your mistakes to learn; Monk Dol's character arc exemplifies that. One of the Buddha's lauded disciples was Aṅgulimāla, a serial killer, after all.

Okay LOOK I REALLY LIKE THIS GUY, OKAY

------

Whatever happens in S2, I hope S2 gives me lots of Monk Dol internal struggles, nothing I love more than a tortured gentle, kind soul (@ สาธุ scriptwriters, please don’t use my beloved Monk Dol as a sacrificial martyr though, HE’S SUFFERED ENOUGH) getting a bittersweet, hopeful-ish open ending.

OH SHIT. I... I'm also a sucker for tortured gentle, kind soul!!! Ahhhhhhh!

--------

I LOVE the scene you chose to make your new gif.

Because this Dhamma talk was probably the hardest-to-understand of all. I'll tell you why...

In this one, Monk Dol was explaining upādāna ("clinging; attachment"). However, he wasn't talking about the usual stuff about attachment like "don't be attached to money" "don't be attached to beauty" or "don't be attached to fame."

He's talking about attachment to things Buddhists think are good. Meditation. Making merits. Offering alms to monks. The rituals. He's saying that one should not even be attached to these good things. "It's easy to be attached to things that feel pleasant. But we should not be attached to them, too."

It's very counterintuitive. Buddhists are taught that all of these stuff are good and moral, so why not be attached to them?

Because if you're so stuck in doing them, it will also start to become a burden to your mind, and then it turns into suffering. But there's also more to it!

The Buddha had an analogy for this (I forgot in which sutta/sutra, though. Bruh yapped way too much and had a shit ton of sutta in the Pali Canon). Paraphrasing from my memory here:

The Dhamma is a boat. When you want to cross the river and reach the other side, you use the Dhamma (and related tools). But once you reach it and are now on land, do you still hold onto the boat? No. You discard it, having no longer need it on land. To cling to anything when it's no longer required causes dukkha.

This is what Monk Dol was also saying in that talk. Samadhi ("wisdom") during meditation is nice and pleasant, but true samadhi is knowing when to be detached from the pleasantry of meditation so that the "bliss" of it doesn't distract you from your real goal (of Enlightenment).

And this, I need to stress, was the Dhamma talk Monk Dol was giving in his first appearance. I was absolutely floored and impressed, man, because this isn't something someone with a more pop culture understanding of Buddhism can come up with. Again, fucking props to the scriptwriters and their advisors; they really know their shit!

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Okay yea I am done rambling ahahhaha. Please, if you cook more The Believers gif set I will EAT THEM SO GOOD. I wish more people are into this shit, goddamn. And I can't wait for Season 2!!!

(You have no idea how happy I am to find a fellow appreciator like you!)

Thank you Lyn for once again blessing me with even more insights into the brilliant writing and details in the characterisation of Monk Dol (i don't deserve this. cries happy tears ಥᴗಥ. months and months of waiting and lurking in the สาธุ tag for fellow สาธุ appreciators has finally come into fruition. i truly have no regrets spending hours screencapping สาธุ. always said they were purely self-indulgent but i must admit i always secretly hope people would come across them and gave the series a chance).

I didn't think I could love Monk Dol more but you have truly proven that Monk Dol is truly in fact best flawed boi monk. In a series with such a sensitive topic, I understand that careless writing could have easily made him a terrible character or cause great controversial or mixed reactions but I do think the writing for Monk Dol was just sophisticated enough and it feels like there's much care in the crafting of his character (my beloved Dol).

Kudos to Pup who plays Monk Dol as well, because I would have never guessed that he isn't a professional actor but the frontman of a rock band (funnily enough i've been listening to Potato (his band) forever but i didn't register that they're the same person until I started watching interviews and they start asking Pup about how does it feel to transform from a rock singer to a monk).

i shall end this ask with a gif encapsulating my exact reaction of Monk Dol's first Dhamma talk/sermon

[hexonthepeach]

I wondered if we can have what’s left? Or if you’ll tell us what would have happened/where it was supposed to go? I loved your work & im sure lots of us get your decision and also feel bummed out too

I am just as bummed as you are, for sure, so I completely understand. I have been thinking the past few days how to salvage what I have in a way that doesn't require anyone read the original or the unpublished parts, primarily because I did have what I thought was a tidy conclusion feeding into a part two that saw y/n get revenge on those who wronged her and her kind and free at last to pursue her original goal . . . only to be brought back by some very angry and internally conflicted but otherwise adoring alphas. Which would lead to the thing I had been aiming for this whole time by establishing interpersonal relationships and worldbuilding: that good angsty tension and smut.

Part two aka unnamed work in progress was already planned out as it's own thing, so removing a reliance on agtbtb while adding homages to the characterizations that re-explain some of the original context or even just continuing it and letting characters find out stuff naturally might be an option. It's too much to wrap my head around right now and I'm not sure how enthusiastic people would be about it, or if they would accept what wouldn't be a straight sequel as I would feel personally like I had to strip down some of the narrative to make it easier to digest.

As a little treat in these trying times if you would like a broad overview/spoilers of what was planned I am happy to write that up, but if people would rather have it as its own part two framing narrative I would like to keep those details preserved.

[asha-mage]

A SVSSS fic I want to write one day is Airplane and Shen Yuan being ejected from the System and sent back to the mundane world, but with the difference that Shen Yuan's 'edits' to the story have been retroactively applied to PiDW and as a result it's gone from 'top story in a hyper specific web culture niche' to 'international sensation with a Netflix adaption in the works'.

Keyly, PiDW is still told largely from the PoV of Luo Binghe- so neither he nor the audience is at all aware that it's now Isekai story. Instead it's billed as this heady romantic drama about prejudice, the passage of time, and redemption- where a big part of the appeal is trying to piece together the otherwise enigmatic Shen Qingqiu's motives.

Was he harsh on Binghe initially because of he sensed/knew about Binghe's demon heritage (as it's now possible to find hints that he may have in fact known all along)? Or because he saw Binghe's potential and wanted to do the tough-love training thing? Or was it because he was trying to chase Binghe away from Cultivation because he knew it would lead Binghe to misery one day? Did he throw Binghe into the Abyss because he was genuinely shocked and disgusted by the Demon reveal? Or because he knew Binghe would be killed if he stayed and he was trying to 'protect' him? Or was it because he genuinely wanted Binghe to fulfill his demon Emperor destiny and thought a clean break would do it? The fandom has no idea but lovvvvvves arguing about it.

This all leads to things coming full circle, as Cucumber, sounding like an absolute insane person, is left to rant online about how the obvious answer is that Shen Qingqiu was Isekai'd earlier in the story and replaced by a completely different person- a theory which is mocked to the point of memery, and leads to Cucumber being dunked on endlessly, no matter how much evidence he brings up or how many essays he writes.

[cherryheairt]

Pearls

Cregan Stark x named!fem!reader no desc (gif just for vibes)

18+!

my first smut writing and it was an intrusive thought that hasn't left my mind all week I need to get it out NEOW. I don't know my audience for this but please let it not be too niche idk 😭

Lately, Cregan had been absent from their marital chambers until the darkest parts of the night. Work had been keeping him apart from his Lady wife for far too long in her eyes. One night was almost unbearable, let alone weeks of it. Sometimes, he fell asleep in his study after pouring over scrolls and plans for hours.

It was hard to sleep without her husband, she found. After their marriage less than a year ago, they had shared the same bed every night after. Their relationship was most likely the healthiest in all of Westeros. Always in sync and filling what the other lacked. Whereas Vanya was compassionate and kind, Cregan was stern and unyielding. Together, they led the North as any Stark Lord and Lady should: In harmony.

Vanya had taken care of her tasks well, managing what Cregan could not in his time of occupation. Winter was upon them, cold and unrelenting. Vanya's first as Lady Stark, and one she intended to run smoothly to set a precedent for her live's rule.

However, even though she kept herself busy til late evening, she found her needs growing by the day. Usually, her and Cregan found themselves enjoying many rounds of pleasure before they tucked in for the night. Now, since he'd been busy, they hadn't even kissed in weeks. Simple glances at him or the feel of his arm's warmth draping over her in the early hours of the morning made her almost feral with want for her husband.

But he was always gone when she awoke. She was left to get ready for her own day of duties completely alone, longing for her husband's company. An emptiness struck her heart—one that she was determined to fill.

She got to work after her day was through. Knowing Cregan wouldn't join her til long after she was finished, she enjoyed the secretive project in the privacy of the chambers.

Pearls.

Lace.

Thread.

The only three things she dained to need for her little excursion. She worked quickly and nimbly, a nervous fluttering feeling drifting in her belly and staying there until she had finished. Quickly, she put the garment on. Satisfied by the mirror's view, Vanya giddily got dressed into her sheer white night shift.

She settled into bed, only being able to fall into a light sleep in her excitement.

It was not too long before she heard the quiet creeking of the door open and close, Cregan always making a point to enter and exit their chambers considerately. With a heavy sigh, she heard him drop his clothes and boots to the floor.

Weight dropped onto his side of the bed, and a familiar arm draped itself around her waist. Cregan sighed once more into the back of her neck, breathing in the comforting scent of his wife.

Vanya reached up gingerly, lacing her fingers with his. "Husband," she whispered, gauging his mood.

"Wife," he muttered back, thumbing absentmindedly at the space below her belly button.

"How was your day? You've been kept busy, far from the warmth of our hearth." She brought his hand up to kiss gently, starting to wake herself fully.

Cregan hummed guiltily, nodding into her smooth skin. "Tiring. I promise, once Winter starts to come to a close, I will make up every minute I spent leaving my dear wife waiting." The words were muttered slowly into the shell of her ear.

Vanya only huffed a laugh, shaking her head though he couldn't see her face. "There is time now, isn't there?" She asked coyly.

When she recieved no answer, "Cregan?"

None again, but the soft breaths coming from his nose. Turning to face him, she was met with closed eyes and a content slight smile gracing her husband's handsome features. She lay her head back on her pillow, sighing in accepted defeat. Brushing a piece of hair back behind his ear, she kissed his forehead, "goodnight, my husband."

The next day was the same as the last ones. She woke up alone again, only this time Vanya was much more determined to stoke the fire she knew Cregan had. Keeping the garment on underneath her day dress, a light powder blue number with tapered sleeves, she made her way about the Great Keep conducting her business.

Her mind was heavy with thoughts of Cregan, hunched over his desk and stressfully raking his hands through his dusty brown threads. Vanya finished her duties early, freshening up in their chambers before she returned outside of them. Hurriedly, she changed into a light blue shift, similar in color to the one she had worn out. She dabbled some sandalwood perfume oil on her neck and wrists, fixing her hair quickly before making her way towards Cregan's solar. The windows she passed by showed the fresh night sky and the dotted stars along it, the perfect time for any stray servants or maids to be tucking away for their own leisure time before bed.

Vanya took a short breath in before opening his solar door, spotting the exact visage she had imagined the whole day. Dressed in only his grey tunic visible above the pine desk, he had clearly discarded his pelts and leathers for the day, seeing as he had not even left the room once. The hearth was dying, only embers remaining. Clearly, he had wished not to be disturbed by any servants throughout the day.

He was still engrossed in writing a scroll when Vanya approached his desk. A tap on the spot above his elbow had jerked his head up, a shocked look in his eyes as he looked up at his wife. "Vanya, you should be abed already—" he said quickly.

Vanya shook her head, sitting herself on the edge of his table stubbornly. "Couldn't sleep." She lied. "I missed by husband's warmth next to me."

His lips pursed as he glanced between her and his work. "I'm sorry, I will finish as fast as I can. Wait for me?" He offered, though they both knew if she left now, he would only be swallowed up by his duties once more.

Vanya placed a hand on his cheek, running her thumb over the dark undereyes that deepened his tired expression. "I wish to stay with my husband, if it please him."

Cregan's eyes softened, nodding his agreement. He scooted his chair outwards, leaving ample room for Vanya to sit between him and the desk. Instead of sitting across his lap, as she normally would when accompanying him in his seat, she lifted her skirts to her thighs and sat facing him.

He tilted his head slightly, instinctively placing his hands over her hips to adjust her. "Won't this be uncomfortable for you?" He asked, though a faint blush dusted his cheeks and ears at the position.

Vanya shook her head, choosing to sit herself closer and bury her face into his neck. "Go on, don't let me interrupt." She said innocently, earning a glance from her husband before he followed her instructions and started back on his writing.

After a few minutes, she felt enough time had passed to make him inconspicuous of her actions. Slowly, she pressed herself closer to his chest, squishing her breasts again his own thinly clothed skin. She felt him pause and take a deep breath in before continuing, and had to bit her lip to prevent herself from smiling into his tunic.

A few more minutes passed, though she grew more impaitient with every second his hands were not on her. Slowly, she pressed her pelvis into his, revealing the hardened texture of the garment to him.

This time, he paused fully, confused. Setting the quill down, he leaned back. "What is that?" He asked, placing a hand on her hip again.

Vanya only smiled, grabbing his other hand and guiding it ever so slowly down to nethermost regions. "Feel for yourself." She cooed as she led a finger to run over the string.

"What—Pearls?" He asked, brows knitting together curiously.

Vanya nodded at the question.

"Where did you find such a thing?" Cregan asked, though did not recind his hand.

"I made them myself. Don't worry, no loud-mouthed seamstress will know of Lady Stark vying for some promiscuous garments."

"And they are..." He trailed off, swallowing heavily at the indication. Indeed, he shared in his logging and need throughout these weeks apart.

"For you, dear husband." Vanya purred, nipping softly at his bottom lip and pulling away just as fast.

Immediately, he lifted her from his lap and onto the desk, tossing aside his papers to the floor. He lifted her skirts further, bunching them carelessly at her hips as he tugged her legs to wrap around his waist.

Pinching the strand of pearls between his index and thumb, his eyes stayed glued to the glistening white pearls lying between her lower folds. Vanya felt herself throb with need at the lustful glare he held, leaning back on her hands to watch only his face.

Softly, he lifted the string to make it press against her own sensitive pearl. At her slight gasp and squirm, Cregan knelt to his knees faster than he ever had before. Glancing up at his wife's face, he silently asked for permission.

After she nodded, he was quick to move. The pearls, covered in her own essence, were moved slightly to the side as Cregan pressed his face to her core. Vanya threw her head back at the sudden stimulation, Cregan's tongue wildly moving from place to place as if he couldn't find a favorite spot.

Up and down, a solid stripe from her hole to sensitive bud. Circling the pearl with an eager swipe of his tongue, he moved down just as quickly as he began. With desperate, shallow thrusts into her clenching hole, Cregan tried and failed to press himself closer, already having no air to breathe with the space between them being nonexistent. Not that he minded, of course.

With a firm tug at his loose hair, Cregan turned his head with a heaving chest to face his wife. Looking offended at the separation, his fingers clenched at the soft parts of her upper thighs, ready to dig his face back to its spot.

Vanya whined out for him, shaking her head. She closed her thighs over his head, urging him up to meet her lips. She tasted herself on his tongue, enjoying the bittersweet slick with a deep moan. Cregan pressed himself closer, moving her by her waist to seat her on the edge of the table.

"I need you, Cregan, please." She pleaded, hards still carding through his hair to ground herself. She was so empty, only able to be whole again with Cregan's help.

At her plea, Cregan couldn't help but oblige, he unlaced his breeches urgently, allowing Vanya to strip him of his tunic and run her hands over the lean muscle of his chest and back.

He stroked himself a few times, smearing himself at her entrance. They both groaned in unision as his tip hit the string of pearls. They pressed to her swollen bud, making her jerk her hips up closer to meet his own. He slid the string to the side to make room for his length, sinking into the wet heat with a soft groan.

Her head found his shoulder again as she clawed at his shoulders, mewling. He mimicked her action, hands gripping onto her hips as he bit at her neck and collarbone sharply to conceal his moans.

His thrusts were fast and desperate, both wasting no time with soft touches and sweet nothings. That could be done later, after they were both saited and content in their own bed.

She panted heavily, reaching down between them both to rub loose circles around her pearl. He groaned as she tightened, knowing what it meant.

"Where?" He grunted out, kissing at her shoulder as a wordless apology to the angry red bite lying there.

"Inside," she gasped, tightening her legs around his waist to keep him closer.

It was not long before they both reached their peaks. Cregan continued his ministrations, thrusts becoming slower and less powerful as he winded down from his high. He stayed inside her even after they both came down, the warmth too good to pass up in the cold solar. The embers had long disappeared, leaving only the cobble to block out Winterfell's chill.

Vanya couldn't mind, either, enjoying the fullness it brought even in the sensitive state.

"What brought this on?" Cregan asked after a few long moments passed. He soothed over the marks on her hips, sure that bruises would appear in the morrow.

She hummed, kissing the space connecting his ear and jawline affectionately. "Is it too obscure for a wife to want for her husband?"

Cregan raised a brow, "of course not. I have missed you, too." He said, bringing her lips to his to kiss.

She deepened it, dragging him back to her after he pulled away. Tilting her head, she shivered at the brush of his tongue over her own, the texture a familiar delight.

Cregan pulled back after a while, a heavy look in his steel eyes. "I don't think we'll get much sleep tonight if you keep doing that."

She laughed, "I am far from tired, my Lord."

He growled playfully, bringing her from the table and carrying her in his arms. Cregan chuckled at her gasp, starting his journey to their chambers.

"Someone might see us!" She squealed into his neck, hiding her face uselessly.

"Let them. The whole of Westeros will know how my wife is the most beautiful in the Seven Kingdoms." He said, pinching her bottom with a cheeky smirk.

His solar was left open behind them, work long forgotten for the next day. Tonight was for Lord Stark and his Lady Wife.

🗡

Get yourself a munch like Cregan Stark

[cripplecharacters]

Do you have tangible advice on *how* to research different disabilities for writing? How to find specific blogs beyond searching the name of the disability on Tumblr, forums, websites with good info, etc? I see a lot of advice that is basically just "research the disability and talk to people who have it" but with how Google has gone down in quality, I'm not sure where to look beyond the surface level info (plus how to find people with the disability who are willing to share niche details/answer really specific situational questions). Thank you for everything you do on this blog!

Hey!

I'd say that you should break the research process into a few steps.

First, figure out what you should actually look into. Think about the genre, intended audience, and role of the character. A background character in a comedy meant for elementary school kids and a main character in an adult romantic novel will have two different approaches. You don't have to (and probably shouldn't) overdo a character that doesn't need it - otherwise it can end up feeling like some sort of disability awareness PSA, and that's probably not what you want.

With that in mind, you can start the actual research. I think that the websites of organizations/foundations for people with that specific disabilities are the best, since they cover a lot of things from many different angles. They are also usually written in simpler language than medical websites (which are also great, but I get that not everyone can understand those, not everyone's fluent in English, etc.) and have more tangible advice for "how to function with XYZ" essentially. It also can give you a glimpse of what your character could specifically struggle with, especially in case of a recent disability - medical pages often won't talk about insurance problems, interpersonal issues, or actually coping with the new state one's body is in. Check the FAQs, or the most commonly visited pages, stuff like that to get an idea on what's important. For example, these are some of the most concise explanations of how someone with a complete spinal cord injury at a specific level might function and what they might need. Something like this can be a good start to figure out where your characters "is", so to speak.

Some organizations for common disabilities might also have some sort of "media representation" page that's made specifically for writers. UK's Down Syndrome Association has one, Face Equality International has one, Phoenix Society has one, US Foundation for the Blind has one, etc.

This alone is more research than the vast majority of writers bother to do. If you actually understand:

what the disability is,

what symptoms it has,

how those affect your character in day-to-day life,

how to avoid the most common offensive stereotypes,

you are doing better than a lot of published writers, to be honest.

Okay, but what can you do to make it even better:

Since at this step you know what symptoms your character has and which ones you will actually show to the audience, you can start researching them one by one.

Here you might have to go read some medical studies, and learning how to get information out of those is a skill that needs some practice. But it is necessary to figure out if your blind character's vision loss is more likely to be total with no light perception or 20/200 (and, to figure out if your character's eye condition even causes blindness... because I've seen "blind characters" who are blind from eye conditions that... do not cause vision loss) so that you can actually research appropriate accommodations or aids.

Knowing specific symptoms will be even more helpful if your character's disability isn't very common - symptoms are very rarely tied to just a single disability, and you might have more luck researching a completely different one. For example, if you can't find info on something related to being a unilateral arm amputee, try searching for solutions that hemiplegics use. Not all will apply, but a lot of this stuff will be the same.

Make sure you understand what you do or don't do with those symptoms. There might be treatments, there might be some lifestyle changes to be done, there might be some strict limitation that you will have to put on your character for them to make sense. I think it's better to fit the character concept to the symptoms that you want and not the other way around - if you do the latter, you might find yourself writing an essentially abled character or a disabled character that is just inconsistent. Not every disability will be compatible with every role or concept, and there's really no point in trying to put us literally everywhere. If you really can't find a solution for something you need the character to do, it might mean that there just isn't one.

Once you figure out the technical stuff and have all the "dry" information laid out, start seeking the real life equivalents. Start widely at first so that you can narrow it down later, not the other way around (unless you don't mind changing the character around a lot). If you have already done a lot of technical research before, you will have more specific questions (which are easier to answer than "how do I write a disabled character").

Look up daily vlogs and day-in-a-life videos on youtube from people with that disability (and don't be afraid of only very-low views count videos popping up as that's almost inevitable - there are very few big disability youtubers, so try giving the smaller ones a chance). Watch interviews where people with that condition explain how their daily life is, how their disability affects it. SBSK is one of the best IMO. Check out AMAs on Reddit. Read personal blogs (you can generally find some by just putting "living with Name of Disability blog" into search). There's a ton of people who sincerely want to help others understand the realities of living with their disability and name their stuff accordingly so that it's easy to find.

At this stage you should have a decent idea of how the disability affects your character both in the technical sense, and in the more practical one.

Try to write out their average daily routine - from how they get up in the morning to when they go to sleep. Try to actively think "how would they do it" - how would they get from their bed and into their wheelchair, how would they dress up, how would they commute to work, how would they communicate with others, how would they get from point A to point B. If you realize that you're suddenly stuck, you now have a specific question ("how to put on pants with no hands", "how do totally blind people use computers", "shower accommodations C5 SCI", whatever) which is much easier to research than just a vague awareness of Not Knowing how your character functions in general. All of these questions have been asked before - newly disabled people will be going through them in their real life, and they use the same search engines and same social media as everyone else.

If you get this far, you're doing quite great! I'd say that this is enough effort to make a good and complex disabled character that's important in the story, though maybe not the POV character.

For a POV character, if you aren't disabled, you probably need a sensitivity reader/consultant.

There are a lot of those in writing spaces already - a lot of disabled people write themselves. If you just drop a "I need a sensitivity reader for XYZ" and use the general writing tags, there's a high chance you will get a response (assuming the XYZ in question isn't something very rare and/or so severe it would prevent someone from using the internet in general).

You can also try the disability's tag (don't get discouraged if it's not used a lot, a lot of people lurk without posting anything themselves) since you're looking for a real person and intending to pay them (very different from abled writers randomly posting their blorbos in disability tags).

Some of the places where you can try looking are r/SensitivityReaders, WritingDiversely, FireflyCreativeWriting, even sites like Fiverr could work. I've also heard some good things about Facebook writing groups, but I don't have any personal experience with them.

You can also always reach out to an association for people with the kind of disability you need - tell them that you are a writer and are looking to pay a sensitivity reader to help you, and they might be able to refer you to someone who would like to do that.

Another thing would be to keep intersectionality in mind - if your character is disabled, but otherwise part of the majority in every other sense (in NA or most of EU: white, rich, Christian, cisgender, straight, non-immigrant), you will have less things to consider than if your character has the same disability but is also a Polynesian transgender immigrant. If any intersectionality is particularly important to what you're writing, you should include that as well (you can also work with multiple sensitivity readers to try and get as close as possible).

My last advice is to only seek out sensitivity readers if you're able to pay them a fair amount for their work. Don't ask people to work for you for free (which is probably obvious, but a ton of fanfic and whump writers on Tumblr seem completely unaware of this).

Technical tips:

For specifically avoiding AI slop, I recommend putting [before:2023] after whatever question you put in, it will filter all results made after 2022, eliminating 99% of AI nonsense (works for images too).

If you're constantly getting a specific kind of wrong result, use [-ThingYouDon'tWant] after the input, it will remove everything that contains it.

If you're not getting a specific result, put the word you need in quotes ["Word You Need"] and it will force only the results who use that specific phrase/term to appear.

So if you're trying to find a blog about living with quadriplegic cerebral palsy as an adult and can't find any relevant searches by putting just that into the search, try ["cerebral palsy" "blog" quadriplegic -parents -spinal -SCI] and you should get more relevant stuff.

That's how I generally try to approach research for writing and I would say I've had good results (including now). Researching is a skill that requires practice unfortunately, at some point you can simply tell when a resource is bad or good since you've looked at so many already.

Follower input is welcome and encouraged :-)

mod Sasza

[crownics]

McLennon won’t be revealed overnight, nor will he be exposed in an explosive way as everyone wants and expects. For over 50 years, they have been weaving wrong and false narratives. These narratives are already ingrained in the minds of older fans and intrinsically plastered in the history of the Beatles. The change of parameters that we want regarding Lennon/McCartney won’t be abrupt or happen magically. People don’t accept when something is imposed on them, even more so when they have very strong beliefs and refuse to give up what they have always believed. The view that John and Paul were lovers and had an affair is relatively recent and only part of a new generation of fans. It’s still a niche “theory” that few people know about. Not everyone has contact with it. Only the youngest fans are aware of it. And we are a minority. If this “theory” is exposed without any filter and spilled all at once, the old audience is likely to reject it and show aversion to it (as always happens when we ourselves present this narrative to other Beatlemaniacs). Unfortunately, some people will not deal well with the idea that John and Paul were lovers. Human beings tend to be frightened by the unknown and to create resistance to the new. We are talking about past generations and a cultural heritage. Everyone already has, in their heads, a preconceived concept that John and Paul were just friends and brothers. Precisely for this reason, the idea that they were in love needs to be implemented with caution, persuasion and subtlety. It needs to be gradual so that it can first be processed, and then finally accepted. Profound changes are prolonged and take time. You have to learn to dribble and gradually convince. All this movement has been happening since Get Back and the release of Now and Then and, if we stop to think about it, none of the information is being released all at once. They are taking it slow — it’s no wonder we’ve been stuck on this turning point for almost five years.

Ian Leslie can turn things around and get other historians, biographers, and fans to follow the same path. He won’t provide all the answers to the questions we have. He won’t make any big announcements. We won’t find out (at least for now) what really happened in Paris or India. Unfortunately, an LGBTQ+ woman or man wouldn’t be taken seriously, because the Beatles fandom is extremely sexist, misogynistic, and homophobic. The fact that the first person to come up with this “theory” was a straight, white man gives us a certain advantage and, like it or not, caused an extremely strong initial impact. It’s fair? Definitely not. However, it gives us support and we can take advantage of it. This book is for a audience that doesn’t know half of what will be written there like we do. It’s not exactly for us, because theoretically we already know everything about John and Paul’s relationship/history. It’s being released with the objective of introducing McLennon to the rest of the world. The point it’s Ian is bringing a new emotional perspective to John and Paul — a dependent, passionate, romantic view that many deny or refuse to accept — not that he will reveal secrets that have been kept hidden for decades. I’m not saying that we need to idolize him or put him on a pedestal, because we absolutely don’t. His character and intentions are being questioned, and it’s a valid question. But I do think that we need to take a broader, more general view of what is going on. Try calm down.

[ts2nostalgia-zine]

SUL SUL, DEAR SIMMERS!

We've got something special for you! 🩵

Yes, you've read correctly! With the amount of artistic talent of all sorts that has amassed over the years and the persisting loyalty to this game, we felt like it was about time to call the production of a free, digital zine for the summer of 2025 into action!

I'm intrigued. But what's a zine?

For the sake of brevity, let's ask Britannica: Zine, a small-circulation print or online publication that is produced through noncommercial means and is meant to appeal to a niche audience. The term zine derives from fanzine, an amalgamation of the words fan and magazine.

How can I contribute?

There are a number of ways! From edits using any of the games, to digital art, writing and physical crafts, you can put your creative talent to use! The central theme is Sims 2 Nostalgia, so while you are given a lot of liberty on your chosen medium, it should feature the characters, townies, NPCs, or even objects from the pc game and its spin-offs!

Sweet! How do I apply?

We're so ready to welcome you on board! While we are planning on a big-scope project, we cannot predict the number territory of applications and thus haven't set a specific number of spots in stone. All you gotta do is fill out this form and we will get back to you after the deadline, January 29th!

This should cover the most vital points for now! Further zine specs and details will be covered on the faq page we're currently setting up, or follow post application. But if there's a burning question you think you need answered right away, shoot us a DM! 🦙

See you soon!

[shelly-vision]

Welcome Home Cow Tools Theory: the weirdest Welcome Home theory you’ll ever see.

Hi. Welcome to my dumbass theory. Please hear me out on this.

So, in case you’re somehow unaware, Clown and Huck just held a Q&A about Welcome Home. Among the many silly questions and sillier answers, user can of maple beans asked the following question.

And attached to the answer was this image.

Now, the common response to this would naturally be “wut?” But unfortunately I spend too much time online and as such, it didn’t take me long to remember what the reference was.

Now, this probably makes things more confusing to some people. Luckily I’m here to explain it.

BUT

Before I do, I need to post the other Q&A prompt that will be relevant to this discussion.

Please put a pin in this for later. Now, I will explain Cow Tools.

Cow Tools is a one-panel comic from the series “the Far Side” by Gary Larson released in October of 1982. The Far Side consists of similar one-panel comics all telling some silly punchline. However, Cow Tools goes beyond that. The joke of the panel is very simple. The idea is that if cows made tools, they’d probably be weird and unsophisticated. However, a lot of people didn’t understand it. Upon the debut of Cow Tools, the phones of the newspaper company that published it didn’t stop ringing for nearly two days straight as people were continuously calling to ask what the joke was. This lack of understanding caused severe backlash and hate to form for Cow Tools. To put it in simpler terms, this simple thing was over complicated by people, causing them to not understand it, and in response, they turned their lack of understanding into hate. However, decades later, Cow Tools found its audience among the internet, as the sheer absurdity of the comic makes it a somewhat popular anti-joke.

Now, I bet you’re wondering, “Overwhelmingly niche tumblr user and Total Drama fanfiction writer Shelly_Vision, what does anything about Cow Tools have to do with Welcome Home, let alone the homophobia discussion you told us to put a pin in? Surely the joke Clown and Huck were making with Julie Tools is just that it’s meaningless and meant to be a non-answer, right?” And that is probably true. I probably am overanalyzing and all of this could be meaningless. However I hyperfixate way too much and said hyperfixatuon leads me to come up with theories that might mean utter nonsense. But the small chance remains that I’m onto something. So because of that, I will now present what this theory is truly about with my full chest.

Julie Tools tells us the exact reason why the show Welcome Home was cancelled. Yes I am completely serious and allow me to explain.

Let’s ask ourselves this: why was Julie Tools posted in response to asking if romance would be a part of Welcome Home’s story? What does Cow Tools have to do with romance?

Nothing. Absolutely nothing. Cow Tools, as a comic, has nothing to do with romance. The content of the comic itself is meaningless. What we need to do here is not apply the comic to romance, but to apply the comic’s *reception* to romance.

Now is when we need to return to the homophobia discussion. Welcome Home as a show released in the 70s. Back then, the general audience didn’t understand queer people and turned the lack of understanding into hate. What romance would result in this puppet show getting immense backlash?

A queer romance.

Yes I am fully serious in saying that this random reference to Cow Tools is meant to tell us that Welcome Home was cancelled and all mention of it was scrubbed away due to backlash from its inclusion of queer characters. Backlash and hatred of something simple that the public didn’t understand and decided to hate it because of that.

Dear reader, why would all of this stuff about Welcome Home resurface in the 2020s? Because just like how Cow Tools didn’t find its audience until decades after it was published, Welcome Home didn’t find its audience until now. In a day and age where queer people are accepted. And it seems a lot of queer people are drawn to this project.

Welcome Home is (at least partially) about queer erasure. I’ve had a feeling this would be the case for years now but this just strengthens by certainty in it.

Alright now for the more speculative parts of the theory. My main point was the general queer erasure stuff, now I want to get a little more into character stuff.

So first off, why is it Julie Tools? It feels like Frank and Eddie are more overtly queer characters, and while Julie still is very queer coded, it’s not as overt as characters like Frank, Eddie, Sally, or Poppy. Julie’s queer coding is mostly limited to her interactions with Sally. (See my Julie character analysis for more elaboration.) Well, here’s something purely speculative. As shown in the most recent update, Julie is someone who often feels like her only value is in what she can do for others. So, what if, on the cusp of the general public discovering Frank and/or Eddie and/or Poppy and/or Sally is queer, Julie outs herself as a form of self-sacrifice. That way the general public forgets its speculations about the others and all the backlash ends up being directed to Julie’s character instead? This feels kind of reachy but hey maybe I’m onto something. Uh the mentions of nonstop phone ringing reminded me of Wally’s connection to phones, tho that one’s definitely unrelated. Also seeing the Q&A show Julie in Y2K fashion and Sally in Y3K fashion felt extremely yuri to me and I’m adding that to the pile of sapphic hints. Maybe the always and clumsy nature of the tools represents awkward and clumsy romantic feelings? Yeah at this point I’m reaching.

TLDR: the in-universe show of Welcome Home was cancelled and all mention of it was scrubbed from the world because of its queer characters. I may be drowning in my autism and hyperfixation.

[thesiltverses]

Finishing the QnA and remembering all the stupid ass questions you answer us here. That got me thinking: why tumblr? Don't get me wrong, thats my favourite social media, wich makes me think you do this personally for my entertainment, Jon

But why tumblr of all places?

I mean, how many places are actually left in this haunted and ad-ruined wasteland of the internet?

Our biggest audience was always on Twitter, but at some point into Musk's ownership we got served a white supremacist-grifter ad for like, TruthWiki: See The Real Stats About Black-on-White Violence!! and that felt like a solid reminder of a cultural environment we probably shouldn't be contributing to any more. Everywhere else is dead, filled with gamified self-promotion, or requires you to record videos like some kind of functional-appearing human.

Tumblr is nice, by comparison! I get to read wonderful rambling essays about stupid niche shit that doesn't matter. The general tone is wide-eyed over-intensity layered with self-mockery and an edge of manic hysteria, which is pretty much my ideal vibe.

[txttletale]

for those in the audience who don't play mtg, could you elaborate on what aspects of the card's design/interaction with the rules makes beans such a pain in the ass?

(we're talking about this cunt)

right, basic info first: in magic the gathering, you can't cast spells for free like in yugioh, nor do you gain mana each turn like in hearthstone. you need to play 'lands', which are cards that do nothing except tapping for mana so you can play your other cards. by default, you're limited to playing one land per turn from your hand, but certain spells and abilities (collectively called 'ramp', after rampant growth) let you circumvent this limit.

so: beans draws you a card when you play a card that costs five mana or more. it's designed to reward playing ramp-heavy big-mana strategies (the blue/green archetype for wilds of eldraine limited) by providing a payoff for cards that are normally weak because of how much investment they need--cards that cost a lot of mana either need to come down comparatively late in a match or need you to spend your first few turns ramping while your opponent is free to punch you in the face repeatedly. so beans is printed as a support piece to the WoE ramp archetype, seems sensible.

the problem is, this isn't how it's actually shaken out in constructed play, because there's a lot of cards in standard right now that ''cost'' five mana but have significant discounts stapled on. the most egregious example being the interaction between overlord of the hauntwoods and the domain mechanic (represented here by leyline binding)

so, you have beans out. you cast overlord of the hauntwoods for its 'impending' cost -- despite only paying 3 mana, you've technically "cast a spell with mana value 5", so beans draws you a card. because overlord creates a token with every basic land type (there are five basic land types), you can now cast leyline binding for an eyewateringly cheap one mana -- but again, beans doesn't care about how much mana you actually spent, just what the mana cost printed on the card is.

so if it sticks beans, the domain/overlords deck (where bean is by far the most problematic, although there's more niche archetypes like simic terror/crab where it plays a role) ends up in a situation where nearly every card in its deck is a cantrip (mtg term for a spell that draws a card when you cast it, therefore replacing itself). this negates the biggest downside of these greedy bomb-filled types of decks in that it makes it nearly impossible for the domain player to run out of resources. the only way to beat domain is to go under it.

okay, so--stop them from sticking beans, right? it is very easy to destroy enchantments, there's even some really good modal enchantment removal in standard right now so you don't have to fully dedicate a mainboard slot to what could be a dead hand:

here's the thing, though: there's two things about beans that make this an inadequate solution. #1 is that it only costs two mana, and the beans player can start going card positive on it the turn after it comes down. to answer this efficiently you have to destroy it the turn it comes down or the turn after. but the thing is, the best non-domain decks (esper pixie, rx mice) are playing cheap, impactful, synergistic creatures--casting a 2-mana spot removal piece on turn 2 or 3 is a serious setback to their gameplan. and the worst part of all: even if you do that, you're left behind, becaues beans replaces itself.

this is the part that i personally think makes it such a huge problem card: the seemingly innocuous bit of text that says up the beanstalk draws a card when it enters. cards are the most valuable resource in magic. you can have all the mana in the world and it doesn't matter if you don't have cards to play with it. having more cards than your opponent ("card advantage") is a serious boon that makes you significantly more likely to win--the more cards in your hand, the more likely you're holding answers to their threats and game-winning threats of your own.

so let's say that you and the beans player both have, i dunno, six cards in hand. they play beans and draw a card. you pawpatch formation it on their end step. the end result of this exchange is that the boardstate is the exact same but they have six cards in hand and you have five! this is what makes beans feel so oppressive imo, that even answering it immediately starts slipping you into the chokehold of snowballing resource advantage that defines the overlord/domain decks

tldr: it is pushed just that little bit too much to take it from a must-answer play to a play that is essentially unanswerable unless you've got your hearthfire/manifold/monstrous rage/turn inside out combo ready to pop next turn

[san8ny]

STILL GOT IT !

?: While you continue reign over your niche internet kingdom, Ellie finds herself consumed with thoughts of you, you and you! So much so, her fans are staring to notice. Joining your livestream, which she’s been trying to abstain from, you quickly remind her on why you’re so addictive in the first place! / E.W / 18+

!: too lazy to write all warnings but pretty tame when it comes to smut. s

Her heart initially falls to her ass when she sees the plethora of comments underneath her latest video, usual adornment of little heart emojis which now turned into discussions of twitter threads. How had a clipping of her rubbing herself inside a public bathroom stall, the usual shtick before she clocks into a boring 9-5– garner this much negativity? What changed?

“Eh, you don’t seem as passionate after the collab tbhhh”

“lost her touch lmfao”

“does this mean we get another video with you and—

She shuts the laptop closed, unable to further stomach her unsatisfied audience with thoughts running rampant in her mind.

Lost..her touch?

Surely these comments were satirical and just baiting her for another video with you, right? I mean, it’s not like she hasn’t gotten hate comments before, though rare for a small homemade creator like herself, but that was besides the point!

it irked her.

Since when has Ellie ever needed anyone for a platform she grew and built, huh? So what if you had given her the best fucking of her life? Genuinely, what about it? It’s not like she goes to sleep with you on her mind, just to awaken the next morning with her pajama bottoms absolutely drenched because she had the most delicious wet dream about you! That’d be crazy..

She rubs her temples a bit to soothe the pounding of her head, she needed a quick fix to this issue and fast! Opening the device back up, she seeks answers.

⌕ [“How do I get horny again without looking at the hot girl who had sex with me’s page?”]

Holding her breath, she types into the search bar. They do say google holds all the answers.

aaaand..nothing.

God, maybe she was dealing with an original experience? 8 Billion people and all useless.

What if you’ve ruined her to the brink of no-return? She can’t even orgasm anymore on her page without watching you, which makes the climaxes lackluster. She can never go back after you’ve given her a taste of the real thing.

That night, she props her laptop up with you pulled up on the screen. You’re wearing a pretty lingerie set, too pretty of one Ellie thinks. It’s the little fancy-pancy one’s you had in your closet that night you graciously let her stay over. Post-nut delirium, but Ellie could still see you liked lace alot, it being the main choice of material inhabiting your wardrobe.

Hot.

Her eyes scower the screen as donations roll in and as per usual, you thank the viewers with a pristine smile, like you didn’t turn Ellie back into a fuckin’ virgin.

She hasn’t been on one of your streams in a while actually, too caught up with work but now, she really remembers why she use to.

You were a guilty pleasure. Addictive, and Ellie didn’t even have a knack for sweets; you just always managed to pollute her head with the most vile of scenarios she could envision recreating with you and fuck, did she hate herself for it— hated herself for becoming so obsessed with someone who only saw her as a collaborater, a co-worker.

She couldn’t complain however, not with the way you manage to talk everyone through it in your streams in a low shaky voice, and especially, not with the way you capture everyones attention with your movements.

and, like a moth to a flame, Ellie finds herself, unaware, cupping her breasts..kneading the flesh like soft dough through her bleach-stained band tee, relapsing back into a place she thought she wouldn’t want to return to; she can’t help the moans that steadily escape her when you let one of your own out, and God, Ellie might really be the worst person because she hasn’t had this good of a masturbation sesh in forever. It’s been feeling so cold and robotic lately with her trying to appease her few followers, but we know how that turned out.

“Ellie’s in the stream?” You whimper out, reading the explosive chat when you slap the silicone toy messily against your puffy clit, swollen under it’s hood but sitting so pretty like an pearl would on its’s oyster, glistening in both your own liquids. “Hi Els..” Your whiney voice calls her out.

Oh God.

Ellie’s eyes roll back abit when she sees your crinkled eyes, lip pulled in between teeth and your flushed cheeks. She practically punches the ‘Co-Host’ request button with her camera off so only her pathetic pants of your name are heard, “H-hi doll..” She hisses out softly, “You l-look so pretty r’now, ah!..’m sorry haven’t been o-on your—mmh!— streams..”

You giggle at this, and the viewer count doubles in amount. Somehow, the stream becomes what seems like a steamy facetime call between two creators, with the rest of the viewers witnessing and prying in on the salacious moment, “‘s okay..just w-wanna hear your noises, Ellie.” It’s like you knew she couldn’t speak to you without a hand busying itself down there..

The girl groans, dropping her camera inbetween her legs to the echoing sounds of squelching and heaven. Though you couldn’t see her in the dark, 2:30 AM lighting of her bedroom she lounges in, you could feel it. She doesn’t even remember the last time she’d secrete this much arousal without the assistance of lube.

“A-ah, me baby? Gosh, ‘jus wanna watch you f’ a sec. Hear me well?”

You nod, eyebrows furrowing and your eyes growing more heavy when you prop your legs up on the gaming chair, displaying your drenched pelvic area— all so messy and for everyone to see. Mainly the broad on the other end of the stream..

You squeal when you curl your fingers into a specifically spongy spot, lips parting and your head thrown back a bit— you’d long ditched the dildo for something a bit more efficient, something to really capture the moment between you. Strands of hair stick to your forehead when an orgasm arises, and you seem a bit upset for cumming too quickly, not when Ellie has just got here!

Prolonging it a bit, you heave and retreat from your digits, rubbing your thighs imaptiently with your sighs stuttering, all while the other girl slaps at her cunt from what you can hear. Painslut

Ellie looks up back at you when she, herself, feels a tight coil in her stomach beginning to loosen, “B-boutta’ cum, dollface. Cmon..put them back on ‘er. Need my girl to do it with me.”

You nod ever so slightly to her voice, though you cannot see her, the raspiness of her voice takes you to a whole other level, “Ellie..” you cry out when your fingers make contact, it seems to be hitting you harder than usual, hypersensitivity of edging yourself all stream. Is it so wrong her green-eyed gaze trains on you intently while you whine and bitch for her?

The muscles in her abdomen tighten when she particularly notices a dumbed out look on you, saliva seeping past your glossy lips and dribbling to the lacy outfit you had on, rubbing her clit as fast as she can, she eggs you on, “Ah! Ah! J-just there w’you..wanna do it ‘wif you.”

Ellie gasps when your legs twitch uncontrollably, and on-cue, as promised, she meets the point with you— biting her knuckle when she spasms through the waves of orgasmic pleasure.

A few moments go past when Ellie picks her phone camera up to see you’d already went past your donation threshold. She can hear your hiccups, hair all messed up and covering your face— sweet baby..

She quickly ends the live-stream for you, a co-host accessible option you’d enabled incase you couldn’t end it from your own screen.

just to run to her bathroom to clean herself up before heading to your place.

Was she invited? No. Was she likely pushing a boundary? Yes, but, was she going to start a ‘no-aftecare’ streak in her entirety of 23 years? Fuck no.

Whether you liked it or not, she was on her way.

@san8ny: “alr she still got it ig”