#niall dork magazine

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I am going to be so normal about this photoshoot I swear

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readdork: Set to debut on 14th April, there's not just one @NiallOfficial cover to get your hands on. To celebrate our exclusive photo shoot, we've got two special fan editions too. You'll only be able to grab these extra variants online.

Order all three here: shop.readdork.com/products/dork-…

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Niall's IG stories on a busy day (week :))) for him❤️

featuring his being featured in Dork and Esquire❤️and then being a guest on a golf podcast he loves called 'fore play'

April 6th, 2023; 2:08

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Niall for Dork Magazine

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Niall for Dork Magazine. Order here.

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Niall for DORK Magazine - May 2023 issue

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"The fact that I can watch them (fans) dance and jump around the place at 170BMP to a song that’s about anxiety…It’s a really cool thing in my head...I don’t know whether that’s messed up or not..."-

- Niall Horan about 'Meltdown' for Dork Magazine

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Niall in Dork magazine

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Money is fake Niall Horan’s Dork magazine is forever

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The review is in the Dork magazine May 2023 print issue with Niall on the cover x

Louis Tomlinson’s ‘All Of Those Voices’ is a love letter to the people who made his career what it is today – review

DORK

Jessica Goodman | March 27, 2023

What do you do when it’s all over? Not just a badly paraphrased Elton John lyric, this is the question that Louis Tomlinson’s documentary sets out to answer right at the start. More than a story of fighting for success against all odds, ‘All Of Those Voices’ is a love letter to the people who made his career what it is today.

Rewinding the clock from Louis’ triumphant show at London’s O2 Shepherds Bush Empire last December to his televised X-Factor audition in 2010 (after declaring “I hope it doesn’t make any part of this movie” in ‘This Is Us’, this time his audition performance is not shown), the film opens with a rapid-fire rollercoaster of emotions.

We see the immediate success of One Direction at odds with the heartache of not being featured on the band’s early singles, achieving more songwriting credits than any of his bandmates is juxtaposed against not being prepared – or even feeling any sense of closure – when the group took their hiatus. All of this occurs in the space of about ten minutes.

“By the end of it, I knew exactly who I was – in the band,” Louis tells the camera. “There’s no guarantee and there’s no security,” he adds later. “Anything could happen next.”

What happened next is the story this documentary was created to tell. Through loss and love, both personal and professional, this is – as Louis declared when the film release was announced – “my story with you in my own words.”

‘All Of Those Voices’ is a story of love and family – both the kind you grow up with and the kind you find for yourself. If grief is love with nowhere left to go, this documentary is Louis’ way of expressing that. Heartfelt conversations with family at home in Doncaster pay tribute to the life and legacy of the family he’s lost, while humorous conversations to camera on the road honour the family that’s been found along the way.

Family, friends, colleagues, and band are just as crucial to this story as Louis is. Whether they’re offering testament to his character, guiding him through vocal warm-ups turned stage performance therapy sessions (sir, we’re going to need to hear more of those lower registers), or leaning into the camera as if sharing a secret to declare “it were better than one of the One Direction gigs!” of one of Louis’ own headline shows, though all the ups and downs, this documentary is a celebration.

There are sad moments and there are soft moments (find a more adorable moment in any documentary than Louis’ son Freddie drawing his dad’s logo with a stick in the sand, we dare you), but through it all, ‘All Of Those Voices’ is a celebration of the graft, the grit, and the people who make us who we are.

It’s not comprehensive. Louis’ annual Away From Home festival isn’t doesn’t get as much as a mention (given that there’s an entire documentary devoted to the first event, a lack of focus on this makes sense), and breaking his arm twice in the space of a year is also glossed over (though, to be honest, we probably wouldn’t own up to that either).

What this documentary is, is connective. We see the band become a tight unit, celebrating not only the music but the fun they’ve had playing it along the way. Drinking in the bus back lounge and playing a game of odds that results in garish gig attire and on-stage planking and push-ups, the film is a celebration of shared experiences.

As is customary with anything Louis does, his fans play just as important a role as he does. We see fan projects in action, light displays created by the crowd in appreciation of the person in front of them on stage. We also see a fan holding a sign saying ‘I’m 13 but I’m taller than you’.

A particularly heartfelt moment sees a fan read out an essay they wrote convincing their family to agree to them camping out before the show. When they finish, their friends tell them “I love you.” It’s unclear how long they’ve actually known each other, but all of this is what the fandom is all about: sharing enthusiasm, feeling connected, and supporting something you love – and having fun with it.

What’s next is anyone’s guess, but what’s clear is this is only the beginning. With a number-one album in the bank and an arena tour set for later this year, Louis and his fan’s successes seem only set to grow.

“This is all I fucking ever wanted,” Louis tells the camera as the film reaches its conclusion. If it’s not too cheesy to wrap up a review by quoting his own lyrics, then we think it’s fair to say, “we made it.”

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It’s one of those things, isn’t it? We all have it. We all have these panicky moments where you feel like it’s all crumbling. And you’re constantly telling yourself ‘I’ll be alright.’ That’s what you keep saying to yourself to calm yourself down. ‘I’ll be okay. I’ll be okay.’ Or someone says it to you, ‘you’re alright, everything’s fine.’ I wanted to put that into a song.

Niall on Meltdown via Dork Magazine (x)

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Pale Waves for Dork Magazine 

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Niall for Dork Magazine