#newborn and family poses
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Sweet baby Olivia Newborn Pics – Tolland Newborn Photography
Hey There! Thank you so much for visiting Melissa Hartigan Photography – Connecticut Newborn Photographer. I’m so glad you’re here and going to stay a while and browse around the blog. If you are newly visiting, let me briefly introduce myself. I am a professional photographer with a beautiful portrait studio located in Coventry, Connecticut dedicated to newborn photography, maternity photography…
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crownsofesha · 26 days ago
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TRH Prinz Wilhelm and Prinzessin Hildegard announce birth of their first child
They have named their son Jürgen Sigismund Njáll. Sigismund to honor HM Kaiser Sigismund, and Njáll to honor TRH the Prinzessin's father Njáll. The baby will be known as His Royal Highness Prinz Jürgen of Silesia
👑 His Majesty The Kaiser has been informed and both families are delighted with the news.
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orbitsuns · 1 year ago
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𝐭𝐡𝐞 𝐞𝐧𝐝 𝐨𝐟 𝐠𝐞𝐧 𝟒 !!
must begin life in courtyard lane, willow creek. you will flip every house in the neighbourhood by the end of your sim’s life through manage worlds ✓ marry a sim in the manual labour career with passion for woodworking ✓ complete freelancer career (art) ✓ every child’s name shares the same first letter ✓ complete the handiness / painting / photography skills ✓ post to social media once every day ✓ live in the final home that you flip ✓ be dressed to impress all the time ✓
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simmisstrait · 2 years ago
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#67 I enjoy the little moments ✾ Posepack ✾
| Part : 4/4 |
Included:
● 6 Poses
You'll need:
∙ Andrew’s Pose Player
∙ Teleport Any Sim
∙ Body Height Presets for Toddlers
∙ Burp Cloth
∙ Chair
∙ Water Bottle (toddler)
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DL
T.O.U
● Do not reupload
● Do not claim as your own
● Don’t re-upload.
● Don’t Copy
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thereaderpoint · 2 months ago
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Pregnancy Photoshoot Ideas at Home India
Pregnancy is a beautiful and special time in a woman’s life, and capturing it with a pregnancy photoshoot can create memories that will last forever. While professional photoshoots at a studio are popular, many moms-to-be prefer to have their pregnancy shoots done at home for a more personal and intimate experience. Plus, shooting at home allows you to be in a comfortable and familiar setting, which makes the photos even more special.
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1. Choose the Right Spot
The first step in planning your at-home pregnancy photoshoot is selecting the right spot. Look for areas in your home that have plenty of natural light. A well-lit room with soft sunlight coming in through the windows can create a warm and cozy atmosphere, making the pictures look beautiful and natural.
You can also consider shooting in different rooms, like your bedroom, living room, or even outdoors if you have a garden or balcony. The key is to choose a space where you feel most comfortable and relaxed. For a Maternity photo shoot Delhi, many homes have lovely courtyards or terraces that can add a beautiful backdrop to your pictures.
2. Use Props That Represent Your Journey
Adding props to your pregnancy shoots in Delhi can make your photos more personal and meaningful. You can use items like baby shoes, clothes, ultrasound pictures, or a small sign with your baby’s due date. These props will help tell the story of your pregnancy and bring out the excitement of welcoming a new family member.
If you’re doing a family shoot in Delhi with your partner or children, you can also include fun props like baby books, toys, or even a chalkboard with a sweet message. These small touches can make a big difference in how your photos turn out.
3. Try Different Poses
At-home pregnancy photoshoots can be fun and creative if you experiment with different poses. Here are a few ideas:
The Belly Hold: Gently cradle your baby bump with both hands, either while standing or sitting. This is a classic pose that highlights your growing belly and the life within.
Sitting Cross-Legged: For a more casual and comfortable pose, sit cross-legged on a soft surface like your bed or a cozy rug. You can place your hands on your belly and smile at the camera or look down lovingly at your bump.
Leaning on the Wall: Stand against a wall and place one hand on your belly while looking off into the distance. This is a great pose if you want to showcase a relaxed, thoughtful moment.
Silhouette Shot: Stand in front of a window or a bright light source to create a dramatic silhouette of your baby bump. This is a beautiful way to capture the shape of your body during pregnancy.
For family shoots in Delhi, you can involve your partner or children in the poses. Have your partner stand behind you and place their hands on your belly, or let your child hug your bump for a sweet family photo.
4. Incorporate Cultural Elements
Since you’re doing a pregnancy photoshoot at home in India, you can incorporate traditional Indian elements into your photos to make them more unique and personal. You can wear traditional clothing like a saree or lehenga, which will add a touch of elegance and grace to your pictures. Adding jewelry like bangles or a maang tikka can also enhance the look of your photos.
You can also include decorations like marigold flowers, diyas, or rangoli designs in the background to give your photos an Indian cultural flair. This is especially great if you’re doing the shoot around a festival like Diwali or during a special family celebration.
5. Capture Candid Moments
While posed photos are beautiful, some of the best pictures are often the candid ones. Try to capture natural moments during your pregnancy shoots in Delhi, like laughing, talking to your partner, or just relaxing on the couch. These candid shots reflect the real emotions and joy of pregnancy, and they make the photoshoot more fun and spontaneous.
If you have other children, let them be a part of the shoot as well. Take candid shots of them playing around you or interacting with your belly. These moments will add warmth and love to your photos and create lasting memories.
6. Dress for Comfort and Style
One of the best things about having an at-home pregnancy photoshoot is that you get to choose your own outfits. Pick something comfortable yet stylish that makes you feel confident. Flowy dresses, maternity gowns, or even a simple top and leggings can work well for the photos. Light colors like white, pastels, or soft pinks are popular choices as they give a soft and serene look to the pictures.
If you’re doing a full maternity photo shoot package, you may want to change outfits to get a variety of looks. You can start with something casual and then switch to a more elegant or traditional outfit for different poses.
7. Edit and Finalize the Photos
Once your pregnancy photoshoot is complete, you can enhance the photos with light editing. Adjusting the brightness, contrast, or adding filters can give your pictures a professional touch. If you’re not sure how to edit them, you can always hire a professional photographer to help finalize the images. Many photographers offer maternity photo shoot packages that include editing and retouching to ensure your photos look stunning.
Conclusion
An at-home pregnancy photoshoot in India is a wonderful way to capture the beauty and joy of pregnancy in a personal and comfortable setting. Whether you’re doing a DIY shoot or working with a photographer, these simple and creative ideas will help you create lasting memories. If you’re in the Delhi area, consider booking a Maternity photo shoot in Delhi or exploring Pregnancy shoots in Delhi with professionals who offer customizable maternity photo shoot packages to fit your needs.
Let your home be the backdrop for these beautiful moments, and cherish the experience of welcoming your little one with love and anticipation.
Maternity shoots in Delhi | Maternity shoot Delhi | Maternity photo shoot Delhi | Maternity photographer Delhi | Maternity photo shoot Delhi NCR | New Born shoots in Delhi | 3d hand casting in Delhi NCR | 3d hand casting in Delhi | Pregnancy shoots in Delhi | Family shoots in Delhi
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oahuphotographers · 5 months ago
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Family Photography Shoot at the Beach: Tips and Ideas
Beach photography offers a beautiful and relaxed setting for capturing family memories. Here are some tips to help you create stunning images: Planning and Preparation Choose the right time: Early morning or late afternoon light often provides the most flattering lighting conditions. Check weather conditions: A sunny day is ideal, but be prepared for cloudy weather with alternative poses and…
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mohammedalanqar · 1 month ago
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(Mohammed - Enas - Layan - Sara - Adam - Amir )
Trapped Family in Gaza Appeals for Help to Survive
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I am Mohammed Alanqer, married to Enas Majed. We have three children, and recently, during the war, we welcomed a new baby, making our children four now. We pray to God to protect them and keep them safe from harm in this harsh war.
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When the war began, I was deeply worried about our three children, and now, with the arrival of our new baby, our concerns have only grown. For over 300 days, we have been suffering and fleeing from one place to another. We pray to God to protect our children and keep them safe from harm in this harsh war.
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Amidst the ongoing war in Gaza, we find ourselves as a family trapped between walls of fear and despair. I, Mohammed, a father of three children and a husband to a woman in her eighth month of pregnancy, live in an environment filled with threats and risks.
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My technology startup, which I built with dedication and hard work, was destroyed during this war, leading to the loss of our livelihood. My children, Layan, Sarah, and Adam, no longer have the opportunity for education due to the destruction of schools, posing a significant threat to their future.
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My wife, Enas, lives in constant anxiety due to her advanced pregnancy and the destruction of hospitals in the area. After losing my job and source of income, I find myself in a severe financial crisis, unable to provide for the needs and safety of my family.
Our family home was destroyed due to the war, forcing us to flee and move multiple times, leaving us homeless. Everything has become difficult now; we cannot provide a safe place to live, nor can we afford clean clothes and food for our children. Additionally, our children have been afflicted with diseases such as measles, and our son Adam has been diagnosed with viral hepatitis.
We urgently appeal for your moral and financial assistance to cover the necessary costs for escaping to a safe environment, where we can build a better future for our children and ensure the safety of our family
Update on Our Story and Campaign
To those who have not read our story: We are a family of six, displaced due to the war in Gaza, having lost our home and everything we owned. Our goal with this campaign was to raise funds to help us travel to a safe place via the Rafah crossing, but the situation has become even more complicated.
Latest Updates:
1. Winter without shelter: With the arrival of winter, we remain homeless, facing the bitter cold and difficult living conditions day by day.
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Twitter: View on Twitter
2. A newborn in the war: We have a child born during the war, who is now five months old and named Amir. His needs, including clothing, diapers, and baby formula, have become excessively expensive.
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3. Skyrocketing prices: Prices in Gaza have become astronomical, making it nearly impossible to meet our daily needs.
4. Travel costs: The cost of travel has risen significantly, with estimates showing that registering one person for travel through the Rafah crossing costs between $5,000 and $7,000. This means that the total cost to register our family for travel reaches $42,000.
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5. Basic needs and survival: In addition to travel costs, we need to secure the costs of living and survival in a refugee country if we are fortunate enough to escape, where we will need to provide food, baby formula, diapers, clothing, and medicine for both the children and the family. We also need the minimum essential supplies to survive in Gaza while we wait for the border to open.
This is a post documenting the prices of basic goods in Gaza from a previous post. Here | @communistkenobi
I have detailed the required amount so that everyone understands why these costs are so high. The level of suffering we face daily in Gaza, combined with the unprecedented price hikes, makes it impossible to provide even the most basic necessities. The campaign we launched is aimed solely at covering what we need to survive, register for travel, and secure accommodation and basic needs if we are able to escape to safety.
What we need now:
The total amount we need to cover our needs has become $90,000, broken down as follows:
$18,900 will go toward taxes imposed by the country where the campaign sponsor resides.
$18,000 has already been used to cover the exorbitant living expenses in Gaza.
$42,000 is needed to register our family members for travel if the crossing opens.
The remaining amount (approximately $11,100) is allocated for survival costs in Gaza, including food, baby formula, diapers, medicine, and clothing, as well as accommodation and living costs in the refugee country if we are fortunate enough to survive.
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We are going through the toughest moments of our lives, and we are relying on your support to help us continue and secure a safe future for us and our children.
His campaign is number #174 on el-shab-hussein and nabulsi's google doc as well as being reblogged by 90-ghost here
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churipu · 10 months ago
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SURPRISE COOKIES FOR MAMA 𓆝 ⋆。𖦹°‧
ִ ࣪𖤐 featuring. nanami kento x female! reader
ִ ࣪𖤐 warnings. both of you have a three year old daughter, broken conversations from your daughter bcs she's a kiddo, i'm leaving all of you to name your daughter.
note. midterm week, i'm going to try uploading, but if i don't, just know that it's not me ignoring my wips or you. love you all mwah <33
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"this me!" (daughter) pointed at an old picture of . . . a young you with a blue thin strap floral sun dress posing cutely in front of the camera — a big smile on your face, showing off your pearly whites, "i pretty."
nanami who had his back leaning on the couch could only muster out a soft chuckle, he had his hand on the young girl's small waist to hold her up right; preventing a tumble or two, "that's mama. she looks lovely, doesn't she?"
(daughter) craned her head up to face nanami, her e/c doe eyes blinking, ears unbelieving that the portrait was her mother, "mama? no, this me! i so pretty," she pointed her chubby finger towards the portrait, which is undeniably almost as big as she is.
"mhm, that's mama," nanami caressed his daughter's head lovingly, "you do look a lot like mama, you know?" he whispers, eyeing the portrait (daughter) had laying on her small lap.
half a decade ago — nanami told himself that he isn't fit to be a family man; he swore the both of you talked about kids, and how you'd both wait at least until later on into the marriage. but (daughter) was a surprise pregnancy, and the best thing that has ever happened to the both of you.
"this no mama, this me papa," (daughter) pouts, her soft lips puckering out slightly.
nanami used his free hand to flip the photo album, showing a picture of (daughter) as a newborn. a pink colored bandana around her small head, eyes shut in content, "this is you the day you were born," he cooed out, letting his daughter take in the picture.
what a bundle of joy she is. nanami remembered every second he spent inside the delivery room by your side — letting you dig your fingers inside his flesh, because he knew the pain that you were going through at that moment couldn't compare to anything else that he was feeling. all he cared about was you and his daughter.
"this me?" (daughter)'s meek voice resounds. nanami nodded, eyes gazing into his daughter's doe ones, "i so pretty."
nanami smiled warmly, "yes, you are pretty, just like mama," he compliments; pinching her chubby cheeks gently, "it still surprises me how you're an exact copy of your mama . . ." he pats her head, his palm engulfing her whole head.
(daughter) nods her head vigorously, "mama and me twins!" she cheers happily, kicking her feet.
the male chuckles, "mhm, twins," he wrapped an arm around her waist and pulled her up — standing as he puts the picture album on top of the coffee table that sat in the middle of your living room, "mama's coming home soon."
"we take cookies out of cooler, papa," (daughter) pats her father's cheeks gently before wrapping an arm around his neck to hook herself close to nanami, "warm for mama."
nanami vaguely remembered the day he passed by a baking class near his office. where he first saw you, holding onto a young boy's hand — no younger than six years of age, guiding him to whisk what seemed to be cake batter. he stood out of the glass pane, staring into the class for at least the next three minutes out of his twenty-four hours just to look at you.
he thought you looked pretty (and the display cake looked pretty as well, but that was besides the point).
but he never saw you again until three months later at the same place, and you noticed him. surprising. considering he was staring yet again for the second time. but he didn't think that you'd go out your way to talk to him right at that moment — and he was thankful you did.
"mhm, we're going to warm it up for mama," with ease, nanami opened the cooler and grabbed a plate of messily made classic chocolate chip cookies wrapped with saran wrap. (daughter) contributed to most of the procedure, and nanami thought it was the third most beautiful thing besides you and her. he's a proud dad.
the process of warming the cold cookies was short — with (daughter) prepped on top of the counter, with nanami's arms right by her sides. the two of them smiling at each other in silence, waiting for the oven to let out the satisfying 'ding!', hopefully before you came through the door.
unfortunately, things don't always go the way he wanted. and there you were, with your usual (color) coat slung over your arm, heaving out an exhausted sigh, mumbling out a soft, "i'm home."
(daughter)'s head turn to face the door, eyes widening in panic as she then faced nanami, "mama home, papa," she whispers, covering her mouth to hold back a loud giggle.
nanami nuzzled his nose into hers, "want to go hide from mama?"
the young girl nods her head, almost immediately wrapping her arms around her father's neck, "go go go, papa, hide, hide!" she whispers, giggling as she fit her small face into the crook of nanami's neck.
nanami laid a hand behind his daughter's head, he passed by you who had just walked through the short hall leading towards the living room, sending out a slight signal through his eyes as he walks into (daughter)'s sage colored room. he laid the young girl down onto the rugged floor, "go go, hide from mama."
the girl wasted no time scurrying under her bed, giggling softly. on the other hand, nanami walked out of her room with a small smile, approaching you.
"something smells good," you greet the male, opening your arms for a hug. i mean — what else do you need after a long day of work besides a warm hug from your husband?
nanami's arms felt like a blanket engulfing your body, he buckled his knees slightly to press a short kiss on your lips, "(daughter) has your baking abilities, 'm not surprised. good day at work?"
you nod, "tiring day, a boy spilt heavy cream all over the floor and his mother blamed us for it," nanami's face hardened a bit after hearing your story, "she practically went on a cursing spree in front of the kids, the cops had to restrain her."
the male grazed his finger on your cheek, "i'm sorry about that, she didn't hurt you, did she?"
you shook your head, "no worries, where's my baby, hm?"
nanami pinched your nape gently, "she wanted to surprise you with her cookies, she's in her room hiding. go see her and i'll be there with the cookies, yes?"
"you're too nice to me," you jokingly said.
"just to you," he rolled his eyes, brushing his lips over the hollow of your nose, "go, go. she's waiting for you."
you pulled yourself away from his embrace, putting your coat on top of the kitchen's counter before sauntering over to (daughter)'s room, knocking on her door. which resulted in an indubitable string of laughter from your own blood and flesh from under the bed, "baby? where're you?"
her soft and hushed giggles didn't stop when you step inside her room, "are you . . ." you pretended to open the closet, "here!"
and (daughter) stifled back a laugh when you failed to find her. and the next attempt, you squat down to eye under the bed, "there you are," her loud laughs finally chimed out, "give mama a hug, please?"
the young carbon copy of you crawled out from under the bed, immediately rushing to your lap to give you a warm hug, "i miss mama . . ." she pressed a kiss to your cheek, "mama miss me?"
you cradled her body back and forth, "mama misses you so much."
"i have surprise for mama," (daughter) abruptly pulled back from the hug, "surprise cookies for mama!"
the scent of chocolate entered your nostrils as nanami walked inside the room with a plate of freshly warmed chocolate chip cookies, "it's not a surprise anymore when you tell mama about it, isn't it?" he asks with a slight chuckle.
"'ts okay, mama still surprised. i bake cookies with papa," (daughter)'s eyes twinkled with happiness when nanami laid the plate down on the floor, "i bake cookies like mama. try try mama!"
and so you did, "'ts so yummy, good job, baby!"
nanami tugged on your arm towards him, slithering an arm around your waist, "'f course she did, you're her mama, y'know?" the male leaned in to place a short kiss to the tip of your nose.
(daughter) shrieks out, "papa cooties!"
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© CHURIPU 2024 , DO NOT COPY OR REPOST ANYWHERE
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megalony · 5 months ago
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You're Staying Right Here
This is a new Eddie Diaz imagine based on a few requests I've merged together. I hope you will all like it.
Taglist: @justagirlthatlovedtoread @musicistheway @avada-kedavra-bitch-187 @luula @missdreamofendless @bradleybeachbabe @woderfulkawaii @amberpanda99 @daggersquadphantom @marvel-and-chicago-fan @angryknightstatesmantrash @minjix @lyje @kmc1989 @itsmytimetoodream @noonenuts @hiireadstuff @ashie-babie @classyunknownlover @jayyeahthatsme @sp1ritssz @dumb-fawkin-bitch @oliverstarksbae @gimatida @heart-35 @supernaturalstilinski @kyky9103 @wutheringhearts2275 @gay4hotmilfs @itshamleth @chaoticnosleepinfluencer @gs29 @wh0reforsmutstuff @mel-vaz @natashamea18 @chrisevansdaughter @alexandra848484 @deena-beena-weena @targaryenluvs @kpoplover-19 @marvelmenarebeautiful @gillybear17
@zoeybennett @mrspeacem1nusone @zephyrmonkey @estella-novella @eleventhdoctorsangel @kniselle @senjoritanana @shauna-carsley @dottierose @cfdhouse51 @darkfemme1 @rainechase45 @lolalolsstuff @jupiter1700 @ashdoctor @an-aliens-ghost @lunaroserites @houseoftwistedspirits @callsignwidow @winterreader-nowwriter @reneinii @bellsbomb @western-pyro
Eddie Diaz Masterlist
Summary: While (Y/n) is out with her and Eddie's newborn, she bumps into the 118 just as they get shot at by a sniper. And the team have to take her to hospital and try to keep her and the baby safe.
Enjoy.
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Pausing in her tracks, (Y/n) leaned her arms forward on the pram and squinted when she looked across the road. Her eyes danced across the writing on the side of the two fire trucks, trying to make out what station they were from.
Her lips curved into a smile when she looked at the truck at the far right.
118.
Both her husband and her brother were at work today, so chances were that they were right across the road at that scene.
"Shall we go see daddy and uncle Buck?" She turned her attention down to the newborn in the pram, smiling wider when Tate's mitten-covered hand moved to brush against her button nose.
No doubt she would wake up the moment (Y/n) crossed the road and the newborn realised she was surrounded by her favourite people.
Eddie was enamoured by his little girl. He had only just gone back to work this week and already he was finding it hard to be away from his family for so long. He just wanted to be back home with them all with Tate in his arms. And Buck was always eager to try and get cuddles with his niece. Whenever he visited, he swooped Tate up into his arms whether she was awake or not and he didn't fear waking her because he would just cradle her until she went back to sleep.
(Y/n) turned to the left and crossed the road, aiming for the truck parked up on the side of the street. There was another truck just in front, but it was from a different station that (Y/n) wasn't familiar with. She had only met a handful of people from other stations when they had parties or when Eddie came home saying he'd done a shift with a transfer who he got along well with.
If the team were busy or right in the middle of a call then (Y/n) would carry on her way and head back home. But she knew it was worth searching just to see if they could catch a glimpse of Eddie at work.
She spotted him instantly.
He had his back to her, but (Y/n) knew his frame in the pitch black, she could pinpoint her husband anywhere. Eddie had his hands on his hips which were cocked out to one side and the pose showed off his broad, tense shoulders that could be set against a ruler.
He was wearing his button up shirt today with the long sleeves that looked like they were cutting tight around his biceps and looked a bit snug on his back.
"Hard at work, I see." (Y/n) pushed the pram so it was resting near the door of the truck, shaded from the mid-morning sun.
Her head tilted to one side and her smile brightened when she watched Eddie's shoulders jerk up before he spun round on his heels to face her. His brows rose and a wide smirk curved at Eddie's lips as he moved forward, arms stretched out ready to embrace his wife.
His hands found her hips and he reeled her into his chest that felt had and tense beneath her hands. But Eddie's expression was as soft as ever as he let his eyes roam up and down his wife before he leaned down to taste her lips in a kiss. He felt (Y/n)'s hands roam up his chest to hold onto his shoulders, steadying herself against him as he leaned down into her, almost knocking her off her feet.
"Hey amor." He murmured softly against her lips, giving her hips a tight squeeze when he felt her hand move to drag along the side of his neck, leaving shivers in her wake.
He dared to swoop back in for another kiss, gliding his tongue across her bottom lip until Buck's voice caused him to grunt and pull back with his temple resting down against (Y/n)'s.
"You gonna put my sister down so I can say hi?"
Eddie felt Buck pat him on the shoulder as he walked behind him and stood somewhat impatiently at their side, hands on his hips sassily.
With a huff, Eddie let go of (Y/n) and took a careful step back so Buck could lean down and pull her into a sideways hug. But when Eddie turned to the right, the grin was back on his face and his teeth sank down into his bottom lip when he looked down into the pram.
"Hi baby," He cooed, reaching down to pick Tate up when her big round eyes started to flutter open.
He lifted her up and carefully snuggled her up against his chest, tilting backwards to keep her settled against him. He slowly carded his fingers up and down the back of her head and neck and he pressed a few wet kisses against her temple. He loved the way her lips moved and popped against his chest like she was trying to give him kisses.
He slowly turned around so he was facing his family and he couldn't refrain from rolling his eyes when he saw Buck grinning across at him. He had stolen (Y/n) for a hug and now he was clearly eyeing up Eddie's baby girl to try and take her for a cuddle too.
"How'd it go this morning?" His lips stayed against Tate's forehead but his eyes looked up through his lashes to lock with his wife.
"No more stitches." (Y/n) spoke softly with a grin as her hand moved down to press over her lower abdomen.
If they had been at home, (Y/n) would have pulled the top of her leggings down to let Eddie see the scar that now tainted her skin and show that she had healed 'perfectly' according to the midwife.
They hadn't planned for a C-section with Tate, but a day into labour, Tate had wriggled around so much the cord got wrapped around her throat. They needed her out as soon as possible as she was distressed and close to strangling herself, so off for an emergency C-section they went. It gave (Y/n) a row of stitches very far down on her stomach, but it was a relief to finally have them out.
It meant she didn't keep trying to itch them or catch them on her clothes and the general uncomfortableness was gone now. The only problem was (Y/n) still couldn't lift anything too heavy and she couldn't strain or stretch down too far.
Which was the reason why Maddie- and almost everyone else on the team- had all agreed they would keep popping round to make sure (Y/n) was okay and see if she needed any help.
Buck gave (Y/n)'s shoulder a squeeze before he moved towards Eddie with his arms held out expectingly.
"Can I have a hold?"
"Nope." Eddie kept his lips against Tate's head while her little mitten-covered hand started to bat and tap against his chest. He had only just gotten to hold his daughter and he knew they would be heading back to the station soon, he wanted a big cuddle before he had to say goodbye and let her go.
"Excuse me, I wanna hold the little lady."
"You can hold her later." they both knew Eddie was only joking, but he made no attempt to hand his daughter over just yet. He kissed the top of her head again and gently began to rock her up and down against his chest.
"So, where are you two headed?" Both Chimney's hands fell to his hips and his fingers began to tap along with his foot beating out a rhythm against the pavement. His eyes dancing between the two squabbling men who were like his brothers, and (Y/n) who was watching them all with amusement lighting up her eyes.
This call had been surprisingly quick and now all of them could head back to their station. No one would be opposed to (Y/n) coming back to the station with Tate for a while. Especially since Hen and Bobby would most likely be on shift by now. They hadn't been as early as Eddie and Evan this morning and Chimney had already been on shift for two hours.
"For a coffee." (Y/n) grinned and dragged her hand along the back of her neck. The stitches being removed had made her feel a bit queasy and she felt the need to go and get a drink to liven up before she took Tate home.
Eddie leaned his shoulders back against the truck, being careful to keep Tate settled on his chest with a smile on his lips and a glowing look in those dark eyes.
"We serve coffee at the station." He grinned, flashing his pearly whites when (Y/n)'s expression softened and her teeth bit down on her bottom lip. "You wanna come back to the station with daddy, hm?" He murmured against the top of Tate's head, taking the little gurgling noise she made as an answer.
He didn't want to say goodye to either of his girls just yet and he knew everyone at the station would be fawning over Tate when they saw her.
She had time. The only other pressing thing (Y/n) had to do today would be to pick Chris up from school, but that was late on this afternoon. She had a good few hours to kill before then and a coffee with the team- and a cuddle with her husband- sounded good.
"You do, well-"
Whatever (Y/n) was about to say faded out into silence in comparison with the gunshots that rang out through the air.
Everyone froze.
Eddie's eyes stayed locked on his wife. His arms suddenly tensed, pinning his daughter tighter to his chest as his fingers scrunched up into her onesie like he was afraid she was going to slip out of his arms.
That noise sent him back years. It had been so long since Eddie had heard the sound of a gunshot in person that he had forgotten the resounding bang that followed it. He forgot the way it made him wince when he wasn't expecting it and how much it rattled him when he wasn't in a battle zone.
His muscles contracted and his shoulders pushed back into the truck when a spray of blood splattered across his face and sprinkled over him as if someone had driven through a puddle next to him. He couldn't help the way he flinched, nor the way his lips curled as a disgruntled noise got stuck at the back of his throat.
For a second, when the blood hit, his eyes closed. But the moment they opened, it was as if his whole world had fallen apart.
His eyes locked on (Y/n) and as all the blood drained down from his head to his gut, Eddie felt his vision becoming dark. He had tunnel vision that focused on his wife and caused an aura to glow around her, nothing else visible and nothing else mattered. Except for his wife, and the blood soaking into her chest.
She didn't quite seem to recognise that the blood covering Eddie was her own because something horrid and frightened dwelled in her eyes when she looked at him. It was as if the world was crumbling and she thought Eddie or Tate had been the ones to get hurt.
Then she stumbled. Her feet slipped, her upper body tilted backwards and she went down to the floor as blood trickled down her shirt and out the entrance wound in her back, creating a dark puddle on the ground beneath her.
Static tore through Eddie's ears and his body shuddered back against the truck when another bullet pelted through the air and hit the truck, only two inches away from his head. But the thought of getting hit by a bullet didn't frighten Eddie as much as the thought of another one getting (Y/n)- or Tate.
His head snapped down so his lips could merge with the top of Tate's head and his trembling arms curved round her better so his arms engulfed her. He couldn't have the shooter- whoever and wherever they were- trying to aim for her.
He slid down the truck and twisted to the right, hunching over so Tate was between him and the ground making her as less of a target as possible. He could feel each cry and scream that she belted out becoming muffled in his shirt and vibrating through his chest, but it didn't matter. He had to keep her safe even if that meant frightening her.
"Get down!"
He could feel tears welling up in his eyes as a fire raged within his stomach and set alight to his heart and lungs. It was flowing through his veins, firing him up and making him feel like he was about to combust like the stars Buck was always telling them random facts about.
He couldn't have Tate getting hurt too. She was barely two and a half weeks old. A bullet would kill her. Any fragments that hit her if Eddie got shot would kill her. If Eddie got shot or pushed or fell down, Tate would be in trouble too because she was in his arms.
Panicked tears slid down Eddie's face as he breathed harshly, trying to control each breath that fanned against the top of the newborn's head. He stayed hunched over while Tate kicked and screamed, wriggling horribly to the point he had to hold her even tighter so he didn't drop her.
He began to shuffle to the right, keeping pressed up against the truck for some sort of cover and protection.
When he reached Buck and Chimney who were trying to shield behind the truck door, Eddie crouched in front of Buck and moved his arms out.
"Take her." He hissed as if the words were venom on his tongue. He had to go get (Y/n) and he couldn't do that with his daughter in his arms. Buck needed to hold her and keep her safe. He could see the panic flood Buck's eyes as he shakily took hold of his niece just as Eddie sternly demanded for him to protect her.
Eddie watched the way Buck's arms tightened around his niece, encasing her to his chest with one large hand curled around the back of her head for some sort of protection. He hunkered down, curling over so his entire frame was surrounding Tate like a blanket and he let Chimney grab his arm and drag him a bit further back for better protection.
They needed cover. They needed protection. They needed help.
Eddie gave the pram beside him a rough shove, watching the wheels spin out of control but it went in the direction he wanted it to. The pram moved towards Buck. It would give them a bit more cover, it would act as a shield from anymore bullets.
"(Y/n)-"
Her name barely scraped past his lips before he morphed into a scream. Someone grabbed him by the back of the neck. A rough chest barrelled into his side and tackled him to the floor.
He could feel whoever it was trying to pin him down, hissing in his ear to stay down, that they were in the firing line, as if Eddie didn't already know that.
Eddie gave way to the petrified scream that took all the air from his lungs. When he dragged in another breath, he went right back to screaming until he was red in the face and the vein was popping up the side of his neck.
His nails clawed at the tarmac road until blood started to scrape along the pad of his fingers.
(Y/n)'s name morphed into another scream but when he tried to scoot closer to her, his companion laid more on his back and pinned him down, still holding the back of his head to keep him looking down.
"Shots fired! Repeat, we're being shot at! Someone's hit, back up needed now. Send help!" The Captain from the 189 yelled into the radio pinned to his shoulder as he cowered down near Buck and Chimney.
A shiver tore through Buck and he cringed when he felt his niece beginning to scream into his chest. He could feel her mouth and nose pressing into his shirt and he made sure not to hold her any tighter, he didn't want to suffocate her. And it wasn't as if her screams were going to cause a problem, everyone was shouting, yelling and screaming their lungs out. Tate adding to the mix wasn't going to make a difference.
His hands shook as he cradled the back of her neck and hugged her into his chest. He could feel her tiny fists bashing into his chest and her feet kicking up into his stomach but he tensed his arms to hold her close.
She wasn't getting hurt on his watch; he wouldn't allow it.
Eddie could barely hear a thing, but he could feel his senses dwindling out and all he could focus on was his sights. His eyes were locked firmly on his wife. He could see her lips moving and Eddie wasn't sure whether it was his very acitve imagination or whether he was seeing it or not, but he was sure she was saying his name.
He thrust his elbow back into the teammate beside him, he screamed and roared until he managed to roll under the truck. He was getting his wife, he had to get to her and she was going to be taken to the hospital whether the shooter liked it or not.
His sleeves scraped against the road as he scuffled and shimmied beneath the truck that was barely raised enough for his large frame to fit beneath. He could feel his chin scraping along the floor so he didn't whack his head on the underside of the truck.
"(Y/n)! (Y/n)!"
He poked his head out from under the engine and took a quick look round for the shooter but he couldn't see anything. His vision was blurred and hazy and his eyes were moving too rapidly to take anything in. All he could see was (Y/n).
Blood was forming a river beneath her chest and her dusty blue top was turning black from the rouge blood dribbling down it. She had been shot in the chest, but she was still conscious. Her head slowly lolled to the right to look at Eddie and he saw the manic fear and pain dwelling in her eyes as his name bubbled past her lips.
"I've got you baby. I- I'm here."
He didn't waste time worrying about the best way to grab her and reel her under the safety of the truck.
With what little energy he could muster, Eddie scrunched his fingers into the back of her collar near her neck and started to pull. He yanked her close with a pulse of strength he didn't expect and his left hand planted down on the road to hold himself up.
A horrid scream bubbled past his lips as he yanked her close and scratched his knees to shuffle backwards. The moment she was beneath the truck with him, Eddie pressed his wet lips against her temple before he continued to crawl backwards, something he wasn't accustomed to doing very often.
Tears blurred down (Y/n)'s face and her wet lips parted to let out a tepid, meek cry when the tarmac scraped against her back that felt like it was on fire.
Tears blurred Eddie's vision. His arm was shaking and the muscles were tightening from dragging her with one arm, but he couldn't stop now. He had to keep moving, they had to get her in the truck and down to the hospital before she bled out here on the road and they lost her.
"I've got you amor."
When Eddie came out from under cover of the truck, he shifted into a crouching position and slipped both hands beneath (Y/n)'s arms. His nose scrunched up and he choked when (Y/n) screamed the moment he pulled her up. He had to. He couldn't get hold of her or move her any faster in any other position.
"Sorry baby, sorry, it's okay." Words tumbled past his lips and once (Y/n) was away from the truck, Eddie shifted positions.
He slipped her left arm over the back of his neck, one hand on her back and the other arm beneath her knees and hoisted her up into his embrace.
"Is Tate okay?" Eddie's voice dropped down two octaves as he rasped, his wild eyes scouring around while his head jerked forward when another bullet cut through the air.
"S-she's here, she's safe." Buck's voice had never sounded so broken and hollow before and if Eddie had the time, he would of been moved to tears and tried to hug his brother in law. But there was no time. He needed his family in the truck now so they could get to the hospital. He wasn't letting his wife bleed out in his arms like this.
"Then get her in the truck. Now!" Eddie ticked his head to the side in direction of the truck. They had to move, someone had to drive this thing and take them to the hospital. He wasn't waiting here like a sitting duck and letting his wife die in the street.
Trembling took over (Y/n)'s body and she could feel her head spinning around her. She could barely register Eddie's voice in her ear telling her to keep her eyes on him. She just wanted the pain to stop.
Eddie watched Buck keep his frame low, both hands cradling his niece as he climbed up into the back of the truck while someone else from the other team scrambled to get in the front.
He had to straighten up to keep proper hold of (Y/n), leaning over made him unbalanced and risked dropping (Y/n) before he'd got her in the truck. His teeth ground together and he turned to the side and managed to hobble up the steps into the truck while (Y/n) writhed and gasped in his arms.
"Sorry baby," He murmured as he hurried into the back and carefully lowered (Y/n) down across a row of seats. They had no ambulance nearby that they could confiscate, no proper medical equipment in here and no gurney but they would have to make do. They had to keep (Y/n) alive.
Her body writhed and jolted up when she was placed down but her nails scratched at Eddie's bicep until he grabbed her hand and held it to his chest.
Relief overtook Chimney after he climbed in with them and noticed the medic bag was still sat on the backseat where he had left it earlier, unused and ready for action.
"T-Tate," (Y/n) gasped, trying to circle her eyes back around to get her vision focused on her husband but her eyes wouldn't stay still. She couldn't do anything but let them roll and twist her head from left to right, writhing in absolute agony.
"She's here, s-she's okay amor, Buck's got her."
"I've got her." Buck repeated quietly, reaching out to press a trembling hand down on his sister's shoulder while he moved his other arm to indicate to the screaming newborn.
He had his niece in his arms and she was safe and so far unharmed. The only problem was how frightened she was and how distressed this was going to make her, but they could worry about that later. As long as she was unharmed and safe within their sights, it would be alright.
Eddie leaned forward on his heels with the soles of his boots pressed into the bottom of the opposite seats, his large frame didn't cramp well in the footwell of the truck like this. His fingers curled around (Y/n)'s hand and he held it against his chest like he wanted (Y/n) to feel his horrid heartbeat that was pounding through his body like it was about to explode.
They left the truck door swinging open as the driver took a sharp turn and jolted the truck to life, juttering down the street to get away from the scene.
Buck slumped down on the end seat stuck between the window and (Y/n) with her head nudging and pushing against his trembling thigh. Every part of him was shaking and he leaned forward, trying to keep out of range in case they were still being shot at. And he rearranged Tate in his arms so she was cuddled into his chest again.
His hand curled around the back of her head and he slowly started to rock back and forth, quietly humming against her head to keep himself calm and prevent a complete breakdown.
"I'm gonna take a look baby, okay?" Eddie couldn't stop his voice from rattling but no one seemed to care.
He held a trembling hand out towards Chimney who rummaged through the bag and handed him a pair of scissors. Eddie made quick work of cutting up the centre of (Y/n)'s shirt and dragging each torn piece across her shoulders so her chest was exposed to his eyes.
The white bra she was wearing was now blood red. Eddie would never be able to look at her in red lingerie the same way again. The gunshot wound was an inch above her bra on her left side and it was pouring blood like a tap. Blood coated all her chest, trickled down her abdomen and started to pool beneath her on the seats. It was lathered all over Eddie's hands, arms and chest and he didn't like it one bit.
A horrid grunt left (Y/n)'s lips when Eddie took a handful of gauze and forced it down against the wound so deeply it was like he was trying to give her CPR. Her chest shuddered and pushed up from the seats and her nails scratched into the back of Eddie's hand as she screamed. Spit bubbled past her lips and her blurring eyes finally managed to lock on her husband.
He leaned over her and pressed a shaking, bloodied hand against the side of (Y/n)'s face. His thumb smoothed over her cheek and his fingers fluttered against her jaw and lips. He tried to smile but he couldn't manage it.
"E-Eddie…"
"I'm here baby, just focus on breathing for me, okay?" He swiped his sleeve beneath his nose and rubbed at his reddened eyes before his free hand reached out to brace on the seat when they took a sharp swerve to the right.
"I l-love you," (Y/n) pushed her head back into the seat and nudged against Buck's thigh to get her brother's attention. "Love y…you all,"
Tears flushed down Buck's face as he sniffed and sucked his lower lip between his teeth to stop himself from bursting into sobs. She couldn't do that. She couldn't tell them that because that meant she wasn't expecting to live through this.
Buck couldn't be in a world without his sister. He couldn't survive without her. He couldn't live without any of his family. He went each day on shift wondering if something would happen to Bobby, Eddie, Chimney or Hen and how he would cope. He wondered if Maddie would be okay, if history would repeat itself and make him lose her like he almost did when Doug was around. He feared he might lose Chris like he did during the tsunami.
He feared something happening to (Y/n) like the night Eddie rang him in tears, saying (Y/n) was going for an emergency C-section because something was wrong with the baby. But Buck never feared his little sister would get shot, much less when she was with them while they were on shift.
"Don't do that." Eddie's voice snapped Buck out of his thoughts and had him shivering on the spot, but he wasn't talking to him. "You're not leaving me, so don't try and tell me goodbye. You're staying right here, do you hear me?"
The authoritive tone in Eddie's voice made (Y/n)'s head go dizzy and she choked on each breath she took.
He wasn't letting her die, and he wasn't going to crouch here and listen to her try to tell him goodbye. Eddie wasn't ready for that. He wanted decades with (Y/n). They had years and years and years left to be together and he wasn't having any of that time be cut short.
He'd already lost Shannon, and even though they hadn't been together at the time, she was still important to him. He couldn't lose (Y/n) as well.
He'd rather die.
"Go faster!" Pushing up on his knees, Eddie slammed his fist against the roof to urge whoever was driving to put their foot down.
He could feel the amount of blood (Y/n) was losing. He could feel her pulse throbbing against his hand as he tried to imbed the gauze into her skin to prevent the bleeding. If this continued she would have none left in her body and Eddie couldn't lose his wife.
His left hand pressed down harder causing (Y/n) to gurgle and writhe beneath him, but he had to. He had to keep the pressure.
He grazed his free hand across her jaw and his lips grimaced when he realised he'd just left a streak of blood tainting her skin. He lifted his head to look at Buck and his eyes trailed down to look at his daughter who was still screaming up a storm, despite how Buck was rocking her back and forth and trying to shush her the best he could.
But Eddie's attention went right back to (Y/n) when her hand feebly curled around his wrist and she started to pull, sinking her nails into his skin to claw for his attention.
"What, baby?"
"I c- ca…" Her nails scratched deep enough to draw blood around Eddie's wrist and she yanked his hand closer to her chest. Her head pushed back against her brother's leg and her chest lifted up from the seats.
Each breath turned into struggling gasps and her body began to convulse up and down, unable to take in a proper breath. She screwed her eyes shut and tried to still her shaking body when she felt Eddie's free hand hovering over her throat and then moving down to assess her chest.
"Shit, shit her lung's collapsing, she's breathing into her chest cavity."
Eddie turned towards Chimney who was already rattling through the bag to find a puncture needle which Eddie stole from him the moment his fingers curled around it. He had never done this in the ambulance, let alone in the back of a fire truck that was horribly swerving from side to side and shaking like they were driving through an Earthquake.
But he didn't have a choice. If he didn't do this, (Y/n) was going to keep breathing into her chest cavity and both lungs would end up collapsing. She would suffocate and combined with the blood loss, Eddie would surely lose her.
"Keep the pressure."
As soon as Eddie let go of the gauze, Chimney leaned between him and Buck, squashing his frame between them as he stood over Eddie's shoulder and held down on the gauze. He applied the needed pressure which made (Y/n) squirm and choke, but all of them froze when a struggling cough burst past her lips and a bout of blood spewed past her lips.
A quiet "Fuck," spat past Eddie's lips while he tried to steady himself on his knees and lean over (Y/n). He pressed down on two of her ribs and with a deep breath, he punctured the needle into the space between her ribs just a bit further down from her gunshot wound. He saw the moment he had pushed it deep enough because (Y/n)'s chest inflated up and her lung popped back up to maximum capacity again.
Eddie could feel tears spilling down his face when he looked back to his wife's face and saw her still struggling for breath. Blood coating her lips and dribbling down her chin while her hand flailed around to grip his arm.
"We're here!" Chimney jumped down from the truck and slammed his hands against the side of the truck before he pulled the door wider and waved them down.
Buck was next, cradling his niece into the crook of his neck as he clambered down, doing his best to stop from bursting into tears now that Tate had finally ceased crying. Reduced to whimpers and sniffles that choked Buck's heart.
"Okay amor, you're gonna be just fine and you're gonna stay with me, aren't you?"
(Y/n) did her best to nod and hum to let Eddie know she was listening and she understood. She felt him loop her good arm around his neck and once his arms slipped beneath her frame, she became weightless. Her head lolled against his shoulder and she scrunched her fingers tightly into his shirt as he hurried to clamber down from the truck and rush towards the doors to the hospital.
They didn't make it to the doors before a stretcher and a flurry of doctors were surrounding them. Eddie carefully eased his wife down onto the stretcher while a nurse immediately took place applying pressure to the wound and another clipped (Y/n)'s head into a neck brace.
"Keep breathing for me amor, y-you're doing so good." Eddie snatched the oxygen mask from the doctor and placed it over (Y/n)'s lips while his other hand gripped her wrist since she was still holding his shirt.
He could briefly see the boys running after them while he stayed doubled over the stretcher until his groin was pressed into the side and his legs burned from running at an odd angle to be alongside his wife. He didn't think about where they were going or what was happening until they reached the operation unit and a nurse suddenly grabbed him by the shoulders.
"No! No please- I can't leave her!"
He didn't have a choice. Chimney's hands clutched at his shoulders and pulled him backwards while a nurse disconnected (Y/n)'s hand from his shirt and wheeled her away from his sights.
As soon as she was out of his sight, tears overwhelmed his eyes, a sob ransacked his lips and his body started to shake like he was being electrocuted. He coiled his hands to his chest and let his nails scratch into his skin when it felt like his heart was going to give out and end his suffering.
His nails raked along his skin causing deep red indents to appear in their wake but when he twisted round on his heels, his eyes set on Buck. His hands left his skin and his arms stretched out as he gasped for air.
"G-give her to me."
Buck seemed at a loss for words and he seemed uneasy about handing over the little girl who had done wonders for keeping his concentration firm and preventing him from breaking down. But he knew if he didn't hand her over, Eddie was going to be the one suffering a breakdown.
He eased Tate into Eddie's arms, watching Eddie lean his cheek against the top of her head as he continued to silently sob like his heart was physically breaking in his chest.
What was he going to do now?
***
"Dad?" Confusion flooded Chris's voice and his head tilted to one side when he looked into the living room and realised his dad was home early. He had the sudden urge to rush over and bombard him with a hug but when he looked closer, he refrained.
His dad didn't look his usual self. He was slouched in the armchair like he was a wax work about to melt into a puddle. His head was propped up on his hand and Chris took note that his other hand was laid on the arm rest, shaking like a leaf.
His face was burnt red. His eyes were hollow and dark and had deep purple streaks beneath them like he had been shouting- or crying, for hours. And he could see Eddie's leg was stammering up and down, his heel clicking against the floor with every shake of his leg.
Chris felt Carla kiss the top of his head and whisper that she would see him in the morning but he could barely register her leaving and quietly closing the door behind her.
He didn't understand.
His mum was supposed to be picking him up from school today, but when he hurried out of the gates, he found Carla there instead. And all she told him was that there had been a change of plans and she was dropping him off home.
"Dad?" He asked again, his voice hollow and quiet this time as he kicked off his shoes and placed his bag near the door before he dared walk into the living room.
With a deep breath, Eddie pushed forward so he was no longer slouched in the armchair that had comforted him for the last hour. He tried to smile, he really did, but all he could manage was a small twitch of his lips.
He waved his hand out, beckoning Chris over as he got up and sluggishly moved to sit on the sofa instead. He watched Chris plop down next to him on the sofa, both hands gripping the seat as he started to rock back and forth but his eyes were intently focused on his dad.
"Is something wrong?" Chris could feel his heartbeat picking up but once he looked around, he felt a jolt surge through him. "Where's mum and Tate?"
Eddie sat forward on the edge of the seat and hunched over, clicking his spine into place as he did so. His elbows propped up on his thighs and both hands moved to cup his nose and mouth. He took a few calming breaths, willing himself not to have his third panic attack of the day, he couldn't be doing that again, not in front of Chris.
It took a moment for the adrenaline to wear off from his stomach and when it did, he turned to look at his son. He reached across and placed his hand on Chris's knee while his other hand started to rub up and down the back of his neck out of nervous habit.
"Your mum, she visited me at work this morning, and… there, there was an accident."
Eddie didn't want to be doing this.
He had done a speech similar to this when Shannon died. He had never had such a hard job as he did that day when he and (Y/n) sat Chris down and told him Shannon had passed away. He had only just got into a relationship with (Y/n) by that point, but she had been an anchor for both of them, keeping them safe and stopping them from drifting off into the unknown.
He had no idea how to have this conversation or how to speak without bursting into tears. Chimney had to be the one to call Bobby earlier and explain the situation. Buck could barely speak to Maddie on the phone. Maddie couldn't get through the phone call to her parents who actually said they were coming down. Which was a surprise, considering they hadn't come down when (Y/n) gave birth less than three weeks ago.
"An accident?" Hesitation flooded Chris's voice and he found himself leaning into Eddie's side with his cheek resting on his dad's arm.
Tears were already welling up in Eddie's eyes again despite him willing them away and telling himself to be strong, for his son.
"We don't know who, or why," He ran a hand over his face and squeezed Chris's knee. "But someone nearby started to shoot at us, and your mum got hurt."
"Mum got shot?" Chris's voice wavered and tears started to cascade down his face. Both his hands reached out to curl around Eddie's bicep and that was all it took for tears to trace down Eddie's cheeks. He reached his hand out and cupped the back of Chris's head, pulling him closer to he could kiss his curls.
"Yeah, but me and uncle Buck, we got her to hospital. I've been there all afternoon. They took her for an operation, and it went well. She's in the ICU and aunt Maddie's sitting with her now."
"W-will mum be okay?"
"It's gonna take some time, but the doctor thinks she'll be fine. But, but she's really bad at the moment, so uncle Buck and me are gonna take turns getting you from school and staying with you and Tate, okay? Just until mum can come home."
Eddie didn't want to jinx things and tell Chris (Y/n) was going to recover in case something happened. He couldn't take the risk of jumping to conclusions.
She had been in surgery for a good few hours. The bullet was taken out, her lung was patched up and the bleeding was stopped. They got her stable and into the ICU, but it was still early days. (Y/n) needed time to recover, they had to make sure her lung didn't collapse and she didn't get a blood clot in her lung since her lungs weren't working at full capacity yet. And they were getting her on antibiotics to prevent sepsis which was a big worry.
But she was still alive, she hadn't passed away during surgery, she had stayed strong and stayed with them and Eddie couldn't have been more thankful for that. His wife was still here and he was going to sit vigil by her side every day until he could bring her home.
That meant him and Buck taking it in turns to stay the night with Chris and take him to school. They would switch things around so they could both see (Y/n) every day but still look after Chris. He needed to keep routines and they had to keep him calm and look after him while also trying to take care of (Y/n) and Tate at the same time.
"Is Tate okay?"
A tender smile pulled at Eddie's lips and he nodded against the top of Chris's head.
"She's a bit unsettled, but she's completely fine. She's sleeping in my room at the minute."
Eddie carefully removed his arm from Chris's rather tight grip so he could loop his arm around the back of his shoulders instead. He tugged his boy under his arm and let him cuddle up into his chest.
It had felt awful to come home to a quiet home, especially when Eddie's heartstrings were yearning for him to stay at the hospital and be there when (Y/n) woke up, but he couldn't. He had to come home and be here for when Chris got back. He had to tell Chris what had happened and comfort him tonight and then he could go back and see (Y/n) tomorrow morning as soon as he'd taken Chris to school and found someone to watch Tate for a while.
He ran his hand up and down Chris's side while his other hand cupped his face so he could kiss his temple and keep his son as close to his chest as he could manage.
He was glad he'd come home when he did because ti gave him chance to get showered and scrub the blood from his skin. He may have scrubbed a little too hard and scraped off a few layers of his own skin, but he needed all of (Y/n)'s blood washed away. His clothes had gone in the bin, along with Tate's onesie that had been splattered with her mum's blood.
"I wanna see mum." Chris couldn't stop the tears from falling down his face, but he tried his best to hold back his sobs. He clutched at Eddie's chest and tilted his head back to look up at him.
"I-" Eddie didn't want to refuse. He didn't want to say no because he could see the agony swirling around in Chris's eyes. He knew it would do Chris some good to see (Y/n) and know she was alright. It would probably make (Y/n) feel better to see him too.
But he also didn't want to frighten Chris too much, and children weren't supposed to go into the ICU.
"Are you sure?"
"I want mum." His tone was defiant and firm and his chin jutted out as he looked up at Eddie with an expression that matched his dad look for look. And the underlying tone to his voice told Eddie he didn't want to wait until tomorrow. He wanted to go and see (Y/n), now.
"Let me call Buck, see if he can watch Tate, and I'll take you. But it won't be for long, kids aren't allowed in the ICU."
Removing one hand from around Chris, Eddie rummaged around in his pocket for his phone. He had no idea if Buck had actually gone home to change or if he stayed at the hospital. All Eddie knew was that Maddie was at the hospital with (Y/n) at the moment. But if Buck could look after Tate or at least sit in the waiting room with her, then it would give Eddie chance to smuggle his boy into the ICU so they could both see (Y/n).
He unlocked his phone, but his heart caught in his throat when he realised he'd gotten a few messages from Maddie. His phone was still on silent since this morning when he had been on shift.
*She's awake, everything looks good. XX
*Can you come back? She's getting distressed, doctor will sedate her if she won't calm down. Need your help. XX
That was what Eddie had been worried about when he left before (Y/n) woke up. She didn't like hospitals, she was going to be confused and wonder where Eddie and Buck were as they had been with her when she arrived and went for her operation.
The last thing they wanted to do was keep sedating (Y/n) if she got distressed or panicked, it wouldn't be fair to her. And they needed to try and keep her awake to make sure she was alright and she wasn't having any complications from surgery.
Eddie stuffed his phone back in his pocket, kissed the top of Chris's head and pushed up from the sofa.
"Let's get ready. Your mum's awake, and she needs our help."
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serpentface · 1 month ago
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GUARDIAN LIONS
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An Odomache guardian lion cult statue (alabaster with gold plating and inlaid pearl and lapis lazuli), of the curved-reposed maned lioness variant.
Guardian lions are a Wardi architectural/artistic motif that confers protective benefits to the buildings or utilitarian objects on which they are placed. The practice of artworks depicting lions as place-guardians long predates the Faith of the Seven Faced God, and has been translated into contemporary practice as aspects of the Face Odomache.
This Face has core functions as a representation of sovereignty and military might, but additionally is interpreted as both a protective patriarch and nurturing mother to Its people. Lions represent this function well, as a powerful and venerated animal capable of both tremendous ferocity and gentleness (these functions combined in their renowned fierce protection of their own cubs).
Guardian lions come in three distinct sex variants, which impart different meanings.
Male guardian lions most typically are used to represent the Patriarch Odomache, the Face as a divine father that watches over the collective household of Its people. This iconography is most common in architectural guardian lions placed upon homes, as a representative of the father's intended function as the protector and arbiter of his family. They effectively 'guard' the culturally important private familial sphere, with their presence being a reminder to potential trespassers (literal and figurative) that retribution will be severe.
Maneless guardian lionesses are used to represent Odomache as a protector of pregnant women and children, in a form that suggests both an underlying ferocity and a feminine ideal of gentle nurturing. These are less common than the other variants, and mostly appear on smaller art and ritual objects used in conjunction with pregnancy and childrearing. Their most prominent core use is being a standard decoration on the carved ox horns used by midwives to bear oil (anointed upon mothers and newborns) and to pass over women in labor for spiritual protection. They're also common as small art objects or toys for babies and young children.
Maned guardian lionesses express a totality of these functions. Core depictions of the Face Odomache usually use a maned lioness, with the androgyny unifying Its functions as the Patriarch and the nurturing mother into a protective guardian mother to the collective people. These depictions have ubiquitous uses (the only context you Rarely see them in are as household guardians), and are the typical variant seen in important public spaces, and standard as cult statues to Odomache.
The guardian lion is a very old motif with regional variants, and comes in a variety of stylistic forms. There is very little standardization to the style (with some standardized elements only just beginning to develop in cult objects in recent history). However, there are very well-established conventions for the lion's posture that often distinguishes these guardian figures from non-functional, generic lion art, and imply more specified meanings.
STANDARD POSTURES:
Nursing lioness:
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Glazed pottery nursing lioness. This is a decorative art object with guardian functions, likely to be placed near a child's bed.
The lion is at rest, belly turned out to the side to expose teats (occasionally accompanied by suckling cubs). Some unique variants are partially anthropomorphized, placing humanoid breasts in the chest area (rather than the more typical anatomically accurate teats). The posture is relaxed but alert, and will be positioned so that the face looks upon the point of approach. This pose is almost exclusively used for guardian lions as protectors for children, displaying a fierce animal mother figure in an entirely gentle, nurturing form.
Reposed:
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Unpainted stone statue of a reposed male lion.
The lion is at rest. There is little active threat in its pose, instead invoking a relaxed, self-assured guardian. This motif appears often in non location-specific decoration or general public spaces.
Curved reposed:
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Sketch of the curved-reposed alabaster maned lioness as seen from above, as it would appear in a temple shrine. A bowl is placed for libations, a tray for small offerings of flowers and grain.
The lion is at rest, with its front positioned to confront the viewer while the length of its body is simultaneously visible. It is a relaxed pose in a resting position, but the body's contortion makes it more confrontational towards onlookers, suggesting that a cautious and humble approach is necessary. This is most common in cult statues (where offerings will be placed along the length of its body).
Seated:
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Seated Loberan house statue guardian, painted stone.
The lion is seated on its haunches, suggesting watchful alertness and an implied threat, but that the animal is secure in its strength and at rest. This type is the most common as an architectural feature for homes, representing patriarchal guardianship of the family and the domestic sphere within. This pose is almost always male, with very occasional maned lioness variants.
Standing/Striding:
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Painted marble statue showing a standing/striding maned lioness. The statue is three dimensional with its sides carved in high relief; the pose will appear to be static when viewed from the front, and is mid-stride from the sides. The tail between the legs is unusual for a guardian lion motif and its placement is entirely due to the physical restrictions of this statue's form.
The lion is standing at attention or depicted mid-stride (often both simultaneously), suggesting readiness to strike. This confers a sense active protection and intimidation, and most often appears flanking the entrance in high status public spaces like temples and palaces. As a person approaches a standing+striding variant, they are greeted with a static front staring them down, and the lion appears to walk as they pass, suggesting they have entered an important space being guarded with high alertness- they can feel safe under its active protection (or know that it can and will (figuratively) come after them if they are a trespasser).
Conquering:
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An oil lamp depicting a conquering maned lioness. The trampled figure's nudity in this context codifies him as a 'barbarian', while the artificially lengthened skull and long beard distinctly identifies him as a Finn king. This is a piece in the ancient artistic tradition known as 'seething and coping'.
The guardian lion stands over and/or actively tramples a prone form, usually human. It shows the conclusion of the guardian lion's function- the defeat and subduing of a threatening enemy. This enemy figure will often be expressed as a generic 'barbarian' (usually coded via nudity) or representing a specific population by depicting recognizable (real or imagined) practices of dress and adornment. Animals sometimes appear as 'enemies' instead, which can vary depending on the purpose- a dog (generally disliked animal) casts the enemy figure as pathetic and easily destroyed, a king hyena or crocodile (respected/feared large predators) casts the enemy as powerful but overcome by greater might.
This motif most often occurs in art used in state/military contexts (where it quite literally shows an embodiment of the state trampling a foreign enemy to death), but is used in everyday objects as well. The 'enemy' figure (whether a human caricature or an animal) can represent any number of threats perceived by an everyday person - bad luck, curses, a hated neighbor, thieves, livestock predators - and conveys a guardian spirit overcoming these threats.
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hibiscus-percy · 8 months ago
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Don't imagine Zagreus when Melinoë was born. Don't imagine him seeing her and immediately knowing he would do anything to protect her. Don't imagine him being excited to be a big brother; to give the love and attention and patience he never really had growing up. (Sure, he had Mother Night, but he never understood why his father hardly ever paid attention to him for anything other than to enforce his lessons. Something always felt off..) Don't imagine the joy he felt, posing for that family portrait.
Don't imagine the fear he felt when the House got attacked by Time itself. Don't imagine him doing everything he could to protect his family; his newborn baby sister.
Don't imagine him thinking, for all those years, that he failed.
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Treasured Newborn Baby Rowan – Newborn Photography Coventry
Hi There! Thank you so much for visiting Melissa Hartigan Photography – Newborn Photographer CT. I’m so glad you’re here to read my recent blog post of this handsome little fella and browse around the blog and my website! I am a professional newborn photographer with a beautiful studio in Coventry, CT that is dedicated to newborn photography, maternity photography and baby milestone photography.…
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bluenightfm · 3 months ago
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sqh raising luo binghe bc the wash lady never happened bc the timeline's altered and subsequently mbj finds out or qinghua tells him (pre-established moshang) and qinghua is hmmn . freaking the fuck out bc wdym his stallion protag is a colicky newborn baby that won't go to bed unless he's rocked, swaddled, and cuddled by sqh (mobei-jun's heart shattered when baby binghe cried when sqh handed him off for a second before putting him to bed, he's still nursing his bruised ego) . this is his beloved if bloodthirsty son who is 75% cheek and 25% baby fat, it is a miracle he ever goes to his jobs when his son is so cute and tiny and why did he not write cameras into PIDW !!! no amount of portraiture would capture his sweet boy looking up at him all cute and tiny and never to be captured on camera. moshang being dads co-parenting binghe and everyone being confused bc everyone thought mobei-jun would finally marry and make qinghua consort shang but to each their own . co-parenting and then oh my god they're not even together yet are they? posing for family portraits together with romantic tension thick enough to start choking everyone out of the room. qinghua and mobei-jun looking next to dead bc binghe has never slept thru the night and sqh feels like he hasn't had a good night's rest since he transmigrated into PIDW . also maybe make it omegaverse
@coastinglove
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luveline · 1 year ago
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𝐚 𝐧𝐞𝐰 𝐜𝐚𝐦𝐩𝐚𝐢𝐠𝐧 | 𝐞𝐝𝐝𝐢𝐞 𝐦𝐮𝐧𝐬𝐨𝐧
things aren't the way you planned coming home with your newborn, but you have eddie there to lean on when things get hard (and an unlimited supply of 'munson-style' hugs). requested here. infatuated dad!eddie x mom!reader, 3k.
cw post partum recovery, reader is suffering from some symptoms of post partum depression
˗ˋˏ ♡ ˎˊ˗
"You're sure you can manage?" Wayne asks, his voice buzzing down the line.
Eddie peers out of the kitchen into the living room quietly. You're sitting on the sofa in a shape that can't be comfortable considering your recent stitches, the baby on your thighs where you've brought them together, your hands delicately posed on either side of his head. 
"I think so," Eddie says, answering Wayne's questions with honesty. "She's feeling a little better today." 
"It's hard, Eds. You take care of her and call me if you need help, okay? I'm proud of you. Both of you." 
It catches Eddie off guard for a moment. He's done enough crying lately, clearing his throat to say, "Thanks, Wayne. Call me tomorrow." 
"You call me, I don't wanna wake anyone if you're sleeping." 
They say their goodbyes. Eddie leans against the kitchen doorway to spy on you and the baby. Babies cry more than he ever could've imagined despite the warnings, but it's quiet, too. There are moments of peacefulness like this one breaking apart the chaos. 
You're whispering something. Eddie stands very still, wishing the dishwasher would magically silence itself. He strains to hear you. 
"I love you," you say. "Sorry I'm tired, honey. I promise I'll be better. You're so beautiful." 
Eddie bites his cheeks, wondering if his family (his family!) aim to make him cry and little else tonight. He gives himself a look in the mirror magnet on the fridge framed by a We Love Michigan border, rainbows and cute elk surrounding something less pretty. His hair is frizzy but that's nothing new, greasy at the top and dry at the bottom. He scrapes it back into a scrappy bun and wipes the oil from his face with his sleeves. He's in dire need of a shower. 
Resigned, he steps out of the kitchen, new socks slippery on old linoleum before finding stability on the crush of carpet in need of a vacuuming in the living room. You look up and bless him with a smile.
You've had a bad case of the baby blues, though the midwife assured him that was normal, and not to worry unless it continued past the first few weeks. 
Well, Eddie will worry. Any depression you experience breaks his heart, no matter the cause, and no matter how temporary it may be. Just 'cos a cut might heal doesn't mean it didn't hurt when you got it. 
"How do you feel?" he asks cautiously. 
You make a face that he knows precedes a lie. "Don't worry about me." 
He sits on the arm to look down at the baby —his baby, his son— in your hold, your face moving immediately to rest on his thigh. 
"I'm okay, teddy," you say.
"How about you?" he asks the baby, taking his hand gently. 
The baby doesn't open his eyes nor answer the question, well and truly asleep. 
"Do you think Charlie was the right name?" you ask, stroking his small face lightly. 
"If we hate it, we can just call him Wayne." 
Eddie's out of this world lucky that you'd liked the name and loved him enough to name the baby after his uncle. Charlie Wayne Munson, born six pounds and two ounces, the smallest baby they saw all week in Hawkins General. 
"He looks more like a Wayne than a Charlie," you say, rubbing your cheek into Eddie's sweatpants. 
"He's so fucking beautiful," Eddie says, getting his hand behind your shoulders. He gives your back a loving rub, up and down the whole stiff length of it. "Would you relax? Or tell me what's wrong? Please?" 
"Nothing's wrong… Look how perfect he is, I'd be a freak to act like something was wrong," you say, the exhale of your words warming his leg. 
Eddie rubs his hand up with a tad more roughness until the cinch between your shoulders has flattened. 
"You're having a biological reaction," Eddie says, leaning down to press his lips to the top of your head. "Don't feel bad about feeling bad, sweetheart. This is a physical thing, that's all it is. You're not a freak for feeling wobbly." 
You relax even more, pad of your thumb swiping Charlie's smooth cheek. 
"Want me to make you feel better?" he asks.
"How?" 
"I'm not sure yet. I was thinking we'd make a list. Starting with a hug, quickly followed by something amazing to eat before Wayne wakes up." 
"Charlie," you correct with a small laugh.
"Is there a nickname for Charlie?" Eddie asks. "What are we gonna call him? Lee?"
"We'll think of something," you promise. 
Eddie isn't worried about it. He figures there's at least five years of nickname time to get one that sticks. For now, he has a list to make and things to do, and the first is making sure you're as well as you can be. He starts with the hug, pulling what you want for dinner from you one soft kiss to your temple at a time. Chicken pot pie? Ramen noodles with a fried egg on top? Sesame chicken? Triple cheeseburgers? 
You can't decide. Eddie chooses breakfast for dinner. It won't take long —he can fry the sausage, eggs, turkey bacon and toast in one pan. 
He keeps the door open to watch you, though nothing is actively wrong. You're deflated now rather than tense, petting and fawning over the baby as much as you can without waking him up.  
"Just as handsome as your dad," you say. 
It's a lovely sentiment but Charlie does not approve. He blinks awake, signified by your saccharine, "Hi, baby boy," followed by ten seconds of awe-filled cooing. Eddie's frying some bread in the pan but dinner can wait, he wants to see the baby with his eyes open again. 
By the time Eddie reaches the couch, he's crying. 
You move him carefully into a rock-a-bye hold and shush him. "It's alright," you say. 
"He sounds like you." 
"What?" you ask between shushes, hand tapping a slow and gentle rhythm into Charlie's swaddle. 
"He sounds like you when he cries," Eddie insists. 
Not your pained screams a few days ago nor your heart wrenching tears when you're feeling at your worst, but your hormonal sobbing. Like when you saw the commercial about the new 'shoplifters exposed' program on CBS that featured an old lady who stole a tangerine from the grocery store and got arrested despite her having alzheimers. She didn't mean to, Eddie, why would they make her cry like that? In fairness, it was a very upsetting commercial, but you cried for four hours, and for days afterward your eyes would well with tears and he'd know exactly what you were thinking of. 
"When you're on your period," he explains. "When you know you wouldn't usually cry." 
"You think so?" you ask. 
"I think the solution is the same, too." 
You nod your agreement. "He's hungry." 
You and Eddie feed the baby with varying levels of success. Charlie doesn't wanna latch even though it's a bottle teat, causing some confusion —is he not hungry? Is he cold? No, sweetheart, he's not cold, he's got two blankets and the thermostat's at 68 Fahrenheit. Maybe he needs a new diaper? You check. His diaper's clean. 
You're looking more and more defeated by the second. Eddie sits beside you to give your knee a reassuring squeeze. Babies are hard to look after, but he knows you'll both grow into it. You're exhausted from nine long months and a turbulent half day stint of pushing and crying and turning the bones in his hands into powder, your hormones are going crazy, and you're having a tough time. This won't be your forever feeling (though if it were to last, Eddie would stay at your side through that, too, that's not a question). 
"You know what else works when you're not feeling good?" Eddie asks, offering his arms. He isn't some muscled herculean shape, but when you hand Charlie over, his arms look strong. Capable. Holding Charlie feels just as perfect as holding you. "A Munson-style cuddle," he finishes, trying to speak to his wailing son in that same bubbly parentese you've started talking in. 
Eddie did a lot of talking to your bump while you were pregnant, but he was usually just trying to make you laugh. There were times where he'd lay with his nose against your hip and his arm under the bump, wondering about moments like this. What was the baby going to look like? What colour would his eyes be? What will it feel like to hold the baby in his arms? 
Charlie feels lighter than Eddie first prophesied. Small. He has eyes like yours rather than eyes like his and he couldn't love it more. 
Eddie takes the bottle when you offer it and sandwiches the baby to his chest. He doesn't want to condescend you, doesn't want to shoo you off, but Charlie's crying around the bottle and you look veritably miserably. 
"Do you wanna go and make sure the food isn't on the turn?" he asks. When he realised the baby wasn't going to go down easy again he put your plates on a baking sheet and put the oven on low to keep it warm. 
You hesitate. "Are you okay?" 
"I don't know. I think so, sweetheart. We're barely a room away, alright?" 
He's called you sweetheart more since the birth of your son than ever before, which is insane; Eddie's called you sweetheart likely twice a day since the day you met. That's a whole lot of sweethearts. 
With the baby's changing mood comes a change in the weather. Eddie pats his little back, a quiet thump thump thump, while rain lashes the closed windows. The baby finally decides he's hungry, and the mood turns from frenetic to ambient almost immediately. 
"You make sure you eat if you're hungry!" Eddie calls to you. 
"Are you sure?" 
"I think…" He drifts off, distracted by Charlie's long eyelashes, the way they skim under his eyes and the tiny noises he makes as he suckles. "Aw, baby," he murmurs, "good job. I knew you were hungry. You sounded just like your mom." He can't help grinning. Eddie is really talking to his kid right now, his real life baby. "You made her super emotional, but you're her whole world now. You're mine, too, obviously, but I'm cooler than this." He sighs. "No. I'm not. This is the coolest thing ever." 
"What do you think?" you ask softly. 
Eddie looks up. You're standing at the door, staring at them like they're made of sparkling diamond, every inch precious. 
"Right. I think that we're gonna have to start eating when we can. Wayne never had a baby, but he said I was bad enough as a teenager, and Steve said he's lucky if he gets to eat a hot meal some days." 
"Steve does have three," you say, frowning. "We really can't eat together anymore?" 
You ask like you're less bothered than you are. Like a gimmicky Oh, man. Eddie knows it hides a real worry, and right now he's trying to give you the world on a silver platter, so he dots a little kiss on Charlie's head and says warmly into his skin, "No, that's not true. You're going to be such a good kid, me and mom will be eating together all the time. Isn't that right?" 
Eddie looks at you with his head still tilted down. "I wanna eat together, okay? Everything's changing, but dinner doesn't have to. I just wanted you to eat 'cos you left half of your waffles at breakfast." 
"I can wait." 
"Then let's wait. You wanna come and hold him?" 
"No, he's settled. I don't wanna mess it up again." 
"You didn't," Eddie says, firm and sweet at once. "Sweetheart, come here. You didn't mess up, okay? I'm serious, come and sit with me." 
You hesitate in the way. You're still unsteady on your feet despite the few days you've had to recuperate. Though your hair is cleaner than his it certainly isn't clean, nor are the clothes you've pulled on. Eddie read up and asked around on what would be comfiest for you, debating nightgowns and silk pyjamas at length, but all you've wanted to wear is a hoodie you've had since you were a teenager and a pair of sweatpants with fraying cuffs. He loves it —you look like an adorable dork. 
Your stomach visibly churns. Eddie thinks you might chuck up, is already pulling the baby to his chest to place in the bassinet when you take a short, quiet gasp for air. 
"Sorry, I don't know why I feel so on and off. I know it's just hormones. I promise I feel happy– I feel happy–" You gesture an open palm toward him. "He's gorgeous, Eds, he's everything I wanted and so much more, I just– I just feel like crying and I don't know why," you confess, blinking to suppress tears, shifting your weight uncomfortably from foot to foot. 
Eddie detests seeing you this uneasy, and he swoops in to correct it. 
"Come here," he says again, no hands free to hold out to you. He hopes his voice is inviting enough. 
You shrink into yourself. "I'm being weird." 
"I like when you're weird. I kind of love it. I don't think we'd be in the mess if I didn't love it." 
"It's a mess?" you ask. 
"It's perfect." 
You finally smile, creeping around the bassinet and the needlessly baby proofed coffee table to sit on the edge of the couch with him. Charlie makes a sound in the back of his throat. 
"Hear that? He knows you're here," Eddie murmurs, making room for you hopefully. 
You sidle up to his thigh and lean on his arm, careful not to knock his elbow. You watch Charlie drink his bottle for as long as there's milk left, two ounces knocked back like it's nothing. 
Eddie eases the teat from Charlie's lips carefully. With care but a clumsy imprecise manoeuvre, he lays Charlie down in the bassinet. He has a lot of hair for such a small baby, enough to stroke back from his forehead, soft under Eddie's fingertips. 
"He's really, really beautiful," Eddie says quietly. 
"I know," you say, an anxious hand on your cheek. "I can't believe something as good as him could come from someone like me." 
Eddie stands between your legs, resting a loving hand at the slope of your shoulder. "Why would you ever think something like that?" he asks, his voice as soft as it's ever been, but with a smile in case you don't want to talk about it any more. 
"He's… I'm just not…" 
Eddie gives you time. You've needed it ever since you went into labour, time to piece things together.
"I really thought I was ready," you say, looking up at him with a pinch between your eyebrows.
He brings his hand up to cup your face. You don't lean into it. "Alright, I'm going to talk for a little while, 'n' I know you won't agree with everything I'm saying but I need you to know that this is how I really feel, yeah? Buckle up." Eddie bends down, unafraid of embarrassing himself because it's you. "I know you think these feelings are your fault… that this is some failing, like you're–" He drops his voice to a whisper, "Like you're being a bad mom already, but it's not the truth." 
You startle at being read so easily. "Eds," you mumble. 
"We knew this might be how you felt afterward, the midwife talked and talked about baby blues and you said–" 
"I said I couldn't understand how I'd ever feel sad once he was born," you say, looking at his neck rather than his face. 
"And that's fine, you know? You're not a bad person for thinking it would be perfect and then changing your mind." 
"But he is perfect," you say. 
Eddie rubs your cheek. "He's perfect, but this is hard. Being a new mom with your stitches and your aching tummy and all the gross fluids–" 
You laugh through a groan, pressing your eye into his hand.
He leaps to keep it going. "This isn't how you expected to feel, but that's okay. There's nothing to be ashamed of. Cry if you feel like crying and don't feel fucking guilty about it, this sucks. You had to do the world's most tumultuous campaign for the last nine months and suddenly you're standing at the start of a new one that takes up, like, a gazillion pages with half health and an equally useless companion." 
Your lips press into a thin line, but your eyes are soft and bright despite their obvious fatigue. You bracelet his wrist with your fingers and push his hand further into your cheek. 
"My dork," you murmur. 
"You understand it, don't you? Makes you an even bigger dork."
You nudge your nose into his palm. "I understand. Thank you, honey." 
Eddie's not done. "You said you don't know how something good like him could come from someone like you? I don't think bad was a possibility." 
Your second thank you is better. The first wasn't inauthentic, but this one sounds as though you genuinely believe him. Eddie bows down into a crouch to wrap his arms around you, the majority of his weight on your shoulders and avoiding your sore lower region, and the entirety of his love pressed to your cheek, a long, mindless kiss. 
"I love you," you say. 
Eddie tucks his head against yours, ignoring his protesting knees. "I love you, too." 
Your food turns to dry mulch by the time you remember it in the oven. You're too distracted by Eddie's hug, his offering for a shoulder massage, and the subsequent second hug that ensues, your back to his chest, dozing in the sanctuary of his arms. Munson-style cuddles are his expertise.
˗ˋˏ ♡ ˎˊ˗
thank you for reading!
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banmitbandit · 4 months ago
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Pots 'N' Picks Week 2024: Day 7: Breakfast/Lunch/Dinner/Snacks/Dessert/Family/Goodbye
[Dungeon Meshi spoilers (with a big amount of canon divergence) and a long, long caption beneath the Keep Reading]
November 20th, 1484 Dear Senshi, It's been a little over eighty two years since you've been gone. In that time, Merrywinn, the newborn baby you held in your arms days before you passed, became a great-great-grandmother, and her funeral last week was as rancorous as every other half-foot funeral we attended. Soon, it will be my one thousandth birthday, and I can only hope that, like you and Marcille, that's when this curse will finally be lifted, and I can see you again. If that's true, then that means I'm the beginning of an end. Instead of twenty one years, Laios will only have to wait three until he dies after me, and Falin will only have to wait three after that. In twelve years from now, Izutsumi will pass on too, and the six of us will get to share a meal together once again. I've missed your cooking, sure, but most importantly, I've missed you. Do you remember when we first shared that bottle of wine in my new house in Kahka Brud, over nine hundred years ago, before we had the slightest idea that something was wrong? I told you that I didn't want to make you feel the way I felt when Fayfinn left me. You said you didn't care, that it was worth whatever small amount of time you had me. Obviously, it turned out that fate had different plans for us, that the Winged Lion had cursed Marcille too, that we'd each live as long as she would. It's been hard, but since then, you've been there for me every step of the way. When Fayfinn passed, when my girls passed, when their children passed, and theirs too. You've been there for everything, and I'm thankful for it, from the bottom of my heart. I knew I wouldn't be prepared to lose you, and I wasn't. But no matter how much I hurt, Izutsumi was worse, even if she'd never admit it, and I had to be strong for her, too. She's strong and independent, just like she's always been, since the day we met her, but you were the closest thing to a father she ever had. She loved you, Senshi. She said so herself at your funeral. I just hope she doesn't miss me enough to cry at mine. I don't care what dwarves or tallmen or elves think, you and I both know funerals are supposed to be celebrations. Fun is in the name, isn't it? I haven't been okay in a long time, but these days, I feel somewhat peaceful. I have lived my life to the fullest, like any good half-foot should. My birthday gets nearer and nearer with each passing day. Tomorrow, Lochlee, Merrywinn's great-grandson, is helping me collect my things so that I can return to Merini for Laios and Falin's birthday in a few days, and I plan to stay there at the castle until my time is up. I've packed the cheesecake recipe you perfected, and I'm going to sneak it to the cooks whilst Laios isn't looking. I'm sure he'll end up eating yours and Marcille's portions too, but I know you won't mind. After that, it's Marcille's birthday. Then Izutsumi's. Then mine. I'm looking forward to it; like funerals, birthdays are for celebrating. Even elves know that. I can't wait to see you again, Senshi. Yours, -Chilchuck Tims
An AU I proposed back in the Chilshi Nation server a while ago seemed to be a good way to break my heart when rounding off Chilshi week. A lot of people bring up the tragedy of Chilchuck and Senshi's lifespans being so different, and it makes me wonder what it would be like if Marcille's misguided wish had long term consequences.
This wasn't intended to be seven pages long with the lyrics to A Thousand Years by Christina Perri shoved in, but that's what it ended up being. The song seemed a little too perfect not to include.
All of my Chilshi posts were drawn up on the day, and I used them mostly as an excuse to experiment, whether it be posing, body types, shading, comic layouts... My later entries got to be a little more ambitious with what I wanted to do with them, so they're maybe not as polished as I would like them to be, but I hope you can enjoy them anyways.
Whilst I'm here, I'd like to extend a special thankyou to @dumblilracoon for dealing with my awful brainstorming and struggling all week. Couldn't have done this without you. And of course, the Chilshi Nation discord server for being so lovely! :)
If you reblogged or liked or commented on even one of my Chilshi week posts, thankyou so much! Chilshi week has been a blast and working on it and seeing all the lovely art and writing that's come up from it has been a treat.
Happy Chilshi Week, everybody!
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chsims · 4 months ago
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Special family moments
Edward loves capturing moments with Georgia and her little daughter. They love spending the end of the day playing the piano with little Genna. Georgia has always loved playing the piano, but her schedule with a newborn was difficult and now that Genna is a little older, she always ends the day with a beautiful piano quintet!
Pose by @lilalmondsim
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