#new ohio theatre

[thetisming]

guess my top 3. lol

[thetismingtrades]

hello! i'm a new trader, and i would love to trade with anyone! my collection is largely & Juliet, which is my special interest, but i would love to grow my collection! i have my lists & rules on my carrd, which can be found here.

i record audios of australian musicals, and i'm happy to trade my audio masters :) i've only really been trading for about a month or so now, and my collections are very small.

my dms are open if anyone wants to trade!

GIFTING: CLOSED

[kittieshauntedourfantasy]

"The New Birthday Song" – The Contemporary Theatre of Ohio

[dwsavideos]

Has anyone seen or know of ‘How To Dance in Ohio’ because I know nothing about it but I’m kinda interested now that its going to Broadway and I’d love to learn more about it!

[ashleywool]

For anybody interested, here's some more information about the Theatre on Film and Tape Archive at the New York Public Library for the Performing Arts (located at Lincoln Center).

There are some restrictions: You'll need a NYPL card and a Special Collections Account, and you can only view the title on site, by appointment, one time only, and you will need to lock up your phone and other devices at the door.

For those of you not in the NYC area, you can explore their exclusive Digital Collections for free clips and interviews with actors, directors, designers, and many others in the theatre and film industry.

And no matter where you are in the world, you can support these collections and all of the NYPL's vital services by making a donation of any amount here.

I saw a video of someone going the see How to Dance in Ohio last night and they saw an AV truck outside of the theater and there were a few cameras in the balcony and orchestra pit. What’s that about

[magpie-murder]

it'd be wild if they gave asgard's citizens phones in marvel i bet they'd have the best drama

20 notes

👴🏻 is-odin-dead-yet

No.

#date: 2023/11/23 #when will he croak #i've been running this blog for centuries #frigga for allfather #kick the bucket already i'm getting bored of posting here

112 notes

⛈️ god-of-thunder

I come to Tumblr with a regretful update. As you may know, my family and our fiercest warriors have been traveling between realms in search of our stolen relics.

While attempting to recover one, my brother lost his life in battle while protecting us. He shielded me with his body. My brother died a hero.

einherjarl-deactivated20231120

May he reach Folkvangr. My deepest condolences. But I thought Baldur was impervious to all harm...?

⛈️ god-of-thunder

It was Loki. :( I'm devastated.

einherjarl-deactivated20231120

Oh.

🐍 magic-theatre

is that all you can muster? "oh." you thought i was dead, and that's it? that's all you have? what do you mean by that? let's talk. :)

⛈️ god-of-thunder

You're alive? Where are you?

⛈️ god-of-thunder

Wait, what happened to @einherjarl? He deactivated?

⛈️ god-of-thunder

Loki?

23,034 notes

🎨 bragis-apprentice

Just finished custom making this handle

#metalwork #artists on tumblr #double sided axe #my art

2 notes

⚔️ aesir-warrior-tournament

⚡️LIGHTNING ROUND⚡️

einherjarl-deactivated20231120

?

einherjarl-deactivated20231120

Lady Sif is not one of The Warriors Three. It says it in the name. There are three of them. Not four.

Correct this.

✨️ the-dashingest

I voted for Sif.

🪓 valiant-festivals

I voted for Sif.

🔺️ grim-warrior

I voted for Sif.

✨️ the-dashingest

Wait, Hogun? But you didn't tell us you had a phone?

🔺️ grim-warrior

I don't.

#lady sif propaganda #lightning round #poll reblog #only one more round after this! #i'm so glad lady sif doesn't have tumblr lol #i hope you guys dont mind that a mortal is running this blog btw #i really didnt expect any of you to see this 😬 #and srry for the reblog spam #also hogun lol

1,879 notes

🐍 magic-theatre

i see your thirst edits, you sick freaks.

#start tagging me in them #and/or sending them to me

689 notes

⛵️ modern-technologist Follow

umm i'm in ohio to visit my parents and there's like. um . a giant wolf running alongside my car? i'd call animal control but this thing is ginormous and i don't think that would do anything.

it doesnt have a leash or anything (obv its bigger than my car) but it's covered in chains. what do i do??

@identifying-d𝚘gs-in-posts ??

🐕 identifying-dogs-in-posts Follow

Fenrir Lokison?

#😨

197 notes

✨️ the-dashingest

I really don't think Loki is that bad. Sure, he's had a rocky history, but I don't think he's done anything worthy of scorn. Besides, hasn't he just died and come back or something like that, anyway? He has a blank slate, in my book.

#is it just me? #i hear people saying we should banish or kill him #i find that idea preposterous #he's just misunderstood

208 notes

einherjarl-deactivated20231120

I'm not going to @ them, but ugh... Someone I'm acquainted with just died in battle, and honestly? I'm so relieved. Is that terrible? Don't answer that, I know that it is. I'll probably delete this in a few hours.

🐍 magic-theatre

that's what you get for vagueing.

cowards don't go to valhalla.

10,560 notes

🔮 alchemist-aura Follow Sponsored with Blaze 🔥

buy my potions! i'm having a Thor's Day sale! you can get an invisibility concoction for only 3 gold today! cheapest prices in the market! don't let that einar guy force you to pay 230 gold for a wyvern tooth when you can purchase an authentic one HERE from my brand new online shop

#alchemists on tumblr #all natural potions #freelance potion seller #potion grinds #handmade potions #potionmaker #potion seller #invisibility potion #wyvern tooth #einar has competition #stay hustling 💪 #please check out my shop link i worked really hard on it #:) #:))

[ofmdrecaps]

12/07-08/2024 Daily OFMD Recap

TLDR; Rhys Darby; GCC Columbus 2024: Con, Vico, Nathan, Kristian; Anapela Polata'ivao; Guz Khan; Fan Spotlight: One More Song; Gay Pirate News Hour; Love Notes;

= Rhys Darby =

Rhys has been keeping our hearts full these last several days! First up, he was featured in a NZHerald Article!

Source: NZHerald Instagram

Next up, Rhys decided to show of his regal side!

Source: Rhys' Instagram

Check out this episode of BahHumbug with Helen O'Hara with Rhys about #ThatChristmas! Spotify Episode

Source: Helen O'Hara's Bsky

== Con, Vico, Nathan, Kristian ==

This past weekend, Con, Vico, Nathan, and Kristian were out in Columbus Ohio at Galaxy Con! As you can see by the photos below, the sheer amount of Pirates that were that was immense! I've read so many wonderful stories from all our crewmates on every social media platform-- and it sounded like an absolute divine experience! It sounds like some folks got some food poisoning thought! I hope you all are feeling so much better by now!

Con sent a very sweet note after the con on his Threads (I ran out of screenshots on tumblr so here it is in text!): "Dear people of galaxyconcolumbus we can we saw (we got horrible food poisoning but that's another story) and we meet the most beautiful, powerful, weird, filthy souls and you touched our hearts. Thanks you one and all for the glorious weekend ... you are loved, your are powerful, you are the future. Don't walk...fly x"

Source: Con's Instagram

Nathan apparently found his favorite food ever at the hotel coffee shop in Columbus, he posted more than once about them. Anyone from the con know what's in those? 👀

Some of you may recognize Joel Perez from Helluva Boss amongst other voice work! Vico and Nathan got to hang with him at GCC!

Source: Mister Joel Perez' Instagram

Vico kept us well fed with pictures of their Izzy Drag costume and pics hanging with Con at the One More Song Drag & Variety show!

Source: Vico's Free Patreon

The absolute sweetest, badass crewmate out there-- Irene Adler was kind enough to let me share these pictures of Con at the OFMD Panel. These shots gave me some wonderful laughs and you can just feel the joy there, thank you Irene!

Source: Irene Adler's Instagram

== OFMD Panel ==

If you haven't already - please send @adoptourcrew all the love for transcribing everything in such detail from the OFMD Panel at Galaxy Con Columbus! They've been very sweet to keep us apprised of these events! If you're on bsky, please visit their thread here and give them some love!

Source: Adopt Our Crew's Bsky

= Anapela Polataivao =

In non convention related news -- Our brilliant Auntie, Anapela Polata’ivao received 'Director of the Year In Honour Of Richard Campion' for The Savage Coloniser Show at the 2024 Wellington Theatre Awards!

Source: Petmal Petelo's Instagram

= Guz Khan =

And something fun -- Guz was out on Michael Mcintyre's The Wheel!

View this post on Instagram

A post shared by BBC iPlayer (@bbciplayer)

Source: Guz Khan's Instagram

= Fan Spotlight =

= One More Song =

From what I hear, the One More Song Drag and Variety show was absolutely unforgettable! Between all the extremely talented performers-- Con's attending his first drag show, and Vico's stellar performance, you can just feel the buzzing of energy popping out of the screen-- I can't even imagine what it was like in person! Not only was it fabulous, but the proceeds raised were for an amazing cause -- the Kaleidoscope Youth Center. The version on youtube is just the live version, they'll be working on a full edited version of the show. You can follow their social media accounts @onemoresongofmd. In the meantime, if you would like to donate to the Kaleidoscope Youth Center cause you can do so here: https://kyc.app.neoncrm.com/forms/onl... and if you'd like to let them know One More Song is how you found them, they'd greatly appreciate it!

Source: GretchaSketches Youtube

= Gay Pirate News Hour =

Still looking for more convention coverage? Well look no further! Our crewmats over at Our Flag Means Fanfiction (with Carly and Andrea!) were able to get on the line with @ringasunn and Con and Nathan!

Source: Gay Pirate News Hour Instagram

== Love Notes ==

Hey there Lovelies! Gosh the amount of love and sheer joy I've heard about from the convention is just beyond belief. I've talked to so many different folks, that span from all across the fandom, and everyone has such beautiful stories of camaraderie and kindness! I wanted to say-- Some of my dear friends passed on your well wishes (I wasn't able to make it even though I really wanted to and was planning on it earlier in the year) and hearing that some of you were thinking of me really warmed my heart (I may have cried a bit, but it was a good cry). So thank you so much, the message did reach me!

I don't think you all know just how much those of us who can't make it to conventions appreciate all the joy and fun you all share on your socials. We're getting a glimpse of the glee there and it helps us feel like we're not missing out on the wonder of this fandom. I saw the group selfie, and you know what? It made me so very happy. I recognized SO VERY MANY of you, even though we've never met in person. I see your smiling faces across social media, and even if I only know you by your online handle, I've come to know so many of you and so when you all get together like this-- it's like the best thing in the world. Getting to see so many people I recognize and interact with and care about all in one place having such a great time is honestly just such a wonderful gift. I know that we're a few days after the convention now, and I know a lot of folks are experiencing Post-Con depression/funk and I just wanted to send you a reminder that nothing is over. You aren't in person anymore right now, but your presence is everywhere, and people get genuine joy from it and you every single day. If you're feeling the drop in dopamine, remember to drink some water, get some rest, and pop back on when you're ready. We love you crew. Take care lovelies <3

View this post on Instagram

A post shared by @thelatestkate

Source: The Latest Kate's Instagram

[d-criss-news]

“As an artist, there is no right way to do something” – Helen J Shen in conversation with her Broadway co-star Darren Criss

New York City’s Belasco Theatre first opened its doors in 1907 with a production of A Grand Army Man, going on to premiere productions of seminal plays such as Rocky Horror Picture Show and stage Tony-award-winning adaptations of Shakespeare classics. Now, it is the stage on which Helen J Shen will make her Broadway debut. Having risen through the ranks over the past few years on a series of off-Broadway productions, Shen is starring opposite Golden Globe and Emmy award winner Darren Criss in Will Aronson and Hue Park’s sci-fi, romantic musical Maybe Happy Ending. Set in late-21st century Korea, the story follows two life-like Helperbots each at the end of their warranty, whose chance encounter unravels a tale reshaping the traditional mould of relationships.

Darren Criss: Good morning! We started our first day in the theatre yesterday. How does it all feel? Helen J Shen: It was wild to be there because it’s a gorgeous theatre. It’s like a little jewellery box, it’s so ornate and intricate. I saw How To Dance in Ohio in the balcony at the Belasco Theatre, and I was thinking about how many shows specifically in the Belasco that I’ve been a fan of, not even having seen them, but just knowing the impact of them. Knowing that this will be a part of its legacy forever is wild.

DC: By ‘this’, you mean yourself, Helen J Shen. Your name is on the marquee in lights. HJS: Nobody told me about that before it happened. I just got a picture of it when it was up.

DC: Really?! You didn’t know that your name was going to be up on the marquee? HJS: No! It wasn’t something we had talked about or agreed upon, I feel like the production and the powers that be have been like, “This is an introduction moment for you.” They didn’t have to do that.

DC: It is. It’s a fitting gesture to have your name outside to let people know who is lighting up the theatre inside. While we’re talking about the Belasco and your love of going to Broadway shows, you grew up in Jersey so you weren’t too far from the city, did you grow up going to Broadway shows? Tell me about your experience in two ways, the actual going to Broadway and the consumption of Broadway culture, which are not necessarily the same thing. I didn’t grow up near New York, I wasn’t a ferry ride or subway ride away, I was across the country so for me, Broadway was what I would pick up in record shops. Cast albums would come out and that’s how I would familiarise myself with what was going on. You were much closer to it and you grew up with more resources on the internet. I want to hear how Broadway was part of your life as baby Shel? HJS: Baby Shel was introduced to the tenth anniversary concert of Les Misérables, I had the physical VHS.

DC: I had that same one! HJS: We wore that VHS to its strings, it was replayed so much. I came into the city more so to do piano stuff because I was competitive starting from six years old. I would go to Carnegie Hall and Steinway Hall.

DC: Wait, unpack that for me. When you say you were competitive, what does that entail? HJS: Classical music competitions.

DC: A literal piano duel. HJS: Correct.

DC: How would one be adjudicated? HJS: How accurate you were, or how close you could get to perfect, which is an interesting way for me to have been introduced to music.

DC: I have so many thoughts on that. HJS: As an artist, there is no right way to do something. So to have such a narrow idea of what successful musicianship is was kind of soul-crushing. Now, I love classical music, I love playing the piano but I had to rediscover that love because it was so intense.

DC: How old were you when you were doing this? HJS: The first time I competed on a national scale I was ten or eleven.

DC: Wow. What was your piece that you always got ‘perfect’? I have strong feelings about what that means but within the rules of the competitive piano world. HJS: Chopin Nocturne no. 2 in D flat major was a huge one for me. Concertos were huge, I did a Bach concerto, and a Chopin concerto – I just love Chopin so much. Romantic music is the genre for me.

DC: Agreed. HJS: No shade to the Baroque period. [laughs]

DC: I’m with you, I did a lot of Baroque stuff because the violin is the same. I didn’t compete but I played in a lot of Philharmonic and Baroque quartets and as a result, it’s a lot of cocktail hour music for dukes and duchesses, as opposed to the romance of Chopin and Tchaikovsky. It frustrates me to no end that you guys had to compete. HJS: I already knew my passion for it was in music in general and being on stage. Piano brought me to Italy a lot, I spent a lot of time going abroad at a young age. It was my first time being away from home, I was ten the first time I went to Italy by myself.

DC: By yourself?! HJS: The piano teachers were there and there were chaperones.

DC: Yeah but without parents, to me that’s kind of by yourself. When you’re ten that’s a big deal. HJS: I remember being like, “Mum, dad, stop being so on top of me! I’m trying to be cool around my new friends.” Then the first day I got there I got motion sickness from the plane, I didn’t want to watch the horror movie that everyone was watching so I stayed in my room and suddenly had a wave of, “Oh my god, I’m in another country for fifteen days without my parents!”

DC: Fifteen days?! At ten years old! That’s hard graft, dude. HJS: It’s an eternity when you’re ten. The SIM card wasn’t working, first panic attack – woo!

DC: Wow, you wear that like a champ. I can’t be casual about that, that’s pretty intense. On top of this, assuming you had to compete. HJS: Yeah. Also timing-wise in Italy, everything starts later, plus jet lag.

DC: I never really thought about soloist musicianship being a competition, but if you’re on this track and you’re studying classical, at what point does it pivot to being an actor? Or singing? I don’t know which one was the first gateway. HJS: I did theatre, my first community theatre was doing Gretl in The Sound of Music in a local production. It was never the thing that was the main focus, it was always the tangential thing if you have time. My parents heard about Paper Mill’s [Playhouse] educational programme and the thing about Chinese immigrant parents is, if you’re going to do anything, you’re going to do it to its fullest extent, you’re not going to half-arse it and you’re not going to quit even if it’s hard. That’s been engrained in me from an early age. Theatre brought me so much joy, it was undeniable that I was going to pursue it. It unlocked something else in me. I grew up sort of isolated, I’m an only child and I was like, “I don’t want to sit in a practice room by myself anymore, I want to do things with other people.”

DC: Were you doing this at the Paper Mill programme while you were competing in piano? Was there a clear turning point? HJS: In high school, the summer months were prime real estate for the things that I wanted to do instead of school, the fifteen days of that Italy programme directly conflicted with the July conservatory at Paper Mill so I had to be like, “This year I’m going to do this, next year I’m going to do Italy.” Then starting in mid-high school I was like, “I think that there is something that I love to do and there’s something I feel obligated to do.” I wanted to be with my Paper Mill fam. That was where I first sang Cornet Man from Funny Girl which ended up being my college audition song.

DC: Nice! Did you learn Cornet Man from that or were you a fan of Barbra [Streisand] or Funny Girl before? HJS: It was a deep cut.

DC: Funny Girl for teenagers is categorically a deep cut. That’s not something teenagers are listening to, call me completely out of touch. HJS: Barbra has always been ingrained in the canon for me. Growing up it was always like, here’s Audra [McDonald], Barbra and Lea [Salonga], these are the voices.

DC: Was there a point where you knew you could do this to a degree that was a little more serious than the other kids? I’m not trying to blow your shit up, I think we can both agree you have a very strong voice, that’s why we’re here. [laughs] But, if you’re playing a piano all the time you’re not sitting there singing, so when did you realise? HJS: I don’t know, but the role that is highlighted in my head is when I played Mushu in sixth grade in Mulan Jr.

DC: [laughs] Does Mushu get a song in the junior version? HJS: She does. It didn’t age well.

DC: Well, it gave you a gateway to singing, so regardless of its content it sounds like this was a moment. HJS: It was a moment where I was like, “Not only do I like it but it likes me a little bit.” My house was filled with music but it was always a secondary thing. Doing something scary like pursuing art as a career, I remember fighting so hard and being like, “My parents don’t understand, they want me to find something that has stability.” Then I was talking to my godmother about it who I’m very close with and she was like, “How risky and scary was it for them to come to America?” Not knowing the language, not having any financial stability, just on a hope and dream – building a community out of nothing, helping each other out. All of these things that I definitely took for granted and was like, “They don’t understand!” But to then reframe, they were so punk for coming here. [Darren applauds] I will never understand how scary that was, but also they did that with the hopes that I could pursue something I am passionate about. When I graduated from high school my dad made a speech about how he was very inspired by the risk I was taking, to have that transition of “I thought you had all the answers, I’m mad at you for not having all the answers,” and then to be like, “They’re learning from me?!” It’s wild.

DC: That’s how it works, in teaching you shall learn. I love the idea that them embarking on this wild west hope and a dream tale is parallel to your own. How old were your parents when they emigrated to the United States? HJS: They were in grad school so about my age.

DC: If we’re talking about parallels, I was also 24 when I made my Broadway debut. HJS: I know! We’ve been talking about it feeling like a homecoming of sorts for you, can you speak more about that?

DC: Well, it’s a relief they haven’t kicked me out yet. I’ll just say that. I tend to hang out at the party longer than I probably should so I’m always very conscious of the host being like, “Alright, this is it.” HJS: The host being the ghost of David Belasco.

DC: He’s definitely on the invite committee, for sure. I wouldn’t say it’s a homecoming, it’s just a continuous grateful lap around the arena. Sometimes I’m in the crowd, sometimes I’m on the field, but for most of my life I was outside dying to get in, they haven’t kicked me out yet and I’m just happy to be in any part of it. We both went to the University of Michigan and you told me a great story that I would love to share, we were talking about what show really knocked you on your ass? HJS: Impact-wise, the show you’re talking about is Passing Strange. I was deck electrician on practicum one of my freshman year, it was my first semester of college and there was nothing to do for this show because it was so hands-on by everybody in the cast. All I was tasked to do was to watch and be an audience member, Tiffany Rachelle Stewart was the director of this production and so many amazing alumni are in this production, it changed how I thought theatre could be. Passing Strange is sort of autobiographical of Stew’s [author, Passing Strange] life, him and his writing partner Heidi Rodewald wrote it for The Public Theatre and then it happened on Broadway at The Belasco. Seeing the Michigan production made me realise my peers were part of this intricate storytelling and were so hands-on in creating, there were things that were divisive and I didn’t know theatre could do that. It inspires me as a hopeful writer and performer in general that we can experience and understand life through these other mediums and make it artful and beautiful. I saw it twenty times and sobbed every time.

DC: You’re speaking to something that really hit me when I was also at Michigan, when you’re in those amazing sponge years of eighteen to 22. I’ll be frank, the musical theatre department at The University of Michigan is a very prestigious, well-known and really incredible programme – I was not a part of this programme. [both laugh] The reason why I’m saying this is because I was completely blown away by the musical theatre kids – it was the first time meeting kids my age doing things that pros do. As we approach your Broadway debut, is there anything from the vision board or the dream catalogue where you’re like, “When I get to Broadway, I’ve always wanted to…” HJS: This already being the Broadway debut is such a glorious victory. I would like to sit on the stage and soak it all in. [laughs]

DC: Empty theatres to me are churches, they’re these very sacred holy places. HJS: We have ghosts in ours!

DC: We do have ghosts. The Belasco is famously one of the most storied theatres on Broadway. There is a holiness to the literal or figurative ‘ghosts’ of the theatre, this is a place where people go to be moved and to feel some kind of catharsis, not unlike the many holy houses of any house of worship around the world throughout time. Being in a theatre alone is a really sacred experience, I hope you find a second amongst all the craziness to do that. Are there any heroes that you grew up idolising? Because I guarantee you whether you like it or not, in a few months’ time there are going to be kids watching this that will forever hold the name Helen J Shen sacred because of this cast album. Not to say the pressure is on but it’s more of a polite reminder that the wheel does spin around. HJS: It was Lea [Salonga] in that 10th- anniversary concert.

DC: Yeah dude, me too honestly. HJS: For her to have done Miss Saigon at the age that she did is just so wild, it’s amazing. I have since been fortunate enough to meet and work with amazing people who have also been doing incredible work, for way longer than I’ve been alive.

DC: Well, that is how I feel about getting to work with you and you’ve only just begun… [Darren sings] And… we’ve only just begun our day because we’ve got to go to tech. HJS: We’ve got to go to tech!

[memesandmusicalss]

ok more!

ok this is going to be a long post becauseee

ok there will be more (I have seen so many shows) please reblog for a bigger sample size I'm genuinely curious!

[raggedyannrevivaleffort]

(MAJOR announcement at the bottom of this post!)

Apologies for disappearing off the face of the earth. I’m still very much involved in RARE and the Raggedy Ann fandom at large, but life gets busy!!!

If you haven’t already watched the Rag Dolly Revue (which you totally should) we put on a cabaret at this years Raggedy Ann Rally in Arcola and ATE!!!

Oh, and in case you missed it, here’s the big announcement……….👀

We are currently planning our first staged reading of Rag Dolly: The Raggedy Ann Musical for Spring of 2025 in collaboration with the Ohio University School of Theatre!

This will be an officially licensed reading of the full revised script with minimal staging, a full cast, and all of the show’s music! This is just the beginning of many more wonderful things to come! For the first time in nearly four decades, this show will have a new life!

More details to be announced closer to the event! Thank you for your support! I’m so excited!

[salmonskinrolltf]

this is soooo embarrassing. I can’t believe I’m even typing it out. But dude, I’ve been a gaymer for as long as I remember. I’m 30 pounds too heavy. I’m 27 and living. With too many roommates in the suburbs. And well. I’ve been watching Glee lately. And I just got to the season around college and I was hoping I could rent some tapes. See, I’ve got this major crush on Darren’s character Blaine and itd be awesome to always be singing and dancing and having fun. I was never a theatre kid myself. Any chance you can help?

Almost like a miracle, right when you considered ordering a tape from Be Kind Rewind, one of your roommates got a VCR. You suppose. You’re not sure which one of them actually got it, but it’s right there, plugged into the TV in your living room, so someone must have. The only thing is, you’ve had to wait until everyone was out to use it. You double check that the door is locked and everybody is out for the evening. You’re embarrassed to be seen watching the show, but you’re embarrassed for another reason tonight, too. Because renting this tape feels like a special occasion, you’ve decided to cosplay as Blaine a little bit. Your hair is neatly slicked back and you’ve donned a cardigan and bow tie to match his put-together preppy look.

When you’re certain the coast is clear, you open the (thankfully discretely marked) package and a die rolls out into your hand. Oh yeah. The die thing. Weird. You toss it onto the coffee table and it lands on 4.

When the VCR whirs to life, you hear those a cappella credit trills that indicate whatever episode that was playing has already ended, so you jab the rewind button, humming the music quietly to yourself. You scratch your stomach and realize the fabric of your cardigan is much looser than it should be. You lift it up and see that your stomach has shrunk, flattening against your torso, which seems firmer and more lithe in general.

Stunned, you gaze at yourself in the nearest mirror, noticing how the new outfit looks even more Blaine-like after your bizarre transformation. In fact, everything is looking more Blaine-like. Your eyebrows thicken and darken, your slicked-back hair darkening along with them. As your lips plump up and your skin tans slightly, you realize you look like a total Blaine doppelganger. Your dick hardens in the thrift store pants you bought to match the overall preppy look. You look just like your crush! You’re not even questioning it, you just figure you must be dreaming or something. But even if you’re only dreaming, why let the opportunity pass you by to admire yourself more… privately?

In a daze, you wander into the bathroom. Instead of the pigsty it normally is, living with so many roommates, it looks neat and tidy. Tubs of hair gel neatly line the sides of the sink, and the mirror is decorated with playbills, a photo of Blaine and Kurt, and a bumper sticker for a local Lima, Ohio radio station. Not only do you look exactly like Blaine, you’re now in what seems to be his bathroom! You admire yourself in the mirror.

A thrill of excitement thrums through you and you unzip your pants, rubbing yourself at the thought of looking just like your crush.

As you pleasure yourself, you think about the various Glee characters you have the biggest crushes on. Could you use this VHS service to become them all? The thought makes you even more aroused. However, when Blaine returns to your mind, your dick deflates. Suddenly it feels wrong to be thinking about him. You try to cycle back through the other characters in your mind, but suddenly only the female ones come to mind. Brittany, Quinn, even Rachel. Your dick springs back to full hardness and you panic at the sudden shift in your sex drive. You shove your erection back into your pants but not before cum explodes into the sink. You hurriedly wipe it up with some toilet paper.

What the hell is going on? As you scrub, you don’t notice that the gel is slowly easing out of your hair, which curls and falls over your face in a more lackadaisical, unkempt fashion. Stubble sprouts from your cheeks, chin, and upper lip, slowly growing into a short beard. Your clothes morph from your preppy ensemble into more of a rocker vibe, your shredded T-shirt dipping into a V-neck that exposes the dark, matted chest hair that has been busy unfurling across your newly taut torso. 

Right when you flush the balled-up wad of TP, a voice interrupts your panic.

“What the hell are you doing in my bathroom?”

You turn to the doorway and see Blaine Anderson standing there. Wait, that can’t be. Weren’t you just him? You turn to look at yourself in the mirror and see a much more rugged, sloppy individual than the person you were just a moment before. You look like Blaine, but… different. Older, somehow. And more unkempt, definitely.

This intruder, on the other hand, looks exactly like Blaine. He also looks annoyed. He taps his toe and runs a hand across his impeccably coiffed hair. “This is why I asked Mom for my own bathroom, so I wouldn’t have to wait for you all the time. How is it that I use 12 hair products a day and you still take longer than I do for everything?”

You’re too shocked to say anything. You’re unsure whether you’re more shocked by the words he’s saying or the fact that Blaine is standing just feet away and you feel nothing about it whatsoever. As your brain sputters, your body kicks into autopilot and you shrug.

“The gays haven’t cornered the market on looking good just yet, little bro,” you chuckle, punching his arm as you head back out into the hallway, which now looks like one that belongs in a pristine suburban home. 

As you head back into your room, you notice that it looks entirely different. No game consoles in sight, just laundry strewn everywhere and a mini basketball hoop on the back of the doorway. You absent-mindedly toss a NERF basketball toward the hoop and it hits the rim, flying back in your direction and smacking you in the face, knocking you back onto the unkempt mattress that’s on the floor without a bed frame.

You groggily open your eyes and look around. Where the hell are you? Who the hell are you? You rack your brains. Oh yeah. David Anderson. Eldest son of one of the lamest families on the planet, smack dab in the middle of Buttfuck, Ohio. You scratch your hairy chest underneath your T-shirt and check the time.

You remember you have plans to grab some brews with the boys this evening before seeing the latest movie starring that hot actress you like, so you’d better head out quick so you can hit up the gym beforehand. You throw on your gym clothes, grab your water bottle, and rush out the door.

As you pass by your little bro’s room, you see him singing along to a Mariah Carey tune and practicing his dance moves. You roll your eyes good-naturedly. Singing and dancing aren’t for you, but you appreciate how into it he is. You figure that, for him, singing and dancing brings him the same joy that going to the gym and playing ball with your bros does for you. You leap up to smack the top of the door frame as you head outside, barely giving Blaine another thought as you walk down the street, anticipating the awesome evening ahead of you.

[thetisming]

spent all day making bracelets!!

my favourite musicals!!

close ups:

aaaaaand heres all my &j ones:

i had fun!!

[sleepanonymous]

This is a reminder to everyone in North America who is unable to get tickets for the pre-sale and general sale of Sleep Token’s Teeth of God tour. DO NOT buy resale tickets through third-party vendors like StubHub, Seat Geek, Vivid Seats, etc. Tickets for the Teeth of God tour are mobile-only and non-transferable. This means the seller will not be able to transfer the tickets you purchased from them. The only reliable way to purchase tickets to this tour is through Ticketmaster or your local venue’s ticketing system. Please protect yourself and do not get scammed. If you do not have tickets and need tickets, check out the list I’ve created below the cut. Once pre-sales/general sales are over, I’ll update this post with more links. For more context, check my post here.

Saturday, April 27 – Las Vegas, Nevada Sick New World Music Festival Purchase Tickets through Sick New World’s Website. Third-party sites and sellers can transfer mobile tickets.

Tuesday, April 30 – Phoenix, Arizona Arizona Financial Theatre 400 W Washington St, Phoenix, AZ 85003 (602) 379-2800 Purchase tickets resale through Ticketmaster.

Wednesday, May 1 – Albuquerque, New Mexico Revel Entertainment Center 4720 Alexander Blvd NE, Albuquerque, NM 87107 (505) 321-0406 Purchase tickets resale through Prekindle.

Friday, May 3 – Austin, Texas H-E-B Center 2100 Ave of the Stars, Cedar Park, TX 78613 (512) 600-5000 Purchase Tickets resale through Ticketmaster.

Saturday, May 4 – Dallas, Texas Toyota Music Factory 316 W Las Colinas Blvd., Irving, TX 75039 (469) 840-9730 Purchase Tickets through Ticketmaster.

Monday, May 6 – Tampa, Florida Yuengling Center 12499 USF Bull Run Drive, Tampa, FL 33617 (813) 974-3111 Purchase Tickets through Ticketmaster.

Tuesday, May 7 – Atlanta, Georgia Coca-Cola Roxy 800 Battery Ave SE #500, Atlanta, GA 30339 (470) 351-3866 Purchase Tickets through Ticketmaster.

Wednesday, May 8 – Asheville, North Carolina ExploreAshville.com Arena 87 Haywood St, Asheville, NC 28801 (828) 259-5736 Purchase Tickets through Ticketmaster.

Friday, May 10 – St. Louis, Missouri The Factory 17105 N Outer 40 Rd, Chesterfield, MO 63005 (314) 423-8500 Purchase Tickets through Ticketmaster.

Sunday, May 12 – Morrison, Colorado Red Rocks Amphitheatre 18300 W Alameda Pkwy, Morrison, CO 80465 (720) 865-2494 Purchase Tickets through AXS. Third-party sites and sellers can transfer mobile tickets.

Tuesday May 14 – Des Moines, Iowa Vibrant Music Hall 2938 Grand Prairie Pkwy, Waukee, IA 50263 (515) 895-4980 Purchase Tickets through Ticketmaster.

Wednesday, May 15 & Thursday, May 16 – Chicago, Illinois Salt Shed 1357 N Elston Ave, Chicago, IL 60642 (708) 967-2168 Purchase Tickets through Ticketmaster. Third-party sites and sellers can transfer mobile tickets.

Saturday, May 18 – Columbus, Ohio Sonic Temple Art & Music Festival Purchase Tickets through Sonic Temple’s Website. Third-party sites and sellers can transfer mobile tickets.

Sunday, May 19 – Pittsburgh, Pennsylvania Petersen Events Center 3719 Terrace St, Pittsburgh, PA 15261 (412) 648-3054 Purchase Tickets through AXS.

Monday, May 20 – Philadelphia, Pennsylvania The Met 858 N Broad St, Philadelphia, PA 19130 (800) 653-8000 Purchase Tickets through Ticketmaster.

Wednesday, May 22 – New York, New York Radio City Music Hall 1260 6th Ave, New York, NY 10020 (212) 465-6000 Purchase Tickets through Ticketmaster. Third-party sites and sellers can transfer mobile tickets.

Friday, May 24 – Boston, Massachusetts MGM Music Hall 2 Lansdowne St, Boston, MA 02215 (617) 488-7540 Purchase Tickets through Ticketmaster.

Saturday, May 25 – Laval, Quebec Place Bell 1950 Rue Claude-Gagné, Laval, QC H7N 0E4, Canada (514) 492-1775 Purchase Tickets through Ticketmaster.

Monday, May 27 & Tuesday May 28– Toronto, Ontario Massey Hall 178 Victoria St, Toronto, ON M5B 1T7, Canada (416) 872-4255 Purchase Tickets through Massey Hall.

[fawnelii]

HEY FELLOW THEATRE KIDS I'VE CREATED SOMETHING THAT MIGHT BE COOL!!!

I love musicals so I put together a list of musicals that I'm gonna listen to this year (one per week) to make my life a bit more interesting!! THEN I thought it would be fun to put together a kind of musical book club (??) where every week everyone listens to a new musical and we all discuss together at the end of the week :DDD

I've created a list of the musicals below that I'm gonna listen to if any of y'all are interested?????? also if any of you guys have any ideas that would also be fun!!!

I might create a tag for it too if a bunch of ppl are interested ???????

January

1 Little Shop of horrors

2 Anything goes

3 Chorus Line

4 Six

February

1 Why am I so single/maybe happy ending

2 Waitress + door number 3

3 Firebringer

4 Grease

March

1 Ride the Cyclone

2 operation mincemeat

3 Spring Awakening

4 Phantom of the opera

April

1 The guy who didn't like musicals

2 My Fair Lady

3 Hamilton

4 Parade

May

1 Cabaret

2 Groundhog Day

3 The last five years

4 Into the woods

June

1 Prom

2 Falsettos

3 Hedwig and the angry inch

4 everybody's talking about Jamie

July

1 Heathers

2 In the Heights

3 Matilda

4 West Side Story

August

1 Funny Girl

2 merrily we roll along

3 35MM

4 Company

September

1 Dear Evan Hansen

2 Legally Blonde

3 How to Dance in Ohio

4 Wicked

October

1 Addams Family

2 Sweeney Todd

3 Carrie

4 Beetlejuice

November

1 Chicago

2 Hadestown

3 Cats

4 Calamity Jane

December

1 Great comet

2 Mean Girls

3 White Christmas

4 Tick Tick Boom

[landofanimes]

Pretty Guardian Sailor Moon - The (NEW) Super Live

US Tour in 2025 from March 12 to April 26

Following the London, UK performances in February/March 2025, the new production of The Super Live has been confirmed on US soil.

Starting in Pittsburgh, Pennsylvania, the tour will visit a total of 12 states and 18 cities including Seattle and Chicago, ending with two dates on New York.

Pretty Guardian Sailor Moon: The Super Live will be performed in Japanese with English subtitles.

The cast will be announced at a later date.

Comment:

Notice this show will be different at some level from the previous iteration of The Super Live since new people are in charge of script, lyrics, direction, choreography, and music.

Sailor Moon stage musicals have been previously in the United States in 2017 (pocket version of Amour Eternal in Austin, Texas), 2019 (The Super Live in Washington and New York), and briefly in 2022 (when a Super Live team performed a song during Japan Day @ Central Park, NYC).

Also yes, they called it "North American Tour" but only announced United States cities, don't blame me!

Check out the tour dates:

March 12, 2025 Pittsburgh, Pennsylvania - Byham Theatre

March 15, 2025 Austin, Texas - Bass Concert Hall

March 18, 2025 San Antonio, Texas - Majestic Theatre

March 19, 2025 Sugar Land, Texas - Smart Financial Centre

March 25, 2025 Seattle, Washington - Paramount Theatre

March 27, 2025 Spokane, Washington - First Interstate Center

March 29,2025 Portland, Oregon - Keller Auditorium

April 1, 2025 Dallas, Texas - Winspear Opera House

April 3, 2025 Midland, Texas - Wagner Noel Performing Arts Center

April 6, 2025 Minneapolis, Minnesota - Orpheum Theatre

April 8, 2025 St. Louis, Missouri - The Fabulous Fox

April 11, 2025 Dayton, Ohio - Schuster Center

April 13, 2025 Louisville, Kentucky - The Kentucky Center

April 15, 2025 Chicago, Illinois - Chicago Theatre

April 16, 2025 Milwaukee, Wisconsin - Riverside Theatre

April 18, 2025 Newark, New Jersey - NJPAC

April 22, 2025 Philadelphia, Pennsylvania - Miller Theater

April 25-26, 2025 New York, New York - Palladium Times Square

[stonedragonisnthere]

"INTERFEARANCE" Haunted house concept!

Interfearance is an HHN house concept that features original characters from popular creators and newer artists in the fandom. The story is that a group of criminals taking up the mantles of the original four icons hijacking a museum tour and terrorizing the employees and guests alike. All artists will be credited in this post. Thank you ❤️

This post contains minor but still prominent graphic content. (And most likely very corny lines) If you are freaked out by topics such as murder or other horror themes like this, PLEASE do not look through the haunted house concept. some words will be replaced with others to avoid triggering Tumblr's banning system. Second disclaimer: This is only concept art and I do admit my style is a bit cartoony for this topic, Its my first time making one of these and you will have to know these characters before hand in order to get a better understanding.

𝐼𝒩𝒯𝐸𝑅𝐹𝐸𝒜𝑅𝒜𝒩𝒞𝐸

After going through the house's queue, You will find yourself at the front of a museum. Once entering, you are met with a tour guide giving a description of "Fear's Lantern" and the history of Carey, Ohio's most infamous mysteries. All seems neutral until two hands bust through behind the information board and strangle the guide with a wire. The victim struggles before passing out and sliding down, leading for the gloved hands to grab the intercom to them from behind the hole. The lighting dims with a red hue as the lantern glows.

"We're sorry for the interruption, but You folks are going an alternate route through our newest exhibits!"

You move pass the introduction and enter into the first section of the maze, an outdoor environment themed to a carnival in progress of being set up, scareactors in clown makeup walk up and down aside the trail while holding weapons, Near by the entrance is a victim tied to a wheel, being spun around by Poprox the clown! Clearly there's been moderations made to his weapon of choice..

On the other side of the trail, before exiting this segment, You are face to face with the new ringleader of the maniac's operation, Mumbles! Standing on a crate-made-stage, looming over everyone passing by, reaching out just to get a spook out of them.

The next segment transitions from circus to manor as you enter through the second entrance, a sign on the wall points towards the morgue, ran by Dr.Caine, Her morgue unlike her father's is revamped, similar to that of a modern hospital. Everything is lit with blacklights as the surgeon inspects her newest live autopsy.

Passing by the procedure, before you head out of the morgue, you walk aside a wall adorned with skeletons of various animals. Rat emerges from a black curtain space next to the skeletons with a flashing light queue

Once exiting this segment, the environment changes from hospital to a grimy poolroom, There's blotches and bloodstains sprinkling the walls until you get to a room with Starlet and a recent actor turned victim who is being used for a remake of one of the Director's most infamous projects, "The Widow's Eye (This specific victim will be important later)

Once leaving Starlet's segment, you enter an abandoned structure, obscured with fog and humming coming from the middle of the section. There's a dried up fountain in Fear it self's image, covered in vines and cracks glowing underneath, the vines are all broken off at the hands as if it was holding something before. There is one character here which could be either Poproz, Rat, or Starlet. These characters alternate out with eachother.

After getting around the statue, you enter the final segment, the environment now resembles a small makeshift theatre with hand puppets decorating the walls, you pass by a small theatre and a dragon puppet, Stone, greets you, the interaction ends however, once the lights start flashing and the curtains unveil showing the person behind the puppet, Gracie, as she strikes with a pair of scissors.

CREDITS

@thearoclown - Poprox

@chainsawb0y - Mumbles

@corzoli - Rat

@overlookedhotels - Starlet

Me! - Stone and Gracie

Cindy belongs to Universial Studios

Fire header - @animatedglittergraphics-n-more