#netuno god

[brunoartist]

Poseidon/Netuno

[lucyskywalker]

Talking about the books, alright?

About. The. Books.

Not the TV Show.

I find it really amusing people hating on PJO!Gods for something that the pjo!gods didn't do on the story.

My biggest example: Calypso.

Calypso is not hated for something she did on Rick's story. She is hated for what she had done in the Odyssey written by Homer.

For everything that we know of, she never SA Ody in Rick's story, because Rick's characters are very, very different from the original source.

What supports this thesis is the Trials of Apollo.

Apollo didn't skin the satyr alive, but people still believe he have done that.

What makes sense. It is a children's book.

You won't make a character be the closest version of the myth, you won't make the director of a camp filled with children of different ages be a rapist.

Rick was inspired by Greek and Roman Mythology, but not everything that happend on the myths, happend on PJO storyline, actually, Rick changed a lot of myths to fit his writing. Again, TOA is a proof of that.

I have read a fic where the main theme was a friendship bound between Hermes&Percy, and there were comments like: He would never be friend with a rapist.

But the fact is: Percy is, canonically speaking, Hermes's friend. It is literally written on the book, word by word.

I find it really interesting, read fics rated as M to explore more of the dark side of the myths, I really do, and these fanfics are mostly written by adults to another adults.

But that is what they are: Fanfic. It is not canon. In pjo canon the gods are very chill compared with the original source. And that is OK.

It is like comparing illiad!achilles to tsoa!achilles.

They are not the same. I would dare to say tsoa!achilles is a sweetheart compared with what he actually is in the illiad. But Achilles still is romanticized regardless of what he have done in Greek Mythology in favor of a novel written in the XXI century by an American author.

The same way a lot of people like to actually rewrite the myth of Poseidon and Medusa on Athena's Temple, as it was an actual Greek myth (and it isn't. It is a Roman Myth with Netuno, Medusa and Minerva written by Ovid years and years later) Rick also can write a fictional book where SA didn't happen or is not adressed, since uk, it is a children's book.

Modern fictional books inspired by myths will be very different from the real myths written millenia ago. And that is OK.

[ao3feed-badbuddy]

MERMAID AU (Anchor yourself to my love)

read it on AO3 at https://ift.tt/g1rRTmB by madebybia Pran's destiny completely changes when after dropping his watch into the sea he meets a creature that only existed in his storybooks. “A young fisherman in treacherous waters, shells whisper your name and because you believe in mysteries i showed myself to you" A lost son who becomes a fisherman intertwining his life with one of the oldest obsessions of the gods—The Mermaids. Words: 10803, Chapters: 5/8, Language: English Series: Part 1 of MERMAID AU Fandoms: แค่เพื่อนครับเพื่อน | Bad Buddy: the Series (TV), แค่เพื่อนครับเพื่อน | Bad Buddy: the Series (TV) RPF Rating: Not Rated Warnings: Creator Chose Not To Use Archive Warnings Categories: M/M Characters: Pat Napat Jindapat, Pran Parakul Siridechawat, Pa Jindapat, Pat Napat Jindapat's Mother, Dissaya (Bad Buddy: the Series), Pran Parakul Siridechawat's Father, Tong (Bad Buddy: the Series) Relationships: Pat Napat Jindapat/Pran Parakul Siridechawat, Pat Napat Jindapat & Pran Parakul Siridechawat, Pa Jindapat & Pat Napat Jindapat Additional Tags: Alternate Universe - Canon Divergence, Mermaids, koh kradan island, merman, fisherman, Pran is a fisherman, Pat is a merman, encounters over the years, Angst, Ice Cream, Moon Pool, Full Moon, Magic, First Kiss, songs of love, kisses in water, Ocean, Netuno's trident, Pat has a tattoo read it on AO3 at https://ift.tt/g1rRTmB

[algumaideia]

I think a lot of demigods would end up having more than one symbol as you have some old families that probably had relationships with tons of gods. But maybe the the symbol only appears if the god reclaimed the child? I think Netuno never spoke or gave any attention to Frank and he has the gift bc of a very distant relative whom Netuno blessed noy him specifically.

I don't remember Claudia talking to Mercurio, but she talked to her mother, and besides it seems that her family always had a close relationship with the god unlike Frank and his family with Netuno.

yknow, i think we too quickly glossed over the fact that in Camp Jupiter Classified, Claudia has two divine ancestor symbols on her SPQR tattoo (Mercury - her grandfather, and Cardea - her mom).

like, there’s a lot of debate about how to make the tallies fit best, but how the heck do multiple divine ancestors symbols work? Why do only some legacies get that but not others? Is there an upper limit to how many you can have? How do you even format that-?

[buthigor]

God of the Seas

🔱

[edisonblog]

Fashion brand Versace (Italy) and porcelain manufactory Rosenthal (Germany). "The sea god Neptune um fertile treasures" - sculpture, shell, pearl, star and corals dancing in the shadow of gold, merging with the greatness of the old times of history, meets  in this world of elegance and fine details of Versace. #edisonmariotti -   Marca de moda Versace (Itália) e manufatura de porcelana Rosenthal (Alemanha). “O deus do mar Netuno um tesouro fértil”     https://www.tiktok.com/@edisonmariotti

[jaimeslanniste]

i want you to meet netuno (portuguese name for roman god neptune), he likes to eat my plants and is the precious thing in my life

[carlocortegiano-blog]

#god #neptuno #deus #netuno #lgg6 #lgg6photography (em Santos, Sao Paulo, Brazil)

[nunoxaviermoreira]

Série com a Fontana di Trevi (Fonte dos Trevos) - Series with the Trevi Fountain - 14-10-2010 - IMG_1184 by Flávio Cruvinel Brandão Fontana di Trevi A seguir, um texto, em português, do Blog do Noblat: Nenhuma semana sobre fontes poderia ser feita sem falar na Fontana di Trevi, a linda, a inteiramente diferente de todas as outras fontes. Numa pequena praça, formada pelo cruzamento de três vias, em italiano tre vie, e é daí que vem seu nome, a fonte marca o ponto final do aqueduto Acqua Vergine, um dos mais antigos de Roma. Reza a lenda que em 19 a.C, uma virgem ajudou os Romanos a encontrar uma fonte de água pura. Essa nascente supriu Roma de água por mais de 400 anos, e isso só terminou entre 537 e 538, quando os visigodos sitiaram Roma e destruíram seus aquedutos. A reconstrução do aqueduto só terminou em 1453, sob o papa Nicolau V que mandou fazer ali uma bacia em mármore para acolher a água. Em 1629, o papa Urbano VII pediu a Bernini que embelezasse a fonte; o grande arquiteto começou por mudar o local da escultura: seu projeto a colocava do outro lado da praça e ela ficaria de frente para o Palácio Quirinal, de modo que o papa pudesse apreciar a vista. Mas o papa morreu, o projeto foi abandonado. Ainda assim muitos dos detalhes que Bernini criara foram respeitados pelo arquiteto Nicola Salvi, que assina a fonte. Em 1730, Salvi recebeu do papa Clemente XII a incumbência de reiniciar a decoração da fonte. Os trabalhos começaram em 1732 e terminaram em 1762, depois da morte de Clemente. A estátua principal, do deus Oceano, só foi colocada após a morte do papa. O pano de fundo da estrutura é o Palazzo Poli que, para compor o cenário perfeito, recebeu uma nova fachada com colunas gregas que unem os dois andares. O tema principal é “O Domínio das Águas”. A biga de Oceano, em forma de concha, é puxada por cavalos alados dominados por Tritãos. O nicho do deus é um imenso arco do triunfo; nos laterais estão as estátuas da Abundância e da Salubridade. No alto, em baixo relevo, a origem dos aquedutos romanos e, acima, as armas de Clemente XII. O conjunto mede 25.9m de altura x 19,8m de largura e é a maior fonte barroca dessa cidade com tantas fontes. Reza a lenda que ao jogar uma moeda na fonte, está assegurada sua volta a Roma. Se jogar três moedas com a mão direita sobre o ombro esquerdo, você garante sua boa sorte. Parece brincadeira? Cerca de 3mil euros são jogados por dia na Fontana di Trevi! Esse cenário deslumbrante serviu a Federico Fellini para uma das cenas mais famosas de sua obra-prima, o filme La Dolce Vita. Difìcil alguém que não conheça a cena interpretada por Anita Eckberg e Marcello Mastroianni. Pois bem, quando Mastroianni faleceu, desligaram a água e cobriram a fonte de panos negros. Foi o luto de Roma pelo grande ator. Um texto, em português, da Wikipédia, a Enciclopédia livre: A Fontana di Trevi (Fonte dos trevos, em português) é a maior (cerca de 26 metros de altura e 20 metros de largura) e mais ambiciosa construção de fontes barrocas da Itália e está localizada na rione Trevi, em Roma. A fonte situava-se no cruzamento de três estradas (tre vie), marcando o ponto final do Acqua Vergine, um dos mais antigos aquedutos que abasteciam a cidade de Roma. No ano 19 a.C., supostamente ajudados por uma virgem, técnicos romanos localizaram uma fonte de água pura a pouco mais de 22 quilômetros da cidade (cena representada em escultura na própria fonte, atualmente). A água desta fonte foi levada pelo menor aqueduto de Roma, diretamente para os banheiros de Marcus Vipsanius Agrippa e serviu a cidade por mais de 400 anos. O "golpe de misericórdia" desferido pelos invasores godos em Roma foi dado com a destruição dos aquedutos, durante as Guerras Góticas. Os romanos durante a Idade Média tinham de abastecer-se da água de poços poluídos, e da pouco límpida água do rio Tibre, que também recebia os esgotos da cidade. O antigo costume romano de erguer uma bela fonte ao final de um aqueduto que conduzia a água para a cidade foi reavivado no século XV, com a Renascença. Em 1453, o Papa Nicolau V determinou fosse consertado o aqueduto de Acqua Vergine, construindo ao seu final um simples receptáculo para receber a água, num projeto feito pelo arquiteto humanista Leon Battista Alberti. Em 1629, o Papa Urbano VIII achou que a velha fonte era insuficientemente dramática e encomendou a Bernini alguns desenhos, mas quando o Papa faleceu o projeto foi abandonado. A última contribuição de Bernini foi reposicionar a fonte para o outro lado da praça a fim de que esta ficasse defronte ao Palácio do Quirinal (assim o Papa poderia vê-la e admirá-la de sua janela). Ainda que o projeto de Bernini tenha sido abandonado, existem na fonte muitos detalhes de sua idéia original. Muitas competições entre artistas e arquitetos tiveram lugar durante o Renascimento e o período Barroco para se redesenhar os edifícios, as fontes, e até mesmo a Scalinata di Piazza di Spagna (as escadarias da Praça de Espanha). Em 1730, o Papa Clemente XII organizou uma nova competição na qual Nicola Salvi foi derrotado, mas efetivamente terminou por realizar seu projeto. Este começou em 1732 e foi concluído em 1762, logo depois da morte de Clemente, quando o Netuno de Pietro Bracci foi afixado no nicho central da fonte. Salvi morrera alguns anos antes, em 1751, com seu trabalho ainda pela metade, que manteve oculto por um grande biombo. A fonte foi concluída por Giuseppe Pannini, que substituiu as alegorias insossas que eram planejadas, representando Agrippa e Trivia, as virgens romanas, pelas belas esculturas de Netuno e seu séquito. A fonte foi restaurada em 1998; as esculturas foram limpas e polidas, e a fonte foi provida de bombas para circulação da água e sua oxigenação. A text, in english, From Wikipedia, the free encyclopedia: The fountain at the junction of three roads (tre vie) marks the terminal point of the "modern" Acqua Vergine, the revivified Aqua Virgo, one of the ancient aqueducts that supplied water to ancient Rome. In 19 BC, supposedly with the help of a virgin, Roman technicians located a source of pure water some 13 km (8 miles) from the city. (This scene is presented on the present fountain's façade.) However, the eventual indirect route of the aqueduct made its length some 22 km (14 miles). This Aqua Virgo led the water into the Baths of Agrippa. It served Rome for more than four hundred years. The coup de grâce for the urban life of late classical Rome came when the Goth besiegers in 537/38 broke the aqueducts. Medieval Romans were reduced to drawing water from polluted wells and the Tiber River, which was also used as a sewer. The Roman custom of building a handsome fountain at the endpoint of an aqueduct that brought water to Rome was revived in the 15th century, with the Renaissance. In 1453, Pope Nicholas V finished mending the Acqua Vergine aqueduct and built a simple basin, designed by the humanist architect Leon Battista Alberti, to herald the water's arrival. In 1629 Pope Urban VIII, finding the earlier fountain insufficiently dramatic, asked Bernini to sketch possible renovations, but when the Pope died, the project was abandoned. Bernini's lasting contribution was to resite the fountain from the other side of the square to face the Quirinal Palace (so the Pope could look down and enjoy it). Though Bernini's project was torn down for Salvi's fountain, there are many Bernini touches in the fountain as it was built. An early, striking and influential model by Pietro da Cortona, preserved in the Albertina, Vienna, also exists, as do various early 18th century sketches, most unsigned, as well as a project attributed to Nicola Michetti, one attributed to Ferdinando Fuga and a French design by Edme Bouchardon. Competitions had become the rage during the Baroque era to design buildings, fountains, and even the Spanish Steps. In 1730 Pope Clement XII organized a contest in which Nicola Salvi initially lost to Alessandro Galilei — but due to the outcry in Rome over the fact that a Florentine won, Salvi was awarded the commission anyway. Work began in 1732, and the fountain was completed in 1762, long after Clement's death, when Pietro Bracci's Oceanus (god of all water) was set in the central niche. Salvi died in 1751, with his work half-finished, but before he went he made sure a stubborn barber's unsightly sign would not spoil the ensemble, hiding it behind a sculpted vase, called by Romans the asso di coppe, "the "Ace of Cups". The Trevi Fountain was finished in 1762 by Giuseppe Pannini, who substituted the present allegories for planned sculptures of Agrippa and "Trivia", the Roman virgin. The fountain was refurbished in 1998; the stonework was scrubbed and the fountain provided with recirculating pumps. The backdrop for the fountain is the Palazzo Poli, given a new facade with a giant order of Corinthian pilasters that link the two main stories. Taming of the waters is the theme of the gigantic scheme that tumbles forward, mixing water and rockwork, and filling the small square. Tritons guide Oceanus' shell chariot, taming seahorses (hippocamps). In the center is superimposed a robustly modelled triumphal arch. The center niche or exedra framing Oceanus has free-standing columns for maximal light-and-shade. In the niches flanking Oceanus, Abundance spills water from her urn and Salubrity holds a cup from which a snake drinks. Above, bas reliefs illustrate the Roman origin of the aqueducts. The tritons and horses provide symmetrical balance, with the maximum contrast in their mood and poses (by 1730, rococo was already in full bloom in France and Germany). A traditional legend holds that if visitors throw a coin into the fountain, they are ensured a return to Rome. Among those who are unaware that the "three coins" of Three Coins in the Fountain were thrown by three different individuals, a reported current interpretation is that two coins will lead to a new romance and three will ensure either a marriage or divorce. A reported current version of this legend is that it is lucky to throw three coins with one's right hand over one's left shoulder into the Trevi Fountain. Approximately 3,000 Euros are thrown into the fountain each day and are collected at night. The money has been used to subsidize a supermarket for Rome's needy. However, there are regular attempts to steal coins from the fountain. http://ift.tt/2wh68IH