#nettrice gaskins

[fyblackwomenart]

Nettrice Gaskins

[sandmandaddy69]

Nettrice Gaskins

[jadeseadragon]

Nettie Gaskin @nettiebeatrice

Ring Around the Rosallye

[mias-playground]

Art by Nettrice R. Gaskins (@nettieb)

[richardmurrayhumblr]

Title: Unknown Artist: Nettrice Gaskins https://aalbc.com/tc/profile/6477-richardmurray/?status=2354&type=status

#rmaalbc #artist #Nettrice

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Nettrice Gaskins #nettiebeatrice

[lahija-del-molinero]

Nettrice Gaskins

[lastscenecom]

AIによって生成されたアートが成長を続けるにつれて、AI アート ツールが生きているアーティストの作品を盗んでいると非難する批評家が増えています。 教育を受けていない、または知識のない人々が「盗む」または「窃盗」と聞き、反発をさらに強めています。 しかし、誰かが他の人の画像を盗むには、明らかに意図的に行われなければなりません。それ��AIの仕組みではありません。 それはデータ (またはメタデータ) と、システムがこのデータをどのように処理するかから始まります。 ビッグ データとは、従来の方法では処理が困難または不可能なほど大規模、高速、または複雑なデータを指します。 メタデータにはデータに関する有益で関連性のある記述が含まれていることです。これらの説明をラベルと呼びます。 オンラインに投稿するものにはすべてラベルが付けられます。 自然言語処理プログラム (NLP) は、これらすべてのデータを処理して新しい画像を作成します。 これには、Midjourney、Stable Diffusion、Dall E が含まれます。 これらのシステムは、さまざまなラベルにアクセスします。ラベル内にネストされたラベルは、あらゆる場所で再利用されます。ラベルのネットワーク。 Web 上の既存の画像は NLP/AI モデルのトレーニングに使用されますが、特定の作品をコピーしてラベルに基づいて画像を生成するのではなく、ラベルに基づいて画像または画像の一部を近似するだけです。 これが、画像を個別にアーティストに帰属させることができない理由です。 すべてのアーティストにラベルのリンクを張ることもできますが、これはトマトの写真を撮ったアマチュアやアーティスト全員にお金を払うのと同じことですか? これは、誰もが驚くほど少ない部分を受け取る必要があることを意味しますが、どのようにしてそれを維持するか、ラベルが変更されたらどうなるか、現実的ではありません。

AI Art Is NOT Theft Until It Is. As AI-generated art continues to grow… | by Nettrice Gaskins | Medium

[education30and40blog]

Future Self Continuity in the Latent Space of AI | by Nettrice Gaskins | Medium.com

See on Scoop.it - Education 2.0 & 3.0

There are many theories about what self-concept is and how it develops (Cherry, 2018B; Gecas, 1982). The term refers to the overall idea we have about who we are. People may confuse self-concept with self-esteem. While related, the former refers to how you see yourself, including your beliefs and perceptions about your traits and abilities, while self-esteem is the emotional evaluation of your self-worth; in short, self-concept is “who you think you are,” and self-esteem is “how you feel about who you are."

  Self-concept is something that was addressed when I was a teenager, specifically by a therapist who tasked me to try things I normally would not do. One of those things was auditioning for a “teen board” at age 13. At that time, teen board members participated in fashion shows and learned about fashion merchandising and retail work. Before the audition I did not think I looked like someone who could do that job. I auditioned to appease the therapist, then put it out of my mind. Imagine my shock when I received a letter of acceptance. Shock turned to horror when I realized what came next (ex. runway modeling)… but only because adults told me I had to do it.

[virtue-boy]

Literally been enjoying the fuck out of this album thank God for Drexciya

[fyblackwomenart]

Nettrice Gaskins

[weftanthology]

sampling study

"Repetition in African Diasporean creative expression is most prevalent in performance such as rhythm in music, dance and language.[7] The organizing force that produces this aesthetic is rhythm or the ongoing recurrence of a beat. Repetitive words and multiple, conflicting rhythms are important elements of African performance and its American descendants – gospel/spirituals, blues and jazz. Although most often discussed in music, the polyrhythm aesthetic can also be found in cornrowing and technology. Music theorist Adam Rudolph notes the weaving of threads or “thematic fibers” in repeated patterns of rhythmic regularity and irregularity as polyrhythm.[8]" Nettrice Gaskins

[afrotumble]

RIP Tyre Nichols

By Nettrice Gaskins

[curlyhairedbibliophile]

Cover Art | Nigeria Jones by Ibi Zoboi

From Ibi Zoboi, bestselling, award-winning author of American Street and co-author of Punching the Air, comes a bold new YA coming-of-age story, which explores race, feminism, and complicated family dynamics, about a girl whose father is the leader of a Black liberation group. The ideal next read for fans of Roxane Gay, Jacqueline Woodson, and Elizabeth Acevedo. Warrior Princess. That’s what Nigeria Jones’s father calls her. He has raised her as part of the Movement, a Black separatist group based in Philadelphia. Nigeria is homeschooled and vegan and participates in traditional rituals to connect her and other kids from the group to their ancestors. But when her mother—the perfect matriarch of their Movement—disappears, Nigeria’s world is upended. She finds herself taking care of her baby brother and stepping into a role she doesn’t want. Nigeria’s mother had secrets. She wished for a different life for her children, which includes sending her daughter to a private Quaker school outside of their strict group. Despite her father’s disapproval, Nigeria attends the school with her cousin, Kamau, and Sage, who used to be a friend. ­There, she begins to flourish and expand her universe. As Nigeria searches for her mother, she starts to uncover a shocking truth. One that will lead her to question everything she thought she knew about her life and her family.

Artwork by Nettrice Gaskins

Release date | May 9, 2023 Goodreads

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Vía Iforcolor: Album Nettrice Gaskins

Image generated based on text from “The Lost Dancer”

Nettrice Gaskins (Artist)