#netflix made getting these screenshots so difficult

[brionysea]

what if jinx is a blessing, not a curse. zaun's prodigy, piltover's karma, and the arcane's favourite

[tobiasdrake]

I genuinely do not understand why places like Netflix and Crunchyroll and Disney Plus have a screen-blackener to stop you from taking screenshots of their shows. What do they think this is accomplishing?

Like. It doesn't actually work. Pirates are so good at circumventing the screen-blackener that the shady piracy site I get my screenshots from have new episodes up same-day as broadcast. If the goal is anti-piracy then it is a dismal failure.

In practice, all it does is. It's just. Making things harder for fans who want to share clips and screenshots of the cool show they just watched.

Which is a weird thing to make difficult. Because. Like. That's what most people would consider "free marketing".

The screen-blackener does nothing to prevent piracy. However, it does either limit fans' ability to market the show by gushing about their favorite bits or, worse, push them into the arms of pirates. That is what we call a lose-lose proposition, and a sign that business decisions are being made by people who don't really understand their product.

It's DRM for television.

[maya-chirps]

[ID: a screenshot of a reblog by @/fleurtygurl. It reads: "Omg instant follow! I need more Philippines facts in my life!!! 😭😭😭

If you have any facts about filipino myths? That would be amazing. But also I will literally eat up everything you post!

I'm in desperate need of reconnecting with my roots, but I've been so busy that I haven't had any time to do any extensive research...."

/End ID]

@fleurtygurl Decided to make a whole post based on this because I loooove talking about Filipino mythology and researching more about different mythologies within the country and I also hadn't gone around to looking through the things I want to learn about.

Filipino mythology is a pretty huge umbrella term considering that there are hundreds of cultures in the archipelago that have different beliefs, practices, and traditions and especially before the Spanish colonial period. I won't get too deep into it, but basically if you want to learn about some grander pantheon or some general overarching compendium of beliefs that all precolonial Filipinos believe in, you won't be getting that sine historically, Filipinos were not a unified people, but a bunch of different countries and communities that were placed under one governing body for easy management for the Spanish crown.

With so many Filipino cultures and, by extension, mythologies, the best way with trying to reconnect with your heritage, it might be best to figure out which ethnic group you may have connections too and start researching from there. In my case, for example, I would look up both Tagalog mythology, Bikolano mythology, and Ilokano mythology in order to get a good grasp of the mythology of my roots since I'm mixed Tagalog, Bikolano, and Ilokano, and those three have widely different beliefs and especially with folk religion.

I guess the main issue with this is a lot of sources related to Filipino myths are often difficult to find, are unreliable, or plainly just non-existent. Lots of books are often out of circulation and print, or if they are still in print, they are often only sold by specific retailers and often cost a lot of money. Research papers are locked behind a paywall or are only available through specific e-libraries you can only access if you have an affiliation with a university. Online articles may be unreliable and source places that are hard to fact check. Blogs, honestly including mine to be frank, may parrot wrong information from other websites and articles, with their best feature being the possibility that they may have come from oral sources but those are also very few.

Honestly, I was about to go on a long tangent about discussing at least the Tagalog pantheon and mythology because it had a lot of sources I've seen online, but after hours of research, I've found out that there was also a lot of unreliable sources in terms of information about that so I've decided against rambling on further about it for now.

(I am still going to write about my findings on the Tagalog pantheon later but after what I've found out, I might take some time to look through a lot more primary sources which means colonial era texts and harder to find archived works.)

I will say that a good way to connect with more general Filipino folklore outside of mythology itself is probably consuming media that explores folklore and traditional beliefs. I recommend Trese, a Filipino comic turned series on Netflix if you want to see Filipino cryptids being used in a modern-day story made by Filipinos. There are also other comics that focus on Filipino mythology like The Mythology Class and its sequel The Children of Bathala by Arnold Arre.

There's also series and movies that take inspiration from Filipino folklore and mythology with Dayo: Sa Mundo ng Elementalya (English name Niko: The Journey to Magika) as my go-to suggestion. I had also heard good reviews for Amaya, a series created by GMA 7, but honestly I don't think the series clicked with me.

[anonymoushouseplantfan]

According to Meghan approved Deuxmoi stories, she's beautiful inside and out, loyal, intelligent and thoughtful. Articulate about her beliefs and what she stands for. Very fun and goofy (emphasis on very). Someone everyone would love to have a good girls night. Loves to be around women and thrives off good energy.

Re: Harry saying the press caused all the issues but runs to them: Harry makes his point clear that he's not anti-press, he doesn't tolerate certain outlets and journalists who are unethical, those who are baseless in their reporting and spark hatred and drama from lies. There's also a difference between UK press/tabloid media and the press at large.

Re: not mentioning William and Kate lived at Nott Cott before moving: Maybe they did, nobody knows what Netflix cut. If they didn't, it wasn't an intentional omission. In the cOnTeXt of everything it's not that interesting.

Re: Harry thinking the family will mend their issues after the release of spare: Screenshot of Roya's Times article, saying that royal insiders seem to think so because royal insiders or sources are Palace mouthpieces.

Re: if they think they haven't done anything wrong or are at fault: Harry addressed this in interviews that he's sure they've made mistakes

Re: the dogs and chickens getting evacuated from Montecito: they're safe

Re: why so many inconsistencies: screenshot of Ellie Hall quote tweeting J.R. Moehringer's screenshot of Harry explaining his memory or lack thereof in the book

Re: Harry panicking before releasing documentary and book: not true

Re: them being difficult to work with and rumors they're jerks to staff: they're gracious and generous. Like any business, people come and go for myriad of reasons

Re: Harry quoting Spice Girls unknowingly in the book: the source isn't sure but he loves them.

LOL, tell me you're Roya's source without saying you're Roya's source.

I'm glad the chickens are safe though. I hope they're right about that.

[pascalsky]

Pedro Pascal is flying high on The Mandalorian, but defining success by his earthly bonds

The Wonder Woman 1984 and The Mandalorian star is one of EW's Entertainers of the Year.

Human connection. It’s vital. Especially in a year like 2020. Especially for Pedro Pascal. So it’s ironic that the 45-year-old’s highest-profile success to date is working with an adorable animatronic puppet, inside a chrome helmet he famously can’t take off. "It is why I wanted to do this show. Selfishly, I knew [the Child, a.k.a. Baby Yoda] was likely to make people fall in love with the show," says Pascal of tackling the title role on The Mandalorian, the Emmy-nominated hit Star Wars series, which returned for its second season on Disney+ in October.

The Chilean-American actor has an eye for choosing projects where he’ll stand out, from popular network procedurals including The Good Wife, The Mentalist, and Law & Order to his breakout roles as the charming — and horny — Oberyn Martell on Game of Thrones and, soon after, DEA agent Javier Peña on Net­flix’s Narcos. But it’s the stoic bounty hunter safeguarding a frog-egg-eating 50-year-old toddler that’s made him a house­hold name. The new season of The Mandalorian followed Pascal’s galaxy-traveling warrior as he searched for the home of the Child, generating countless memes in the process.

Playing the Mandalorian has been one of the hardest and most unique experiences of Pascal's career to date. At this point, it's no secret that he wasn't physically under the helmet as much as he would've liked in season 1 and recorded his dialogue in post-production to match what his doubles, stunt actors Brendan Wayne and Lateef Crowder, did on set in the armor. Giving a largely vocal performance was a challenge for a physical actor like Pascal, who is almost unrecognizable when you compare his turns on The Good Wife and Game of Thrones, for example, because of how he carries himself. Yet, being on set way more in The Mandalorian season 2 didn't make his job any easier because he still had to figure how to make Mando compelling while also being as economical as possible in his physical movements and vocal performance.

"I'm not even sure if I would be able to do it if it weren't for the amount of direct experience that I've had with being on stage to understand how to posture yourself, how to physically frame yourself into something and to tell a story with a gesture, with a stance, or with very, very specific vocal intonation," says Pascal, who believes his collaborative relationship with creator Jon Favreau and executive producer Dave Filoni, a.k.a. his "Mandalorian papas," also helped him inhabit the role in season 2.

Speaking of collaboration: Working with comedian Amy Sedaris, who plays gruff Tatooine mechanic Peli Motto, was one of the highlights of The Mandalorian’s sophomore season. “I followed Amy Sedaris around like a puppy. [I was] like, ‘Hey again. I’m not leaving your side until you wrap,’ and she’s like, ‘Cool,’” Pascal says. “I love the Child — it really is adorable — and it is so fascinating to see it work, but somebody who makes you spit-laugh right into your helmet will always be my favorite thing."

Pascal longed for those kinds of interactions during quarantine, which proved difficult for the actor who was living alone in Los Angeles. But he lights up, is even giddy at times, when the conversation turns to bonding with the Community cast right before a charity table read back in May (he filled in for Walton Goggins), or FaceTiming his friends to celebrate Joe Biden and Kamala Harris' election victory on Nov. 7. "Ahhhh! Ahhhh!" Pascal exclaims, reenacting the joyous calls with buddies like Oscar Isaac that Saturday morning. "It was screaming and jumping and dancing and crying…. I very arrogantly took screenshots of everything and [shared them], like, 'I am a part of this!'”

"I'd be less nervous playing tennis in front of the Obamas than I was seeing a reunion of these people that I think are brilliant and have this incredible chemistry with each other and stepping in and having really, really, bad technology in this new space that I had moved into. I really resented having to actually participate acting-wise because there were instances where it was way too much fun to watch."

- PEDRO PASCAL ON SHOOTING THE COMMUNITY TABLE READ.

His appreciation for those around him has only grown during the pandemic. Before flying to Budapest to film The Unbearable Weight of Massive Talent with Nicholas Cage, Pascal leaned on his bubble for support. Community's Gillian Jacobs, for example, hosted him for an outdoor socially distanced pizza night every Saturday in the early weeks of lockdown. (He suspects that's why he was recruited for the sitcom's table read when Goggins couldn't participate.) "The friends that got me through it are absolutely everything to me and very beautifully marked in my head. I've got old friends and new friends that literally did nothing short of parent me through the experience," says Pascal, who has "survivor's remorse" for being in Europe right now. "I feel guilty not being [in the States] with my friends through [this tumultuous time] but also grateful that, individually, I was able to gain a little bit of separation from the stress of it."

Those tight bonds helped redefine, or at least clarify, what success means to him. "I want to make sure that my relationships are right, and I want to make sure I'm nurturing meaning in a sustaining way, and that won't necessarily be related to getting good jobs and making lots of money," he says. But he'll take them — as he did for both of his 2020 projects, about which he's thrilled. And how could he not be, starring in two of the year's most feverishly anticipated properties?

Besides The Mandalorian, Pascal appears in Patty Jenkins' superhero epic Wonder Woman 1984, which has endured a Homeric journey to its release (read: several pandemic-related delays). Thankfully, the odyssey is almost over because Warner Bros. recently confirmed that it will open in both theaters and on HBO Max on Dec. 25. Pascal is stoked audiences will finally see his turn as the villainous Maxwell Lord because playing the greedy dream-seller pushed him out of his post-Game of Thrones action role comfort zone.

"With Wonder Woman, [Gal Gadot and Kristen Wiig] are doing the action, baby, and I'm doing the schm-acting!" he says, hilariously elongating that final syllable. "I am hamming it up!" (Indeed, Pascal reveals Cage inspired his performance in one particular scene.)

But Pascal felt he was up to the challenge because everything he needed was right there in the screenplay, which Jenkins co-wrote with Geoff Johns and David Callaham. "I didn't have to take something and figure out how to put more flesh onto it. I had to achieve getting into the skin of what was being presented to me," he says, contrasting the experience with playing a DEA agent for three seasons on Narcos. "For me, Colombia was almost the central character, and then I was allowed to make him depressive and to tonally interpret what the character was. And in this case [on Wonder Woman 1984], there was just so much for me to meet rather than to invent."

He continues: "That was an incredible delight and challenge because Patty Jenkins is a director who loves actors and when she sees she can ask for more, she does. And there isn't anyone better, in my experience, to give more to."

In 2021, he rejoins the good guys as an aging superhero and father in Robert Rodriguez's kid-friendly Netflix drama We Can Be Heroes. The inherent optimism of the Netflix film's title also complements Pascal's hope for the new year. Says Pascal, ”If [fear] can take a little bit of a backseat and not be the main character in everybody’s life, that would be great.”

SOURCE

[pocfansmatter]

Okay I said before I was going to get more in depth with blood quantum eventually so now is as better time than any I guess. Mind you I'm speaking as a Native American meaning an Indigenous person from America. Specifically from 2 southern California tribes. I cannot speak for all Native or Indigenous people. I can only speak for myself, I can’t even speak for my tribe. However most Natives tend to have the same view when it comes to the blood quantum debate. From this point on blood quantum will be shortened to BQ & Native American to Native(s).

Originally this was gonna be a reply to another comment but decided to make it it's own post so I don't associate my blog with that anti Indigenous one. Please try to read the whole post before clicking the articles. I screenshotted the main parts to keep the discussion going. Feel free to click on all the articles because they are good & most of them are from Native run news websites.

I was gonna do this with a read more tag but my laptop doesn't want to work. I'm literally getting anyther one on Thanksgiving but my old one doesn't cooperate sorry so y'all are gonna get a long post. 😕

So let's start with the basics. What is blood quantum?

"Blood quantum laws or Indian blood laws are laws in the United States and the former Thirteen colonies that define Native American identity by percentages of ancestry. ... For instance, a person who has one parent who is a full-blood Native American and one who has no Native ancestry has a blood quantum of 1/2."

In case that was confusing if one person is "full blood native" they are considered 4/4. Meaning they have no relatives who are of any other race or ethnicity. If the "full blood native" has a child with a non Native person the child would have a BQ of 1/2 Native blood. If that child has a child with a non Native that child will be considered 1/4. This will continue to get lower & lower unless the child has a baby with another Native. Then the BQ raises or stays the same depending on the other parents BQ.

Now that the definition is out of the way lets get into the issue with this.

This is a good article that narrowed down an issue with Pharrell wearing a headdress. I wanna focus on one part of the article though.

"... deeply connected to their Native culture & live it every day."

"Having Native American ancestors doesn't get you off the hook if you don't bother to do the homework."

So I mentioned before that a lot of Natives don't consider BQ as a proper way of measuring your culture. Being Native isn't something you can pull out when it's convenient like for a photoshoot. Its every single day. It's in the words we speak, in the clothes we wear & in the food we cook. Same as any other culture.

Asian people don't wake up not Asian. Black people don't wake up not Black.

So why is do some people pull out the Native card when it is convenient? Like Pharrell did or Elizabeth Warren claims.

This article sums it up well but I wanna focus on the last 2 paragraphs.

Link to the full article:

There's similarities in both articles by 2 different Native authors from 2 different news websites.

They both speak about connections to our culture. A DNA test cannot measure ones Indigenous Ancestry because being Indigenous is much more than something in your blood.

I made a post asking some questions that might help understand if one is Indigenous or not. Now I'm not saying these are all the questions nor that I'm the expert on this. These are just STARTER questions to help people understand what it means to be Native.

Does the tribe you claim, claim you?

Have you been to the reservation?

Do you participate in the community?

Have you met your family from the tribe?

Do you know your history, traditions, anything about the tribe you claim?

The big one is are you claimed. You cannot claim a tribe that doesn't claim you. Now I'm not saying the entirety of the tribe has to know you personally. I'm not even saying you have to stand in front of the tribal council & ask them if they claim you. A claim can be made as little as just your family saying "this person is one of us".

The reason I bring this up is because multiple tribes have in the past & continue the practice of "adopting" a person into their tribe. There's many examples of this. Some can be adopted because they married into a tribe. Non Natives & Natives of other tribes alike have been adopted into tribes. There can be legal adoptions like adopting a child. And countless other examples.

A lot of the time biologically those members aren't apart of the tribe & cannot be enrolled but are still viewed as a member by the community.

For personal example, my sister has been adopted by my tribe. She's actually an enrolled member from another tribe & technically my cousin but was taking away by CPS & my family took her in. She grew up & still lives on my reservation. She is from another reservation. Although her tribe still claims her as a member my tribe also does. People in my community know her as a member of my family & have grown up with her. She knows many of our traditions & practices some ceremonies with us that are specific to my tribe. No one in our tribe has expressed any issue with this so far & even if they did they would have a stern talking to. We are even in the process of organizing her to be buried on our tribal land instead of hers. Her choice & we are okay with it.

Now I want to point out another way people can be considered Native even if they aren't enrolled or cannot answer those questions properly.

Let's look at something called "reconnecting Natives".

What is a reconnecting Native?

A reconnecting Native is someone of Native Ancestry who for whatever reason has been removed from their culture, family, reservation, etc so they do not know them & are actively trying to learn those things so they can reclaim their Native roots.

So, how does this happen? This is actually a very common issue in the community.

One of the main ways a Native might become disconnected is through the process of Residential Schools or Indian Boarding Schools. What is that? Here's a snippet of an article to help explain.

Of course here is the link:

The official motto of these schools was "kill the Indian, save the man” and if you think it sounds awful I promise you, it was much worse than you could imagine.

There's a movie on Netflix called Indian Horse which I have not watched yet but is based off a novel by an Indigenous author that looks at these Boarding Schools if you wish to check that out.

The goals of these schools were to strip Indigenous children of their culture. They were beaten, starved, punished of things as simple as speaking in their languages. A lot of them didn't even speak English. It was illegal to keep your kids from this school & often times tribal children went to these schools and never returned to their family. Natives who attended these schools or are children of children who attended these schools more often than not stop practicing their culture or forget it. In that way they become "disconnected".

Those members can if chosen too began the process of reconnecting.

I found this really good article going a little more in depth on the do's & don't's of reconnecting.

But here's a screenshot of important parts.

Granted this is a long process. Lifelong. Every journey to reconnect is difficult & very different from others. It depends on your tribe & community. Some of them make it easier & some make it harder. It's up to the individual to put in the work.

Now I don't want to make it like being a connected Native is easy. Yes it's easier but connected Natives also put in work to live their culture everyday.

Now what does this have to do with blood quantum? As you can see none of these articles about being Native or even a reconnecting Native mention blood quantum or DNA being a requirement.

If one is Japanese & someone asks "how are you Japanese?" What would the answer be?

"Because I just am. Because my parents are Japanese."

If someone is white & has kids those kids are white, correct?

So if it's so easy to explain for other cultures why does mine require math? Why are some of my family members not enrolled members despite having Native parents & growing up on the reservation? Why do my people have to actively think about the DNA results of our children if we choose to have them?

Because of BQ. Its a tool created by colonizers that are forced upon us. If we do not abide by the rules & requirements the government sets in place we run the very big risk of

Losing our status of a Native American tribe.

Losing our land & land rights.

Losing funding from the federal government.

Losing our housing.

Losing Healthcare.

Losing our basic citizenship rights.

The thing about BQ is it's designed so that we fail. If we fail to keep a certain amount of enrolled tribal members in a tribe then the government can break treaties & take away our land & things that are rightfully ours.

BQ is a lose/lose situation all around for us as well as extremely racist.

Because of the BQ requirements Natives actively worry about who they have children with. Some don't date outside of the their culture in fear of their children not being seen as legally Native. The problem here is a lot of the tribe is related. The issue of inbreeding increases. How do we solve that problem? Well we can have children with Natives of another tribe. But there's a problem here too. Most tribes do not allow what we call dual enrollment. Both of my tribes for example don't allow this. Which means one would have to pick which tribe to enroll their child. That means one of the tribes will lose out on a member. So that's another way identities are erased using BQ.

Okay I think I'm going to end this here. There is so much more I could've added. I also could've expanded on residential schools, what it means to be Indigenous, & reconnecting Natives but I wanted to keep it focused on BQ. If you have anymore questions feel free to ask or research on your own. We're still here. We aren't stuck in the 1800's. We weren't all killed by cowboys but the government is still actively trying to erase us.

[nyxelestia]

I couldn’t find a complete text-post transcript of Michael DiMartino’s whole statement on Tumblr, so I’m making my own. Screenshots from Instagram via Reddit. I am not linking to his statement, since Tumblr eats posts with links. You can find and reblog Bryan’s statement on his Tumblr at @bryankonietzko, which I am also not linking directly to for the same reason.

An open letter to Avatar: The Last Airbender fans

Many of you have been asking me for updates about the Avatar live-action Netflix series. I can finally tell you that I am no longer involved with the project. In June of this year, after two years of development work, Bryan Konietzko and I made the difficult decision to leave the production.

When Bryan and I signed on to the project in 2018, we were hired as executive producers and showrunners. In a joint announcement for the series, Netflix said that it was committed to honoring our vision for this retelling and to supporting us on creating the series. And we expressed how excited we were for the opportunity to be at the helm. Unfortunately, things did not go as we had hoped.

Look, things happen. Productions are challenging. Unforeseen events arise. Plans have to change. And when those things have happened at other points during my career, I try to be like an Air Nomad and adapt. I do my best to go with the flow, no matter what obstacle is put in my way. But even an Air Nomad knows when it's time to cut their losses and move on.

I started to reevaluate what is truly important in my life and what I wanted to do with what's left of it. I took some advice from Uncle Iroh. I looked inward and started asking myself the big question: "Who are you and what do you want?"

I also sought wisdom from Stoic philosophers who were big on differentiating between what is within our control and what isn't. I realized I couldn't control the creative direction of the series, but I could control how I responded. So, I chose to leave the project. It was the hardest professional decision I've ever had to make, and certainly not one that I took lightly, but it was necessary for my happiness and creative integrity.

And who knows? Netflix's life-action adaptation of Avatar has the potential to be good. It might turn out to be a show many of you end up enjoying. But what I can be certain about is that whatever version ends up on-screen, it will not be what Bryan and I had envisioned or intended to make.

I also want to be clear that this doesn't mean the end of my involvement in the Avatar universe. These stories and characters are important to me and the renewed interest in Avatar and Korra has been inspiring to see.

Writing this letter has left me with a very heavy heart. I know many of you will be disappointed and frustrated by this news. I get it. I share your disappointment and frustration. I also recognize this creative setback is small compared to the problems we're all facing as a society right now.

Thankfully, Iroh offered some wisdom for that, too: "Sometimes life is like this dark tunnel. You can't always see the light at the end of the tunnel, but if you just keep moving you will come to a better place."

May we all keep moving and come to a better place.

Thanks for reading and for your continued enthusiasm for the Avatar universe.

With gratitude, Michael Dante DiMartino

[skinks]

hi!!! what are your favourite movies? like actually good ones but also any trashy comfort movies? is IT (2017) one of them?

Hello!! IT (2017) IS ABSOLUTELY ONE OF THEM oh man, thank you for this, I love talking about movies!!!! This is possibly the most difficult question you could have asked me. Apologies for how absolutely off the rails this got, I just... love movies so much lmao

I’ve said this before, but opening night of IT ch1 was the best cinema experience I’ve ever had, I’m so glad I got to see it with a fully packed audience who were all laughing and screaming together the whole way through. I’m a huge fan of... everything ch1 was doing, the 80s nostalgia, the summer-coming-of-age themes, the solid ghost train funhouse JOY of the Pennywise performance and scares, the washed-out cinematography, the tiny background details to make everything that much more eerie, the kids’ ACTING?!

Like, a lot of the time I find child actors can be really awkward and stilted to watch, but I remember leaving the cinema really impressed by JDG and Sophia Lillis in particular. I liked that they were all allowed to be little shitheads with potty mouths, it felt like a callback to 80s movies like The Lost Boys or Stand By Me. The whole thing worked to make me really care about what happened to the kids (even if I do still have issues with how they handled Mike. I understand even ch1 had limitations with juggling so many characters, but still). I saw it another 2 times in the cinema and have rewatched it at least, I dunno, 7-10 more times since then?

Add to all of that the retroactive CANON R+E baby pining subplot? I just love it, as if that wasn’t obvious by now given my Whole Blog. It’s a really special movie to me!

Anyway!! Ok, the main handful of movies I rewatch all the fucking time are:

Back to the Future, The Lost Boys, Pride and Prejudice (2005), Jaws, Ferris Bueller’s Day Off, The Breakfast Club, Ocean’s 11, POTC 1, The Dark Knight, Inception, Die Hard, LOTR trilogy, Snatch, The Nice Guys, Logan Lucky, Mad Max Fury Road, Clueless, 10 Things I Hate About You, Billy Elliot, Dirty Dancing, Tomb Raider (2018)...

Those are the easily consumable ones that I’ve seen so many times I don’t really have to concentrate or think about them, but I really love them and unfortunately often KEEP rewatching them instead of new stuff. It would take too long to go into why I love all these movies so much because I could write the same amount as I already did for ITCH1, and everyone already knows why those movies are good, so, lol.

I think I’m gonna have to subdivide and categorise this whole post because there are too many separate criteria for... goOD MOVIES, AUUHH 😩

Okay so first off, HORROR MOVIES? I’m especially in love with Re-Animator (1985) and its sequel Bride of Re-Animator, they’re such good examples of camp and batshit 80s practical effects, and also EXTREMELY funny. I’m actually just gonna post my list of my fave horror movies that I do actually keep on my phone at all times lmao. These are in no particular order:

Wholeheartedly recommend every one of these. I’ve never been so scared in my life as I was watching Hereditary in the cinema, hoo boy. Mother! by Aronofsky is one of the strangest experiences I’ve ever had (and I actually saw it on the same day I saw IT ch1 for the first time!! That was a fun day)

Psycho (1960) and The Fly from 1986 should also be on there but I couldn’t fit them in the screenshot.

I’m a HUGE fan of a ton of martial arts movies too, like Kung Fu Hustle, Shaolin Soccer, Ip Man, The Raid movies, John Wick 3 is my fave of the trilogy, Drive from 1997 with Mark Dacascos is incredible, SPL 2, Ong-Bak, Operation Condor, Project A, Iron Monkey, and Zatoichi (2003) are some favourites.

My favourite Tarantino is Reservoir Dogs, fave Coen brothers are Raising Arizona, The Ballad of Buster Scruggs and O Brother Where Art Thou. Love some old-timey colour correction and weird offbeat dialogue. I also love Goodfellas!!! And Donnie Brasco! And The Firm, I’m so easy for any good crime/law/gangster/heist procedural like that, especially if they’re from the 80s or 90s in a super dated way.

Fave Disney movie is Tarzan, favourite Ghibli movies are Spirited Away and Lupin III. I remember watching Spirited Away during a thunderstorm one time and it being.... god! Transcendent! Favourite Pixar movie is The Incredibles (the first one. ALSO the documentary “The Pixar Story” is great and well worth a watch, it’s very comforting for some reason) and my favourite Dreamworks movies are HTTYD1 and Spirit: Stallion of the Cimmaron.

I tend to watch more anime movies than tv shows, so stuff like Akira, The Girl Who Leapt Through Time, Summer Wars, Journey to Agartha, and my ultimate fave anime is Sword of the Stranger (2008). The climactic fight in that movie is fucking stunning and should be counted in “bests fights” lists right alongside anything live action

Also if we’re talking animated movies another hearty favourite is Rango, and a Belgian stop-motion (which at one time I considered my favourite movie ever) called Panique Au Village (2009) which is one of the funniest movies ever made imo.

As for TRASHY movies, I’m not sure if that’s the right word for how I feel about these ones but.. dumb/silly/slightly guilty pleasure movies? Ones that I feel need some kind of justification lmfao

Troy - something u must know about me is that I’m a giant slut for the Assassin’s Creed franchise, so if a movie smashes historical and mythological nonsense together with fun costumes and sword fights, I’m gonna enjoy myself. Even if they should have made Achilles and Patroclus gay. Other movies in this vein are King Arthur: Legend of the Sword, and Immortals (2011)

Gods of Egypt - I know all the reasons this movie is whitewashed bullshit. But it was already bullshit with giant Anubis mecha and giant snakes and bad acting and ridiculous CGI and frankly I had a blast at the cinema (my friend who I forced to come with me did not have a blast. Sorry H***)

Avatar - yes, the one with the big blue people. This movie gets a lot of flack nowadays but I really do enjoy it just for the spectacle. The full CGI world technology was so new at the time and I love to wallow in the visuals and daydream about riding a cool dragon around in the jungle

George of the Jungle - I’ll defend this movie to the death ok this movie shaped me as a person, it is fucking hilarious and Brendan Fraser is the himbo to end all himbos. It’s perfect. The song Dela is perfect. I still want to write a reddie AU about it. It’s one of the best movies ever made and I’m not being ironic

Set It Up - I KNOW this is a dumb Netflix original romcom but consider this; it was funny and the leads had great chemistry. I got butterflies. I once watched it and then literally immediately set it back to the start so I could watch it again

The Brady Bunch Movie - when people talk about great satires or parodies you will see them bring up the same movies over and over again, Blazing Saddles, This Is Spinal Tap etc, but they never talk about The Brady Bunch Movie from 1995 for some reason, which they should. It is one of the funniest things I’ve ever seen and every time i watch it somehow it gets funnier

Some more general favourites that I do still love but don’t rewatch as often, and don’t wanna go into more detail about are:

Moon (2009), Crna Mačka Beli Mačor, The Sixth Sense, Parasite, The Handmaiden, Tremors, Wet Hot American Summer, Tucker and Dale vs Evil, What We Do In The Shadows, Hunt For the Wilderpeople, The Secret of My Success (I love kitschy 80s movies, is that obvious by now), The Green Mile, When Harry Met Sally, Rear Window, The Odd Couple, Breaking Away, Pan’s Labyrinth, To Kill A Mockingbird, The Eagle, Gladiator, The Artist, The Extraordinary Adventures of Ad��le Blanc-Sec, Call Me By Your Name, Master and Commander, Pacific Rim, Kiss Kiss Bang Bang, Legend (1985), Emma. (2020), Flash Gordon, Trolljegeren, Hross í Oss, Beverly Hills Cop, Coming to America, WarGames, District 9, Ajeossi (2010), Tracks (2013), Sightseers, Mud (2012), Pitch Black, Four Lions, Shaun of the Dead, Starship Troopers, The Truman Show, Withnail & I....... Jesus Christ ok I need to stop

NOTABLE EXTREME FAVOURITES that I didn’t include in the regular rewatch list because they’re too heavy/not as well known/require more attention.:

Thin Red Line (1998), Badlands (1973) both dir. Terrence Malick

Malick’s brand of dreamy impressionistic filmmaking is something I find really appealing, both of these movies are gorgeous and unusual and poignant and, in the case of Thin Red Line at least, have a lot of things to say about a lot of rough subjects. I don’t totally understand all those things sometimes, but a theme with a lot of my favourite movies is that I’ll be more likely to love something long-term if it raises unanswered questions, or is surreal/esoteric etc. Plus the cinematography is incredible, and I wish there was a way to get Jim Caviezel’s narration from The Thin Red Line as an audiobook because it’s very poetic and soothing.

Let the Bullets Fly (2010) dir. Jiang Wen

This movie is WILD, it’s so much fun. It’s sprawling and intricate and epic and smart and really fucking funny, it! Has! Everything! A gang of very tolerant outlaws!! Jiang Wen’s beautiful broad chest!!! Chow Yun Fat absolutely DECIMATING the scenery, and the two of them outsmarting each other in order to gain control of a small Chinese town!!! Plus it’s long, but it packs so much nonsense and intrigue that it goes by really fast. Wow what a flick

A Field in England (2013) dir. Ben Wheatley

I know I included this in my horror list but aaaaahhh ahhhh Wheatley is one of my favourite directors (he also made Sightseers, and is directing the Tomb Raider sequel which makes me absolutely rabid.) This is a surreal black-and-white psychological horror black comedy set in the English Civil War about some deserters who may or may not meet the Devil in a field. People eat mushrooms. It’s bonkers. I love being blasted in the face with imagery that I don’t understand

Mandy (2018) dir. Panos Cosmatos

Speaking of being blasted in the face!!!!! This movie... I saw it in the cinema and I can’t even begin to explain the experience, but I’ll try. My favourite review site described it like this:

“...somewhere between a prog album cover come to life and a metal album cover come to life, and subscribes to both genre's artistic tendency towards maximalism: what it ends up being is basically naught else but two glorious hours of being pounded by bold colors...”

So, prog and metal are my two favourite genres of music. This movie opens with the quote “When I die, bury me deep, lay two speakers at my feet, put some headphones on my head and rock and roll me when I'm dead.” and then a King Crimson song, it is SURREAL to the nth degree, it’s violent and bizarre and Nic Cage forges a giant silver axe to destroy demonic bikers and there is a CHAINSAW DUEL. A galaxy swirls above a quarry. Multiple animated horror nightmare sequences. At one point a man says “you exude a cosmic darkness” and releases a live tiger. At another point Cage says, in a digitally deepened voice, “The psychotic drowns where the mystic swims. You’re drowning. I’m swimming.” and I haven’t stopped thinking about it for two years

Paper Moon (1973) dir. Peter Bogdanovich

Really fantastic movie set in the Great Depression (and also in black & white) about a conman and a little kid who may or may not be his daughter, running cons across the Midwest. It’s beautifully shot, so sharp and sweet and the progression of their dynamic is really well done because they’re played by an IRL father and daughter. Tatum O’Neal was NINE YEARS OLD and she’s so amazing in this movie she’s actually the youngest person to win a competitive category Oscar. I keep trying to get people to watch this fbdjfjdbf it’s wonderful

Alpha (2018) dir. Albert Hughes

THIS MOVIE IS A VICTIM OF BAD MARKETING ok, the trailers made it look like some twee crappy sentimental Boy And His Dog Adventure, plus it had voiceovers in American-accented english? That’s a total disservice to one of the coolest things about this film; the fact that they got a linguist to construct an entirely original Neolithic language that all the characters speak for the entire runtime. And yes, it is eventually a Boy And His Wolf adventure, but it’s COOL and fairly brutal, and it has some really incredible cinematography. The landscapes are so strange and barren and alien, you really get the sense that this is an ancient world we no longer have any connection to. And it’s also about like, the birth of dog & human companionship sooo it’s perfect.

Free Solo (2018) dir. Elizabeth Chai Vasarhelyi, Jimmy Chin

The Free Climbing Documentary. I loved climbing as a kid, I love outdoor sports, and I love movies that elicit a physical reaction in me, whether that’s horny, scared, real laughter, overwhelming shivers, or in the case of Free Solo - HORRIBLE SWEATING TENSION. Like, I knew about Alex Honnold beforehand because of this adventure film festival I go to every year and I followed him on IG so obviously I knew he lived, but the actual climb itself was torture. My hands sweat every time I see it!! It’s incredible, such a cool look into generally what the human body can do, and more specifically, why Honnold’s psychology and life means he’s so well suited to free soloing. It’s such an exercise in getting to know an individual and get invested in them, before they attempt something very potentially fatal.

Brokeback Mountain (2005) dir. Ang Lee

I can’t even talk about this. When I was around 13 I snuck downstairs to watch this on TV at 11pm in secret, and my life was forever changed. I wouldn’t be who I am if I hadn’t seen Brokeback at the age I did. I seriously can’t talk about this or I’ll write an even longer essay than this already is

God’s Own Country (2017) dir. Francis Lee

The antidote to Brokeback Mountain, I’m so glad I managed to see this one in the cinema too. It makes me cry every time, as someone who’s spent years working on a cold British farm with sheep it was very realistic, which is expected since Lee grew up on a farm in Yorkshire. I love that this movie isn’t really about being closeted, but about being so emotionally repressed and self-loathing that the main character finds it so hard to accept love. Or that he deserves to be loved. The cinnamontographies.... lordt... but also the intimacy and sex scenes are fucking searing wow who hasn’t seen this movie by now. 10 stars. 20 stars!!!

Tomboy (2011) dir. Céline Sciamma

I saw this years ago but I’ve never forgotten it, it cut so deep. It’s from the director of Portrait of a Lady on Fire and it’s about a gnc kid struggling with gender and misogyny and homophobia in a really raw, scrappy way, it reminded me very much of my own... childhood... ahh the central performance is amazing for such a young age. I haven’t seen Portrait yet but I feel like if you went nuts for that, you should definitely check this out, it’s lovely.

Donnie Darko (2001) dir. Richard Kelly

EVERY TIME I WATCH THIS MOVIE I UNDERSTAND LESS AND LESS and that’s what I love so much about it. I love surreal movies, I love time-fuckery and stuff about altered perception etc etc and Donnie Darko scratches all my itches. I wish I could find a way to figure out an IT AU for it, because I know it would work! Somehow! Plus it’s got the subdued 80s nostalgia and I found it at an age when I was really starting to explore movies and music and the soundtrack FUCKS.

Offside (2006) dir. Jafar Panahi

I wish more people knew about this!!! It’s an Iranian film about a disparate group of women and girls who are football fans and want to watch Iran’s qualifying match for the World Cup, but women aren’t allowed into the stadium, so they all get thrown into the Stadium Jail together? They don’t know each other beforehand, but it’s about their changing relationships with each other and the guards and just, their defiance alongside hearing the match from the outside and WOW it’s so lively. Great dialogue and very funny, and such a different kind of story from anything you usually see from Hollywood.

The Fall (2006) dir. Tarsem Singh

This movie... I guess it’s the ideal. This is the platonic ideal of a film for me, it has fantasy, magical realism, glorious visuals, amazing score and costumes and production design and a really interesting, heartbreaking relationship at the core of it. I don’t know why so many of my favourite films feature incredibly raw performances by child actors but this is another one, Catinca Untaru barely knew any English and improvised so much because of that, and it’s fascinating to watch! Also the dynamic with Lee Pace is one of my favourites, where a kid forms a friendship with a guardian figure who isn’t their parent, but the guardian grows to really care for them by the end. It’s like Paper Moon in that sense. What is there to even say about this movie, it’s pure magic joy tempered and countered by genuine gutwrenching emotional conflict in the real world, it’s also ABOUT old moviemaking, in a way, and it’s stunning to look at!

Mad Max Fury Road (2015) dir. George Miller

I know I included this in my “most rewatched” section but it deserves its own thing. We all know why this movie is fucking incredible. I remember clutching my armrests in the cinema and feeling like my skeleton was being blasted back into the seat behind me and tbh that is the high I’m constantly chasing when I go to see any movie. What a fucking gift this film is

Théo et Hugo dans le Même Bateau (2016) dir. Olivier Ducastel, Jacques Martineau

I only found this movie last year and it became an instant favourite. Initially I was just curious because I’d never seen a movie with unsimulated sex before, but it’s so much more than the 18 minute gay sex club orgy it opens with. No, not more than, AS WELL AS. The orgy is important because this movie is so candid and frank about sex and HIV treatment in the modern day, it was eye-opening. Another thing that really got me is that I’d never seen a real-time film before. It’s literally an hour and a half in the lives of these two men, their intense connection and conversation and conflict in the middle of the night in Paris, with some really nice night photography and just!!! Wow!!! AMAZING CHEMISTRY between the actors. This is such a gem if you’re comfortable with explicit sexual content.

Ok. This is already over 3k but film is obviously one of my ridiculous passions and I can and do talk about it for hours. I’ve been reading magazines about it for years, listening to podcasts and reading review blogs and recently, watching video essays on YouTube because the whole process is so interesting to me and I want to learn more!!

Recently I’ve been thinking a lot about the concept of valuing form over narrative. The idea that story can often come second to the deeper physical experience and emotional reaction that’s created by using ALL the elements of filmmaking and not just The Story, y’know? Whether that’s editing, shot composition, colour, the sound mix, the actors, how it should all be used to heighten the emotional state the script wants you to feel. And so, I think for a few years now this approach has been influencing the types of films I really, really love.

I think I love surreality and mind-bending magical realism in films specifically because the filmmakers have to use all those different tools to convey things that can be way too metaphysical for just... a script? I’m always chasing that physical response; if a movie can make me stop thinking “I wonder what it was like to set up that shot” and instead overwhelm that suspension of disbelief, if I can be terrified or woozy or crying for whatever reason, that’s what I’m looking for. That’s why I watch so many fuckin movies, and why I’ll always remember nights like seeing IT (2017) for giving me another favourite.

Thank you again for this question, I didn’t mean to go so overboard. Also there’s no way to do a readmore on tumblr mobile so apologies to anyone’s dashboard 😬

[n1ghtcrwler]

So there is a post that I recently saw that I just don’t want to add notes to for a number of reasons, not least of which being that I’m about to go on a significant tangent, so I’ll just say what I needed to say about it here.

The post is screenshots of a tweet thread about how bad “Cuties” actually is, from someone who claims to have watched it, and that’s fine. I haven’t seen the movie, I have no input to give on that matter. My concern arises in a reply offered by one user, who goes into more detail about how disturbing it is to consider that someone had to, at minimum, be comfortable putting the underage actresses in the situations depicted for the sake of filming them for the movie, and again, that is probably a valid point. But they ended their tirade with this:

“If you didn’t believe it before, the fact that this movie was even released and is being defended by the elite is proof that there is a deliberate plan to normalize and eventually legalize pedophilia and child porn.”

And that, my friends, is some QAnon bullshit.

See, this is a great example of how conspiracy theories work. We tend to only think of them in terms of their major propositions and the implications of those propositions--that the Earth is hollow, your average garden-variety antisemitic caricature of a shadowy society controlling you, that sort of thing--instead of talking much about how people fall into that hole in the first place. And, in our day-to-day lives, it’s really where the theories start that we need to be vigilant about more than where they end. Where they end is important, obviously, but no one buys the end product immediately. They get there through a process. And the user who posted the above quote is playing into that process.

Here’s the process that I want you to see in that paragraph, and to look out for elsewhere:

0: ‘Facts’ that are viable, and possibly even true

Step Zero is not to lie or even to introduce new information. I call it Step Zero because it isn’t automatically part of a conspiracy theory; obviously, if we’re going to talk about the impact of anything on the world, we have to talk about what is actually happening. But I point it out because conspiracy theories always start with a premise that you can accept. Always. Every time. You cannot assume that you will recognize a nonsense theory based on immediate nonsense. No one starts there. They start in the real world. As above, where they are describing very real or at least realistic consideration for the ways filming such a movie can groom young actresses and audiences.

1: Framing facts through key concepts

A good conspiracy theory begins not in the facts provided, but in the way they are provided.

Consider the bit of the paragraph I copied where it said, “the fact that this movie was even released and is being defended by the elite.” Who are the ‘elite?’ See, the use of that wording is intentional. What the user has done is frame the delivery of the fact or near-fact (that the movie and its mode of production are abhorrent) in a way that an elusive enemy is embedded in the fact or near-fact itself (that the elite are defending the abhorrent thing, making ‘them,’ whoever they are, also abhorrent) such that it is difficult to separate that idea from the rest of the fact or near-fact. In fact, I expect that if anyone wishes to argue with me about this post, they will do so by framing my dismissal of a mythical elite with being part of their work; that is, the primary means of arguing against this post, based on the way people have argued with me about similar things in the past, will be to hold that if I doubt that part of the sentence I must doubt the whole sentence and doubting the whole sentence means not finding pedophilia abhorrent and that, by extension, must make me either a pedophile myself or a man comfortable with pedophiles.

I’m sure you’ve seen that play out before in some context or another. This is why it plays out that way: the fact or near-fact has been married, unsuitably, to a claim that sets up Step Two.

2: Using the altered fact or near-fact to demand a pre-determined conclusion

Here’s the thing. If there is an elite who are actively trying to make and promote and defend “Cuties” (which is a highly suspect claim already), then the logical question is why they are doing so. Well, by golly, our friendly neighborhood conspiracy theorist has an answer! See, it’s “proof that there is a deliberate plan to normalize and eventually legalize pedophilia and child porn.”

That conclusion is not demanded by the agreed-upon facts. That is, if I agree with the theorist that the movie is, indeed, a work that grooms actresses and audiences, there are actually a variety of conclusions we can draw about why the movie was made. Maybe it was filmed with entirely different intentions and the end result is because of editing, or license taken by questionable cameramen. Maybe the version shown at Sundance or whatever was not actually the version currently on Netflix, so the people defending it were defending something other than what the twitter thread author saw. Maybe the producer really did have terrible motives but managed to convince someone at Netflix that that was not what was happening. Some or all of these may be false. I have no idea. But here’s the thing: neither does the person who posted the paragraph in question. The facts given in the post are actually pretty sparse as far as coming to a certain conclusion about intent are concerned. You need more information to know what is really going on here.

But see, that’s why they added information in Step One. By making it a behavior of that conspiracy’s boogeyman, they can easily come to a conclusion. The facts or fact-adjacent statements made in the body of the post, paired with a conspiracy-based understanding of who the elite are and what they want, is enough information to come to a conclusion. And it’s a conclusion that is only reasonable if the elite are real and are who the conspiracy says they are. See, the goal of getting you to believe the bigger conspiracy isn’t by telling you who the elite are, but by getting you to accept something that requires them. Which is why

3. Frame the delivery in a way that hides the conspiracy

The post leading up to the quoted paragraph is actually fairly long (admittedly, not as long as this post), and every part of it fits the conversation that has been had about the movie and is presented in a way that makes sense. So while the average tumblr user is scrolling along, if they read through, they’re being hit with a lot of sensible discourse about a movie they probably haven’t seen but have seen more discourse about, and then that bit of QAnon is just kinda slipped in without any major change to wording and presentation. It’s bolded for effect, but the content itself seems to flow naturally from the rest of the post. It’s only in stopping and thinking seriously about what has been said that the diversion away from a discussion of facts gets noticed.

The point is to be distinct enough to set up the conspiracy theory, but subtle enough that you accept it as part of the rest of the post’s claims. See, because, what happens there is that if the rest of the post makes sense to you, and you aren’t thinking about the fact that the post has taken a left turn, you accept the conclusion being given as a natural part of the post. And accepting the conclusion requires that you have, maybe without realizing it, accepted the claims about the ‘elite.’ And that sets you up.

4. Go Deeper

Because once you have accepted the conspiracy’s claims about the elite, preferably without recognizing that there was a claim about the elite, you are ready to accept other things that connect to that. Someone comes along and says something that also sounds plausible, and also ties into the conclusion that the elite are trying to legalize pedophilia. Well, because you’ve already accepted that this was a reasonable conclusion elsewhere, and it seems reasonable enough here, you accept it here as well. And this is solidifying in your mind the idea that it is known that there is an elite working toward that goal. But the questions remains of who the elite are. So, when someone finally comes along and ties the ‘elite’ to a specific person or group of people that you do recognize (usually Jewish people or some caricature thereof), and offers some evidence that is pretty flimsy but plays very nicely with claims you’ve already accepted, you buy it. Or you don’t, but you’re so deep now that you have to provide an alternative if you want to reject the answer you’ve been given, and so you start to spin your own theory.

Either way, the end result is the same: you are convinced of a claim that would have sounded crazy to you a year ago, and your family is trying to tell you how crazy it sounds to them now, but they just don’t know! They haven’t seen all the facts! You should probably show them the facts. Ideally, by starting with something they already know to be true. And the cycle continues.

Please. Be careful out there, folks. Don’t be that guy.

[aion-rsa]

Best Romantic Movies on Amazon Prime Right Now

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Some movies brave enough to tread where only pop songs and poems go, and try to capture all the drama, contradictions and happy, bubbly feelings that come along with romance and love. It’s high-time that we honor them and defend them against their unearned sappy reputations with the best romantic movies on Amazon Prime.

We’ve scoured Amazon Prime to find the best romantic movies available for your viewing pleasure. Here are the best romantic movies on Amazon Prime. Ok, some of them are perfectly sappy.

The Big Sick

Kumail Nanjiani and his wife Emily Gordon’s theatrical debut made big waves when it came out for the singularity of its vision and just how plain funny it is. Now Amazon gets to reap the benefits of producing a bonafide romantic indie hit by getting its exclusive streaming rights. The Big Sick is the real life story of comedian Kumail Nanjiani meeting and falling in love with his wife, Emily (who is played by Zoe Kazan in the film).

Kumail and Emily’s courtship process is difficult enough to begin with due to Kumail’s family pressuring him to find a nice Pakistani girl to settle down with. But soon things get even more difficult as Emily suffers a health scare and Kumail must suddenly contend with that situation and Emily’s eccentric parents who have just come to town. The Big Sick is a clear vision from talented people and tells a beautifully convincing love story while making plenty of room for laughter. Not only that but it’s a big win for our list of best romance movies on Amazon Prime.

Watch The Big Sick

What If

Canadian drama What If (originally known as The F Word before the MPAA got its greasy fingers all over it) is a fun romantic movie and a tremendous showcase for its two young stars Daniel Radcliffe (you know what he’s from) and Zoe Kazan (The Big Sick). Radcliffe stars as Wallace – a directionless young man living in Toronto who decides to become more social after his girlfriend cheats on him.

Enter Kylo Ren (Adam Driver playing a character who is unfortunately not named Kylo Ren) who takes Wallace to a party where he meets the alluring Chantry (Kazan). Wallace and Chantry immediately fall for each other. Unfortunately there’s the small matter of Chantry’s boyfriend. What If? is a sweet little Canadian flick that knows how to push its audiences romantic buttons.

Watch What If

Still Mine

Still Mine isn’t necessarily about romance. It’s about love – a deep prevailing love built up over decades. Craig Morrison (James Cromwell) is a farmer in rural New Brunswick, Canada. He intends to build a new house for his ailing wife Irene (Geneviève Bujold) but runs into trouble with the local municipality’s bureaucracy prevents him from doing so.

Still Mine is as romantic a movie about bureacratic development regulations as has ever existed. Cromwell and Bujold have wonderful chemistry and paint a portrait of profound, abiding love.

Watch Still Mine

Some Kind of Wonderful

Some Kind of Wonderful doesn’t have the same pop culture standing as other John Huges films like Sixteen Candles or Pretty in Pink. Still this remains a worthwhile entry into the Hughes canon on teenage love. 

Read more

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The Bee: The $50 Million John Hughes Movie That Fell Apart

By Simon Brew

Keith Nelson (Eric Stoltz) is a high school outcast who has his eyes set on popular girl Amanda Jones (Lea Thompson). Thankfully he has his tomboyish Watts (Mary Stuart Masterson) to help court her. Based on that meager plot description, you may think you know where Some Kind of Wonderful is going to end up, and…you’re probably right. That doesn’t make the journey any less satisfying. 

Watch Some Kind of Wonderful

To Catch a Thief

You know who would make a great romance film? The guy who did Psycho. Yes To Catch a Thief is a classic romance film from none other than Alfred Hitchcock. Of course, there’s a lot more going on in this heist thriller.

Cary Grant stars as retired cat burglar John Robie. When another burglar starts copying his act, Robie has to undergo One Last Job (TM) to catch…a thief. In the process John comes across the wealthy Frances (Grace Kelly) and the two strike up an unlikely romance for the ages.

Watch To Catch a Thief

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Hello, My Name is Doris

Between TBS’ Search Party and Hello, My Name is Doris, director Michael Showalter had a stellar 2016. Hello, My Name is Doris is a wonderfully sweet, equally tragic and completely hilarious romantic comedy. Sally Field stars as the titular Doris, a lively woman in her 60s who after the death of her mother becomes infatuated with a younger man. 

Read more

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Best Romantic Movies on Netflix

By Alec Bojalad

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Best Romantic Movies on Hulu Right Now

By Alec Bojalad

With the help of cliched self-help materials she does whatever she can to get his attention. Hello, My Name is Doris is an empathetic romantic comedy that will change how you view age. 

Watch Hello, My Name is Doris

Sabrina (1995)

Let’s get one thing out of the way right now. Sabrina‘s theatrical poster is dope. When I was a kid and I would pass the VHS cover in Blockbuster, I couldn’t help but think “Wow, that is a real adult movie.” At a young age, the mere sight of a woman’s lascivious red lipstick (lascivious in my head at least) was enough to fry my brain. Poster aside, however, Sabrina is an excellent romance with some real star power. It’s a remake of the 1954 film of the same name starring Billy Wilder and Audrey Hepburn. 

This version was directed by the great Sydney Pollack and stars Harrison Ford, Greg Kinnear, and Julia Ormond. Weirdly enough Greg Kinnear plays the ultimate rich playboy while Harrison Ford plays his studious older brother. Weird casting choices but it works out alright thanks to each actor’s chemistry with Ormond.

Watch Sabrina

Ghost

Ghost is much more than just the reason you can no longer attend a pottery class without giggling. It’s a legitimately great sci-fi romance yarn. Patrick Swayze stars as Sam a banker who is killed by a mugger. Immediately post-death he discovers that he has become a ghost and can no longer directly interact with his girlfriend Molly (Demi Moore).

Sam sets out to solve his own murder and somehow reconnect with the woman he loves. Ghostcomes along with all the corniness of an early ’90s blockbuster but its central theme of love trying to achieve the impossible plays in any decade.

Watch Ghost

Brokeback Mountain

Longing is a crucial part of the formula in any romance movie and Brokeback Mountain has it in spades. Ang Lee’s 2005 film played a crucial role in bringing queer cinema to the mainstream and it did so by presenting mostly straight audiences with a universal depiction of love and passion – the kind of love that supersedes the norms and expectations of everything in your life to that point.

Heath Ledger and Jake Gylllenhaal star as 1960s Wyoming cowboys Ennis Del Mar and Jack Twist. While herding sheep on the Brokeback mountains, Jack makes a sexual pass at Ennis and the two begin a summer-long physical affair. The movie then follows the pair through the subsequent decades as they try to return to their “normal” lives, all the while unable to forget their time on Brokeback.

Watch Brokeback Mountain

Letter to Juliet

Somewhere along the way, Hollywood decided to let Amanda Seyfried become the queen of romantic comedies set in exotic locales…and that’s perfectly fine with us.

In Letters to Juliet, Seyfried stars as a New York fact checker Sophie on “pre-honeymoon” with her fiancé in Verona. There she learns of the phenomenon of “letters to Juliet” where women women bring love letters to Juliet Montague’s Verona courtyard. When Sophie answers a letter from 1957, she embarks on a decades-spanning journey of love and self-discover.y

Watch Letters to Juliet

What Men Want

Back in 2000, only one film had the distinction…nay, the courage of trying to figure out What Women Want. The answer, apparently, was Mel Gibson. We don’t talk about this movie that much.

Read more

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Which YA Romance Should Netflix Adapt Next?

By Kayti Burt

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Yesterday Is History: Meet the Latest Addition to the Time Travel Romance Genre

By Alana Joli Abbott

2019’s What Men Want is a loose remake of the earlier film. And it has something that the original never did: Taraji P. Henson! Henson stars as Ali Davis, a sports agent who gains the ability to read men’s minds after meeting a shaman. The movie puts Ali’s male-dominated profession to good use and in the process tells a nifty little romance story.

Watch What Men Want

There’s Something About Mary

More than two decades later, it’s still wild to see that above screenshot. Like, that ran in newspapers. It was on a poster! And if you don’t know why a photo of Cameron Diaz with a unique hairstyle is a big deal then you’ve likely not seen the Farrelly Brothers 1998 gross out classic There’s Something About Mary.

This is not so much a romance movie as it is an exploration of the pitfalls of attraction. Diaz stars as Mary Jensen…and there’s just something about her. Ben Stiller, Matt Dillon, Lee Evans, and Chris Elliott all play men who are helplessly in love with Mary and trying to win her affection. In the process, many injuries as sustained.

Watch There’s Something About Mary

Moulin Rouge!

If you like your romance with more than a dash of Baz Luhrmann saturated colors and big, sexy musical numbers then Moulin Rouge! is almost certainly the movie for you.

This 2001 film is set in 1900s Paris amid the Bohemian movement. When Christian (Ewan McGregor) falls in love with Moulin Rouge cabaret actress and courtesan Satine (Nicole Kidman), he must contend with her impending betrothal (or really sale) to the Duke of Montrose. As one might imagine, this is resolved with quite a bit of singing and dancing.

Watch Moulin Rouge!

Sylvie’s Love

Amazon Prime’s 2020 film Sylvie’s Love positively oozes jazz era atmosphere and tells a compelling, decades-spanning love story in the process.

Tessa Thompson stars as Sylvie Parker, a young woman who one day meets an aspiring saxophonist (played by Kerry Washington’s husband and former NFLer Nnamdi Asomugha) and in her father’s record shop in 1950s Harlem. This leads to sweeping romance that guides the pair through the era’s jazz music scene.

Watch Sylvie’s Love

The post Best Romantic Movies on Amazon Prime Right Now appeared first on Den of Geek.

from Den of Geek https://ift.tt/3tMJBC9

[anticatradoraofficial]

Show Catra's love for Adora and her affection for the BFS from seasons 1-4

You know what would be a GREAT idea you should make a pinned juxtaposition post with the “I love you, I always have so stay scene, and of course the KISS.

Then at the bottom of it starting from the shock in the sword part 2 on down just have scenes and dialogue of Catra’s absolutely beautiful abus… er I mean love for Adora. We must all see this LOVE in action.

Then make a separate post,but at the top of this one have her hugging Bow and Glimmer at the fail safe oh and Glimmer kissing her cheek, but then have the fantastic beautiful scenes of her, trying to kil.. er, affection and friendship for them.

The pic after the hug picture should be of Angella about to um go to sleep because that pic would bring it on home that those three were made to be platonic soulmates, and then go from there with other dialogue and scenes.

We MUST see the beauty of(attempted mur… war crim…) of the Complete Best Friend Squad TM.

Thank you for sharing this idea/submission! Unfortunately, it’s been very hard for me to get access to gifs and screenshots from the show (since Netflix doesn’t allow me to take screenshots on my iPad). Plus, the laptop I’ve been working on to maintain this blog is old and doesn’t work very well, so it would be difficult for me to make a post like this, involving gifs and screenshots.  Any followers of this blog are more than welcome to create a post like this though (or any of their own posts in general) and submit them to this blog. 

[a-girl-called-bob]

The 3DS is dead, long live the 3DS

Nintendo announced this morning that the 3DS will no longer be in production. No new games, no new systems, no repairs, no more official support of any kind. It's sad, but understandable that a 9-year-old system would be discontinued, especially as supply lines are made difficult and their newer system is so successful.

However! Just because Nintendo is not making new games for the 3DS, does not mean that nobody is doing anything for it. The Hacking and Homebrew communities have around seven years and counting worth of software and demo games (mostly ports but, y'know, gamedev is hard) that you can play right now for free.

If you've never homebrewed your 3DS before, go to 3ds.hacks.guide to get started. It might seem like an involved process, but it won't take more than an hour and a half (and most of that's waiting so like, put something on netflix or smth for that) and it lays out every step you need to take in detail. You will need a way to read your 3DS's (micro)SD card on a computer, but that's the only special hardware you need.

Once you've done that, check out the 3DS hack and homebrew sections on gbatemp.net's forums. (There's also a wiki, but it hasn't been maintained in several years. It still has a few good apps on it like ftpd)

So what are some things you can do with a homebrewed 3DS?

Play almost any DS game directly from your SD card with TWiLight Menu++

Play almost any game released up through the Super Nintendo and Genesis era, as well as Gameboy and Gameboy Advance games, with RetroArch

Use the DSi Flipnote Studio to access Sudomemo, an unofficial clone of Flipnote Hatena

Play modded versions of games, like the Fire Emblem's Gay Awakening hack or Super Mario Bros Next (this requires a copy [official or pirated] of the original games)

Use the 3DS as a wireless controller for computer games (includes video streaming from Windows to the 3DS)

Install custom home menu themes that you can make or acquire from themeplaza.eu (warning: site supports NSFW themes and has seemingly no content moderation, but NSFW content is filtered by default. The 'most popular' section tends to have decent stuff).

Transfer Pokemon between DS/3DS games without paying for Pokebank (or hack your Pokemon games like a dirty cheater)

Take screenshots, stream video to PC (with admittedly poor framerate), and/or use cheat plugins with NTR CFW (required for the above-mentioned game mods)

And so much more!

In conclusion, if you want to get a bit more life out of your 3ds, the homebrew community is here for you

[scottymcgeesterwrites]

Final Fantasy Review

Year: 1987 Original Platform: Famicom Also available on: Nintendo (NES), GameBoy Advance (Final Fantasy I & II: Dawn of Souls), PlayStation One (Final Fantasy Origins), PSP (Anniversary Edition) Version I played: PSP

Synopsis:

The world is in danger. Four monstrous fiends, each corresponding to an element of nature, have wreaked havoc on the world, causing each of the four elemental orbs (in later remakes, crystals) to turn dark. Four Heroes of Light, each holding their own orb, meet and band together to take on these fiends and restore nature to its proper balance.

Gameplay: The original game introduced the Job System. The six jobs are Warrior, Thief, Monk, Black Mage, White Mage, and Red Mage. Each have their own stats. You are free to name each of your heroes. Later on the game, each job can be upgraded.

We are introduced to a classic setup of turn-based combat. Final Fantasy was notable for being the first video game RPG to show your characters on the right and the enemies on the left; all previous video game RPGs had a first-person view with the enemy directly in front of you.You choose your action between Fight, Magic, Drink, Item or Run. Then the enemy takes their turn.

It’s a simple system that at the time was already well-known. It was really the Job System that intrigued players. Black Mages perform destructive magic, White Mages heal and restore, Warriors are the powerhouses, Monks deal damage without weapons, and Thieves can run from battles successfully (they cannot steal, as later games would introduce that). The game can be quite difficult on the original Famicom and NES. It was made at a time when technology was limited, so developers had to make the game harder so that people spent more time playing it. There’s a gaming term that I’ll be using in many of these Final Fantasy reviews called “grinding”. Grinding is when you end up having to run around and fight monsters for the sake of leveling up your characters. There is a lot of that in this game, as well as the early Final Fantasy games in general. Unlike games today, the direction isn’t fully laid out. You are thrown into the world and wander about from town to town to figure out where to go next. Instead of games like today where other non-playable characters (NPCs for short) tell you what to do in cutscenes and whatever, you actually have to approach the NPCs and find out the information. The overall effect is more open-world. You walk across fields and oceans and deserts. There are caves and other secret places to find more items. From a modern gamer’s perspective, the exploring can be quite bare and – for lack of better word – boring. The remakes, like the PSP version that I played, brightened it up with updated graphics. They also added a couple extra dungeons. I actually spent time in those extra dungeons believing they were part of the story, appalled by how difficult they were, when I later found out they were extras put in for the PSP version. That has happened a lot to me with remakes of old RPGs (Chrono Trigger for the DS, another example). A little more obvious sign would have helped to make me realize that I didn’t need to finish those extra dungeons. The pace is definitely slower than the other Final Fantasy games. Most of your time is spent grinding. Grinding can sometimes be a wary word when talking about video game RPGs. If an RPG is too boring or tedious, grinding is the last thing you want to hear. But even when an RPG is fun, grinding means that you need to spend time battling enemies, and that means hopefully you don’t have a huge backlog of other video games. It's probably why I never got around to finishing the original NES version on an emulator. Once and a while I'd be pumped up about going through with it but then as I played I just. . .got distracted by other video games that I wanted to finish.

You definitely need time and patience. The most aggravating thing about the original version (Famicom/NES) is that if your character is set to attack an enemy but another one of your characters defeats it first, that character attacks nothing but air when it's their turn. It was a very annoying issue that they fixed in all subsequent remakes. When comparing the original to any other version, the original always is the best way to experience the game. It can also be the hardest and most time-consuming. You would need to pay attention to this game entirely and not be distracted by anything else.

The PSP version is watered down. I found it infinitely easier than the NES version. I actually played them side-by-side to figure out at what point the difficulty branched off. Right away when you venture to save Princess Sara, I realized that the PSP version gives more XP per battle than the NES version. Hence, you have to grind more in the original version.

Graphics:

Everybody loves some 8-bits, but let’s be honest here – there’s a whole lot of black empty space going on when you battle.

But hey, that was due to the limitations at the time. Battles may seem more boring to you due to the lack of detail to catch your eye.

The later remakes added a floor or ground where appropriate. The PSP remake did a good job of giving a facelift to the original, as shown below. It has this cute, rounded feel to the characters.

(My favorite battle background was in the final battle.)

The opening FMV sequence is ripped straight from the Playstation One remake. That didn’t age well. It’s awkward as hell. Want to see how awkward it looks? It looks mad awkward. Don’t say I didn’t warn you. Just look it up. I don’t want to sully this post by posting a screenshot. In my opinion, they should have created a brand new opening FMV sequence for the PSP version.

Story: The first several minutes of the game acts as a prologue. The Four Heroes of Light save a princess - Sara - from the clutches of Garland, and then the King of Coneria allows a bridge to be built for them to enter the world and save it. It’s not until that bridge is built that the game truly starts and the title screen actually displays – much like a late opening title in a movie. In retrospect, saving a princess probably seemed like the most common trope in video games throughout the '80's. Gamers would have been used to it by then. That short prologue acts like a trope-breaker. The average gamer would have probably expected the game to be like Mario or Zelda. Oh yeah, save the princess from some evil fiend, okay, got it. They would have then maybe been perked with interest when they "defeated" Garland so quickly, and then when the King of Coneria lets them pass into the world and the title screen opens up with the theme song, they maybe were like, "Ooooh. NOW it starts." Final Fantasy then plunged them into a wide open world.

The bulk of the story is mostly comprised of self-contained incidents. You run into someone who needs help with a thing so you do that thing and then you’re on your merry way again. You know what would be a great adaptation of this game? A Netflix series. It’s very episodic. First you deal with these pirates led by Bikke, then get a ship to sail across the land and go on a sort of delivery quest for a crown, a crystal eye, an herb, a magic key, until the main story picks up with defeating the Four Fiends and bringing light to the darkened orbs. There's no real huge spoiler other than the time travel paradox at the end, which had me wracking my head a bit. It's quite admirable that a game this early in video game console history produced a higher concept plot involving time travel. Music:

Composer Nobuo Uematsu created a legendary score that immediately became on par with the Mario and Zelda theme songs.  The Prelude/Crystal theme – the harp-like scale that we are all familiar with – was actually composed last. Uematsu had complete the score when Sakaguchi approached him at the last minute realizing they needed music for the game’s introduction. None of them had any idea that the theme would become a staple for Final Fantasy.

Due to the technical limitations at the time, you can imagine that the soundtrack is limited, but even so it was still quite expansive for its time. There are several individual tunes for dungeons, for sailing your ship and for flying your airship. The map theme will have you humming it without realizing it.

Uematsu drew his inspiration from two sources – classic rock and living in Shikoku, an island off Japan. The melodic world map theme in Final Fantasy (and the rest of the series) derives from the picturesque memories he has of the island. The town theme is reminiscent of the sleepy villages – as he was never a city person. Meanwhile, the battle theme has undertones of rock music.

There’s only one battle theme, even when fighting bosses and the final boss, but the amazing thing is that it never gets old.

Final Fantasy games are known for their great battle songs. The opening bassline always gets you in the groove to fight. You’re fighting but want to sing at the same time. Maybe that’s the brilliance of Uematsu; because of the fact that you need to grind many times in these old Final Fantasy games, he created a tune that you wouldn’t get tired of because it’s not so serious or mundane.

Not to crap on other great developers, but other video game RPGs at the time of Final Fantasy didn’t quite have memorable battle music. Just look up the battle theme to the first Dragon Quest game (released before Final Fantasy). You can imagine how that simple tune could get old really quick. I could be pulling this out of my ass, but after Final Fantasy, it seemed that battle music in video game RPGs suddenly got better. If you listen to the Dragon Quest IV battle theme, there is a portion that sounds similar to the battle theme of Final Fantasy.

The PSP version adds more tracks, specifically to the boss battles, and I like how they incorporate the original battle motif thrown into the new battle songs. The original battle theme has a guitar and drums added, which is the style that Final Fantasy battle music was known for by then.

There is one last thing to note about the score that I found very interesting for its day and age. You see, in a movie score, you have themes and motifs, just like a video game score. But in a movie score, other tracks reference those themes and motifs. For example, you have The Raider’s March in the Indiana Jones films; that’s the theme for the character Indiana Jones. Then in the movie, whenever Indy does something badass, you hear his theme blare in that instance. Obviously the entire theme doesn’t play, but it is incorporated in snippets throughout.

Uematsu actually does this with the Town Theme. He incorporates it at the ending music in the epilogue. It took me a while to try to understand why. Then it hit me. The epilogue mentions the heroes becoming legends as people talk about them. Legends are told and spread in towns.

It’s a very small detail. It’s such a small detail that it could be nothing but if it is what I think it is, then it’s cool that he was already in the mindset of passing on themes and motifs throughout the game, treating it like a movie.

Notable Theme:

I already posted the main themes in the introduction, but here’s the original battle theme:

Verdict:

A strong debut to the Final Fantasy series. To a modern gamer though, you may be spoiled by the fast-paced, eye-catching video games of today. When console games first hit the market, developers had to create games that took longer than the average arcade game to finish, or else kids would get bored with their games in minutes and gee, wouldn’t that be a waste since they paid way more than a quarter? Thus, that’s another reason why old games are harder. Given the technical limitations at the time, developers couldn’t expand much on the game, so there’s a lot of leveling up and grinding because what else could you do? You know? Ultimately, playing a video game back then was all about honing your skill with that game.

Ideally, you could play through every Final Fantasy game in order of their release, and that would give you a greater sense of the evolution of the gameplay and the series as a whole. However, most people reading this (and me) are probably more modern gamers – and as such, our perspective is biased on what feels “exciting” and “remarkable”. The first Final Fantasy game could feel boring and tedious to you now, but if you put it in the context of when it was made, this was entertainment for hours on end. This is basically like watching one of those silent adventure films starring Douglas Fairbanks. Yeah, you’ve been spoiled with more amazing stuff like The Matrix and Star Wars, but golly – this stuff blew people’s minds back in the day.

Direct Sequel? No. However, there have been multiple remakes, which I have already listed above.

[thecrownnet]

OCTOBER 2020 ISSUE

Emma Corrin On Her Career-Making Turn As Diana, Princess Of Wales In ‘The Crown’

BY VOGUE

7 SEPTEMBER 2020

What does it take to play Diana, Princess of Wales, one of the most scrutinised and beloved women of the 20th century? In the October 2020 issue, Emma Corrin tells Vogue the answer ahead of the premiere of the fourth season of The Crown on 15 November.

It’s hard to imagine a more difficult role to step into than that of Diana, Princess of Wales – particularly Diana, Princess of Wales in The Crown. Since its premiere in 2016, Netflix’s epic £10-million-an-episode production has garnered a well-deserved reputation for its spot-on casting thanks to Hollywood legend Nina Gold. Who could forget the eerie way that Claire Foy morphed into the Queen on her wedding day in the first series? Or Helena Bonham Carter’s spectacular transformation into Princess Margaret on her 1965 tour of America with Lord Snowdon in the last season?

It’s a pressure that British Vogue’s October 2020 cover star Emma Corrin is keenly aware of ahead of the release of the fourth instalment of The Crown on 15 November. The Cambridge University graduate was tapped to play the People’s Princess at the beginning of 2019 after more than nine months of practice reads on set – despite having only a handful of small roles to her name. “I didn’t tell anyone for a while,” the 24-year-old told features director Giles Hattersley of her casting during a stroll through Hampstead Heath earlier this summer. “I love my mates but I think it would have got out.”

Her fascination with the late royal, however, ultimately gave her away – with her inner circle figuring out her secret on their own. “My friends from school did this incredible thing, where they made me a scrapbook filled with all of the screenshots from our group WhatsApp, where I have said, ‘Oh my God, guys, I’ve been invited to read.’ Or a random conversation we’d had four years ago when I said, ‘Isn’t Diana amazing!’”

The actor has always been drawn to Diana (not least because Corrin’s own mother bears an uncanny resemblance to her) but her preparation for the fourth instalment of The Crown naturally led her to do endless research into the late Princess’s life, from meeting with Diana’s private secretary Patrick Jephson (“[He] said that she was so funny and so happy so much of the time – I loved that”), to watching Diana: In Her Own Words “about a hundred times”. She even worked with movement coach Polly Bennett to try and figure out which animal Diana most resembled in her movements. (After initially considering a deer, Corrin settled on a cat.)

In the forthcoming series, Corrin puts her studies to good use playing Diana from the age of 16 – when she first met Prince Charles during a grouse shoot at her childhood home of Althorp – through to her late twenties, when her marriage began to collapse in spectacular fashion. “I feel I’ve got to know Diana like you would a friend,” Corrin explains. “I know that sounds really weird, but I get a great sense of companionship from her. I suppose, over time, you kind of start to patch together a sense of empathy and a sense of understanding. I love figuring people out.”

Naturally, there are countless moments that viewers are excited to see recreated on screen – from Diana’s debut at Balmoral to her first royal tour with Charles – but none is quite as breathlessly anticipated as the royal wedding in 1981, for which The Crown recreated Diana’s exact wedding dress. “The Emanuels, who designed the original, gave us the patterns, and then it was made for me,” Corrin recalls. “We were filming the scene when you first see her in the wedding dress – I think it was Lancaster House in London – and I had a team of about 10 people helping me put it on, because it’s massive. I walked out and everyone went completely silent. More than anything else I wear in the series, it’s so… It’s her.”

More from British Vogue:

[marginsofmarga]

Great Hope Amidst the Pandemic

As much as possible, we totally want to be in control of our lives. We take time to manage personal goals which are the big things to work for and accomplish such as receiving a diploma, getting married and having a family, starting our own business, becoming a big-time executive, or traveling the globe and such. These are essentially some of the things we want to do in life and in preparation for that, we plan. There may be small interruptions like atmospherical conditions, heavy traffic or sickness and we're used to it. But in an unexpected instance, in a snap, a pandemic called Coronavirus hit us by surprise and consumed us within months. Worst case scenario: it is a huge interruption everywhere with no specific vaccine.

Everyone has been writing on this and I don't know where to start. When I first heard about Coronavirus, there was a certain fear I felt as if my heart skipped a beat, wondering what repercussions it may create. By researching, I came to understand that it's highly contagious, attacks the respiratory system and no one is an exception especially the immuno-compromised ones. Knowing the fact that there is no cure for this disease heightened up my worries — for myself, my loved ones, my nation and the world.

The world is grippling with an invisible, deadly enemy. I had a feeling that it will be one heck of a ride. This pandemic got me feeling a roller coaster of emotions. I was not in my comfort zone. I had a lot of what-ifs. Before quarantine started, usual activities were still allowed despite having early cases in the country so I couldn’t help being paranoid at school, while commuting, while going to the mall and going outside with no choice but to be exposed to a lot of people which made me totally anxious and wonder "what if I get the virus" so, I did the best ways possible not to catch it. I sanitized every now and then, did limit interactions, took vitamins, used face mask and became extra careful when going out. After school, in the dorm where I stay, I really make sure to keep my health in check so I wash my hands, eat and sleep properly. Let me just say that living a little away from home sucks especially when there's a sudden global virus. I had to take care of everything myself. I was longing for security. I just wished I could go home.

There was a time back then when I really had a hard time sleeping that I fell asleep at 4 o'clock in the morning so it led to overthinking and unwanted panic attacks. Fears abound. Such uncertainty. How long will it last? What if I get sick since I lack sleep? What will happen next? Worries kept rippling because aside from these, there were school requirements to fufill, an overall health to watch and uncertain future to come so it was absolutely tough for me and took a toll on my mental health.

Days before ECQ was imposed, it was another day full of worries and not being in control. Classes were suspended due to more cases detected. So I packed my luggage, took a 1-hour ride to get home and finally be with my family. It felt good to walk into our doorstep but even if quarantine was imposed, oh God, my worries didn’t fade. Fear and anxiety were still present. During the first week of ECQ, I still got panic attacks and sleep issues. I was deeply overwhelmed. That’s why I willingly shared my thoughts to my go-to person, my mom. It's been a long time since I had a panic attack and that time, it was difficult to control and worse, even my sleep was affected. My mom would calm me down by helping me meditate with a bunch of essential oils and by staying present. I also talked over the phone to my Kuya who's in Manila and with other loved ones so it eased out my agony. Their words comforted me. Their company patted my back. I started to feel safe. I felt much better. I stopped dwelling on the negativity. I looked into the blessings which I'm really grateful for. I prayed to God. I consciously focused on the fact that I'm alive and I have a purpose. I knew I just had to shift my perspective. I started to heal. I started to pick up my broken pieces like a puzzle waiting to be solved.

Well, there’s always a new day. The virus is still there, but no one’s stopping me from overcoming my fears and doing what I love. Let’s face life no matter what. Since I'm really a home person, I didn't bother much about things to do in quarantine. These are the things that kept me going while staying at home: I do love being active so after getting up in the morning, I would pray and think about the things I'm grateful for. After that, I would turn the television on, go to Youtube and do my usual workout routine (a good sweat releases endorphins). I also got to bake some goodies, learn to cook new recipes and get creative with my makeup looks. I also do household chores and binge-watch my favorite shows on Netflix right after. I even do some home photoshoot so I get to play dress up. Spending time with my family 24/7 is a major blessing I experience amidst the crisis. Every night, I pray to God and talk to him sincerely. Prayers are the best antidote and His hands are my safe haven.

These were some of the meals I cooked.

These were some selfies I took during quarantine as I get creative with my makeup looks to avoid overthinking.

Watching my favorite series, FRIENDS. A good laugh comes a long way.

With regards to academics, as a student and as a person, I was firm on my stand to push for mass promotion of all students. Considering the situation and ongoing threat of the global crisis, health is greatly at risk. I voiced out my opinion on social media. In my little way, I wanted to help those near around me to come to our house for internet access if ever mass promotion didn’t push through. Good thing my professors were considerate enough to pass us all even if the university didn’t go for mass promotion at first. Luckily, a new memo from our school’s administration came to a decision in benefit of the students. Mass promotion pushed through.

This is a screenshot of my Mass Promotion post where I voiced out what I felt.

Just yesterday, I received a bad news. It felt devastating to lose one of the best professors I had. We didn’t see it coming. He suffered from severe pneumonia and tuberculosis. He was one of the people who believes in me and appreciates my passion. He had expert communication skills and a strong work ethic. Not to mention his great sense of humor that kept every discussion in class fun. I have always admired him. I will surely miss Sir Guban. Heaven gained an angel. May he rest in peace.

This is Sir Guban, one of my best professors who just passed away.

Giving shape to time is indeed important now when the future is so shapeless. The pandemic is a whole new ballgame with new rules being created each day. We are challenged to let go of normalcy and face a new one. I know it’s hard to gain a perspective when you are in the middle of such uncertainty; to make sense of what is going on and how the future will emerge. But I have learned that I need to trust the process because eventually, it will unleash a better version of myself, a stronger one. As I began to reflect on the reality of such a virus and trying to contain it, it became clear that it says something quite wonderful about humanity. It says that we have the capacity to shift out of our comfort zones and to quite literally work together to save our lives and the lives of others. There is a tremendous hope for humanity being demonstrated around us. We can choose to walk through it lightly, with a little luggage, ready to imagine another world and ready to fight for it. Life may hit us hard countless times but I found out that it’s about finding ways to get back up again and moving forward despite the greatest obstacles.

Always wear your face mask, sanitize, be mindful and be safe.

This is a contribution to ComCo Southeast Asia’s “Write to Ignite Blogging Project”. The initiative is a response to the need of our times, as every story comes a long way during this period of crisis. Igniting and championing the human spirit, “Write to Ignite Blog Project” aims to pull and collate powerful stories from the Philippine blogging communities to inspire the nation to rise and move forward amidst the difficult situation. This project is made possible by ComCo Southeast Asia, co-presented Eastern Communications and sponsored by Electrolux, Jobstreet and Teleperformance.

[buckybarnesstar]

Bucky sending u a vid of himself masturbating go

YOU A NAUGHTY ONE

showing Bucky the internet and social media apps was definitely difficult. he’d always ask you how to post a “bird” (as in a tweet) or say that “the lady on the phone won’t stop speaking”, to which you’d reply that he’s holding down his home button for too long and Siri is acitivated.

he was pretty good at Instagram and Snapchat, they were a little easier for him to get used to. you two were each other’s best friends on the app and had a streak going. it was funny to see him take a two second video when he thought it was a photo.

he would always screenshot your selfies, especially when he was away on missions and you were stuck doing the paperwork part of things.

it was late in the evening and you just shut down your laptop after watching an episode of your favorite show on Netflix in bed, when you heard your phone vibrate on the bedside table. it was a new Snapchat notification from Bucky. you smiled and opened your phone, going to the app.

the box was purple, indicating he had sent a video. another one popped up, and then another one. you quickly pressed on the notification and your eyes widened at the video playing with the text saying “I miss you”.

Bucky’s flesh hand was gripping his hardened cock, stroking himself in slow strides as he held his phone in his metal hand. you figured he remembered you telling him he could record hands-free now on Snapchat.

you squeezed your thighs together as you watched, licking your lips. he had the perfect angle. you could see from his balls up to his mouth.

his bottom lip was tucked between his teeth and he gasped as his thumb brushed over his red tip. you moaned as he picked up speed, the vein on his cock prominent. you grabbed your earbuds and plugged them in, and turned the volume up. you loved hearing his breathy whimpers.

the next video started playing and he was stroking himself harder and faster, his abs flexing as his hips jerked up. he leaned over slightly, gathering saliva as he let it string down from his mouth, onto his cock to lubricate it.

his cock was glistening in the light of his hotel room, the wet sounds only furthering your arousal. your pussy was throbbing now as you watched your boyfriend pleasure himself.

he moaned your name as he picked up speed, the phone slightly going off focus, only for him to aim back at his cock. you moved your hand down your panties, starting to rub your clit as another video started.

the noises coming from him made you gasp in pleasure. his filthy moans, the sound of his cock in his hand, the headboard slightly rocking against the wall.

you got close to cumming pretty quickly. Bucky cursed under his breath as his hips jerked once more, his cock twitching as he started to cum. spurts of it landed on his abs, a strained moan erupting through his chest.

the video ended and you replayed them so you could finish. it didn’t take long and soon you were moaning his name, arching your back as your fingers rubbed your clit.

you came down from your orgasm and pulled your panties aside, showing Bucky how much you came and how much you enjoyed his videos.

you typed out “thank you for the show, daddy. hurry back home x”.

I HOPE YOU LIKE IT