#ness nite

[yumenosakiacademy]

i can solve the problems in tr!gun by fucking the twins. knivez gets 2 stop being a pent-up motherfucker n stop obsessing over genocide n his brother; v4sh gets some1 giving him affection; n i get some insane cvnt game. Everybody Wins.

[theywontletmebeprincipal]

KNUCKLE TATTOOS

DICK BALS

BETA CUCK

STAR WARS

SUCK FUCK

FERA LHOG

THEJ OKER

EATS FEET

RAZL DAZL

KNUK TATS

BABY GIRL

BUTT HOLE

A.HAM A.BUR

ONCE -LER

JEB! BUSH

PRON OUNS

MYFI NGRS

BIGB OOBS

GOOD LORD

WEEE EEEE

TEE♡ HEE♡

COCK VORE

SIXFI NGERS

HAND JOB!

AMON GUSඞ

TWIN TWRS

CALL SAUL

PUNC HYOU

YURI YAOI

FORT NITE

JAKE PAUL

PIKA PIKA

FACE BOOK

ELON MUSK

HATE GAYS

JOEB IDEN

CRUC IFIX

YUOR DEVL

TOON TOWN

CRPY PSTA

KILL BILL

SOCC RMOM

HOPE UDIE

JOHN LOCK

SUPR HELL

ROAD TRIP

PRTY ROCK

DOES DRUG

SEXH AVER

SUCK UOFF

IAMA LSBO

BISE XUAL

NGRY BIRD

SMOS H.COM

MARI OBRO

RPGM AKER

CAS♡ DEAN

DIVO RCE☹

YAOI HAND

SEXY HOMO

ITMY HAND

OWIE OUCH

JAKE DOG (the empty space is for a portrait of him)

BIOS HOCK

PADS TMPN

ONEP IECE

SCOT LAND

GAMB LING

FEET PICS

JUNJ IITO

GARF IELD

RIDD LER?

GRDN RMSY

DNGN RNPA

ROLE PLAY

KEYB OARD

LEGO LAND

HOLY SHIT

WIKI PDIA

TAPE WORM

DADY ISUE

WIKI FEET

ITCH BALS

CROA TOAN

LOCH NESS

SANS NESS

MTHW PTRK

IBPR OFEN

HOME WORK

RCKY HROR

STRI PPER

FIRE STAR

BATH ROOM

MALE WIFE

HOTT LEGS

GOOF BALL

OMGA VERS

GLUP SHIT

OPEN CSKT

LITL PONY

RAYQ UAZA

TUBE ULAR

RATA TOUI

BIRT HDAY

FAML YGUY

SIMS FOUR

COLO RADO

RDIO STAR

COLD HAND

PNIS ENVY

E621 USER

AIRP LANE

NNJA TRTL

ASDF MOVI

FROG LEGS

UNGA BNGA

APPL SAUC

TWNK DETH

DRTH VADR

GENI TALS

LEGO BTMN

FINN JAKE

FUCK YEAH

ATOM BOMB

DAVI NKY?

MAMA MIA!

SLAY CUNT

FLAT FUCK

DCTR PHIL

SASU NARU

HELO KITY

Y/YO A/TI

SHRE KTWO

SPDR MNKY

PORR IDGE

PMPL POPR

LADY GAGA

TAXF RAUD

AWOO GA!!

CPTN [HOOK] (ideally you wouldn’t write hook at all because you would have an actual hook hand here. the text of “HOOK” is. implied)

MATCHING KNUCKLE TATTOOS

for two people

GUES WHAT / CHKN BUTT

DAFY DUCK / BUGS BUNY

CREW MATE / IMPO STER

HAND HOOK / CARS DOOR

POWR BTTM / SRVC ETOP

UNDR TALE / DLTA RUNE

FEMI NISM / MISO GYNY

GIRL DICK / BOYP USSY

ROOP PAUL / DRAG RACE

FIVE GUYS / BRGR FRYS

for three people

GASL IGHT / GATE KEEP / GIRL BOSS

SUPR NTRL / DOCT RWHO / SHER LOCK

BLOD BORN / ELDN RING / DARK SOUL

for six people

APPL JACK / FLUT RSHY / ♡RAR ITY♡ / TWLT SPKL / PINK YPIE / RNBW DASH

for seven people

SPON GBOB / PTRK STAR / SNDY SQRL / SQUI DWRD / MR.K RABS / PLAN KTON

[digitalst4r]

Song titles i would pitch if i was in K-On! 🎸🍰🫖 or had my own band teehee :3

1) My Heart is Biscuit but You Eated It

2) LETS DO IT! Our Sweet Sund8~

3) Warm Fluffy Bread on Cold Nite

4) Chocolate Melted like Feelings

5) Welcome to the Kawaii Kafe

6) Land of Delicious

7) LOVE goes POP! POPPING! Candy

8) Marshmallow Has Become Kaomojified

9) Requesting…Recipe For Fond(ue)ness

10) UK Special ☆ BISCAT & TEA

[ask-the-fever-four]

*There is a nite on the ground next to Ness*

Don’t you guys think something is off? Maybe you should check with the citizens. I’m sure nothing is happening in the town square. So don’t check there, okay? Thanks!

-P

*The name isn’t fully legible and you could only make out the letter P*

? Who is- nevermind.

*They go to the town square. People are clamoring to get to the center, where an authority figure, or at least, someone important to the people and appears to be about to speak...

[headlinerportugal]

Uma conexão instantânea e imediata numa noite chuvosa | Reportagem Completa

The Twist Connection a animarem uma noite bela noite de outono | mais fotos clicar aqui A programação cultural dos Maus Hábitos no mês de novembro arrancou com um concerto dos The Twist Connection. Esta atuação realizou-se no passado dia 03 de novembro, uma sexta-feira.

Este projeto é oriundo de Coimbra, existe desde 2016 e já teve algumas alterações no seu elenco: já contou com Raquel Ralha, conhecida por ter feito parte de bandas míticas como os Belle Chase Hotel ou Wray Gunn. Teve também a colaboração de Tiago Coelho no baixo na fase inicial do projeto.

Atualmente são alicerçados em versão trio com Carlos “Kaló” Mendes (bateria e voz), Samuel Silva (guitarra) e Sérgio Cardoso (baixo). Kaló é a força motriz desta banda e conta já com um historial inacreditável no panorama rock nacional tendo feito parte das bandas Tédio Boys, Wray Gunn, bunnyranch e Parkinsons. Os outros dois membros também têm um historial marcante no seu percurso musical.

Samuel Silva, guitarrista dos The Twist Connection | mais fotos clicar aqui O rock 'n rol dos The Twist Connection "bebe" em diversas influências sendo uma das mais notórias no rockabilly dos anos 50. Isso mesmo pude constatar nesse concerto no coração da Cidade Invicta, naquela que foi apenas a segunda vez que os vi ao vivo. A primeira aconteceu no ano passado no Vodafone Paredes de Coura. Essas boas sensações, da admirável prestação nos curtos 30 minutos no Alto Minho levaram-me, por entre uma noite bastante chuvosa, até ao Porto.

‘Anywhere But Here’ é o título do 4º álbum de originais dos The Twist Connection editado através da editora conimbricense Lux Records em 2022. Precisamente o tema que dá o nome a esse trabalho discográfico foi o tema de arranque do concerto. Eram precisamente 21:37h. Dos temas mais “frescos” tocaram também "Sure" e "Dumb".

O vocalista afirmou publicamente que este álbum é “uma espécie de “um grito”, de alguém que está farto de estar num determinado sítio ou tempo, numa alusão a um momento marcado pela guerra, pandemia e inflação“.

"Fake" e "You Must Go Now" de 'Is That Real?' (2020); "Losing Touch" do disco homónimo de 2018 e "Nite Shit" do álbum 'Stranded Downtown’ de 2016 foram alguns dos outros temas interpretados numa setlist que abordou todos os quatro álbuns dos The Twist Connection.

Carlos “Kaló” Mendes, baterista e vocalista dos The Twist Connection | mais fotos clicar aqui A dinâmica efervescente de Carlos Mendes é uma constante e nunca descola da sua personalidade. Ele que canta e toca bateria/percussão com uma energia contagiante por entre uns tragos no copo de cerveja.

Veio inclusive junto o público para o cumprimentar. Aproveitou a ocasião para um abraço ao amigo Pedro Vasco Oliveira, um dos fotógrafos presentes a registar a atuação. Ambos passaram por uma situação hospitalar delicada e aquele abraço serviu para afirmar que estão vivos e que a questão está ultrapassada.

Já Sérgio Cardoso, o baixista, opta por uma postura resguardada e compenetrada. Como um "relógio suíço" com acordes certos nos devidos timings. Quanto a Samuel Silva na guitarra tem uma pose mais expressiva e dinâmica, é um complemento à pose mais vivaça de Kaló.

Sérgio Cardoso, o baixista dos The Twist Connection | mais fotos clicar aqui Infelizmente a atuação não atingiu os 60 minutos de duração devido a um outro evento que iria realizar-se mais tarde, nessa mesma noite. Pelo menos, enquanto durou, foi vibrante e as pessoas não se fizeram rogadas e curtiram o momento. Apesar da lotação estar longe de preenchida, o que é certo é que as pessoas que marcaram presença tiveram uma conexão instantânea e imediata com os temas da banda. Em longos períodos do concerto registou-se uma quase total ausência do uso do telemóvel por praticamente quase todas as pessoas. As pessoas focaram-se naquele momento e vivenciaram-no.

Reportagem fotográfica completa: Clicar Aqui

The Twist Connection numa sexta-feira no Maus Hábitos | mais fotos clicar aqui

Texto: Edgar Silva Fotografia: Jorge Resende

[jonfarreporter]

Edith Piaf - “The Sparrow” flies into San Francisco for a “one night only” performance

Even after 60 years since her passing in October of 1963, singer Edith Piaf continues to inspire and embody like few others. When people think of Paris, they usually imagine it with Piaf’s romantic “le vien rose,” lilting somewhere in the background.

Yet, it’s Piaf’s “Non, je ne regrette rien - No Regrets” that is her signature song, and fortunately San Francisco gets to see the spirit of this one-of-kind “sparrow” fly to resurgence once again with the talented Nathalie Lermitte on Nov. 6 at the Herbst Theater.

Hailed as “the most beautiful tribute to Edith Piaf’s career that has ever been produced,” as reported by Nite-Life Exchange. Lermitte has performed, “Piaf! The Show” more than 400 times in over 50 countries. Lermitte returns with this show to San Francisco - ‘the Paris of the Wild West’ for one night only.

While variations of Piaf’s life story has been featured before, “Piaf! The Show” was conceived and directed by Gil Marsalla.

Founding Directo Productions in 2001, Marsalla has been successfully producing musical and theatrical shows as well as large-scale events for the past 20 years. With touring his productions worldwide, his aim has been to feature emerging French artists and talents, such as Lermitte.

Although perhaps unknown to American audiences, Lermitte has been in the spotlight since she was 6 years old. At the age of 17 in 1983, she released her first album of songs. Marsalla’s production is not the first time Lermitte has embodied the role of Edith Piaf. In 1997 she was in the musical 'Piaf je t'aime.’

Lermitte is perhaps the only actress/singer to perform as Piaf in not one but in three separate productions. in 2004 she took the lead in the show 'Piaf, une vie en rose et noir.’

With Marsalla’s vision and dedication, Directo Productions has successfully presented shows to sold-out venues in North & South America, Europe, Japan, China, and many other locations on five continents.

No doubt this celebration of the life and talent of Edith Piaf, is a one-of-a-kind live-theatre experience, “Piaf! The Show,” is a triumph! “Par excellence!”

PIAF! The Show Starring French Sensation Nathalie Lermitte

Conceived and Directed by Gil Marsalla will be on Monday, Nov. 6, 2023 - 7:30 pm - One Night Only! 

Herbst Theater - 401 Van Ness Avenue San Francisco, CA 94102

For tickets and more information visit box office site

(Photos courtesy of XIU)

[somethingvinyl]

Zappa’s first album after the dissolution of the third Mothers is his closest yet to a true solo album: most of the tracks feature only Terry Bozzio on drums and various background vocalists, with all guitars, bass, synths and keyboards overdubbed by FZ himself. On the back cover you’ll see his next core group, but two of the four didn’t play on the album. And the solo-ness of the effort is central to this album: it’s only Frank’s lead vocal and mostly Frank’s instrumental contributions. There’s none of the synergy and interplay vital to the sound of the records in the first half of the decade, just Zappa’s unadulterated vision. It’s good, but it’s lacking something. The most timeless track, Black Napkins, is a great example: it’s a wonderful melody, and an all-time great Zappa performance, but that’s ALL it is, just a Zappa guitar showcase. It’s the only song on the album where he’s backed by a full band instead of just himself overdubbed, and yet it’s still just him really. So this will never be in my pantheon of favorite Zappa records—I love the bands too much!

Of the other songs, we’ve got some really good ones with great melodies and good lyrics. Disco Boy is fun, his ‘60s hippie critiques updated for ‘70s culture, and Wonderful Wino is a good rendition of a song that had been around since at least 1970–it’s in lots of Flo & Eddie sets, appears on the debut album of Jeff Simmons, and was recorded around the time of Over-Nite Sensation with Ricky Lancelotti on vocals (later released on The Lost Episodes). And then there’s The Torture Never Stops, which is a pretty good song that I usually put on my Halloween mixes. It’s got two things going against it. 1, the fake orgasming is only not annoying the first time you hear it. 2, he played it in his live set for, like, every show he ever played after this point, with not a lot of changes between bands and years—and it’s always 10-15 minutes long. So every time they release a new complete Zappa show, you’ve gotta sit through this song again… so yeah, I don’t hate the song, but I am sick of it.

This album came out on Warner Brothers, the major label who had been distributing Frank’s Discreet Records. Frank got into a protracted legal battle with his (now former) manager Herb Cohen, so this wound up Frank’s first album since the early Verve days to come out directly on a major label instead of something he operated. The legal battle stretches on and complicates Zappa’s ability to release music. After a decade of releasing multiple albums per year, FZ releases only this in 1976, nothing in 1977, and two albums released by Cohen against Zappa’s wishes in 1978. In 1979 he will strike back with a vengeance, because his music was sure not standing still in all that time…

Possibly in part due to it being released by Warner Bros, this is one of the easiest to find original Zappa records—if your local record store has two Zappas in the bins, it’ll be this and Over-Nite Sensation. (If they have three, the third will be Ship Arriving Too Late…)

[apexart-journal]

Caitlin Hespe in NYC - Day 19-20

DC

Was really looking forward to the process of leaving the city, arriving somewhere new again.

First bit was logistics, working out best route to the first activity, and dropping bag off at hotel etc. first activity was something I was not really looking forward to: mandalas and gratefulness. I was in a sceptical mood, was really not wanting to sit in a gratefulness circle.

Felt aware of the scavenger hunt-ness of this as I took a train for an hour to a garden.

The garden itself was beautiful. The lotus and lilys were in bloom. It was quite spectacular. Strange to arrive at these sorts of things with not much preparation.

The workshop was not as bad as I had worked it up to being. Overall did feel calm and grounding.

Back into the city, checked in to room, left soon after to wander and find some food and go to nerd nite.

Hormonal and lonely, a tad existential.

Highlight meeting Casey on Sunday. Felt relieving to chat to someone who understands what strange situation you are in.

Bus back to New York. trip felt too short, but I was also happy to be back.

[nitewrighter]

And I absolutely agree! Snyder sucks and I would absolutely fight him in a parking lot any day of the week! But also this post was meant to be more about the characterization of *Krypton* in general, and I would like to expand on what I like about the whole "Hyper-technological planet that's forced itself to forget that sex exists" aspect of Krypton.

Like, for me, a major appeal of Superman's story is that, yes, it is a story about morality and the goodness humanity is capable of, but also because it's pretty much *the* superhero story as we've come to recognize superhero stories, is that when it first came into existence, it didn't really have the boundaries of genre that we recognize in most popular media today. I mean that's one of the reason why comic book universes have pretty much no problem putting science fiction and fantasy elements side by side, but for me, a major emotional column of Superman's appeal is the Superman story as a Screwball Romantic Comedy that just so happens to be taking place in a Sci-Fi universe.

Let me explain: In the 1930's, the Screwball Romantic comedy emerged as this subgenre of the romantic comedy basically in response to the social upheavals caused by the Great Depression and by expanding women's rights and suffrage. Women were becoming more and more present in the work force and men were forced to reconfigure their concepts of masculinity as these spaces were shifting! And also with modernity, you had the spreading acceptance of the idea that women are in fact complex beings with needs (sometimes, *gasp* sexual needs!), and the emergence of film as a medium really lit these ideas on fire. Like, oh shit, you're watching ~mutual sexual tension~ on screen! So the Screwball romantic comedy is known for making fun of romance as a concept, fast-paced banter, stubborn and confident female protagonists (who usually have some kind of social--usually economic-- advantage over their male leads), playing around with power dynamics, and shenanigans involving false or mistaken identities--sound familiar? It should! Because that's basically the formula that's given the Superman/Lois Lane romance its staying power. And now you're asking, "okay, Nite, but what does this have to do with *Krypton?*"

Well at the core of his concept, Superman's "The Man of Tomorrow," but the tomorrow-ness of his concept has to come from him reconciling his alien heritage with his life on earth. By setting up Krypton as a heavily communal planet that has eliminated much of its passions to the point where it has eliminated war and created dazzling technological heights never thought possible, but it's basically Bene Gesserit'd itself into a social corner, this gives it a strong contrast against Earth as warm, passionate, compassionate, adaptable, individualistic, but also chaotic, violent, selfish, and dumb. Earth's sexiness has to be reconciled with Krypton's sexlessness. Superman isn't meant to be 100% Kryptonian or Earthling, but he's meant to take the best of both to lead people into a better tomorrow. As you say, this is also why it's important to have a Superman who's aware of his own dark impulses and whose good choices have to be an active and conscious choice. Like the Screwball Romantic Comedy, the Krypton/Earth dynamic is ultimately about the growing pains of modernity.

Okay so I've been thinking about this for a while. So back in the 80's John Byrne overhauled the Superman origin story to come up with the concept of Krypton as this cold, technologically-driven planet--and this was partially so that the ship Superman arrived on earth in was an artificial womb so that he would kind of, technically, be 'born' on Earth (which honesty cuts into a lot of the pathos of Krypton and Lara and Jor as parents and also cuts into the 'Superman as immigrant' narrative which we've come to love so much). And this did end up influencing Superman lore because, hey, Krypton as a technologically-driven society that is deeply flawed but also convinced of its own perfection is still really interesting.

Cut to Snyder making 'Man of Steel' in 2013 where he asserts that Kal-El is the first "natural" birth on Krypton in centuries. So basically because Snyder wanted to work in more of his Christ metaphor for Superman ("His birth is a HUUUUGE DEEAL"), you end up back with the lore that yes, Kal-El was a (born) baby when he got put in his rocket and thus it's back to an immigrant narrative.

Anyway, ANYWAY, my point is, even though both these writers were working from a weird conservative place that fundamentally misunderstands major points of Superman's character (In Byrne's case, Superman as an immigrant, and in Snyder's case, Superman as Jewish/Space Moses) it has resulted in what may be my favorite implication of Superman Lore: That Jor-El and Lara were considered pervert freaks for having a baby the old-fashioned way. If Krypton never blew up, Kal-El would have grown up relentlessly bullied, like "That's Kal-El, his parents had him by having sex, without input from the proper committees, he came out of a vagina, what a freak."

Sidenote but I'm actually really enjoying the "House of El" YA graphic novels right now, because it's basically Lara and Jor going, "The only way to save Krypton is by inflicting ADHD on random teenagers."

[893thecurrent]

Saturday night saw First Ave welcome a who’s who of contemporary Minnesota music: Velvet Negroni, Dizzy Fae, Iron Boys, Marijuana Deathsquads, and Hippo Campus. All these acts and more took the Mainroom stage as part of of Andrew Broder’s “Don’t F— This Up” benefit show. Proceeds from the event were donated to Voices for Racial Justice, the Minnesota Transgender Health Coalition, the Minnesota Indian Women’s Resource Center, Sunrise Movement, Appetite for Change, and Honor the Earth.

more

[revilermpls]

Photos: Joe Rainey / FPA / Ness Nite / The Don

Photos: Joe Rainey / FPA / Ness Nite / The Don

Joe Rainey Niineta Release Show with FPA, Ness Nite, and The Don7th St. Entry, Minneapolis, MNJune 27th, 2022

[trans-elrond]

@mandophobic you have triggered The Fixation™ i am not responsible for what happens next 😌 no but the thing is, they are similar in so many ways, dispossessed Mandalorians with no home and lost family who both turn to the mercenary life not because they love it but because their skill set makes them very good at it so they can make their way through the galaxy with their autonomy and dignity intact

simon kassianides talking about how axe lost everything in the purge, witnessed it himself and survived--and boba losing everything when jango was killed!! they both had (presumably, given axe's losses as implied by the show/referenced by simon) a loving family who gifted them with a rich heritage and a stable identity, until it was blown all to hell by the violence of war. now in many ways they're broken by loss and grief, but endure by becoming hardened warriors who don't need anything and can win any fight (well....... most fights.)

until their need is exposed. until boba needs to recapture what he's lost by reclaiming tatooine from all who would break it apart--learning from the sand people to be a part of a greater whole again. and until axe needs mandalore and other mandalorians again despite their differences--because the fractured, splintered factions are an outward representation of the inner brokenness of most Mandalorians, who for so long were exiles and castaways and sons without fathers.

i think they probably wouldn't get along immediately: despite now accepting the children of the watch, axe is still ultra-protective of mandalorian identity, and who can blame him?? moff gideon right in front of him appropriating mandalorian culture. and boba might (rightfully) associate axe with koska and bo-katan, with whom he had a less-than-stellar first meeting back in s2, and dismiss him offhand. they'd be combative, they'd snip about honor and mandalorian-ness, they might get into a real fight or two that ends in a draw.

but they'd also have each other's backs in the event of real danger, just like boba with koska and bo-katan. they'd prove to each other really quickly that despite their different backgrounds they're extremely similar people, and they might find solace in not being alone. they're both a little cocky and have gotten used to being leaders among others, but i think they'd end up working together well as partners because their values and goals are remarkably in line.

if we're going the romance route (and i sure am), after they get over the initial bickering/fighting/dick-measuring contest, axe would be really proud of the fact that THEE sick-ass mercenary boba fett is his buddy now and tells him war stories and shows him his scars and lends him weapons (!!!) and they're always in sync when they fight and even though they both have strong opinions, they defer to each other's expertise: boba as a lone bounty hunter, axe as part of a well-tuned fighting group. (they'd learn from each other!! techniques and tricks and strategies!! koska and bo-katan might even grudgingly accept that boba's One Of The Guys Now because axe keeps bringing him around.) (koska teases axe about his crush. he turns bright red beneath his helmet.) (axe and boba speak mando'a together and axe thinks boba has a hick/redneck accent whereas boba thinks axe's accent is RIDICULOUSLY posh.)

they don't really have much of an Obvious Courting Period because one day they're fighting some imps together and they're just buddies, they're just pals, no homo and the next day boba gifts axe a gun and axe is like ohhhhhh so he Like Likes Me, and adjusts his demeanor accordingly and lowkey signals to the nite owls that they're a Real Partnership Now and certified bachelor Axe Woves is Now Off The Market, thank you very much. [except to non-mandalore-raised boba it was really just a gift and not a romantic gesture but axe takes it otherwise because my man's an ~ idiot ~.] [this goes on for many many months until they get caught in some ambush and boba gets injured and axe brings him back to the nite owls and treats him with such special care and concern that boba is like................ what's going on here. ... woves. what do you think is happening between us. WOVES COME BACK HERE I'M NOT FINISHED WITH YOU]

tl;dr i think they should adopt ragnar together and be dads and re-terraform mandalore and shoot slavers and imperials in the face. i'd write that TV show.

simon kassianides regularly talking about how much he loves boba fett and how formative it was to be playing with boba fett action figures as a kid and how cool it is that he's a mandalorian now too (LIKE BOBA FETT!!!) just makes me want to write axe/boba

[uncanny-era]

2017_Rap.txt

The rules: one song per artist, mostly rappers -- who are sometimes rapping. Mostly singles. I break the rules but never the spirit of the rules. Sometimes I choose an artist’s best song, but most of the time I default to my favorite. If you see issues with production credits, artist location, or know where Babyface Gunna is from, hit me up.

Artist -- "Song" f. featured artist p. Producer [City, ST]

Creek Boyz -- "With My Team" p. A2r.Beats [Baltimore, MD] 

OMB Peezy -- "When I Was Down" p. DTB [Mobile, AL / Sacramento, CA]

Goldlink -- "Crew" feat. Brent Faiyaz, Shy Glizzy p. Teddy Walton [Baltimore, MD / Washington DC]

Vince Staples -- "Rain Come Down" f. Ty Dolla $ign p. Sekoff [Los Angeles, CA]

Kendrick Lamar -- “LOVE.” f. Zacari p. Teddy Walton, Sounwave [Los Angeles, CA]

J Hus -- "Did You See" p. Jae5 [London, UK]

Buddy -- "World of Wonders" p. Kaytranada [Compton, CA / Montreal, CN]

Frank Ocean -- "Chanel" [Los Angeles, CA]

Shabazz Palaces -- "Since C.A.Y.A." f. Thundercat [Seattle, WA / Los Angeles, CA]

DaBoii -- "Beast Mode" f. Yhung T.O. p. Parts Unknown [Vallejo, CA]

Future -- "Mask Off (Remix)" f. Kendrick Lamar p. MetroBoomin [Atlanta, GA / Los Angeles, CA]

Lil' B -- "Free Life" [Berkeley, CA] 

Natia The God -- "The Wrong Way Pt. II" p. El Lobo [Los Angeles, CA]

Saba -- "There You Go" co-p. Daoud [Chicago, IL] 

DJ Quik & Problem -- "Central Ave" f. MC Eiht [Compton, CA]

Playboi Carti -- "Magnolia" p. Pierre Bourne [Atlanta, GA]

Ball Gizzle, J Scott, John Wicks -- "(West Orlando) Still Here" [Orlando, FL / Broward County, FL] (Sahbabii -- “Chit Chat”)

Kodak Black -- “Tunnel Vision” p. Metro Boomin, Southside, Cubeatz [Broward County, FL]

YoungBoy Never Broke Again -- "Dedicated" p. Go Grizzly, PoohBeatz [Baton Rouge, LA]

Swae Lee -- "Unforgettable" f. French Montana p. 1Mind [Tupelo, MS / Atlanta, GA / New York City, NY]

03 Greedo -- "Mafia Business" p. Doggy [Los Angeles, CA]

Lil Uzi Vert -- "XO Tour Llif3" p. TM88 [Philly, PA]

Chief Keef -- "Can You Be My Friend" p. Young Chop [Chicago, IL]

Slimmy B -- "Opp Shit" p. Fre$co  [Vallejo, CA]

Tee Grizzley -- "From the D to the A" f. Lil Yachty p. Helluva [Detroit, MI / Atlanta, GA]

Ryan Hemsworth -- "Hunnid" f. E-40, Yakki [Halifax, CN / Atlanta, GA / Vallejo, CA]

Quelle Chris -- "Popeye" f. I, Ced p. MNDSGN [Detroit, MI / Brooklyn, NY]

Kamaiyah -- "Me Against Myself" p. Link Up [Oakland, CA]

Tay-K -- "The Race" p. S.Diesel [Arlington, TX]

Mozzy -- “Sleep Walkin” p. Jay P Bangz [Sacramento, CA]

SOB x RBE -- "Lane Changing" [Vallejo, CA]

Charlie Heat, Ant Beale -- "Dirty Taurus" [Woodbury, NJ]

Young Thug -- "Off Top Benz" f. Kodak Black p. Wheezy [Broward County, FL / Atlanta, GA]

Milo -- "Sorcerer" [Milwaukee, WI]

Jay Worthy -- "Stepping Out" f.  $ha Hef p. Alchemist [Los Angeles, CA / New York City, NY]

Chris $pencer -- "Can't U See" f. Sulaiman [Chicago, IL]

Gunna -- "Secure the Vibe" f. Young Thug p. Wheezy [Atlanta, GA]

Freddie Gibbs -- "20 Karat Jesus" p. Blair Norf, ESVYBE, Speakerbomb [Gary, IN / Los Angeles, CA]

Sahbabii -- “Marsupial Superstars” f. T3 [Atlanta, GA]

Mike WiLL Made-It -- "Perfect Pint" f. Rae Sremmurd, Gucci Mane, Kendrick Lamar [Atlanta, GA / Tupelo, MS / Los Angeles, CA]

Okmalumkoolkat -- "Ekse Aweh! (Vacay)" f. Petite Noir, Reba Red [Johannesburg, SA] 

bbymutha -- "Roses" p. Rock Floyd [Chattanooga, TN]

Smino -- "Anita" p.Monte Booker  [St. Louis, MO]

Migos -- "T-Shirt" p. Nard & B, XL Eagle [Atlanta, GA]

Corbin -- “ICE BOY” [Twin Cities, MN]

Nef the Pharaoh -- "My Way (Freestyle)" [Vallejo, CA] (Beeda Weeda -- “My Way”) 

Psymun -- "Glitch Tundra" f. Chester Watson [Twin Cities, MN / St. Petersburg, FL]

Antwon -- "94s" f. Wicca Phase Springs Eternal p. Fish Narc [San Jose, CA]

Porter Roy -- "Sacred Geometry" f. Cashtro, The Palaceer, Shabazz Palaces [Seattle, WA]

Wale -- "Running Back" f. Lil' Wayne p. Spinz Beats [DMV / New Orleans, LA]

Honorable Mention:

Swaghollywood -- "Li Moe" p. Richie Souf [Atlanta, GA / Sarasota, FL] 

T-Pain, Lil’ Wayne -- "Listen to Me" [Tallahassee, FL / New Orleans, LA] (not really 2017)

Humble Haitian -- "Catching Bodies (Stay Humble)" [Broward County, FL] (2016)

FBG -- "Blood Brothers" [Vallejo, CA] / OMB Shawniebo -- “4 Minutes All Me” [Richmond, CA] (can someone mix the chorus from the former with the verses from the latter?)

BabyFace Gunna -- "You Don't Want These Problemz" p. Dee Roze

Koran Streets -- "I'ma Thug" [Oakland, CA] 

Z-Money -- "Two Sixteens" f. Valee [Chicago, IL]

Queen Key -- "Kung Fu" [Chicago, IL]

Gucci Mane -- "Tho Freestyle" p. MetroBoomin [Atlanta, GA]

Zaytoven -- "East Atanta Day" f. Gucci Mane, 21 Savage [Atlanta, CA]  

Bobby Raps -- "Santa Barbara" [Twin Cities, MN / Los Angeles, CA]

Ness Nite -- "Expectations" [Minneapolis, MN]

PoloGang Kentae -- "BackStreet Baby" p. ZiggyOnTheKeyBoard, Drew Taylor f. Nick Cane

[darin-k]

Ness Nite album release show at 7th St Entry 3/23/2018

openers EHN JEY and Dua Saleh

photos by Darin Kamnetz

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