#nature writings

[iknowmorethanyou]

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[charles-breaks-beakers]

HETEROSEXUAL CIS-PEOPLE LOOK HERE

Snaps my fingers at you as you scroll past this post

Look at me. Listen.

I'm not the best at serious posts, but that article up there reminded me of how important it is that people like you stand up for us. So hold on while I try to get this out of my mushy end-of-work-day brain.

We could fight this fight ourselves for decades trying to reach the equal laws, gender affirming trans healthcare that doesn't have a 2-5+ soul-eating years of waiting time, medical care with equal knowledge of lgbtqia+ bodies, and, what is often forgotten, inclusion in the little everyday areas of life like our way of speaking or things being set up or designed with the existence of queer people in mind.

But you joining in could get us there so much faster.

The power you have as a hetero cis person is that you set the standard for what is seen as the average way of treating us among other hetero cis people. You have been given the power of deciding what's "normal" and I'm begging you to use it.

Richard Green is a great example of to what extent your actions can help our situation, and smaller ways of support still add up to a great impact on society, and could make the days of the queer people you interact with.

Educate yourself before you speak up, but don't be silent.

[khajiithaswitchywares]

Go hiking. Fake your death. Become one with the forest. Elevate to forest god. The simple things.

[phantomrose96]

Actually the funniest part of the entire James Somerton debacle is the response his cowriter Nick gave. For context, Hbomberguy talks a bit about Nick as a cowriter, and there is not any strong evidence implicating Nick of also plagiarizing, so Hbomberguy takes the angle of "Nick is probably not (also) responsible for the plagiarism".

Nick's response?

To claim he could not be part of the plagiarism, because he does not read. And does not do research...

SOURCE: I Fact-Checked The Worst Video Essayist On YouTube - YouTube, video essay by Todd in the Shadows.

The second screen cap is maybe a tongue-in-cheek joke... but bold choice when everyone's eyes are on you to respond to serious allegations. And this screencap doesn't include the other wishy-washy statements, pre-video, from Nick saying to the effect of "I write based on vibes. I come up with an idea and ruminate on it." For research videos. For educational videos about queer history and queer media culture.

Adds flavor to the Todd video, which goes through two-dozen examples of Somerton videos which just claim... provably factually incorrect bullshit.

This guy is a writer. An author. You could not waterboard "I don't read" out of me if I were aiming to launch a writing career.

Beating the plagiarism allegations by confidently asserting you suck too bad to ever get that far.

[patroclusplaylist]

warm autumn slumber //pinterest

[3hks]

How to Write REALISTIC and SMOOTH Dialogue

In a story, dialogue is quite important, it helps the readers paint a picture of what's happening and the characters themselves. However, it can be difficult to avoid the unnaturalness and choppiness that comes with a lack of experience. But luckily, I have put together A LOT of advice on how you can get over that rockiness and improve!

*** KEEPING YOUR DIALOGUE REALISTIC, AND PACING ***

>> Keep your characters in character:

Dialogue is a remarkably quick way for readers to determine your character's personality. Thus, you want their speech patterns to remain fairly consistent so the audience won't get confused. If your character is more serious, then they will use less slang and perhaps a more impressive vocabulary. If your character is more relaxed, they will use more slang and compress the words. (such as "dunno," "kay," "y'know," etc.)

Basically, you want their tone to match their traits so the way that they talk is more realistic and personlized to themselves. If the way all your characters speak is the same, there's something wrong. A strong tip is to put yourself in your character's shoes and imagine how they would respond!

>> Take the situation into consideration:

This is another part of keeping your characters in, well, character. Different emotional situations will have a different effect on separate people, so make sure that you have an idea of how your character will act during stressful, irritating, and sad times.

If your character is normally cold, they will struggle if it comes to comforting other people because they have less experience in that field.

>> Don't take too long with their words:

Unlike when narrating something, most people talk just to get the idea across. They will be more specific and quicker with what they say. (This excludes any character who likes to talk a lot.) Unless it's on purpose, they won't dance around the topic. Think of when you casually chat with your friends; you're pretty unlikely to use certain words and/or phrases that might be common to use while narrating.

If you want to explain something complicated, instead of writing out a paragraph of just one person talking, use a question-and-answer prompt! This is where another character continuously asks related questions that get answered by another person, so you can indirectly reveal your explanation.

*** HOW TO WRITE A SMOOTHER CONVERSATION AND DIALOGUE TAGS***

>> Having a variety of dialogue tags:

This is a pretty basic thing to look out for if you're new to writing conversations. Using words like "said," every other sentence can easily make it feel choppy and robotic. Instead, use words like "murmured," "smirked," etc. to paint some emotion into their words. Additionally, vary the location of the dialogue tags! They don't all have to go after the statement, you can include something in the beginning or even the middle, too!

Examples:

Beginning - She tilted her head, "What are you talking about?"

Middle - "Oh," he blinked, "I actually never thought about that."

End - "Wait up!" She exclaimed loudly, waving her hands around.

>> Using no dialogue tags to create a smooth conversation:

Having too many tags can also overwhelm your reader--remember, sentence variety is a crucial part of writing--so you can always drop them if they're unneeded. This applies when your characters (two is the suggested amount) are talking back and forth in a pattern straightforward enough for the reader to understand who's talking without it having to be labeled.

Dropping dialogue tags in these moments can create a smoother atmosphere during the conversation because the reader only has to focus on the talking present.

*** USING SLANG, STUTTERS, FILLER WORDS, AND PAUSES ***

Human speech is often not perfect; when talking, we often make mistakes such as filler words, grammatically incorrect phrases, etc. Hence, for more natural-sounding dialogue, it's important to incorporate some of these.

>> Pauses and stutters:

When reading dialogue, we read it at a steady pace unless it's written otherwise. However, that steady pace can soon get too robotic and too smooth. Luckily, there are several ways to change this! You can use dialogue tags, (ex: she quickly spoke) commas, and ellipsis (...). These are often integrated when the character is hesitant, nervous, answering something, or when they need to admit something. The same idea applies to stutters--they're mainly used to demonstrate anxiousness, which can be found in varying situations.

>> Filler words and slang:

Filler words can really just be used where you see fit. They may be used in the situations I previously mentioned (because it shows someone stumbling over their words) but it's ultimately up to you!

Slang, just like everything else, should not be used too often, or it will seem forced and exaggerated. The point is to sound natural, and increasing amounts of repetitiveness can ruin it. It's also important to remember that in real life, our conversations move slower; when someone speaks, another person usually doesn't respond quite literally, right after. However, in writing, dialogue can actually often seem that way, which is why using tags and these imperfections of speech is pivotal for building a realistic conversation!

*** CONCLUSION ***

Lastly, a key point when writing dialogue is to ALWAYS read the conversations! Whether it be in your head or out loud, it can often help you catch anything that seems off! Additionally, like I mentioned at the very beginning, write dialogue from your character's perspective! Imagine yourself as them and how they/you would talk. Try to keep your dialogue tags, sentences, and word use varied to create a natural conversation!

If you were struggling before, I hope that this (extra) long guide was able to really offer you some insight and useful tips! If you read this far, thank you!

Happy writing~

3hks <3

[alchemistmelody]

[joytri]

People speak sometimes about the "bestial" cruelty of man, but that is terribly unjust and offensive to beasts, no animal could ever be so cruel as a man, so artfully, so artistically cruel.

Fyodor Dostoevsky

[siltyriver]

I am such a slut for Danny having supernatural strength and being able to kill someone with a single slap because he’s used to fighting ghosts who are built Sturdy (and literally can’t die, that is very helpful in a sparing partner) so he has to learn such meticulous control when he moves to Gotham where he starts regularly getting into scuffles with humans who think he’s an easy target (he looks like he has the sturdiness of a wet newspaper) and the whole time he’s more stressed about not drawing the Bats attention by being too good or accidentally killing someone so he has to walk that fine line of acting like a scrawny loser and dipping out at his first chance without being clocked as a meta.

Danny, laying on the ground and getting kicked repeatedly by a thug: *tries to angle himself so the guy can kick out a knot in his back*

Danny: *deadpan* oh, ow, stop that hurts, oof

Robin, watching from the rooftop and recognizing the dramatics from the Supers: father there is a meta

Batman, also watching and having flashbacks to Clark’s earlier days: *so so tired and already mentally getting the adoption paperwork ready*

[bluerosefox]

Of Tiny Tots, Mistaken Identities, and Reunions

Seventeen year old Damian Wayne is dragged to a business deal outside of Gotham (along with his father and Drake), mostly to keep up appearances that the family does work outside of Gotham, networking, and because Damian does need to learn the ropes of the company, he decides to head outside the meeting with the Manson family to get a breather (mainly cause the Manson's were annoying him fully, it was like they were trying to suck up towards Damian and trying to push their daughter on him but at the same time he caught them almost insulting and hostile towards him before they would stop and correct themselves) when out of the blue a three year old toddler with black hair comes running over with a cheerful "Daddy!" and latches onto his leg.

Damian is stunned in place but feels frozen when he hears a voice, older and almost identical to his own but he can detect a familiarity in it, a voice he only hears in his dreams nowadays say.

"Ellie, no! That's not me Starlight! I'm so sorry dude-"

When Damian turned his head towards the voice he's meet with an near identical face, granted there were some minor differences, but very, very familiar pair of striking blue eyes staring at him. Eyes that were somehow full of life, which shouldn't be possible because the last time he saw those eyes they had been dim and milked over years ago. The speaker had become startled at the his sudden turn and the words that he had been saying had quickly died out when he too took in Damian's features.

"D...Damian?..." the name came out so soft and small that Damian almost didn't hear it but he did.

And before Damian could stop himself, he spoke a name he hadn't dared utter in years.

"Danyal."

His twin looked like he had just seen a ghost, and Damian was sure he looked the same. And given the last time they had last saw each other it was no wonder they both looked like death warmed over them for a moment.

After all... Damian had failed to protect his brother, Danyal al Ghul all those years ago on a botched mission.

His bother who... wasn't dead.

His brother who was looking like he wanted to run but was keeping himself rooted in his spot.

His brother whose eyes were glancing downwards and seemed so nervous.

His brother who knew the little girl, Ellie, still hugging his legs.

His brother who had... responded and corrected her mix up when she had called Damian 'Daddy.'

And oh, she's looking up at him and making grabby hands wanting to be picked up and she has Danyal's eyes and his nose and-

Oh... Damian.... Damian's an uncle it seems.

[payasita]

two-step

[iknowmorethanyou]

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[literaryvein-reblogs]

Any fancy temperature words? Like replacements for hot, cold and whatever in between

Algid - cold

Arctic - bitter cold

Ardent - fiery, hot

Balmy - mild, temperate

Blazing - of outstanding power, speed, heat, or intensity

Calenture - a fever formerly supposed to affect sailors in the tropics

Cryogenic - being or relating to very low temperatures

Decalescence - the decrease in temperature when the rate of heat absorption during transformation exceeds the rate of heat input while heating metal through a transformation range

Febrile - marked or caused by fever; feverish

Febrility - feverishness

Fervent - very hot; glowing

Fervid - very hot; burning

Frigid - intensely cold

Frore - frosty, frozen

Frosty - briskly cold; chilly

Gelid - extremely cold; icy

Glacial - extremely cold

Hibernal - of, relating to, or occurring in winter

Hyperthermic - exceptionally high fever especially when induced artificially for therapeutic purposes

Hypothermic - subnormal temperature of the body

Igneous - of, relating to, or resembling fire; fiery

Lukewarm - moderately warm; tepid

Molten - having warmth or brilliance

Pyrexia - abnormal elevation of body temperature; fever

Recalescence - the increase in temperature when the rate of heat liberation during transformation exceeds the rate of heat dissipation while cooling metal through a transformation range

Rigorous - marked by extremes of temperature or climate

Rime - frost

Scalding - hot enough to scald

Searing - very hot

Steamy - hot and humid

Tepid - moderately warm; lukewarm

Thermogenic - relating to, caused by, or inducing the production of heat

Torrid - giving off intense heat; scorching

Wintry - of, relating to, or characteristic of winter; chilly

Xerothermic - characterized by heat and dryness

Hope this helps with your writing. Do tag me, or send me a link. I'd love to read your work!

More: Word Lists

[ghostbsuter]

He'd moved to metropolis on a whim.

The city was big, he's earning good money via commissioned things (most people come to him for cosplay actually, who knew that knowing how to build a sci-fi gun that doesn't even work would be this wanted??) and he's got a nice apartment!

Superman and Supergirl were the active heroes, he didn't need to involve himself anymore with the world of heroes, he would continue as a civilian. It was better this way.

So how come LexLuthor, of all people, what is his luck?, sends him an invitation to LexCorp AND once declined, seemed to have created some sort of energy absorbing weapon that directly zoomed in on his immediate whenever around?

Civilian life is one thing.

Being rescued via Super for the 9th time is another.

"Hey Danny." Supergirl grins, they're floating to the side as Superman deals with Lex.

"Hey, Supergirl." Danny replies with a sigh, holding his bag.

[writeouswriter]

My followers: And is this “writing” you’ve been “working on” in the room with us right now?

[unicornpopcorn14]

Chuuya's reaction to Dazai getting hurt during the Lovecraft fight has always been so interesting to me...

Because it's the kind of worry you'd never expect from a character as gruff as Chuuya, who had displayed nothing but hostility towards Dazai so far. Usually, characters that are labelled as "angry" or "anger issues" (which Chuuya is much more complex than that but you get my point) act more as a tsundere type of way when the one they "don't care about" gets hurt. And show their care in very, very subtle ways (ex. their eyes widen, their mouth parts and closes again, etc) before putting up their front once more.

Chuuya, however, is open, and vocal about it. His worry is clear not only to us, but to Dazai himself, the one he shouldn't be displaying the concern to (as per the cliche). Shouldn't it be some sort of secret that Chuuya does care? Isn't that what skk's dynamic has been shaping up to be until now?

I'm telling you- the way my mind blanked when Chuuya just casually.... showed concern not once, but twice, was a sight to see.

Besides, the context makes it much more confusing, because Dazai isn't some rookie, and Chuuya knows that more than anybody. He was the youngest executive in Port Mafia's history, of course he can handle a hit or two. Of course he'd seen him handle a hit or two, sometimes without batting an eye.

Heck, Chuuya himself was hurling Dazai like a ragdoll in their reunion, which was their last meeting. And you could argue that he was going easy on him, but Dazai has mostly withstood the same damage (as far as I could see), and Chuuya was as bitter as ever.

So that kind of contradicts both what we knew of Chuuya so far, and how their dynamic was shaped to be. I mean, that just makes Chuuya a hypocrite, yeah? What makes him care now, all of a sudden? What makes him care at all?

Well, to me, this backasswards reaction implies one (or more) of the following:

- Dazai rarely got physically hurt during their partnership and thus this is an unexpected thing for him to see (during a mission).

- The four years of separation made Chuuya unsure of how much Dazai can withstand physically now. Also the fact that he isn't in the mafia anymore, aka fighting enemy organizations on the weekly, would naturally make Dazai lose his touch in a way, what prompts Chuuya's reaction.

- Dazai getting taken off guard took him off guard which led to panic. Especially since the situation was (momentarily) out of their depth. Seriously wtf even was Lovecraft?

- During the dungeon scene Dazai was an enemy, while in the Lovecraft fight he was as an ally. The difference might be significant to Chuuya.

- This has always been Chuuya's reaction to Dazai getting hurt regardless of the situation.

- "Only I can hurt him like that" ahh logic

- Asagiri was still experimenting with their dynamic and thus there are some inconsistencies.

This scenario didn't play out again (after their reunion) for me to exactly determine which one is more plausible, but it is 100% canon for Chuuya to shamelessly show his concern and run to Dazai to check on him before properly dealing with their opponent, which I find to be such an appealing layer to their dynamic, and a good spin on the type of character he gets stereotyped as.

Bonus: Dazai also becomes a softy when Chuuya's hurt, especially post corruption. Dead Apple alone displays that multiple times.

All in all, Skk are doing a terrible job at maintaining their 'hostile' and 'antagonistic' relationship post their reunion. Freaks.