#native american literature collection

[uwmspeccoll]

The author, Angela Hovak Johnston.

Johnston and Marjorie Tungwenuk Tahbone, traditional tattoo artist.

Catherine Niptanatiak: "I designed my own, something that represents me and who I am, something that I would be proud to wear and show off, and something that would make me feel confident and beautiful. . . . I have daughters and I would like to teach them what I know. I would like for them to want to practice our traditions and keep our culture alive."

Cecile Nelvana Lyall: "On my hand tattoos, from the top down, the triangles represent the mountains. . . . The Ys are the tools used in seal hunting. . . . The dots are my ancestors. . . . I am so excited to be able to truly call myself and Inuk woman."

Colleen Nivingalok: "The tattoos on my face represent my family and me. The lines on my chin are my four children -- my two older boys on the outside protecting my daughters. The lines on my cheeks represent the two boys and the two girls on either side. The one on my forehead represents their father and me. Together, we live for our children."

Doreen Ayalikyoak Evyagotailak: "I have thought about getting traditional tattoos since I was a teenager. . . . When I asked the elders if I could have my own meaning for my tattoos, they said it wouldn't matter. My tattoos symbolize my kids."

Mary Angele Takletok: "I always wanted traditional tattoos like the women in the old days. I wanted them on my wrists and my fingers so I could show I'm Inuk."

Melissa MacDonald Hinanik: "As a part of celebrating my heritage and revitalizing important traditional customs that form my identity, I believe I have earned my tattoos. I am a beautiful, strong young woman. I am a mother, a wife, a daughter, a friend, and an active community member. I reclaim the traditional customs as mine, I re-own them as a part of who I am."

Star Westwood: "We still have some of our culture, but some things are slowly dying. Having tattoos helps us keep our culture alive. . . . . My tattoos represent my dad and my dad's dad. The ones closest to my wrists represent my sisters."

------------------------------------------------------------------------------

National Tattoo Day

July 17 is National Tattoo Day. To celebrate, we present some images from Reawakening Our Ancestors' Lines: Revitalizing Inuit Traditional Tattooing, compiled by Angela Hovak Johnston, co-founder with Marjorie Tahbone of the Inuit Tattoo Revitalization Project, with photographs by Inuit photographer Cora DeVos, and published in Iqaluit, Nunavut by Inhabit Media Inc. in 2017.

For thousands of years, Inuit have practiced the traditional art of tattooing. Created the ancient way, with bone needles and caribou sinew soaked in seal oil, sod, or soot, these tattoos were an important tradition for many Inuit women, symbols etched on their skin that connected them to their families and communities. But with the rise of missionaries and residential schools in the North, the tradition of tattooing was almost lost. In 2005, when Angela Hovak Johnston heard that the last Inuk woman tattooed in the old way had died, she set out to tattoo herself in tribute to this ancient custom and learn how to tattoo others. What was at first a personal quest became a project to bring the art of traditional tattooing back to Inuit women across Nunavut.

Collected in this book are photos and stories from more than two dozen women who participated in Johnston's project. Together, these women have united to bring to life an ancient tradition, reawakening their ancestors' lines and sharing this knowledge with future generations. Hovak Johnston writes: "Never again will these Inuit traditions be close to extinction, or only a part of history you read about in books. This is my mission."

Reawakening Our Ancestors' Lines forms part of our Indigenous America Literature Collection.

Angela Hovak Johnston (right) with her cousin Janelle Angulalik and her aunt Millie Navalik Angulalik.

View other posts from our Indigenous America Literature Collection.

[thegentleintellectual]

Text ID: “Falling in love felt fluid. It snowed when we fell in love. Everything reminded me of warm milk. Everything seemed less real. I thought my cup was overflowing. I found myself caressing my own face”

Excerpt From: Terese Marie Mailhot. “Heart Berries.”

[digitalconcept-fl]

I went to the local used book store today with a friend and was lucky to find a few feminist books. I've seen quotes of Naomi Wolf's The Beauty Myth and Promiscuities on tumblr before and I am looking forward to reading it. Please feel free to let me know your insights if you have read these. I'm particularly excited for the center book as I am Native American.

Obviously, it is important to be critical when reading any literature regarding Feminist theory and form your own opinions and beliefs. Only through education and learning our history of opression through the voices of the feminists before us will be also be able to make change in our time that can benefit the health and safety of all women now and in the future.

[redgoldsparks]

I wrote a 12 page epilogue to my 2019 comic "Harry Potter and The Problematic Author" because I found, in 2023, that I had more to say. You can also find this comic on my website, and I have PDF copies available on etsy. I may sell print copies at some point in the future.

instagram / patreon / portfolio / etsy / my book / redbubble

Full transcript below the cut.

PAGE 1

Part one: Ruddy Owls!

I was in fourth grade when the first Harry Potter Book was released in the US.

Panel 1: Sometimes our teacher would read it aloud in class. “Mr and Mrs Dursley of number 4 Privat Drive were proud to say they were perfectly normal, thank you very much…”

Panel 2: I was 11 years old when Harry Potter finally broke through my dyslexia and turned me into a reader.

Panel 3: Every night in the summer before sixth grade I waited for the owl carrying my Hogwarts Letter. I cried when it didn’t come. “I have to go to Muggle school!”

PAGE 2

Part Two: Hats

I dedicated myself to being a fan.

Panel 1: I began collecting Harry Potter News article.

Panel 2: I asked my relatives to mail me ones from their local papers. I filled a thick binder with clippings.

Panel 3: I wrote my own trivia quiz

Panel 4: and participated in the one held annually at the county fair. “Next contestant!”

Panel 5: I usually got into one of. the top five spots. I won boxes of candy, posters, stationary, and once a baseball cap. (Hat reads: I survived the battle of Hogwarts).

Panel 6: In high school I sewed a black velvet cape and knitted many stripped scarves.

PAGE 3

Part Three: Double Trouble

Watching the last film in 2011 felt like the final note of my childhood. 

Panel 1: I remember driving home from the midnight showing thinking about the end of 13 years of waiting; wondering what would define the next chapter of my life. 

Panel 2: That same month I heard of something called Pottermore. “Okay, so there’s a sorting quiz… I already know my house! Patronus assignment? Mine’s a barn owl. Duh!" 

Panel 3: You can read the books again but with GIFs? Why? 

Panel 4: I lived in a place with very slow and limited internet at the time. Pottermore sounded inaccessible, but also boring. I never joined. 

Panel 5: "I’ll just read the actual books again, thanks." 

PAGE 4

Part Four: Sweets

In 2016, a series of short stories titled "History of Magic in North America” were released on Pottermore to pave the way for the first Fantastic Beasts Film. These stories display an extreme ignorance of American history, culture, and geography, but the worst parts are the casual misuse of indigenous beliefs and stories. Fans and critics immediately spoke up against this appropriation. Some of the most quoted voices included Nambe Pueblo scholar Dr. Debbie Reese who runs the site “American Indians In Children’s Literature”; Navajo writer Brian Young; Johnnie Jae (Otoe-Missouria and Choctaw), founder of A Tribe Called Geek; Dr Adrienne Keene (Cherokee Nation), a Professor at Brown University who runs the blog “Native Appropriations”, and writers N.K. Jemison and Paula Young Lee.

PAGE 5

Rowling is famous for responding to fans directly on twitter, yet she did not respond to anyone calling out the damaging aspects of “Magic in North America.” Her representatives refused to comment for March 9 2016 article in the Guardian. She has never apologized. All of this, plus the casting of Johnny Depp and the specific declarations of support by JKR, Warner Brothers, and director David Yates left a sour taste in my mouth.

For further thoughts on the new films read The Crimes of Grindelwald is a Mess by Alanna Bennett for Buzzfeed News, November 16, 2018.

PAGE 6

Excerpt from Colonialism in Wizarding American: JK Rowling’s History of Magic in North America Through an Indigenous Lens by Allison Mills, MFA, MAS/MLIS (Cree and Settler French Canadian)

Although Rowling is certainly not the first white author to misstep in her treatment of Indigenous cultures, she has an unprecedented level of visibility and fame, […] One of the most glaring problems with Rowling’s story is her treatment of the many Indigenous nations in North America as one monolithic group. […It] flattens out the diversity of languages, belief systems, and cultures that exist in Indigenous communities, allowing stereotyping to persist. […] It continues a long history of colonial texts which ignore that Indigenous peoples still exist. […] In the Wizarding world, as in the real world, Indigenous histories have been over-written and our cultures erased.

from The Looking Glass: New Perspectives in Children’s Literature Volumn 19, Issue 1

PAGE 7

Part 5: Music

Panel 1: Also in 2016 I discovered two podcasts which radically altered my experience of being an HP fan. The first was Witch Please created by two Canadian feminist literary scholars Hannah McGregor and Marcelle Kosman.

Panel 2: “If it’s not in the text it doesn’t count!” “Close reading ONLY!”

Panel 3: They talk about Harry Potter at the level you’d expect in a college class with particular focus on gender, race, class, and the troubling fatphobia, fear of othered and queer coded bodies, violence against women, white feminism, gaslighting and failed pedagogy in the books. They bring up these issues not because they hate the series, but because they LOVE it.

PAGE 8

These passionate, joyful conversations went off like fireworks in my mind. I had never taken a feminist class before. I gained a whole new vocabulary to talk about the books- and the world.

PAGE 9

Panel 1: The second podcast I started that year was Harry Potter and the Sacred Text, created by two graduates of the Harvard Divinity School, Vanessa Zoltan and Casper Ter Kuile.

Panel 2: They read one chapter per episode through a theme such as love, control, curiosity, shame, responsibility, hospitality, destruction, or mystery. Like Witch Please, they are interested only in the information on the page, not thoughts from the author. The delights and failures of the text are examined in the context of the present day, and new meanings constantly arise.

PAGE 10

What does it mean to treat a text as sacred?

Trusting that the more time we give to it, the more blessings it has to give us.

Reading the text repeatedly with concentrated attention. Our effort is part of what makes it sacred. The text is not in and of itself sacred, but is made so by rigorously engaging in the ritual of reading.

Experiencing it in community.

“To me, the goal of treating the text as sacred is that we learn to treat each other as sacred.” -Vanessa Zoltan

PAGE 11

Part 6: Tooth and Claw

In October 2017, Rowling liked a tweet linking to an article arguing that trans women should be kept out of women’s bathrooms because of cisgender women’s fears. In March 2018, she liked a tweet about the problem of misogyny in the UK Labour Party which included the line “Men in dresses get brosocialist solidarity I never had.” The author of the tweet had previously posted many blatantly anti-trans statements.

Rowlings publicist claimed she had liked the posted by accident in a “clumsy and middle-aged moment.” Yet, in September 2018 she liked a link posted by Janice Turner to her column in the Times UK titled “Trans Rapists Are A Danger In Women’s Jails.”

Screencaps of these tweets can be found in the article “The Mysterious Case of JK Rowling and her Transphobic Twitter History”, January 10 2019 by Gwendolyn Smith (a trans journalist), LGBTQNation.com

PAGE 12

Excerpt from: Is JK Rowling Transphobic? A Trans Woman Investigates by Katelyn Burns

Ultimately, the answer is yes, she is transphobic […] I think it’s fair that she receives criticism from trans people, especially given her advocacy on behalf of queer people in general, but also because she has a huge platform. Many people look up to her for creating a singular piece of popular culture that holds deep meaning for fans from different walks of life, and she has a responsibility to handle that platform wisely. (Published on them.us March 28, 2018)

PAGE 13

Part 7: Home

At age 30, I’m still not over Harry Potter.

Panel 1: I’ve recently found a local bar that does HP trivia nights. “Poppy or Pomona?” “Poppy!”

Panel 2: I currently own an annual pass to Universal Studios so I can visit Hogsmeade.

Panel 3: I love talking to kids who are reading the books for the first time. “Who’s your favorite character?” “Ginny!”

Panel 4: And I’m planning a relisten to the audio books to next year to help me get through the election cycle. “Jim Dale, I’m going to need you more than ever…”

Spoiler from 2023: I did not do this. By mid-2020 JKR had posted her transphobic essay; we were in covid; I never visited Universal Studios again.

PAGE 14

But I do want to learn from her mistakes. I never want to repeat “Magic in North America.” As I write, I will do my research. I will consult experts and compensate them. If a reader from a different culture/background than me speaks up about my work, I will listen and apologize. I KNOW I WILL MAKE MISTAKES. But I will own up to them and I will do better.

PAGE 15

Excerpt from Diversity Is Not Enough: Race, Power and Publishing by Daniel José Older

We can love a thing and still critique it. In fact, that’s the only way to really love a thing. Let’s be critical lovers and loving critics and open ourselves to the truth about where we are and where we’ve been. Instead of holding tight to the same old, failed patriarchies, let’s walk a new road, speak new languages. Today, let’s imagine a literature, a literary world, that carries this struggle for equity in its very essence, so that tomorrow it can cease to be necessary, and disappear. (Buzzfeed, April 14, 2017) 

PAGE 16

Harry Potter is flawed, & JK Rowling is problematic. But the books helped me learn a lot: 

*One of the greatest dangers facing the modern world is the rise of fascism 

*The government cannot be trusted 

*Read and think critically

*Question the news: who paid the journalist? Who owns the paper? 

*Trust and support your friends through good times and bad

*Organize for resistance

*Educate and share resources with peers

*The revolution must be diverse and intersectional

* We are only as strong as we are united

*The weapon we have is love 

MK 2019

PAGE 17

PART 8: EPILOGUE

In 2021 I removed a Harry Potter patch I sewed to my book bag over a decade ago. I took 15 pieces of Harry Potter fanart off my walls. I got rid of my paperback book set, 2 board games, and 8 t-shirt. [images: a Hogwarts a patch with loose threads, a pair of scissors and a seam ripper]

Panel 1: Maia holding up a shirt with the Deathly Hallows logo on it. Maia thinks: “Damn, this really used to be my entire personality.”

Panel 2: The t-shirt gets thrown into the Goodwill box.

PAGE 18

I wrote my zine wrestling with JKR’s legacy in 2019, after her dismissive and racist reaction to indigenous fans and critics of “Magic in North America” and after she had liked a couple transphobic tweets. Since then, she has gotten so much worse.

A Brief Timeline (mostly from this Vox article)

June 2020- JKR posts a 3600 word essay making her anti-trans position clear

August 2020- The Robert F Kennedy Human Rights Org issues a statement about her transphobia, JKR doubles down on her position and returns an award they gave her

December 2020- JKR claims 90% of HP fans secretly agree with her anti-trans views

December 2021- JKR mocks Scottish Police for recognizing transgender identities

March 2022- JKR criticizes gender-inclusive language and legislation

December 2022- JKR retweets trans youtuber Jessie Earl’s critical review of Hogwarts Legacy, starting an onslaught of transphobic harassment towards Earl

December 2022- JKR removes her support from an Edinburgh center for survivors of sexual violence with a trans-inclusive policy and funds her own center which explicitly excludes trans sexual assault survivors

January 2023- JKR tweets “Deeply amused by those telling me I’ve lost their admiration due to disrespect I show violent, duplicitous rapists.” It got nearly 300K likes

March 2023- One the podcast “The Witch Trials of JK Rowling”, hosted by a former Westboro Baptist Church Member, JKR compares the trans rights movement to Death Eaters.

PAGE 19

What are The Witch Trials of JK Rowling?

Panel 1: Maia speaking. “It’s a 7 episode documentary style podcast hosted by Megan Phelps-Roper. Nearly every episode contains interviews with JKR as well as critics, journalists, historians, protestors and fans.

Panel 2: Maia speaking. “In episode 1, JKR speaks more candidly than she has previously about being in an abusive marriage. Her ex-husband hit her, stalked her, broke into her house overlapping with the time she was writing the first three HP books.”

Panel 3: Maia speaking. “What she went through genuinely sounds horrific. I have a lot of sympathy for the kind of life-long traumas those experiences leave.”

PAGE 20

HOWEVER.

It is clear from reading the June 2020 essay on her blog and listening to the podcast, that JKR still to this day feels unsafe. Despite her wealth and privilege she moves through the world with the mindset of a victim. And the group of people she finds most threatening are trans women.

Or rather, she is afraid that allowing trans women in women’s spaces invites the possibility of male predators entering those spaces.

Here’s a direct quote: The problem is male violence. All a predator wants is access and to open the doors of changing rooms, rape centers, domestic violence centers [...] to any male who says “I’m a woman and I have a right to be here” will constitute a risk to women and girls. - from The Witch Trials episode 4 as transcribed by therowlinglibrary.com, March 2023

Image: A stem of Belladonna with flowers and berries.

PAGE 21

Let me introduce here the term: TRANSMISOGYNY. The intersection of transphobia and misogyny, this term was coined by Julia Serano in 2007. Scout Tran, on tiktok as Queersneverdie said: “Transmisogyny occurs in people who have been previously hurt by traditional misogyny. Who have been driven to hate men or at the very least to be scared of men. They will sometimes take out that rage on trans women. (March 2023)

JKR claims to care for trans women and understand they are extremely vulnerable to assault and violence. In her 2020 Essay she wrote: “I want trans women to be safe. At the same time, I do not want to make natal girls and women less safe.”

So she cares about trans women… just less than cis women, and she’s willing to throw all trans women under the bus because of her unfounded, prejudice fears.

PAGE 22

Panel 1: Maia speaking. “JKR claims to have seen data that proves trans women have presented physical threats to other women in intimate spaces, but never cites sources. She also uses “producer of the large gametes” as a definition of “woman”.

What about transmen and nonbinary folks?

Panel 2: Maia leaning on a stack of all seven HP books, the first four Cormorant Strike books and The Casual Vacancy, gesturing to a series of quotes with a tired and disgusted expression.

I’m concerned about the huge explosion of young women wishing to transition and also about the increasing numbers who seem to be detransitioning. * [...] If I’d been born 30 years later, I too might have tried to transition. The allure of escaping womanhood would have been huge. -June 10 2020 essay

I don’t believe a 14 year old can truly understand what the loss of their fertility is.

-Witch Trials episode 4

I haven’t yet found a study that hasn’t found that the majority of young people experiencing gender dysphoria grow out of it*. -Witch Trials episode 7

*No sources cited

PAGE 23

It’s hard to over emphasize how fixated JKR has become on these topics. As of the date I’m writing this, 14 out of her 20 most recent tweets (70%) are in some way anti-trans. She tweets against Mermaids (a UK based trans youth charity), against trans athletes, against gender neutral bathrooms, and in support of LBG Alliance- a UK org that denies trans rights while upholding gay rights. Here are some gems from her archive:

“People who menstruate.” I’m sure there used to be a word for those people. Someone help me out. Wumben? Wimpund? Woomud? -June 2020

War is Peace. Freedom is Slavery. Ignorance is Strength. The Penised Individual Who Raped You Is a Woman. - December 2021

And in response to someone asking “How do you sleep at night knowing you lost a whole audience?”

I read my most recent royalty cheques and find the pain goes away pretty quickly. -October 2022

PAGE 24

Hashtag Ruthless Productions a queer nerd podcast company created a great guide on ethical engagement with HP. Image: the two hosts of Hashtag Ruthless productions, Jessie (They/she) and Lark (he/him).

Stop buying all official HP Products: books, movies, games, toys, etc, Universal Studios tickets, food, merch.* Boycott any new TV series or movies. Instead: buy the books and DVDs used. If you still want to wear HP merch, buy fan-made. Engage only with fan content: fic, podcasts, fanart, wizard rock, etc. Show transphobia is bad for business. None of this will change JKR’s mind. But the Fantastic Beast series was canceled and after record Pottermore sales in 2020, they fell in 2022 by 40%.

*She gets a portion of ALL tickets. In 2019, this was her largest income source. Read the full guide: hashtagruthless.com/resourceguide

PAGE 25

As late as 2019, I was still reading JKR’s murder mystery series. But by the fourth book my experience began to sour.

Panel 1: Maia holding a copy of Lethal White. “The only gay character in this book is a government official who gropes his staff?”

Panel 2: “The only genderqueer character is misgendered and portrayed as a whiny faker?”

Panel 3: “The only Muslim character is disowned by his family over gay rumors?”

Panel 4: “Even the women aren’t portrayed very well…”

Panel 5: “Why is the main female character defined by the rape in her past?”

Panel 6: “Wait, what happens in the rest of this series…?” Maia scrolls on eir phone.

Panel 7: “Is the series heading towards an employee/boss relationship?”

Panel 8: “And has a man wearing women’s clothes to commit assault?”

Panel 9: “Yeah, I’m done. I’m never reading a new JKR book ever again.”

PAGE 26

And as for JKR herself?

As tempting as it might be to tweet your frustrations at her, I don’t recommend it. In 2021, she tweeted, “Hundreds of trans activists have threatened to beat, rape, assassinate and bomb me.” Getting hate online feeds her sense of victimhood and she waves it as proof of her moral high ground. Instead I suggest you block her on twitter, then delete twitter, go to the library and try to find a new book that feels magical.

Stack of books: In Other Lands by Sarah Rees Brennan, The Scorpio Races by Maggie Stiefvater, Gifts by Ursula K Le Guin, Deep Wizardry by Diane Duane, A Deadly Education by Naomi Novik and Gideon the Ninth by Tamsin Muir.

PAGE 27

In “Emergent Strategy” adrienne maree brown writes: You do not have the right to traumatize abusive people, to attack them, personally or publicly, or to sabotage anyone else’s health. The behaviors of abuse are also survival-based, learned behaviors rooted in pain. If you can look through the lens of compassion, you will find hurt and trauma there. If you are the abused party, healing that hurt is not your responsibility and exacerbating that pain is not your justified right.

PAGE 28

Seeing anyone over age 12 wearing HP merch now makes me uncomfortable. Are they ignorant or actively a TERF? I hate wondering how much money JKR has probably poured into anti-trans legislation… This zine is a culmination of my slow breakup with a story that once brought me joy. Now it just makes me angry, tired and sad.

Image: Candle in a fancy holder burned down to less than an inch.

Maia Kobabe, 2023

[rotzaprachim]

some smaller bookstores, presses, and museum shops to browse and know about! Most support smaller presses, diverse authors and authors in translation, or fund museums and arts research)

(disclaimer: the only three I’ve personally used are the Yiddish book center, native books, and izzun books! Reccomend all three. Also roughly *U.S. centric & anglophone if people have others from around the world please feel free to add on

birchbark books - Louise Erdrich’s book shop, many indigenous and First Nations books of a wide variety of genres including children’s books, literature, nonfiction, sustainability and foodways, language revitalization, Great Lakes area focus (https://birchbarkbooks.com/)

American Swedish institute museum store - range of Scandinavian and Scandinavian-American/midwestern literature, including modern literature in translation, historical documents, knitters guides, cookbooks, children’s books https://shop.asimn.org/collections/books-1

Native books - Hawai’i based bookstore with a focus on native Hawaiian literature, scholarly works about Hawai’i, the pacific, and decolonial theory, ‘ōlelo Hawai’i, and children’s books Collections | Native Books (nativebookshawaii.org)

the Yiddish book center - sales arm of the national Yiddish book center, books on Yiddish learning, books translated from Yiddish, as well as broader selection of books on Jewish history, literature, culture, and coooking https://shop.yiddishbookcenter.org/

ayin press - independent press with a small but growing selection of modern judaica https://shop.ayinpress.org/collections/all?_gl=1kkj2oo_gaMTk4NDI3Mzc1Mi4xNzE1Mzk5ODk3_ga_VSERRBBT6X*MTcxNTM5OTg5Ny4xLjEuMTcxNTM5OTk0NC4wLjAuMA..

Izzun books - printers of modern progressive AND masorti/trad-egal leaning siddurim including a gorgeous egalitarian Sephardic siddur with full Hebrew, English translation, and transliteration

tenement center museum -https://shop.tenement.org/product-category/books/page/11/ range of books on a dizzying range of subjects mostly united by New York City, including the history literature cookbooks and cultures of Black, Jewish, Italian, Puerto Rican, First Nations, and Irish communities

restless books - nonprofit, independent small press focused on books on translation, inter and multicultural exchange, and books by immigrant writers from around the world. Particularly excellent range of translated Latin American literature https://restlessbooks.org/

olniansky press - modern Yiddish language press based in Sweden, translators and publishers esp of modern Yiddish children’s literature https://www.etsy.com/shop/OlnianskyBooks

https://yiddishchildrensbooks.com/ - kinder lokshen, Yiddish children’s books (not so many at the moment but a very cute one about a puffin from faroese!)

inhabit books - Inuit-owned publishing company in Nunavut with an “aim to preserve and promote the stories, knowledge, and talent of Inuit and Northern Canada.” Particularly gorgeous range of children’s books, many available in Inuktitut, English, French, or bilingual editions https://inhabitbooks.com/collections/inhabit-media-books-1

rust belt books - for your Midwest and rust belt bookish needs! Leaning towards academic and progressive political tomes but there are some cookbooks devoted to the art of the Midwest cookie table as well https://beltpublishing.com/

[cnestus]

i recently solved a fun little bug mystery at work and i thought it might be interesting to write up a step-by-step narrative of how i did so, as a sort of example of the kinds of things i get to do for my job. this is a stupidly long post because i have no editorial self-control so i'm putting the rest under a cut.

the above insect is a bark beetle, one of a series of 6 specimens i found in a drawer at work. they did not have species labels on them, and the collection labels indicated that they were collected in 1997 from "Chinese Cedrus used for artifical christmas trees." the infested wood had been intercepted and the beetles collected and pinned, but whoever was working in the lab at the time wasn't able to suss out the species, which is extremely reasonable because even IDing american bark beetles to species can be a massive pain in the ass, let alone ones from asia.

the beetles were clearly in the genus Phloeosinus based on the shape of the antennae and the large spines on the elytral declivity (the ass area), and whoever pinned them at least got them that far themselves, but determining the actual species was going to be a lot harder. even american beetles in this genus can be devilishly hard to confidently ID to species since they often look alike and also are quite morphologically variable in ways the bleed into each other. they are pretty cool though and those ass spines are usually critical in species-level identification

btw since i'm going to be writing out this word a lot in this post, it's pronounced roughly as "flea-o-sign-us" if you're curious.

determining bark beetle species is often made much easier by knowing what tree the beetle came out of since most bark beetles (but not ambrosia beetles, which are also scolytid/scolytine beetles but a whole other can of worms grubs) are highly host-specific, usually being adapted to only a certain tree species or genus or small group of related genera.

so Cedrus is the genus for eurasian cedar trees, and there is one species of Cedrus native to china, Cedrus deodara, but that seems like an odd choice of plant to harvest and send to america for artificial christmas tree trunks. most actual Cedrus species are from the mediterranean area. however there are also some chinese trees in the cypress family Cupressaceae (+Taxodiaceae) that are called cedars, and in fact most species of Phloeosinus are exclusively found in trees in this family. one likely species is Cunninghamia lanceolata, traditionally called "chinese fir" despite not being a fir but also more recently marketed as "chinese cedar" because that's how common names for species go.

oh and there is also the tree Toona sinensis in the family Meliaceae that's ALSO sometimes called "chinese cedar" for some reason but more importantly also called "beef and onion plant" lmao, but that was an even worse candidate for an artificial christmas tree trunk and also not a known host for the beetles. easily discounted but i had a laugh.

so my first angle of attack was to assume that the collection labels were correct and the beetles were in fact from a Cedrus tree. i was able to find a list of about a half dozen Phloeosinus species known to attack Cedrus cedars, but none of them were native to china. this would most likely mean that one of the mediterranean species had been transplanted to china for cultivation, which is entirely plausible. after digging though a bunch of literature i wasn't able to find a good key for Phloeosinus species in the entire area i wanted, but found a couple regional keys covering geographic ranges that when combined covered about what i wanted. for non-biologists, this is what a species key looks like:

sort of a choose your own adventure kind of thing but for determining a creature's true identity. anyway none of the results i got from these keys led to species who's descriptions matched the one that i had. i should also mention that my specimens had a rather distinctive feature unlike any other Phloeosinus species i'd ever seen before, which was an elytral vestiture consisting of these really funky little black explanate scales:

most Phloeosinus species have some kind of vestiture on their elytra but all the ones i'm familiar with have the hairs and scales light-colored and never shaped anything like this, so i figured that the description of the correct species would surely mention these scales.

so anyway dissatisfied with this avenue, i decided that the next most likely option is that whoever made the labels for the specimens was told that they had come from "chinese cedar" by the importer and had just assumed that meant Cedrus but it was actually one of the cypress family cedars. again most of the described species do in fact use Cupressaceae as hosts.

so next i found this UN report with a (hopefully) comprehensive list of all non-EU bark and ambrosia beetle species that attacked conifer trees. i culled from that a list of Phloeosinus species listed as coming from "asia." since that was too broad of an area, i then looked up all of these species in the species catalogues listed in the report, mostly Alonso-Zarazag et al (2007), though some were also listed in Wood and Bright (1992) or Bright and Skidmore (2002), which i happen to have physical copes of. from these i could narrow the list down to just species found in china.

now things became difficult because there are no keys to chinese Phloeosinus, or at least none in english. also even just written descriptions of many of these species were impossible to find because they were all written like 60-100 years ago and usually in chinese or german or french and had never been translated or uploaded anywhere online. likewise almost none of them had research-grade (or any) photos anywhere online.

so after hours of fruitless digging, the best i could come up with was a guide to scolytine beetles of korea (PDF link), which contained a key with a handful of the species on my list and did include english descriptions of these. now one of the species in the guide, P. perlatus, IS DESCRIBED as having dark scales, and my specimens did seem to land on that species when i ran them through the key. that's promising! and the hosts were on my list of possible non-Cedrus chinese cedars! also promising! buuuut something just didn't sit right with me. parts of the species description in that paper just didn't seem to quite match my specimens, like for example the size was a little off, described as being 2.4-3.4mm long, while all of mine were in the 3.3-3.6 range. plus the photos of the species, while distressingly low-resolution, just didn't look like mine.

okay so that was dissatisfying. i'd managed to whittle down my list of suspects a good deal from what little scraps of information i could find about them through my sleuthing, either the wrong hosts or the ones that did have english descriptions available online like in that korean guide didn't fit, but i was still left with several possible candidates and no way to narrow it down further, of course this all assuming that the beetles i had on my hands even were a species that had been scientifically described and named. bark beetles are a huge group of critters and many are quite understudied, especially in asia, and a bunch of new species are described every year!

i was about ready to just give up, but then by coincidence i had a reason to email a couple of high-level bark beetle researchers about a different beetle mystery i was also working on, which was in a group that they were the authorities on. on a whim, i mentioned my Phloeosinus conundrum to them to see if they had any ideas and they recommended i contact Dr. Roger Beaver. yeah, i know right? fucking kickass name i'm so jealous. sidenote: it's so funny how many bark beetle researchers have extremely appropriate names, like two of the biggest names in the field are Steve Wood and Dave Wood. no relation.

so anyway i contacted Dr Beaver, who had done some research on east asian Phloeosinus in the past and he was kind enough to send me an unpublished provisional key to chinese species that he had written up a few years ago. using that key, i ended up at "P. pertuberculatus (?=sinensis)" which means that there was some suspicion that P. pertuberculatus and P. sinensis were the same species, just described and named independently by two different entomologists (Hans Eggers and Karl Eduard Schedl respectively), as often happened, especially in the glory days of insane 18th-20th century european entomologists describing literally thousands of new species during their careers.

now these two species WERE both on my final list of suspects of chinese Phloeosinus species that hadn't otherwise been eliminated for one reason or another, and both had Cunninghamia "cedar" trees as known hosts. Dr Beaver was then kind enough to scan and send me the original descriptions of these two species:

which i was able to use google translate on:

not the nicest translation but still an admirable attempt on google's part to deal with all the entomological jargon, and most importantly the description of the elytral scales on P. sinensis definitely seems to match my specimens more than the pertuberculatus. plus i found a paper on taiwanese bark beetles (PDF) coauthored by Dr Beaver that had a (also distressingly low-resolution) photo of pertuberculatus that didn't seem to match my specimens:

aaand finally: i'd been trying for days to access the webpage of a chinese museum that popped up as the only notable result on a google image search for P. sinensis but every time the website would time out and the cached version of the image was too small to make out any details on, but it finally occurred to me this evening that the reason was probably because my work computer or work wifi was just automatically blocking chinese websites because of america's insane paranoia about chinese spying, and sure enough i opened it up on my home computer and it fucking worked!

that's a pretty fucking bang-on match for my specimens! the scales look right, the color is right, the size is right, the ass bumps are right, the host is right, the geography is right, and the translated description otherwise seems to match! here's mine again so you don't have to scroll all the way up:

so i'm calling this 26-year mystery solved! not all of the bug puzzles i've worked on have had as meandering of a path to their conclusion as this, but i thought that this one did display a good number of the different methods i use. the biggest thing that was missing was me wandering into my lab's massive library of old dusty entomology journals stretching back over a century and digging out some old article that never got scanned and put online, as often happens, but in this case since the bugs were asian and out library mostly covers north american entomology that wasn't going to be very fruitful.

hopefully this was interesting to... somebody besides myself. if you've read this far and weren't bored to tears then congratulations you probably have the same kind of brain damage as me!

[bidotorg]

James Baldwin

Today we honor the life of James Baldwin (#Bi2) who was born on this day 100 years ago.

James Baldwin was an influential writer, essayist, playwright, and social critic whose work explored complex themes of race, sexuality, identity, and social justice in mid-20th century America. His profound insights and eloquent prose have left a lasting impact on American literature and civil rights movements. Here is a detailed history of Baldwin's life, influence, and achievements

Baldwin's writing often dealt with the intricacies of racial, sexual, and class distinctions in Western societies, most notably in America during the civil rights movement. His essays, collected in works like "Notes of a Native Son" (1955) and "Nobody Knows My Name" (1961), provided a powerful critique of American racial politics and explored themes of identity and belonging.

In 1956, Baldwin published "Giovanni's Room", a groundbreaking novel for its exploration of homosexuality. The novel, set in Paris, tells the story of an American man grappling with his sexual identity. It was a bold and risky move at a time when such topics were largely taboo.

Baldwin's influence extended beyond literature. He was an important figure in the LGBT rights movement, advocating for acceptance and understanding of diverse sexual identities. His insights into the intersections of race and sexuality were ahead of their time and continue to resonate today.

[multcolib]

The beginning of Birthday Kid Poem by Simon J. Ortiz, from a broadside published by Zephyrus Image in the 1970s. Part of our Native American Literature collection.

[backoftheoutfit]

Human Alastor Reference Guide.

Part 1: Essentials.

Mainlist and background information.

Drawing Biracial Characters

A Brief Guide on Designing Biracial Characters.

Portraying Mixed Ppl.

"The Louisiana Creole community are people of mixed French, African, Spanish, and Native American ancestry. An extraordinary Creole culture rich in traditions around food, literature, music, and more thrives in New Orleans." - Trinity Acklin.

A small photo collection of Louisiana Creole people.

A website dedicated to information about Creole people. (Note the website has not been updated for several years.) Also, A list of Notable Louisiana Creole People.

Color guides to skin tones.

Source and more detail about painting skin tones.

Little height guide Because he's 7ft tall in the show.

Bonus!

'A Chosen Exile': Black People Passing in White America.

Character design references visual library.

[the-forest-library]

2022 Reading Challenge For People Who Want Something Simple

Thank you for putting together this challenge, @godzilla-reads! These prompts were fun.

This reading challenge is now complete!

January - A Book UNDER 300 Pages: Subtle Blood by K.J. Charles

February - Read a Book by a Female Author: The Soulmate Equation by Christina Lauren

March - Read a Piece of Classic Children’s Literature: The Voyage of the Dawn Treader by C.S. Lewis

April - A Book with a BLUE Cover: The Feather Thief by Kirk Wallace Johnson

May - Read a Short Story/Essay Collection: Goodbye, Again by Jonny Sun

June - Choose a Light Fantasy Novel: Unusual Chickens for the Exceptional Poultry Farmer by Kelly Jones

July - Reread a Favorite of Your Choosing: Red, White, & Royal Blue by Casey McQuiston

August - A Book with an Animal being the Main Character: Cornbread & Poppy by Matthew Cordell

September - Choose a Classic Literature Book (or a book more than 50 years old): The Wolves of Willoughby Chase by Joan Aiken

October - Halloween/Samhain Book!! or Spoooooooky Poetry: What the Hex by Alexis Daria

November - Choose a Book to Read by a Native American Author: Fry Bread by Kevin Noble Maillard

December - A Book with a RED Cover: Two Wrongs Make a Right by Chloe Liese

[musingsofmonica]

April 2024 Diverse Reads

April 2024 Diverse Reads:  

•”All We Were Promised” by Ashton Lattimore, April 2, Ballantine Books, Historical/Saga/African American & Black/Women

•”Real Americans” by Rachel Khong, April 30, Knopf Publishing Group, Contemporary/Family Life/Cultural Heritage/Asian American

•”The Cemetery of Untold Stories” by Julia Alvarez l, April 2, Algonquin Books, Literary/Fantasy/Magical Realism/Cultural Heritage/Hispanic & Latino/World Literature/Caribbean & West Indies

•”The Stone Home” by Crystal Hana Kim, April 2, William Morrow & Company, Literary/Historical/Saga/Psychological/World Literature/Korea/Multiple Timelines

•”Indian Burial Ground” by Nick Medina, April 16, Berkley Books, April 2, Horror/Thriller/Supernatural/Cultural Heritage/Native American & Aboriginal

•”A Magical Girl Retires” by Park Seolyeon, translated by Anton Hur, April 30, Harpervia, Contemporary/Fantasy/Feminist/World Literature/Korea

•”Bite by Bite: Nourishments and Jamborees” by 

Aimee Nezhukumatathil, April 30, Ecco Press, Essays/Short Essays/Essay Collection/Memoir in Essay

•”Disability Intimacy: Essays on Love, Care, and Desire” by Alice Wong, April 30, Vintage, Essays/Short Essays/Essay Collection/People with Disabilities/Love & Romance/Human Sexuality/Social Science

•”The Backyard Bird Chronicles” by Amy Tan, April 23, Knopf Publishing Group, Personal Memoir/Personal Memoir in Journal/Animals - Birds/Motivational & Inspirational/Illustration

•”Knife: Meditations After an Attempted Murder” by Salman Rushdie, April 16, Random House, Personal Memoir/Literary Figure/Survival/Cultural, Ethnic & Regional/Discrimination & Race Relations/Social Justice 

•”Just for the Summer” by Abby Jimenez, April 02, Forever, Contemporary/Romance/Romantic Comedy/Women/Small Town & Rural

•”How to End a Love Story” by Yulin Kuang, April 09, Avon Books, Contemporary/Romance/Romantic Comedy/Multicultural & Interracial/Diversity & Multicultural/Cultural Heritage Asian American/Workplace/Family Life/Siblings/Women

•”When I Think of You” by Myah Arie, April 16, Berkley Books, Contemporary/Romance/Romantic Comedy/Women/Hollywood/Workplace/Diversity & Multicultural

•”Canto Contigo” by Jonny Garza Villa, April 09, Wednesday Books, Contemporary/Romance/Culwtural Heritage/Hispanic & Latino/LGBTQ

•”Table for One: Stories” by Ko-Eun Yun, translated by Lizzie Buehler, April 09, Columbia University Press, Literary/Short Stories/Women/World Literature/Korea

•”One of Us Knows” by Alyssa Cole, April 16, William Morrow & Company, Thriller/Suspense/Psychological/Mystery & Detective/Women Sleuths/Women

•”Ocean's Godori” by Elaine U. Cho, April 23, Zando - Hillman Grad Books, Science Fiction/Space Opera/Romance/Asian American/LGBTQ

•”Kill Her Twice” by Stacey Lee, April 23, G.P. Putnam's Sons Books for Young Readers, YA/Historical/20th Century/Mysteries & Detective/Women Sleuths/Women/Culwtural Heritage/Asian American

•”You Know What You Did” by K. T. Nguyen, April 16, Dutton, Thriller/Psychological/Culwtural Heritage/Asian American

•”The Spoiled Heart” by Sunjeev Sahota, April 16, Viking, Contemporary/Political/Family Life/World Literature/England 

[uwmspeccoll]

Cannupa Hanska Luger, New Myth, Future Technologies, 2021

Dana Claxton, Headdress-Jeneen, 2018

Teresa Baker, Hidatsa Red, 2022

Raven Chacon, For Zitkala Sa Series, 2019

Caroline Monnet, Echoes from a near future, 2022

Marie Watt, Skywalker/Skyscraper (Calling Sky World), 2021

Anna Tsouhlarakis, The Native Guide Project, 2019

Meryl McMaster, Harbourage for a Song, 2019

Marie Watt, Companion Species (Calling Back, Calling Forward), 2021

Staff Pick of the Week

An Indigenous Present proposes that a book can be a space for community engagement through the transcultural gathering of more than sixty contemporary Indigenous and Native artists. Published by BIG NDN Press and Delmonico Books in 2023, An Indigenous Present was conceived of and edited by Mississippi Choctaw and Cherokee artist Jeffrey Gibson (b. 1972) over the course of nearly two decades. 

In Gibson’s own words, “An Indigenous Present celebrates the work of visual artists, musicians, poets, choreographers, designers, filmmakers, performance artists, architects, collectives, and writers whose work offers fresh starting lines for Native and Indigenous art. But the book does not attempt comprehensiveness. Rather, those included here are makers I admire, have collaborated with or been inspired by, and who’ve challenged my thinking. . . . These artists and what they make will guide us to Indigenous futurities authored by us in unabashedly Indigenous ways.”  

An Indigenous Present features over 400 pages of color photographs, poetry, essays, and interviews resulting in a stunning visual experience for readers and a shift towards more inclusive art systems. The front cover art shown here is by Canadian artist Caroline Monnet entitled Indigenous Represent. 

View other posts from our Native American Literature Collection.

View more posts featuring Decorative Plates.

View other Staff Picks.

– Jenna, Special Collections Graduate Intern 

[thegentleintellectual]

“I had not stopped wanting to die. It was not romantic because it felt passionless—like a job I hated and needed. ”

Excerpt From: Terese Marie Mailhot. “Heart Berries.”

[niibaataa]

Nishnaabe Nagamonan

Disclaimer: Some works deal with historical wrongs, Missing and Murdered Indigenous Women and Girls, colonialism, and residential/boarding schools. Exercise caution.

Kateri Akiwenzie-Damm is a member of Saugeen Ojibway First Nation. Akiwenzie-Damm has served as Poet Laureate for Owen Sound and North Grey. In 1993, she established Kegedonce Press, a publishing house devoted to Indigenous writers. She has also authored Without Reservation: Indigenous Erotica.

Works: (Re)Generation, My Heart is a Stray Bullet.

Marie Annharte Baker is a member of Little Saskatchewan First Nation. Annharte's work concentrates on women, urban, Indigenous, disability, and related topics. She critiques life from Western Canada. After graduating with an English degree in the 1970s, she became involved in Native activism and was one of the first people in North America to teach a class entirely on Native women.

Works: Indigena Awry, Miskwagoode, Exercises in Lip Pointing.

Lesley Belleau is a member of Garden River First Nation. She is noted for her 2017 collection Indianland. She has an MA in English literature from the University of Windsor and is working on a PhD in Indigenous Studies from Trent University.

Works: Indianland.

Kimberly M. Blaeser is an enrolled member of the White Earth Reservation. Blaeser served as Wisconsin's Poet Laureate from 2015-2016. She is a professor of English at the University of Wisconsin-Miluwakee. A contemporary of Vizenor, she is the first critic to publish a book-length study on his fiction. She has been writing poetry since 1993.

Works: Apprenticed to Justice, Trailing You, Absentee Indians and Other Poems.

Diane Burns was a member of the Lac Courte Oreilles band. Burns was Anishinaabe through her mother and Chemehuevi through her father. Burns attended the Institute of American Indian Arts and Barnard College (within Columbia University). She was also an accomplished visual artist. She is considered an important figure within the Native American contemporary arts movement.

Works: Riding the One-Eyed Ford (available online).

Aja Couchois Duncan is a Bay Area educator, writer, and coach. Duncan is of Ojibwe, French, and Scottish descent. Her debut collection won the California Book Award. She holds an MFA in creative writing from San Francisco State University.

Works: Restless Continent, Vestigal.

Heid E. Erdrich is a member of the Turtle Mountain band. Erdrich is a granddaughter of Patrick Gourneau, who fought against Indian termination during his time as tribal chairman from 1953-1959. Erdrich holds a PhD in Native American Literature and Writing. Erdrich used to teach, but has since stepped back from doing it full-time. She directs Wiigwaas Press, an Ojibwe language publisher.

Works: Cell Traffic, The Mother's Tongue, Curator of Ephemera at the New Museum for Archaic Media.

Louise Erdrich is a member of the Turtle Mountain band. Erdrich is a granddaughter of Patrick Gourneau, who fought against Indian termination during his time as tribal chairman from 1953-1959. She is widely acclaimed as one of the most significant writers of the Native American Renaissance. Owner of Birchbark Books, an independent bookstore that focuses on Native Literature.

Works: Jacklight, Original Fire, Baptism of Desire.

David Groulx was raised in Elliott Lake, Ontario. Groulx is Ojibwe and French Canadian. He received his BA in Literature from Lakehead University and later studied creative writing at the En'owkin Centre in British Columbia. He has also studied creative writing at the University of Victoria.

Works: From Turtle Island to Gaza, Rising With a Distant Dawn, Imagine Mercy.

Gordon Henry Jr is an enrolled member of the White Earth Reservation. Gordon Henry Jr holds a PhD in Literature from the University of North Dakota and is currently a professor of English at Michigan State University. He has authored several novels and poetry collections and is a celebrated writer in Michigan.

Works: Spirit Matters, The Failure of Certain Charms.

Jane Johnston Schoolcraft was Born in Sault Ste. Marie on Michigan's Upper Peninsula. Schoolcraft was given the name of Bamewawagezhikaquay ('Woman of the Sound that the stars make Rushing Through the Sky') in Ojibwe. Her mother was Ozhaguscodaywayquay, the daughter of the Ojibwe war chief Waubojeeg. Her father was fur-trader John Johnston. Johnston is regarded as the first major Native American female writer. She wrote letters and poems in both English and Ojibwe.

Writeup containing works.

Denise Lajimodiere is a citizen of the Turtle Mountain band. Lajimodiere is considered an expert on Native American boarding schools following her work Stringing Rosaries, published in 2019. She is a poet, professor, scholar, and the current Poet Laureate of North Dakota.

Works: His Feathers Were Chains, Thunderbird: Poems, Dragonfly Dance.

Linda Legarde Grover is a member of the Bois Forte Band. She is a columnist for the Duluth Tribune and Professor Emeritus of American Indian Studies at University of Minnesota (Duluth). She has written poetry, short stories, and essays.

Works: The Sky Watched, Onigamiising.

Sara Littlecrow-Russel is of Ojibwe and Han-Naxi Métis descent. Russell is a lawyer and professional mediator as well as a poet. She has worked at the Center for Education and Policy Advocacy at the University of Massachusetts and for Community Partnerships for Social Change at Hampshire College.

Works: The Secret Powers of Naming.

Jim Northrup was a member of the Fond du Lac Reservation in Minnesota. Northrup lived a traditional lifestyle in his early years. As a child, he attended an Indian boarding school where he suffered physical abuse. Later in life, he served in the Vietnam war and experienced PTSD. Much of his poetry comes from these hardships.

Works: Walking the Rez Road, Rez Salute: The Real Healer Dealer, Anishinaabe Syndicated.

Duke Redbird was born in Saugeen First Nation. He became a ward of Children's Aid at nine months old when his mother died in a house fire. He began writing to give words to his experiences as an Indigenous man raised by white foster families. He is recognized as a key figure in the development of First Nations literature.

His poetry is available on his site.

Denise Sweet is a member of the White Earth Reservation in Minnesota. Sweet served as Wisconsin's Poet Laureate from 2004-2008. She has taught creative writing, literature, and mythology at the University of Wisconsin-Green Bay.

Works: Songs for Discharming, Palominos Near Tuba City.

Mark Turcotte is a member of the Turtle Mountain Band. Turcotte is a visiting assistant professor of English at DePaul University. He has published two books of poetry. His chapbook, Road Noise, was translated into French.

Works: The Feathered Heart, Exploding Chippewas.

E. Donald Two-Rivers was raised in Emo Township, Ontario. He moved to Chicago at age 16 and became involved with the Urban Native community there. A playwright, spoken-word performer, and a poet, Two-Rivers had been an activist for Native rights since the 1970s. He was the founding director of the Chicago-based Red Path Theater Company.

Works: Powwows, Fat Cats, and Other Indian Tales, A Dozen Cold Ones by Two-Rivers.

Gerald Vizenor is an enrolled member of the White Earth Reservation. Vizenor has published over 30 books. He taught at the University of California for many years and is currently at the University of New Mexico. He has a long history of political activism and he is considered one of the most prolific Indigenous ironists writing today.

Works: Favor of Crows, Cranes Arise, Empty Swings.

[lboogie1906]

James Arthur Baldwin (August 2, 1924 – December 1, 1987) was a novelist, playwright, and activist. His essays, as collected in Notes of a Native Son, explore intricacies of racial, sexual, and class distinctions in Western societies, most notably in mid-20th-century North America. Some of his essays are book-length, including The Fire Next Time, No Name in the Street, and The Devil Finds Work. An unfinished manuscript, Remember This House, was expanded and adapted for cinema as the Academy Award-nominated documentary film I Am Not Your Negro. One of his novels, If Beale Street Could Talk, was adapted into an Academy Award-winning dramatic film.

His novels and plays fictionalize fundamental personal questions and dilemmas amid complex social and psychological pressures thwarting the equitable integration of not only African Americans but Gay and bisexual men while depicting some internalized obstacles to such individuals’ quests for acceptance. Such dynamics are prominent in his second novel, Giovanni’s Room, well before the Gay Liberation Movement.

His influence on other writers has been profound: Toni Morrison edited the Library of America’s first two volumes of his fiction and essays: Early Novels & Stories and Collected Essays. A third volume, Later Novels, was edited by Darryl Pinckney, who had delivered a talk on him in February 2013 to celebrate the fiftieth anniversary of The New York Review of Books, during which he stated: “No other Black writer I’d read was as literary as Baldwin in his early essays, not even Ralph Ellison. There is something wild in the beauty of Baldwin’s sentences and the cool of his tone, something improbable, too, this meeting of Henry James, the Bible, and Harlem.”

One of his richest short stories, “Sonny’s Blues,” appears in many anthologies of short fiction used in introductory college literature classes. #africanhistory365 #africanexcellence

[justforbooks]

Marina Núñez del Prado (17 October 1910 – 9 September 1995) was a celebrated Bolivian sculptor.

Marina Núñez del Prado was one of the most respected sculptors from Latin America. Núñez del Prado based many of her sculptures off of the female form as well as taking inspiration from animals and landscapes native to Bolivia. Her work is highly sensuous, with rolling curves. She carved from native Bolivian woods, as well as black granite, alabaster, basalt and white onyx. Perhaps one of her most famous works is "White Venus" (1960), a stylized female body in white onyx. Another celebrated work is "Mother and Child," sculpted in white onyx. Indigenous Bolivian cultures inspired much of her work.

Marina Nunez del Prado died in Lima, Peru on September 9, 1995, where she had spent the last twenty-five years of her life working. She left behind a legacy that significantly enriched Bolivian art and culture but was also a significant contribution to the practice of sculpture and Latin-American art. In her lifetime, she had traveled and accomplished so much and became as well known as the artist she was inspired by like Picasso or Gabriel Mistral.

Her physical legacy is the Museo de Nunez del Prado which was her family home. It now houses over 1000 of her works including drawings and sketches. The museum preserves the work of Nunez del Prado as well as contributions made by her sister who was a gifted goldsmith and painter and her father. Located in the center of the El Olivar Forest, the museum is a National Cultural Heritage site. Admission to the museum is free, but international visitors require personal identification such as a passport. Visits are guided by the curator.

Nunez del Prado’s non-physical legacy far extends beyond the borders of Peru. Her work has significantly impacted the field of sculpture both in Latin America and internationally. Her work has been a great influence in the collective identity of South American art. She has also been a subject in literature like work by the Argentine poet Alfonsina Storni, Uruguayan narrator Juana de Ibarbourou and Spanish poet Raphael Alberti. Since 1930 her work has impacted and been the source of admiration in countries such as Peru, Argentina, Uruguay, Germany, USA, Brazil, Spain, Italy, France, Cuba and Mexico.

Daily inspiration. Discover more photos at Just for Books…?