#nate is fixated on richmond rather than himself kill me

[bisexualshakespeare]

All of Nick Mohammed's season 3 notes from this tweet, now hopefully easier to read

. As before, so much of Nate's story is deliberately unseen, unscripted or dialogue free - even more so now Nate is out on a limb. That feeling of abandon and loneliness were/are great drivers for Nate. In so much of the first half of S3 he's alone.

. Despite what Nate did to Ted, I felt it was important to aim for redemption right from the start of season three, even if it was primarily in the pauses between lines or in the way Nate's posture betrays his confidence. The horror of what Nate's done, of what he's becoming, of how he betrayed Ted, of the specific things he said haunt him throughout season three and no amount of bravado, fancy cars or words of 'encouragement' from Rupert can ever fully hide that.

. Incidentally, Nate's mum is called Maria Shelley - and Mary Shelley gave birth to Frankenstein/Frankenstein's Monster! "What have I become/what have I created!" . We see Lego Nate on the Richmond bench in 301… a sure sign of where things are headed - but we've a long way to go yet! More on the nature of redemption below, but even though that word is used a lot, 'catharsis' is probably a better way to describe Nate's S3 arc. To an extent redemption is in the eye of the beholder and as far as Nate's story is concerned it's more a look into our capacity for forgiveness. For some, there's nothing Nate can do to redeem himself - what he did at the end of season two simply crossed too much of a line. But for others, he will have done enough. Neither interpretation is right or wrong, but the challenge of season three with Nate was to make people question - even if just for a split second - their judgement at the end of S2.

. Part of the difficulty in forgiving Nate is because we believed in him from the start. We're so predisposed into buying a redemption story if we start off not liking them/their behaviour, but this was never the case with Nate - we rooted for him right from the off. Rebecca, Jamie, Colin, Isaac and even Higgins all make very questionable choices at the start of S1 - one may even argue just as bad as Nate's actions in S2 - but our capacity and desire to forgive isn't nearly as seductive as our desire to judge.

. Thanks to brilliant designer Paul Cripps, the first time we see Nate in Rupert's office is almost a direct parallel to when Anakin visits Emperor Palpatine's throne room in Return of the Jedi - a sure sign that Nate will eventually be redeemed!

. So here's a lovely example of Jason being Jason but also how often art imitates life in Ted Lasso… All through season one Jason would toy with a deck of playing cards on set practising sleight of hand. (Jason is a brilliant magician and it's something he and I would geek out over from when we first met and all through filming season one). In season two, because of Covid, there was way less time for this kind of social interaction, not least because we had to stay apart between takes. But just before we shot the scene in the lift in 304 (the first time Ted and Nate see each other following Nate's departure in S2) - and I don't know if it was by design or sheer fluke - Jason started toying with a deck of cards again… and that rush of adoration and connection between us all came flooding back. Even though I'm sure it was purely on a subconscious level, it was honestly so useful to use as a reminder of Nate's deep-seated love and appreciation for Ted.

. In 305 Nate opens up to Jade and says "[my date had to…] be really mean and leave" which is exactly what Nate did to Ted at the end of S2. Even though there's a way to go, there's a tiny moment of realisation here. A flash of the true Nate - which Jade sees.

. In 306 when Ted hallucinates seeing Nate in the diner we did the switch on camera for real (I think it's called a Texas switch and there's some great examples of it being done brilliantly in films on YouTube!) Supporting Artist Harry enters frame just as I dash behind camera. Hats off to the brilliant David Rom and Matt Lipsey for fathoming the choreography of this!

. 307 is the first time we see Nate smile and genuinely mean it/feel it all season (when looking at himself in the mirror in The Taste of Athens). Finally he has a chance to achieve something in his life without trampling on others - and it's no surprise that he ultimately returns to arts and crafts, something that connects us to the S1 version of Nate (and that connects him, specifically, to family). Up until this point Nate deliberately modifies his behaviour depending on what he feels others want to see in him (for better or worse). Jade doesn't want or need any of that. 307 is also the first time Nate refers to himself as 'Nate' - the name Ted gave him. Another sign that he's slowly but surely becoming comfortable with who he is.

. In general, Jade is such a guiding light in Nate's journey. That personal growth, intimacy and the beginnings of a truly meaningful relationship are subsequently enough for him to start seeing things differently… Not dissimilar to how Ted empowers Nate throughout S1. While I remember, I'll share a time-lapse of the wig being put on shortly, but hugest thanks to Chloe Hooker, Sophie, Nicky and team for pinning me in every day! From 310 onwards (more on that ep below) we switched to a much softer wig, which was deliberately less styled. A sign that Nate is becoming more like his old self. Of course he could never go fully back to having black hair - unless he dyed it! - but I like to think of the grey as a constant reminder to what Nate did and has been through. To a degree his tale is a cautionary one: careful what you wish for.

. As with the hair, Nate's suits track his downfall too. It's no coincidence that Nate chose a black suit to emulate Roy following his inappropriate pass at Keeley in 211, which is gross for all kinds of reasons, but shows Nate's toxic and confused mindset toward the end of S2. This suit stays with Nate for much of S3 but the way he wears it changes. I was forever asking Jason when we'd see the grey suit again but Jacky (costume) had a better idea! We do see it, but only the jacket. It's in the montage at the end of 312 when Nate's in the window seat (!) of the Taste of Athens enjoying a meal with his family and Jade. It's important Nate isn't beholden to Ted by this point hence just the jacket and not the full suit. I love that!

. Whilst on the subject of costume, the turtle necks and gilet were all chosen to give Nate a more uptight look while at West Ham. His posture becomes tense and unnatural. Again, it's a tiny thing, but it's another nudge towards him wearing the wrong outfit/pretending to be someone he's not. When you compare to how relaxed Nate is to when he's with Jade (in his own clothes) or to how he is in the gloriously comfy tracksuit that he wears in 312 on return to AFC Richmond! . Nate is fixated on Richmond from 308 onwards rather than himself. His behaviour is changing, he even thanks Roger after the match win rather than rudely dismissing him as per previous episodes. These aren't grand gestures and are less meaningful when viewed individually (Nate categorically shouldn't be praised for not cheating on Jade in 309 for example) but all these things taken together possibly amount to something close to redemption and are signs of Nate developing the emotional intelligence he's been lacking up until this point. This is a side note but Nate writing a text response to Rupert after he's seen Ted and Henry in the stands in 308 and then deleting it/changing it to something Rupert will want to hear is a great way of showing where Nate's heart truly lies despite what he's presenting.

. 309 is the first time Nate rejects Rupert (in Bones & Honey) and - importantly - their last direct interaction. The thought process in the aftermath of that moment is very specific… Nate's reaction goes from shock (did I just say no to Rupert), to have I lost my job (selfish), to where am I/I need to get out of here (realisation). His walk to Jade's (unseen) and their hug in the doorway is ultimately his release. But whilst Jade plays a huge part in Nate's arc (and impeccably played by Edyta Budnik) it's important Nate ultimately takes things into his own hands. But she remains a magnificent guiding light.

. I've already written about the significance of the violin piece used in 310 but just to gush a bit more about my amazing wife...! We first met during an orchestra rehearsal (she plays viola and piano) so to get to play this piece with her for the show was incredibly special. This scene is also special as it's the only scene that Rebecca and Nate 'share' (Rebecca's also my wife's name!) Both Rebecca (the character) and Nate are connected through Rupert - who once had a hold over both of them. And so to underscore her speech with Nate playing violin was such a great move on the writers' part (the intercut sequence was all scripted). A perfect example of 'show don't tell' by colliding their two storylines in this way. . We discussed so many different possible violin pieces. From memory the alt contenders were chiefly Ashokan Farewell, Danny Boy and an arrangement of Come Josephine, In My Flying Machine (which Jack whispers and sings to Rose when they're striking that pose on the front of the Titanic!)

. I asked Jason to be in my eye line when Nate's dad is speaking to him because when Nate aims his words at Ted in 212 those were undoubtedly intended for his dad (I would also try and interchange the words 'dad' and 'Ted' in the script so that I'd say one but think the other but don't tell sound!) The situation in 310 is mirrored. Nate doesn't cry here like he did in front of Ted though (and will again in 312) and it's important that that's not Nate and his dad 'fixed'. It does represent the start of a healing process, though. Similarly, Nate and his dad don't hug... that moment is saved for when he's with Ted and learns of his departure in 312.

. I'm sure that many of you clocked it already, but the lavender fabric softer that Nate secretly adds to the towels at the end of 310 and which Will smells is a callback to 202 when Nate ridicules Will for using it in the first place. Worth noting too that Nate apologises and makes amends in the order that he broke those relationships (starting with Will, then Colin, Beard, Keeley and ending - ultimately - with Ted). . Nate looking up when Jade seemingly disappears in front of Isaac, Colin and Will in 311 is a callback to when Beard seemingly disappeared in Nate's office in 207! . I teased the first two words of this before 311 came out but I'll share Nate's full letter to Ted shortly too (shout out to the amazing props dept, Lizzie and Dylan for having so much fun writing this as it was indeed 60 pages and very Nate!) . Fun fact: I had to stay under the table for 45 mins while they shot all the previously unseen security cam footage of Nate hiding under the table at the end of 212 though revealed to Beard in 311 - including everyone doing a big conga line past Ted's desk! . The decreasing screen time with Ted towards the end undoubtedly points towards his ultimate departure. The last scene I shot on the show was the scene between Ted and Nate in 312 and was - whether by design or a sheer fluke of scheduling - filmed on our very last day. We effectively shot the rehearsal because I was too upset! The picture I accidentally posted on Instagram before realising it was a huge spoiler on the last day was of Nate in AFC Richmond gear but with a clear view of the slate confirming Nate's return in S3 - not my finest hour but attached here for completeness! . Once again, thank you for all your insights, theories, for your love (and hate!) to our phenomenal team of writers and directors and incredible crew. It's been an absolute blast. Now let's go Greyhounds! Yes there will/will not be a season four - delete as appropriate ;-)