#nai design

[nailstoday1]

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[biggest-gaudiest-patronuses]

finally at that age where i'm thinking i should get a tattoo. not bc i feel strongly about it, just seems like a waste not to. i've got so much skin i'm not using

[naycelium]

The Conductor's Wife is so pretty I love her......

[andr0nap]

centaur au from a while ago when i REALLY didnt feel like drawing human legs (trust me this is way easier for me)

the twins are "unicorns" with vash trying to make himself look more like a horse, the rest of the cast are normal equines

separates and alt versions below 🔽

breeds dont exist in this world and all of them are various crossbreeds but you can spot some traits here and there

[helen-renee]

A few Millions Knives dress designs for y'all! I'll probably be making that last one for a con soon~

[creepycoffins]

I saw someone connect knives to this quote and honestly they were cooking

[ohitslen]

College (uni??) AU catering to my own interests as it should always be hehe :)

[soapgraves]

knives art to cool off.

the face was referenced off of @crimson-nail 's knives design who i adore with my whole being, chefs kiss.

[sukugo]

[nihil-ghost]

silly plants

[binglepringle]

I love Pinterest alignment charts, cause sometimes I find gems like this

[renardsruses]

Cowboy Nai!! 🤠🔪

[alcordraws]

Watching trigun 1998 made me a little bit insane because every time I looked at knives I kept expecting to see his little mole and it wasn't :((( there :(((( the mole and the sleepy eyes are my favorite design elements of the twins!!

[naycelium]

Mineru, Sage of Spirit 💧

[lintwriting]

(Nines and Connor Fanart from here.)

[heaven-is-in-your-arms-series]

Costume Break Down

aka more than you ever wanted to know about Thai dance costume details but I think they are gorgeous and require so much effort to create and wear that they are worth celebrating.

Let's take a look at Khem's beautiful red costume.

Here the presence of the dagger and the colour choice quite firmly indicate that he is performing the role of the hero Prince Inao from the Lakhon Nai dance drama 'The Romance of Inao.'

His costume is based on the traditional costumes worn by heroes in both Khon and Lakhon Nai. There are some historical differences between the two types but they have very much influenced each other from the 19th Century onwards.

There are some elements of his costume that read as modern influences which I suspect are to reflect both current tastes and also the fact that the costume was intended to be seen on screen rather than a stage.

Here we see Khem's ornate headdress, known as a chada, he has a flower garland on the right side of his crown, which is the side that male characters always wear these flower pendants with heroines displaying them on the left.(Historically Lakhon Nai was only performed by women and was only for the eyes of the royal court although rules did relax in the 19th Century.)

It's hard to see in these pictures but he would usually be wearing the ornate wing shaped ear kaffa as well, which sit around the ears.

We can also see his very fine inthorn-tanu, which are those high pointed shoulder pads, worn by male characters to exaggerate their body shape.

We can see him wearing the ornate wide collar around his neck, known as a krong-kaw and a large pendant pinned to the end of the collar against his chest.

A body chain known as sangwan is then crossed around the pendant and is usually attached to an ornamental belt or just below it, at the front and back of the costume.

Khem's sangwan is a relatively simple looking version of what can be a very intricate piece of jewellery but I suspect it is because the camera will be getting a much closer look at him than an audience looking at a stage could do.

In general I think his costume is not quite as ornate and covered with detail as a stage costume often is but there is just enough there to show the luxurious nature of dance outfits without looking too much on screen.

The above picture also gives us a great look at both his hoy-na, a silk panel that hangs at the front of the costume, (here it is red and gold with gold fringe) and his hoy-kang, the silk panels that sit either side of the central hoy-na.

We also see one very modern addition - the shiny gold buttons!

Traditionally dancers are sewn into their costumes with no visible seams, a lengthy process which does run the risk of damaging the costumes every time they are stitched and unstitched.

I suspect that Apo is still partly sewn into this outfit but I imagine they wanted to give him a top that he could get in and out of more easily as he would need to be able to change constantly for filming.

I really like the design of the top, it gives both a hint of Western influence with the shape but also has a Chinese feel with the high collar and then those beautiful very Indian looking fabrics, which feels appropriate for the era and for Man Suang itself. We see it sits over the pha-nung and hoy-na etc which would not typically be the case and is why I suspect he is not also wearing a cloth belt under it as well (mentioned below.)

The red tights are also a modern addition, usually we would see bare legs and feet but they do give a very theatrical look which feels fitting for Man Suang.

From this angle we can see his pha-nung, which is a long rectangular cloth that is usually pre stitched and pleated and is wrapped around the waist and drawn through the legs to be tied in a knot at the back.

Underneath that he will be wearing a pair of sanab-plao, short trousers with deep embroidered hems that sit just below the knee.

He may also be wearing pha-pawk, which is a fabric that basically functions like hip pads to assist the pha-nung in exaggerating the body shape to create an image that mimics statues and murals depicting dancers.

Usually he would be wearing a radsa-aew, a cloth belt which is stitched into place and secures the pha-nung. I can't tell just by looking at this but I suspect he may not be given the way his clothes are lying.

We can see he is wearing a lovely cloak here that appears to be silk lined velvet.

Here we can see his embroidered sleeves, these are usually sewn on to an undershirt which also has padding sewn into it to exaggerate the shape of their chests. The decorative outer shirt is then usually sewn onto that undershirt.

Now in this picture, we see the fancy sleeves taper off to a plain red fabric at the shoulders which could indicate the presence of an undershirt but there is that clip in the trailer where Khem tugs his costume open and we see his bare chest so I don't know whether he is or isn't. Perhaps it depends on the necessity for him to be able to strip in any given scene which is totally fine by me!

We can also see his decorative golden vambraces and he is likely also wearing beads or a bracelet of rings as well. Usually more is more when it comes to dance jewellery but once again, I think they have been more restrained here.

Rings worn on the fingers are common and of course, anklets are essential.

At least they are to me ❤️