#nadine vogel

[thebarroomortheboy]

Where should I go then? I don’t know. You don’t know anything. You talk for the sake of talking. For you some things are allowed, others aren’t. For example, I kissed you the other day. I heard it’s not allowed, but since we did it, it’s allowed. And why can’t we repeat the things we did, since we enjoyed them?

Since you enjoyed them?        

JEAN - PIERRE AUMONT and NADINE VOGEL in DRÔLE DE DRAME (BIZARRE, BIZARRE) dir. Marcel Carné

[taeonysus8]

jia hates it

gaeun often forgets her birthday

mirae and gyeoul look forward to it but start crying two days before their birthday and spend the whole day thinking that they've wasted another year

zhu is indifferent but it depends on the company she's spending it with

haeryung likes the yearly tradition part she has with her friends

for nadine its a miracle that she's completed another year

how does your oc feel about their birthday?

[goalhofer]

2024 olympics Switzerland roster

Athletics

Charles Devantay (Zurich)

William Reais (Chur)

Timothé Mumenthaler (Geneva)

Felix Svensson (Versoix)

Lionel Spitz (Adliswil)

Jonas Raess (Zurich)

Jason Joseph (Basel)

Julien Bonvin (Sierre)

Tadesse Abraham (Geneva)

Matthias Kyburz (Rheinfelden)

Ricky Petrucciani (Locarno)

Simon Ehammer (Stein)

Emma Van Camp (Bern)

Annina Fahr (Schaffhausen)

Catia Gubelmann (Zurich)

Lena Wernli (Zurich)

Julia Niederberger (Buochs)

Giulia Senn (Bern)

Géraldine Frey (Zurich)

Salomé Kora-Joseph (St. Gallen)

Mujinga Kambundji (Bern)

Ditaji Kambundji (Bern)

Léonie Pointet (Jongny)

Audrey Werro (Fribourg)

Rachel Pellaud (Biel/Bienne)

Valentina Rosamilia (Aargau)

Yasmin Giger (Romanshorn)

Fabienne Schlumpf (Wetzikon)

Helen Eticha (Geneva)

Sarah Atcho-Jaquier (Lausanne)

Angelica Moser (Andelfingen)

Pascale Stöcklin (Basel)

Annik Kälin (Zurich)

Badminton

Tobias Künzi (Würenlingen)

Jenjira Stadelmann (Bern)

Canoeing

Martin Dougoud (Geneva)

Alena Marx (Bern)

Climbing

Alexander Lehmann (Bern)

Cycling

Stefan Bissegger (Weinfelden)

Marc Hirschi (Ittigen)

Stefan Küng (Wil)

Alex Vogel (Frauenfeld)

Mathias Flückiger (Bern)

Nino Schurter (Tursnaus)

Cédric Butti (Thurgau)

Simon Marquart (Zurich)

Elise Chabbey (Geneva)

Noemi Rüegg (Schöfflisdorf)

Linda Zanetti (Lugano)

Elena Hartmann (Grisons)

Aline Seitz (Basel)

Michelle Andres (Baden)

Alessandra Keller (Ennetbürgen)

Sina Frei (Männedorf)

Nikita Ducarroz (Sonoma County, California)

Nadine Aeberhard (Bern)

Zoe Claessens (Echichens)

Equestrian

Robin Godel (Fribourg)

Felix Vogg (Waiblingen, Germany)

Steve Guerdat (Elgg)

Martin Fuchs (Zurich)

Edouard Schmitz (Wangen An Der Aare)

Pius Schwizer (Oensingen)

Andrina Suter (Schaffhausen)

Mélody Johner (Cheseaux-Sur-Lausanne)

Fencing

Alex Bayard (Sion)

Pauline Brunner (La Chaux-De-Fonds)

Golf

Joel Girrbach (Kreuzlingen)

Albane Valenzuela (Dallas, Texas)

Morgane Métraux (Lausanne)

Gymnastics

Luca Giubellini (Rebstein)

Matteo Giubellini (Rebstein)

Florian Langenegger (Bühler)

Noe Seifert (Sevelen)

Taha Serhani (Hutwill)

Lena Bickel (Ticino)

Judo

Nils Stump (Uster)

Daniel Eich (Fribourg)

Binta Ndiaye (Bern)

Pentathlon

Alexandre Dällenbach (Saint-Denis, France)

Anna Jurt (Bern)

Rowing

Scott Bärlocher (Würenlos)

Dominic-Remo Condrau (Zurich)

Maurin Lange (Bern)

Jan Plock (Zurich)

Patrick Brunner (Zurich)

Kai Schaetzle (Lucerne)

Joel Schurch (Schenkon)

Raphaël Ahumada (Lausanne)

Jan Schäuble (Bern)

Andrin Gulich (Zurich)

Roman Röösli (Neuenkirch)

Tim Roth (Zurich)

Célia Dupré (Plan-Les-Ouates)

Lisa Lötscher (Meggen)

Fabienne Schweizer (Lucerne)

Pascale Walker (Zurich)

Aurelia-Maxima Janzen (Bern)

Sailing

Elia Colombo (Bern)

Arno De Planta (Pully)

Yves Mermod (Zurich)

Sébastien Schneiter (Bern)

Elena Lengwiler (Hinwil)

Maud Jayet (Lausanne)

Maja Siegenthaler (Spiez)

Shooting

Jason Solari (Malveglia)

Christoph Dürr (Zurich)

Nina Christen (Stans)

Audrey Gogniat (Le Noirmont)

Chiara Leone (Frick)

Swimming

Tiago Behar (Lutry)

Antonio Djakovic (Frauenfeld)

Thierry Bollin (Bern)

Roman Mityukov (Geneva)

Noè Ponti (Locarno)

Jérémy Desplanches (Geneva)

Nils Leiss (Geneva)

Lisa Mamié (Zurich)

Tennis

Stan Wawrinka (Stans)

Viktorija Golubić (Zurich)

Triathlon

Adrien Briffod (Vevey)

Max Studer (Kestenholz)

Sylvain Fridelance (Vaud)

Julie Derron (Zurich)

Cathia Schär (Lavaux-Oron)

Volleyball

Tanja Hüberli (Thalwil)

Nina Brunner (Steinhausen)

Esmée Böbner (Hasle)

Zoé Vergé-Dépré (Berne, Germany)

[alexlacquemanne]

Juillet MMXXIV

Films

Le Comte de Monte-Cristo (2024) d'Alexandre de La Patellière et Matthieu Delaporte avec Pierre Niney, Bastien Bouillon, Anaïs Demoustier, Anamaria Vartolomei, Laurent Lafitte, Pierfrancesco Favino, Patrick Mille, Vassili Schneider, Julien de Saint Jean et Julie de Bona

La Jalousie (1976) de Raymond Rouleau avec Daniel Gélin, Nicole Calfan, Jacques Toja, Annick Alane, Marc Eyraud, Anna Gaylor, Françoise Pages et Francis Lemaire

Maestro(s) (2022) de Bruno Chiche avec Yvan Attal, Pierre Arditi, Miou-Miou, Pascale Arbillot, Caroline Anglade, Nils Othenin-Girard et Caterina Murino

The Truman Show (1998) de Peter Weir avec Jim Carrey, Ed Harris, Laura Linney, Noah Emmerich, Natascha McElhone et Holland Taylor

Un crime dans la tête (The Manchurian Candidate) (1962) de John Frankenheimer avec Frank Sinatra, Laurence Harvey, Janet Leigh, Angela Lansbury, James Gregory, Lloyd Corrigan et Leslie Parrish

French Connection (The French Connection) (1971) de William Friedkin avec Gene Hackman, Fernando Rey, Roy Scheider, Tony Lo Bianco, Marcel Bozzuffi et Frédéric de Pasquale

To The Moon (Fly Me to the Moon) (2024) de Greg Berlanti avec Scarlett Johansson, Channing Tatum, Nick Dillenburg, Anna Garcia, Jim Rash, Noah Robbins, Colin Woodell et Christian Zuber

Le Gendarme de Saint-Tropez (1964) de Jean Girault avec Louis de Funès, Michel Galabru, Jean Lefebvre, Christian Marin, Guy Grosso, Michel Modo, Geneviève Grad, France Rumilly, Nicole Vervil et Claude Piéplu

La Marseillaise (1938) de Jean Renoir avec Pierre Renoir, Louis Jouvet, Lise Delamare, Andrex, Edmond Ardisson, Nadia Sibirskaïa, Jenny Hélia, Gaston Modot et Julien Carette

Un éléphant ça trompe énormément (1976) de Yves Robert avec Jean Rochefort, Claude Brasseur, Guy Bedos, Victor Lanoux, Danièle Delorme, Anny Duperey, Martine Sarcey et Marthe Villalonga

Le Gendarme à New York (1965) de Jean Girault avec Louis de Funès, Michel Galabru, Jean Lefebvre, Christian Marin, Guy Grosso, Michel Modo, Geneviève Grad et Alan Scott

Le Secret de Green Knowe (From Time to Time) (2009) de Julian Fellowes avec Alex Etel, Timothy Spall, Maggie Smith, Christopher Villiers, Pauline Collins, Eliza Bennett, Rachel Bell, Dominic West et Carice van Houten

Raoul Taburin (2018) de Pierre Godeau avec Benoît Poelvoorde, Édouard Baer, Suzanne Clément, Vincent Desagnat, Grégory Gadebois, Victor Assié et Timi-Joy Marbot

Nous irons tous au paradis (1977) de Yves Robert avec Jean Rochefort, Claude Brasseur, Guy Bedos, Victor Lanoux, Danièle Delorme, Marthe Villalonga, Jenny Arasse, Christophe Bourseiller et Josiane Balasko

Drôle de drame (1937) de Marcel Carné avec Françoise Rosay, Michel Simon, Louis Jouvet, Jean-Pierre Aumont, Nadine Vogel, Pierre Alcover et Jean-Louis Barrault

French Connection 2 (1975) de John Frankenheimer avec Gene Hackman, Fernando Rey, Bernard Fresson, Philippe Léotard, Ed Lauter, Charles Millot, Jean-Pierre Castaldi et Cathleen Nesbitt

Le Gendarme se marie (1968) de Jean Girault avec Louis de Funès, Michel Galabru, Jean Lefebvre, Christian Marin, Guy Grosso, Michel Modo, Geneviève Grad, Claude Gensac et Mario David

Totally Spies! le film (2009) de Pascal Jardin avec Claire Guyot, Fily Keita, Céline Mauge, Jean-Claude Donda, Karl Lagerfeld et Emmanuel Garijo

Séries

Maguy Saison 6

Quitte ou rouble - Séparation de survie - L'injuste prix - Une nièce rapportée - Une occase en moins - Météo et bas - Une Maude passagère - Bénévole d'essai - Tata poule - Des routes en déroute - Débat des eaux - L'ami gratteur - Pinceaux périlleux - Termite errant - Troubles de la télévision - Étrennes à la traîne - Mégarde à vue - Golf: heurts - Mépris de Rome - Le rappeur sur la ville - Jaloux y es-tu ? - Clochard abstrait - Affreux d'emploi - Un clown chasse l'autre - Adamo.. tus et bouche cousue - Passe-moi le recel - Fissures la corde raide - Écoutes que coûte - Le carton de la plaisanterie - Un fils à la patte - Mur… aïe ! - Désaccords de guitares - Une mage d'histoire - Compagnons d'alarmes - Despote au feu - Dernière cartouche au tableau - Des pots en dépôt

Affaires sensibles

17 et 18 septembre 1981 : dernière cigarette pour la guillotine - 1er février 2003, l’accident de la navette spatiale Columbia - Les Dix d’Hollywood, ou quand l’Amérique voyait rouge - Challenger 1986 : une catastrophe en plein ciel pour la fin d’un rêve "étoilé" - La tornade Michel Polac - John Lennon, mort d'un enfant du siècle - “Nous irons les buter jusque dans les chiottes” Russie, 1999, les attentats, la Tchétchénie et Poutine - Essais nucléaires dans le pacifique, un mensonge français - Péchiney : délit d'amitié, délit d'initiés

Le Coffre à Catch

#174 : William Regal champion en Angleterre? - #175 : CM Punk de retour à la ECW ! - #176 : Shelton vs Christian : un banger en préparation ! - #177 : Trent Baretta & Caylen Croft : les vrais Best Friends ! - #178 : TLC 2009 : Un Show Stealer ?

WWE : les rivalités de légende Saison 2

Hulk Hogan vs. Roddy Piper - The Rock vs. John Cena - Steve Austin vs. Bret Hart - The Undertaker vs. Randy Orton - Steve Austin vs. Shawn Michaels - Brock Lesnar vs. Roman Reigns - The Undertaker vs. Mankind - Trish Stratus vs. Lita

The Durrells : une famille anglaise à Corfou Saison 1, 2

Episode 1 - Episode 2 - Episode 3 - Episode 4 - Episode 5 - Episode 6 - Episode 1 - Episode 2 - Episode 3 - Episode 4 - Episode 5 - Episode 6

Le Tour du monde en quatre-vingts jours

Episode 1 - Episode 2 - Episode 3

Totally Spies Saison 7

Attention : ceci n'est pas un test - Espionnes à l'ancienne - Alerte chat-pardeurs

Spectacles

Patate (1982) de Marcel Achard avec Pierre Mondy, Michel Duchaussoy, Marie Dubois, Pascale Audret, Clémentine Amouroux et Philippe Dehesdin

Imagine Dragons Chambord Live (2023)

Elvis: The Comeback Special (1968)

Nirvana: MTV Unplugged in New York (1993)

Les Pigeons (2022) de et avec Michel Leeb, et aussi Francis Huster, Chloé Lambert, Philippe Vieux

Livres

Batman : The Killing Joke d'Alan Moore et Brian Bolland

Red Skin, tome 1 : Welcome to America de Xavier Dorison et Terry Dodson

Red Skin, tome 2 : Jacky de Xavier Dorison et Terry Dodson

Le coureur et son ombre d'Olivier Haralambon

Détective Conan, tome 23 de Gôshô Aoyama

Détective Conan, tome 24 de Gôshô Aoyama

Conversations avec A d'Alex Lacquemanne

Kaamelott, tome 7 : Contre-attaque en Carmélide d'Alexandre Astier, Steven Dupré et Picksel

[detournementsmineurs]

"Nadine (Nadine Vogel, fille de l'éditeur Lucien Vogel)" devant "Le Peintre Widhopff" ou "L'Homme à la Pipe" bois et plâtre peint de Chana Orloff (1921-24) à l'exposition "Chana Orloff. Sculpter l'Epoque" au Musée Atelier Zadkine, Paris, mars 2024.

[singinprincess]

oooo are we doing an ask game? you know i can't just choose one, here ya go. My new discoveries/recent rediscoveries.

Silent War - A Fine Frenzy

The Broken Ones - Dia Frampton

New Anxieties - the Narrative

You Will Find Me - Alex & Sierra

Proud - Victoria Nadine

Coda - Colouring

Hunger - Ross Copperman

I Wanna Love You Forever - Kate Vogel

Water Worship Pray - Grace Power

Icon: okay | awesome | flawless | OMG | asdfghjkl

Theme: okay | awesome | flawless | OMG | asdfghjkl

Posts: okay | awesome | flawless | OMG | asdfghjkl

URL: okay | awesome | flawless | OMG | asdfghjkl

Overall: 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | asdfghjkl

I'm not linking all those songs lmao but thank you for the recs!!

Song: don’t know it | hate it | okay | like it | love it | THAT’S MY JAM

--

send me a song and I'll rate your blog!

[dorothydalmati1]

My Little Pony Movie 6: 2017 Film

Story by Meghan McCarthy & Joe Ballarini

Screenplay by Meghan McCarthy, Rita Hsiao & Michael Vogel

Storyboard by Ovi Nedelcu, Steve Lumley, Kevin Munroe, Larry Leker, Nicole Wang, David Dick, Chris Johnston, Aynsley King, Thalia Tomlinson, Jocelan Thiessen & Patricia Atchison

Directed by Jayson Thiessen

Animation directed by Nadine Westerbarkey

[lyslily]

Jean-Pierre Aumont & Nadine Vogel Drôle de drame, Marcel Carné (1937).

[direwombat]

tagged by @natesofrellis to do this adorable witchy picrew! here we have

sybille la roux (fc5) in a supernatural au where she’s a witch who is skeptical of (but vaguely intrigued by) whatever a certain ginger cultist werewolf is saying

katherine vogel (rdr2) showing off the new hat she gently persuaded dutch into buying for her

paola orsini (uncharted) decidedly not enjoying herself at the department-wide halloween party (and is mercifully pulled away by a text from nadine or chloe telling her they’ve found something big)

ahlis hartwood (dnd) in an alternate universe where she takes more after her “mother” and is more of a shadow sorceress than she is her canon gloom stalker ranger self

and tagging: @thomrainer, @aceghosts, @socially-awkward-skeleton, @poeti-kat, @harmonyowl, @poeti-kat, @funkypoacher, @schoute, and anyone else who’s feeling particularly witchy and wants to play with this picrew! 

[thejollywriter]

Queer historical revolutionaries, incoming!!!

Nadine Reiss is a sniper, hunting nazis for sport in the German woods and doing her level best to interfere with the German war machine. She lives in the woods, avoids getting to know people because of trauma, and is a to better shot than most.

Heidi Vogel is an English spy in Paris. Her specialty is earning the trust of important people, stealing their important information, and getting them caught by either the oss or gestapo. When an operation goes wrong and she nearly dies, she's tasked an impossible mission.

Find the opening, and kill Hitler.

She sets off and finds the German partisan, and together they sabotage trains, help protect escaping Jews, and make overall life hell for the nazis on their way to Berlin, to do the impossible, and live.

Along the way, they fall in love, Nadine will learn how to trust again, and Heidi will find redemption.

Excerpt and cover coming soon to patreon

www.patreon.com/1thejollywriter, available to all tiers

[the-master-cylinder]

Empire Pictures/Tycin Films (1986-1987) “At the time everyone was talking high concept so I said let’s do RAPISTS FROM OUTERSPACE.” Charles Band bought the film released as Breeders as well as Mutant Hunt, which Kincaid shot back-to-back. Director Tim Kincaid was rewarded with a long term, ten picture deal with Empire in which some of the films will be made under his Tycin Films banner and others under Millennium Pictures. The latter will include some bigger budget items. Make them for under $1 million each on 10-day shooting schedules, back to back. Kincaid explained that most of the Tycin features will be produced for direct-to video sales probably through Empire’s own Wizard Video. The remaining films will see a theatrical release.

Although filmed after Mutant Hunt, Breeders (1986) was the first to land on video store shelves aided by a stylish pulp-influenced poster. Though no censors could get at his script Kincaid did have a domestic overseer. “My wife is very much into making sure that women aren’t being ripped-off in these films,” he said. “We had a lot of nudity but we weren’t brutalizing women on screen. Everything is implied. Variety speculated that BREEDERS went out on video because of problems with the rating board, but we had always planned to make it an R-rated film. Nothing has been cut for the video release.”

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The climactic scenes of BREEDERS take place in the monster’s underground lair, where it has created a nest for its victims. Kincaid filmed in a series of catacombs under the Brooklyn Bridge, used by workers who built the structure. There are vast rooms with brick and stone archways, the largest of which is a prayer room used by the men before they went into the depths to work. Kincaid learned of the location from BREEDER’s makeup effects man Ed French.

The monster’s victims were to be seen immersed in a pit of translucent slime actually gelatin. But with the actresses disrobed and immersed, the jello failed to gel. Kincaid was wary of adding the chemicals necessary for fear of harming the girls.

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“The art director jumped in a van and headed for the nearest supermarket,” said Kincaid. “He brought back ten pounds of flour and we poured it into the pit. It worked, but unfortunately it turned it white and gave the scene these sexual undertones that we never meant for it to have. The girls ended up working in the stuff for four or five hours-until 4 a.m.”

Necropolis (1986) Reincarnated “Satanic Witch” from New Amsterdam, circa 1600’s comes back to revive her cult members by sucking the life force out of people.

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Robot Holocaust (1986) Just outside New Terra (whats left of New York City), Neo, a drifter from the atomic-blasted wastelands, and his klutzy robot sidekick arrive at a factory where slaves labor to fuel the Dark One’s Power Station. He meets Deeja, a woman (Nadine Hart) who convinces him to help rescue her father. The father is a scientist (Michael Dowend) who has invented a device that can break the Dark One’s control over the factory slaves. Gathering a motley crew of allies on the way, Neo goes to the Power Station to confront the Dark One’s evil servants.

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Mutant Hunt (1987), which Kincaid calls an adventure film with a science fiction background” finds Manhattan in a state of terror as Z, a mad industrialist, alters a squad of cyborgs with a drug known as Euphoron, turning them into crazed killers. The cyborg’s original creator is imprisoned by Z, but his sister escapes and seeks the help of Matt Riker, a private operative.

Kincaid directed MUTANT HUNT in 15 days, stretching the budget to give it more value and making up the difference by cutting corners on BREEDERS, putting that film in the can in only eight days. Empire is easily the most prolific distributor of genre films and their tactic of using both theatrical and video markets to release their product should enable them to keep a constant supply of films flowing to the fans. This is fine with Tim Kincaid, who seems to get a genuine joy out of making films, even on restricted budgets.

The location is a large industrial type complex, eight stories high and several blocks long. The Army abandoned the terminal more than a decade ago. Today, it is the home of a noisy spice factory, hundreds of dilapidated city buses, and a small, but eager film crew. “There’s nothing like a set that doesn’t move,” says Rick Gianasi. The beefcake actor plays the film’s macho hero, Matt Riker. “This place is fabulous,” he observes.

The same location, with its scores of broken windows and rusty train tracks, conjures up a nice post apocalypse scenario on this windy and cloudy morning. Despite the atmosphere, Kincaid explains that his movie is not set in the next century. “Matt Riker: Mutant Hunt is not Road Warrior or Star Wars,” he notes, but it is in the future, only about six years from now.”

Matt Riker: Mutant Hunt certainly has its share of Fango moments, so don’t get the idea that this flick is simply another science-fiction yarn. The movie’s mutants are actually diseased cyborgs, exploited by an evil genius called Z, who eventually run amuck throughout the Big Apple. Kincaid, while looking around the set and mapping out the morning’s schedule, adds that his film will not take itself too seriously, either.

“It’s sort of-I don’t want to say tongue-in-cheek because that term’s overused-a contemporary adventure,” he explains. “There’s not much hardware, just some lasers and effects. It isn’t knockdown, fall about-funny, but Matt Riker: Mutant Hunt has a sense of humor. The heroes are a happy-go-lucky trio of mercenaries, adventurers for hire who share a kidding camaraderie with each other. It’s a comic strip.”

The first shot of the day, which Kincaid is now planning, will take place on a concrete walkway inside a spectacular atrium that bisects the terminal. Grey buttresses jut out from both sides of the enormous hangar-like structure. Sunshine streams in from a huge skylight above, reducing the need for artificial lighting. To the left of the walkway, New York-based special effects man Matt Vogel peers over the charred remnants of Z’s dummy corpse, the victim of a Vogel pyrotechnic effect from the previous night’s lensing.

Vogel, who honed his incendiary skills on the pyromaniac horror flick Don’t Go in the House, is also contributing cyborg sparks, various fireballs and assorted gunshots. And included in his makeshift FX lab–actually his very own spot on the floor are boxes of ornaments, Christmas balls. Christmas balls?

“We have this chemical called titanium tetrochloride, ” Vogel elaborates. “When you open it up, slivers of smoke come out. It was once used for skywriting. The smoke is nice, but you can’t contain it. If I put it in a Christmas ball and seal it up, I have a titanium tetrochloride bomb. With a small explosive charge, the ball breaks and tendrils of smoke emerge. The hardest part of my job is finding Christmas balls in September!”

A few feet from Vogel’s effects “shop” is makeup man Ed French’s cluttered work area where he and his assistants John Bisson and James Chai leisurely paint some cyborg appendages. Later, French will supply an immobile six-foot cyborg “stretcho” arm, plus the diseased facial features for a cyborg duo. French took on a multiple challenge on these dual productions. Not only is he providing the special makeup effects, but Kincaid is letting him direct most of the FX sequences as well. “In terms of directing the special effects,” French reveals, “much of it is up to me. I don’t have any designs on becoming a director, but it is something I’ll have a lot to do with on these films. My storyboards are followed very closely by the editor. They’re very practical in terms of our shooting time. We can’t compete with An American Werewolf in London, but if it’s planned intelligently, we can have a lot of fun.”

French is particularly excited about a mechanical cyborg puppet that both he and Tom Lauten built for Matt Riker: Mutant Hunt. Its enticing features include a blown-away face with missing jaw, but French resists displaying this trophy, explaining that it is so fragile that he prefers to bring it out only when the cameras are rolling. Instead, visitors to the set get to see his chicken-wire-and-foam dummy, an unfortunate body that many crew members delight in kicking.

“This is our generic, all-purpose cyborg-dummy,”French announces, pointing to the abused double. “We took him apart yesterday, and pulled his arm off and had sparking as it came out of the joint. We divide him in half for an operating table scene. He also does some falling. This is body part city. We have an action scene where a cyborg knocks another’s head off, a combination dummy-puppet. We even have industrial strength cyborg blood squirting all over. It looks like anti-freeze.”

Nearby, two of the actor-cyborgs sit patiently while their bizarre crew cut hairstyles are neatly trimmed by the set’s conventional makeup artist Laurie Aiello. With their threatening height and muscular builds, these guys seem perfect for the cloneesque cyborgs, but their haircuts make them look like demented sailor boys. “We knew what we were getting into when we were offered the roles,” jokes Beta Cyborg Mark Legan, one of this production’s chiefly unknown cast. Alpha Cyborg Warren Ulaner doesn’t mind his appearance. “I was in the East Village the other night and my haircut was, more or less, conservative.” Adds French, “The makeups and designs are very stylized and give them a punk-heavy metal look.”

“I was looking forward to playing this kind of role,” says Legan, “because these guys are as villainous as you can get. Warren does a number of nasty things to people and gets a lamp stuck in his eye. Yesterday, I got to tear somebody’s arm off. That’s more fun than saving the girl. For me, the film’s highlight will be when I attack a couple in an alley, tear the girl’s head off and roll it down the street.”

For a production that is supposed to wrap in only 10 days, things are going very slowly on this Wednesday morning. Most of the crew point to the reason: they’re recovering from late night shooting of some extra action stuff to impress Charles Band. Band flew in earlier this morning to get an advance peek at the dailies and, according to French, liked what he saw. Today’s first shot involves a short dialogue scene with the intense Z (Bill Peterson) holding a fellow scientist (Marc Umile) at laser point. Kincaid is an atypical, laidback director who stresses the “please” when he calls, “Quiet, please” as things finally get moving.

“Maybe the pace will pick up suddenly, and it will be rat-a-tat-tat, scene after scene,” predicts the hopeful Ron (New York Ninja) Reynaldi. He plays Johnny Felix, a martial arts master and electronics expert to Riker. He also doubles as Matt Riker: Mutant Hunt’s comic relief and stunt coordinator.

Following the short dialogue scenes, Kincaid readies the next few shots in which the heroine (Mary Fahey, sister of Jeff Fahey), is chased down a dark tunnel. The crew pauses for the sun to hide behind some clouds (day for night). Despite the brief delay, the director remains confident that Matt Riker: Mutant Hunt will come in on schedule.

“I plan my films like any other feature,” he notes during a lunch break. “It’s like a jigsaw puzzle. What you have to realize is that a Magnum P.I. even though it’s 52 minutes long and they have a bigger crew and bigger budget-goes out in seven days. Everything is carefully planned out in advance and really set up so that we know where we are going. We know how long it’s going to take to shoot each thing and how much time to allow for it. That’s why we’re shooting so radically out of sequence.”

After Matt Riker: Mutant Hunt wrapped principal photography a week later-inserts will be shot soon and Band’s California-based technicians are doing the post-production opticals. Kincaid and company immediately began Breeders, a tale of lustful aliens invading Fun City with sex, sex, sex on their otherworldly minds. Some new crew members have joined this film, along with another batch of unknown performers, including makeup man Ed French. Breeders is shooting in the same underground tunnels.

“I think Breeders is going faster, but I don’t know why,” observes French, while preparing a shot with a grotesque half-alien/half-human baby. “Maybe it’s the script. Breeders is more elementary and straightforward. The style, which is very ’50s sci-fi monsters on the loose, almost dictates what you should do. On Matt Riker: Mutant Hunt, the script kept getting rewritten and getting bigger and more complicated. It’s an action movie with a lot of special effects. We knew Matt Riker would go over schedule a bit since it’s so ambitious.”

French steps aside to talk with his assistant, James Chai, who is lying on the dusty concrete floor for his part in bringing the monstrous puppet to life. The baby alien is appropriately disgusting, with an immense, gaping mouth running vertically down its face. A big, bulging bug eye blinks blindly. French applies some gooey methyl cellulose to its row of razor sharp teeth. Meanwhile, gun toting actor Lance Lewman and stake-wielding Teresa Farley wait for French to call action so that they can battle the crippled beastie. As on Matt Riker, Kincaid lets French direct his own special FX sequences.

Acting is another experience French is enjoying on Breeders. The occasional actor plays a doctor possessed by the aliens. Eventually, he even turns into one. “It’s really kind of exciting,” French laughs. “There was an eerie moment yesterday. I’m supposed to be hiding this little creature and then let him loose on these people. I was in the shot, so I just couldn’t step out of the scene and check out the creature. I had to stay in character and let my assistant take care of it.”

In a connecting tunnel next door, a couple of production assistants place the finishing touches on the aliens’ “nest,” a squat six-foot-square box made of foam, goo, plastic and some broken glass. The “Gigeresque” nest is where the captive women are taken. Attractive actress Francis Raines, last featured as the first victim of The Mutilator, does not mind wallowing naked in the nest for her upcoming scene as alien breeding stock.

“This stuff is like food preservative,” explains Raines referring to the buckets of methyl cellulose ooze. “It’s not like they hired 40 Ukrainian elephants to spit in there. I go through the pit and transform to become another Breeder. I can’t wait! At least, I keep away from the dirt.

“My biggest scene is where it does its transformation and chases me around this photography studio while I’m modeling swimsuits. He gets me, attacks me, and uses me. The biggest effect occurs when this stomach cord shoots out and grabs me. Its tentacles drag me away.’

French insists that Breeders is not as lewd as it sounds, while Kincaid obviously believes that sex and violence sell flicks. “I’ve always liked the lurid exploitation movies of the ’50s when I was growing up,” Kincaid remarks. “I think the time is right for them to come back, since we’re coming to the end of the wholesome-family-type science fiction that appeals to a wide range audience. Now, we have a big video market for these low-budget pictures. There hasn’t been an audience for these movies in the last 10 to 15 years… until now.”

In addition to “tactfully” filming the alien rapes, Kincaid and French wanted an abstract look for the invaders. French based his designs on a book of insect microphotography. Most of the black-painted Breeders suit lies in sections around his ad-libbed workshop. A separate Breeders insert head is used for close-ups, and includes waving antennae. An alien hand snaps out a line like a frog’s tongue as well.

“The most challenging bit about the whole thing, and what I’m learning the most about, is integrating the monster suits into the film so that it doesn’t look like a monster suit,” explains French during a 4 p.m. lunch break. “I hate monster suits. Everytime you see this thing, we show a little more of it, like in The Elephant Man. First, you see its hand, then its shadow, a partial transformation, etc. It’s all judiciously shot and generally nightmarish. You’re not going to see a guy running around in a rubber suit.”

Monster suits or not, everyone at Entertainment Concepts is banking that Breeders and Matt Riker: Mutant Hunt serve as the first of a succession of independent New York productions all to be released by Empire… if all goes right.

“Empire has approached us about working with them as an East Coast off-shoot of their production suppliers,” Tim Kincaid reveals. “Their films are shot all over the world, Spain, Rome, California, but they don’t have a group of people to supply them from the East Coast. They like the feel and scenic look of what they’ve seen. We’re hoping it’s the beginning of a series.”

Waldo Warren Private Dick Without Brain (1988) (The Occultist, MAXIMUM THRUST) A cyborg private eye is hired to protect a Caribbean president visiting New York City. Unknown to him, the president’s daughter is in league with his country’s rebels who are trying to assassinate him.

The History of Empire Films Part Four Empire Pictures/Tycin Films (1986-1987) “At the time everyone was talking high concept so I said let's do RAPISTS FROM OUTERSPACE." Charles Band bought the film released as Breeders as well as Mutant Hunt, which Kincaid shot back-to-back.

[abhihasabe]

Siemens Recruitment Drive For Project Site Engineer

Siemens Recruitment Drive For Project Site Engineer

Siemens Recruitment Drive For Project Site Engineer:having complied Engineering graduation in 0 to 3 year experience.

Siemens Recruitment Drive For Project Site Engineer Siemens Recruitment Job Details : Company NameSiemensCompany Website www.siemens.comJob Location Bangalore India EducationBE/ B. Tech/ MCA / BSC(IT). Experience0-3 years Age LimitDepending Upon Position Monthly…

[rudinuss]

Die Realität kommt Diaphanes, 2022 Gebunden, 248 Seiten Absurd, vulgär, poetisch, verwirrend.  – Daniel Grabner, FM4 Dieser Roman [dürfte] definitiv zum Besten gehören, was die deutschsprachige Science-Fiction derzeit zu bieten hat. – Florian Schmid, nd  Längst sind virtuelle Welten genauso real wie die Lebenswelten virtuell. Conny lebt in einer kleinen ­Küstenstadt, in der sie mit ihren Freunden Nikita und Wolfgang aus angeschwemmtem Müll Drogen destilliert. In der einst marktmächtigsten VR namens Avalon, die längst nicht mehr gewartet wird, lernt sie den großen Vogel Marlo kennen. Zusammen mit ihren Freunden machen sie sich auf, um nach der letzten Kopie der sowjetischen Utopie-VR Arkadi 3 zu suchen, in der das Licht weich und das Leben noch weicher ist – während immer mehr ­Menschen auf der Suche nach der reinen ­Wirklichkeit in den tiefen Pools der »Neuen Immersion« verschwinden. »Die Realität kommt« ist ein zutiefst gegenwärtiger Roman, der von der Digitalisierung noch jeden Gefühls erzählt, aber auch davon, dass »unter all den Schichten aus Lethargie noch ein Herz schlägt«. Eine mit Wurmlöchern durchschossene Spiegelachse durchzieht dieses Buch, aber die miteinander verbundenen Seelenlandschaften wirken fluoreszierend aufeinander ein: Astralkörper wechseln die Dimension, Avatare verlieben sich, melancholische Mischwesen befragen das Universum. Wenn es das Gegenteil von Doomscrolling gibt, ist es dieser Roman. – Joshua Groß Die Realität kommt ist eine literarische Überschuss­maschine. Das Hirn kommt den Augen beim Lesen kaum hinterher. Rudi Nuss leitet den glitch turn der deutschsprachigen Literatur ein.  – Juan S. Guse Grenzen- und Haltlosigkeit herrschen in jedem Zipfel des Romans. Wer diesem Horror standhält, wird mit einer immensen Lust am Fabulieren und einer grotesken Komik belohnt, die nicht nur das Hirn des Lesers auf Hochtouren bringen, sondern eine Utopie streifen, in der jede Realität fragil ist.  – Jens Winter, Jungle World Rudi Nuss [zeigt] seiner Leserschaft in seinem ersten Roman, was Fabulierkunst ist. ›Die Realität kommt‹ ist durchgeknallt, überfordert seine Leser*innen und platzt vor skurriler Fantasie. – Nadine Kreuzahler, rbb Inforadio    [D]ie Überstimulation ist bei Nuss Programm. Am besten, man lässt sich einfach treiben durch dieses mal nachdenklich-melancholische, mal trashig-absurde Gebilde, angesiedelt irgendwo zwischen Computerspiel, surrealer Traumprosa, Fanfiction und philosophischem Essay. – Anja Kümmel, Tagesspiegel

Rudi Nuss gelingt es (…), in seinem Roman vom Scheitern einer voll digitalisierten kapitalistischen Welt zu erzählen, ohne in einen technophoben und kulturpessimistischen Duktus abzudriften. – Emilia Kröger, Frankfurter Allgemeine

Mit großer Melancholie und der großen Geschwindigkeit mehrerer gleichzeitig geöffneter Tabs erzählt Rudi Nuss davon, wie sich die Realität an ihren Rändern anfühlt. Dabei bleibt er auch der Ästhetik des Internets verhaftet: Es gibt keine Ziele mehr, aber sehr viel Zeit. (…) Der Cyberspace ist soft, kalt, plüschig, und sehr einsam. – Nathalie Eckstein, Theater der Zeit

Sich durch die Gedankenwirren des jungen Autors zu wühlen, macht (…) herrlichen Spaß.  – Silvia Silko, Musikexpress Eine glitchy Dystopie, die Queerness, Witz und Wärme mit überbordender Dunkelheit verbindet: Das Debüt Die Realität kommt von Rudi Nuss geht in die Vollen. – Stefan Diezmann, Poesierausch

[goalhofer]

2024 olympics Hungary roster

Athletics

Molnár Attila (Budapest)

Helebrandt Máté (Nyíregyháza)

Venyercsán Bence (Székesfehérvár)

Halász Bence (Kiskunhalas)

Rába Dániel (Szombathely)

Varga Donát (Szombathely)

Takács Boglárka (Budapest)

Wagner-Gyürkés Viktória (Budapest)

Kozák Luca (Debrecen)

Kerekes Gréta (Debrecen)

Madarász Viktória (Budapest)

Récsei Rita (Pécs)

Kovács Barbara (Békéscsaba)

Klekner Hanga (Debrecen)

Farkas Petra (Budapest)

Gyurátz Réka (Szombathely)

Krizsán Xénia (Budapest)

Nemes Rita (Sátoraljaújhely)

Boxing

Pylyp Akilov (Hódmezövásárhely)

Kovács Richárd (Nyíregyháza)

Hámori Anna (Szombathely)

Canoeing

Adolf Balázs (Budapest)

Fejes Dániel (Budapest)

Hajdu Jonatán (Budapest)

Kopasz Bálint (Szeged)

Varga Ádám (Budapest)

Nádas Bence (Budapest)

Tótka Sándor (Mezőtúr)

Czismadia Kolos (Budapest)

Kuli István (Szeged)

Kiss Ágnes (Budapest)

Takács Kincső (Győr)

Nagy Bianka (Szeged)

Csipes Tamara (Budapest)

Gazsó Alida (Budapest)

Fojt Sára (Budapest)

Pupp Noémi (Paks)

Cycling

Valter Attila (Csömör)

Vas Blanka (Budapest)

Equestrian

Kaizinger Balázs (Zalaegerszeg)

Fencing

Andrásfi Tibor (Budapest)

Koch Máté (Budapest)

Siklósi Gergely (Tapolca)

Nagy Dávid (Budapest)

Dósa Dániel (Budapest)

Gémesi Csanád (Gödöllő)

Szatmári András (Budapest)

Szilágyi Áron (Budapest)

Rabb Krisztián (Budapest)

Muhari Eszter (Budapest)

Pásztor Flóra (Budapest)

Márton Anna (Budapest)

Pusztai Liza (Budapest)

Szűcs Luca (Budapest)

Battai Sugár (Debrecen)

Gymnastics

Mészáros Krisztofer (Győr)

Bácskay Csenge (Budapest)

Czifra Bettina (Budapest)

Székely Zója (Budapest)

Pignickzi Fanni (Budapest)

Handball

Sipos Adrián (Szombathely)

Bóka Bendegúz (Veszprém)

Ligetvári Patrik (Várpalota)

Mikler Roland (Dunaújváros)

Fazekas Gergő (Budapest)

Pedro Rodríguez (Vigo, Spain)

Bánhidi Bence (Győr)

Szita Zoltán (Veszprém)

Palasics Kristóf (Kistarcsa)

Ancsin Gábor (Békéscsaba)

Bodó Richárd (Mátészalka)

Zoran Ilić (Balatonboglár)

Rosta Miklós (Győr)

Bartucz László (Orosháza)

Lékai Máté (Budapest)

Hanusz Egon (Nagyatád)

Imre Bence (Budapest)

Füzi-Tóvizi Petra (Nyíregyháza)

Nadine Szöllősi-Schatzl (Győr)

Anna Albek (Mosonmagyaróvár)

Debreczeni-Klivinyi Kinga (Budapest)

Janurik Kinga (Budapest)

Böde-Bíró Blanka (Vác)

Márton Gréta (Mohács)

Papp Nikoletta (Budapest)

Szemerey Zsófi (Hazincbarcika)

Pásztor Noémi (Szombathely)

Vámos Petra (Ózd)

Klujber Katrin (Dunaújváros)

Kácsor Gréta (Budapest)

Bordás Réka (Karcag)

Kuczora Csenge (Budapest)

Győri-Lukács Viktória (Budapest)

Simone Petra (Budapest)

Judo

Pongrácz Bence (Budapest)

Vég Zsombor (Cegléd)

Ungvári Attila (Cegléd)

Tóth Krisztián (Budapest)

Pupp Réka (Paks)

Özbas Szofi (Szolnok)

Gercsák Szabina (Miskolc)

Pentathlon

Böhm Csaba (Budapest)

Szép Balázs (Esztergom)

Gulyás Michelle (Budapest)

Guzi Blanka (Miskolc)

Rowing

Pétervári-Molnár Bendegúz (Budapest)

Sailing

Vadnai Jonatán (Veszprém)

Érdi Mária (Budapest)

Shooting

Péni István (Budapest)

Pekler Zalán (Komárom)

Fábián Sára (Budapest)

Mészáros Eszter (Budapest)

Major Veronika (Keszthely)

Swimming

Jászó Ádám (Pécs)

Sárkány Zalán (Budapest)

Bethlehem Dávid (Szombathely)

Holló Balázs (Eger)

Kós Hubert (Tilkas)

Márton Richárd (Budapest)

Milák Kristóf (Budapest)

Németh Nándor (Siófok)

Szabó Szebasztián (Győr)

Rasovsky Kristóf (Veszprém)

Telegdy Ádám (Budapest)

Zombori Gábor (Szolnok)

Ábrahám Lilla (Budapest)

Szabó-Feltóthy Eszter (Budapest)

Fábián Bettina (Budapest)

Jackl Vivien (Budapest)

Kapás Boglárka (Debrecen)

Késely Ajna (Budapest)

Molnár Dóra (Budapest)

Pádár Nikolett (Szeged)

Sebestyén Dalma (Székesfehérvár)

Senánszky Petra (Budapest)

Ugrai Panna (Hódmezővásárhely)

Table tennis

Ecseki Nándor (Szolnok)

Póta Georgina (Budapest)

Madarász Dóra (Kecskemét)

Taekwondo

Omar Salim (Carson, California)

Józsa Levente (Budapest)

Márton Viviana (Madrid, Spain)

Tennis

Fucsovics Márton (Nyíregyháza)

Marozsán Fábián (Érd)

Triathlon

Bicsák Bence (Zalaegerszeg)

Lehmann Csongor (Budapest)

Bragmayer Zsanett (Budapest)

Water polo

Vogel Soma (Budapest)

Angyal Dániel (Budapest)

Manhercz Krisztián (Budapest)

Molnár Erik (Budapest)

Vámos Márton (Budapest)

Nagy Ádám (Budapest)

Fekete Gergő (Debrecen)

Zalánki Gergő (Eger)

Vigvári Vince (Budapest)

Varga Dénes (Budapest)

Jansik Szilárd (Cegléd)

Hárai Balázs (Budapest)

Bányai Márk (Oradea, Romania)

Magyari Alda (Budapest)

Szilágyi Dorottya (Eger)

Vályi Vanda (Eger)

Gurisatti Gréta (Dunaújváros)

Geraldine Mahieu (Villeneuve-d'Ascq, France)

Rebecca Parkes (Hamilton, New Zealand)

Horváth Brigitta (Budapest)

Keszthelyi Rita (Budapest)

Leimeter Dóra (Budapest)

Nataša Rybanská (Budapest)

Faragó Kamilla (Kecskemét)

Garda Krisztina (Budapest)

Neszmély Boglárka (Budapest)

Wrestling

Ismail Musukaev (Budapest)

Ligeti Dániel (Szombathely)

Lévai Zoltán (Dorog)

Losonczi Dávid (Budapest)

Nagy Bernadett (Budapest)

[meadows-of-light]

Playlist for bad days.

Songs that involve religion or possibly triggering will be in bold

1) Beautiful Scar by Alicia Moffet

2) Who You Are by Anna Clendening

3) If We Have Each Other by Alec Benjamin

4) Must Have Been the Wind by Alec Benjamin

5) Favorite Part of Me by Astrid S

6) Through the Eyes of a Child by AURORA

7) Someone to You by BANNERS

8) Beautiful Life by Bebe Rexha

9) You Can’t Stop The Girl by Bebe Rexha

10) I Am Not Nothing by Beth Crowley

11) Skin and Bones by Beth Crowley

12) Beating Heart by Birdy

13) People Help The People by Birdy

14) Terrible Love by Birdy

15) Better by Britt Nicole

16) You’re Gonna Be OK by Brian & Jenn Johnson

17) Dear Mum by Cassa Jackson

18) All My Life by Charlotte Jane

19) Tell Your Heart to Beat Again by Danny Gokey

20) I Won’t Let You Down by Erin McCarley

21) I’ll Never Go Away by Erin McCarley

22) Crossroads by Evie Clair

23) Hold On by Extreme Music

24) Put Your Hands Up by Forest Blakk

25) Collide by Howie Day

26) Dark Days by Jake Whiskin

27) When You Love Someone by James TW

28) Come Back Up by James TW

29) Hear You Me by Jimmy Eat World

30) Walk With You by Janelle Kroll

31) A Light To Call Home by Julia Brennan

32) Inner Demons by Julia Brennan

33) Never Alone by Kari Kimmel

34) Watching Over You by Kari Kimmel

35) Where You Belong by Kari Kimmel

36) Reasons to Stay by Kate Vogel

37) Wish You Well by Katie Herzig

38) Let Your Tears Fall by Kelly Clarkson

39) The Art of Getting By by Lauren Zocca

40) Hold On To Me by Lauren Daigle

41) Rescue by Lauren Daigle

42) You Say by Lauren Daigle

43) Church by Lawless

44) Lonely Ones by LOVA

45) Lonely by Luz

46) the author by Luz

47) we’ll be fine by Luz

48) Take Care of Yourself by Maisie Peters

49) It’s OK by Nightbirde

50) I Can Say by Olivia Millerschin

51) hope ur ok by Olivia Rodrigo

52) Don’t Deserve You by Plumb

53) Lord I’m Ready Now by Plumb

54) Need You Now (How Many Times) by Plumb

55) Begin Again by Rachel Platten

56) Better Place by Rachel Platten

57) Broken Glass by Rachel Platten

58) Fight Song by Rachel Platten

59) Better Than Today by Rhys Lewis

60) Healing by Riley Clemmons

61) She Used To Be Mine by Sara Bareilles

62) Keep On by Sasha Sloan

63) A Little Bit Stronger by Sara Evans

64) Can I Call You Back by SHY Martin

65) You Are Enough by Sleeping At Last

66) Hold It All Together by Sody

67) I’ll Be There by Sody

68) I’ve Got You by Sody

69) Love’s A Waste by Sody

70) Bring on the Wonder by Susan Enan

71) Aloha Oe by Tia Carrere

72) Run Through Walls by The Script

73) Be Okay by Victoria Nadine

[detournementsmineurs]

Nadine Vogel et Jean-Pierre Aumont dans "Drôle de Drame" de Marcel Carné (1937) - adapté du roman "His First Offence (La Mémorable et Tragique Aventure de M. Irwin Molyneux)" de Joseph Storer Clouston (1912) par Jacques Prévert - juin 2021.