#mystery incorporated are intelligent

[horrorlesbians]

you are willingly kneecapping your artistic appreciation and your media intelligence if you refuse to engage with media not intended for children as someone who has long passed that age demographic

[angorwhosebabyisthis]

trying to lay out my interpretation of why brad and judy are simultaneously awful and really goddamn sad, beyond just having lost their baby under traumatic circumstances as already-traumatized autistic young adults with zero support system left but each other, is wild because it includes in full seriousness the word 'sheepnado'

[jinbugs]

VIVERE

“Do you think you deserve it? To be punished?” “I think so, yes.”

A Pathfinder 2e Campaign Introduction Post!

MEET THE PARTY:

REVUN (@dovelydraws)

26 years old

he/they/she

A duel-wielding tiefling fighter. Easy-going freelance mercenary from Alephia, looking for a job that pays well and a little company.

FERRA (@artpepkin)

87 years old

she/her

A beastkin elven rogue from Chiei Thya. Playful vagabond who finds herself wherever the wind takes her. She's maybe gotten herself in a little over her head.

POLITES (@mossy-garden)

17 years old

he/him

A tiefling champion. Proud kingdom guard of Crimyria under the goddess Vildeas, who is willing and anxious to prove himself.

KWAN (@jinbugs)

39 years old

he/they/she

A human investigator. Cunning Po Lian scholar-official informant who is in pursuit of a dangerous secret, the centurion pearl. At any cost.

Glitch (@eternalglitch), our game master, weaves all our loose threads into one coherent story.

One fun rule we’ve incorporated into this campaign: players CANNOT share their character backstories with each other outside of gameplay.

It gives more mystery fun! It’s also driving us insane. Pray for us.

(Map created by @dovelydraws, summary also written by Dove)

A lot has gone into the cultures and politics of each of the countries our characters come from. Enough so that it doesn't make sense to get into all of it on an introductory post! But perhaps later in a reblog.

THE STORY SO FAR…

As of the writing of this post, we have now played 5 sessions of the campaign.

Our party all met each other in the small seaside town of Plumeport, Crimyria. We were all brought together in pursuit of the same thing: a legendary man-eating boar, said to hold the power of immortality.

It is believed that consuming the flesh of this boar would grant eternal life, and even just a bit of its fur or blood can extend a person's life, for a time. The King of Crimyria himself has offered whoever can take down this boar a large sum of wealth and a small offering of its blood for personal consumption. He wants the job to be done in time for the Crimyrian Festival of Flight, in a couple months time.

The bounty on the boar's head has drawn adventurers from all over the continent, but none so far have been able to take it down. Many have lost their lives. While each of our party members have their own reasons for wanting to take on this job, Kwan has a very personal stake in their success.

He has, reluctantly, revealed that he once knew the boar before it obtained the power it has today. He has reason to believe it has swallowed something once known as a centurion pearl: a powerful artifact that caused the fall of a once great kingdom, and threw the continent into tumultuous conflict. Kwan is adamant that this power should not be handed over to any king. Once it is killed, they want to extract the pearl from its body to make sure it can never fall into the wrong hands.

So far, Kwan has only revealed this to Revun. Polites, meanwhile, works directly under the king and wants to succeed on this mission to make him proud. Ferra seems to only be interested in the money and adventure. Revun has also said they were in this for the money, but vaguely admitted to Kwan that they also had their own personal reasons to go after the boar, and if he truly believes its power is too dangerous, they will follow his lead.

Once faced with the boar, however, the party was unprepared and outmatched. It was massive, its eyes as large as their heads, emanating a golden glow. It moved unlike a normal animal, and seemingly bore a higher level of intelligence than it should.

After a deceptively strong start, Polites went down in battle, and they were all forced to run to ensure everyone's survival. Before retreating though, Kwan shot the boar with a strange arrow, claiming they would be able to track it again later.

The party camped outside of the marsh, unable to sleep while waiting for Polites to wake up. They discussed next steps- going back to the city to regroup, get proper healing, and perhaps find a sponsor to help them in their next try. They still have a few weeks to get things figured out.

And that's all, so far! We're all pretty stoked and making tons of art and written works, so keep a look out, we might publish a zine when the sessions start wrapping up. Bye-bye, for now!

[luffyvace]

Undertaker wants to Court you! ~(Headcanons)~

Can’t wait for the public school arc who’s with me?!

this dude is so silly 🗿 enjoy some hcs of this ridiculous little man

Undertaker is funny. He uses that to his advantage when courting. Well, it actually depends on what type of humor you have- most of his are usually those jokes that are kinda funny but at the same time your like ‘That’s outta pocket! 🤦‍♀️😑😂’ yk?

he always wants to hear jokes. He asks you randomly and no matter what type he laughs at them. Rude humor? Hilarious! Dad jokes? That one really tickled his fancy! 😂 why did the chicken cross the road?? To get to the other side? 🤣🤣💥

now usually I feel he has a specific sense of humor but with you everything’s just kinda funny. It’s that moment when your with someone who you can laugh at the most unfunniest stuff ever and still be cackling at it anyway 😭💕

he’s always telling them as well. Might I say, at the worst times 😏 you just watched someone run over a stray animal? Oh he’s got a joke for that hear him out- LIKE BRO 😭⁉️

HES THE TYPE OF GUY WHO MAKE YOU LAUGH BEFORE EVEN TELLING YOU THE JOKE BECAUSE YOU KNOW ITS GONNA BE STUPID 👍

Let’s also talk about hiiiis…! weird side! (I’m saying ‘side’ like he’s isn’t always weird..) This is pretty much him just being a creep? Ish? Like that scene where he was in the barrel licking salt…🤨 or how he’s always in coffins (which tbh seems more normal for a grim reaper but still..) either way this dudes’ real weird and he doesn’t tone it down, even around you despite the fact that it may or may not (you decide) push you away

He’s a very mysterious dude, so how ever you met him I guarantee it was eerie and somewhat strange. Therefore you were likely intrigued by him, so when you went on your first date it was, well, very interesting! There’s so many layers to unravel with this guy! Ngl even now you’ve only semi unraveled this incomprehensible man but at the least you do learn more as you get to know him :P

his past is….complicated is an understatement- gimme a new word.

literally no one but him knows his full past all the way up to this very day. Looks like no one has stuck around long enough! Since you will I guess you’ll be the first to figure it out! ;)

now I’ll say this, he won’t sit down and just tell you everything, no. That won’t be any fun! 😄 you’ll have to have the intelligent to sit down and decode it piece by piece with the tidbits of information he gives you randomly. Yes! It’s going to be comical seeing you try and put this whole thing-a-ba-jig together! (^_−)−☆ 🤣

his nonjudgmental yet opinionated personality is scary if you don’t like folk who come off too strong. Or if your sensitive- 😄 he’s a ‘tell-it-like-it-is-and-I-don’t-give-a-ship’ type of guy. Buuuut! If your similar to him in that sense you’ll probably understand him a lot more. Him being nonjudgemental is perfect for peeps of all types so that’s a plus!! 💗

ranting about his fascination with humans during your dates comes with the package! ☝️He just does, it’s always one of his topics, and ngl it’s nothing boring either, he’s got quite a few stories to tell with even more jokes in between, which is sure to make for a lovely date <3 plus at some point all species in black butler experienced being a human, and idk about y’all but the study of human nature, psychology and how the brain works is a very interesting thing for me! I’d definitely be able to keep a conversation like that up for some time, me personally.

He puts up a front of a funny weird guy when there’s more to him if you read between the lines. Which, don’t get me wrong that certainly is a part of the real him, he just makes sure to highlight it so you don’t look at the rest 😃👌

he’s a real creepy fellow..even towards you 😭 (on purpose) and whether he’s trying to court you or not there’s no escaping it- if it starts to push you away he’ll find a way to incorporate laughter into it to make it more appealing, but no, he won’t change his ways 😭

WHY DOESN’T HE WASH HIS HAIRRRR

(yes it’s canon 😞)

you force him to wash his hair 😘💋 pls he needs it. or at least do it with him so it’s more fun. It’ll probably be easier to convince him that way

Time to talk about his work as a grim reaper!!! :3 (retired anyway) if you are reaper you get to follow each other around doing tasks! human? You both go your separate ways to work, whatever that may be. A demon? The same as a human really! Just this time you might have a contract with somebody. Buttttt!! A perk of all three is getting to work in the funeral parlor with him ;3 it’s a good disguise if your a demon/reaper and also some good quality time for you and your reaper 😘 (i mean, I hope you don’t mind morbid stuff cuz he’s a mortician after all 😅)

his little Russian roulette with the phantomhives 🕺 (LOL) no seriously I have no clue what type of relationship he has with them besides the fact that he serves them for the price of top notch laughter 🧑‍🍳💋 but you might! I’d say he’s more willing to let you in then anyone if he’s trying to court you! That obviously means he wants to trust you with his heart! So yeah! You likely know a thing or two—more about Ciel than Vincent but any info will do at this point 😭 it’s a start right? 🤷‍♀️

whenever Ciel comes over you get to witness him or Sebastian try to make undertaker laugh, it’s not like they can kick you out, you work there! Perks 😏 You can pretty much tell the one time Ciel made him laugh himself it was just a whole bunch of tomfoolery 😂 (why did it take so long⁉️😭) Sebastian is also able to make undertaker laugh really hard immediately so I wonder what he does 🤪 guess you’ll get to see! 😋

undertaker opening up to you is a process that requires patience. And don’t be pushy!! I mean this for your sake, by the way. You’ll drive yourself crazy since you’ll never get an answer that’s not riddles or straight up jokes. 🤦‍♀️🤷‍♀️

yeah overall his way of courting is really strange but when it comes to making things official he’s poetically blunt. The type of blunt where you have to process for a second like ‘wait what does that mean- oh. OH-’

Anyway I’m gonna talk about the actual dates now cuz I’ve pretty much just been mentioning the madness that comes with it this entire time :3 and yes as I said that’s a way of courting to him. He’s weird and blunt but doesn’t wanna do things the traditional way. So getting you involved in his antics is his way of saying ‘hey i like ya and I want ya to stick around’. And jokes. HAHAHAH 😂

dates with undertaker normally consists of tea, jokes, human psychology and gossip 🗿 ever since I saw ciel in wonderland I couldn’t get over the fact that undertaker was at a tea party and now I headcanons him to like tea LOLOLOL! I mean I know that’s how the plot goes in the actual slice movie and he was just playing the role of the character but, think about it—don’t it kinda fit???? Like?? Okok Hear me out hear me out- imagine sipping on some tea with Undertaker and gossiping on the latest drama from the underworld, ‘I heard a rare case is happening where blah blah blah *giggle* *giggle* chatter chatter..’ ETC! like idk how to explain it but do you see the vision???

I can also see him doing that dramatic anime thing where they sip they’re drink majestically then say something intelligent sounding (☝️🤓) (about psychology, for him) as the wind blows 😂😂 YK? LOLL even worse if your in a outside background and his eyes shows (cuz the character who never shows they’re eyes always show them when they get serious 🤣)

i love how shameless this guy is

why don’t we know this guys’ real name⁉️ Can’t even give him a nickname because ‘undertaker’ isn’t nickname material!! What am I supposed to call him???? Taker’ ⁉️😭🗿

ENJOY @doudouma HERE’S YOUR SURPRISE~ 🤗

[astra-ravana]

Augury: Bird Divination

Augury, also called ornithomancy, is the practice of reading birds and their behavior to divinate the past, present, and future. It is one of the oldest forms of divination, having been practiced by the ancient Greeks, Romans, and Egyptians, as well as the Celts and Native Americans alike. The reader in this case is referred to as the "augur", and reading the birds is often called "taking the auspices".

Birds are universally seen as messengers and sometimes, as psychopomps, connecting us to the other side and the divine. Augury incorporates the type of bird, the number of birds, as well as their flight patterns and behavior. One can gain powerful insight by incorporating this divination into their practice. Here's the interpretations for general types of bird, some basic movements, and more.

Bird type symbolism:

• Blue jay - Truth, communication, playful, high energy, loud

• Cardinal - Hope, joy, ancestors, loved ones, passion, warmth

• Crow - Magick, witches, transformation, power, omens, intelligence, mystery

• Dove - Peace, tranquility, love, connection, safety

• Duck - Friendship, good fortune, protection from negative energy

• Eagle - Power, leadership, freedom, manifestation, opportunity, adventure

• Falcon - Navigation, taking chances, travel, cooperation, courage, vigilance

• Goose - Love, partnership, home, protection, family

• Hawk - Spirit guides, bravery, awareness, intuition, instinct, higher perspective

• Heron - Strength, purity, longevity, knowledge, good judgment, transcendence, patience

• Hummingbird - The Fae, creativity, bliss, love, beauty, speed, rest is needed

• Kestrel - Consideration, stability, vitality, opportunities

• Owl - The gods, wisdom intuition, spiritual exploration, the unknown, observation, intelligence

• Raven - Mystery, magick, the Fae, knowledge, mischief, death

• Robin - Luck, prosperity, fertility, new beginnings, good things, rewards

• Sparrow - New love, relationships, team work, productivity

• Starling - Communication, adaptability, community, fun, freedom

• Stork - Longevity, fertility, new life, prosperity, wisdom, luck

• Swan - Grace, beauty, music, poetry, creativity, loyalty, partnership

• Vulture - Renewal, perception, creativity, death, patience

• Woodpecker - Hard work, advantage attention, progress, determination

Movement

Directions:

• Towards – Reception

• Away – Depletion

Crossing your path:

• An bird crossing your paths means boundaries.

• Crossing from left to right – Minor achievement

• Crossing from right to left – Minor obstacle

Diagonal:

• A movement diagonally means transformation.

• Lower right to upper left diagonal – Weak obstacle

• Lower left to upper right diagonal – Weak achievement

• Upper right to lower left diagonal – Major obstacle

• Upper left to lower right diagonal – Major achievement

Stationary:

• Stationary means foundation.

• Stationary front – Stability

• Stationary back – Stagnation

• Stationary left – Separation

• Stationary right – Unification

Rotation:

• Clockwise – Major completion

• Counterclockwise – Minor completion

Sides:

• Left - Bad

• Right - Good

Number of Birds:

• 1 - The self, beginnings, manifestation, physical action

• 2 - Security, partnership, balance, duality

• 3 - Adventure, communication, trinity, raising consciousness, strength

• 4 - Wisdom, stability, home, protection

• 5 - Change, creativity, romance, humor and drama

• 6 - Peace, self-love, equilibrium, health

• 7 - Psychic ability, intuition, spiritual awakening, soul mates

• 8 - Transformation, finances, infinite possibility, struggle/delay

• 9 - Lessons, education, courage, pioneering energy

• 10 - Completion, higher powers, alignment, legacy

• 11 - Good luck, wishes granted, new friends, joy

• 12 - Introspection, other realms, the dead, the shadow

Finding feathers:

• Gray – A time of peace is arriving

• White – Focus on your spirituality

• Black – You are protected

• Brown – Strength and courage

• Red – Find and use your spiritual gifts

• Orange – You will be successful

• Yellow – You are on the right path

• Green – Healing is coming

• Blue – Use your voice

• Purple – Expand your psychic abilities

• Pink – Love, romance, or pregnancy

• Striped – Change will happen soon

• Spotted – Release the past

[minxi-mink]

Decided I wanted to redesign the Mystery Inc gang so why not start with the easiest to redesign? Velma! Well easy in the sense she tends to hardly change. Nevertheless hoping to do the rest of the gang eventually! Who would you want to see next?

For my made up world for this reboot series, I imagine Velma is still that super intelligent brainiac she tends to be but I’d also imagine she’s sassy and witty (like the mystery incorporated reboot). I also imagine before joining the gang she is best friends with Marcie (from the Mystery Incorporated series again) and the two were inseparable until Velma went off to solve mysteries. Also for this reboot series idea I imagine they all probably attend college (Coolsville University I suppose?) so the gang would be somewhere between their 18s-early 20s!

[monstersdownthepath]

Herald of Besmara: Kelpie's Wrath

CR 15

Chaotic Neutral Colossal Outsider

Adventure Path: Skulls and Shackles: The Wormwood Mutiny, pg. 86-87

When one thinks of Besmara they likely think of "piracy," but her other two areas of concern are 'strife' and 'sea monsters.' One may thus believe that Besmara's Herald may be a powerful pirate captain, or perhaps an intelligent sea beast which either inhabits or commands a vessel. The most visionary may believe that Besmara's Herald could be nothing less than a whole crew of people running an enchanted ship! So when a mysterious fog rolls in and the lights of a ship that wasn't there alight from nowhere, the party may be tempted to look towards the helm, or the prow, or perhaps even the crow's nest to try and spot who's commanding the intimidating galleon... only for the skull at the front to tell you to quit eyein' its aft like some kind of pervert.

Indeed, Besmara has an elegant solution to the problem of what her Herald would look like. It's not a crew on a ship, or a sea monster, or a singular captain, it's a ship made of a sea monster which captains itself and utilizes a crew of zombie sailors when needed. Despite it's skeletal appearance and ghoulish powers, the Kelpie's Wrath is as alive as any demon or dragon, though it can passably imitate the feared ghost ships which haunt the seas at night, able to conjure ghostly lights (Dancing Lights), fearful sights (Major Image), and zombie fights (summoning a crew of up to 20 draugr) seemingly at a whim and wielding terrifying, spectral weapons and even whole ghostly creatures as though they were limbs. Many crews who've found themselves in its sights mistakenly believe its illusions and conjured zombies to be the real threats, unaware that the ship itself is their true enemy... and even if they did, it's unlikely to help.

Have you ever fought an enemy that was its own stage hazard? You don't want to, especially if that enemy can Plane Shift or Teleport with you in tow... or just immediately dive underwater. Though you have to fail a DC 18 Will save to be shanghai'd into another plane, having a ship suddenly teleport out from under you or dive a hundred feet underwater and drag you behind it is a real danger regardless of the situation, and it puts you at a huge disadvantage if you can't immediately clamber back aboard YOUR ship, fly, or walk on water. And if the phantom ship resurfaces right next to you...

Actually, what am I talking about? "If?" No, when. It's a pirate in service to the Queen of Pirates, and pirates are quite famous for never fighting fair. If you find yourselves prey to the Kelpie's Wrath, it's going to use every trick it has in the most underhanded ways it can. Let's take a look at what that entails...

We'll start with the obvious: It's an entire ship. Nearly a hundred feet long and hovering around 25 to 30 feet wide, the Wrath is a battlefield unto itself, but you absolutely do not want to stand on it to fight, because that's just asking for a terrible death. Engaging it from afar means you 'only' have to deal with its 40ft space and 30ft reach, denoting which part of itself it's focusing on defending, which is still a radius that covers most traditional battle maps entirely. Because you're only ever going to be encountering the Wrath on the high seas (regardless of what world or plane those seas are on), staying out of its reach is practically impossible unless you're using Pathfinder's rules for ship combat to engage it with a vessel of your own (WARNING: Do Not Do This), and you will inevitably be forced into melee with it... and then, unfortunately, forced onto it, which as previously mentioned is almost certain doom.

Everything within the Wrath's threat radius is subject to its trio of incorporeal touch attacks, which manifest as immense clawed hands, ghostly weapons, spectral sailors, and skeletal sea beasts of ages past, each one raking over the ship's target for 3d6 untyped damage plus 3d6 Electricity AND 3d6 Fire damage. The primary danger presented by these phantoms is that the party may not immediately know what's going on or recognize just how the attack works; the Wrath can conjure a crew of draugr to fight atop it AND it can use Major Image at any point within its reach, letting it clutter up the battlefield with obstacles which present no true danger to the party but which it can use as vectors for its incorporeal attacks, potentially making a party member out uselessly against illusions, insubstantial phantoms, and inconsequential minions.

Muddying the waters further, Wrath can use Seeming 3/day to swath its draugr sailors in magical disguises to make them appear more important than they truly are. Able to communicate telepathically, the ship can give complex orders to its entire crew at once to run baffling distractions or attack in tandem with it to make them seem like true threats, a tactic especially useful if the party doesn't yet recognize the ship is alive (or foolishly believes that only the skeletal figurehead is alive). Kelpie's Wrath thrives on sowing confusion when it attacks, and a DM would do well to remember that, describing its attacks and abilities in terms which feel ambiguous, like they could be coming from anywhere, like that one fancy draugr at the ship's helm that's dressed up like the captain or the strange balls of light dancing along its sails.

Even if the party feels like something is wrong, they'll have to go with their gut on this one; magic is unreliable when fighting the vile ship. Not because of any aura or unique ability it has, but because its space/reach means it can make extremely good use of its Disruptive and Spellbreaker feats, the former making it more difficult to cast spells defensively while in its threat radius (which is everywhere), the latter provoking Attacks of Opportunity if you fail the check to cast defensively.

Its touch attacks aren't just bad because of the damage, either. Being hit with two or more of them in a round lets it Keelhaul the unfortunate victim, repositioning them as a free action. Now, a reposition is a Combat Maneuver, which means it has to roll a CMB check versus the target's CMD. The average CMD of a 10th level Human Fighter is hovering anywhere between 25 and 35 depending on if they dumped Dex (WARNING: Do Not Do This) or got ahold of Str boosting items, and let's see what the Kelpie's Wrath has for its CMB...

+41?!

ah, right, Colossal size. This thing can juggle most players. Hope your party cohesion didn't rely on people being in specific positions!

In case you're not sure how the maneuver works: if you're repositioned, the attacker can shunt you into another space so long as that space is A) Within their reach, and B) within 5ft of your previous space... but for every 5 points the attacker's CMB check beats your CMD, that's another 5ft of movement. Now, remember how gigantic the Wrath's threat radius is? That's a LOT of potential spaces you can be shuttled into, and every 5ft you're moved from its Keelhaul you take an additional 1d6 damage because it's literally using your face to scrape barnacles and algae off itself. Keelhaul is an especially potent ability if used on the high seas, because the ability specifically states that it can use its repositions to drag victims underwater, forcing them into the ever-dreaded underwater combat scenario. Even if you've got Water Walk or Fly on, it can still shove you right into the drink if it beats your CMD by enough, forcing you to waste precious time getting back into the fight... if only to push you back down again, because pirates don't fight fair.

Also, Keelhaul specifically states "a creature hit with two or more of its attacks in 1 round," meaning AoOs and other off-turn attacks count. If you take one hit during its turn and then get schmacked because you triggered Spellbreaker or its Combat Reflexes, you're going into the soup.

If it doesn't want a victim in the sea, it also has the option to shove creatures directly into the center of its space, at which point victims are automatically dragged into its cargo hold and battered by treasure and captured supplies. This is treated as the swallow whole ability, victims taking 1d10+7 damage until they can get out, but it's not especially obvious what's going on, meaning players might waste their time trying to find an exit door out of the cargo hold or try to clamber back out the unyielding door when the 'proper' solution is to make a new door.

If the party manages to find out that swinging at the phantom limbs and illusions is useless, attacking the ship below their feet isn't exactly easy. The Kelpie's Wrath is magically reinforced, having an AC of 30 (hint: target its measly 6 touch AC) and DR 10/Lawful. It's got 30 Resistance to Acid, Cold, and Electricity, as well as 10 Fire Resistance and, of course, if you find yourselves managing to get past its defenses to outpace its Fast Healing 10, it can still suddenly poof away to rebuild, and if you think you can just use Dimensional Anchor or similar, it can still pop its once-per-minute Rush to crank its swim speed from 60ft to 150ft for one round, diving to the sea floor in a single round to give itself breathing room... and potentially taking breathing room from whatever schmucks are trapped in its hold.

And you know what? I've typed down... 12 entire paragraphs without even touching the Wrath's ranged options. This was on purpose! Because the Wrath is meant to get right up next to the ship it's attacking, and has every tool it needs to do so, including the ability to turn itself and its crew invisible 3/day or shroud its entire space with magical fog. Compared to all the shenanigans it can pull to get into melee and then make everyone wish it didn't, its ranged attacks need a little more preparation and math on the part of the DM, something they may not want to do on top of everything else it's already got. This is because its only ranged attack is using Telekinesis to hurl a storm of whatever garbage it's amassed at targets within 180ft of itself.

The Wrath can catapult up to 375 pounds of objects or creatures in a single action, not only allowing it to throw actual ammunition (which deals a flat 1d6 damage per 25 lbs; max 15d6 for a full weight object), but whatever it may have on hand or in its hold that it doesn't especially value. Since it can use Telekinesis at will and the spell itself has a tremendous range, there's no reason for it to ever run out of ammo, as it can simply dredge stones and wreckage from the sea floor and ferry it into its stores for later... but of course, there's nothing stopping it from using its enemies own cargo against it, or even lifting its enemies directly and throwing them around with nothing more than a thought. Most Medium-sized Humanoids weigh between 150 and 200 pounds, letting the Wrath snatch up two people at a time to toss around like ragdolls, including straight into the air if it wants.

There's something to be said about it hurling things far more dangerous than bricks and cannonballs, though, like casks of oil and a lantern, or barrels of Green Slime, or its own zombie crewmates. The Long range of Telekinesis also means it can get up to some pretty dangerous shenanigans if an enemy ship gets just a little too close, as it can pilfer cargo from a range, loose sails, send weapons hurling into the seas, or even spin cannons around just as they're about to fire if it readies an action to do so. Much like its phantom weapons, its telekinetic power helps make its illusions and zombie sailors all the more realistically threatening, adding to the confounding puppet show it puts on to throw people off.

The Kelpie's Wrath is one of the most dangerous Heralds a party to encounter, because they're going to encounter it on the seas (one of the most dangerous environments to fight in), AND they're not likely to even know it's nearby until it's dragging their crew to a watery grave. Even if they do, a DM can play up the possibility of it being a ghost ship for a while before any of them wise up to what they're really fighting, by which point someone might already be neatly folded and packed away in Davey Jones' Locker. It's not only dangerous for what it can do, but why it does what it does; most Heralds are only encountered if a god is offended, or has sent them on an important mission, but the Kelpie's Wrath freely wanders all creation in its off hours, attacking vessels with wild and greedy abandon. It's one of the few Heralds that an unlucky party may just randomly encounter, and thus have no possible way to prepare for.

You can read more about it here.

[novlr]

My MC loves rasing plants. Can you give any tips on how to incorporate that into the story?

Plants can serve as powerful symbols, metaphors, and plot devices, adding depth and richness to your stories, and are a great thing to include in your narrative! Whether you’re writing a lush, vibrant garden scene or a barren, lifeless landscape, incorporating plants into your writing can help you create immersive and memorable settings, but they can also serve to develop complex characters and worlds by considering your characters’ relationships with them or incorporating them into your world’s mythos.

The symbolic meaning of plants

Plants have long been associated with various symbolic meanings across cultures and traditions and can symbolise various themes and emotions. We have an introduction to the symbolism of flowers in this Tumblr post; however, here are some more ways you can think about how to incorporate the symbolism into your own writing.

Consider the real-world cultural symbolism you want to draw from. Symbolism that is common in one country, and one period of time may not be the only way to represent something.

Think about the health of the plants. For instance, wilted flowers can symbolise decay, loss, or the passage of time.

A character’s relationship with a plant can reveal aspects of their personality or emotional state, especially when combined with that plant’s symbolic nature.

The growth or decay of a plant can parallel a character’s personal growth or decline in line with the character trait that plant represents.

Consider researching whether a plant has multiple symbolic meanings and whether you can use that to give your characters depth.

Use plants to develop characters

Plants can also be used to develop characters by reflecting their personalities, backgrounds, or emotional states. For example:

A character who meticulously tends to their plants may be detail-oriented, patient, and disciplined.

A character with a neglected or overgrown garden might be struggling with personal issues or feeling overwhelmed.

A character who keeps a specific type of plant, such as a rare orchid, may have a unique backstory or quirk.

A character’s favourite plant or flower can reveal their cultural background, memories, or aspirations.

An allergy or aversion to certain plants can add depth to their personality and create potential conflicts or challenges.

A character’s knowledge of plants, such as their medicinal properties or cultural significance, can showcase their intelligence, education, or heritage.

Writing plants into world-building

In the setting of your story, plants can play a crucial role in world-building. Consider the following:

If writing genre fiction, create unique, fictional plants that have specific properties or uses within your world, such as a plant that glows in the dark or one that can heal wounds.

Use plants to create a sense of atmosphere or mood. A dark, foreboding forest can evoke feelings of danger or mystery, while a lush, vibrant garden can convey a sense of peace and tranquility.

Consider how the climate and geography of your world would influence the types of plants that grow there. A desert setting might feature hardy, drought-resistant plants, while a tropical setting would have more lush, exotic vegetation.

Incorporate plants into your world’s mythology or folklore. Certain plants might be sacred to specific cultures or have legendary origins.

Show how plants are used in daily life, such as for food, medicine, clothing, or shelter, to add depth and realism to your world.

Create atmosphere with plants

Plants can be powerful tools for creating atmosphere and setting the mood in your writing.

Consider the sensory details associated with plants, such as their scent, texture, and appearance.

Use vivid descriptions of plants to immerse your readers in the setting and convey the desired emotional tone. The presence or absence of plants can also symbolise the overall state of the world or society.

Use plants to create contrast between different settings or to reflect changes in the story’s tone.

If your characters are associated with plants, show how their stories develop and change by reflecting those same changes in the plants that surround them.

Plants as plot devices

Plants can serve as powerful plot devices in your stories. They can be used to:

Create obstacles or challenges for characters, such as a poisonous plant or a rapidly growing vine that blocks their path.

Provide clues or solutions to mysteries, like a rare flower that holds the key to a puzzle.

Serve as a catalyst for character growth or change, such as a character learning to nurture a plant and, in turn, themselves.

Represent the passage of time or the changing of seasons, mirroring the story’s progression.

They can be used to create suspense and foreshadow future story beats.

Serve as a symbol of hope or resilience if they survive and flourish despite harsh conditions.

Research plants for authenticity

When incorporating real-world plants into your writing, it’s essential to research their characteristics, habitats, and cultural significance to ensure authenticity. Things to look for might include:

Research the specific characteristics, growth patterns, and care requirements of the plants you include.

Consider the climate, soil type, and seasonal changes that affect the plants in your story’s setting.

Use reliable sources such as botanical gardens, gardening books, or online plant databases.

Incorporate sensory details such as the texture of leaves, the colour of flowers, or the taste of fruits.

Avoid relying only on stereotypes or generalisations about plants to maintain authenticity.

If you’re writing about a specific culture or time period, research the plants that were significant to that context and how they were used.

Visit local gardens, parks, or natural areas to observe plants firsthand and gather inspiration for your descriptions.

[talonabraxas]

“Like all magical mysteries, the secrets of the Great Work have a triple meaning: they are religious, philosophical and natural. Philosophical gold in religion is the Absolute and Supreme Reason; in philosophy, it is truth; in visible nature, it is the sun: in the subterranean and mineral world, it is the purest and most perfect gold. Hence the search after the Great Work is called the Search for the Absolute, and this work itself is termed the operation of the sun.” ― Éliphas Lévi, Transcendental Magic: Its Doctrine and Ritual

Eye in the Triangle Dale Keogh

Eliphas Levi: The Triangle of Solomon

The perfect word is the triad, because it supposes an intelligent principle, a speaking principle and a principle spoken. The Absolute, revealed by speech, endows this speech with a sense equivalent to itself, and in the understanding thereof creates its third self. So also the sun manifests by its light and proves or makes his manifestation efficacious by heat.

The triad is delineated in space by the heavenly zenith, the infinite height, connected with East and West by two straight diverging lines. With this visible triangle reason compares another which is invisible, but is assumed to be equal in dimension; the abyss is its apex and its reversed base is parallel to the horizontal line stretching from East to West. These two triangles, combined in a single figure, which is the six-pointed star, form the sacred symbol of Solomon’s Seal, the resplendent Star of the Macrocosm. The notion of the Infinite and the Absolute is expressed by this sign, which is the grand pantacle – that is to say, the most simple and complete abridgement of the science of all things.

Grammar itself attributes three persons to the verb. The first is that which speaks, the second that which is spoken to, and the third the object. In creating, the Infinite Prince speaks to Himself of Himself. Such is the explanation of the triad and the origin of the dogma of Trinity. The magical dogma is also one in three and three in one. That which is above is like or equal to that which is below. Thus, two things which resemble one another and the word which signifies their resemblance make three. The triad is the universal dogma. In Magic – principle, realization, adaptation; in Alchemy – azoth, incorporation, transmutation; in theology – God, incarnation, redemption; in the human soul – thought, love and action.

There are three intelligible worlds which correspond one with another by hierarchic analogy; the natural or physical, the spiritual or metaphysical, and the divine or religious worlds. From this principle follows the hierarchy of spirits, divided into three orders, and again subdivided by the triad in each of these.

All these revelations are logical deductions from the first mathematical notions of being and number. Unity must multiply itself in order to become active. An indivisible, motionless and sterile principle would be unity dead and incomprehensible. Were God only one He would never be Creator or Father. Were He two there would be antagonism or division in the infinite, which would mean the division also or death of all possible things. He is therefore three for the creation by Himself and in His image of the infinite multitude of beings and numbers. So is He truly one in Himself and triple in our conception, which also leads us to behold Him as triple in Himself and one in our intelligence. This is a mystery for the faithful and a logical necessity for the initiate into absolute and real sciences.

The Word manifested by life is realization or incarnation. The life of the Word accomplishing its cyclic movement is adaptation, or redemption. This triple dogma was known in all sanctuaries illuminated by the tradition of the Sages.

The primeval Sages, when seeking the First of Causes, behold good and evil in the world. They considered shadow and light; they compared winter with spring, age with youth, life with death, and their conclusion was this: The First Cause is beneficent and severe; It gives and takes away life. Then are there two contrary principles, the one good and the other evil, exclaimed the disciples of Manes. No, the two principles of universal equilibrium are not contrary, although contrasted in appearance, for a singular wisdom opposes one to another. Good is on the right, evil on the left; but the supreme excellence is above both, applying evil to the victory of good and good to the amendment of evil.

The principle of harmony is in unity, and it is this which imparts such power to the uneven number in Magic. Now, the most perfect of the odd numbers is three, because it is the trilogy of unity. In the trigrams of Fohi, the superior triad is composed of three YANG, or masculine figures, because nothing passive can be admitted into the idea of God, considered as the principle of production in the three worlds. For the same reason, the Christian Trinity by no means permits the personification of the mother, who is shown forth implicitly in that of the Son. Hence, in the trigrams of Fohi, the three inferior YIN correspond to the three superior YANG, for these trigrams constitute a pantacle like that of the two triangles of Solomon, but with a triadic interpretation of the six points of the blazing star.

Dogma is only divine inasmuch as it is truly human – that is to say, in so far as it sums up the highest reason of humanity. So also the Master, Whom we term the Man-God, called Himself the Son of Man. Revelation is the expression of belief accepted and formulated by universal reason in the human word, on which account it is said that the divinity is human and the humanity divine in the Man-God. Paracelsus and Agrippa did not set up altar against altar but bowed to the ruling religion of their time: to the elect of science, the things of science; to the faithful, the things of faith.

In his hymn to the royal Sun, the Emperor Julian gives a theory of the triad which is almost identical with that of the illuminated Swedenborg. The sun of the divine world is the infinite, spiritual and uncreated light, which is verbalized, so to speak, in the philosophical world, and becomes the fountain of souls and of truth: then it incorporates and becomes visible light in the sun of the third world, the central sun of our suns, of which the fixed stars are the ever-living sparks. The Kabalists compare the spirit to a substance which remains fluid in the divine medium and under the influence of the essential light, its exterior, however, becoming solidified, like wax when exposed to air, in the colder realm of reasoning or of visible forms. These shells, envelopes petrified or carnified, were such an expression possible, and the source of errors or of evil, which connects with the heaviness and hardness of animal envelopes. In the book Zohar, and in that of the Revolution of Souls, perverse spirits or evil demons are never called otherwise than shells – cortices. The cortices of the world or spirits are transparent, while those of the material world are opaque. Bodies are only temporary shells, whence souls have to be liberated; but those who in this life obey the flesh build up an interior body or fluidic shell, which, after death, becomes their prison-house and torment, until the time arrives when they succeed in dissolving it in the warmth of the divine light, towards which, however, the burden of their grossness hinders them from ascending. Indeed, they can do so only after infinite struggles, and by the mediation of the just, who stretch forth their hands towards them. During the whole period of the process they are devoured by the interior activity of the captive spirit, as in a burning furnace. Those who attain the pyre of expiation burn themselves thereon, like Hercules upon Mount Oetna, and so are delivered from their sufferings; but the courage of the majority fails before this ordeal, which seems to them a second death more appalling than the first, and so they remain in hell, which is rightly and actually eternal; but souls are never precipitated, nor even retained despite themselves therein.

The three worlds correspond together by means of the thirty-two paths of light, which are as steps of a sacred ladder. Every true thought corresponds to a Divine Grace in heaven and a good work on earth; every Grace of God manifests a truth, and produces one or many acts; reciprocally, every act affects a truth of falsehood in the heavens, a grace or a punishment. When a man pronounces the Tetragram – say the Kabalists – the nine celestial realms sustain a shock, and then all spirits cry out one upon another: ‘Who is it thus disturbing the kingdom of heaven?’ Then does the earth communicate unto the first sphere the sins of that rash being who takes the Eternal Name in vain, and the accusing word is transmitted from circle to circle, from star to star, and from hierarchy to hierarchy.

Every utterance possesses three senses, every act has a triple range, every form a triple idea, for the Absolute corresponds from world to world by its forms. Every determination of human will modifies Nature, concerns philosophy and is written in heaven. There are consequently two fatalities, one resulting from the Uncreated Will in harmony with its proper wisdom, the other from created wills in accordance with the necessity of secondary causes in their correspondence with the First Cause. There is hence nothing indifferent in life, and our seeming most simple resolutions do often determine an incalculable series of benefits or evils, above all in the affinities of our DIAPHANE with the Great Magical Agent, as we shall explain elsewhere.

The triad, being the fundamental principle of the whole Kabalah, or Sacred Tradition of our fathers, was necessarily the fundamental dogma of Christianity, the apparent dualism of which it explains by the intervention of a harmonious and all-powerful unity. So is the Apocalypse the book of the Gnosis or Secret Doctrine of the first Christians.

‘The sacred word MALKUTH substituted for KETHER, which is its kabalistic correspondent, and the equipoise of GEBURAH and CHESED, repeating itself in the circles of heavens called eons by the Gnostics, provided the keystone of the whole Christian Temple in the occult versicle.

MALKUTH, based upon GEBURAH and CHESED, is the Temple of Solomon having JAKIN and BOAZ for its Pillars; it is Adamite dogma, founded, for the one part on the resignation of Abel and, for the other, on the labours and self reproach of Cain; it is the equilibrium of being established on necessity and liberty, stability and motion; it is the demonstration of the universal lever sought in vain by Archimedes. A scholar whose talents were employed in the culture of obscurity, who died without seeking to be understood, resolved this supreme equation, discovered by him in the Kabalah, and was in dread of its source transpiring if he expressed himself more clearly. We have seen one of his disciples and admirers most indignant, perhaps in good faith, at the suggestion that his master was a Kabalist; but we can state notwithstanding, to the glory of the same learned man, that his researches have shortened appreciably our work on the occult sciences, and that the key of the transcendent Kabalah above all, indicated in the arcane versicle cited above, has been applied skillfully to an absolute reform of all sciences in the books of Hoene Wronski.

The secret virtue of the gospels is therefore contained in three words, and these three words have established three dogmas and three hierarchies. All science reposes upon three principles, as the syllogism upon three terms. There are also three distinct classes, or three original and natural ranks, among men, who are called to advance from the lower to the higher. The Jews term these three series or degrees in the progress of spirits, ASSIAH, YETZIRAH and BRIAH. The Gnostics, who were Christian Kabalists, called them HYLE, PSYCHE and GNOSIS; by the Jews the supreme circle was named ATZILUTH, and by the Gnostics PLEROMA. In the Tetragram, the triad, taken at the beginning of the word, expresses the divine copulation; taken at the end, it expressed the female and maternity.

Tetractys. The Tetractys (also known as the Decad) is an equilateral Triangle formed from the sequence of the first ten numbers aligned in four rows. It is both a Mathematical idea and a Metaphysical Symbol that embraces within itself - in Seedlike form - the Principles of the Natural World, the Harmony of the Cosmos, the Ascent to the Divine, and the Mysteries of the Divine Realm. So revered was this Ancient Symbol that it inspired Ancient Philosophers to swear by the name of the one who brought this gift to Humanity --Pythagoras.

[ordinaryschmuck]

I'll admit, I love how the Mystery Incorporated villaisn just become straight Supervillains after a while.

"How did you brainwash these people?" "I used a pheromone that created an artificial sense of love."

"How did you fly and control lightning?" "I used a mini jetpack and cool iron man style lightning gadget on my hand."

"How did you enter people's dreams and make them do stuff?" "I created a dream machine and caused them to have Night.are on Elm street style visuons."

Yeah, that's always the craziest thing about Scooby-Doo villains. They have the intelligence to make this INCREDIBLE technology, and they use it for petty revenge and get rich quick schemes.

It's like this Spider-Man panel:

[dylweedwastaken]

How I would write a teen/adult Scooby Doo series

The Setting:

All over the USA. They are driving from town to town hunting/investigating monsters, ghosts, and cryptids. This is a world where the supernatural is real, but not super common.

The Gang is well-respected almost everywhere except for their hometown of Coolseville, Massachusetts.

The Characters:

The gang are all in their early 20's. They all genuinely love and trust each other. There is very little drama, but when there is, they figure it out because they are all better together.

Fred Jones:

• Large, tough, man

• Total sweetheart

• Mechanically brilliant (he can build a trap out of nothing and fix the van in hours)

• Himbo and sees the best in people to a fault

• Has willingly taken hits for the other members of the gang

Daphne Blake:

• Comes from old money and has a shakey relationship with her parents and sister's

• Emotionally/socially intelligent

• If there is anyone who would willingly get involved in a fight, it's her

• While she may not have Blake money, she has Blake resources

• Sometimes has to be reminded that not everyone is rich

Velma Dinkly:

• Enthusiastically curious about the supernatural

• Sometimes forgets to sugarcoat things to people who have been hurt by the monster

• Has alexithymia (I hope that's how that's worded) so while she may not always be able to empathize with people, she genuinley wants to and tries

• Sometimes so engrossed in her investigation she ends up in danger

• More booksmart than street smart

• In a long-distance relationship with Marcy Fleech

• Has actually supportive parents

Shaggy Rogers:

• The resident skeptic (mostly as a coping mechanism)

• The only one who can cook well

• Has a seemingly random set of knowledge and skill

• The youngest of the group

• The funny one

Scooby Doo:

• Giant dog (Great Dane's are fucking huge)

• So much love in his heart and cotton candy in his brain

• The Doos are a cryptid canine species

• Has a large family

• Generally friendly, but can bite and be protective when needed

Inter-gang dynamics:

Fred x Daphne: In a happy, healthy, long-term, relationship. Pincushion couple.

Fred x Velma: They are the most invested in the investigation and will often work on traps and plans together.

Fred x Shaggy: Fred boosts Shaggy's confidence and Shaggy teaches Fred new skills

Fred x Scooby: Great Dane/Golden Retriever solidarity

Daphne x Velma: Very similar dynamic to Fred x Shaggy with the addition that Velma often keeps Daphne grounded.

Daphne x Shaggy: Both have similar backgrounds and weirdly relate. They have rich parents who don't approve of their life decisions.

Daphne x Scooby: They are just very sweet to each other and she will often go to thrift stores to get his costumes.

Velma x Shaggy: They dated briefly in high school, and broke up on really good terms because she doesn't like guys. They occasionally bake together.

Velma x Scooby: Whenever she gets stressed or overwhelmed Scooby comforts her. She puts a lot of effort into making sure his needs are met. She often googles whether or not he can eat something.

Shaggyx Scooby: Scooby is Shaggy's best friend and psychiatric service dog for his anxiety. Shaggy is Scooby's best friend.

Other Characters:

Scrappy: Scooby's nephew who genuinely loves and looks up to him and think's he's fearless.

The Hex Girls: A goth band local to Coolsville. Mystery Inc. Were some of their first and only supporters. They have since made it big and still keep in contact with Mustery Inc.

Marcy Fleach: Velma's girlfriend of 3 years. Basically, it's just Marcy from "Mystery Incorporated".

This has been largely inspired by this post https://www.tumblr.com/inkoutsidethelines/706626597058396160/thinking-about-how-i-would-write-an-adult?source=share

and the JelloApocalypse video about Fred

Any other suggestions?

[glitch-karma]

Bsd as Spidermen

Dazai:

His name would be Spider Stray

He was investigating something with the detective agency when he was bit

Sees his new abilities as a nuisance and tries to ignore them, much like the og Peter Parker

Dazai's dark and sarcastic personality carries over into his version of Spider-Man ofc

He would make dry and morbid jokes while fighting crime, often using his mind to outwit his opponents rather than relying solely on strength

Dazai's spider-like abilities would include enhanced agility, reflexes, and ofc spider-sense, but to go with no longer human I'd like to say he can minimally dull powers

His spider suit would be a sleek black with a light red web pattern, I think of his webbing as black instead of white as well. He does still use traditional web-shooters tho

Definitely does the classic spider kiss with you (like a lot of other people on this list..)

Immediately made it very obvious to you that he was the famous spider stray

He accidentally drags you into a lot of shit though

Kunikida:

Introducing: The Web Detective

Kunikida was bit the same way as Dazai

His new powers are the same as normal petter parker

initially, he struggles to accept his new powers, feeling burdened by the responsibility

utilizes his detective skills to investigate and stop criminal activities in the city

often targeting corrupt organizations that threaten the peace of the city

operates primarily as a solo hero, but he occasionally partners with other members of the Detective Agency

His suit is also black, with accents of dark greens as reds along with white webbing patterns

Idk why but he is giving real webbing vibes.. ew

Tried his very hardest to not involve you in anything

After all the stress built up, he confesses his identity to you

Was still very keen on keeping you out of it though

Ranpo:

welcome The Yokohama Webcrawler

Was bitten while in an abandoned sweet shop

retains his highly intelligent and observant nature as Spider-Man

uses his deductive skills to unravel criminal activities and solve mysteries

Although, his laid-back and somewhat lazy demeanor remains intact, often getting him into trouble

Ranpo focuses more on detective work and strategic planning rather than actually getting out there and fighting

uses his deductive abilities to analyze crime scenes, anticipate criminal activities, and identify potential threats

He has enhanced agility, sight, analytical combat, and stealth

Has a dark suit with light blue accents, his webbing pattern is off-white. I'd like to imagine he also keeps his hat lmao

His web-shooters are upgraded to include various detective gadgets, such as tiny cameras (Shapped as spiders ヾ(•ω•`)o), fingerprint scanners, and chemical analyzers

Told you immediately

Was casual abt it too

"Oh btw I'm actually the Yokohama Webcrawler." "Oh cool."

"WAIT WHAT DID YOU JUST SAY-"

Yosano:

Let's hear it for Arachne!

stumbles upon a hidden laboratory where she accidentally gets bitten by a genetically enhanced spider

Powers included; enhanced physical attributes, healing for herself, spider-sense, and a healing venom

She has permanent fangs (Coughs in Miguel O'Hara)

She has a black form-fitting suit with purple accents and light purple webbing, also includes a red hourglass-shaped symbol on her chest to ref the black widow

Uses a classic web shooter

You figured it out after she accidentally called you a nickname as Arachne

Classic spiderman kiss <3

Prioritizes you at all coasts

Chuuya:

RAHHHHHHHHHHHHHHHHHH coughs

The beloved, the great, the amazing, Spider Venom

Was transformed against his will by a threat to the Port Mafia

Although Chuuya is already pretty agile, his new powers include enhanced agility, reflexes, strength, and Spider Sense

Chuuya's gravity manipulation is incorporated into his web-slinging techniques

Instead of using mechanical web-shooters, he generates and controls threads of gravity that act as webs

He can swing from buildings and create web-based constructs to trap or immobilize enemies

His suit would be a sleek, form-fitting style (I am actively drooling)

His spider web pattern would be red and have a slight glow effect to it and the spider symbol on the chest would have a gravity-inspired design, incorporating swirling patterns around the spider

He also keeps his coat and hat <3

Chuuya cracks jokes during battles and maintains a cocky demeanor, even in the face of danger just as usual.

However, he is also a deeply compassionate and principled individual, using his abilities to protect the innocent and stand up for what is right

He did his rich girl voice to hide himself from you..

It didn't work.

CLASSIC SPIDERMAN KISS EVEN THOUGH HE CAN DO THAT WITHOUT THE SPIDER ABILITIES LOLZ LET ME SIMP

Terrified of you getting hurt

Has a moment where he almost was too late and has a full panic attack over you

(Can you tell he was the reason I wanted to do this?)

The best one in this list prove me wrong.

I was planning on doing more but tbh I couldn't think of anything for a lot of them

But I hope you enjoyed

[brujahinaskirt]

30 kcd2 trailer reveal little things / reactions:

Loving the increased Istvan / Henry parallelism

Loving the return of the red PTSD nightmares and so pleased WH isn't watering the game down, keeping up the trauma narrative realism, etc. I expected no less but still delighted by it. I love games that allow characters (esp male characters) to feel things, genuinely, and writing that treats the emotional invitation of its own storytelling with respect.

Good lord, the symbolism returns--as it must in a proper medieval game--but I shan't look too deep yet.

SKALITZ FLASHBACKS. HENRY'S PARENTS' WEDDING PREQUEL CONTENT? W H A T. I never thought we would get to go back; I am so thrilled to learn more about that time. I would have gladly gobbled up a Martin prequel. TELL ME HER FUCKING NAME, WARHORSE, YOU BASTARDS.

where is radzig

Mystery possible new love interest option? Or did Lady Stephanie visit the face sculptor?

And Theresa... where?

Mother of god, the forests and animals look incredible. I'm going insane. Let me pet things please.

How many times can Hans eat royal shit and live in one livestream? Let's find out. One, two, three...

The crime and punishment mechanics are definitely more complex at a glance. This is a good thing but I wonder how much was cutscene flavor and how much will really have an affect on the gameplay/reputation/etc.

I'm extremely afraid for Hans's survival. Not because of his constant trailer beefing (and he really took every opportunity to wipe out) but because of that shot with him doing the big dramatic eagle wing spread on horseback. You can't just do that and not expect to be punished by the narrative, bro.

MUTT IS BACK MUTT IS BACK MUTT IS BACK

is that pebbles? MUTT IS BACK please be pebbles

Henry's new hair is awful and I will be changing it two seconds in.

In general, Henry looks way more mature/stressed. Hard to say if there was a timeskip and Henry is now actually more mature or if the increased graphics allow him to look more like his voice actor, who is older than Henry. Either way I will be content. Will not catch me changing my son's precious face!!!

CROSSBOWS, HAND CANNONS

Istvan is pure fire, holy shit, cannot wait for this performance. Erik looks like a soggy newspaper. What happened king?

radzig? hello? anyone hear from this guy? typical for him to ghost

FIVE HOURS OF CUTSCENES???? YOU KNOW YOUR TARGET AUDIENCE. IT IS ME. I LOVE TO WATCH THINGS

Theresa's gonna be in it though, right? They wouldn't do us like that right?

Really excited to see them taking a page from RDR2 and incorporating a temperament-based reply system for non-dialogue initiating NPCs. I really look forward to all the added sandbox immersion enhancements from the first game, and I hope women are incorporated in a broader work spectrum for better historical accuracy.

WAS THAT GODWIN?

Is Hans going to teach Henry how to swim for real, as in a gameplay-altering swim mechanic, or is the topless on the riverbank scene just throwing a meaty bone to the hansry shippers (i am gnawing, i am growling when you try to take it away before i choke myself with it)

I love hearing devs and actors talk intelligently about the writing and character development arcs. Obviously they thought about it deeply in KCD1, but it's nice to see devs of an "action" game treating its narrative seriously, as artwork. Regardless of how the fandom idiots interact with it.

Hans singing a facetious little ballad for Henry (presuming it makes it into the game and isn't just trailer fodder) regenerated my cells. He DID promise in KCD1 (if you lose the tourney after agreeing to be his champion) that one day people would sing ballads in Henry's honor. Probably he did not intend for them to include the word "fuck" at the time.

This is going to be the grown up bromance we deserved in kcd1. Honestly it's so validating to see the second game recentering on that relationship and deliberately using it as the primary storytelling vehicle. KCD1 was pretty imbalanced in favor of Hans content, but it would have been better served by the game storyline fully leaning into the importance of that relationship, rather than trying to juggle it as a side-arc with several other arcs (and thereby creating an imbalance). KCD2 looks like it's built around the backbone of Henry and Hans's friendship and how it has profoundly changed them both/propelled their arcs in somewhat different directions.

On that point, Henry seems to have completely adopted Rattay colors now, but it's possible that's due to him operating as Hans's page (squire?) where we left them in KCD1. WHERE IS RADZIG

Calling Henry an orphan is a LITTLE generous given he was a whole ass adult man when his parents were killed, don't you think.

Calling Henry a lover is VERY VERY GENEROUS

I'm hyped.

[tales-from-the-aether-ttrpg]

A Guide for Adventurers, Entry 4

On Macabre Creatures 

The dead of our world have never slept peacefully. What texts survived the Sundering mention the walking dead as an ordinary occurrence just like our day and age. To the common folk, Macabre creatures are all the same. They are corpses that walk so what difference is there? Well, my aspiring adventurer, to survive in this world, you must learn to recognize the four types of Macabre that walk the planet. Each is unique but they all share a vulnerability to fire so if you find yourself spelunking an old tomb, your torches may be more useful than you originally imagined. 

The weakest Macabre would be the Animated Dead. Animated Dead are creatures that have no sentience or soul as they are corpses puppeted by magic. A vast majority of the time, Animated Dead are being controlled by a magician but there are rare occasions when ambient magic can create Animated Dead without a purpose who simply shamble along aimlessly. 

Perhaps the most well known Macabre creature is the Undead. Undead are beings without a soul who maintain sentience and independent thought in a physical body. Even though they may range from looking completely normal to literal bones, all Undead share a base desire that drives them. This desire is the only thing that can fill the void of a soul and fulfilling it keeps them alive and strong. A vampire's desire to drink blood is not just a malevolent desire but a true need that allows them to survive. 

Living dead are perhaps the rarest of the Macabre. They are beings that maintain a soul, a physical body, and sentient independence. Often mistaken for Animated dead and killed, Living Dead can speak, form thoughts, and have desires just like any mortal. However, there is no denying that they are indeed dead. In my travels, I've encountered a skeleton that crocheted a beautiful scarf for me, a zombie that stank of rot but wrote the most moving poetry, and a severed head that brought me to tears from laughter. Why or how Living Dead are created is a topic for mad discussion amongst scholars as there doesn't seem to be a single answer. Powerful evokers can create Living Dead but Living Dead can also be created naturally. It is truly a mystery. 

Lastly, we have Spirits. Beings without a body who are just that, an incorporeal spirit. There are many ways to become a Spirit but the soul rarely remains intact. It seems that if one's soul has been damaged severely enough, they are incapable of moving into the afterlife and thus, remain in our realm. However, spirits can also be created at sites of immense death, by evokers, and naturally where the Aether crosses into our realm. Spirits are the most difficult to deal with when they are hostile as they are immune to most physical damage so avoiding a fight if you can would be ideal. The most consistent way to deal with Spirits is flame but do not be fooled, Spirits are intelligent beings who will not be easy prey if you happen to get on their bad side. 

Professor Dara Ignatius of the Institute for Wandering Minds in Itzel

This is a peak at some design elements of my TTRGP Tales from the Aether. This is not dnd. If you think some of these ideas are interesting, check out my pinned post follow for more updates :D

[eternaltae7]

Hani (Fox)

BTS 8th Member

Background:

~Full Name: Hani O’Riordan (한이 오리오던)

~Stage Name: Fox

~Birthday: June 22, 1998

~Nationality: Irish-Korean

~Birthplace: Ireland

~Moved to Korea: When she was a baby, so she has spent most of her life in Korea.

~Family:

•Younger Brother: Currently attending college in America.

•Father: A professor.

•Mother: An artist who teaches art, specializing in painting and pottery.

~Languages: Fluent in Korean and English, with a soft Irish lilt when she speaks English.

~Heritage: Celebrates both Irish and Korean cultures, combining traditional Irish melodies with K-pop rhythms.

~Role in BTS: vocalist, dancer, and song writer

Personality:

~Creative and Playful: Loves to incorporate her Irish heritage into her music and performances.

~Intelligent and Strategic: Known for her quick wit and being a strategic thinker in games or challenges.

~Calm Under Pressure: Provides a grounding energy during intense rehearsals or tight schedules.

~Loyal and Protective: Fiercely protective of her BTS family.

~Warm and Mysterious: While she may initially appear reserved, she is deeply caring and supportive.

Appearance:

~Height: 167 cm (5’6”)

~Hair: Auburn, often styled in soft waves, giving her a striking, unique look that complements her Irish-Korean heritage.

~Eyes: Hazel-green, reflecting her Irish heritage.

~Style: Unique mix of modern and traditional Korean and Irish elements in her outfits.

~Stage Presence: Known for her captivating, mysterious stage persona with a sharp, intense gaze.

Talents:

~Singing: Rich, soulful voice with a slight rasp.

~Rapping: Occasionally delivers precise, impactful rap lines.

~Dancing: Known for her fluid, graceful dance style with flexibility and power. Grew up learning ballet.

~Instruments: Plays the piano.

~Songwriting: Incorporates personal experiences and cultural influences in her lyrics.

~Artistry: Influenced by her mother, Hani has an eye for visual aesthetics, and she enjoys painting and pottery in her spare time.

Quick Facts:

~Nicknames: “Fire Fox,” “Han”

~Favorite BTS Song: “Spring Day.”

~Hobbies: Hiking, painting (even though she’s not good), reading, and occasionally helping her mom with pottery.

~Favorite Food: Jjajangmyeon and Irish stew.

~Signature Move: Her “fox smile,” a mischievous grin she uses to tease the members.

~Fan Interaction: Engages with international ARMYs in both English and Korean during livestreams.

Relationships with Other Members:

~Namjoon: Intellectual conversations about books and philosophy.

~Jin: Shares a love for food and cooking, often talking about opening a restaurant together.

~Yoongi: Spends long hours in the studio with Yoongi, discussing deep topics.

~Hoseok: Her calm balances his bright energy.

~Jimin: Playful banter and intense dance rehearsals.

~Taehyung: Artistic collaborations and shared creative interests.

~Jungkook: They have a playful, competitive dynamic, frequently challenging each other in games and athletic activities. Jungkook is protective of her but enjoys teasing her since she’s the youngest.

Stage Persona:

On stage, Fox is enchanting and mysterious, with fluid movements and captivating eyes that draw the audience in. She brings an emotional depth to her performances, often weaving in her cultural influences.

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#bts #bts8thmember #foxofbts #btsimagine #btsscenarios #kpop #RM #Namjoon #Suga #yoongi #jhope #hoseok #seokjin #jin #jungkook #v #taehyung #jimin #bangtan

[random-note]

Alright, I’ve been having this thought lately and I just want to get it out there.

So this is all about Scooby Doo, in particular about how to make a good Scooby Doo show.

In my opinion Scooby Doo: Mystery Incorporated is the best Scooby Doo series of all time, so this is what producers or who ever is in charge should do if they want to top it.

1. They need an overarching plot for the show, no episodical narrative. I want a mystery that doesn’t get solved in one episode, something that drives the gang further and pushes them. And it would be even better if that after that mystery is solved an even bigger mystery is revealed to drive them on, like when mister E was revealed it just opened even more questions and deeper mysteries.

2. The show has to be set in the rough time of the 1970’s -90’s. The concept of the gang doing what they do is ridiculous in the modern age of technology, but back then it wasn’t as prevalent, making the concept more believable and interesting. Seeing Velma hack into security cameras to figure stuff out in the first few minutes would be boring. And if the show was set in the modern age watchers would question why she didn’t do that. I know it would be just a cartoon, but we have entered an age where these shows actually respect their audiences’s intelligence if they’re any good.

3. They need to make the gang have a defined reason for doing what they do, not just the ‘it’s fun’ excuse. They need a definitive explanation for why they do what they do and why they’re trying to solve the overarching mystery of the story.

4. They need to acknowledge the bravery of Scooby and Shaggy. They can’t just be characterized as cowards the whole show. As many have said bravery is not facing something without fear, it’s having that fear, acknowledging it and doing the thing anyway in spite of the fear. Scooby and Shaggy fit this to a T and I feel a good Scooby Doo show needs to acknowledge that.

5. They need the Hex Girls and other cool side characters. They make the world feel alive and like the world is ever changing. I also think they need to show how the gang knows all the side characters, flesh out the story. Another thing that is relevant to this point, I want old villains that the gang took down to show up again. Some will be in prison and the gang will have to visit them for information, others will be reformed or in the process of being reformed and they will willingly help the gang, maybe even apologize. Make the characters real, and not just the main characters. I want relatable villains and heroes.

6. Finally, I want real supernatural elements in the world that the gang slowly discovers, while not forgetting the non supernatural villains. I want to have one episode where the gang has to find and defeat a real ghost, and then the next villain they reveal that the fish monster was really a disgruntled fisherman or something. I just think that a cool balance would make the show better.

Well that was my rant, I hope at least one person likes this. Thanks for reading if you made it this far!