#my two favourite idiots

[reviewdiaries]

Nancy x Ace and the riddle of knowledge in 4x11

The sweet smell of being right on the money, I love it. You know what else I love? The development in this episode. Because things in Horseshoe Bay have gone from suspicious AF to completely demented, and I am HERE FOR IT.

We finally have confirmation for why things have felt so off these last few episodes. And we’ve started to explore the jenga puzzle, if I remove this one thing - vanished as though it never existed - what else falls down? What other relationships and feelings change? Can they be pieced back together again?

Let’s start with my boy Ace, because I personally am really enjoying his storyline. Do I completely get where the frustration lies for those who would have liked to see more pining and curse breaking and TENSION? Absolutely. I too would have loved that, because Ace and Nancy serve up delicious tension for breakfast, and it’s a treat to watch it. But I’m also genuinely enjoying seeing what we’ve got, because it’s all about growth.

Ace has been given time and space this series to find himself and flourish. He’s fought through heartbreak, and yes, that heartbreak has been distorted, we know that now. Can feel the chiming sense of wrong wrong wrong, how his feelings towards Nancy have shifted, vanishing like smoke in the air. Memories and feelings erased until there’s nothing left but the bare bones of a friendship and an aching sense of something gone - reaching for his phone in the middle of the night before realising he has no idea why. Because suddenly he’s left with the sense of a relationship that stalled before it could start, an idle heartbreak, the feeling of throwing himself into work, into the next mystery, the next person who shows an interest. A tension under his skin that he can’t ever explain. But he’s found a job that he loves, he’s carving out his own space, learning where to prioritise, where the important parts of him lie, where they join together, and how to take up his own space in the world.

His sense of self worth is still battered, his issues with his parents rampant, but he’s starting to hold his ground, mark his own boundaries, find an inner steel we’ve not yet seen in him. He’s always been so quick to please, to try and do what others have wanted, and this episode we’re finally seeing him stand his ground. 

We haven’t ever seen his parents come into his space before, and we get that not once but three times in this episode. We see the tension and friction between him and his father (which we haven’t seen much of but was alluded to greatly in the first couple of seasons) and we see how his mother tries desperately to keep the peace whilst supporting her son. 

GIF Credit @goodobservationshirley

I love this moment. Because Rebbeca is right. The Claw is absolutely Ace’s house, and that means that she and his father are coming to him to lead, they are stepping into his space and they are going to treat it as his, can acknowledge that it’s his, which is such a huge thing. Sure his dad is dismissive and thinks it’s going to go terribly, but that line is drawn. This is Ace’s space, and that means he is the head of the house.

As he becomes more preoccupied with his ghost he becomes less passive with his father. He stands up for himself, he refuses to be cowed by the disappointment, the expected failure. He does this on his terms. And yeah, he stumbles at the start, but he doesn’t let that phase him, he carries on, he leads. He steps into his own and it is such a joy to see. By the end of the episode we have that beautiful moment where his dad comes to tell him how well he did. And moments like this? They’re everything. The growth, the evolution of their relationship. The way they start to meet each other as equals instead of Ace cowering before his dad, it’s amazing to watch.

And then the confrontation with Nancy. Oh guys, they needed this. Sure, it’s about the ghost, not about them. How can they get this argument out when they don’t even remember their feelings for each other? But this is the first time that Ace asserts himself. Stop. I do not consent to what you’ve done. Stop. He never stands up to Nancy. Never holds space for himself, for his needs. The closest we’ve seen him come is 4x02 when he’s desperately pushing for her to tell him what he’s missing. But even then he doesn’t come out and say it, he doesn’t communicate effectively, doesn’t express himself. He acts the part of the spurned wife, veiling everything behind passive aggressive snark and stone wall silence. 

This is everything. This is beautiful. This is communication. Expressing what he needs, what he wants, and refusing to back down. This is everything that they have been missing. I’ve said it over and over and over this season, so much of their problem has been their inability or willingness to communicate openly with each other. And here, laying down the groundwork, is the first step. The first flag Ace is planting. A map of muscle memory for the next time he needs to hold his head high and say stop, no, this is not what I want. 

But as he starts to find those boundaries, Nancy is finding her sense of self eroded. She is floundering, desperate, panicked by the timeline she’s been thrust into, desperate now she knows there are too smooth edges where her memories have been stitched together. Suddenly she doesn’t know herself, doesn’t trust herself. What is her and what is what’s left behind when it’s been taken - the trip on the pavement versus the assault? What would she do, what could she possibly have deemed so bad it had to be removed? Because this Nancy, the Nancy with the pieces removed, she doesn’t have the framework of her love for Ace, the undying certainty that she would do anything for the man she loves, even tear herself to pieces with her bare hands and a handful of words whispered in the dark. She only has an aching sense of loss and a hundred shifting pieces she can no longer make sense of. 

So she goes back to the basics. Back to the handful of things she can hold onto, the facts of the case. Over and over and over as she spirals into panic and fear and the desperate certainty that she is broken beyond repair, irredeemable, lost and alone.

She knows the date. She knows the time. She knows the call log on her phone. The memories are gone but the facts are there. A handful of truths to hold onto and whisper to herself in the dark. We have seen Nancy at her best and at her worst. But even at her worst - lost in the depths of the Hudson name and sure that she can only be the worst version of herself, she knew her mind. Trusted her memories. Could hold onto the pieces of her that she knew to be true. But this, this is a violation that she knows is self inflicted. A scalpel precise removal of pieces of her she doesn’t even know to miss.

We now have a definitive timeline - Ace called Nancy after the boat trip, after the memorial, her hair still wet from washing buttercream icing out. There’s around twenty minutes between that and her going to call on the Sin Eater. And Nancy, because she’s shaken, she’s been given proof that she’s done something she can’t imagine ever doing, no longer trusts herself, no longer trusts what she’d do, what terrible atrocities she could commit. She goes to Ace and tells him that she thinks they are responsible for the Jane Doe.

GIF Credit @whitefluffyyeti 

 But that doesn’t track, that doesn’t make sense. The Nancy we know and love would never try and erase a murder, cover up something terrible. She’d face it head on, hold herself to the same truth and justice ideal that she holds everyone to, because as far as she’s concerned she’s not special, she’s not above this. If she did something wrong she’d take herself to the police station and confess.

So that’s not it. 

But Nancy would also do absolutely anything for those she loves. Not murder, not hiding something like that. But she would absolutely run to the Yacht Club to erase something to save someone she loves, someone like Ace. It’s something time critical, otherwise why would she go there so quickly. She’s desperate. But it’s not something illegal, no for that she’d call Carson, get a lawyer involved, get it sorted out the right way. She’s not always stayed on the right side of the law - too many opportunities to show up the police when they can’t do their jobs, use her lockpicks, her sleuthing beanie. But if it was something illegal, something bad, something murderous, there is no way she’d erase it, she’d work on building the strongest defence possible, but she wouldn’t undo it.

I don’t believe it’s that they accidentally triggered the curse either. We’ve seen before, the Sin Eater erases the memory, it can’t undo the damage. If the curse were triggered, if Ace were doomed to die, the Sin Eater wouldn’t be able to do a thing to stop it.

So what does that leave? I genuinely have no clue. There are some great theories floating around about that night, about the Captain of the ship mysteriously cancelling, about the curse that Ace drops overboard. Something about that is off. And we can no longer trust what we’re being shown as viewers. Is what we see the truth? Or is it the altered version after the Sin Eater has removed it from the characters’ collective consciousness? Did Ace and his dad have a lovely bonding fishing trip or did something else happen? Did Nancy and Ace actually have that conversation as we saw it? Clearly not. But what have we had erased? What parts are missing? What jigsaw pieces are we going to be gifted to fill in to make the picture make sense?

My two cents, for what they’re worth - I don’t believe the ghost and the Jane Doe are the same. I think these are two things thrown together to make us think they’re the same. If the Captain theory holds true I’m willing to bet that they’re the burned corpse. But I think the ghost is the figurehead from The Governance. 

The Governance was stormed away from its original course thanks to the Aglaeca - thanks founders and your truly terrible treatment of women. Like I was in a storm. 

They then ripped the boat to pieces and left the figurehead as a protector of the Black Door, literally in the basement. The sky is gone.

The figurehead that has watched over as they tried over and over to merge the Sin Eater with the stolen children. There’s only one left.

She’s ethereal, not wearing the clothes she died in, but a white robe - like an angel, like a woman in white, like a being of magic. And Nancy Drew have been at great pains to point out throughout that there is a balance. Plugonia - plural, one doll for evil, one for light. What if the figurehead is not just a watcher, but part of the literal balance of the Sin Eater?

Now, @flythesail has done a truly excellent post exploring this theory which makes me feel much less like I’m going crazy connecting dots that aren’t there, and I highly recommend checking it out, because she does a fab job exploring the ideas of reincarnation that the writers are bringing into play this season, and makes a very compelling argument for this.

And once you start putting those pieces in, suddenly Nancy and Ace behaving as they are over the ghost and Tristan begins to make even more sense than memory erasure and heartbreak. And honestly, that’s not a sentence I ever thought I’d say.

But the thread has been found - how can you find a thread to pull when you don’t even know it’s missing waiting to be discovered? Against all the odds the photo, the timeline, it’s starting to emerge. And we know how Nancy gets once there’s a mystery. That desperate all consuming urge to uncover the truth, the light, the justice for a town steeped in darkness and secrets, for the people caught up in the web, for herself.

[rybajek]

《Your smile makes my heart melt》

[secretsimpleness]

Sometimes I want to bring Morrigan but then I remember I play as a face-tanking rogue and I bring Wynne. Warden Cousland, Morrigan, Wynne / Dragon Age Origins (c) Bioware

[dykealloy]

Trafalgar Law and Faith

Pre-emptive warning this is going to be another LONG metapost/analysis. There’s a lot I could talk about here but for the sake of structure I’m going to split this into three sections, i.e. the main ‘faith transitions’ that Law has gone through in the narrative thus far: 1. Flevance (catalyst for loss of religious faith), 2. Corasan (martyr that figuratively and literally saves law by giving him something to live for, introducing the will of D.), and 3. Luffy (cementing faith in this new belief system and regaining trust in the goodness of humanity through the living embodiment of everything Corasan believed in).

Before we get into all that though, let’s establish that Christianity is a thing in one piece. Speedrunning through some visual examples that come to mind; the Flevance church and nun (holding a celtic cross - censored in the anime version), a nun literally praying to God right before Marineford, Vinsmoke Sora’s grave marked with a cross (is op Christianity a northern thing?), Usopp and Chopper having crucifixes and holy water whenever ghostly stuff is brought up, Kuma and his trusty bible, the religious symbols on Kikoku’s hilt (could instead be more a reference to the Red Cross/symbol of humanitarian and medical aid as a doctor) and especially in whatever Mihawk’s got going on (though this could just be a Japanese cultural thing with Christianity being a minority religion or Oda just finding that some of the iconography, y’know. looks cool). There are also many other references to other religions e.g. hinduism, shintoism, buddhism, etc. Whether op forms of religion are the same as the real-world ones is debatable, and yes, Law being canonically raised as a devout catholic schoolboy with all the religious trauma associated with that is comical, but let’s take it all unironically for a hot minute. For fun. 

1. Flevance

Law’s birthplace (Flevance) is described as being, at one point, “a very wealthy country with an unearthly beauty about it, with pure white soil and plants, like some kind of snow kingdom in a fairy tale.” The country’s wealth came from the very bedrock it sits on — white lead, which could be used to make various high quality products like tableware, cosmetics, weapons etc. When the wider world heard about this everyone wanted a piece of Flevance (the World Government also getting involved with distribution), and very quickly white lead became a “bottomless well of money”. So, hooray. Law gets to grow up in a rich city in a big house with educated doctor parents and probably gets to go to private school on weekdays and festivals with his family on weekends. One problem. In their greed, the Government and royalty have been knowingly hiding the truth about this supposed goldmine from the beginning. White lead is a toxic poison. Mining it from the ground over the last century and putting it in so many everyday products has resulted in it accumulating in the citizens’ bodies and leading to amber lead sickness, shortening their life-span with each successive generation – with the children of Law’s generation fated to die out before they reach adulthood.

In the bible (especially in the old testament), God often inflicted these insanely disastrous events upon humanity, usually as some kind of punishment for their wrongdoings or as a test of their faith. Some events of which include (but are not limited to): famine, outbreaks of disease and natural disasters (e.g. hail, wildfire, earthquakes, floods). Historically, these stories played a key role in how humanity interpreted meaning from horrible disasters (e.g. assuming bubonic plague was sent as a punishment by god). Fire imagery is very common among these disasters as a representation for hell, which is clearly reflected in the destruction of Flevance.

Sometimes these disasters had sole survivors act as messengers for God. With that context, let’s put ourselves back in the shoes of a ten-year old Law. Raised religious, freshly traumatised from losing his home, his devout family, all the comforts of his life, and having the outside world completely abandon him, this kind of event is likely going to be processed as some form of divine punishment. Law stumbles through hell, finds all his dead classmates, and the last words of sister nun echo through to him here. Merciful and salvation are huge catholic buzzwords – promises of holy compassion, deliverance and hope – and all of it fire and smoke and riddled with bullet holes before him. A genocide funded, perpetuated and covered up by the same body Law was promised was there to save them. And the only reason Law hadn’t died with them was because he wanted to stay with his little sister Lami, who was on her deathbed, and his parents, who were themselves trying to help the afflicted citizens, Law’s own father (before he was shot and killed alongside his mother) begging for more doctors, fresh blood, anything the world can offer, and asking “Why doesn’t the government announce to everyone that white lead is not infectious?”

Oftentimes (and in the case of Law), when there’s a promise of heavenly intervention or some miracle that doesn’t follow through, it results in an ultimate feeling of betrayal and anger. Unfortunately a lot of Catholic teachings also use a lot of guilt, essentially teaching people that the bad things that happen to you are your fault and there needs to be some sort of penance (queue Law’s survivor’s guilt that carries on down the road). But also, if this was supposed to be some divine punishment, for what exactly? For the town being blinded by the incredible wealth they were sitting on? Being lied to? Continuing to extract their livelihood, ignorant of its dangers? Punishment for who? His parents? His innocent little sister? For ten year-old Law? These people who believed in God, who were good people? That’s fucking stupid. None of these people suffered and died for any reason at all — certainly not for a sacred one. God hadn’t saved a single one of them. Law had to crawl out of hell himself by sneaking over the border under a mound of corpses.

Given everything that happened here, Law has every reason to fall into nihilism, and you can see how his upbringing would’ve bred a lot of the feelings of guilt, anger and resentment that you still see in Law (which would suggest that though this is where he likely cuts ties with the religious/Catholic component of his faith, growing up with these teachings in his formative years would definitely influence underlying beliefs about how the world works, and how Law behaves and subconsciously processes information), but at the same time, there’s usually some form of redemption and changes to how these patterns of behaviour can be approached later down the line.

2. Corasan

Fresh off witnessing his whole world burning down around him, Law meets Corazon at the very bottom of this pit of self-destructive rage and unprocessed grief. Rosinante himself mentions to Sengoku that the hatred in Law at this time reminded him of his brother, but beyond the anger, harsh pessimism, vengefulness, I think you have to reach to find similarities between them. You can see some fragments of Doffy in Law down the line at times, with Law seeming to enjoy violence (especially against the navy, but given what they did to Flevance, it’s some well-deserved retribution for Law imo), but I’m not so sure it’s the cruelty so much as it is the high he gets off his own flavour of justice. Doctor’s Hippocratic oath maybe, but never once does Law like seeing others die (even at this point, he’s in tears next to a dead body, even though he’s the one holding the knife), and later on in Wano he makes it explicitly clear to Zoro that he’d rather see the mission fail than have any of them end up dead.  

Little Law wanted to destroy the world and everything in it, but thinking rationally, what other choice did this kid have? He had no remaining family, was doomed to die before he hit puberty due to a terminal illness, was perceived as an infectious subhuman that most doctors would’ve sooner tried to exterminate than help. To Law, the world had turned its back on him – considering him a monster for simply surviving. He has all this hatred and pain boiling away with him with no tangible target to direct it towards. And this is the first clear cut rejection of faith that we see in Law. Any concept of a merciful God had just died. What God would allow this? Why is Law alive (a question that he repeats to himself throughout his life), why are these scumbags alive, why is the world going on spinning as if nothing has happened when his whole world had gone up in flames, why does anyone at all get to be here when everything I loved is gone? And it’s far easier to fall into a despondent nihilistic stupor than it is to work through any of that, and what’s the point in trying to process and move on from it, when there’s no hope for a future for Law anyway? When the only thing waiting ahead is more pain? What was this, if not a punishment? He’s supposed to be some messenger for God? How about fuck God, or whatever entity that exists that made him suffer this. Law’s not going to be a messenger for shit, thanks, he’d rather be their monster, he’d rather watch the world burn.

Corazon survives Law’s stabbing and doesn’t rat the little shit out (to Law’s confusion). It’s business as usual for another two years, then, one day Rosinante overhears his true name - Trafalgar “D” Water Law, and everything changes. On the back of his own beliefs, Rosinante dedicates himself to making sure Law a) lives and b) doesn’t become his brother. Law’s relatively short six month stint with Corasan forms the basis of Law’s new creed going forward, and all it took was a bit of kindness, love and humanity when the rest of the world had abandoned him. In the end Rosinante doesn’t save Law for the will of D. and the storm he’s predicted to bring in the future (as Law suspects), but he certainly believes in it, and the strength of Corasan’s conviction transfers right over to Law when he forces the ope ope fruit down the kid’s throat to heal him, tells Law he loves him, then sacrifices himself to set Law free.

Law clings to that love he was given, he takes all these fundamental teachings and ways of thinking in regards to faith that were drilled into him during his youth, rejects the religion element and applies just about everything else to Corasan. He holds onto the last shreds of what Corasan leaves him with. Corasan becomes his “benefactor” (he gave my my heart), his saviour, his martyr. 

And the crazy thing is, Rosinante was never really this saint Law makes him out to be. Law hated the clutz when they first met (mostly on account of Corazon throwing him through a glass window down at least two stories and into a pile of scrap). Corazon initially showed nothing but contempt for his presence (to ward him and the other children away from the Donquixote family, but these are still extreme measures). And it wasn’t until after learning Law’s name that Rosinante dragged him kicking, crying and screaming from hospital to burning hospital (not very saintlike in of itself), even after Law begged him to stop. Rosinante became Law’s saviour partly because of his belief in the will of D., and probably due to some guilt being a Donquixote, but mostly because he has always had a bleeding heart and he pitied (and had very quickly come to love) this angry, sick, deeply lost little kid. All this to say that Law’s faith in Corasan – this saintlike figure Law upholds him as in the future and the lengths he’s willing to go to avenge him/fulfil Rosinante’s purpose reflects the strength of the absolute beliefs Law would’ve been raised with in regards to God.  

Whether it be out of survivor’s guilt (just one more body to heap on top of the Flevance pile), his love for Corasan, or for the sake of taking vengeance on the man that took away the one good thing he’d been able to regain in his miserable life, Law adopts Corasan’s will, the will of D. (which in of itself seems divine in nature), incorporates it into his new belief system, actively takes on the role of the divine punisher/justiciar and dedicates his life to bringing down Doflamingo.

3. Luffy

Catholicism dictates that the entirety of someone’s beliefs should be dedicated to one true cause (that cause being God) and expects people to ride on that, letting it carry them through life, give them hope, purpose, etc. But a lot of former Catholics choose instead to find that through something else. Corasan ignited the spark in Law’s faith around the will of D., but it’s not until he meets Luffy that this really becomes something that feels tangible and real for Law.

When Law saved Luffy in Marineford (putting the heart crew in danger for a stranger he met once), he said he did so “on a whim”, but that seems incredibly ooc for Law — this man that pretty much planned out how the rest of his life would go after the dust of Corasan’s death settled and he came to terms with the fact he wasn’t going to die at age thirteen like he’d originally thought. Circling back to the concept of Law being a sole survivor/messenger for God, it is interesting that Law is the one to seek out Luffy (given that Luffy is usually always the one either being abandoned by people or recruiting his crewmates), and Law is ultimately the catalyst for pulling him towards Dressrosa and Wano. There must be a REASON that led to Law deciding Luffy to be the most viable option out of the Worst Generation for an alliance (beyond blind trust in an unhinged captain that just so happens to also bear the initial D, and Luffy being one of the few captains crazy enough to go along with what Law was cooking up). 

Law undoubtedly would’ve kept a peripheral eye on Luffy for some time before officially meeting him due to him being a rising competitor pirate and another “D” (I imagine the news of his utterly insane exploits would’ve made good reading material, too). The first time Law lays eyes on Luffy in Sabaody though, he still blows all expectations out of the water — crashing headfirst into the crowd of a slave auction and immediately committing a felony against a member of the most powerful upper one percent.

The world nobles are at an “untouchable God” tier in terms of class standing and believe it’s only natural for them to be entitled to whatever and whoever they want in this world that’s beneath them – the same kind of self-aggrandizing false divinity that Law has a a lot of repressed rage towards and that the will of D. is fated to oppose, so this, understandably, is a highly compelling first encounter, but it’s really only an initiating factor for what ultimately draws Law to Luffy. From their very first meeting (and probably before then, in the news stories and rumours Law likely picked up on), it’s made abundantly clear that Luffy does what he wants without a second’s hesitation, no matter the consequences, simply because he feels it is the right thing to do. Some call this an iron will, Law would be more inclined to call it willful stupidity and trouble, but time after time Luffy somehow manages to pull off what Law would best describe as “miracles”. And Law believes the straw hats just might be the ones to drum up another one for him.

Luffy’s also got a lot of passing resemblances to Corasan going for him, e.g. inherently kind, compassionate liberators with big dumb hearts and wide goofy smiles in spite of everything they’ve been through, treating Law as nakama and saving his life despite his protests etc. All of which I’m sure Law hasn’t been completely unaffected by despite the high walls he puts up. And the more Law learned about Luffy the more it probably became clear that he is the antithesis to Doflamingo, i.e. what makes Luffy so goddamn dangerous and terrifying beyond his physical power is his ability to make friends with a simple kind of unconditional love that gets reciprocated enough so that these friends are willing to die for him.

Luffy agrees to the alliance, they successfully blow up Caesar’s base, and head off to Dressrosa. Now’s the time I should bring up that it’s taught in Catholicism that self sacrifice is the ultimate heavenly deed, and here Law is undoubtedly prepared to be a martyr for his cause. Law sends away his crew to Zou before Punk Hazard with the expectations that he’d never see them. He cultivates a fierce emotional detachment against Luffy’s willingness to bring him into the fold of the straw hats, and is resolute in that when the time comes, he will handle this himself, he will carry out Corasan’s will, and if he has to die for it, he will die with Corazon’s name plastered on his back. (Note here that Christianity is contradictory in that Law being this ready to die here is a sin, because revenge and suicide are highly discouraged, so you could say that by avenging and dying for his saviour, Law would be committing both the ultimate sacrifice and the ultimate sin).  

Things get very dicey for Law in Dressrosa, to put it lightly. Doflamingo reveals that he was a celestial dragon (linking back into the will of D. “enemy of the Gods” notion), puts Law on the backfoot and gives him a thorough beating before shooting Law with a couple dozen white lead bullets in front of Luffy (because even when he’s winning Doffy loves to be a cunt about it). By the time Doflamingo is cuffing Law to the heart seat, it’s all looking pretty grim, and it’s very apparent when Luffy shows up to save him, that he is ready to die. 

Law here has given up. He spent years planning his revenge for Corasan, but he lost, and he has very little left in the tank (physically, emotionally, spiritually). But Luffy doesn’t listen. Luffy who doesn’t think, doesn’t care, who trampled all over Law’s carefully laid out plan from the get-go and who is willing to take on Doflamingo single handedly for the simple slight that he dared to harm Luffy’s friend Law. Law will never find peace in his own demise because Luffy doesn’t do peaceful. He does loud and unashamed and open with no rhyme or reason other than the excruciatingly simply fact that he loves people and he thinks the people he loves deserve to have good lives. Luffy chucks Law over his shoulder and drags an injured Law across the city despite his protests (sound familiar?) and in the process inspires the fighting spirit in Law again.

When Law confronts Doflamingo again with Luffy in tow, Law’s faith in Luffy confounds him. The last Doflamingo remembers of Law is this beautifully moldable dark pit of grief and rage who’d given up on believing, period – who wanted the world destroyed. Not so long ago, Law had been a candidate for Doflamingo’s next protégé. Now?

THIS is the action (grinning, staring down the barrel of a gun, flipping Doffy off as he tells him in not so many words that he may kill Law but he will never beat Luffy), Law’s unshakeable faith in the face of his own death is what has Doflamingo realising he will never regain control of Law again – is what incites Doflamingo to go from breaking Law down so he can build him back up again, to conceding defeat and outright killing him. 

The trust that Luffy inspires in Law and the way he talks about Luffy (Luffy being this powerful, miracle-inducing liberator that Law can’t comprehend but follows anyway, Law laying down his hopes on him, weaponizing the will of D. to try and provoke fear from Doffy), is very reminiscent of the awe and faith talked about in scripture. Law discovers the feelings of comfort and hope that Catholicism was supposed to give him in Luffy, but Law’s belief in Luffy is a direct rejection of those teachings. Rejection by believing in a real life person as opposed to the divinity he was taught about. He’s also cementing his belief in the will of D., thus rejecting Doflamingo and all the people that embody the sort of “all powerful” divinity that he abhors (i.e. celestial dragons, Kaido, the Gorōsei/five elders) for the embodiment of hope and humanity. 

When Law survives (again), he expresses he’d rather see Luffy beat Doflamingo with his own eyes or die with Luffy if he loses than leave. Then he watches, after all this talk of miracles, looking up in reverence as Luffy delivers, bright as the sun, haloed by the bars of a cage that’s haunted him for over a decade, Corasan’s words echoing at the back of his mind. God had never saved or freed Law, but Corasan was there for him, the heart crew was there, Luffy was there. And this is Law’s biggest, clearest rejection of religion – this newfound faith in humanity. 

This faith in Luffy is put to the test again in Wano when Luffy is struck down by Kaido, but Law never truly stops believing that he’ll make a comeback. Even when the straw hats doubt whether he’s alive or not, something tells him Luffy’s not dead, and he holds onto that hope. 

We also have the whole nika/joyboy backstory which really only reinforces all of this imagery/god-fearing looks of awe from Law and this idea of Luffy who is this perfect juxtaposition of empathetic and kind to incredibly fearsome fire and brimstone fighter. And regardless of whether you’re into the ship or not this is the impetus of Law’s relationship with Luffy for me, because here’s Luffy who has every right to have a chip on his shoulder and be downtrodden about all the injustices against him, here’s this little guy who against all odds, in the darkest of places, embodies light and hope and kindness and proves to Law that there will be hard times but there IS a happy ending at the end of the tunnel, despite it all. And everytime Luffy rises to the insurmountable challenge and wins, it just further cements that the will of D. is alive, that Corasan was right, that there's something redeemable in Law, a reason why he was worth saving, even if Law doesn’t understand it quite yet. 

[dearestgentlereaders]

okay but these are all giving modern au colin posting on his insta travel page

[pokimoko]

hi!! not sure if you've done this before but if you'd like to could you please do a nonbinary flag fox?? your art is really lovely <3

Great minds think alike, so here are some lovely little foxes for you and @fynn-arcana :D

[ukulelette]

2011 / 2022

[faunina]

happy TWO YEAR anniversary to everyone who attended the destiel wedding!

and happy valentines day to the rest of you guys <3 click the image for a surprise!

if you’ve ever seen that one post (i’ll link it in the replies) about the parallels between the rodeo scene in 12x11 and the movie “urban cowboy” and it entirely broke your brain, then this post is for you. and also i’m kissing you on the mouth

[ID. Digital art of Dean Winchester done in black and white. He’s is laid back on top of an electric bull. One hand rests on his hip while the other hovers in mid-air, fingers slightly curled, and he seems to be looking at it. When clicked, the transparency shows Castiel standing behind him. Castiel is holding Dean’s hand to his lips, while his other hand supports the back of Dean’s head. Castiel has a visible halo and wings that he has curled protectively around Dean. End ID.]

[amethystina]

Hi! Thou Shalt Not Covet got me craving for more and thinking... what do you think is the difference between Ga On and Yo Han's jealousy? When would they feel most threatened? Also, how far do you think they would go in terms of their possessiveness?

Would love to read more about that 🙃

Hi there 💜

I think the biggest difference is that Ga On's jealousy is more internal while Yo Han's is more external. Like, Ga On becomes introspective, picks everything apart, and overthinks things, trying to figure out why this is happening and, not so surprisingly, what he did wrong to make it happen. Because even if Ga On would be angry and probably pretty vicious, he'd still focus a lot on his own "blame" and start wondering why he's not good enough. All those abandonment issues would kick in and he'd come up with a number of theories and what he thinks are answers — but they're all just speculations.

And, because of that, I don't think Ga On would really lash out against Yo Han and whoever's making him feel jealous. Or, well, with words and such, sure — and clearly mark the boundaries if he and Yo Han are a couple and someone is encroaching on his territory — but not by causing physical harm. Ga On's jealousy is more bark than bite, basically. Because somewhere deep down he'd be convinced he's just not good enough and that's not a reason to hurt someone else over. It's Ga On's own fault for not being lovable enough, right?

So while he'd get snappish and rude, he'd never act on it in a threatening or malicious way.

Yo Han, on the other hand — oh boy.

I did answer an ask about how Yo Han would react if he ever had a reason to suspect that Ga On was cheating on him and all of that still stands. I think Yo Han would focus all his ire outwards, the jealousy becoming a weapon to hurt others rather than himself (as opposed to Ga On who internalises it all and ends up hurting himself rather than others). That's not to say that Yo Han wouldn't have some angsty moments where he bemoans the fact that he's a monster and, clearly, no one can love him, but those aren't his main focus.

His main focus would be making life difficult for Ga On and whoever's making Yo Han jealous. And as for whether or not Yo Han would go far enough to kill? Uh, I mean... that depends on the situation? x'D

Ga On? Never.

(though Yo Han might just lock him away and throw away the key)

The other person? He'd be tempted.

But it would have to be an extreme situation, I think. Because killing someone he perceives as a romantic rival would, in some ways, be an admission of weakness. It would mean that Ga On has an incredible amount of power over Yo Han and I don't think that he'd be willing to admit that Ga On's choices can influence Yo Han's decisions to that degree. Especially if he thinks that Ga On has betrayed him by falling in love with someone else. That would mean that Yo Han has to admit to himself that he's pining after someone who's not his — which would hurt his pride something terrible.

So, in the long run, while Yo Han is certainly capable of murdering someone he considers a romantic rival, I don't think he would. Because it's beneath him. He's not that interested or invested in Ga On.

(except yes he is — he's just a grumpy old man who refuses to admit it to himself)

As for when they'd feel most threatened, I think it would be before they get together or just shortly after they get together. Once they've been a couple for years and settled down, I don't think jealousy is going to be much of an issue for them. Because they'll both know that there's no way in hell either of them is stupid enough to throw away what they have, given how well-matched they are. They know there's no one else who can give them exactly what they need.

And, like, if they have kids? Fuck no.

Both Ga On and Yo Han would go: "No, he loves the kids and me too much to cheat" and that's that. I mean, sure, there might still be brief moments when they have to get a little possessive when a third party is being too flirty, but neither of them would actually think that the other is going to respond to that flirting and start straying.

(partly because I suspect that they have an unspoken agreement of: "if you do cheat on me I'll take the kids and spend the rest of my days making your life a living hell" but that sounds a lot less romantic)

But at the beginning? Or just after they get together? There would definitely be more to worry about.

And their weak spots are connected to their overall insecurities. So Ga On would be afraid that he's not good enough, not lovable enough, not smart enough, not experienced enough etc. He's not very glamorous or suave and pretty shy and clumsy about sex at first. He'd worry that he can't give Yo Han what he needs and that he'll eventually become a burden or that Yo Han will grow bored of him. He'd feel clingy and desperate and wonder if, just maybe, Yo Han wants someone more like himself — someone calm, rational, and mature. So just the usual abandonment and self-esteem issues cranked up to a toasty fifteen, basically.

Yo Han, meanwhile, would feel threatened at the thought of not being able to give Ga On the life and love he deserves. Yo Han is nothing if not self-aware and he knows that living with him is difficult, so he'd worry that someone might come along and show Ga On that he can find a better, sweeter, and kinder life elsewhere. Yo Han would worry that he's hurting Ga On by holding on to him and that, maybe, Ga On will realise that too someday and choose someone better. Someone who can love him and support him and care for him in a way that Yo Han can't with all his jagged edges. That was probably why he felt so threatened by Soo Hyun — she could give Ga On a life full of love and light and softness, whereas Yo Han can only offer darkness. And Ga On deserves better.

Again, it all depends a bit on the situation, though. Like, different insecurities rise to the forefront depending on where they are in their relationship and what the exact situation is.

But something like that, I guess?

I admit I've debated whether or not to write a fic based on that ask about Yo Han being jealous but goddamn it would hurt so maybe not x'D I don't like hurting myself (or Ga On) like that.

I've also toyed with the idea of writing Yo Han's POV of Thou Shalt Not Covet partly because I think it's hilarious just how confused he was there for a second. But that also means I'd have to write out Yo Han's thoughts and not all of them were pretty or kind. He's not a nice man — even less so when Ga On gives him such a perfect opening for some manipulation that will result in Ga On staying by his side >_>

So we'll see. It's not very high on my list of priorities right now since I have so many other projects I want to focus on.

Thank you so much for the ask! Please take care 💜

[muppetimpeccablylostonline]

“That’s a talented penis you’ve got there, Phil”

DANIEL JAMES HOWELL IT IS 8AM (for me)

…best birthday present I could’ve asked for tbh

[zipstick]

The world didn't end?

[commandertartarsmoocher]

Even more anatomy practise art

You have been blessed with Tartar Da-Foe! 🎉

You are welcome!

[s0fter-sin]

rewatching s1 and in ep3 w*ndigo, dean makes a joke about not bringing provisions into the woods just to pull out a bag of peanut butter m&m’s and stick with me here, it’s why the later seasons’ “goofy dean” loses me

this moment is clearly a joke but if you think about it too much, it also makes some sense; a family size bag of peanut m&m’s is calorie dense and even the high sugar is good to keep you moving which they need on an overnight hunt. it also shows how due to their upbringing, they’ve had to eat lower quality food, things they always had access to that was cheap and also in bulk

what does dean eating ghost pepper jerky then tipping water on himself exist for other than to be a cringy joke? what does smelling old chinese food, testing to see if it's still good then shaking his head with cabbage hanging out his mouth when it isn't serve? it's just to make him look stupid and contrast sam's healthy/clean diet (and superiority but that’s another conversation) which has always existed but it used to be nuanced and natural

we see dean as a child give up the food he wanted to eat so sam could eat it. (“i’m sick of spaghetti-os,” “you’re the one who wanted them,” … “i want lucky charms!” “… there’s only enough for one bowl and i haven’t had any yet!” proceeds to give them to sam, 1x18) we know he hustled and stole food to ensure sam ate. (“so, what’d he take?” “get this- peanut butter and bread.” 9x07)

we also see throughout the early seasons dean teasing sam about his salad or healthy choice while he eats some form of burger or other fast food (or notably, cheerfully eating prison food that sam won’t touch, 2x19). it's typical sibling teasing but it also shows that it isn't new for sam to eat like that and for dean to know he eats like that

sam being picky isn't just a character trait they chose for him, it's a result of how dean raised him; he raised him to like and want healthy food and be food secure enough to reject food he didn't want

but dean eats anything he is given and seeks out unhealthy - cheap, plentiful, filling - food

he is the opposite of picky to the point of it being a consistent bit; they show him multiple times eating when it's socially frowned upon to do so eg. questioning a grieving victim when they're trying to be discreet (1x14, 2x15, 2x18)

a similar moment to the chinese food is in 4x19; dean wakes up in the car while sam brushes his teeth outside and is hungry. sam says there's a sandwich in the backseat, dean smells it and recoils bc it's an old tuna sandwich. the moment is funny on its own but it also exists as a comparison of their lives to adam's; he has a loving mother, goes to school and importantly, a steady stable childhood

it’s a joke with a purpose

it also supports dean's food insecurity; he wakes up and is immediately hungry, enough to complain about it and seek out food before anything else

dean is always hungry bc he never has access to nutritionally rich foods bc he got used to using the money he earned to buy sam's more expensive food. he got used to his cheaper, denser foods and grew up with (and continues to live with) intermittent access to said foods. think of how long it takes to drive from one state to another; how many hours it can take to see another town that offers food, if you arrive at a reasonable enough time for anything to be open. also think how they can’t keep any food beyond what fits in an esky; nothing that needs defrosting, nothing can be heated up. it’s bags and jars and take out for as long as they can trust it

then they get the bunker which has its own kitchen

dean even describes himself as "nesting" when he decorates his room, something he hasn't had since he was four years old, and he uses said kitchen to cook a burger from scratch that he is proud of. he is food secure for the first time in his life and it shows in how often he cooks for both himself and sam

so these moments where they have him acting goofy regarding food are no longer character driven and only exist as a joke which is why they come across as cringy and out of character compared to similar earlier moments

a lot of my issues with dean's characterisation started when they introduced the bunker. the argument can and is made that the reason these jokes happen is bc he feels safe in the bunker, that bc he now has a home he can relax and unmask but that still doesn't feel sufficient. they crank up these sillier moments for both of them, giving them a sort of playing house comedy vibe of two roommates with completely different personalities but it doesn't feel like an authentic progression. it feels forced; an attempt at humour for humour's sake

food stopped being an informed part of their characters and their trauma and instead became flanderised; sam is the judgy vegetarian health nut and dean is his borderline slovenly carnivore counterpart

[mo-ok]

dream sentai team, I have dubbed them

Super Sentaisuke

[maybankiara]

Sarah jumped in her chair a little and bit her lip, clearly trying to suppress a smile. ‘We didn’t want to steal JJ’s thunder.’ ‘We really didn’t,’ added John B. ‘Not at all.’ It was as if the world came to a pause; Sarah and John B exchanged a glance not unlike the one Pope and Marcus had exchanged earlier that day, and the barely-contained smiles on their faces told JJ everything even before Sarah shared the news.

excerpt from stay here, darling chapter 5

[uhbasicallyjustmilex]

me on my way to my laptop, trying to coax myself back into the groove of writing