#my translation attempts

[faceless-dude]

🥹

(And august scribble to match the collection phpjphphp)

[faceless-dude]

- My love, are you chilling? You're all relaxing, yeah? My little bunny 🥺

[cathianemelian]

I don't make the rules

[faceless-dude]

The first one was so iconic that we used it as our legendary local meme x)

"The enemy should be f#cked"

"...in all senses"

HOW DOES THIS

TURN INTO THIS??????

like @ whoever the fuck made this decision why. why change the outfit if you KNOW it wouldve been iconic. girl scout khun right. RISE UP TUMBLR RISE UP.

[ladybugkisses]

heard the next Lackadaisy mini episode will feature these two gal pals! !! ✨ 100% real NOT fake information at all

[insomniackel]

This is such a cute moment when i was vodwatching <3

context: YD interpreted what Hugo mistranslation was to be a confession of love and said she had a husband and Hugo said no no i actually have a girlfriend so now YD is asking how did they meet

---

YD: "How did you get in a relationship with your girlfriend?" (or "where did you meet your girlfriend")

Hugo: umm uhh- We know each other from school

(YD squeals and Hugo laughs at her reaction)

Hugo: where did you meet your husband?

YD: A friend of mine was friends with a friend of my husband, they are best friends so they cupid the two of us, they connected us

Hugo: Do you have a child?

YD: No, I don't have children but I have two puppies

Hugo with a higher pitched voice: Oh doggy!!

YD in english and high pitched voice: Very very cutie! My dog very very cutie!

[pouletpourri]

bird things make a return

[xehanortsreport]

a commission for @king-of-heartless ! being given free rein to just drawn ansem was used as an excuse to draw something i've really wanted to for a while - a little get together with some color music heartless!

this was delightful to work on, and i'm thankful for the patronage~

[serpentface]

Part of a painting depicting the historical Odonii priestess Odebinae Hibrides inciting aging men into battle during the siege of Odkoto (the city Godsmouth).

---

The most famous account of this siege is the poem "One Hundred Nights Of Dogs", which was an accumulation and rewriting of the (predominantly oral) accounts of the survivors into the format of epic poetry, first put into writing over three decades after the fact. The exact events it depicts are tenuously accurate at best, but it captures the emotional dimensions of the siege and has profoundly shaped cultural memories in the many years since.

This particular episode of the poem takes place towards the end of the siege, when Finn forces breached the outer of two city walls and began a partial sacking. The survivors in the inner walls at this point were almost all starving, and in varying stages of despair after months of hardship and acute trauma. Most of the city's youths would have been engaged at this time, and the poem describes Odebinae approaching a pack of older men at the edge of noncombatant age and inciting them to the front lines.

This is depicted as such:

She threw her glittering, blood-hungry spear to the ground. With one hand, she scratched deep wounds into her breast, and with the other hand, she pounded hard at her bared chest, and with a terrible voice, she roared, “Look upon me now, you cowards, look upon me and be ashamed. You have given up, this much is clear. You hide here and wail for your misery like little girls. You sit and weep, waiting for your rape while your mother-land is defiled around you. You await your deaths on your backs, already wailing! Already mourning! Your character is that of the dogs that skulk among you, eating the corpses of your brothers and your sons and skittering back into shadow when chased, whimpering for their troubles. You are little better, you cravens, you dog-faced men. Enough of this! Look at me now! I am your mothers, your wives, your sisters, your daughters, and look how I bleed while you hide behind your walls!”

Her behavior will have obvious and profound significance for the poem's listeners. The act of a woman exposing breasts and beating at the chest is a specific form of supplication, a performance that is read as exposing weakness in a deeply earnest and persuasive capacity. This is unique as a gesture of supplication, it both places the performer beneath the observer while retaining some control of the dynamic; it is confrontational (unlike a bow or other related gestures) and intends to compel them into action. Breasts themselves are politicized body parts in this culture, having very strong associations with motherly nurturing and/or feminine vulnerability. This targeted form of exposure may at least subconsciously remind the man of his mother, or a wife or daughters who are meant to be under his protection. This is further emphasized with the act of wounding herself and making this association verbally explicit- she positions herself as the impending desecrated body of the women in their lives, a catastrophe they are spinelessly accepting rather than taking up the defense and at least dying honorably in the process.

Whether the historical Odebinae Hibrides actually Did This or Said Any Of That is anyone's guess. There's a fair chance Something along these lines happened, as this form of motivational breast exposure is common practice for Odonii on battlefields, though the story itself is obviously dramatized and HEAVILY moralized.

At least in the confines of the poem, this high-caliber shaming proved to be rousing, and dozens of former noncombatants joined into the defense along with Odebinae. They were blessed by the priestess and described as having been invigorated with a God-given strength, their bodies feeling decades younger as they entered the fray. Odebinae is cited as having put on a full battlefield performance, exposing herself to danger to pace the ramparts while shrieking war cries and biting her spear, acting as a spiritual protector for her men and casting the evil eye on her foes below (this is probably one of the most realistic aspects of this poem, some other accounts say she killed dozens of men and might have turned into an actual lion at some point). She was eventually cut down by arrows, and it's said that when her body fell from the wall, twenty men climbed down after to protect her from desecration.

The siege (both historically and in the poem) ended shortly after, with the Finns being repelled by the arrival of warriors from Ephennos and Wardin (who proceeded to Effectively capture the city themselves without additional bloodshed, as a matter of a negotiated 'alliance' that was functionally more of a land-grab. But that's neither here nor there). Odebinae was declared a saint in the aftermath, along with ten other priestesses and two warriors who died notably heroic deaths.

---

Notes on the drawing:

-Aside from the expense of blue pigments, the use of all-white garb here rather than the standard Odonii blue is an acknowledgment of her sainthood and a suggestion of divinity, and the color is reminiscent of the garb worn by the Odomache in public appearances.

-When the shedding of blood is significant in Wardi art, it will be shown with great clarity and excess, often appearing to gush from even minor wounds. This is visual shorthand for the significance of blood as living spirit and an indicator for what is specifically being accomplished in the act. A depiction of the minimal bloodletting performed in everyday prayer may show the blood arcing directly into flame, the wounds of a sacrificed animal may spray onto earth or crops or into the sky. Here it sprays both towards the spear and the city's earth at her feet.

-The short hair on the men in this image communicates them being in states of grief (both figuratively and probably literally), as it's customary to cut the hair at the topknot (or halfway through the braids for women) to initiate the mourning period. Other depictions of short haired adult men are typically non-Wardi and/or foreigners with these customs (which will usually be made obvious by other elements of ethnic coding) or sex workers (also contextually obvious in most cases).

-Wardi art doesn't consistently depict signs of advanced age with great specificity, though colored images will usually at least show graying hair. The complete youthfulness of the men (probably around the age 55-60) here illustrates the story's claim that they experienced a sense of divinely imbued vigor, making it external for visual symbolic clarity.

-The man in front is performing a spiritually deferential gesture (the squat isn't part of it, that's just a common resting posture), and his positioning doubles as a suggestion that he is about to take up the spear. The hand contact between the men in back (perhaps unintentionally humorously) suggests that they were in the midst of heated conversation before being interrupted by a priestess aggressively bleeding at them.

[faceless-dude]

I wonder if he cosplays opm ninjas one day, he's perfect for this role 🤣🤌

Orig

[ahalliance]

antoine + étoiles insane moments for ur consideration :] @etoilesbienne @icockeatpanda @jahanmp4

eng transcript below:

[Video Transcript:

(First clip plays.)

Antoine: Look at what’s written in the heart, dude.

Etoiles: Holy shit, it’s you and me, dude!

Antoine: Oh yeah, A + E, dude

(overlapping) Etoiles: Antoine and Etoiles. Dude, holy shiiiit

Etoiles: Hey all that is destiny, dude

Antoine: I’m the one who did it in the hopes of stumbling across it on Geoguessr one day

Etoiles: Fuck, and after all these years you’ve finally realised your objective

Antoine: And yeah, dude….

Etoiles: peepoShy, as we say

(Second clip plays.)

Etoiles: Where are you, Antoine?

Antoine: I’m on— I’m on the blue level of the TDM (Tour de Merde)

Etoiles: Where are you, darling? I’m coming

Antoine: The blue level of the TDM

Florence: No but he’s horny, Rayou, tonight

Bagz: But Rayou— he arrived— he arrived (to the stream) saying, “I’m exhausted’, and he’s really in shape!

Antoine: He just wants to fuck, Rayou, tonight. He wants to fuck so badly tonight

Etoiles: But I said ‘darling’!

(overlapping) Bagz: In ‘Just Fucking’ (as a Twitch stream category)

Etoiles: No but I hate you all, bro

(Third clip plays.)

Antoine: I want to vape but I can’t

Etoiles: Vape my ass, dude

Antoine: Wow, what the fuck? What—

(Fourth clip plays.)

Etoiles: Well I don’t know what my favourite party is, is it the one where we played the capitals game? Or—

Antoine: Or the one where I sucked you off? Oh, no, sorry. No, you were saying? Yeah

Etoiles: That one— that one was crazy

(overlapping) Antoine: Sorry, my bad

(Fifth clip plays.)

Etoiles: Antoine I just looked at the camera, you’re incredibly handsome, dude

Antoine: Really?

Etoiles: Yeah. You have a cool look about you

Zerator: You mean, as opposed to normal?

Etoiles: Yeah, because usually you’re disgusting but here, honestly… I find you very fuckable tonight

Antoine: Well, thanks so much dude

(Sixth clip plays.)

Etoiles: Me, I’ve never cried. The only time I’ve had water on my face is when I’ve showered

Antoine: When I performed a facial on you too, no?

Florence: Oh nooooo. No but I respect it, you guys do what you want

Etoiles: Actually it’s not water it’s sperm

Antoine: In sperm there’s water, dude

(Cuts to a later portion of the same stream.)

Etoiles: Y’know you’re only gross with me, with your other friends you don’t make jokes like that

Antoine: That’s true. I don’t know why I’m like this with you. Maybe I should be asking myself questions, bro. I don’t know!

end Video Transcript.]

[faceless-dude]

Urgent!

*adress*

Tomorrow i need 1-2 workers to clean bathroom.

I'll pay 10k for everything, work is easy

Monster Cells

This is what really happened.

[the-kipsabian]

[imutrt]

Ghost can, and will, smack a few heads if he needs to.

He does this to the newbies and recruits, a slap on the back of their heads when their nonsense gets out of order. He believes a good brain rattle serves them good. It would remind them of who they are, who they enlisted themselves to be.

He does the same thing on the field. Just...less gentle in force.

The LT is a big man with burly arms, capable of throwing things around like they weight less than they actually do. And he does. Countless times he's smashed an opponent's head through the nearest available surface, in combat, interrogation, where and whenever it was needed to be done. Ghost does believe in physical discipline, it helps to move shit along quickly and efficiently.

It only becomes a problem when friendly little shits that Price has bribed made friends with on the streets of their target location starts doing it too.

" You put your brother head first into a fucking brick wall."

" Mhm."

Que Johnny, more amused than worried. " Wha' do you have to say abou' tha', lass?"

" He's fine! He's been through worse!"

" It does not matter! Stop hitting your brother!"

Now, he understands that these kids have lived a rough live, so being gentle is understandably the lesser part of their nature. He can't re-teach them the ways of living, but what he can do is show them how to make the best out of what they have. Slamming friendly heads into walls is not a part of his curriculum.

Doing it to enemies are, though.

I can only imagine Ghost feeling somewhat like a proud father when he sees his moves being executed by his minions on unfriendly individuals :P

[valkyrietookme]

Crazy:B relationship charts translations

Taken from "Doki Doki! Ensemble Seminar"

Written descriptions of all relationships under the cut

Unit chart

Leader: Rinne

Ages: Rinne (21), HiMERU (17), Kohaku (15), Niki (18)

Rinne -> HiMERU: Worries about. Knows his secret

Rinne -> Kohaku: Cute. Wants to mess with

Rinne -> Niki: Owes him his life. Wants to make him happy

HiMERU -> Rinne: Understands his methods. Strict

HiMERU -> Kohaku: Cute junior. Lovable

HiMERU -> Niki: So easy-going it's worrying

Kohaku -> Rinne: Irresponsible and free-spirited. Worries and cares for us

Kohaku -> HiMERU: Kind, but sometimes weird

Kohaku -> Niki: Airhead. Can't leave alone

Niki -> Rinne: Older yet dependant. Close friends

Niki -> HiMERU: Puts on a cool and collected act. Fun to mess with

Niki -> Kohaku: Crazy:B's only conscience

Rinne relationship chart

Crazy:B: HiMERU, Kohaku, Niki

Roommates: Kanata, Hiyori

Rinne -> Yuta: Interesting ♪

Yuuta -> Rinne: Is he picking a fight?

Rinne -> Hinata: Dotes on

Hinata -> Rinne: Attached to

Rinne -> Ibara: Overthinker

Ibara -> Rinne: Problem child

Rinne (eldest) <--> Hiiro (youngest): Brothers

Rinne -> Hiiro: Cute little brother. Smart

Hiiro -> Rinne: Beloved older brother. Chief

Rinne -> Aira: Wants to mess with

Aira -> Rinne: A bit scary

Eichi -> Rinne: A lot smarter than one may first think

Rinne -> Shu: Interesting ♪

Shu -> Rinne: Unpleasant

Rinne <--> Niki: Old duo

Rinne -> Niki: Owes life to. Wants to make happy

Niki -> Rinne: Older yet dependant. Close friend

Rinne -> Kohaku: Cute. Wants to mess with

Kohaku -> Rinne: Irresponsible. Cares and worries about us

Rinne -> HiMERU: Worries about. Knows his secret

HiMERU -> Rinne: Understands methods. Strict

HiMERU relationship chart

Crazy:B: Rinne, Kohaku, Niki

Roommates: Arashi, Tetora

HiMERU -> Makoto: Has a way with words

Makoto -> HiMERU: Talented

HiMERU -> Souma: Very physically capable

Souma -> HiMERU: Very knowledgeable

HiMERU <--> Izumi: Work rivals

Jun -> HiMERU: Was he always like this?

HiMERU -> Tatsumi: Hates him due to certain circumstances

Tatsumi -> HiMERU: Old friend

HiMERU -> Ibara: Skilled. Let's him plan things for him out of convenience

Ibara -> HiMERU: Useful

HiMERU -> Yuuta: Agency junior

Yuuta -> HiMERU: Kindly relies on

HiMERU -> Niki: So easy-going it's worrying

Niki -> HiMERU: Acts cool and collected. Messing with him is fun

HiMERU -> Kohaku: Cute junior. Lovable

Kohaku -> HiMERU: Kind, but weird at times

HiMERU -> Rinne: Understands methods. Strict

Rinne -> HiMERU: Worries for. Knows his secret

Kohaku relationship chart

Crazy:B: Rinne, HiMERU, Niki

Roommate: Jun

Ex-Double Face: Kohaku, Madara

Kohaku <--> Mika: Easy to talk to

Kohaku -> Leo: Close friend of Madara-han

Leo -> Kohaku: Mama's follower and Suou's "Yuu-kun"

Kohaku (branch family) <--> Tsukasa (head family)

Kohaku -> Tsukasa: Somehow close to

Tsukasa -> Kohaku: Dear family

Kohaku <--> Madara: Partners

Kohaku -> Madara: Can't leave alone. Supports

Madara -> Kohaku: Glad they met. Grateful

Kohaku <--> Aira: Close friends

Kohaku -> Jun: Good person. Cool and calm

Jun -> Kohaku: Cute junior

Kohaku -> Ibara: Calculating

Ibara -> Kohaku: Talented person used to living outside of norms

Kohaku -> Niki: Airhead. Can't leave alone

Niki -> Kohaku: Crazy:B's only conscience

Kohaku -> HiMERU: Kind, but sometimes weird

HiMERU -> Kohaku: Cute junior. Loveable

Kohaku -> Rinne: Irresponsible. Cares and worries about us

Rinne -> Kohaku: Cute. Wants to mess with

Niki relationship chart

Crazy:B: Rinne, HiMERU, Kohaku

Roommates: Hinata, Hiiro

Tetora -> Niki: Big fan of him during childhood

Niki <--> Nazuna: Shipwrecked together

Niki -> Ritsu: A cut above

Niki -> Mayoi: Smells good

Mayoi -> Niki: Mayo-chan!?

Ibara -> Niki: Deceived and made into an idol

Niki -> Adonis: The meat guy

Niki -> Midori: The vegetables kid

Niki -> Kohaku: Crazy:B's only conscience

Kohaku -> Niki: Airhead. Can't leave alone

Niki -> HiMERU: Acts cool and collected. Fun to mess with

HiMERU -> Niki: so easy-going it's worrying

Niki <--> Rinne: Old duo

Niki -> Rinne: Older yet dependant. Close friend

Rinne -> Niki: Owes life to. Wants to make happy

[starswallowingsea]

translation is just as much of an art as more traditional writing and should be appreciated send post