#my mother's death

[quordleona03]

Not quite a Christmas story

My mother was born in 1935. In 1940, she and her mother went as refugees from WWII to Canada, where my mother spent the next five years in a Catholic boarding school and my grandmother worked in a munitions factory and they saw each other on Sundays. My grandfather was in the navy. After the war, my grandparents had two more children, hated each other, and divorced in 1969 when their youngest child turned 18.

My mother came to Scotland in 1959, taught school for a year, met my father, went back to Canada to get married, and came back to Scotland in 1964. She had three children, and when we were young, she gave us a wonderful childhood with - moments.

At Christmas she would devise each of us a stocking with small presents she had bought through the year, just right as stocking-stuffers, and also always fruit and nuts tucked into the toe. She taught each of us to cook - I have been baking expertly since I was eight years old. She taught each of us to read, and never banned us from reading any of the books that crowded our family home. She gave fantastic birthday parties, and because my birthday falls inside the Christmas holiday season when everybody is partied out, she also used to organise a second party for me elsewhen in the year - at Hallowe'en, or in the summer holidays. She liked to give thoughtful perfect presents but when I made clear my favourite present was a book token and an afternoon in the biggest children's bookshop, that's what she gave me, plus oddments to unwrap so it wasn't just booktoken envelopes to open on the day. She took us to a cottage in the Borders every summer, a 4-room cottage with no electricity, water heated by the fire in the living-room, and we spent golden weeks there.

She got me my first set of adult library cards, two years early, when she realised I had literally run out of books to read in the children's library. She gave me blank lined notebooks for journals, and my first two manual typewriters, and bought me paper and pens. She read aloud to me: The Once And Future King, and Ivanhoe, and The Lord of the Rings.

And then there was a birthday party that was cancelled at the last minute because my mother realised she had left too much undone and couldn't do it: the teacher told the class and told me separately and sent me home early and must have told the children not to tease me about it. There was any number of times I got screamed at for offences I didn't understand at the time (and only sometimes understand now). There was the strange distancing that happened between ten and seventeen, as I became less and less able to fit the mold of the daughter she wanted. I came out to her at seventeen - she was almost the first person I told: and she was horrified, and I lived for the next two years in an atmosphere of unremitting disapproval. The disapproval didn't end when I was 19: I left home.

My mother was homophobic til the day she lost consciousness: she just got better at hiding it over the years. The measure of her love for me is that despite wishing all of her life that I would stop being a lesbian, she never could bring herself to disown me.

My mother dealt with my neurodivergence - I am dysphraxic - by deciding it wasn't real: I spent decades of my life not sure why I was always so clumsy and so kackhanded with anything requiring delicate coordination. She didn't want me dysphraxic any more than she wanted me lesbian.

I found a page in one of her journals, a Christmas fantasy of her family in ten years time: of her oldest child married and with kids, her youngest child married with another kid. I was not in this fantasy: the unsatisfactory daughter.

My mother was a hoarder: it took me months to clear her last home of stuff. I found the teddy bear she'd had since she was five, tucked away in the clutter, and gave it to the undertaker to include in her coffin at the funeral. It seemed to me she should go with one of the things she'd loved and kept in life. My mother hoarded things. She and my father, who died ten months before her, lived in a large flat that was cluttered wall to wall with things - with books, of course, and with food, with clothes she no longer wore, gifts she had never given, inheritances and things picked up in charity shops, the once-useful and the might-be-useful and the someday-useful. And papers. And journals. And spent lottery tickets. She hadn't held down a job since the 1980s, and she had - from her journals - sometimes elaborate fantasies about what she'd do when she won.

We were waiting for the paramedics to take my mother to the hospital after the last bad fall she had, and because it wasn't an emergency they were very late. I made us cocoa and toasted cheese sandwiches in my mother's kitchen, while we were waiting. The last meal I made for her. I can't remember what the first one was, when she first showed me how to cook.

A couple of months later, I invited a couple of volunteers from a soup kitchen/food bank to come over and take what they wanted from the kitchen. I had meant to have it better organised but when they came, they looked at me, and at my mother's kitchen, and one said "You haven't been able to get started on this, have you?" and I said no, and they said "we'll do it". They boxed up everything they could take with them, and sorted the rest into cardboard boxes of what a charity shop would likely take and what should just go to the dump, and somewhere, I hope, some of that hoard of mugs are still in use, being drunk from with hot tea by someone who could really use a cuppa.

My mother died on this day, on 23rd December 2015, and over the years I have dealt with the anniversary of her death in different ways: I've gone on holiday, I've gone swimming, I've gone for a walk, I've gone to see Cats the Movie, I even one year worked a full day at work because Christmas fell on a Sunday and they were offering full hours to anyone who wanted to work the last Friday.

This year, I'm tired and in recovery from COVID. I've made bread, done laundry, done the dishes, had two naps, tried to read a Mira Grant novel, changed the cat litter trays, taken the rubbish out, gone for as long a walk as I could manage, and I'm still sitting here, contemplating my mother's life and death and legacy and wishing for, I don't know what.

My father's life is so much easier: he had a happy childhood, work he loved, a retirement spent writing and walking and caring for his wife. My father's life makes a satisfying story: he wrote some of it down in a memoir for his children.

My mother's life was strange and muddled and broken and full of cluttered things and unfocussed anger and a lot of misery. And yet: I still miss how she would say my name, sudden and joyous, "Oh, it's you!"

[bixels]

Learning that fans hated Applejack and called her "boring" is crazyyy to me because I genuinely, unironically believe AJ's the most complex character in the main six.

Backstory-wise, she was born into a family of famers/blue collar workers who helped found the town she lives in. She grew up a habitual liar until she had the bad habit traumatized outta her. She lost both her parents and was orphaned at a young age, having to step up as her baby sister's mother figure. She's the only person in the main gang who's experienced this level of loss and grief (A Royal Problem reveals that AJ dreams about memories of being held by her parents as a baby). She moved to Manhattan to live with her wealthy family members, only to realize she'll never fit in or be accepted, even amongst her own family. The earlier seasons imply she and her family had money problems too (In The Ticket Master, AJ wants to go to the gala to earn money to buy new farm equipment and afford hip surgery for her grandma).

Personality-wise, she's a total people-pleaser/steamroller (with an occasional savior complex) who places her self worth on her independence and usefulness for other people, causing her to become a complete workaholic. In Applebuck Season, AJ stops taking care of herself because of her obsessive responsibilities for others and becomes completely dysfunctional. In Apple Family Reunion, AJ has a tearful breakdown because in she thinks she dishonored her family and tarnished her reputation as a potential leader –– an expectation and anxiety that's directly tied to her deceased parents, as shown in the episode's ending scene. In The Last Roundup, AJ abandons her family and friends out of shame because believes she failed them by not earning 1st place in a rodeo competition. She completely spirals emotionally when she isn't able to fulfill her duties toward others. Her need to be the best manifests in intense pride and competitiveness when others challenge her. And when her pride's broken, she cowers and physically hides herself.

Moreover, it's strongly implied that AJ has a deep-seated anger. The comics explore her ranting outbursts more. EQG also obviously has AJ yelling at and insulting Rarity in a jealous fit just to hurt her feelings (with a line that I could write a whole dissection on). And I'm certain I read in a post somewhere that in a Gameloft event, AJ's negative traits are listed as anger.

Subtextually, a lot of these flaws and anxieties can be (retroactively) linked to her parents' death, forcing her to grow up too quickly to become the adult/caregiver of the family (especially after her big brother becomes semiverbal). Notice how throughout the series, she's constantly acting as the "mom friend" of the group (despite everything, she manages to be the most emotionally mature of the bunch). Notice how AJ'll switch to a quieter, calmer tone when her friends are panicking and use soothing prompts and questions to talk them through their emotions/problems; something she'd definitely pick up while raising a child. Same with her stoicism and reluctance at crying or releasing emotions (something Pinkie explicitly points out). She also had a childhood relationship with Rara (which, if you were to give a queer reading, could easy be interpreted as her first 'aha' crush), who eventually left her life. (Interestingly enough, AJ also has an angry outburst with Rara for the same exact reasons as with EQG Rarity; jealous, upset that someone else is using and changing her). It's not hard to imagine an AJ with separation anxiety stemming from her mother and childhood friend/crush leaving. I'm also not above reading into AJ's relationship with her little sister (Y'all ever think about how AB never got to know her parents, even though she shares her father's colors and her mother's curly hair?).

AJ's stubbornness is a symptom of growing up too quickly as well. Who else to play with your baby sister when your brother goes nonverbal (not to discount Big Mac's role in raising AB)? Who else to wake up in the middle of the night to care for your crying baby sister when your grandma needs her rest? When you need to be 100% all the time for your family, you tend to become hard-stuck with a sense of moral superiority. You know what's best because you have to be your best because if you're aren't your best, then everything'll inevitably fall apart and it'll be your fault. And if you don't know what's best –– if you've been wrong the whole time –– that means you haven't been your best, which means you've failed the people who rely on you, which means you can't fulfill your role in the family/society, which makes you worthless . We've seen time and time again how this compulsive need to be right for the sake of others becomes self-destructive (Apple Family Reunion, Sound of Silence, all competitions against RD). We've seen in The Last Roundup how, when no longer at her best, AJ would rather remove herself from her community than confront them because she no longer feels of use to them.

But I guess it is kinda weird that AJ has "masculine" traits and isn't interested in men at all. It's totally justified that an aggressively straight, misogynistic male fandom would characterize her as a "boring background character." /s

At the time of writing this, it's 4:46AM.

[sunderwight]

Bingqiu AU where Luo Binghe's the chosen village sacrifice to the evil deity who lives up the mountain.

Normally the village sends maidens, but they've more or less run out of expendable girls of the right age and, ahem, "virtues". So of course Luo Binghe's early life bad luck kicks in. In the wake of his mother's death there's no one to really care about what happens to him, he's fairly pretty, and the village leaders decide that if they dress him up like a girl the teenaged homeless kid should pass well enough. And hey, y'know, he's probably got a hard life ahead for him anyway -- dying in a brothel of some venereal disease or on the streets of exposure or starvation. At least as a sacrifice, everyone else gets to benefit from his loss! And the kid will get added to a shrine and be remembered as a hero! If anything, he should be happy about this!

Binghe is not happy about this.

But he's also a skinny underfed nobody who is easily overpowered, dressed up like a bride, and tied to a post. So. Not much he can do but wait for the evil deity to come and do whatever horrible thing he's gonna do to him.

Meanwhile, Shen Yuan is pretty sure he's been isekai'd into the over-powered hero of some kind of supernatural adventure story? He's not totally sure because he doesn't recognize the setting, but the signs are there. He's got a shrine-like base of operations (though it seems to have become corrupted/ruined, probably he has to restore it somehow), he has a very resilient and handsome new body with spiritual energy of some kind flowing through him, and a very clearly magical sword. Plus lots of neat starter powers! Though it feels like he has other abilities that have been blocked somehow? Probably he has to level up in order to access them.

When he treks out of his "base" and finds what seems to be a distressed maiden, he takes it for his beginner hero mission. The girl claims that she's been doomed to be sacrificed to an evil god. That sounds a little above Shen Yuan's pay grade for dealing with, so he unties her and decides that they had better just get out of the whole region altogether. He already packed up anything useful from his base, anticipating he might get caught up in an adventure once he left, so they follow the river away from the settlement until they reach another one.

While they travel, Luo Binghe tells Shen Yuan about the cursed deity, Shen Qingqiu, who was cast out of the heavens for slaughtering one of his brethren and has apparently being do-who-knows what to maidens from the local village in exchange for his "protection" ever since. Sounds like a real asshole! And also mid-level boss type bad guy at least. Shen Yuan hopes he doesn't have to fight him, but he probably will.

Thank goodness he found Binghe, though! Clearly the helpful little sister type! He's definitely going to require her assistance if he's going to figure out how to navigate this world and level up his skills enough to take on a god.

[lotus-pear]

free will is drawing ur two favorite characters together and making them gay

[drenched-in-sunlight]

family tea party.

(in my mind, Radagon is the pure Order with no kindness half, and he always yearns to converge with Marika + be on equal footing with her, so in my drawing he’ll always be kinda nuts)

[sems-diarie]

death is insane. wdym i’ll never see my grandmother again

[mayhemspreadingguy]

Lost boys

[nikoco11]

spider nico (spider bot…. sometime i call him circuit too) ((he’s like what if spiderman sucked ass))

[each-uisge-enthusiast]

the modern villainisation of demeter will never cease to enrage me bc it wasn’t ENOUGH to just take a story of a girl being torn from her home from everyone who loved her and dragged away to be forced into marriage and twist and corrupt it until it was a romance story about female empowerment that wasn’t ENOUGH they HAD to take the original hero of the story the mother who went to every length to find her daughter again to bring her home and demonise her character until she was this horrific overbearing unloving mother. overprotective controlling without love. they turn the story of her grief at her YOUNG daughter being torn from her without her knowledge into the story of a misunderstood bad boy and a horrible cruel mother who won’t give him a chance and i really find it sickening. it’s ironic, that the ever misogynist age of hellenistic greece, has a better grasp of how disgusting and horrifying this situation was that a modern, self proclaimed ‘feminist’ era.

[lygma-nygma]

Being a batfam fan is funny because people will make a post like “here’s my headcanon-“ and it’s just something that’s directly canon to the story then post about major canon events and get everything wrong.

[ghosts-and-glory]

I finally ordered Cult of the Lamb Youtooz after thinking about it for like four months and my mum kept looking at the Narinder vinyl and asking “are you sure? He’s really ugly.”

Yes mother, that’s my little meow meow.

[bazpango]

“You remembered.”

“Of course I did.”

“…is there cake?—”

“For God’s, gh, c’mere.”

[sketch]

[shmreduplication]

shakespeare will make it so when you see your friend putting medicinal goop in their cat's ear, you think "this is the opposite of hamlet"

[chaos-bringer-13]

I just told mom about some bits of Danny Phantom lore and it basically went like this:

Me: So, this kid goes into his mad scientists parents' portal, activates it, sorta dies and instantly resurrects as a half ghost.

Mom, terrified: Poor mother.

Me: Nah, his parents didn't actually notice, they're kinda negligent, too invested into their work.

Mom, more terrified: Poor children.

[burgerputty]

God is in the details

[drenched-in-sunlight]

should Age of Duskborn come to pass,

promise me you’ll be my Mother once more.