#my mootz are so cool

[strangeart13]

Drew Marsh by @spookuzm

Drew him in both of my styles like when I drew Crust (also by @spookuzm )

...Why are gloves so hard to draw? Hands are so much easier for me... *ungloves ur sans*

I'm kidding but I seriously have a hard time with those mitten type gloves and idk why

[voidzphere]

killlzzzzz ypure so epic and real for everything !!! keep on being silly

THANK U SUCOOO U TOOO >_<

[mugsys]

Hey~ I wasn't up to anything,, really I didn't eve-

NAH THIS IS NOTHING- JUST IGNORE IT/silly

VIPER I FUCKING LOVE YOU,,,,

GUYZ GUYZ EVERYONE LOOK AT THIZ RIGHT NOW IM GONNA START FUCKING SCREAMING- HOLY SHIT

POOKIE THERE IZ NO WORDZ TO DESCRIBE HOW HAPPY I AM !!!!

[gert-the-disaster]

!! GERT ALERT !!!

the poor insane thing who is also a minor who is also a madman

ooh btw all my art is in #art

anyway so uh i am a cartoonist, sorta i thingsbk- and i also particularly enjoy many many things such as but not limited to:

➜ fnaf (also crap like batim or tattletail)

➜ invader zim 

➜ the walten files

➜ big hero 6 the series

➜ star wars (i especially like bad batch and rebels)

➜ ducktales 2017

➜ epic mickey

➜ gravity falls

➜ the owl house

➜ rdr2

➜ bugbo

➜ clover by OR3O

➜ cheap mobile games like my singing monsters and cookie run kingdom

➜ weird stuff like mystery flesh pit and boisvert those are Rad

➜ fundamental paper education

expect fanart a lot by the way, i have ocs but i don’t post about them much apparently.

(in terms of music i also really like)

➜ Will Wood

➜ Lemon Demon

➜ Tally Hall / Miracle Musical

➜ Jack Stauber

➜ ABBA

➜ That Handsome Devil

➜ No Doubt

➜ Sodikken

➜ Caravan Palace

➜ Nerdcore like Axie, CG5, The Living Tombstone

im also a cringemaster and the bearer of bad ideas. that’s sumn to keep in mind i guess. im all daydream and no actual work.

ALSO CHECK OUT MY MOOTZ!!!

@taking-whats-not-yours

@autisticzaphodbeeblebrox

@quinnmcducko

@yakkitylylac

@acatonkepler

@magewolf-the-artist

@edandmollydeservebetter

@tenmillionthfirefly

I LOVE THEM GO DESTROY THEM!!

dni if you’re gonna be rude, come on!!!!! no queerphobia racism ableism, immoral proshippers go explode… other than that just be cool and i will love you

now that THAT’s over with go on and enjoy my little deserted place, you little rascal whippersnapper thingamabilly

alr get out skedaddle

[0r1sw0rldxp]

I luv all my mootz like yall so cool I admire yall sm like wtf u r so so poggerz, I'm js scared to interact w u

[gamerschaoticart]

[MWM] W-W-WHATZ HAPPENIN [FORUM]?

HELLO SEMI-EXISTENT MASHUP WEEK TUMBLR NATION-

listen my brain latched onto forum freakshow when i was getting into megamix and i am NOT SORRY! so here i am, several monthz later, drawing a tourney blorbo <3 do not come at me for how the shirt lookz i was trying my best,,

if u have not heard of mashup week megamix and have no idea who this guy is: PLZ LISTEN TO MASHUP WEEK MEGAMIX ITZ SO COOL ITZ LIKE KFAD BUT THE WINNER GETZ A WEEK PLZ I NEED MORE TOURNEY MOOTZ

[this is original art by gamerschaoticart. DO NOT trace, steal, or use for cry/pto / n/f/t projects. please credit this blog if shared on other platforms in any way, such as being used as icons/pfps. reblogs > likes]

[voidzphere]

LOVE U JUNIBUG !!!1 /P WAAH MY MOOTZ ARE SO COOL GUYZZZ

dw man me too. i was about to cry sendin that ask /hj

sighz u are so cool. and confident.. i look up 2 u ong.. .. /poz

AWWW WHAT THANK YOU SO MUCH YOU'RE REALLY COOL TOO!! !!!!!!!

idk where the confident part is coming from though I'm literally shaking in my little boots most of the time

[xx-k4n1c-k4t4str0ph1c-xx]

*CRIII* I WUZ TRYING TO DELETE A BLOG AND ACCIDENTALLY DELETED MY ACTUAL ACCOUNT X(

LUCKILY I QUICKLY MADE ANOTHER ACCOUNT SO I STILL HAVE THE USER, BUT STILLLLLL---

IF U COULD REBLOG SO I COULD FIND MY MOOTZ AGAIN THAT WOULD BE COOL!!!

SOME PICZ OF ME, IF THAT HELPZ LOL

GONNA HAVE TO RESTART MY ACCOUNT X(

THATZ OKAY THO-----

JUST DISSAPOINTED HHHHHH

[fnaf2yaoi]

♧!!

You’re my: FAV mut. ALSO one of the top 10 mootz i wuld invite 2 my sonic themed bday party,,

How I met you: HMM ,,, i . genuinely forget suddnd my memory is. SO bad <//3

Why I follow you: ur art is SO cool!! and so r u!! :D:D we also both had some of the same interestz n i thought ur blog was p cool!! (it is!!)

Your blog is: amazing,, very welcoming !!

Your URL is: VRY nice,, i think itz SO cool,,

Your icon is: AWESOME!!

A random fact I know about you: BRAIN is frie d rn like i have said for the rest of the askz,, i will hav 2 put smthn l8r JENDJ <//3

General opinion: you give off RLLY nice vibez nd r so funny nd nice!! i enjoy seeing u on my dash!!!!!!

A random thought I have: i tuink itz kewl rhay some animalz in moviez arent cgi n r real animalz that r trained to do stuff 4 the movie ,,,

[bonnaby]

bow for u my mutual (we’re mutuals rite???)

I CRIED /pos !! WAAAAHHH OTNYNH MY GOD LOODK AT HER ILVOE HER YOU DREW HER SO PRETTY WAAHH HDHDHCHBBAJW \WWI LOVE YOUE ART SO MUCH HEKPPAAHEETYHHHH

(awsolo uyyes u r so cool hehe i qmweroud to be mootz wwif u ^w^)

[voidzphere]

first off i love your art :D ive been trying to understand canon killer more and as a system myself its nice to see someone talk about killer in terms of plurality! id love to hear more of your thoughts if you wanna share :)

THANK YOU AND YES I WOULD LOVE TO. ive been preparing for this day

this MIGHT be a little long so hold onto ur seatz

killer has been canonically implied to be a system, or have alterz/headmatez at least. they are described as his “stagez”, where different alterz take front dependin on the stage he'z in. for example, when he'z in his most stable stage—stage 1—sans is fronting. yknow when his eyelight is summoned in one eye socket ? yeah, that.

killer has three or more alterz, but the two that are shown to be most active in his system are stage 1 / sans, or stage 3-4 (shown below)

some more stuff of me yappin abt it to one of my mootz

rahafwabas drawz him in a slightly pink-ish red when he'z in his third/fourth stagez (the color of his soul). unfortunately, i dont ever see the fandom draw him like this which YOU GUYZ FUCKING SHOULD. ITZ SO COOL

in this stage, he barely has any control and the 3-4th stage is mostly in front and controlling. he'z basically a murder machine in this stage, and emotionless. he will kill anyone in his path.

in his first and most stable stage, where sans peekz out slightly and his eyelight is summoned, he'z drawn like this. he'z much more calmer and collected in this stage, but much more emotional, too.

in media and fan content of killer, he is usually drawn like this to display the immense amount of emotion he is feeling. which is technically correct, he is feeling a lot of emotion in this stage, but sans is also there fronting with him or without him entirely.

stage 2 is where he'z mostly depicted in canon and fanon media. itz where he'z in between both stagez, though his alterz could still be co-fronting during this time. his soul isnt stable nor unstable in this stage. he isnt emotionless nor too emotional. he will still kill, but have more control over his body and his determination (black goop comin outta his eyez and mouth) doeznt drip as much as it doez in either stagez mentioned earlier.

thatz all i can think of for his stagez/alterz in general rn :3 hope that helpz !

killer sans + all the art provided belongz to rahafwabas

[mugsys]

OH ARE WE GIVIN YOU COMPLIMENTS NOW???

YOURE REALLY COOL! I LOVE YOUR ART STYLE! I LOVE TALKING TO YOU! I LOVE SHARING IDEAS WITH YOU! YOU HAVE HELPED ME GET THROUGH SOME ROUGH TIMES!!! ILY POOKIE!!! /plat ❤️❤️❤️

AAAHHHHHHHHHHH!!!!! POOKIE YOU CANNNTT , TOO MUCH NICENESS— /silly

ALL THOSE THINGZ RIGHT BACK AT U DUDE, UR AWESOME AND ILYSM!!!!! HOLY SHIT UR SO NICE,,

[psycho-mocha]

Stuff you're going through, I am too so if you don't feel comfortable in talking about it in asks, just let me know. I'll DM you. (On one small condition tho. Please don't tell anyone my actual url, I feel like a lot of people are not very comfortable with me as my url but more as snake anon)

-🐍

omg yeah! we CAN BE MOOTZ :D

totally cool no worries I won't tell anyone bb

[x-squishy-mushroom-x]

im gonna be adding all of ma tumblr mootz onto my neocities bc ur all so cool >w<

[atthevogue]

“Stop Making Sense” (1984)

The basics: Wiki | IMDb | TVTropes

Opened: Jonathan Demme and David Byrne’s Talking Heads concert film opened the second week of March 1985. It ran for a few weeks, and by early June was showing at Village 8, the local second-run theater. It was revived at The Vogue in July, and ran a few times a month through 1986 and 1987, usually as the second-to-last or last show of the day. 

Also on the bill: Opening weekend, it shared a very unlikely bill with the slow-burning 1975 Australian film Picnic at Hanging Rock. It also shared some more tonally appropriate bills with Buckaroo Banzai, Amadeus, Fellini Satyricon and another Australian cult favorite, Bliss. A few times, of course, it was inevitably programmed before the monthly midnight screening of Rocky Horror. 

What did the paper say? Given its status in years since as the great rock concert movie of that (and any) era, there wasn’t much coverage at the time. The Courier-Journal’s regular film and theater critic from the late 1940s through the early 1990s, William Mootz, didn’t appear to see it. Janet Maslin’s glowing New York Times review was run instead, as was common practice for smaller movies. Vince Staten, the vaguely curmudgeonly but always insightful TV critic of the 1980s, wrote a few years later when it came out on VHS that "quite a few people, myself included, thought it was the best rock-concert movie ever made.” In 1987, towards the end of its run at The Vogue, a weekend roundup in the paper’s Saturday edition highlighted it, calling it "a cult in the making" that was “building a faithful following in its repeated engagements at the Vogue Theatre.” The headline was “’Stop Making Sense’ is making lots of cents.”

What was I doing? I was between six and eight years old. It was unrated, so I certainly could have seen it, though neither of my parents were Talking Heads fans, and I don’t think it would have occurred to them to take me -- this is the kind of thing my cool aunt would have considered taking me to see. Maybe I am giving myself more credit than I deserve, but I think I would have liked parts of it quite a lot.

In a mid-sized town like Louisville in the 1980s, I imagine fringe culture tended to consolidate itself into small, overlapping groups. Bookstores, bars, music venues, video stores, coffee shops and art galleries serving the same audiences all overlapped in their programming to some extent.

The Vogue, in addition to showing the movies we’re talking about here, was also an occasional music venue. Its musical programming served a roughly parallel function to its cinematic programming: it was an outlet what used to be called “alternative” culture. A number of Louisville’ earliest punk and new wave shows, in the late 1970s and early ‘80s, happened there. 

In fact, on that note, I have an eBay alert set up for “vogue louisville” so I can grab any Vogue-related memorabilia that comes through. Almost nothing does, though recently there’s been someone trying to unload a ticket stub for an Iggy Pop show presented there in partnership with the Kentucky Center for the Arts in 1990. The sort of person who might go see Iggy would also likely be there for the showings that week, which included Pump Up the Volume and Pink Floyd The Wall. Neither of those were exactly countercultural circa 1990, but were certainly adjacent. (Incidentally, I’m a little tempted to buy that Iggy ticket, but it doesn’t even have the name of the Vogue printed on it, so it doesn’t seem like it’s really worth it for my purposes. Still, there it is below.)

Jonathan Demme’s Stop Making Sense played the Vogue for about two years. Though that was a lot longer than most rock movies, it was far less than, for example, Led Zeppelin’s The Song Remains the Same, which played for ten years, or the aforementioned Pink Floyd The Wall, which showed regularly for almost fifteen, right up until a year before it closed. This tells us that while the Vogue catered regularly to a new wave crowd, their economic bread and butter was either aging boomers or stoned college kids who remained in an oblivious dope haze throughout the events of the 1980s (or possibly both).

But a few times a month for two years indicates there was a healthy interest in Stop Making Sense among a fairly sizable portion of Louisville’s young cultural elite. There were a lot of weirdo bands in Louisville in the mid-1980s, loosely aligned with punk but a little artier, and I wonder how of them were in attendance. Once again, this is one of the big problems with this experiment: watching a lot of these movies on a streaming service on a TV all by myself is so unlike seeing it projected on film in a communal setting with a roomful of people that it barely qualifies as the same experience. It’s like trying to write about having a dinner at the French Laundry by eating a Trader Joe’s frozen quiche lorraine over the sink in your kitchen. Koyaanisqatsi loses a lot in this format, and Stop Making Sense may lose even more.

Koyaanisqatsi, which was also on the midnight movie circuit about the same time, is a fully immersive experience, like Stop Making Sense. Demme’s movie, though, goes a step beyond immersion by inviting active participation. It’s shot from the perspective of the audience, with no reaction shots or backstage interviews, and since the audio was recorded digitally, it was crystal-clear, or as crystal-clear as the P.A. allowed at the Vogue. Probably the sound and sights were, in some way, superior to those you might have seen at that Iggy Pop show live in person. Most of the reports from the time -- not in Louisville specifically, but in many places -- make note of people dancing in the aisles. I can imagine it must have been a similar scene at the Vogue.

As a director, I didn’t give any thought Jonathan Demme up until a few years ago. I’d seen Silence of the Lambs, and liked it OK, and although I adored Swimming to Cambodia, I thought that had more to do with Spalding Gray than Jonathan Demme. In a stirring reminder, though, that the internet can still cough up truly remarkable documents that change the way you see the world, I stumbled across this Jacob T. Swinney supercut from 2015. I remember opening it, and scoffing to myself, “oh, so Jonathan Demme is like an auteur now?” 

Obviously I was way, way off-base. Three-and-a-half minutes later, the video had made a total convert of me. The way those faces looked at you -- clearly there was something here. I rented all of them over the course of a few weeks, through his early and middle period, from Melvin and Howard through Married to the Mob. I came away with the sensation of falling in love, partially with way of making movies but also with a whole worldview. Demme’s movies find a way to be incredible stylish assemblages of the best parts of North American culture (all accompanied by incredible soundtracks), and also turns its attention to oddballs, misfits and outcasts with a loving gaze that manages to be both amused and compassionate.

Stop Making Sense does all of these things. David Byrne is not warm, exactly, but his arch sense of humor is endearing, and of course he’s one of the great eccentrics of late 20th century American culture. And he’s surrounded by a gang of musicians that seem like they’re right of out of a Demme movie, like the house party at the end of Swing Shift or the Miami hotel pool in Married to the Mob: Chris Frantz in funny-dad mode with a very un-rock-star polo shirt, Bernie Worrell mugging at the camera, Tina Weymouth looking cool in a succession of power suits, Lynn Mabry and Ednah Holt providing synchronized commentary throughout.

It’s only at the end that Demme, as if he’s been teasing you by withholding them, allows some audience shots to sneak in. They look like the sorts of sweet, goony people you’d hope to meet at a Talking Heads show. After every Demme movie, there’s a sense that you, too, could be part of a global community of weirdos who take care of one another. 

I can tell you from experience that being weird in a place like Louisville, a town that can be both rigidly conservative and indulgent of eccentricity, could be sort of a lonely experience. It was also the sort of place where there were enough of you out there that you usually found each other somehow. I hope a few of the members of that Demmian-Byrnian community, all out at the Vogue on a Saturday night dancing in the aisles, caught a glimpse of one another when the lights came on.

[seokmins]

I keep seeing anons ask content creators this question.... Why? Y'all we put in a LOT of work for you and ourselves to create things for Fandoms...

You do know that your dash would be dead and there would be a void of emptiness for content that you can consume.

My mootz throw out more content than I can even get to reading and I am ever so blessed and proud of their efforts.

The simplest thing you can do is like it BUT a reblog shows "hey guyz, look at this cool thing I found!"

I don't even know why I have to iterate it, but... It's not that hard lmfao.

why do you always ask for comments and reblogs ?

Because otherwise, there wouldn’t be much of them :). I always put a little “comments or/and reblogs are appreciated” at the end of my stories, and the few time I forget, there’s literally not one comment no matter the amount of notes so ya know ^^. If I post on tumblr, it’s cause no matter its flaws, the way you can interact with people reading your stuffs is great (via asks, comments, reblogs etc etc). 

As for reblogs, I just think it’s nice ? The like to reblog ratio is horrible. On most stories, there’s about 1% people who like that reblogs haha. And honestly, it’s just that a reblog goes that extra mile to show the person liked your work ? Tumblr doesn’t work like Instagram. It’s not just “scroll and like, then move on”, you have that extra choice to share what you liked with others (no matter the amount of followers you might have), and I think it’s cool ? It’s just that little extra push, extra appreciation :). I feel like most artists and writers posting on this site like to have comments and reblogs ^^.