#my heart has just been ripped out

[bittersweet-nothingss]

“My relationship with my soul is gone”

[clouvu]

Nothing in the world belongs to me But my love, mine, all mine

[mariocki]

RIP Timothy West (20.10.1934 - 12.11.2024)

"We met when we were cast with small parts in that really boring play, so had both brought the crossword to stop us going mad. We saw each other across the rehearsal room doing it, so decided to sit together. Then we couldn’t record because of the strike one day so we went to the cinema, Pru and I, to see The Grass is Greener with Cary Grant and Deborah Kerr. The show was cancelled, but a bit later Pru sent me a card saying ‘they’re reviving that terrible play, are you in it?’ I wasn’t but we started writing to each other then."

"Humour is vital, and respect for what people do and what people think. Kindness is important, and we’ve always had the same humour, laughed at the same things, been interested in the same things, got cross about the same things. And been in the same business. We have often been away from each other work-wise and therefore we’re always very glad to see each other again."

[nebulaedaniel]

no im gonna yap a little sorry

theres something about this. i watched the stream in my childhood bedroom where i first watched their videos back in 2015. i have my tatinof and ii posters on the wall and i dug out my tabinof from a box to bring to my apartment halfway across the country. who i was at 14 is so drastically different to who i am at 22, and yet so fundamentally the same.

when i started watching them, i was deeply anxious to the point that i was begging my parents pull me from school. and my mom said “what if you make friends on the internet?”

they are my comfort and so are all of you to be honest, finding this corner of the internet and the friends Ive made through it, it’s what made me get through my teenage years.

i dont think i have the words, or ever will, to be able to express exactly what this all means to me. i was in a pretty bad place mentally before the renaissance, and coming back to tumblr and the way things used to be brings me so so so much joy

[sockeyesoren]

Who let the dogs out

[dailytraingirl]

btw i made a post sometime here about being in a restaurant or something and hearing teenage dream and thinking of larry stylinson because of that one video of them singing it

anyway like two days ago i went BACK to that restaurant and they played just the way you are AND viva la vida

it actually made me feel like i was going insane

[sunkissedliterarylightofchrist]

sorry not sorry but its twisted that people take Christian media and try to twist it around to fit and affirm their gender ideology

[cyrus-solaris]

demon slayer fans… are we doing okay after that last episode?? bc i, for one, am not.

[longagoitwastuesday]

I am liking Jujutsu Kaisen, way more than I imagined I would, but I foresee it will let me down and it's keeping me from enjoying this as much as I could haha

I think the characters and dynamics are well set, and I think many of them have an incredibly good and deep potential, but I would be willing to bet they'll not get a proper development, enough for them to really hit. A well assembled set of gears is not enough to make the movement go, you have to wind the clockwork.

I think Gojo and Megumi have a fascinating and very complex dynamic, but I doubt it will be given the time and care that imo it needs to actually work. And it is going well enough for now! One could see the intimacy between them was deeper than the one Gojo had with, say, Yuji and Nobara ever since the very first few episodes despite the fact Fushiguro too was a first year. But the pieces forming what they have are extremely complex, and it just wouldn't be realistic if it doesn't show, even if in a not showing way, or if it doesn't have consequences or implications.

It's one of those dynamics that shape one's life, the way one regards the world, the way one establishes or not relationships with other people. It's one of those dynamics that could be full of fondness, gratitude, resentment, admiration, trust, and that imply intimacy, the good kind or the bad, even if in just the knowledge of someone who's been a constant through your life. It could, and would, imply a myriad of feelings, and probably in such a mix it could imply contradictory feelings too. Even the nothingness would weight, even the nothingness would be significant and meaningful.

Gojo took Megumi and his sister under his wing, the son of a man who murdered him, because of both selfish and selfless reasons. Megumi looks like Toji. What does Gojo feel about this? How does Gojo deal with this? How does Gojo go about taking care of Megumi? Would he walk him to school? Make him breakfast? Celebrate his birthdays making him blow candles? Did he take him to the zoo? Does the relationship between them feel professional or is it something more? Gojo appreciates his students, but is Megumi to him just another student? When Gojo faces Sukuna in Megumi's body, did he see the kid he raised, or does he just see Sukuna in one of his students' body? Did he have one faint wavering instant? And how does Megumi feel about this? Is he resentful of him? Resentful of the situation? Of the selfishness behind his actions? Does he feel like a pawn? Is he grateful? Does he resent feeling grateful? Would he rather not? Does he love Gojo? Does he feel nothing about him other than what he could feel about a teacher that sort of annoys him but knows he's reliable in his strength? Does he think it unfair, cruel or unfeeling that Gojo is close, closer perhaps, with Yuuji or Yuta, considering their story? When Sukuna slices Gojo in two, does the remnants of Megumi's soul tremble?

And not just Megumi and Gojo. Yuuji and Nanami, Gojo and Nanami, Yuuji and Fushiguro, Nobara and the boys, or Nobara and Maki, Todo and Yuuji or Yuta, Gojo and Yuta, Megumi and his sister. Gojo and Geto, even! If the pieces are well set, the dynamics are intriguing, interesting, and have potential to be deep, but then the characters have like two plot relevant scenes that punch you hard, but little more, it's not nearly enough. Especially not nearly enough for the enormity that is shonen dynamics and situations. And the potential existing at all, and then not delivering, makes it all the more frustrating when you're left with something mediocre that could have been so good.

The development of dynamics through not only a few plot relevant gut wrenching moving scenes, but also the smallness of life, is important. The friend who recommended this to me said that those things were just unnecessary filler, but I disagree. I think there's a big difference between a large amount of anime-only filler episodes whose existence is based on the fact they had run out of manga chapters to animate, and moments of quietness. The low stakes character-driven moments of quietness can be so telling and so insightful, and they are so satisfactory when brought back later in higher stakes situations. My friend teased me there was no scene of Gojo making breakfast to Megumi, that it would be an idiotic idea, but it would be so telling. How he makes breakfast, what they eat, if he tries hard or if it's all mechanised, if they have personal bowls or if they use whatever, if he just buys them some pastry on the way to school, if the way they have breakfast changes through the years, or if he doesn't make them breakfast at all! All that would be very insightful on their dynamic and its evolution. All that would give a glimpse on how they regard each other and why, even in the present. All that could become meaningful in tense situations and high stakes scenes.

These moments also let the plot breath; if a lot is happening all the time, if every character is always experiencing trauma after trauma, the entire story is so emotionally draining that at some point you don't even care all that much. Besides, these nothing moments or low stakes plot arcs, besides deepening and developing dynamics, also let some in-world time pass, which would make the intimacy and bond between characters more believable imo; between Yuuji eating Sukuna's finger and their last confrontation in December how much time has passed? A few months? Am I truly to believe these characters are so everything to each other in only a few months?

Without some smallness, some repetition, some daily life, some low stakes not plot-centric development, the dynamics don't hit, they don't truly feel fleshed out, and dynamics as complex as the ones Megumi and Gojo have, or as supposedly meaningful as the one Megumi has with Yuuji or his sister, should be fleshed out if they're going to exist at all. Otherwise they'd risk making the writing feel awkward and fake. Besides, if the dynamics felt well fleshed out and realistic, they would shape the way the characters interact and act, and how they deal with situations, thus being plot relevant.

The shonen genre has so much happening all the time, the stakes are so high, the dynamics are so rooted in big events and the relationships carry enormous weight and implications. Yet they barely get developed, and it feels so stupid, so plain, the absence of something so important noticeable like a constant void, a shapeless nothingness present in every scene. It makes the characters feel like cardboard figures. Jujutsu Kaisen is already getting a better job than many, but I doubt it will do enough for what I've heard, and I fear I am bound to feel let down, and bound to feel unmoved.

After all, if not enough time and care has been given to develop a dynamic, I am not going to feel pressured by the high stakes; if not enough time and care has been given to develop the dynamic between Megumi and Yuuji, as good potential as it has I am bound to feel little for this last confrontation between Sukuna and Itadori, and his effort in getting Megumi back.

[thee-babbo]

bro this album. .. .

[indelicateink]

look i know we have like a mere ~43 minutes to tie it all up next sunday, but in addition to urgent matters, there is to me the very pressing issue of making clear what the actual fuck was up with that egregiously evil show lestat put on at the trial, weirdness and all. the one non-book-fans may not question bc, yknow. evil? as well as that entire first season where lestat was sold to the public as 500 pounds of pure asshole in a 10 pound sack

but i’m kind of nervous we’re not going to get clarity?

“If you noticed Lestat was acting a bit off during certain moments of the play, you were right to think something was going on. There are things in the second book in The Vampire Chronicles series, The Vampire Lestat, that better contextualize Lestat’s behavior in this moment. We won’t reveal that book plot here, but Reid says “seeds are placed” in the trial and in next week’s finale. At the time of publication, the series has not yet been renewed for a third season. If it is renewed, showrunner Rolin Jones previously told TV Insider that it will be an adaptation of The Vampire Lestat.”

(oh pls we all know the renewal is a sure thing but anyway—)

SEEDS ARE PLACED?

WE’RE PLACING SEEDS, AMC???

be for so real right now and do not tell me i have to wait another two years for the overdue “oh actually there were Reasons, i know we made him out to be a flaming (charismatic) dickwad for the non-book-reader to despise again and again and again, but actually lestat’s not soooo bad, not entirely, we were just fucking with your mind”

i’m breathing. it’s not sunday yet. maybe all will be well. i’ve only been waiting patiently since ’22 to have this poor bastard loathed 2% less in the court of public opinion. i have NERVES

[nerdie-faerie]

Thinking about how most of the times we see Kol in tvd he's acting as errand boy for his siblings, starting with Rebekah asking him to kill Matt at the ball. If he cared solely about killing someone to spit in the face of Esther's rules he could have killed anyone else after Rebekah changed the plan. The second time, he's in Denver with Jeremy and texts Klaus to let him know if there's anything else his brother needs from him. And later Klaus calls on him to use his presence with Jeremy to threaten Bonnie into undoing the linking spell. Then he's there again to kill Mary when he finds out from Klaus that the mfg are trying figure out who they're sired from after breaking his cover in Denver. He's not even in series 4 up until Rebekah gets undaggered and suddenly he's there to retrieve the professor for her

I just think it's interesting that he's characterised as the volatile and reckless sibling and in the originals we learn that he constantly feels like an outsider in his own family with Klaus, Rebekah and Elijah making up their own little trio with Finn daggered. And yet anytime they need something he's there, almost as though he's still desperately trying to endear himself to them until he inevitably lashes out and gets daggered for it, his efforts constantly unappreciated. The only time he asks them for a favour that I can recall is when he swears Rebekah to secrecy about the dagger he's working on against Klaus only for her to tattle and get him daggered

[privateerstudies]

.

[ifitsbritishimprobablyafan]

These bad takes on why Blitz is the worst person ever and Stolas is perfect lil bby who did nothing wrong ever are slowly killing me lol

[just-slightly-chayotic]

*sobbing into a pillow* i miss kimchay

[coconut530]

Twins