#my fanfic also follows comic story lines

[randomyuu]

the way it follows you home, the stories i never told

My guy Vox once again graced us with lovely Goyuu fanfics, and the way it follows you home, the stories i never told, made me go FERAL.

Time travel? Two Gojou Satorus? Double affection for our sunshine Yuuji? Yuuji sandwich? What feels like possible continuation of (you'll whisper, serpent tongue) what you fear you have become???

FUCK.

I need to stop indulging my imagination too much. I should’ve been content with writing long-ass comments but noooooo, my brain goes “you gotta draw it”. DAMMIT VOX, YOU AND YOUR DELICIOUS WRITINGS HHHHHH

So… usually I should’ve picked a favourite scene that is within my drawing capability, but I just… love all three chapters??? So I made a questionable time investment? I can’t stop??? Help???

This is probably the most ambitious fanart project I’ve ever done so far. Fair enough, considering I might combust if I keep these welled-up emotions inside from reading Vox’s Goyuu fics. Fuck.

Fic info:

Title: the way it follows you home, the stories i never told

Author: @voxofthevoid

Pairing: YuuGoGo. Future!Yuuji, Future!Gojou, Teen!Gojou

(idk why I laugh writing YuuGoGo. I’m beyond help)

Currently, it is 3 chapters out of 8. And it’s gonna be NSFW chapter 4 onwards, so don’t forget to read the tags first, folks!

The drawings are under Read More, because I have lots of thoughts surrounding each chapter and drawings. It’ll be hella long if I didn’t hide it here. It was a mess down there. A combination of hours before, during, and after I read said fic. I’d say good luck finding the art among the sea of jumbled words but… you’ll find them easily. Don’t worry about it haha

SPOILERS FOR ALL 3 CHAPTERS! I highly recommend reading those first before diving into these drawings!

Also for the comics, read from right to left please!

From here on, I will be referring to the Future!Gojou as Gojou and the teenage one as Satoru.

Overall, drawing all these is fun! Really fun! This project pushed me quite hard, forcing me to test my limit (because I rarely draw this much back to back). Since this is a combination of drawings and comics, the coloring style will not be consistent. In a way, I want to try some brushes I never get to use, as well as try out my new graphic tablet. Drawing these got me giggling because I was finally able to let loose during line art. It's much easier to do so, and sometimes I just get to reread the fic and giggle to myself for the nth time.

CHAPTER 1:

Whooo. Whooooooooo—

Ok, ok, the premise is just that good. It intrigued me, fascinated me, and I just… oomph. I cannot refuse a Time Travel Yuuji Sandwich. Sign me up.

Honestly, there are two scenes that are just… a bit too clear in my mind when reading this chapter. That would be the one I drew above, and the other is when Yaga called Gojou to come outside of the class. I love, loooove how Vox wrote Satoru’s POV. And when Yuuji fucking giggles?

I lost it.

Can you imagine, drawing Yuuji grins, with shiny stuff, maybe some sunlight, just purely happy and indulging Gojou?

Help me, for I am drowning in my love and adoration for Yuuji.

Page 2 is an experiment on using harsh black as shading (kind of?). I really enjoyed colouring Yuuji, and drawing those buffalo skulls! I wish I can grasp the concept of contrast a bit better tho :v

CHAPTER 2:

This is probably the only chapter where I picture still images instead of comic panels. A bit like those cool chapter covers in mangas. The one I really, really want to draw is the scene with Satoru on the table. Can’t pass the opportunity to highlight Satoru being a brat, albeit a really cool brat.

Cool idea drawing always proves to be a challenge, because of course my artistic skill just so happens to be below the requirement. Thank you, Sketchfab, for the chair and desk’s perspective otherwise I’m screwed lmao

The second scene that I want to draw the most is this:

Gojou is one step away from climbing Yuuji. Also, I have a bit of a problem picturing a man pouting that makes him look crazy instead, so please have Gojou pouting adorably instead. Because, as Yuuji said (with love), Gojou is (also) a brat.

This is possibly my favorite art in this project, after Yuuji's in Chapter 1 page 2. It's clean because I don't have to draw background, and I was having a fun time drawing Yuuji. And Gojou's squishy cheek as well.

Oh, actually, there is a “manga” scene in this chapter. It’s when Yuuji said, “I love Satoru.”

I just—

AAAAAHHHHH YUUJIIIIIII YOU AND VOX ARE GONNA BE THE DEATH OF ME. That secure relationship between Yuuji and Gojou? Satoru’s description of how Yuuji’s smile could blot out the sun??? Not me screaming 💀 I also see bits of hints of possible co-dependency, though I could be reading those wrong, but either way I’m good. Secure and possessive relationships are fun to consume hhhhhh

But yeah. There are too many wholesome Yuuji smiles in this fic, and I… I am not confident enough to draw genuine happiness. It’s too much for me ∠( ᐛ 」∠)＿

For this chapter, another reason why I chose these two scenes is just because I want to try and draw cover-worthy pictures of Yuuji and Satoru, and Yuuji and Gojou (cough)

CHAPTER 3:

We start the chapter with Nanamin. Ah, Nanamin. I forgot what his teen self looked like and was surprised to see his design again lmao

I want to draw Yuuji and Nanami scene because… I just want to, I guess. I have never drawn him before (Yaga as well) so that's an interesting challenge. I got two ideas on how I want to draw it. One is a bit painting-esque, and the other one is like another chapter cover. In the end, I chose the cover one because I want to emphasise the difference between teen!Nanami and the Nanami from Yuuji’s original timeline, and how the watch feels like a connection between the same (yet not) person. It’s a bittersweet feeling? In a way?

I’m not really good at explaining my intention ∠( ᐛ 」∠)＿

I love Yuuji’s answer to Nanami's question.

AND FINALLY.

A Yuuji SandwichTM scene.

And oh B O I do I love it. Have I told you I like every chapter? I probably have. But this one? Satoru’s curiosity, Yuuji’s on-brand self-deprecation, and Gojou come strolling down to show more of Yuuji to his mini-self. I want to draw this whole scene, from Gojou finding them, feeding Yuuji snacks, bitch-slapping Satoru into the backroom, to Yuuji growling. Them trying to hide a boner from Yuuji’s growl got me cackling so hard I LOVE IT 😭

I love it all. Please love Yuuji in my stead, Satoru and Satonyan :3

Oh! Also! 40-finger Yuuji sounds really, really cool! I’ll be happy with whatever Vox will give us in future chapters, but 40-finger Yuuji… possible scene with this timeline’s Sukuna… my god. The action! The drama! The bloodshed! One can only hope.

However, as much as I love that whole scene, it’s still too much for me :”) I’m still not yet confident in delivering the humour and action. Also my already-long drawing plan had my brain groaning in protest so I can’t push my luck :'D

When Gojou said "He looks sweet, but he's a bit of a beast", I kept picturing Yuuji staring innocently, but there was an edge to his look. As if the moment Satoru looks away, he will pounce. But in the end I just stick with innocent-looking Yuuji because I accidentally drew his eyes that way and I want to keep it in lol

Since Satoru points out how soft and cuddly Yuuji is, I also want to draw soft Yuuji :v

And the last one… is the last scene. For some reason, I read that both Gojou and Satoru share Yuuji’s lap and was having a frustrating yet fun time figuring out how it’s… physically possible, without having their butts on the ground because they both are not small at all. As I lined the art, I reread it again and… perhaps I read it wrong? Satoru is beside Yuuji, and not on his lap? So yeah, this one might be the least accurate, but hey, at least you can view it as a crack drawing or something :v

AAAANNNDDD I HAVE EXCEEDED TODAY’S BRAIN CAPACITY OF FORMING WORDS

Have I told you I love this fic?

…I probably have.

Have an amazing week (❁´▽`❁)*✲ﾟ*

[retellingthehobbit]

Tolkien Webcomic Recommendations!

I know people here follow me for my webcomic adaptation of the Hobbit. So I thought I’d share recommendations for my favorite similar Tolkien comic projects, in case people are looking for other Tolkien webcomics to read! :D

My recs will be mainly Tolkien comics that adapt portions of the original books, just with their own unique spin on them.

1. Sam and Frodo Comics, by Molly Knox Ostertag

Ostertag is probably the most well known artist on this list! She is a professional graphic novel artist who does gorgeous adaptations of scenes from Lord of the Rings, read through a queer lens, in order to tell the story of Frodo and Sam’s love for each other. This is mixed in with comics based on her own Tolkien-inspired writing. I’m focusing on comics in this rec list, but I’ll add that Ostertag has also written a lot of engaging prose fanfic with illustrations.

“Sam and Frodo Comics”

“In All the Ways There Were” (illustrated prose fanfic adaptation)

2.Lord of the Rings Book Canon Comics, by @yambits

Yambits does beautiful adaptations of scenes from the original lord of the rings books that do not appear in the New Line Cinema films, hewing very close to the original prose, and focusing on the love between Frodo and Sam. I especially love the way they depict the magical temptation of the Ring.

“Ithilien,” an adaptation of Frodo & Sam’s encounter with Faramir

“In the Lair,” an adaptation of Sam & Frodo journeying together into Shelob’s lair

“The Tower,” an adaptation of Sam journeying to the tower of Cirith Ungol to rescue Frodo

“Escape from the Tower,” an adaptation of Sam and Frodo leaving Cirith Ungol to journey into Mordor

The Ringbearers, a comic about the One Ring reflecting on the resilience of hobbits

3. Sansukh the Webcomic, by @fishfingersandscarves and @determamfidd

Sansukh is a well-loved Bagginshield fanfiction that is now getting a webcomic adaptation co-created by the original author. The premise is that after his death, Thorin Oakenshield is not able to speak to his surviving loved ones, but can influence them in subtle ways; he uses this power to help inspire Gimli to join the Fellowship of the Ring and protect Bilbo’s nephew. From there the fic becomes an “adaptation” of Lord of the Rings, retelling the trilogy through its new lens until the very end.

This is a bit of an outlier on this list because it’s an adaptation of a fanfic that’s an adaptation of the books, rather than an adaptation of the book. However, if you’re into the Hobbit fandom/Bagginshield, I recommend checking it out! It’s also one of the few comics on this list that is currently updating. :)

@sansukhcomic (tumblr blog)

Chapter one

Original fanfic the comic is based on

4. The Ainulindalae from the Silmarillion, by Evan Palmer Comics

People who know me, know that I’m *usually* not a big Silmarillion person. However!

Comic artist Evan Palmer did a gorgeous adaptation of the Ainulindale. This section of the Silmarillion describes the elven myth of creation, the ancient years where the world was created through a divine magical song. Palmer’s Fantasia-inspired expressive watercolor art really helps bring this section of the story to life!

Full comic

5.The 1989 Hobbit Comic adaptation, by Chuck Dixon and David T Wenzel

This is another outlier because it’s a physical comic book, rather than a webcomic- and unlike all the other recs this is an “official” adaptation produced by an actual publishing company rather than a zero-budget work made by an indie creator working alone/with a partner. I’m unsure if it can be found online.

It’s an adaptation of the Hobbit that hews extremely close to the original book, making practically no changes at all. It has very gorgeous watercolor illustrations! ( It’s been a big inspiration for me on my own little comic adaptation of the hobbit shsjd.) This is also the only comic on the list I’ll offer critique of, because it’s the only one made by an actual company with a budget— so I’ll say that because of page limits imposed on the comic many of the pages can feel overcrowded with prose, and emotional beats/comedy beats sometimes aren’t given the time to properly land. At times it feels less like a comic adaptation and more like reading the original prose of the Hobbit accompanied by some very beautiful illustrations. But if that’s what you’re into it’s great!

It’s a fun well-illustrated read that I recommend. I’m not sure where people can find copies; I stumbled across it in my library, so they’re definitely still around.

If anyone has additional tolkien comic recommendations,especially ones that can be found easily online, feel free to add them to this list! : D

[needtoloveoutloud]

Just... let people do with fictional characters what they want?

Idk if this is a hot take of mine or something but:

I just saw a TikTok that was like: OMG guys do you remember the dark times of the MHA fandom when the following things were a thing:

Chloe Takami

Bakugo Poster

DabiHawks Video

Dekubowl

"How do you feel about your ship with Eri?"

TodoBakuDeku

Todoroni and Cheese

"Somebody once told me it's your power, Todoroki"

Deku x All Might

Yagami Yato

Erin Clover

"Hey UA, Bakugo Katsuki is NOT a monster!"

"Todoroki is a real person!"

Angry pomeranian

Ship Wars

Todoroki gives birth series

"Kacchan, we were five"

Smol bean deku/Broccoli boy

"It's bigger than All Might's!"

Layla Todoroki

And, like ????

Okay, first of all, I have no idea what they mean with like half of that stuff, tbh - must have completely went past me

I don't know what DabiHawks video they're referring to, what/who Chloe Takami, Erin Clover, or Layla Todoroki is (I assume they are OCs?). I have no idea what "Todoroki and Cheese" is about or what "Somebody once told me it's your power, Todoroki" is about. Same with the "Kacchan, we were five." Or "It's bigger than All Might's".

The thing I definitely agree with that's crossing a line is when that one person, during a comic con panel, asked the VA of Midoriya what he thinks about "his" ship with Eri. That's involving a REAL person and made the Voice Actor very uncomfortable. That is not okay.

The Bakugo Poster incident is also... yeah, well, very unfortunate.

The thing about Todoroki being a real person was satire in my eyes? But I could be wrong about that lol

So first of all (I'm going on a little rant here, please excuse me):

If people make fun of other people's OCs, that's absolutely appalling. I get that OCs aren't for everybody, that's completely fine. But just let people do and write whatever they want? As long as it doesn't hurt you, literally: what's your problem? Don't like, don't read?! Simple as that. People put in a lot of time and effort for creating content with OCs and coming up with them and literally, they do it for FUN. To COPE. Or simply because they felt like it. What the hell does that have to do with you? Just, like, grow up and chill out?

About the ships: DabiHawks, Dekubowl, TodoBakuDeku, All Might, etc. - again: don't like, don't read?! I get that not every ship is for everyone, but nobody is forcing people to read stories? So, if you don't want to... just... don't? Just look at the tags, think "Oh, mhm yeah that's not my cup of tea" and move tf on? Find a story with a ship that you DO like and be happy people are sharing their thoughts, stories, fanart, content, etc. with you FOR FREE? I truly don't get it. The amount of fanfic authors that leave fandoms because they literally get bullied in the comments (and receive death threats, like ???) is scary. I swear, every other day someone in the AO3 subreddit feels so incredibly disheartened by the vile shit people comment on their stories simply because the commentor doesn't like the ships or think they're wrong? I get it when it makes people uncomfortable when it's a ship that involves, let's say teacher x student relationships or something. But then again: don't like, don't read. Move on with your life. Nobody has to like everything. Also, some stories literally exist to make people uncomfortable. To make them think. To help cope with something that might have happened to them (looking at the dub con/noncon tag here). I mean, has media literacy taken such a downfall in the past few years that people lack critical thinking skills? Some books solely exist for the purpose of giving you an icky feeling — take Lolita for example. It impacts your life in no way whatsoever, that stuff exists that you don't like if it does.not.hurt.you. IT IS FICTION ffs

Same with Yagami Yato. Don't like, don't listen, don't engage. Don't make fun of her/them or the people who like the stuff. Simple as that? Why do people have to shit on things that bring other people joy or a form of escapism? I truly don't get it.

"Hey UA, Bakugo Katsuki is NOT a monster." Okay, we get it. I get if you think that video kinda came out of nowhere (saw it for the first time a few months ago, so I was late to the party) but that creator just had some fun with a story and even created a fan video of it including their OC in the video. People bullying someone simply because they have fun doing something they deem as "cringe" is not okay, and I have no idea when people started thinking it was?

Just... in general. I don't get why people bully people about stuff that literally has NO IMPACT on their own lives. Especially if it's about a fictional story, with fictional characters, in a fictional setting? Just... have some fun, be creative, and have a good time? I can promise you, the people who make fun of others for things they deem "cringe" do plenty of shit others think is "cringe", too.

Sorry for the rant. It just really rubs me the wrong way if people make others feel like crap for things they like. Just let people be, maybe?

And all the comments on that tiktok agreed, too.

If you ask me, making people feel like shit, publicly shaming them, and bullying them out of fandoms (which are supposed to be safe and fun!) is actually what's real "cringe" here.

[cobra-diamond]

My Problems With Azula In the Spirit Temple

Spirit Temple feels like a breath of fresh air in a lot of ways, but it also contains a number of lingering foul odors. Here are some of the problems I have with Spirit Temple:

This Version of Casual Bitch Face Azula

Not be confused with Resting Bitch Face Azula. I'm talking her eyebrows raised casually, her aloof expression, flippant demeanor, and very sharp, even jaundice features. I know we’ve seen variants of this Azula before, but this comic's version in the beginning and at the end feels like an amalgam of her characterizations from Book 2, Book 3, and The Search, maybe even Smoke & Shadow a bit. Something feels off about this characterization of Azula. It feels a bit forced and exaggerated.

The Fire Warriors Not Wanting Revenge on Society

Huge missed opportunity. This was an area where Azula and her acolytes could have related to each other and bonded on a personal level; being discarded by their society and their families. The potential was there for the Fire Warriors to be inspired by Azula because the princess of their nation went through the same ordeal as them. They even wore facsimiles of Azula’s clothes. Instead, they want to be Robin Hoods? The fuck? I know why the story did this. It wants to end the Kemurikage plotline and tie Azula to a new, likely comic-erased, plot for Avatar Studios. It’s still a monumental missed opportunity made even worse by the ending.

The Ending

Trash ending. I’ve changed my mind. It’s terrible. It almost sinks the whole comic. Almost, but not quite. One of two outcomes could have occurred for this story: Azula reconciles with the Fire Warriors, or Azula leaves them be, which is what happened. But we needed a more definitive statement from Azula, not Casual Bitch Face Azula flippantly walking off into the sunset. Once again, Azula is walking off alone into a forest, with no clear indication of what will come next for her or what she actually wants.

But the worst part of the ending is her line, “I’ll find new followers, a new place to rule." What complete nonsense. What, is she going to Neverland to rule over the Lost Boys? Skull Island and marry King Kong? This is 100% a result of Avatar Studios' and the franchise’s overall lack of plan surrounding Azula and the Royal Family. Don’t give me this amateur fanfic garbage of her venturing around the world with no money and no allies. The more I look at this ending, the worse it gets.

The Fire Warriors Getting Dropped

This ties into the ending. The franchise has a massive problem of not having people for Azula to talk to, not having anyone in her corner like Iroh was for Zuko. She’s alone in the finale. She’s alone in The Search. Smoke & Shadow is a joke so ignore that crap. And this comic continues the trend.

Being alone is not naturally part of her arc at this point. It's artificial. There should be no shortage of people in the Fire Nation who are willing to befriend the princess, help the princess, woo the princess. The Fire Warriors were clear examples of girls who would admire her, but the franchise chose to turn them into “good” people who just want to steal from the rich and give to the poor. Perhaps the problem is that Azula's allies would be political in nature and the Fire Nation currently lacks the necessary worldbuilding to have political allies for Azula when that would create huge downstream affects for Zuko.

The War Is Not Mentioned

Azula can’t separate her identity with her political role in the Fire Nation, and that's fine, but the franchise needs to be honest about why the Royal Family is so fucked up, why Zuko and Azula fought an Agni Kai, and why Azula is still adversarial to her older brother, because of the war.

The war.

The war. The war. The war.

The war that wiped out the Air Nomads and Southern Water Tribe waterbenders. The war that led Azulon to be an evil sack of shit to his grandson by commanding Ozai to kill him. That war that led Iroh to either be a proud warlord and favorite of said sack of shit Azulon or feckless burnout in the face of his sack-of-shit-to-be brother. The war that led Ozai to have a reason to be brutal and self-serving. The war that led Iroh to convince Zuko to battle his sister and prevent her from being Fire Lord. The war that pinned Zuko and Azula against each other in the first place.

The war, Sozin, and Azulon need to start getting blamed as root causes for a lot of these problems. Ozai is already getting his portion and is starting to get more from Azula. And Iroh doesn’t get off the hook. He failed to challenge his brother to an Agni Kai when clearly any member of the Royal Family can do so according to Zuko's and Azula’s Agni Kai. I need the war to be blamed for destroying the royal family. This comic barely does that.

Azula Was Too Complacent Around the Spirit

We all know Azula is an incredibly brave girl, but she’s also intelligent enough to sniff out danger. Why wasn’t she more forceful in demanding answers from the scary monk? Why did she play the spirit’s game instead of fight it immediately? This isn’t a big problem, but it made the exchange feel a bit forced and Azula experiencing Plot-Induced Stupidity.

The Spirit’s Intentions Were Too Vague

Was it trying to eat her? Why did the monk kick her out? Why couldn’t it “control what happens next”? Why did it think it new how to "redeem" Azula when it demonstrated tat it didn't know her well enough? There were major Coraline vibes in this story, from the Other Mother-esque tactics of giving Azula what she wants, to Azula circling back to the temple when trying to leave. Again, not a big problem, but it made the spirit frustratingly vague.

Azula’s Blank Reaction to the Zuko Monster

Too many blank stares while the Zuko Monster was lambasting her. I think I know what this scene was doing, but, please, if Azula is confused, use some dialogue to express that. If Azula is scared, or overwhelmed, use some dialogue to convey that. The prior scenes already used dialogue very effectively to convey Azula’s perspective.

Too Short

I don’t care about the comic format. I need more of this. The ATLA franchise does not have a character remaining who can hold a candle to Azula’s complexity, psychological damage, inner and moral conflicts, and potential for transformation. The Bounty Hunter and the Tea Brewer? Mystery of Penquan Island? ‘Fuck outta here with that shit. Give me more Crime and Punishment, Azula-edition.

[enchanted-lightning-aes]

Writeblr Re-Intro

[ID: a banner with red-yellow gradient with floral banners at each side, a splatter of gold at the middle left, an open elaborate book floating at the lower middle, a dark cloud at the center, a golden filigree beneath it, three green crystals at the lower right, three flasks floating at the middle right, a quill below it with yellow text that reads 'Enchanted Lightning Writeblr Re-Intro (Take 4)' / finish ID]

*trumpet fanfare*

basic info: enchant | they/them | early twenties | asian | aroace | follows from princessfairysparkle (i’d change the url except i’m too attached, lmao) | writes any genre of the T-rated and sorta above sort

heyo, enchant over here! i’m a writer who writes original stuff and fanfics! it’s been a long while since my previous re-intro, and i decided for a new one. just the same basics, just a new post.^^

i’m a hybrid sort of writeblr and a semi-fandom blog. however, i tag appropriately as much as possible. whether it’s salty or positive. i try writing as much as i can! yet i also take breaks when necessary. my motto in general about storytelling is: write what you want to read. and i write any concept stuck in my mind.

my main fandoms are adaptations of marvel comics and dc comics. a big fan of characters who don’t get enough appreciation (whether from fandom or canon). i love canon divergence and AUs bc it gives me more freedom. i enjoy them yet i’m also aware of their problems especially with the former.

top-tier tropes to me are: chaotic found family, enemies to friends to lovers, subverted expectations, reluctant allies to best friends to lovers, exhausted™ protagonists, strong friendships, find recovery after all the pain, morally grey characters, and self-discovery.^^

i have some active original stories listed below.

Blasted Scorn: A group of pirates somewhat succeed in their latest quest, only for knights to be their accidental stowaways. They’re assigned to search for a missing princess who’s been captured. Dread Pirate Titanarin strikes a deal with them in exchange for valuables. Along the way and dozens of broken bones, this team contemplates on whether this was their worst decision or not.

True Devotion that Remains Constant: A ballet dancer encounters difficulties while trying to find her own path. A painter is only trying to thrive after escaping a difficult situation. An awkward circumstance leads them to meet in college where they slowly learn about each other.

Lines of A Script to Ignore: An unemployed graduate struggles on getting a job as she adjusts from getting back from abroad. A scriptwriter slash theatre actor seeks to share her story while dealing with setbacks. They reconnect as they see each other, forming a bargain that’ll provide help for both of them.

other than all this, to know what’s posted on this blog, here’s another guide. so you can avoid tags, you don’t want to see. and here’s a list of stuff i shared: enchant starter kit guide.

and when i’m a fan of someone’s writing, you will see it reflected throughout here. just in case you needed to know. ✨✨✨️

[vanessalocke]

Why is official APH France an underrated character?

Today, I would like to repost a post about France that I wrote a long time ago. Please note that this post does not reflect my current views. Next, this is considered my personal blog, so if you disagree, please click back. And this post will only talk about what I (used to) felt about France in the official version, not exactly the France in my current headcanon and fanfic (even though that is the foundation for today).

.

[This post is controversial and has a personal opinion. If you disagree, just skip over it. But also because this post is mainly to express my secret thoughts that I don't dare tell anyone, so it's completely hypothetical]

Okay, this is a post about why I like APH France, and why I don't see him the way most people see him.

In short, because his aura looks very bright and when he smiles he is very cute (like the photo below).

I wonder when I fell in love with him, because it's been so many years, I can't remember. I will never be able to remember exactly how I fell.

Yeah pretty sure when people first watch Hetalia everyone thinks he's the typical sweet badboy, some people even say he's ex f^ck boiz and I'm no exception. But... damn, the more I follow this guy, the more I see his stereotype being wrong.

At this point it should be noted that when I talk about APH France, I am talking about France from 2011 onwards. It must be clarified that in the early days of APH, Hima's expression was quite dark. Maybe at that time Hima drew APH to be satirical or something, so not only was the plot quite ironic at times (and a lot of times he was sarcastic wrongly) but also the characters he built were very... But c'mon, MORE THAN 10 years have passed, just 1 year is enough to change people's way of thinking, let alone 10 years. Not to mention, APH does not have a specific plot or spirit to be consistent from beginning to end, so the later APH compared to the first APH has a completely different atmosphere and attitude, otherwise I want to say that APH has almost transformed into a new shape and only takes the first period as the root to develop. APH later became much gentler, lovely and brighter.

(When I wrote these lines, I still liked APH so I still defended it. Oh, what beautiful old days)

And I'll say it straight out that I didn't like the early APH. I also didn't like the way Hima built his characters in the early stages.

Okay, back to the main point. France is a very special character in APH. Why do I say France, not Italy - the central character, Germany - the king carrying the team, or Japan - the artist’s mother country? That's because when I read the early APH comics, I had a pretty clear feeling that the artist didn't like France.

It's not that he hated him, but he didn't like him and looked down on France a bit. Not to mention that Hetalia is strongly influenced by America's point of view and men often dislike France, think that French people are sissy. Basically, back then the way this artist looked at France was no different from the way everyone make memes "the white flag is the flag of France", "France is useless", etc. It was like everyone feels that this guy is very perverted, very annoying, very colorful, like a vase and can't do anything else. But like I said above, more than 10 years is a long process. Although the entire APH series does not have a consistent plot, Himaruya had a "development" in the way he views the main character he created. Partly because this is a series that takes references from real life and is not completely fiction, it is completely understandable for Hima to change the way he builds or even the perspective of his own character.

That's why later on France had a few solo episodes, all the deep emotions were attributed to France - something that is very contradictory to the "dark humor" stories he drew about France in the beginning. I don't know if it was to "compensate" for Himaruya pushing France down too much before.

Anyway, that's about the background. Below I will list the reasons I like this character:

- As for the character's personality, as I said, France has a very bright aura. I'm not talking about literary history or French reforms in real life, but just in the main story alone, I can see that there's something very... intelligent about him. Not trivially clever, but intelligence like, knowing a lot and understanding deeply. The fact that he is sharp and intelligent is also confirmed by the strip where he holds a knife to Prussia's neck and laughs.

- Then there's the emotional aspect. From Jeanne d'Arc to Napoleon, it is completely obvious that France is a very emotional person, a bit childishly attached to those he loves. Yes, that's right, he always says "I'm the big brother of Europe" but when he's with people he loves, he's EXTREMELY childish, likes to act spoiled, likes to attract attention (For example, he was cheerfully excited when he was with Lisa or was chased by Napoleon).

- France's way of expressing emotions is very vivid. When he is angry, he will say that he is angry; When he feels sorry for himself, he bites the towel; If he likes attention, he acts like a clown;... but never once has he lost his temper to attack others just because he was hurt. I mean, from all the symptoms I've seen in France so far, I can determine that France can be arrogant, picky, and difficult to please, but I've never once felt like he lost control of himself.

- Yeah sure, when he broke into England's house, was talkative, wore a pink dress and had eyelashes, you can see that he no longer has any shame, but I like people like this. Funny, optimistic and extremely confident.

- He really likes to care and take care of others. This is based on:

1. He is very attached to his previous bosses (as mentioned above),

2, He cooks very well, people who like to cook and cook well are people who like to take care of and see joy from others,

3. On America's independence day, he not only patted America's head but also gave him the Statue of Liberty,

4, Italy often confides in France. France also works as a newscaster giving love advice to others, and he is one of the few people who not only is not afraid of Russia but even comes up to ask about the other person's health,

5. Do you remember the Christmas episode where England called and scolded France? That evening France was alone and looked down at Paris. In the episode about a soldier meeting France and wondering about the life and death of the nation, the ending is also a scene of France sitting and watching the flow of people passing by. France is not only proud of himself, he also loves being close to people and

6, I didn't include this but if you want to take an example from APH in the first few years, there is this scene: when England was so sick, France was really panicked and worried. Even without bringing a romantic perspective here, for me it is a genuine concern between human.

- He is mean, meticulous, and profiteering. Damn him. I don't understand how he can play with Spain. One person remembers that people owe him every penny, one person "Huh? Do I have debt? When did I owe it??"

- Actually... sometimes this guy's EQ is unexpectedly low, especially with things related to England. I don't know how, every time England shows a little interest in him, he always "?:D huh? What's going on? You're planning something with me, right? Let's get to the main point, why are you rambling on?". I don't know how many times Mr. Kirkland has sighed at this guy.

- He is only mean to other countries, but to ordinary people he is very gentle and loving. With women, he has distance but is not impolite.

- It looks radical but is actually extremely conservative. In fact, no matter how much his country reforms and changes, he always seems to be somewhat attached to the monarchy, always recalling his past. Not to mention that he is one of the oldest men in Europe, and he is always nostalgic for previous bosses. As an old man and a secret royalist, it can be expected that France is quite a conservative person.

- That's why the aristocratic blood is deeply ingrained in the personality. Except when he is in a joking mood, every scene of Hima drawing France always has something quite aristocratic. Not the type of strict and meticulous aristocrat like Austria, but the type of guy who wakes up and carries his messy hair out into the street but still looks beautiful.

- France has "an iron fist covered in velvet". He seems very easy-going and pleasant. There are many cases where others just need to beg him a little and he will give in. But in the cases where he said no, it meant no. When he is serious, he is very decisive and does not compromise. One time America broke down and asked for a drink, but he firmly refused (Yes, the fact that America doesn't know how to drink alcohol has been confirmed in official). When he met his idol's reincarnation, he disappeared completely after talking, leaving his idol to live her own life. When he collects debt from others, he is also very decisive LOL.

- He is very beautiful in a feminine way. Beautiful in a feminine way to the point of having to grow a beard and body hair to make people feel masculine. I bet he has endured sexual solicitation from old men.

- He has a lot of part-time jobs, from waiter to announcer to stylist. Was hired by England to be a chef at his place for a while => didn't go to work because of lack of money, but because he was multi-talented => liked to go on strike probably because he was "tired of being too good", because he is afraid that the world is not chaotic enough, because he is bored. He's not lazy, because if he was lazy he wouldn't go to work so much, and with his great body, I think he works out quite hard at the gym.

- Sometimes he's quite silly and weird. America just has a childish personality, but this guy is sometimes inexplicably euphoric. He cares too much about auxiliary things like clothes and hair accessories, but forgets about the main things. He argues with people about silly things. When he fights with people, he asks where the fabric comes from to make such beautiful clothes instead of focusing on fighting. When people asked his opinion, he always talked off topic. When people criticize him, he looks away, covers his ears, and whistles, "The weather is so beautiful today." He also raises dozens of silly birds.

In general, this man is not what he appears to be. He looks like a typical Don Juan but in reality he's mostly just an embellishment, seems mature but actually has a very childish temperament, seems to be sociable but is the type of person who can restore his own energy and doesn't need too much human attention. He doesn't seem to care about his appearance but is actually very proud. He seems heartless and shallow but is actually a thoughtful person. He likes to talk off topic, collect debts, drama queen- no, drama king. Extremely crazy and silly.

This guy's mind is so contradictory and complicated that the more I dig, the more interesting things I find.

And that's why Francis Bonnefoy is loved.

Ps: let me tell you a little about the Zodiac: Francis is a typical Pisces.

[zahri-melitor]

What spreadsheet app/program do you use to log comics? Asking for recommendations

As I’m only using it for ‘a convenient cell-based table structure’, I keep mine in Google Sheets as it’s easiest to check and update from my phone; but I may have done the design work in Excel or Calc and transferred it over (something I often do).

Design was homebrew, but I looked at a number of different people’s own tracking sheets while I was building mine. Some people prioritise sorting which characters appear in the comics; some people prioritise building a combined timeline; some look at how trades are collected; mine have a focus on ‘what issues were published when’.

This is my main sheet which is has been built and expanded over time for different purposes. It is most useful for checking what I’m reading is lining up and contains a lot of notes on stories, crossovers and things that I might want to look up later. I also have separate post-Crisis reading lists for a number of characters I keep track of for collecting all their appearances. In contrast, this is my New 52 specific sheet that is more focused on when titles start and finish and the pattern of cancellations and new titles being spun up in title churn than on specific issues; that’s because the numbering system is highly predictable.

The most important questions are:

1. Why do you want to track your comics? Is it just ‘I’ve read this’? Is it what titles are out there and which you've read? Is it ticking off a reading list?

2. If you go back to the sheet later what information do you want check about that comic: is it ‘I’ve read this’ or ‘is this part of an event’ or ‘who wrote this’ or ‘when did their costume change’ or ‘who was in this issue’ or ‘was a timeline marker mentioned (weddings, birthdays, ages, school years)’ or it contains specific quotes/panels you like talking about?

3. What is the minimum information you want to record? You cannot expect to write a full review of every issue, so what is the most important thing to know? What is the laziest option that still meets your requirements?

4. How do you organise your reading? Is it a single title at a time? Is a chronological period? Are you following a character reading list? Is it by order of events in the comics or by publication date?

All of these help shape what design you want.

A quick roundup of a few hits of other people's tracking that I've referenced before for my own purposes:

@bitimdrake's New Earth/Post Crisis Reading Order

@silverwhittlingknife's Dick and Tim Reading Guide

@clay-cuttlefish's The Complete Question Reading List

@kiragecko's DC Sidekick Timeline (For Fanfic)

(I also have a number of others stashed away but I cannot find public tumblr links for them and often I just have them as copies, so I won't link them)

[nothingenoughao3]

Hello, I read your fic Dreams in the Necromancer House and just wanted to say I'm really enjoying it. The images are so vivid, I don't know how you do it. And so I was wondering if I could ask where did you get your inspiration from. As in, if you add references about certain books or history or traditions where do you find them? Wikipedia? I'm just curious about how to do research. Specifically the tag that says Lovecraftian cults, tbh I have no clue about the H.P.Lovecraft universe. I just think it's really interesting.

Also, I am probably going to read it again because I'm sure I've missed out on some details. Anyways, have a nice day.

Hey, thank you for the thoughtful ask! This is the sort of question writers dream about receiving.

Here is the not-so-secret and not-so-glamorous process for how I compile references for my works (not just this one--this L4D2 series took a LOT of research, and so did that one SuperBat fic).

For me, the earliest creative process is kaleidoscopic: I'll have multiple scenes that don't seem like they all fit together spinning around in my head, and "the plot" is what happens when I try to make them all line up and become one coherent thing. Usually, there are the Scenes Of Pure Inspiration which arrive out of nowhere, followed by the Scenes Of Pure Necessity that have to happen to support the Pure Inspiration, and then one or two Scenes Of Damn Wouldn't That Be Cool that come up as I play different scenarios out in my head. Once it's over, I'll probably discuss the Scenes Of Pure Inspiration from "Dreams" more in detail.

Then I start doing outlines. Yes, I construct outlines for my fanfics, just as I do for my original works. There are far too many tiny moving parts in a story for them not to be contained in an outline--even if you move them to a different spot later, the damn things'll get lost in the sofa cushions if you don't keep them in a container of some kind. (I hope this metaphor hasn't gotten away from me.)

Dreams has three outlines--the one I wrote while still generating ideas, the one I wrote to establish timelines more firmly, and then an annotated one that has all the references I've sprinkled throughout the story. So I do consider this to be a vital part of the process. There will be a fourth notation file I generate when I do my final editing pass after it's all published, too! That one will cover me stating stuff about character histories and little story details, so that (for an example that really happened) I don't have Armitage giving a flask of whiskey to Herbert which later turns into a flask of Everclear.

Now where does the research bit come in? For me, when I do my extremely-detailed outline or when I start writing.

For details regarding history, science, politics, and the like, I generally rely on Googling, same as anyone else (excluding results after the year 2021 if I'm not finding what I need). Better than this, though, is books. I used to collect books that were writers' references--one of my favorites was a guide to poisons, both "the most likely poisons used in a murder mystery" AND "how to design your own poison/toxin/venom". Also guidebooks for TTRPGs, sacred texts, gardening guides, etc. I currently have a book series called "The Home Doctor" that teaches you how to do baseline veterinary and human medicine (according to the early 1900s). I don't have that because I plan on using it for its intended purpose, but I did use it to research a L4D2 fic where someone's leg gets amputated--and I even had the characters in the fic owning those same books!

What really matters for a story like Dreams, though, is thematic feel. I think folks will forgive me if I were to mention a musical band that didn't exist in 1987/8, but far less so if I didn't nail the feel of 1987/8, or of cosmic horror. So while I am writing a story, I immerse not only in the source material (if it's a fanfic), but also in music, movies, books, comics, and etc. that "feel right". I'll draw off those media for further inspiration, because let's face it, creativity is knowing what to steal and how to steal it. (I didn't say that--Tarantino did.)

The key here is that I don't stop interacting with research and creative works when I'm not writing. I'll flip through my books or go down a rabbit hole of "what the hell is THAT scientific concept about" or learn about magical rituals every day that I can. If the compilation of research material looks easy or fast when I do it, it's because I'm always doing it and I know how to narrow it down!

For Dreams, I could go "Oh, here's a list of all the stories and movies and etc. I want to build off of" because I already had all of those things in my mental wheelhouses. If you wanted it, here is a specific list of the actual non-Lovecraftian works that thematically support and inspire Dreams in the Necromancer House:

Prince of Darkness (1987)+

Hereditary (2018)*

The Guy Who Didn't Like Musicals (2019)

Stir of Echoes (1999)

Mandy (2018)

Skeleton Crew, Nightmares and Dreamscapes, and Everything's Eventual by Stephen King: specifically, "Nona", "1408", "Mrs. Todd's Shortcut", "Gramma"+, "Autopsy Room Four", and "That Feeling, You Can Only Say What It Is In French"

Black Butterflies and Heatseeker by John Shirley: specifically "Cram", "Tahiti In Terms of Squares", "The Almost Empty Rooms", "Woodgrains"

The King in Yellow by Robert Chalmers

Twin Peaks

Music: "We Will Commit Wolf Murder" by of Montreal, "Leather Jacket" by Ben Folds Five, "It Must Have Been Love" by Roxette, "Over & Over" by Rio Romeo, "No One's Around To Help" by JerryTerry

The Arkham Horror board game

"The Mysterious Stranger/An Angel Named Satan" from The Adventures of Mark Twain

And since you were asking about Lovecraft's universe, here are the stories that went into this particular tale. All of his stuff is treated as being in the public domain, so you can easily find it on sites like Project Gutenberg or wikis:

"The Case of Charles Dexter Ward"+

"The Thing on the Doorstep"+

"The Dunwich Horror"+

"The Colour Out of Space", as well as the film adaptation Color Out of Space (2019)

"Pickman's Model"

"The Call of Cthulhu"*

"The Shadow Over Innsmouth"*

And of course, "Dreams in the Witch-House"+

The ones marked with an * are the most detailed stories regarding what I mean by "Lovecraftian cults", and the ones with a + are good demonstrations of wizardry/magic systems that supported this work.

[meruz]

another ask post

i mean i also read it because a friend whos rly into queer SFF fiction circles recced it but she did kinda lead with "the writer used to write hs fanfic...tasmyn..taz...?" to which i replied

of COURSE I read the locked tomb because i heard taz had written a book. of course. ill consume most any media made by a beloved homestuck bnf. thats also why i played undertale. and read like..snotgirl. and idk... watched the new dub of neon genesis evangelion.

if u made homestuck fanwork 10 years ago and havent even made it since chances are I still remember and I love you for it.

sdlkfhsg its funny you sensed that because that drawing did in fact start kinda more........ well, I'd be lying if I said my hands never wrought a drawing toeing over the pg-13 line LOL...

NOT to say i have a secret stash of porn or anything. in general im more interested in the implication of sexuality or mature themes over any explicit depiction. like everything i draw is so softcore itd almost feel silly to make a nsfw acc for anything.

but im not rly jumping to post anything on main either bc i get the sense i have a lot of kids in my social media following. it varies from site to site and fandom to fandom but the themes in my work often circle around childhood, coming of age etc and in general i like stories about kids so the fandoms i draw for have a lot of kids in them. even stuff like IT (stephen king) which is about kids but isn't necessarily for kids.. there were a lot of kids in that fandom lol.

actually thats why ive been censoring swears in comics lately because the tmnt fandom comes across to me as a little young...IDK I've had MULTIPLE people ask me what "sodomize" means because of the joke in this post and I'm like... I Cannot be the one to explain this to you. you have to look it up on your own klfsdhsdg like i wouldn't be doing this if i were doing a comic for mgs or even homestuck wherein the characters textually swear constantly LOL but sometimes u gotta change tacks depending on the faces u see in the crowd yknow.

i HAVE been thinking abt drawing nsfw of sunspot/richard rider/kobak from x-men red just because that comic seemed to be really asking for it. who knows.. if the need rly arises maybe my separate account policy will change.

its rly more a matter of the fact that i havent read/watched much of any other iterations... im sure id like most lol. I like most things related to my interests regardless of quality. i rly like the marvel ultimate alliance games for instance. sometimes seeing my fave guy is enough he doesnt have to be well written LOL. i dont exactly have a wealth of free time tho thats the real impediment.

i did watch the 2007 movie on new years eve and found it quite charming overall. and i have read about 30-40 issues between the mirage and idw comics. still feels like im barely scratching the surface but i liked em. i rly want to read all the sophie campbell stuff bc i think her work is interesting. jason aaron will be a mixed bag i think lmao. i say as the worlds biggest Wolverine and the X-Men (2011) fan.

hmm this is kinda hard bc i feel like i naturally draw very loose and the hard part for me is tightening it up. maybe some suggestions tho...

1) hand excercises. i think its easy to forget this when many artists sit in front of the computer all day but drawing is a physical activity u do with ur actual...bodys...muscles lol. if u feel urself tightening up it might help to strech (any google search for "artist hand excercises" should yield good results) or do a page of loose practice strokes like..big circles. long lines. scribbles. that kinda thing. whatever feels good for ur hand. this is also just good to do as a general warm up before u sit down for any drawing sesh.

2) draw further away from the canvas. as a general rule...when ur painting traditionally you do the big strokes with your whole arm outstreched and a long handled brush. and when you do the details its smaller wrist movements and a shorter handled brush. so it might help to take a step back or push back from ur chair a little.. or hold ur tablet a little further away. and hold your pen further away from the nib.

3) change mediums / brush types. some brushes and mediums are more suited to loose sketching and some more inclined towards detail work. so changing ur tool could help. also! i personally have this problem where sometimes if im using a brush i feel really familiar with the pressure to make a "good" "finished" "perfect" drawing is greater... if i want to force myself to loosen up ill switch to a tool i dont use as often so it feels like the pressure is off. a lot of times for me this is switching from digital to traditional. but sometimes its switching from a small pen to a big marker. or a smooth pen to a textured one. or a nice brush to a shitty dried up marker.

but also every body is different so i dont think these tips will work for everyone. u should listen to what ur body and mind tell u and how drawing feels to you

bro just sign up and set it up i dont think theres much to it... i dont rly think too much abt my itch.io store because its digital goods so u just upload the file and let it do its thing. no distribution work needed on ur part. youll notice i barely even advertise my itch unless i have smth new on there lol.. its easy. but good luck!!!

idk if im the best person to ask this im more a comic fan than i am a comic professional... a comic hobbist.

well. scott mcclouds understanding comics and making comics are good books on the craft. i think i had to buy them for a class in art school once.

other than that idk just keep at it. comics are really laborious i think for a lot of people the hardest part is sitting down and doing it.

i think a lot of people have a very instinctive understanding of how to read comics and what they look like so whatever you think seems like good way to tell the story you have in mind, its probably right. if u get stuck, study comics that have done something similar. most people in comics are relatively self taught and actually it can be problematic bc you can tell when a lot of comic artists are all copying the same like 5 old white guys LMAO. but on the flip side if you make sure to reference and study broadly your comics will almost assuredly feel unique.

sorry im responding to this anyways. this is just a really nice ask. i like when people reference my older work bc i feel like sometimes theyre subtly implying it wasnt very good LMAOOO. but its true! at least compared to the work i make now ^^ and the fact that im still making art is whats keeping me from being embarassed abt how much of my old art just floats around online lmao im never ashamed to be growing and learning. isnt that a nice thought <3

[crispycreambacon]

I thought I'd share the sketch of this poster/book cover as well as my initial concepts! You can click the "Read More" button for more in-depth explanations on my design process.

Thhis is all for my latest fanfiction, Snip Snip, so if you'd like to check that out, then...

Now let's crack in!

For the release of "Snip Snip", I actually had several different directions in mind! One was a comic of one of the scenes from the fanfic—specifically the one where the Professor breaks down in front of Kate and Joyce with the line "I don't like being a woman"—and the other was a series of doodles showing the Professor's transition. Unfortunately, both directions met dead ends as I couldn't find the motivation to do either. The most progress I made were these sketches.

If you're wondering, "The first one looks familiar..." that's because I reused that pose for my first promo art! It was too good of a pose. I couldn't waste it :P

But anyways, after a period of getting extremely frustrated over the lack of progress, I realized my main problem: I was biting off more than I could chew. I didn't know this at the time, but I was dealing with burnout from school assignments that made drawing more ambitious ideas like the ones I had very difficult. Hence, I had to scale it down. It made me think, "Why not do something like a movie poster or a book cover?"

That's how the sketches at the top of the post came to be! I consulted a friend of mine over which pose to choose, and he picked the third one which I understand why so. The obscuring of the Professor's face not only made it cool, but it adds symbolism in how we don't really see his true identity—the real him—until his transition. Here's the first sketch!

As you can see, the title is on the top left corner! However, I moved it to the bottom for two reasons

It's advice I learnt while looking up how to make movie posters since moving the title to the bottom tends to bring more focus to the illustration above.

I couldn't find a font that fits! And the idea of doing typography again (especially after the Keep Yourself Safe poster...) was really not what I signed up for.

But then it left the problem of the top corner looking empty. It was too distracting! So what did I fill it in with? The subtitle: This is their story. The composition is now more balanced, and also the subtitle tickles me.

As I said before, I looked up movie posters for this! Special thanks to the Nashville Film Institute and Muse by Clio for their articles that guided me during this poster making process. I will say though I got really sidetracked watching Filmmaker IQ's The History of the Hollywood Movie Poster 😭 It's really interesting, I'd recommend watching it!

One thing I learnt is that movie posters limit their colour palettes. Of course, this is good advice for art in general, but movie posters emphasize on its colour usage to attract the audience with their simple yet bold schemes. It is a piece of advertisement after all! Following their footsteps, I limited my colours to the primary colours (red, yellow, blue) and purple to make the scissors pop and allude to the nonbinary flag colour scheme.

And from there, it was just a matter of experimenting with rendering! I wanted a mix of pop art and storybook illustrations, so I mixed lineart with lineless, and I wanted to retain the energy of the sketch while still polishing it, so I cleaned the sketch, merged it with the colours, and painted on top of it rather than make a separate lineart layer.

Overall, I'm extremly proud of the end result! The struggle of figuring out the promo art for this fic has been tormenting me since the beginning of the year, so I'm glad to bring it to an end. Thank you for reading my ramblings! I hope you learnt something or at least had fun? Either way, have a good day!!

[lulu2992]

Hey ! First thanks for this blog, it's full of really great posts :) And second, I saw you gave advices to fanfics writers for John and Jacob but I didn't see anything about Joseph, I believe I'm not the only one to think The Father is the hardest to write ! Any tips, advices or anything else ? Thanks a lot and continue this wonderful work !

Hi! And thank you :D

I suppose you’ve played the game and already know Joseph’s story, but as I did in my previous posts, I’m going to give you (and anyone reading this who might not be familiar with the Far Cry 5 universe) a few links and resources:

The Book of Joseph: an official but rare book that seems mostly canonical. Its real-life author is unknown, but it’s written from the Father’s point of view and provides details about his life before Hope County. Contrary to popular belief, though, this is not Eden’s Gate’s sacred book; that’s The Word of Joseph and we can’t read it (except one page; see below).

Joseph’s sermons: the “first” one, “Soul Search”, the one about “the elite”, and “The Truth”. The latter is him reading the only page from The Word of Joseph we can find in the game. There’s also this one for Jacob’s Armory, and this, supposed to be broadcasted in the Heralds’ bunkers when the Collapse has arrived.

His only radio call.

The message he left for John at Seed Ranch.

His lines during the final fight against him.

His Arcade lines: Part 1 & Part 2.

His scars and tattoos.

I wrote a summary of what other characters say about him (masterpost here), but the cultists and Resistance/civilians’ comments can be listened to here and here. And chances are they’re not relevant anymore, but you can listen to his deleted lines here and read even more here.

The Far Cry 5 lore is all over the place if you want to take all the content they’ve ever released into account, but there’s also:

The song “Now He’s Our Father” (choir version here and reinterpretation here)

The two live-action trailers, The Sermon & The Baptism

The novel Far Cry: Absolution (not legally available for free)

The short film Inside Eden’s Gate (and, as a bonus, the long version of one of the scenes)

The comic Far Cry: Rite of Passage #3 (not legally available for free)

The game has an official sequel, Far Cry New Dawn... but it’s not really canon to me because of the retcons. And I have to talk about it because it exists, but there’s also the Far Cry 6 DLC, Collapse. It takes place in Joseph’s mind, and you would think that would make it the most reliable source of information regarding his psyche, but it was developed by a new team and there are many discrepancies between it and Far Cry 5, so I would personally advise against using it as a reference... Finally, this isn’t only true for Joseph, but take everything you see on the Far Cry Wiki with a grain of salt, especially unsourced information that makes you go, “oh, I didn’t know that”; that’s very suspicious :’)

In the Far Cry 5: Official Collector’s Edition Guide by Prima Games, the game’s Lead Writer, Drew Holmes, said the following about Joseph:

What we really focused on was creating an enemy that truly believed in his mission—that only he could protect humanity during the end of days. We wanted to create a villain who had pure intentions but who was so consumed by his own madness that he could not see his own evil. He views himself as Noah—but everyone else sees him as a madman. (...) Joseph Seed is a villain we haven’t seen before in Far Cry. Yes, he’s magnetic and crazy...but there’s also an honesty to him that makes him compelling. He believes he has purpose. He’s not crazy for crazy’s sake—he has a very clear message that he’s trying to impart on the Player—and hopefully makes you stop and think whether or not he’s actually right.

He talked about him in other interviews, such as this one.

Joseph was co-created and has always been played by the same actor (except once), Greg Bryk, whose opinion on the character is always worth reading/listening to. Here’s a selection of videos, some of them also featuring Drew Holmes and Dan Hay (Executive Producer/Creative Director/Writer):

Cult of Personality (UbiBlog)

Meet Greg Bryk Joseph Seed Actor

Interview - Greg Bryk and Drew Holmes (Gaming Trend)

Greg Bryk (Joseph "The Father" Seed in Far Cry 5) - Game On Expo 2018

FORGED ep10 - W/ Guest Greg Bryk

SacAnime Summer 2018 Greg Bryk Far Cry 5 Panel

Joseph Seed "The Father" aka Greg Bryk talks FAR CRY 5 & FAR CRY NEW DAWN

How Far Cry’s Iconic Villains Were Created (IGN Inside Stories)

Fans also asked him questions on Instagram and I compiled his answers here (and here). In the latest live stream, he said Far Cry 5 had been “an amazing chapter in [his] life” but that Joseph’s story was “finished”, implying he didn’t feel like playing him anymore...

Finally, it’s not really informative, just fun, but there’s this.

Now, my analysis and interpretation! Despite the fact Joseph is an antagonist in Far Cry 5, I wouldn’t really call him “evil” or describe him as a villain because he’s (weirdly) well-intentioned. His followers undeniably do awful things for him and his siblings, but even though he’s a cult leader, he’s neither hypocritical nor a liar, and his primary goal isn’t to take advantage of people. Joseph heard a Voice he believes is God’s and It entrusted him with a mission. Although who that Voice belongs to is up to interpretation, it’s clear to me It’s not a figment of his imagination; It’s real, and It’s powerful. Joseph has unwavering faith in It and will obey It, whatever It asks him to do, even the worst, because he’s extremely devoted and convinced he’s only doing what’s right. He genuinely believes the Collapse is coming and that he’s the prophet chosen to save as many “souls” as he can (at least 3,000) from it to march them to Eden’s Gate, which is why he started his Project.

I said he was well-intentioned but, as the saying goes, “the road to hell is paved with good intentions”, and I think Joseph embodies this proverb perfectly. The fact he’s convinced his actions are righteous is precisely what makes him dangerous and almost unstoppable. He won’t let anything or anyone prevent him from fulfilling his destiny and get in the way of his divine purpose, even if it means people have to die. To Joseph, this is “God’s will” and those non-believers will perish when the Collapse comes anyway... The people his Family saves might fight or not want to join them now, but he thinks that in the end, when they finally understand he was right, they will be grateful. As the Father, he feels he knows what’s best for his Children.

I believe the Voice showed him several versions of the future and that Joseph isn’t sure which one(s) will come to pass. He may know his siblings are likely to die and not see the New Eden, but he hopes they will live because he truly loves them. As for the Deputy, they’re the person destined to trigger the Collapse, so they’re special to him and he doesn’t want his followers to kill them. That said, he also hopes he can make them join his Family so everyone can be safe in “The Garden” the Voice promised.

I think Joseph hasn’t really moved on from the loss of his wife and is still, in some way, in love with her. That doesn’t mean he could never love someone else, but in the game, he’s not quite there yet. That may seem paradoxical, and he’s still convinced he did the right thing, but I also believe his daughter’s death was a tragedy to him because evidence suggests he loved her more than he loved himself. Joseph is a man of strong convictions… and contradictions.

He’s usually calm and collected but can still feel and express extreme emotions in some cases. When he speaks, it’s like he’s naturally solemn and charismatic, which is probably why so many people follow him. Again, the fact he doesn’t lie to them and sincerely believes in his message is probably the reason others started to believe in him in return.

Because of what he went through in his life, it appears Joseph is always desperately trying to build a family and surround himself with loved ones. Sadly, he also seems doomed to always lose them, one way or another… His commitment to the Voice is absolute, and serving God is what keeps him going. In the end, he’s certain everything he’s endured and sacrificed will be worth it. Unfortunately, while he always aims to do “what’s right”, the tragedy of Joseph is that he usually ends up inadvertently making things worse, for him or the people he loves. His faith is his reason for living, but it’s also, too often, the main reason for his suffering.

[colorguardsweetheartblurrsgirl]

Weakness Brings Death...

The Weak are First Killed...

Wages of Time Corrupting Hearts

Be Brave...

Buck Up...

Shoot First...

Or You're Screwed!

TIMES UP!!!

I'm WORKing... on stuff...😏😏😏

In the meantime... art I meant to share a month ago.

My 3rd Henry Stickmin based fanfiction. I may one day make it a comic or let someone else pick it up. But.... YeaH probably will release the first few chapters in the coming months.

'Wages Of Time Corrupting Hearts'

RD Summary:

Dave is stuck between a rock and a hard place. Can he ever get a break? Finally free from the Toppat airship, he is forced to cooperate with the defected criminal leader and his followers in order to survive. But, what they ask if him, holds to high of a cost. With his life on the line, does he have a choice? As history and the past unfold before him, Dave and the defectors are asked to question, what are they willing to do to survive? How far, is to far?

Above is the Cover Art Idea for the Fanfic.

Back in late August I ahd a crazy Henry Stickmin themed drama round the events of Toppat Civil War. Which involved alot of stuff and probably came fro. I sort of wasreading some fanfics around it, one I recall being very mature one off in which Dave's character and personality ahd been corrupted and changed. Prompting the dream but also spurn in ng the idea of "What if???" Would his personality change if forced, etc... what would cause it???

So The story and dream unfolded... I wrote it all down and called it a day.

Then early to late October this idea for art cover involving a clock cane ro mind and wouldn't leave. Then a reminder of an omd art project I never got to but a rough format for a Chaotic fanfic came about in my head with a new idea going towards this story. Involving characters standing on a giant clock and themed after a poster I used to see non stop in my 8 years previously working at a movie theater... finally I sat down and just started drawing....

I still need to fully write out the first few chapters of this story. Only the concept of the first few chapters is down. I have many later chapters fully written out and have the e ding solidly locked down as well as many of the building and final climaxes at least written down in some capacity. This could be a 20-40 chapter story depending. But it seems fun to write and workno when I need a break fro. S.T.R.Y.

HOWEVER yeah this story probably will contain heavy material. Maybe not R based. But it will still have soem heavy chapters. Yes Dave's way of thinking slowly gets corrupted hence the title.

"Wages of Time Corrupting Hearts"

[erinelliotc]

I hadn't written almost any fanfiction in my life until my hyperfixation on Ed, Edd and Eddy hit me hard. Before that, I had only written two: an Adventure Time fanfic, and an Ano Hana fanfic (my biggest story), and I never finished any of them.

I love writing, it's one of the things that gives me the most pleasure in life, and as an autistic person, writing allows me to communicate and express myself in a much clearer, detailed and spontaneous way than speaking. However, I'm much more into writing informative and personal texts with my thoughts, analyses and opinions on different subjects. Writing fictional stories is something I always wanted and tried but I always had a lot of difficulty. I didn't really know what or how to write, and when I did, I only wrote the beginning and didn't know how to finish. I don't consider myself a very creative and imaginative person in general...

One thing that bothers me about my stories is that they tend to be made up almost entirely of dialogue. As much as I have good writing skills (at least I was always praised at school and college for it), ironically, I don't have the habit of reading books (but I've always read a lot of random content on the internet), much less fictional stories. I believe that my lack of reading works of fiction, and the fact that I consume fictional stories almost entirely in audiovisual format (series, films, cartoons, animes...), must have influenced my writing of fictional stories to focus on dialogue.

I don't know if this is really a flaw or if it's just a particular characteristic of my writing style, but I think my fanfics are so different from others because of this. I tend to write a looot of dialogue and almost no description of what's happening, especially if I'm writing in English since it's not my first language, so I don't feel comfortable going into so much detail in a language in which I don't feel 100% confident to write pleasantly, fluidly and without making mistakes.

Now that I'm hyperfixated on Ed, Edd n Eddy, I've written so many beginnings and parts of fanfics and comics that I don't even know how many I've done so far. This hyperfixation awakens my creative side in a way I've never seen before. The stories are so spontaneous that I feel as if they wrote themselves and even that they're beyond my control. Sometimes I plan something for a story and suddenly it takes another direction, as if it were alive and the characters were deciding on their own. The ideas just come to me without me having to put in any effort and that's really amazing and unprecedented to me. I don't find it difficult to continue the stories, and on the contrary, I find it difficult to stop writing them (which is also an obstacle to finishing them).

I feel like especially in my Ed, Edd n Eddy fanfics my writing follows this pattern. I think it's because I try to make it feel like a real EEnE episode (I even like to play with fourth wall breaks in this written format, such as the characters referring to the number of lines in the story), I try to keep the vibe of what an EEnE episode would be like, so I focus a lot on the dialogue and not so much on describing the scenario and what the characters are feeling (I'm not saying that I don't make these descriptions, just that they tend to happen eventually or to be very straight to the point compared to other fanfics).

I don't know, my impression is that the dialogue in my stories is enough to understand what's happening and the characters' feelings, but I need to be careful because since I'm the one creating the story, it's obviously easy for me to imagine what's happening, and maybe that won't be so clear to other readers. But I think I also like the idea of ​​letting the reader have the freedom to imagine how things are happening themselves.

A very positive point in Ed, Edd n Eddy is that the characters, especially the 3 main ones, have such unique and distinct personalities that it's practically not necessary to identify who's speaking because it's easy to know. So that's one more reason why I don't feel the need to interrupt the dialogue in my stories, because the dialogues are fluid and hardly broken by a (Name) said.

[quetzalpapalotl]

hi im new to the transformers fandom. i watched half of season 1 of tfa and all of earthspark and Thats It. do u think im qualified to read eugenesis??? or unqualified? or whatever will be more fun?

I mean, I can't tell you whether you're qualified or not to read a fanfic, but I can give you some context so you can decide if you want to:

Eugenesis is a fanfic written by James Roberts (JRo) who would later go to write the fan-favorite comic More Than Meets the Eye in 2012, which is set in the IDW1/IDW 2005 continuity (more info on that here).

Eugenesis was published in 2001 (being a remix of an earlier, incomplete fanfic also by Roberts) when JRo was part of Transmasters UK (TMUK). A group of fans that would distribute zines, organize cons and collectively write their own fanfic continuity based on the Marvel UK comics (the UK version being different from the US version of the comics, more info on that here)

So, ideally, to read Eugenesis with full context, one would need to have read Marvel UK and the previous TMUK stories. You can find the first online, but a great part of the later has been lost to time. @polyhexian is currently working on an archive of TMUK stuff. Luckily, you can make do without any of these (like I did at the time), because Eugenesis comes with a helpful continuity notes guide whihc you can download here, along with the main text.

I would greatly advice to anyone to read that first, even if you have read Marvel UK, because it also covers TMUK stuff. Eugenesis is still going to be a tad confusing at times, but it'll make things so much easier to understand.

As for my personal recommendation, is Eugenesis good? Is it bad? Well, it is an experience, for sure, I'm obsessed with it. I adore how depressing it is, how it has some of the most touching lines I've read followed by the weirdest description choices and oh boy, does the prose drag at times. It's an amateur work in a way that makes it very raw and I love it, it truly is born out of love.

It has value as a piece of fandom history and as a fan of Robert's later work in Transformers. A lot of concepts that JRo introduces in his comics first appear here, and it's interesting to see his influences and the way his prose has evolved.

Now, this is very important, the way the fandom talks about Eugenesis it's as something very silly, JRo writing a fic for his mechpreg kink. And yeah, I also do that because a lot of the stuff in this is premium material for shitposting. But this is NOT something that's worth reading just for the lolz.

Eugenesis is a very depressing read with a lot of potentially triggering material. Including lots of robot body horror and death, some detailed, some just mentioned in passing. Also suicide, suicidal ideation and suicide attempts. One part goes into detail about a character's mental state before taking their own life, including allucinations, but no one here is ina good mental place. There are also death camps, with torture depersonalization and detailed inhumane treatment. This is holocaust with robots. One chapter is literally titled "The Anti Holocaust". It does throw you bones at the end, but at it's core is a book about futility.

Depending on what you can stomatch, it may not actually be that bad, some even wish it was worse. But I don't know you, so I want to give you a fair warning, and I repeat, it is not worth reading just for a laugh.

Sorry for all that infodump. You may do whatever you want with this information. I hope it helps and feel free to ask any more questions!

[enchanted-lightning-aes]

Writeblr Re-Intro

[ID: a lavender banner with graphics consisting of florals at the left, stars below it, yellow sparkles at each corner, a teal vine above, watercolor shades of purple and green below, dark green leaves at the right corner beneath with purple text that reads ‘Enchanted Lightning Writeblr Re-Intro (Take 3)’ / finish ID]

*trumpet fanfare*

basic info: enchant | they/them | early twenties | asian | aroace | follows from princessfairysparkle (i’d change the url except i’m too attached, lmao) | writes any genre of the T-rated sort

heyo, enchant over here! i’m a writer, who writes original stuff and fanfics! it’s been a long while since my previous re-intro, and i decided for a new one. just the same basics, just a new post.^^

i’m a hybrid sort of writeblr and a semi-fandom blog. however, i tag appropiately as much as possible. whether it’s salty or positive. i try writing as much as i can! yet i also take breaks when necessary. my motto in general about storytelling is: write what you want to read. and i write any concept stuck in my mind.

my main fandoms are adaptations of marvel comics and dc comics. a big fan of characters, who don’t get enough appreciation (whether from fandom or canon). i love canon divergence and AUs bc it gives me more freedom. i enjoy them yet i’m also aware of their problems especially with the former.

top-tier tropes to me are: chaotic found family, enemies to friends to lovers, subverted  expectations, reluctant allies to best friends to lovers, exhausted™ protagonists, strong friendships, find recovery after all the pain, morally grey characters, and self-discovery.^^  

i have some active original stories, which are listed below.

Blasted Scorn: A group of pirates somewhat succeed in their latest quest, only for knights to be their accidental stowaways. They’re assigned to search for a missing ��princess, who’s been captured. Dread Pirate  Titanrin strikes a deal with them in exchange for valuables.  Along the way and dozens of broken bones, this team contemplates on whether  this was their worst decision or not.

True Devotion that Remains Constant: A ballet dancer encounters difficulties while trying to find her own path. A painter is only trying to thrive after escaping a difficult situation. An awkward circumstance leads them  to meet in college, where they slowly learn about each other.

Lines of A Script to Ignore: An unemployed graduate struggles on getting a job as she adjusts from getting back from abroad. A scriptwriter slash theatre actor seeks to share her story while dealing with setbacks. They reconnect as they see each other, forming a bargain that’ll provide help for both of them.

other than all this, to know what’s posted on this blog, here’s another guide. so you can avoid tags, you don’t want to see. and here’s a list of stuff i shared: enchant start kit guide.  

and if i’m a fan of someone’s writing, you will see it reflected throughout here. just in case you needed to know. ✨✨✨

[nuria-schnee]

VERITAS VINCIT comes back this 2024!

One of my projects for 2024 will be rewriting my fanfic Veritas Vincit. Also, if I have enough time for it, it'll include some art and an author's commentary as well!

I'll post the first chapter very soon and my plan is to update regularly.

But, if you don't know what I'm talking about, gift me two minutes of your time, and let me tell you the story of why the hell I will be rewriting a fic 250k words long.

It was 2019. I was still at uni and going through one of the worst moments of my life. I was very sad, very angry, and quite lost in life. V For Vendetta is one of my comfort movies/comics and, well— After my obligatory rewatch every November, I had an idea for a fic. At first, I just wanted to do a quick fix. In the end, it ended up being 250k words long.

The thing is that writing that fic helped me. A lot. It got me out of a very dark place. However— I started it knowing where my limits were, but not caring because I wanted to share it with the world anyway. My English was quite bad back then and I still hadn't figured out how to adapt my style to it. Not that I don't have a long way to go still, but still.

I always loved this fic with all my heart. Every part of it. And I loved the experience of writing it and the little circle of readers I had. And I've been having this feeling that I should rewrite it for years now, but I wasn't sure. It's long (it's very long) and I don't have much free time. I had my doubts about if it was worth it or not, or if anyone would be interested anymore.

Finally, I've decided to rewrite it for the same reason I started this story back then: because I love it and I want to honour it. Nothing else. And it's enough.

What to expect

Basically, the plot won't be changing much. I'll be changing some details to make the story more believable, but it will follow the same plot lines.

I'll change some scenes and add new things that were discarded in the first fic and I think make more sense now in the rewrite.

My OCs (Bel, Maria, Jeremy, and Allana) come back with more weight in the story and more outlined.

The first fic won't be narrated in first person anymore.

Art and author's commentary (hopefully).

And more!

Final note

I'm eternally thankful for the readers I had following this story back in the day. I received comments in this story that have boosted my confidence like nothing else has and that kept me going every day. I still remember them, often.

If, by any chance, you read the old fic and you're here, ready to go through it all again: thank you. You are so welcome. ILY.

If you are a new reader, welcome and get ready, because we certainly are going for a ride.

Anyway, this was longer than I hoped. See you all soon. Get ready!