#my carol

[gaypeople]

THESE SWEETS

[thisonewhocanbreathe]

“we need more complex female characters” the second women start showing a glimpse of emotion y’all call them over-sensitive or annoying. smh.

[userbrielarson]

CAROL DANVERS – THE MARVELS (2023) Costume Design by Lindsay Pugh

[dedicatedfollower467]

one of the things i love about ebenezer scrooge, and a christmas carol in general, is that, unlike most fictional rich people, scrooge doesn't allow himself the luxuries that he denies to others.

like. he is enormously wealthy, but does he spend his money on good food and nice things and indulgences? no. he keeps his house dark because it's cheaper to not light things, he eats gruel, he barely even makes a big enough fire to heat himself, let alone the room. he scrimps and pinches pennies everywhere he can - including in areas that other people would consider "necessities" rather than "luxuries."

the story of a christmas carol is as much about ebenezer scrooge coming to realize that his misanthropy and miserliness is making himself as miserable as it's making everyone around him, and learning to once again take joy in living in a way he hasn't allowed himself since he was a boy.

it's genuinely cruel to ebenezer scrooge to compare him to assholes like elon musk and jeff bezos.

for all that he is a terrible, terrible person, at least scrooge isn't a damn hypocrite.

[donutdrawsthings]

🎶 There's always a twist in the end!

[cha0ticlesbian]

And I love her for it🫶

[luvwanda]

thanks to whoever decided to put Carol Danvers in this top

[notyoujamie]

[lynxgriffin]

Eldritchrune - Dreemurr of Sacrifice

1 | 2 | 3

Story Setup Eldritchrune Masterpost

Back in the light world, Asgore is still dealing with the heartache of the sacrifice, even months later. Mayor Holiday is still set on moving ahead, though!

Yay, it's nice to finally get back to some light world characters here! More with the Dreemurr family will be coming along soon!

Alt text for these pages under the read more:

Page 1 Panel 1: a landscape shot of the Holiday house and surrounding garden, with Rudy and Asgore outside the fence and hollybush hedge. The Delta Rune is emblazoned over the door and spiky snowflakes decorate the roof and fence.  Asgore is walking by with a wheelbarrow. Rudy: “Asgore, you old goat! Been way too long!” 

Panel 2: A closer shot of the two men- Rudy is slim and dressed in a crisp tunic, Asgore larger and wearing slouchy overalls. Asgore: “Howdy Rudy. You’re looking well!” Rudy, hand on his knee, bends over to hack and cough. Rudy: “Oh y’know… well enough, I guess! How’s business?” 

Panel 3: Asgore looks down,ruefully scratching the back of his head. His wheelbarrow is full of droopy plants, ready for planting. “Could be better… Those soldiers hassle me almost daily. But, I’ve gotten used to it, so it’s all right.” 

Panel 4: Rudy puts a comforting hand on Asgore’s shoulder. “Aww hey, you can complain to me any time…” he says. Asgore doesn’t avoid the touch but he doesn’t seem comforted. 

Page 2 Panel 1: close up on Rudy, who jerks his head to look as far behind him the door of the Holiday house opens to show the silhouette of a woman in a long dress. 

Panel 2: Rudy: “But uhh, I’ll let Carol here say her piece first. See you, Asgore!” He waves and pushes the gate open to go back to the house. Asgore looks taken aback. 

Panel 3: A textless landscape shot of the front of the yard. Rudy, halfway back to the house, turns to look behind him as Carol comes out of the large Holiday gate to meet Asgore, who is hunched in a half-bow with his hand over his heart. 

Panel 4: Asgore: “Howdy, Mayor Holiday.” He doesn’t look up at her, and we see only the back of her head, not her face. Carol: “Good day, Asgore. I appreciate you stopping by, as I wanted to inform you personally.” 

Panel 5: Carol leans into Asgore’s space, and he leans away, cowed. Neither of their eyes are visible, but we see their mouths: hers stern, his distressed. Carol: “We will be conducting the Ritual again in three month’s time, at the harvest moon. You and Toriel’s presence is required.”

Panel 6: Bust shot of Asgore, dismayed. “A…Again? You’ve… found another one?” His hand is still protectively over his heart. 

Page 3:  Panel 1: We see Carol’s face for the first time: she is severe looking, with medium length hair, a stiff dress, and a choker necklace and ornate belt. Her hand is also over her heart, though more like a formal salute. “I have tasked QC with obtaining the child.” 

Panel 2: Carol’s speech bubble continues as narration. “She’s been quite diligent in her duties, and believes we now have one open to the concept of self sacrifice.” The scene shown is QC- a friendly, soft woman with wildly curly hair- appearing to be at a street market. She is speaking to a child with a bandana neck scarf (Clover, from UT Yellow), but there’s no dialogue. 

Panel 3: Another shot of Carol in profile, gaze fixed intensely ahead. “With the Ritual rites already perfected, this time we will be successful.” 

Panel 4: A wide shot of Asgore, hunched over his wheelbarrow of wilty plant starts and flowers. There’s no dialogue. His expression is despondent. 

Panel 5: Carol: “Is there something you’re withholding, Asgore?” Asgore: “No. We’ll be there.” We don’t see his expression. Her hands are folded sternly in front of her. 

Panel 6: She moves once again into his space, pushing past the wheelbarrow to lean in. “I know that you two have been avoiding us in public since the last Ritual.”  Asgore cringes away like a dog that’s been scolded. 

Page 4: Panel 1: Carol continues. “Toriel has hardly spoken a word to me since then. I trust there is an explanation?” 

Panel 2: Asgore wrings his hands in front of him. His speech bubble covers up his eyes, but his mouth is downturned. “Carol… Toriel avoids you so much because she respects you. She does not want a confrontation.”

Panel 3: Carol, her expression still severe, almost angry. “A confrontation?” 

Panel 4: Asgore, still cringing and looking down: “I don’t know.. if I can explain just how badly losing Kris hurt.” 

Panel 5: His narration continues from the previous panel. “She’d be so cross if I knew I said this, but…” We see the past, Toriel kneeling and clutching the blankets of an empty bed, crying hard. Asgore kneels beside her, holding her shoulders. He’s crying too, unable to comfort her. “The night of the sacrifice, when we got home… Toriel collapsed and wept so long and hard I was afraid her heart would simply stop.” 

Panel 6: Sill the past with present Asgore’s narration over the top. “And then, once Asriel left too… Both of our children were gone.” Left to right, in the interior of the Dreemur’s house, Asgore stands dismayed as an unhappy Toriel rushes after Asriel, who is walking out the door with a bag on his shoulder. He’s looking back but is clearly set on leaving. 

Page 5 Panel 1: Back in the present, Asgore is even more hunched in on himself, hugging his fists to his chest with his expression drawn tight and sad. “I know Toriel acts as though she is fine, but that’s simply because she is stronger than I am. The tension between us is so terrible that I’m afraid she’d leave me if she had somewhere to go!” 

Panel 2: Close on his distressed, panicky face, looking away from the confrontation. “And part of me can’t help wondering… w-what if we were…”

Panel 3: Carol jabs a finger in Asgore’s face. “We. WILL. Be rewarded for our sacrifices. Of this I am CERTAIN.” She’s stern, but her fists aren’t clenched- she’s controlled. Asgore shrinks under her words, looking up at her as he stammers “I-I know, but…”

Panel 4: Carol’s speech: “You talk of heartache. Kris was not even your child by blood.” Asgore looks down, ashamed. 

Panel 5: Carol continues, hand splayed over her chest. For the first time her expression is something other than stern, perhaps angry- still that, but pained. “Do you think your pain is greater than the one I feel, for December? Whom I gave away first?” 

Panel 6: Asgore plucks at his sleeve, looking away guiltily. “No, of course not-” 

Page 6 Panel 1: Carol’s brief moment of any other emotion is gone. She sweeps her arm to the side. “And yet I have put aside my grief for years, all for the sake of you, and everyone else, in this town. I will do whatever it takes to drive this invader from our doors, and restore this town to the peace it once had.” 

Panel 2: Carol’s face is almost a snarl. “All I require is that you, my oldest friends, trust me.” Asgore looks abashed. 

Panel 3: Close on Asgore’s downturned mouth, so none of the rest of his expression is visible. “Of course. Of course we do.” 

Panel 4: Carol draws away, her face returned to calm sternness. “That’s good to hear. Our children don’t need our tears.” 

Panel 5: Carol turns to go back into her gate, dismissing Asgore with a wave. “But our town does need our efforts.”  Asgore watches her go, putting his hands back to his wheelbarrow. 

Page 7 Panel 1: Another wide shot of the Holiday house and gardens, with Carol walking back to the house and Asgore outside the gate. Carol: “So I’ll see you both at the next gathering.” 

Panel 2: Asgore looks down at his wheelbarrow, despondently. His plants are all notably wilted. “Good day, Mayor.” The sky behind him darkens. 

[ilovemesomevincentprice]

Vincent Price and Carol Ohmart -

House on Haunted Hill (1959) dir. William Castle

[officialspec]

doing portrait studies bc i forgot how 2 draw. facessss

[k4pp4-8]

CAROL WAS SO STUNNING IN HER PROM DRESS THE WAY I INSTANTLY FELL IN LOVE WITH HER IS CRAZY

[another-goblin]

He's into arts and crafts now. Good for him.

We are having a ladle appreciation party

[userbrielarson]

CAROL DANVERS ↳ THE MARVELS (2023) dir. Nia DaCosta

[rosamundpkes]

Do people always fall in love with things they can't have? Always.

CAROL (2015) dir. Todd Haynes

[fishfingersandscarves]

pwetty princess