#my asoue obsession is back
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pyr0man1c · 8 months ago
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I feel like Satan would love A Series Of Unfortunate Events.
Both the books and the Netflix series.
The mystery, tragedy, literature references, and style seem like his cup of sad tea.
Klaus would probably be his favorite.
Like come on,
Both adore books, literature, and just seem like they’d have very similar tastes and personalities (Klaus probably would still have rage, especially in the middle of him and his siblings misery)
Both are a dangerously smart duo and would cause literary hell.
I also think Barbatos would enjoy it to some extent.
Not as much at Satan but it would be nice background noise.
He would probably like either Sunny or Klaus
Sunny because of her passion for cooking and she’s very well behaved for a baby/toddler.
I feel like Klaus comes close second because of his smarts and also because he’s well behaved and polite for a teenage boy.
And all the Baudelaires I feel like he’d like how well behaved they all are especially the two older kids, they do chores, are respectful, are polite, and just overall good, friendly kids.
Thank you for coming to my Ted-Talk
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chaossmagic · 2 years ago
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who wants a list of every hyperfixation and special interest i can ever remember having and the weird things i used to do related to them that now make me realize that Wasn’t Normal
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infiniteimaginings · 7 months ago
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He's Still My Father (Father!Count Olaf x GN!Child!Reader) [Platonic]
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Summary: You are Count Olafs child from a woman he truly loved, who is now gone due to...unfortunate events. You meet the Baudelaires who are now suffering in the care of your father, will you help them? Or are you really your fathers child? Pronouns: You/Yours, ‘Child’ Warnings: Typical ASOUE timeline events, and not a good father child relationship Word Count: 2.0k A/N: God, I was planning the layout of the post to add the fic and I am an idiot and posted it before it was ready. So I had to delete it and then deleted it WITH the request by accident. I am so sorry to whoever requested. It's here now though, I'm so sorry, I love you so much, thank you for requesting. I'm just stupid lmao, I hope you like it, I hope you remember you requested to me. I'm so sorry again.
The Baudelaire children, Violet, Klaus, and Sunny were orphans. After their parents' tragic death in a house fire, they were sent to live with their closest living relative. That relative's name was Count Olaf.
He was pale, tall, and extremely thin. He had grayish white receding hair, a long unibrow, a hooked nose, and a tattoo of an eye on his ankle. He was unsettling to look at. The Baudelaires tried to look past his appearance and the appearance of the home that didn’t look lived in. They tried but Count Olaf showed his true colors the moment Mr Poe, the banker responsible for the children's fortune left to them by their parents, had left the grounds. Olaf was greedy, obsessive, rude, and vile.
The only thing even slightly keeping the children afloat in the terrible conditions was the neighbor across the street and Count Olafs child, you. 
Your father was the worst man the Baudelaires had come to know, so they didn’t know what to think of you. You were quiet as he spoke, standing to his side, chest puffed out and proud. You occasionally joined in dance numbers and ate with the troop, but other than that you weren’t necessarily acknowledged. For all the Baudelaires knew, you could be just as horrible as your father.
After the dinner that went terribly wrong, the three were in the attic. Klaus was holding his cheek that was slightly bruised due to Count Olaf slapping him at the table, he was sat against the wall. Violet was across the room putting Sunny to sleep. There was silence in the air, nothing but the sounds of crickets since their window wouldn’t close that night.
Through the silence, soft footsteps were barely heard, they were drawing near the room the Baudelaires were in. Violet turned her head quickly and stood in front of the makeshift area they made for Sunny and Kalus stood in front of the door, waiting for Olaf to enter the room.
The door slowly and quietly opened and your head peeked in to see if they were asleep. The two eldest Baudelaires were still on guard, but their defense lowered a bit when they saw it was just you.
“Oh, you guys are awake, good.” You told them, walking into the room and shutting the door quietly. Klaus and Violet looked at each other, having a silent conversation but neither had an answer for why you were there.
You cleared your throat, bringing attention back to you. You danced on your heels slightly, “If you guys are done with,” You waved your hand towards them, “whatever it is you guys are doing.” You finished, sighing a bit, “I brought a med kit.” 
Klaus’s eyes narrowed at you but Violet gave you a weak smile. “A med kit?” She asked, smoothing her dress, walking to you. You nodded and handed it to her awkwardly, looking to the floor, “Dinner was quite brutal…so I snuck it out of my fathers bathroom.” You mumbled, kicking the wood on the ground a bit. 
Violet's smile was soft towards you, as were her eyes. She took the medicine kit from your slightly trembling hands, “Thank you.” She told you gently, trying to catch your eyes. When you met her eyes you just looked away, rubbing your neck. “That was all really, I’ll be in my room.” You announced, turning to the door.
“Why are you helping us?” Klaus’s voice asked quietly as to not wake the whole house with how he was fuming, but you could tell he was angry with how sharp his words were. He had every right to be angry, you were their age and you haven’t done anything. 
You stayed turned, tilting your head as you nodded, blinking back some tears they couldn’t see. “You guys don’t know how to live here.” You whispered out, inhaling deeply, breath staggering. “I do, I have.” You continued on, hugging yourself, “Just do what he says and be quiet.” You finished your sentence and you were met with silence. You put your hand on the handle but you were stopped with a hand on your shoulder.
It was gentle, turning you around to face them. Violet looked at you sadly, “This place is horrible, he treats everyone terribly.” She told you, brows furrowed, lips parted.
You licked your lips with a weak smile, “He’s my father, you don’t have to tell me how he acts.” You spoke with a huff of a laugh, sucking at your teeth slightly. Violet shook her head, “Then, why do you stay?” She asked you, taking her hand off your shoulder to clasp her own in front of her.
Silence once again other than the crickets outside. You smiled at them, “I have nowhere else to go.” You spoke simply with a shrug, sniffling. Klaus’s harsh expression softened and Violet frowned at you, but you didn’t give them any time to speak, “Goodnight.” You told them, rushing out of the room quietly back down the stairs.
A few days later, you didn’t speak to the Baudelaires. Any time they tried you would stare at them wide eyed and blank, tilting your head as if you were programmed. When they realized they weren’t getting through to you, they gave up and went on with their days.
You were now sitting in the dining room with the Baudelaires, well the two oldest ones, and you were extremely confused. You knew the three had run around between the neighbors house and shopping but you paid no attention to it, nor did you involve yourself in their affairs. So why were you there?
Count Olaf looked at the three of you, “Oh and where is Sunny?” He asked, grinning widely but the other two at the table snarled. “What did you do with our sister?!” Klaus yelled, hitting his fist on the table. Violet glared at the man at the head of the table, “Give her back now!”
You stared at them, looking between the two and your father with parted lips. When you saw the wicked look in your fathers eyes, your mouth widened a bit and your eyes teared up. “No…” You whispered, rushing out the room to go outside. 
The Baudelaires noticed you left the room in a rush but they didn’t know why. Olaf gestured his arm to where you went, “Follow the leader.” He spoke slowly and the Baudelaires rushed out to the backyard where you were standing, staring upwards.
You knew it was weird that there was a cage hanging from the forbidden tower, you should’ve immediately connected the dots but you just couldn’t believe he would do something like…this.
The Baudelaires demanded Count Olaf to take her down but he refused, threatening to kill her if Violet didn't play the role of the bride and sign the wedding construct during the play. Klaus couldn’t step in to help, because then Sunny would be killed if he tried. 
They complied and you stood, quiet.
They still tried to get their sister that night but were locked in a room by the hook handed man who had walkie talkies to keep Count Olaf in the loop, so they wouldn’t try anything.
You knew everything your father plotted, he wasn’t exactly quiet about it. This time around, he walked into your room with a gentle smile, “Angel.” He spoke, the nickname he hadn’t called you since your mother was alive and that was when you were around two. 
He sat next to you on your bed, rubbing your back slowly as you stared out to the wall, “Tomorrow is the play.” He hummed, and you nodded, sniffling a bit. “Do you need me to do something for it?” You asked him almost hesitantly, but you knew never to hesitate in front of him. 
Your father shook his head, repeating his ‘no’ excessively. “You just sit backstage, be quiet, and just let me do my work.” He mumbled, pulling you into a small hug. “We’ll be rich, we’ll be happy, just how I wanted us to be before your mother…” He trailed off, gently rubbing your neck. You didn’t hug back, you sat awkwardly as he continued to speak. 
He told you how you had your mothers smile, how you reminded him of her. In those moments he was soft, it was those moments you held onto. You held onto them before at least, now you couldn’t even bear to look at him. You turned your head from him, tearing yourself from his side as he spoke and he rolled his eyes, walking away. He muttered a small “Exactly like your mother.” before he left you alone in your bedroom.
You knocked on the door and the hook handed man had no reason not to let you in. You stared at the two Baudelaires with a frown, they didn’t even look at you.
“You’re not plotting.” You spoke bluntly, sitting in front of them. Klaus looked up at you before looking back down, completely silent. Violet sighed, “We can’t do anything, Sunny will be hurt-” 
“No, she’ll be killed!” Klaus cut in harshly, glaring at you as if you set the whole thing up.
You nodded, biting the inside of your cheek. You inhaled through the nose, patting your chest a bit to rid the pain in your chest. You looked at Violet slightly, glancing at the hook handed man who wasn’t paying attention. You leaned in, “What’s your dominant hand?”
The next day was the ‘play’, many people were there. Justice Strauss, the neighbor across the street, was going to play the judge, which made the marriage legally binding. The play was going on just as planned and as they got to the marriage Violet sucked in a breath, forced to sign the paper of the marriage.
Count Olaf grinned with all his teeth barred, turning to the audience and explaining how the marriage was legally binding and real. Mr. Poe and Justice Strauss were shocked, they objected, but…they couldn’t do anything the damage was done. The Baudelaires now had to transfer their parents' fortune to Count Olaf, the evil man who did everything to get his hands on their money. 
Count Olaf spoke into the walkie talkie, telling the hook handed man to bring the baby, Sunny, to the stage.
That was until you walked onto the stage, “Actually…” you began, tilting your head as you stood next to Violet. “Violet?” You looked over to her smugly, and she turned to you, blinking her eyes innocently. “Yes?” She asked, tilting her head at you.
“What hand is your dominant hand?”
“Oh, well that would be my right.” She answered with a sweet smile and you blinked, hand on your chest as you gasped. The conversation is quite confusing to everyone around you, but when you looked at your father he just looked livid. His brows were in a v shape, he didn’t know what you were doing but his gaze told you to ‘stop’...you didn’t.
“But…didn’t you just sign with your left hand?” You asked, terribly acting out your point.
“I did indeed.” 
You nodded and smiled, “That makes the marriage not legally binding, since she has to sign in her own hand, and that wasn’t her dominant.” You explained to the crowd who murmured around a bit. 
Justice Staruss agreed with you, it was a small loophole but a loophole nonetheless. The marriage wasn’t legally binding, it wasn’t real. 
Count Olaf looked around with clear stress in his features, sweat dripping down his face as he nervously laughed. He went to tell his men to drop the baby, but she appeared on stage, carried by the hooked man, and Count Olaf was to be arrested.
He looked at you with dark but saddened eyes, “You are a terrible actor.” He told you, jaw tightened as his eyes narrowed.
You sniffled, eyes filling with tears as you stared up at him, shaking your head, “I am my fathers child.” You answered, voice hoarse. 
His eyes widened as his scowl softened, “You are not my child after this.” He told you, walking backwards as people began to get out of their seats to go after him. Count Olaf was shaking his head at you, “Your mother would be so disappointed in you.”
Those were the last words he said to you before the lights all shut off and when they were back on, he was gone. Your fath….Count Olaf had left you, you were now an orphan. 
You now could finally breathe without struggling.
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lorax-devito · 17 days ago
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I’ve always had a love for asoue (a series of unfortunate events) and I can feel my obsession coming back,I probably won’t make many,maybe none at all,posts about it but all I can say is my beef with the Poe guy is mf strong
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cygninae · 10 months ago
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Hi! 👋 Could you please do 20 and 23 for the Quagmire triplets for the character ask game? :)
Hi Ven ! Sure !!
20 (Weird headcanon)
Quigley
i have literally SO many headcanons for Quigley but I'll try and hold back and only share a few. (I'll refer to Quigley with they pronouns because that is my headcanon !)
if they had been raised in the 2000s, would absolutely have thomas the tank engine or cars bedsheets. so embarrassing
couldn't take serious photos, always had to be pulling a face or doing bunny ears or something
tried to pierce their ears with a safety pin and lemon (did not go well.)
disastrous handwriting. Like incomprehensible.
Isadora
gay awakening was Veronia Lake in I Married A Witch (dir. René Clair)
went through a goth phase (after discovering Mary Shelley and Edgar Allen Poe) where she attempted to dye all of her clothes black. They came out brown.
Duncan
tried to pull a prank on Carmelita Spats by balancing a bucket of water on a doorframe and have her walk through, getting drenched. Forgot to let himself out of the room first and drenched himself.
obsessed with lava lamps
23 (Future headcanon)
Quigley
felt so betrayed by Jacques leaving, that they completely turned away from VFD. Lost a lot of their love for cartography and it took a long time for it to come back. They began to prefer sketching landscapes and people they loved.
discovered David Bowie (this depends on your theory of when ASOUE is set) and he changed their life. Became obsessed with Ziggy Stardust and embraced gender fluidity through makeup, piercings, shiny clothes, etc. learnt to love themself :)
finally got that ear piercing they had botched when they were younger.
actually became really good friends with Fiona. She taught them that it was okay to view the world with more criticism. They got along and were actually really similar. Bickered a lot.
moved to a big city with Duncan and Isadora and got really into the world of music, art, freedom, self-expression. They probably joined a band at some point, no doubt.
Isadora
in the big city, joined a sapphic society and made friends who loved poetry (and girls).
got her poetry published in the paper on multiple occasions, but anonymously. She wanted to spread the beauty of poetry without getting attention for it.
opened up to the idea of writing prose too, and learnt that she was really talented in that area, too, joining writing societies and book clubs and learning so much more about literature. it gave her the opportunity to express herself in more ways than one.
her and Klaus (if reunited) absolutely became an unstoppable best friend duo. They were practically unseperable, and he was in a lot of the same book clubs with her. He worked at one of their local libraries and let her sneak in the back to write in the staff room while he ate his lunch or read on his break.
Duncan
aside from writing journalism, he actually got really into photojournalism. He loved the peace of the dark room and the process of developing photos. He got into the habit of photographing his friends and siblings to immortalise them and kept his favourite pictures in his shirt pocket.
got an internship at a newspaper (NOT the daily punctillio, lol) and had a niche in foreign correspondence, (with the rise in use of the telephone) and he made so many connections across the world. Learning about so many cultures gave him a sense of freedom after feeling so trapped post the death of his parents.
and a dunklaus headcanon, since I can't hold back: after he and Klaus started dating, he would very occasionally sneak coded messages into the newspaper, just sappy stuff saying he missed him and hoped he was having a great day :)
interviewed Lemony Snicket once without knowing it was him.
This was so much fun !! Thanks so much for asking :)
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witherydithery · 1 year ago
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Thoughts my dad had while we were talking about Lemony Snicket's unreliable narration
Because I've fallen back into the Snicketverse obsession.
By creating a cast of such colourful characters, Lemony diverts attention away from himself. 
He couldn’t possibly be a character we should be paying attention to or worrying about. He’s merely the author of the tale. A cowardly man who would weep if any of the book’s events ever happened to him. Supposedly.
The assumed truthfulness of ATWQ is likely caused by it having been written so soon after the events. 
This might've felt obvious to others, idk.
Although ATWQ Lemony still keeps many secrets, he’s relatively open compared to the Lemony of ASOUE. This is likely because the books are, at their core, reports sent to V.F.D. regarding his apprenticeship. He doesn’t shy from writing his thoughts and uncertainties, or the events that take place, because he has not yet developed his duplicitous nature. My dad also suggested that the development of that nature may have been caused by the events of ATWQ. 
Given that the series exists as a children’s series in the canon, things may have been altered to suit that purpose. 
Like the over-the-top personalities of the side characters and guardians. Then again, so many things within the canon are over-the-top or absurd, they may actually be like that. 
Lemony must be fabricating most, if not all, of the conversations 
After all, how could he know any of them? I doubt even his informants and resources could tell him the contents of conversations. 
In the Netflix show, it’s possible Lemony Snicket is not how he appears. 
I’ve recently thought Snicket’s representation in Netflix’s ASOUE is too put-together to really feel like him, but my dad suggested that perhaps he only appears as Snicket wants to appear. That, as he chose what to write in ASOUE, he has chosen to appear put-together in the series. 
Does V.F.D. even exist? 
I don’t think this one really holds water, given that correspondence does exist between Lemony and other members of V.F.D. and I think some allude to the organization and many use codes we know they use. But it’s interesting nonetheless, that he has perhaps fabricated the organization (or merely fabricated their original noble purpose) to explain events. 
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littlestsnicket · 4 months ago
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Fic authors self rec! When you get this, reply with your favorite five fics that you've written, then pass on to at least five other writers (except me because obvs I have done it). Spread the self-love ❤
ahhh this is so hard!! i ended up going with ones i felt were personal achievements at the time rather than trying to decide which ones were objectively best or my favorite because that was too hard :D
worth (3.3k) yendelion; missing scene from blood of elves. this was a nightmare to write and worth every minute of it. i am so proud of myself for sticking with it until i was genuinely happy with it instead of giving up and saying good enough.
in which ciri acquires an emotional support bard (18.5k) post season 2 fic. this is by far the most complicated thing i've ever written. there were so many character arcs and relationship dynamics to track and make sure they started and ended where they were supposed to to be obsessively canon compliant. i think you can get in the habit as a fic writer of really only dealing with two characters at once, so this felt like a huge learning experience. i had to come up with a whole productivity tool to finish it too.
You can’t just say you’re leaving and head to the airport, or, Real Life is messier than a television finale (3.4k) abed centric community season 6 finale fic. this was something of a milestone for me. it was, at the time, the longest and most complicated fic i had written and also the first thing i had beta read. i still have literally all the feelings about this show and this fic.
slipping (.300k) olivia caliban fic. idk, i just really like this one and interconnecting drabble sequences are so much fun to write. and i feel like i always rec the same asoue fics, but i'm also really proud of all the drabbles i wrote for this fandom.
that wasn't here before (.100k) ian&barbara; doctor who. it's the very first drabble i ever shared with the internet (back in 2014), and i still think it holds up. and it's so on brand--somehow fan-wanky but joyful about it. doctor who is just riddled with 'continuity errors' and it's so much more fun to make them magical instead of whining about them.
(thank you so much for asking!)
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moldygreenblue · 1 year ago
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Hello! I've just read your ficlet about E and Jacob Snicket immediately after their kids were recruited. I wanted to ask if you had any other headcanons about them? Thank you!
♪(´▽`)
I'm willing to share some headcanons, @dragoneyes618
Jacob used to be known as Jake as a child, but starting in his teen years he switched over to his proper name. Only his bridge partner -TMWBBNH- calls him Jake as an adult.
E worked as a (D.A.) investigator for the City. As such, E was close with TMWBBNH (who worked at the time as a prosecutor) as they worked several cases together. E also was rather friendly with TWWHBNB when off working hours, when they're not being on opposite sides of the courtroom (sort of. TWWHBNB was a defense attorney and sometimes cross-examined E on the stand.)
Jacob worked at The Daily Punctilio after getting fired from another rival newspaper The Slapdash (that is now defunct by the ASOUE period) as a reporter (and sometimes photographer).
Jacob goes back and forth between being clean shaven or having a bushy beard. If anyone gets ask which look Jacob looks better in, you'll get a 50/50 split.
E annoyed everyone with her peppermint obsession because she eats as many mints she can get her hands on it. Mainly her siblings.
E greatly enjoyed camping and the great outdoors (she's the sporty athletic Snicket of her generation). She didn’t really do it as much after her children got recruited though.
I admit this headcanon is a bit wonky and needs to be clean up a bit, but I personally have it that when the Schism first broke out (like, on the first day it happened), not many volunteers in the City were initially informed of it. E and Jacob were two such volunteers.
They only learned about the Schism after discovering why their children weren't home. E and Jacob had actually given permission for VFD to recruit and raise their children, but they wanted it to happened when Lemony was a bit older (around 5). They're upset the date was hasten big time due to the Schism.
E and Jacob also sadly died after the events of the final ATWQ book. E died in a fire when on her job as a (D.A.) investigator, trying to help TMWBBNH for a murder case he was on (TWWHBNB set it; it was a trap). Jacob died in a house fire working on a file he and E were working on (TMWBBNH set it). And something interesting about this is that the file wasn't completely destroyed. Remnants of it later became part of the well-known and sought after Snicket File.
Thank you so much for reading my Aftershock ficlet! I hope you enjoy my headcanons for them!
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recklessinventor · 2 years ago
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what’s your phone wallpaper : A picture of my fiance and i on the night we got engaged. My homescreen is a picture of my parents' dog.
last song you listened to : "Seven Days in Sunny June" by Jamiroquai
currently reading : nothing atm, hopefully i have time to read this summer
last movie : The Mario movie! as a movie, mid, as an homage to the mario franchise, fantastic
last show : Better Call Saul - I have 3 episodes left. It is FANTASTIC I had to take a break bc it broke me for a bit
what are you wearing right now: a flowered button-up and jean shorts.
piercings / tattoos? : I have earlobe piercings, but i often forget to wear earrings.
glasses ? contacts? : yep! i wear contacts much more often, especially since i lost my glasses lol
last thing you ate? : a shrimp tempura poke bowl
favorite color(s) : blue, yellow, and purple
current obsession : Earthbound as always + a little bit of so//uth pa//rk
do you have a crush right now? : yeah tee hee :) im gonna marry him next month hope he likes me back
favorite fictional character : oh god
Jeff ( Earthbound ), Ness ( Earthbound ), Charlie Brown ( Peanuts ), Luigi ( Mario ), Jimmy McGill ( BCS/BB ), Jimmy Valmer ( SP ), Timmy Burch ( SP ), Phoenix Wright ( Ace Attorney ), Hershel Layton ( Professor Layton ), Lemony Snicket ( ASOUE/ATWQ ), etc etc etc
tagged by : the wonderful @wendyfulmother ( thank you! )
tagging : i'm so late to the party, if you haven't done this and would like to, steal it from me
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weirdthoughtsandideas · 2 years ago
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Heya! Could you please do number 29 for ASOUE for the Drabble prompts? :)
29. Everyone thinks character is queer, but plot twist, they’re actually straight
This took so long because I genuinely could not come up with a character that was straight in asoue xD
Lemony sat on the bleachers, looking at Beatrice playing football on the field. Suddenly, he felt a smoking smell. It seemed to come from under the bleachers.
"Olaf? Are you smoking again?"
"Mind your own business," Olaf scoffed.
Lemony shrugged and went back to watch Beatrice.
"You are too obsessed with her," Olaf said.
"You'll get it when you fall in love."
"I thought Olaf already was in love," Esmé said, also sitting on the bleachers.
"Who would I be in love with?" Olaf said as he scoffed again.
"Jacques."
"Yeah, you're really obsessed with my brother," Lemony said.
"I'm sorry? Jacques?"
"Don't lie to us now, Olaf!" Esmé chuckled.
"No, I don't like boys."
Esmé and Lemony smirked.
"Come on," Lemony said, "Everyone knows."
"Yeah, it's not a big deal," Esmé added.
"No, I'm serious. I only like women. Maybe that makes me not normal, but it's true."
He said it with such certainty he was either telling the truth or was in deep denial. But Lemony and Esmé kept quiet and decided to give up on it.
Olaf meanwhile finished smoking and went to bother some kids. Only he knew the real truth, and if he was lying or not.
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nicascurls · 8 months ago
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Hear me out: people can like both the movie and the TV show.
I am people.
Both have their own unique and surreal aesthetic. They're wacky and unusual, just like the story.
(I've gotta stop before my asoue obsession comes back at full force)
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Asoue hit tweet in 2024 omg
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mamsellechosette24601 · 3 years ago
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I love thinking about my personal relationship with ASOUE and how 6-year-old me would never have guessed what an important part of my life this story would become?? I remember so vividly every step of the journey
- aged 6, having cousins over for school vacation and hearing from your father that there was a nice children’s movie coming out. Then going to the cinema and being told that neither you nor your slightly older cousins could watch it bc it was for 12+
- deciding for no apparent reason other than sheer pettiness that you really needed to watch this movie and being on the lookout for when the dvd would appear at your local blockbuster. Finally getting your hands at it and watching it with your parents and younger brother in a freezing chalet at night. Hearing Lemony’s advice to leave the movie theatre you’re in and thinking “well, that would’ve been trippy”. Being absolutely terrified of the leeches, spending the entire night having nightmares about being in a small boat surrounded by them, and swearing that you’d never have anything to do with ASOUE ever again
- going back to the blockbuster after a few months and renting “the polar express”, while your brother, for some trick of fate, decided that he was brave enough to rewatch ASOUE. Finishing watching the polar express a few minutes before your brother was done with ASOUE, so you go and sit with him. Thinking that the leeches’ scene wasn’t so bad in daylight and that the story “was actually pretty nice”
- aged 7, reading The Bad Beginning and feeling such an intense sense of accomplishment at having finished your first book ever, just a few minutes before it was time to go to the airport pick up your cousin. Your father being so proud of you that he bought you the 2nd volume in the airport’s bookstore
- aged 8, receiving the entire fricking collection from your amazing aunt as a birthday gift. Not knowing until then that receiving books could bring such joy. Then, in a very underwhelming development, getting to book 5 and deciding that it was boring. Apparent end of your engagement with lemony forever.
- finding out that 2 of your older cousins were also reading ASOUE! Being so excited to have something to share with them! Them telling you you should definitely continue reading, because book 6 was the most fun (cough eternal obsession with Esmé cough). Doing it to make them proud and falling in love all over again.
- finishing book 7 while on your first train trip. Learning the very useful life lesson that you should always bring more than 1 book with you when on long journeys. Watching the movie obsessively with your cousins, memorising every line, enacting it. Having a fight with the uncle you considered your own Count Olaf and your father telling you you could build a tent, a sanctuary, like they did in the movie. Watching horror movies in this tent in the garden at night but not feeling scared at all, bc you felt so safe in there and just remembering the Baudelaires already felt like being at home.
- aged 9, bringing book 12 and book 13 on another trip. Finishing it all in the plane and discovering that yes, a book could break your heart and make you cry as if you were living it. Deciding you would cherish it forever. Finding out about the other books little by little over the years. Discovering comfort at the never ending mystery.
- aged 20, getting a vfd tattoo that brings you peace whenever you look at it. Aged 23, reading the most recent lemony snicket novel and seeing that he has been your friend for almost as long as you can remember, and that reading his words still bring you immediate reassurance. Knowing for sure that if you ever have kids, you’ll pass on to them this inheritance.
I just… love ASOUE a lot. And like to think about it. I’m maybe not as vocal about it but that’s bc it’s always had a characteristically underlying presence in my life, just tying it all together, sometimes without me even realising it. Thank you, DanHan
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luluwquidprocrow · 4 years ago
Text
love was made for me and you (and you)
originally posted: february 15th, 2019
word count: 22,821 words
rated: teen
beatrice baudelaire/bertrand baudelaire/lemony snicket, beatrice baudelaire/lemony snicket, beatrice baudelaire/bertrand baudelaire
violet baudelaire, klaus baudelaire, beatrice baudelaire, lemony snicket, bertrand baudelaire, kit snicket, the duchess of winnipeg, dewey denouement, olivia caliban, beatrice snicket
alternate universe – modern setting, alternate universe – everybody lives/nobody dies, alternate universe – parent trap fusion, family, romantic comedy, humor, with occasional required sad undertones, screenplay/script format, less of a fic and more of an outline but one hell of an outline, with enthusiastic swearing by yours truly, referenced but very background kit/dewey and duchess/olivia
Summary:
[so beatrice is nicholas, lemony is elizabeth, violet is annie, klaus is hallie, bertrand is the absolute worst at being meredith because he is a Genuinely Nice Person so honestly he’s really not meredith at all, and those parallels are all a little loose anyway because i moved places and conversations and character roles and basically everything around, everyone is just a mess. where is vfd????? i sure don't know.]
Notes:
back in march 2018, the good the iconic the legendary the CLASSIC ace attorney parent trap au came back on my dash and I decided to rewatch the parent trap a few days later, and as I was watching it, I thought, ‘i wonder how that would work with asoue, and lemony and beatrice, and of course with them getting together with bertrand,’ because I will of course ship the three of them together in any fic I can, but I told myself ‘girl, you cannot write this fic. you have too many other fics to write, you canNOT write this fic.’
I then told myself, ‘well, yeah, okay, but that doesn’t mean I can’t outline it.’
and then the outline spun wildly out of control, to the point where i was never going to write it as a full actual fic because it wasn't going to work like that anymore, but also to the point where it had a life of its own and was in my opinion somehow still worth reading like an actual fic. this is over 20k of a lemonberry ice parent trap au half-fic/half-outline/half-weird-script/wonderful mess of conversations and headcanons, and I genuinely hope my weirdly detailed ramblings (and unapologetic swearing) bring people as much unbridled joy as they bring me. I wrote this with the intention to have fun, and I hope!! you have fun too!!!
I think you can get through this with a working knowledge of the parent trap movie (1998 version) but a thorough knowledge is also very good
title obviously corrupted from love by nat king cole
.
lemony and beatrice, young and definitely foolish and definitely in love but totally not thinking this through, marry (fairly soon after college) and beatrice has twins, violet and klaus (violet is two minutes older, their birthday in this splits the difference between (what I personally image to be) their canon birthdays, so that’s, what, january 8th or something???? first I had it as the 3rd but nick and liz marry in the movie on january 8th and I was like ‘well that’s not too big a change to make in the name of a good reference’).
not long after, their marriage dissolves (for, well, pretty much canon reasons???? I mean like with less accusations of arson and criminal activity. lemony has Radical Commitment Issues and beatrice is Impulsive and Angry and Not Taking Anyone’s Shit and honestly how they made it through marriage and having kids with all those problems completely in tact and never doing anything about them is anyone’s guess, love is Occasionally Not Cool), they divorce, and lemony takes violet and beatrice takes klaus.
they both leave The City which I have always imagined as new york even though i’ve never spent a second there in my life, but anyway, beatrice does go to california (she likes the weather, but she does not end up in sanfran (danhan’s hometown) – the part of me simultaneously obsessed with a different fandom is screaming santa barbara!!!! but no i’m going to stick with the movie and say although she’s not in a vineyard she is in napa), the idea of lemony just being in england as like, a concept, and especially with a broken heart, is hilarious to me
kit: do I have to confiscate your copy of keats?
kit: do I?
kit: do I, lemony??????
beatrice raises klaus with the help of the duchess of winnipeg (and ramona’s delightfully sentimental and frankly adorable wife, olivia caliban, I will sail this ship single-handedly I guess) (what is ramona doing in california????? OH MAN DO I FINALLY GET TO BUST OUT THIS LINE I TOOK OUT OF THE BAYBEA FIC
ramona: have you seen winnipeg lately???
ramona: there’s not much for me to duchess over.
actually it’s probably that ramona’s mother is still alive in this (otherwise what would be the POINT of everybody lives/nobody dies modern au???? fucking fight me) and she takes care of winnipeg and ramona was like ‘…...canada’s not doing it for me’ and her mother was like ‘canada doesn’t do it much for anyone, dear.’ and ramona skedaddled to california with olivia, which worked out because they have banging careers as artists out in california.) (ramona paints (she likes watercolors and pastels), olivia actually writes historical fiction lesbian romance novels (where everyone also lives!!! she writes an on point jazz age novel only everyone lives and it’s great) (why historical fiction??? olivia is a sucker for romance and loves big sweeping romance epics….and ramona) (are her books just. period piece self-inserts with her and ramona??? well why the FUCK not), they are both………..really too good for this world.) (anyway bea has zero (0) family with which to raise klaus so ramona and olivia offer to help her out. out of the goodness of their hearts and long-standing friendship, not because they have any experience raising a child. they do not. have any experience.)
and lemony raises violet with the help of his sister. kit and dewey get together earlier, and have their daughter earlier (violet’s….five or six when she’s born?), and name her (obvs not beatrice) bernadette (I have Specific Reasons for naming her bernadette, however that is in my giant list of bernadette headcanons, which is a whole other Thing). beatrice is an actress (klaus can’t act for shit, sorry), lemony is a writer (violet doesn’t have a poetic bone in her body, sorry). (but violet can act and klaus is pretty good at putting words together.)
ELEVEN YEARS AGO BY, or, well, eleven and a half, I guess, eleven and a half delightful years filled with the following –
-lemony and beatrice fervently denying they ever married each other and trying to forget the other even exists, what do you mean you have photographic evidence, we were definitely not married
-ramona’s mother briefly going to california to tell three grown women how to change a diaper
-klaus, age one and a half, crawling up the staircase in their house all by himself to get to the library, beatrice promptly dies out of sheer terror
(true event. I did that.)
-violet getting ahold of a wrench at the same age and fixing one of the loose bars in her crib
(not a true event. I did not do that.)
-dewey and jacques, trying to fix the curtains in violet’s room, immediately and silently agreeing to never tell lemony they were The Worst Uncles In Existence for five seconds for accidentally dropping the wrench in violet’s crib
-beatrice training herself not to do a double-take every time she sees klaus with a book because he looks fleetingly like lemony, just for that second
-lemony lulling violet to sleep with a variety of accordion songs, violet’s favorite is his rendition of what he says is ‘a song about spending a day on the beach’ but is actually why I cry by the magnetic fields (particularly danhan’s rendition of it with ben gibbard.)
-hey I never said they were successful at forgetting each other, especially when the kids were kids
-a truly harrowing number of children’s birthday parties
-kit snicket, who firmly kept her maiden name, going through what she called ‘The Chillest Pregnancy In Existence, Look At Me, I’m Completely Fucking Calm’ in the middle of labor
-klaus going through a period where he only read poetry, which caused bea and ramona and olivia to speak in rhyme for a week
-violet insisting she could fix the toaster and promptly not fixing the toaster because nothing was wrong with the toaster (it just wasn’t plugged in.)
-beatrice appearing in a number of plays, klaus being enchanted when she’s in les mis and reading the book but, in fact, only finding the outrageously long sewer chapter interesting
-violet trying to write a poem for lemony for father’s day and rhyming ‘orange’ with ‘mortgage’
that summer, they both wind up sending violet and klaus to the same summer camp excursion, because what sort of comedy would this be without the wildest coincidence ever, honestly
kit drops violet off at the camp a la martin – will lemony get on a plane?? that is a resounding No (also he would have just cried the whole time. the whole time. the. whole. time.)
however lemony is the one who does the ‘fruits, vegetables’ thing, only before violet leaves, and he gives her a million hugs and honestly doesn’t want her to go to camp oh my god, it’s only because violet tells him he’s sort of squishing her that he stops hugging her, lemony is???? like the most concerned parent of all time
kit, meanwhile….
kit: I was going to give you a new dart set but I was informed that they would not let you through customs.
violet: uncle dewey told you, didn’t he.
kit: I married a real killjoy, violet.
I honestly cannot think of a scene for klaus to parallel hallie meeting glasses and tie dye girl while getting her duffel bag. I thought of putting the quagmires in this but I think that’s…...pushing the identical envelope a little here (would’ve been worth it though for the brief note I used to have here that was just isadora shouting ‘HOW DID THEY TAKE SO LONG TO REALIZE THEY WERE RELATED THEY LOOK EXACTLY ALIKE’)
i’m sure they hang out with like-minded people before running into each other, it’s a good camp and they literally never talk to those other characters again anyway, which is, a real shame
we can all at least rest assured that klaus gets to camp in once piece regardless and doesn’t have a conversation about darts and airport customs, anyway beatrice, ramona, and olivia each smuggle a deck of cards into his suitcase as a surprise and he has three card decks and impresses all the other kids in his cabin with a giant architecturally sound house of cards made to resemble thoreau’s cabin at walden pond
hey annie and hallie are both allergic to strawberries and KLAUS AND VIOLET ARE ALLERGIC TO PEPPERMINTS
before they meet there’s probably a moment like with marva sr and the strawberries (I just had a horrifying thought that JEROME is the camp counselor (esme is nowhere in this. olaf is nowhere in this.) and that’s…………..awful, but, as I was writing the following scene, you know who I wrote him more like?????? arthur fucking poe, what did I just fucking do, honestly poe is a WORSE choice but…...well
mr. poe: we have peppermint brownies today!
[I just saw someone on the food network make peppermint cheesecake brownies and I want them so bad]
klaus: oh, i’m allergic
mr. poe: oh, well, please live
mr. poe: I cannot perform cpr
klaus: …………………………………………………………….shouldn’t you maybe –
mr. poe: for your own personal safety and especially my own i’m going to have to ask you to step away from the brownies
[violet shows up on mr poe’s other side]
violet: oh! peppermint, i’m allergic
mr. poe: another – didn’t I just see you? how did your hair get longer that fast? that’s not an allergic reaction, is it?
violet: ……………………………………………………………...i don’t think that’s –
mr. poe: i’m going to eat this entire brownie pan to save lives, but also because I want these brownies
he came out more like show!poe instead of book!poe but, I do not care, no one cares about mr. poe.
SO, violet and klaus eventually do meet and have practically zero immediate animosity, also through fencing!!! lemony and bea are both canonically badass fencers but I stand by what I said in fight me, that lemony is the better fencer, and violet wins. klaus concedes his loss to a talented fencer. they take off their masks and are like WHOA WE LOOK REASONABLY SIMILAR
violet: I don’t know, I think your eyes might be little farther apart than mine.
klaus: oh, don’t worry, i’ll probably grow into them. it can take some time before people really grow into their faces.
however this does get them talking and they find out they have so much in common! they’re like, ‘you like books and only have one super weird parent??? what a coincidence!’
then they find out they both play cards. (this stays, cause poker games are gold and I am reasonably sure watching the parent trap so much as a kid was what instilled this love of ‘hilarious poker games’ in me because I used to jam them into my fanfics all the time.) (also explains why I only know two poker hands….)
they hold an (amicable!) poker game that night with all the campers, and they do like a round robin tournament sort of thing and swap tips all night until it’s just the two of them facing each other, and klaus wins. (lemony is Pretty Good at cards and definitely taught violet BUT you’re damn right bea taught her kid how to count cards. not that klaus wins through cheating, he also has a natural talent and bea’s impeccable poker face. klaus also hangs out with ramona, who has repeatedly kicked lemony’s ass at cards as well.)
since they still have to wind up in the isolation cabin (because how else are they going to secretly plan swapping identities with NO GODDAMN COUNSELOR noticing???), CARMELITA is at camp and busts them for the poker game. she got eliminated pretty early in the game and camped out outside the cabin the rest of the kids were in waiting until someone won and then got mr. poe.
mr poe: gambling is not for children! unless of course you have a verified accountant or, perhaps, an established banker who wanted to embark on a personal journey and decided to run a camp for small children but has always wanted to go back and manage money again because, you know, even after the two scandals, I was good at – but we don’t have time for this, violet, klaus, it’s very irresponsible to try and get adults going on a tangent to avoid your responsibilities.
violet and klaus: but we didn’t –
mr poe: i’m afraid that I have no other choice but to send you to the isolation cabin.
carmelita: cakesniffers in the isolation cabin!!! CAKESNIFFERS IN THE ISOLATION CABIN!!!!
oh……..that was painful.
AT LEAST THE CABIN IS LIKE A NICE GOOD CABIN AND NOT the orphan shack, also like how far into the woods is the isolation cabin???? do the marvas really just leave kids out there?????? come on, marvas…..
and so our heroes get stuck in a windy lil cabin out in the woods.
what do they do when they hang out there, since they have Zero Animosity???? talk about books. read books. klaus does sketches of various local leaves. violet rewires the lamps so they don’t flicker and rigs up the windows so they don’t bang open in the middle of the night. the only thing they argue about is how to make toast, which isn’t even IN the cabin (unless violet makes something into a toaster), whatever
does klaus have a stuffed animal like cuppy???? damn straight he does. because why the hell not. (some boys play with dolls? SOME BOYS HAVE STUFFED ANIMALS)
i’m being really basic here but it’s a teddy bear BUT bea made lil wire glasses for it because klaus got glasses when he was real little so she thought he’d feel better if his favorite stuffed animal also had glasses (bea wears glasses but she HATES wearing them although I think after klaus gets glasses she tries to wear them more because bea is supportive as hell) (she needs new glasses though like they’re still these big thick black frames from her goth phase and she hates them but she hates the idea of an eye doctor appointment more) (bold of me to assume bea has ever honestly stopped having a goth phase, though…)
oh gosh what is the bear’s name
what’s something like super nerdy but cute for a small book-loving child to have named a bear
oh no, he names it kenneth. bea reads baby klaus the wind in the willows and he names his bear kenneth and this is so cute. I can’t fucking handle this, oh my god
honestly I am one of those people who thinks oreos w/ peanut butter would be pretty disgusting. (I mean, without the cream in the middle, sure, that probably tastes good, but like, with the cream and the peanut butter???? no) their snack of choice is………….hey isn’t there a snack in penultimate peril at the picnic it’s mentioned they like
or is just because I have that particular book within three feet of me, i’m gonna check
okay, it does mention that klaus likes custard eclairs, violet makes a smoked fish sandwich and wants to try the chocolate spread. maybe they just like oreos, sans peanut butter. I like oreos. (also, you can’t stash eclairs in a suitcase.
olivia, staring at a series of freshly-baked custard eclairs and a collection of tupperware containers: ….do you think I made too much??
ramona: olivia, he’s – he’s just going to summer camp.)
ANYWAY, how do they realize they’re siblings???? like???? how do
do they have half pictures in this??????? I think that’s honestly going to be the easiest way
like, of course lemony and beatrice would have a wedding picture, and they are both absolutely extra and dramatic enough to have each other’s half
it probably is still a ‘sitting at a table, staring lovingly at each other’ sort of thing, lemony in a white suit and beatrice in a suitably extravagant but actually still somehow very low-key for her wedding dress (there’s a lot of tulle though, like………..layers of tulle………………………..), their color scheme flower-wise was red and white roses because like, what fucking else would they pick at that time (they are only JUST convinced by like, jacques, probably, to do red/white instead of red/black, beatrice personally wanted purple/black)
kit gave violet the picture of beatrice, because while she hasn’t spoken to beatrice since her brother’s divorce, she does think lemony and bea could stand to talk to each other
(although I headcanon kit as the kind of person to firmly forget about past romances and put them behind her THROUGH ANY MEANS NECESSARY this is not strict asoue canon, and she always liked beatrice, anyway. lemony and bea breaking up isn’t like kit and olaf breaking up, which, i’m not even gonna try and touch in this)
klaus found the picture of lemony when he was reading through anna karenina (beatrice forgot she put it in there when she let klaus read it) and figured immediately that it had to be his father, and he kept it (maybe he showed it to ramona, who was like, ‘yep, that was your father. goodness, I forgot how awful his hair looked back then.’)
they’re probably reading some book about geography (klaus is into geography at the time)
klaus: my mother says that for my birthday next year, she’ll take me on a trip to see the famous hinterlands sunset.
violet: my father’s shown me pictures, but he agrees that it’s a lot prettier in person, but he’s also not one for planes.
klaus: well, I don’t believe hinterlands are technically confined to one geographical area, i’m sure there’s more than just in california – here, i’m sure there must be more information in the index.
violet: when’s your birthday, klaus?
klaus: january 8th.
violet: !!!! that’s my birthday!
klaus: !!! that is an extraordinary coincidence.
I never said these kids were smart.
klaus: violet, what’s your father like?
violet: he’s kind of quiet, but he’s very kind. oh, I have a picture of him – well, sort of –
she pulls out from one of her own books a picture of lemony, from behind, sitting at his desk at his typewriter, absolutely no recognizable features present whatsoever
violet: he didn’t know aunt kit was taking the picture, otherwise he would’ve turned around.
violet: actually, even then he probably wouldn’t have? he insists he’s not very photogenic.
violet: what about your father?
klaus: i’ve never met him. he’s – my mother doesn’t talk about him much, but I got the impression that they divorced shortly after I was born.
violet: oh, gosh. i’m sorry, klaus.
violet: ….sometimes I think I get that impression too, about my parents.
klaus: i’m sorry too, violet.
and if this were a snicket novel, insert soft, gentle explanation about divorce and commiseration and finding kindred spirits in your friends and how sometimes love does not work out and the affects we don’t realize it has on the children who watch it happen or see the aftermath and are left with the gnawing wonder of what went wrong and how violet and klaus each wonder, a little, what the cause was, and it can be very lonely, at the end of the day, to know that even if you have one parent who loves you very much, there is someone out there who may not love you at all, and never got the chance to know you to love you, and an even deeper part of you that wonders – no matter how young you were – were you the cause of it?
violet: oh, but I – I have a picture of my mother, my aunt kit gave it to me – I have it in my suitcase
violet: /gets up to get the picture
klaus: I, I have a picture of my father, too, in fact I think it’s stuck in this book somewhere in the back, I didn’t want to forget it
and
as violet goes to sit back down with the picture of her mother, the half-picture of beatrice from her wedding day, klaus pulls out from the index the half-picture of lemony from his wedding day
and they are
STUNNED
to realize
this is, of course, the exact same picture.
there’s a lot of hugging and crying.
so they realize they’re siblings!!! and then decide try to figure out what the hell even happened with their parents, because now that they know they’re fucking related and still somehow wound up meeting each other they realize that there has to be some incredibly detailed story behind the reasoning for their parents splitting up and now they have not just proof but an actual opportunity to find out and maybe, just maybe, get their parents back together in the process!!! it worked once!!! it could work again, why not!!!!!
AND SO THEY DECIDE TO SWAP PLACES. (contrary to hallie having the idea, it occurs to them at the same time.)
meanwhile
for the past, say, YEAR, or so, bea has been seeing bertrand, a friend from her childhood (just narrowly managing to keep it from klaus BECAUSE it will involve A Conversation About Lemony and Commitment and Marriage and Things Not Working Out and Falling In Love With Someone Else and look bea is good at a lot of things but it’s a really heavy subject for her that even after eleven years she hasn’t quite figured out how to parse, so she’s really been putting off trying to explain all of that to klaus, in a case of her vastly underestimating her son [bea you see all the books he reads…….talk to your son]), and things are going well between them and they love each other a lot and!!! they decide to get married.
how do they meet up again??? bertrand winds up going to one of her plays completely on accident. he’s been on the other side of the country for years and years and he happens to go to napa and hears about this play happening and he’s like ‘well that sounds really neat!’ because bertrand had a short-lived theater career in high school and doesn’t act all that much anymore but appreciates a good play! who doesn’t appreciate a good play??
(bertrand played lieutenant frank cioffi in his senior year production of curtains to rave local newspaper reviews. bea, meanwhile, gave a stunning performance as carmen bernstein [esme wanted to be carmen so fucking bad and she’s never forgotten that bea got the role instead, and that would not even factor into this au even if esme WAS in this au] [esme was, instead, jessica cranshaw (if it was a small school she maybe doubled as bambi), ramona was niki harris, olivia played johnny harmon, olaf was…...daryl grady……..which pains me to write cause the guy I had a crush on in high school played daryl, josephine and ike played georgia hendricks and aaron fox, jacquelyn and gustav were head of stage crew, lemony supported them all from the audience – unless lemony was sasha????!!!!!!!! okay lemony was totally sasha.]) (wow I got unnecessarily invested in their high school drama club.) (IS THEODORA THE DRAMA ADVISOR?????? oh my god. oh my god she’d be so bad at it but so good. i’m dying.
theodora: snicket you need to FLOURISH your baton with MUCH MORE GUSTO
lemony: I am going to flourish this baton right up your –
bertrand: HE’S DECIDED AGAINST IT THANK YOU MISS MARKSON)
(hey you ever write a parallel that’s so good you hate it????? olivia is johnny. olaf is daryl.)
(I usually headcanon bertrand as two years older than bea and lemony but for the purposes of this au they’re all the same age – however bertrand joined drama club first, and I picture lemony as more of a band kid than a drama kid, they probably just pull him in for curtains.
was lemony drum major???? I want to say ‘hell no’ but I also want to say ‘most cryptic drum major ever, lead the most bizarre championship performance in the school’s history, somehow still won’) (I wonder what song it was to???? that right there is where my secondhand band knowledge conks out.) (but if I HAD to supply ‘bizarre, cryptic song for championships’ I would probably pick like, david lynch’s dark night of the soul or something, idk.) (but like, listen to it and just imagine it with marching band instruments……….i kind of like it. i’m kind of digging it.)
ANYWAY BERTRAND LOVES SEEING PLAYS and he goes to see it and he has NO IDEA bea is even in it and he’s like SUPER THROWN to see her but also???? really excited! it’s been eleven years!!! he can talk to her!!!! he finds her after the play and bea immediately drops whatever she was holding and is just like???? absolutely breathless to see him again (it’s been ELEVEN YEARS, cats. oh god no it’s been more like FIFTEEN YEARS since bertrand has seen bea cause they haven’t spoken since high school oh no that hurts even MORE). a giantass hug is involved. bea spins bertrand around. they make plans to see each other later. then they start hanging out, and they like, reconcile from their weird high school fallout and have a really neat relationship)
(so
the high school fallout
lemony and bea and bertrand were all delightful friends since they were kids (well, lemony and bea were, bertrand moved to town and joined their class when they were freshman in high school). they all had stupid crushes on each other, uggg. there was. an incident. at the end of their school escapades that resulted in a falling out with bertrand (maybe they had an idea of how they all felt and just couldn’t or weren’t ready to figure it out and it sort of. drove a wedge between them. not on purpose, it was just the way it happened to work out, with teenage emotions and refusing to talk about things and uncertainty. lemony+bea and bertrand went their separate ways after graduation, lemony and bea married right out of college, bertrand does his own thing, life goes on.) (maybe there was like some prom drama about who was gonna take who and who asked who first or something (at my junior prom, I was ready to kill the guy I asked who turned me down for that very reason). I mean that’s legit???? prom drama is incredibly legit. why is there so much drama at prom??????)
(honestly after going back and writing the production of curtains and remembering the (specifically romance-related) drama I witnessed happening among the drama club at my high school (I wasn’t in drama but I had a startling number of friends who were) i’m surprised they had the drama at prom and not in the middle of drama club, but i’m still going to stand by ‘prom drama.’)
(and I feel like it was prom drama of the type that’s like, low-key there and A Thing people think about but no one talks about or addresses so the whole night is real awkward and you worry something is gonna break out at any second but nothing does but you’re still obsessively on your toes about it. like, that simultaneously high-strung just-there high school romance drama angst that’s just this ever-present layer coloring everything that people say and do, hyped up specifically because it’s PROM. they probably all danced with each other and the dances were all cut short because of Feelings and Awkwardness and no one knew what to do, the whole damn night.)
and like, bertrand, going off to college and a little heartbroken but unwilling to try and do anything about it, is upset, but bertrand is also bertrand ‘sweetest man alive’ baudelaire, and honestly he wants them to be happy (bertrand is……..very non-confrontational……….and it is honestly his downfall, he likes to have fun and be nice and kind, and to acknowledge scary things is to actually deal with them and that scares bertrand so much, he buries a lot of things – so do bea and lemony, and in fact all of vfd, but in very different ways. bertrand has achieved a sort of Chill™ that bea and lemony just do not have) so he just goes on with his life, he does date other people but nothing ends in marriage, he becomes a librarian in maine and is actually only in california originally for a few months to help manage some of the collections at local libraries. then he runs into bea and he doesn’t like INTEND for a romance to happen (and neither does bea, which I also firmly stand behind for their canon romance too), he still planned to leave at the end of the few months, but it happens and bertrand feels a lot more secure in himself and his feelings about people than he did in high school and they really do love each other, a lot
oh he went to college for library science!!!! obviously lemony majored in lit and bea majored in theater and music)
(OH NO WAS BERTRAND AT THE WEDDING?????? oh no bertrand was not at the wedding. I mean he’s certainly invited but bertrand ‘sweetest man alive’ baudelaire is also bertrand ‘vaguely heartbroken, does not want to interfere, can actually honestly only take so much’ baudelaire and he says that he’ll be unable to make it. sigh. I want to say he sends a sweet wedding gift or even just flowers but man that makes me so sad to think about lemony and bea getting that on/around their wedding day and THEM being sad and i’m too sad now, bertrand does not send a gift. (he’s torn up about not sending a gift for some time. years later, walking through an antique shop, he is struck with the ‘Years Later But Still Feels Like It Just Happened And Oh Shit Why Did I Do That’ brand of Lingering Awful Anxiety™ about all that.)
HE DOES NOT KNOW ABOUT THE DIVORCE until he meets up with bea and she tells him.
bertrand: so how’s lemony????
beatrice: ahahhahahhahahhahhahahhahhahhahhahhahahaaaa!!!!!!
beatrice: ahahaha
beatrice: ahaha.
beatrice: …….oh you genuinely do not know oh shit i’m sorry
(I wanted so badly to put in my ‘bertrand and olivia were good cute friends and actually are penpals and like lemony and ramona’s ongoing card game they have an ongoing checkers game’ headcanon but it just. won’t. fit. in. here. cause why wouldn’t olivia have told him about the divorce???? I mean it’s bea’s thing to tell, NOT olivia’s, but to occasionally write to bertrand for YEARS and never mention she and ramona live with bea?????? I think that’s a little much.)
(does bertrand ever try and convince bea to reconcile with lemony???? I feel like at this point in his life he WOULD but bea would have very early on and very firmly vetoed that. and bertrand wouldn’t necessarily be happy about it but respects her wishes. not because he wants bea all to himself. but because bertrand is also quite frankly still. a little nervous re: navigating relationships. like he’s for sure A LOT BETTER at it now but like!!!! especially with lemony like bertrand is TERRIFIED of seeing lemony again. he really is. I think he thinks lemony blames him for stuff even though lemony does not. and I don’t want it to seem like bertrand’s……….just sort of swooping in and taking bea and not letting her talk to lemony????? cause it’s not that, it’s not that at all
they do really love each other
and just because bertrand’s grown as a person doesn’t mean he’s PERFECT
and bea certainly Does Not want to talk to lemony
it’s just, nick never mentions to meredith that hallie’s a twin and meredith HATES hallie and annie anyway, but bertrand does not hate kids and I just wonder, has bea told him about violet???????? like why wouldn’t she????????
so I mean yeah they probably have talked about it, and probably still came to the same conclusion, bea Does Not want to talk to lemony either, just, not right now, and yeah bertrand isn’t delighted about it but he’s like ‘alright, okay.’ because he still understands her reasoning and for all his talk he really doesn’t want to talk to lemony either
but it’s, I think it’s a thing, in the back of their minds, a worry that hits them sometimes, have they done something wrong, trying to forget)
(and this is why planning takes so much time because I always have so many stupid questions about characters)
(when bea and lemony were young and in college and extraordinarily drunk they would come up with new titles for bertrand, because they forgot they were trying not to talk about him
beatrice: bertrand ‘best hair this side of the mississippi’ baudelaire
lemony: bertrand ‘smooth hands’ baudelaire
beatrice: bertrand –
beatrice: wait do you mean like, his legit hands or like what he DOES with his hands
lemony, trying very hard not to think about Doing Things with Hands: ……..both
lemony: I definitely mean both
beatrice: good, I agree
beatrice: bertrand ‘i WILL dance the charleston and no one will stop me and I do not care’ baudelaire
lemony: bertrand ‘softest reading voice’ baudelaire
lemony: no no, wait, bertrand ‘BEST reading voice’ baudelaire, remember when he read ee cummings
beatrice: bertrand ‘i read lord of the flies and cried at the end’ baudelaire
lemony: oh bea are you complimenting him or being mean
beatrice: lemony I read lord of the flies and threw it out the fucking window when that kid killed piggy
beatrice: that was a compliment)
(ee cummings is because I have a scene in another fic where bertrand reads ‘maggie and milly and molly and may’ to beatrice and lemony and gosh…..i hope I get to use it at some point, it was a beautiful scene)
(they probably stop talking about bertrand like, sophomore year of college, idk, it just gets too hard and they become really miserable drunk nineteen-year-olds about it, and that’s not cool) (AT LEAST THEY HAVE THE WHEREWITHAL TO DO THAT)
ANYWAY, back to violet and klaus, who are still at camp and have decided to switch places!
ultimately, violet (like hallie) is supposed to find out how bea and lemony got together, and klaus (like annie) is supposed to find out why they broke up
violet cuts her hair (she’s a little bummed because she likes her hair but at least it won’t get in her way when inventing) and pierces klaus’s ears (klaus is so UP FOR THIS he’s very excited, also he keeps himself calm during it by telling violet the history of ear piercing) (these kids are either canonically very good at rationalizing or it’s just me radically projecting again…..or both), klaus practices wandering around without glasses (he bumps into EVERYTHING), violet practices how to fucking wear glasses and not die (she falls over EVERYTHING), of course violet already has an appreciation for books but she has to get the definition thing down (and growing up with lemony ‘a phrase which here means’ snicket left her with a pretty unorthodox idea of word meanings sometimes
klaus: so an optimist is someone who sees a positive side in any situation, like –
violet: say, if their arm was bit off by an alligator, a pessimist would say, “ahh! my arm!” and an optimist would say, “well, this isn’t too bad, no one will wonder if i’m right or left handed now.”
klaus: ……….what sort of person is our father
violet: he’s very specific about words.)
klaus has to figure out?????? how to invent on the fly????? (he’s seen beatrice macgyver a million things together but he’s still not sure how she does it) and the two of them teach each other about their lives, beatrice and lemony, ramona and olivia and kit and dewey and bernadette
violet: bernadette is really delightful, but you need to watch out for her
klaus: well, she is six years old –
violet: no, I mean, she can appear at a moment’s notice, and I don’t know who taught her how to pick locks, because I certainly didn’t and father can’t pick locks, but she can do it in under seven seconds.
(jacques taught her how to pick locks (he also taught violet). I don’t know where vfd fits into all this or if it even does in this fanfic but like, just try and tell me these guys don’t still act like absurd spies in any universe anyway.) (also I think lockpicking is, in general, a handy life skill, even if you aren’t living the absurd spy life.)
klaus: mother is, um
klaus: a little embarrassing
violet: how so?
klaus: she once scaled a ten foot wall because I forgot my lunch.
(ramona: hey so why did becoming a parent rob you of your top-notch secrecy skills?
[not necessarily, though, I mean, she does a great job scaling the ten-foot wall in complete secrecy. bea just, has a lot of love for her son, and is VERY OBVIOUS ABOUT IT, is the thing]
beatrice: ramona have you SEEN my son
beatrice: I will take a BULLET for him
beatrice: preferably in a non-critical area so we can hang out afterwards.
beatrice: but if I have to embarrass the shit out of him to make sure he eats, I WILL)
violet: father is the same way, a little. he keeps crying on the first day of school and I don’t have the heart to break it to him that I might be too old for that.
klaus: mother calls encouraging phrases from the car, which I think she does to prevent me from walking into school too fast.
violet: you know, they really sound like they were made for each other.
(lemony and bea, like, separately, are such legit disaster parents and I love them, they love their kids so damn much.)
the last day of camp comes, and it is time for them to officially swap places – violet goes to beatrice, klaus goes to lemony!
klaus recites book themes to himself the whole plane ride to england to keep himself calm because he’s trying not to think about how worried and excited he is!!! he’s going to meet his father for the first time!! truth be told, he knows pretty much nothing about lemony, even after talking to violet!!! IT’S A LOT FOR ANY KID TO TAKE IN, to suddenly think ‘yeah this was a good plan – oh fuck’
anyway, he meets kit at the airport, because kit is there to pick up violet. (kit and violet do not have a secret handshake. they have, of course, dart-throwing contests. of course that doesn’t make sense in an airport, but whatever. that’s their thing.)
why does kit pick klaus up at the airport instead of lemony??? I mean kit is in martin’s role but she’s NOT martin, you know, she’s lemony’s sister and definitely does not wait on him, but she does drop violet off at camp anyway, although in the movie that’s to prevent elizabeth (and nick) from showing up until the kids switch for Maximum Emotional Impact, but like lemony is obviously not THAT fucking busy he can’t pick up his own daughter
I had the thought that like kit is maybe his manager (on the side, otherwise she has….god some other job)??? does that work for a writer???? i’m a writer and I don’t even know. whatever. and kit maybe scheduled a reading that day by accident months in advance and couldn’t change it, or it runs long, so she has to get violet (klaus) from the airport
(moxie is still his editor, only she lives way out of town and they send angry emails to each other all the time about his work)
also ties in with hallie’s scene where she looks at elizabeth’s vanity and says she’s super cool about the wedding dresses cause I love that scene a LOT and I want klaus to think his stupid dad’s cool!!!
kit: violet, I am all for the beginning of your teenage rebellion with this new hairstyle but I should inform you that your father may just die.
klaus: you think he won’t like it??
[read: YOU THINK HE WON’T LIKE ME]
kit: he’ll probably come around to it. he’s still at his reading, do you want to surprise him?
klaus: !!!!!!
klaus: yes!
the reading is huge. I have no damn idea what lemony writes in this au, definitely not danhan’s stuff cause it’s not his vibe, but he still writes the picture books (although there are YEARS between them irl he wrote the composer is dead and the dark for bernadette before she became, in her words, Too Old For That Sort of Thing although she still secretly really likes them and reads the dark every night before she goes to bed. bernadette, in contrast to babybea, is fucking terrified of the dark but tries to like rationalize it out by thinking through the science of light or something, and then by just rereading the dark), oh he probably like, okay so he can’t just write asoue but he probably writes some other great children’s book series with the same sort of writing style and moral discussion, and the picture books
and violet told klaus he wrote stuff and bea like…..knows he does and refuses to talk about it but reads ramona’s copies in the middle of the night (and then has to stop doing that cause it bums her out too much), but klaus has no idea about it or how good it is and he’s so impressed, sitting at the back of this giant giant theater, and klaus loves books, he loves them with all his heart, and to sit there and see his father, for the first time in his whole life, doing something that klaus thinks is so incredibly cool
klaus: wow.
okay, so, the damn relief and happiness on lemony’s face when he sees kit and klaus
has he been imagining terrible airplane accidents for the past week? weeks? MONTHS??? yes he has.
he sees them once he gets offstage and immediately runs at this child (or, at least, definitely fastwalks.) and sweeps klaus up into this giant giant hug
klaus is!!! overwhelmed by the amount of sheer unadulterated love in this hug oh no i’m crying
putting aside that he’s pretending to be violet, this is the first time he gets a hug from his father and even if lemony thinks he’s violet klaus is still the one getting the hug and it’s just, a lot, man, it’s a lot, that scene in the movie where elizabeth hugs hallie is exactly the vibe right here god it’s so fucking sweet
lemony: oh, goodness – what happened to your hair?
klaus: I – I cut it. do you –
lemony is in the process of remembering that scissors and haircuts exist, he’s a little blindsided here
lemony: no, no – haircuts are things that happen, at one time or another, to all of us.
lemony: i’m just so happy that you’re back.
he just. hugs klaus again. god I can’t handle how much lemony loves his kids. klaus is really emotional and I’M really emotional I have to move on
on the ride home (kit is still driving)
lemony: so how was it at camp?
klaus: /frantically thinking of how he’s going to pull off something violet would say now that he’s HERE and has to act like her and decides to just be honest and hope it comes out okay
klaus: I had a lot of fun; the outdoors are incredibly pulchritudinous.
lemony: /thoroughly convinced that the outdoors has finally instilled violet with a greater poetic sense
I NEVER SAID THEIR PARENTS WERE SMART EITHER
do you know how wild the plot of this movie really is, when you get down to it, parents not recognizing their kids wtf have I done
violet can act pretty passably as klaus, but klaus, even employing beatrice’s acting techniques, just can’t act. but the one who finds him out is bernadette, like half an hour after he gets home.
[you can tell what scenes originally started this outline because they’re actually written like scenes, this was one of them]
[bernadette stares at klaus with wide, curious eyes over the top of her book. “you’re not violet,” she says.
the bottom of klaus’s stomach drops clear out. “what?”
“violet doesn’t squint when she’s confused,” bernadette says. “she frowns and puts her hair up. and it’s something she’s used to doing, so even if her hair was cut, she’d still reach for a ribbon, out of habit. you’re klaus. shouldn’t you have glasses? mother says aunt beatrice wore glasses.”
“how – how did you know about me?”
bernadette rolls her eyes. “i know everything,” she says loftily, for a six year old. “i can read, after all.”]
bernadette is the best kid. so I love babybea so much but babybea in canon is like…..still very on point but very quiet about it, because she’s grown up with really so little interaction with people????? she’s like a really subdued kid because she’s had to be so independent and do so many things herself. and she’s got her firm, almost unshakable optimism. so bernadette is still very quick and clever but a LOT more precocious about it and pretty boisterous for six years old and just. even more like kit than babybea is. her optimism is a little more…..sharp in this. I don’t think she understands embarrassment, as a thing that people experience, because she sure doesn’t. she’s just like, ‘well why don’t you just try again??????’ and it’s so great to see that inherent commitment to existence in a six year old
(an important sidenote from my bernadette headcanon list, though, is that she really does just read everything. she reads cereal boxes and magazines and reports and all the papers on lemony’s desk and really just absolutely anything she can get her hands on, and she’s easily bored so she goes looking for stuff sometimes and she’s good at putting things together, so that’s how she knows about klaus.)
[“i’m not gonna tell anybody,” she says. “i wanna see what happens. uncle lemony’s kind of lonely, you know? and aunt beatrice – when they talk about her – always sounded really nice.”]
bernadette makes it her MISSION to help klaus act more like violet and cover for him as much as she can
bernadette: you need to walk different
bernadette: and hold yourself a little taller
bernadette: here, keep this wrench in your pocket, violet likes wrenches
bernadette: and this ribbon!!! she didn’t give you any????
bernadette: oh, make sure you stare off into the distance while eating and think about machines or something
klaus: how do you notice all these things???
bernadette: ?????? doesn’t everybody?????? she’s your sister, you two didn’t follow each other around to try and pin down how you act????
klaus: …..do you do that, bernadette
bernadette: regularly. I can impersonate anyone’s footsteps. except my mother’s, because I think she keeps wearing different shoes on purpose. i’ll show you sometime.
so, armed with This Random Wrench and a lot of acting details that he can’t process very well, klaus HANGS OUT WITH LEMONY
so klaus spends a lot of time in the library in lemony’s house (which also doubles as lemony’s office, it’s big enough that he and violet can take separate corners and know each other’s there but not run into each other if they don’t want to (especially good for klaus pretending to be violet because no one has to see him TOTALLY FAIL AT INVENTING)), and it has so many books and klaus is so thrilled
klaus has to try and bring up bea and find out how they met, only, DISCREETLY
[gosh this one is a lot harder without “so doesn’t designing all those wedding dresses make you think about getting married again?”, especially because the truly spectacular “f word” line doesn’t make sense with lemony but what can you do]
he probably goes up to lemony while lemony’s at his desk because klaus figures, the easiest way could be to relate to something on the desk
AS purposeful narrative coincidence LUCK WOULD HAVE IT lemony is looking for something in his desk and you know lemony keeps the most inconsequential things and has accidentally dug out his plaque for ‘one semester of cheerleader participation’
klaus, immediately thrown by this news: you were a cheerleader?
lemony: mm? oh, my, I forgot about that.
he smiles at the plaque and dusts it off and my heart is m e l t i n g
lemony: yes, in high school. I wasn’t the only boy on the team, as a matter of fact. a – a friend of mine did it with me.
klaus: why were you on the cheerleading squad?
lemony, trapped in this conversation now: well – your mother was on the soccer team. I was not what you would call athletically inclined at the time, so I joined to support her.
klaus: !!!!!!!
klaus: my – my mother?
this was a fact he did not know about beatrice, as a matter of fact
lemony, realizing that children are going to be curious about their parents and, well, okay, it’s been eleven years, I probably won’t see beatrice again (ahahahahaha.), and my child deserves to know: yes. she was very good at soccer, among other talents, although she didn’t last very long in her soccer career.
klaus: why not?
[if this man was PAYING ATTENTION he would have noticed for sure that klaus is much more straightforward than violet.]
lemony, remembering that time beatrice launched herself across the soccer field and accidentally tackled the assistant coach and dragged him through the mud: she and the coach disagreed on some of the physical aspects of the game.
klaus, dying to hear what lemony’s going to say: what was she like?
lemony, immediately remembering the details of their divorce but also a series of Shenanigans from their school days that he should never repeat to anyone, then resolving to be kind about it: very charming and resourceful.
lemony: she had a great deal of verve.
lemony: I see a lot of it in you.
klaus is touched, I’M touched, god fucking dammit
klaus resolves to leave it there and decides to dig around lemony’s desk later for other things about bea and lemony when lemony isn’t looking
which he promptly does, that night.
klaus sees his typewriter and pictures of kit and jacques and there’s probably one of ramona (in a drawer) (sorry, ramona.) and in a secret compartment in the desk is a pic of bea (maybe one of bertrand too?) (definitely one of bertrand too) and some letters from bea (klaus recognizes her handwriting)
(watch it be something like, some stupid candygram she sent him for valentine’s day that says dear lemony, [the content of this candygram has been censored by the school administration] love bea!!!!!) (bea gets detention for a week for the content of the candygram.) (the second candygram gets through but it’s only because bea writes it so thoroughly in code that the school administration, at a passing glance, cannot see how raunchy it is. but also very heartfelt. it is genuinely heartfelt.) (so of course he has some from bertrand too. because bertrand sent everyone a candygram. they’re all so friendly but so sweet and so cute and bertrand’s just breaking my heart in this whole fic I love him so much) (they’re stuff like, i’m so happy we’re friends! happy valentine’s day! i made sure this candygram doesn’t have anything that will conflict with your peanut allergy! like some fucking NERD and i’m SOBBING) (because you know bertrand was on student council and helped with the candygrams, bea and lemony were definitely not on student council)
(bea: what gets me is that they still sent it!! they censored my loving sonnet about your ass but they still sent it!!!!!!
bertrand: I guess nothing stops true love?
lemony: or, nothing stops beatrice mariner. [you’d have to kill me before I conceded to ‘beatrice kornbluth.’ anyway one of kornbluth’s pen names was mariner so that’s my compromise.])
klaus thinks the candygrams are so fucking embarrassing and also had no idea his mother was capable of such language but then again, no, she is, but he also thinks they’re charming and evidence that lemony still has feelings for beatrice, if he kept them!!
he’s, intrigued, a little concerned, but not very worried about this mysterious picture of a strange man and his own candygrams, although klaus concedes they too are very sweet.
MEANWHILE, back in california
bea is so so so so so excited to pick up klaus (not knowing it’s violet) from the airport, like she manages to sit still for most of the wait but in the last half hour she just sort of bounces around the airport and buys a series of irritating, tasteless teas (“fuck this tea is so bland yes i’m ordering another one, ramona, don’t judge me”) and reads the same newspaper over and over again and when the flight comes in she’s ECSTATIC, MY GIRL IS BOUNCING ALL OVER THE PLACE
she’s the kind of like……...vaguely silly but a little (a lot) overprotective (?) parent
like beatrice is the one SHOUTING AT THE TOP OF HER LUNGS WHEN SHE SEES HER KID CAUSE SHE’S SO THRILLED, she’s just very vocal about how much she loves….
[I actually rewrote some of bea in this (or, changed the amount of capitals I had her using) because, like, bea is delightful and charming and very smooth but she’s also got such passion for life, she loves to be delighted and she loves to laugh, and she’s so smooth and sarcastic but like!!!! I love beatrice when she’s having a good time, but I got worried that she was leaning too silly in this which. irritated me.
like, in canon I feel like she is incredibly mischievous but once she gets married and has kids, she’s still very on point and loves her kids very openly but she becomes a lot more straight-laced because she’s so intent to protect them, so much so that I think she loses a little of that mischievousness. but considering the fluctuating capacity of vfd vibes in this au, I think she is a little more…….loose in this. the other thing about bea is that her veneer of perfection is her best acting job of all time, and divorcing lemony and being a single mother and raising klaus puts a big dent in that and makes her even more determined to try and wring as much joy out of life as she can without letting people know how much she has to deal with]
violet, upon getting off the plane and seeing beatrice: oh.
beatrice: look at youuuuuuuuuu LOOK AT YOU!!! you’ve got everything??? all your limbs???? nothing broken????
she says all this while like running straight at violet and patting her down and then giving her the biggest hug of all time. violet is engulfed in this hug and!!! she thought her father gave tight hugs but this is something else
I think lemony puts a lot of warmth in his hugs but beatrice puts this endless amount of joy, along with love, into her hugs, and violet’s life up until this point has been very low-key and surrounded by adults who excel at deadpanning their dialogue so this is!!! very strange but very exciting!!! because violet herself also has this very bright enthusiasm that other people in her family don’t have the same way she does so as much as it’s so different to meet beatrice it’s really cool!!!!!
[for the record, bertrand’s hugs exude safety]
re: pierced ears
beatrice: oh, ramona and olivia are gonna be real upset.
beatrice: they definitely wanted to be involved in your first rebellious teenager act.
beatrice: then again, so did I??
violet: doesn’t that defeat the purpose of a rebellious act?
beatrice, going in for a side-hug: …...i missed that snark so much
does beatrice have a dog???? she’s really not a dog person. neither are ramona and olivia (dogs scare olivia. in fact, most things scare olivia. the toaster scares olivia. she’s so nervous and I love her.) (it’s less of a josephine fear and more of a ‘please leave me alone!!!’ sort of startled fear, is how I see it)
if there is a pet, ramona and olivia have a cat that olivia named annabelle, and she’s a sweet, all-white cat who loves cuddles. she does not even care that violet isn’t klaus. she’s just like, ‘this person has arms!! this person can cuddle.’ annabelle is the best, most chill cat. (although I headcanon that bea is allergic to cats – but that was just cause I was allergic to cats, and now that i’m not allergic to cats????? GUESS IT’S FREE REIN NOW) (anyway the cat is still ramona and olivia’s.)
so bea has to introduce klaus (violet!) to bertrand, and, oh, bea
she really has been putting this conversation off for quite some time, and she decides to just, go for it, as she’s driving violet home
beatrice: klaus, there’s, there’s someone i’d like you to meet
violet: who?
beatrice: an old friend of mine. we’ve been talking recently, and he means a great deal to me, and if you don’t like him, then that’ll be it, but – I really want him to be a part of our lives, klaus. I know it’s a big change, but I’d like you to give him a chance.
violet is REALLY, REALLY THROWN HERE because she and klaus are supposed to get their parents back together!!! this isn’t supposed to happen!!! this is supposed to be a happy ending without this NEW CHALLENGER (UNACCEPTED!!!!), how is she supposed to ask about lemony now???????
violet: oh, um
violet: well, I would like to meet him
she resolves to be HARD AND UNCOMPROMISING when she meets bertrand, but, well, then she meets bertrand fucking baudelaire. bertrand ‘sweetest man alive’ baudelaire. bertrand ‘just desperately wants to make a good impression on his fiance’s son’ baudelaire. god I love him. what a guy.
especially because bertrand really does just want to make a good impression, and he knows klaus is into geography right now so he brings this absolutely impressive atlas as a gift
not as an attempt to bribe klaus into liking him, but to show that he’s supportive of his interests!!!!
bertrand, sweetest man alive, shaking violet’s hand: i’m so excited to finally meet you!!
violet, blindsided by the sweetest man alive: oh, thank – thank you. it’s very nice to meet you too.
bertrand: I heard you were into geography, so I brought this atlas for you! I hope it’s alright.
violet, holding the biggest, heaviest atlas she’s ever seen in her life: oh. that’s very kind of you.
they spend some time looking through it because it has so many cool details
he stays for a while and then bows out gracefully because he cares so much, hello i’m dying, and then beatrice asks violet what she thought
violet: I –
violet: I liked him a lot.
beatrice: are you sure? because I swear, it’s fine, klaus, if you’re uncomfortable, it’s absolutely okay, it’s –
violet: no no! it’s fine!
[read: IT’S NOT FINE]
violet: I have this….atlas, now.
beatrice: you could kill a man with that.
violet: probably! I probably could.
beatrice: ….so it’s okay?
violet: ….it’s okay, mother.
[read: IT’S NOT OKAY BUT WHAT ELSE CAN SHE SAY HERE] [hey you know when you take out how much of an awful person meredith is you are left with a lot less humor in this situation.]
beatrice: I don’t know what I did to deserve a child like you, klaus.
cue good, squishy hug.
[personally I cannot fathom marrying someone else and having twins and raising one of them and not trying to have a relationship with your other child because you didn’t want to work things out with first spouse, but I never said I myself was smart either, in what I chose to write (I NEVER SAID I TOOK THE EASY WAY OUT)
anyway, I do think when bea says that, she thinks about it for a second
that (as far as she knows) this is klaus, she’s known him his whole life, and she had so little time with violet and maybe she would be sweet and clever too and she doesn’t know
she doesn’t know!!!!!!!
and it tears her apart for a split second that she doesn’t have everything and before she can let it eat her alive she shoves it down and forgets about it like she does with everything else and just, moves on] [time is a scary thing – if this much time has passed, what can you do? do they care? is it easier to do nothing or does that hurt more? does it even matter when both parents know their kids don’t know about their sibling or their other parent (or as far as they know at this moment)??? does that possibly make it even a little easier????] [anyway.]
because of bertrand – or, not necessarily bertrand, but more, ‘wedding shenanigans,’ but also, yeah, bertrand – violet also spends comparatively little time with beatrice
she wants to dislike him on principle, but can’t because he’s just???? so nice!!!! he talks seriously to her about her parents and about her (well, klaus) and really wants to get to know her (well, klaus) violet is begrudgingly impressed. violet thinks klaus would be really impressed too. but she’s real worried about what means for lemony and beatrice
especially since they did this not only to get their parents back together but to spend time with the opposite parent, like!!! violet has spent practically zero (0) time with bea to get to know her!!!!
so she holds off for a little bit and just genuinely hopes bertrand will somehow be less nice
this is hard, when bertrand helps bea make dinner ever night (klaus was VERY EXPLICIT that beatrice allows NO ONE in the kitchen when she’s cooking so there’s that) and he talks so damn OPENLY to violet about being a presence in her life
bertrand: klaus, I hope you don’t think i’m intruding in your life.
violet: I understand where you’re coming from when you say that but remarriage is in fact a part of life that occurs with some frequency.
[not only death and taxes, but haircuts and remarriage….]
violet: mother said you were an old friend, though?
bertrand: yes, we went to school together.
violet: if you don’t think it’s too rude of a question
violet: you strike me as the type of person who would have had a high school sweetheart and I am perhaps a little concerned that you didn’t marry my mother earlier.
inside, violet is cringing but it’s a very klaus line.
bertrand: !
bertrand: oh, well, we didn’t date each other in high school.
violet: ! you didn’t?
bertrand: no, there was –
bertrand has been. avoiding these feelings for some time. but he’s so struck by them that he has NO poker face in this situation
bertrand: – it just didn’t work out at the time, that’s all.
but fuck violet is absolutely stunned by that look on his face
she’s never seen someone look so heartbroken before and she is, concerned, but that’s mostly ignored in favor of the sheer stress of the situation
and violet does actually get kind of angry!! about bertrand being such a good person!! she starts to get really frustrated!!! like I picture this happening over, maybe a week
she hates that she can’t tie her hair back and her thoughts are all jumbled and that she has to wear glasses and she misses her dad and she loves beatrice a lot but NOTHING IS WORKING OUT LIKE SHE WANTED IT TO
and she has to wear klaus’s glasses and keeps taking them off when she’s sure no one’s looking to rub her eyes man I want to give this kid a hug
but she also wants to make her mom happy!!! fuck this is a mess
violet: he’s been – a lot kinder than I thought he would be.
beatrice: yeah, he has that effect on people.
beatrice: when we were in high school, we called him “bertrand ‘sweetest man alive’ baudelaire.”
beatrice is viscerally reminded of Being Drunk In College and tries to shrug it off
however, violet, growing up with two detail-oriented snickets, does not miss a single thing
violet: we?
beatrice: oh, you know – nicknames, nicknames stick, klaus, everybody calls everybody things!!
violet: it just sounded as if you were….
violet: /casts around for the correct grammatical term, she’s committed, but comes up with nothing because hell even I don’t know, apologies to my grammar professor from college
violet: ….using ‘we’ to mean just you and someone else and not necessarily lots of people.
beatrice is actually vaguely suspicious to hear Less Technical Grammar but chalks it up to the situation
beatrice: well, I mean, we had friends, of course – ramona and olivia!! that’s!! that’s who i’m talking about!! that’s all!!
violet remembers that ramona gave klaus his half of the wedding picture, and klaus told her what ramona said, that ramona didn’t like lemony’s hair at the time, and violet’s done the math, she knows how old lemony and bea are and that she and klaus were born not long after they left college, and with this sudden but persistent reluctance to talk about An Additional Person from high school from both bea and bertrand, violet is terribly suspicious that there could, in fact, be much more to this than she initially thought
beatrice: don’t forget, we start looking at hotels for wedding reception venues this week, okay?
violet: okay.
so, that night, violet, now alerted to the possibility that there could be a connection between bertrand and her father, and also DESPERATELY HOPING THERE IS ANYWAY BECAUSE THAT WOULD CAUSE HER SO MUCH LESS STRESS, goes digging
she grew up with bernadette for the past six years (and has also seen lemony create giant information webs to map out books), VIOLET KNOWS HOW TO GET INFORMATION AND PUT IT TOGETHER
she starts looking for yearbooks – they all went to the same school, for years, they have to be somewhere, but violet can’t find anything in the library, or ramona’s studio, or olivia’s office, or beatrice’s hiding place (the kitchen), and then looks through their desks for papers or plaques or photographs or anything that could give her a hint (nope)
if there is one thing she’s learned from bernadette, but also her father, it’s that the best place to hide something is usually in plain sight, which leads violet back to the library, pulling out boring-looking books to see if anything is stored behind them or in them (still nope)
this leads to violet CLIMBING THE BOOKCASES to reach the top shelf because adults are taller than her and put things on high shelves
and lo and behold, there it is, the senior year yearbook.
violet has a HEART-STOPPING MOMENT in the downward climb (which she’s doing one-handed anyway) where she almost steps on annabelle who she hadn’t realized was sleeping on a shelf and violet is TERRIFIED but annabelle, chillest cat in the world™, just yawns at her and picks a different shelf
annabelle is no sammy.
so, curled up in a library chair, violet finds not only pictures of beatrice and bertrand and lemony in the yearbook, but also a giant section of papers that fold out from the back cover where apparently lemony had more than the average length of a yearbook comment to say to her
violet, vaguely skimming this hardcore romantic comment, incredibly used to her father’s verbosity: yes that sounds about right.
and she finds a (significantly smaller but still lengthy and painfully heartfelt) signature from bertrand nearby, that definitely reads as a guy in love
but she’s still not sure how they feel about each other now, like a few yearbook signatures are no indication of how a person feels over eleven years later, so she’s still nervous about this and decides to sleep on it
this takes the whole night, violet is exhausted in the morning
now re: chessy unpacking hallie’s (annie’s) suitcase in the movie, it’s not that ramona did the same, but when doing the laundry earlier she did notice this weird amount of ribbons stuck in the lint filter/in pockets/pant legs/sleeves
and she barely even thinks anything of it at first and asks olivia and olivia has no clue and she’s not asking beatrice because beatrice has so much on her mind and ramona’s like ‘….hmmm,’ and goes to talk to klaus (violet)
ramona: hey klaus, I keep finding ribbons everywhere and I just wondered –
violet, in the process of running her hand through her hair cause she’s tired and processing a lot and misses being able to tie it: /JUMPS
violet: oh
violet: bookmarks, i’ve been using them as bookmarks
[actually violet has a million ribbons because lemony never wanted her to be without one, and it was so natural for violet to bring them with her she just legit forgot she wasn’t supposed to have them, like hallie with cuppy]
ramona, vaguely concerned: ….yeah, your mother used to do that
ramona: anything wrong with your hair?
violet: oh, no, not at all!
ramona: everything….going okay?
violet: yes, absolutely!
[the thing about violet acting as klaus though is that she can get like his speech patterns down but her own natural cheeriness still shows through in the places where klaus is in general quieter]
this is gonna get discussed right after this but ramona knows violet ties her hair up to focus because lemony told her in a letter, years ago
so ramona frowns and walks over to her and ties her bangs back with one of the ribbons, and violet just so visibly relaxes
ramona, incredibly emotional: oh
ramona: violet?
violet: ….yes.
ramona: so I can’t necessarily abide by breaking up a marriage but HECK YEAH i’m down for helping you reunite them. beatrice got me in the divorce and it’s very irritating just writing to lemony, which he actually hasn’t done for a while, now that I think about it.
violet: why don’t you just visit him? i’m sure he’d love to see you.
ramona: he makes me send the letters to a post office box. I do not know that man’s address.
violet: ……...that sounds about right.
(bea still does not find out until the hotel shenanigans, though.)
(I love ‘beatrice got me in the divorce’ like that’s fucking hilarious, cause I picture ramona as lemony and bea’s best friend so when they aren’t together it’s like…...well, what happens to ramona???? WHO DOES RAMONA HANG OUT WITH?? WHO GETS CUSTODY OF RAMONA)
(but also like, wtf lemony and ramona write to each other and bea never finds out???? I mean ramona was their best friend so like yes I think they do keep in contact but then does ramona never tell lemony about klaus????? and for them to write to each other and ramona to get these letters and BEA IS IN THE SAME HOUSE??????? I can’t tell if this is just angsty or poor thinking through on my part
but like ramona has to know for the reveal scene here to work out right, otherwise she’d never guess specifically violet
unless I rewrite the scene, but? nope. i’m committed to this ribbon reveal. I like it a lot. fuck it.
THIS WAS WHY I TOOK OUT BERTRAND AND OLIVIA AS CUTE PEN PALS auuuuuggggggg
I don’t know I mean. it is weird and stretching this (already shenanigans-filled) fic a little but. I don’t think it’s the WORST illogical thing I can stick in here. and they are friends, they can write to each other, just, yeah, probably not a lot and they actually probably don’t talk about the kids a lot, cause then lemony would know about both kids and since r wouldn’t tell bea she was writing to lemony bea wouldn’t know anything at all about violet and THAT’S what’s not good (although r telling lemony about klaus is cute i’m gonna have to nix it here. no can do.), so yeah r probs never brings up klaus and lemony rarely brings up violet, he probably only mentions the ribbon thing back when she was really really young because of how much it reminded him of bea and lemony was One Sad Man in his twenties trying to cope with the emotional reality of raising a child that reminded him of his wife and needed to tell someone
that is a lot of weight on ramona though and she doesn’t say anything but lemony apologizes for bringing it up in the next letter anyway and actually after that they probably talk a lot less cause it’s hard on both of them)
(writing is hard! writing is hard.)
ramona: so what’s your plan now?
violet: first, I have to make a phone call.
VIOLET CALLS KLAUS, keeping in mind the concept of time zones a little bit better than hallie and annie
violet: so, it turns out that mother is engaged????
klaus: engaged????? to who?????
violet: this man named bertrand, and, honestly, klaus, he’s such a nice person, he brought me, well he brought you, an atlas –
klaus: oh. that is very nice.
violet: it’s the sort of atlas you could probably use to incapacitate a reasonably-sized adult.
klaus: wow.
violet: and mother said that apparently she knew him when she was younger, and they get along so well, but –
klaus, remembering the picture he found with the extra candygrams: wait
klaus: is he sort of tall, and thin, and blonde
klaus: and sort of, idly optimistic
violet: yes! although I would say more….calmly steadfast
klaus: hmmm
klaus, trying to describe bertrand’s facial expression in this picture: disarmingly kind?
violet: humorously honest?
klaus: I think father has a picture of him in his desk!
violet: !!!!
[myth: confirmed!]
klaus: and some notes from high school from mother and him!
violet: !!! klaus, based on some other things i’ve found, I think all of them might have had feelings for each other.
klaus: !! that makes a considerable amount of sense here. if they all still do, that could make this much easier.
violet: but we won’t know for sure unless –
bernadette: who are you two talking about???
klaus: BERNADETTE
violet: bernadette, are you on the extension again
bernadette: well why wouldn’t I be?
bernadette: it sounds like you guys are talking about bertrand.
violet: how do you know who bertrand is?
bernadette: dad talks about him all the time???
bernadette: well, not when uncle lemony’s around
bernadette: he sent dad that book of poetry that mom immediately burned
bernadette: the elephant guy?
violet: …….oh, now that you mention it! that’s right!
klaus: wait why did your mother burn the book
violet: aunt kit has very little patience for certain poetry.
klaus: she doesn’t like john godfrey saxe??
violet: it’s a big deal, it’s best not to get into it.
violet: look, I think what we need to do is get everyone together and sort this all out.
violet: we’re scouting hotels this week for the reception, you can come here and meet up with us at one of them!
MEANWHILE, kit finds bernadette on the extension, for an honestly longer than usual length of time (bernadette does eavesdrop regularly), and also klaus on the phone in general (and violet rarely uses the phone, like, as a phone. usually she’s taking the phone apart), and really, nothing gets past kit fucking snicket. (you know kit denouement does have a great fucking ring to it, but as I said before, just try and tell me she didn’t insist on keeping her maiden name when she got married.)
so she goes and finds klaus and hears the end of the above conversation and is like ‘oh shit, they totally switched on lemony and bea, what badass kids’
[what if she tries to corner bernadette first
kit: bernadette, I didn’t know you knew anyone to call on the phone.
bernadette, without missing a fucking beat: I called the international operator to ask about time zones, but she caught me up in a conversation about soap operas and whether or not their use of sudden death is considered theatrically cathartic or not.
bernadette: I told her it happens way too often for it to be cathartic.
kit is too impressed to counter her. kit loves her daughter so fucking much.]
so then she sort of shows up in klaus’s doorway when he goes to leave the room after the phone call, arms crossed over her chest
kit: is there something you’d like to talk about?
kit can be outrageously intimidating but kit is also, actually, a pretty good parent
kit, significantly more gently: just between you and me, klaus.
klaus: …..maybe.
kit: come on, let’s go for a walk. you can tell me all about it.
klaus: it’s a long story.
kit: well, good, I like long stories.
klaus: are you going to tell father?
kit: don’t you think you should tell him?
klaus: do you think he’ll be upset?
kit: oh, not at all. more with himself than you, anyway. once, violet was responsible for wiping out the electricity of the whole city, and he gave her two slices of cake for dessert and said he should’ve bought more books on electrical wiring.
lemony is appropriately concerned and horrified and thrilled to see his son, like, oh my god, but the moment is taken over by the urgency of the situation because klaus says he has something to tell all of them that cannot wait
[forgive me for not writing that one out.]
klaus: so it seems like mother is getting married
lemony: oh
lemony: well
lemony: like haircuts, marriage – marriage comes to all of us, at some point –
klaus: to bertrand?
kit, lemony, and dewey: /STUNNED, DEAD SILENCE
kit: oh my.
dewey: what are the odds?
lemony: I think I can die now. I believe i’m ready.
bernadette: why don’t you just go see them and work this all out???
lemony: bernadette, I don’t know if life works like that.
bernadette: uncle lemony, you’re going to ruin all my bright-eyed optimism.
dewey: sometimes I think I didn’t have anything to do with you at all, bernadette. I think you just sprang, fully-formed, from your mother’s head.
kit: don’t be vulgar, dewey. ….thank you, though.
kit: but really I don’t see any other way to sort this out than by going to see beatrice and bertrand.
[this was one of the very first conversations I wrote for this and I am still very attached to it, even though I find dewey so hard to write, I haven’t yet figured out how I think he functions with these guys, especially kit, which I should maybe have done sooner but, what can you do.]
[also I feel like it just makes more sense in this for them to KNOW bea is engaged]
[I’m putting this in here because honestly……….in the movie once elizabeth realizes the switch she does not spend nearly enough time hugging hallie constantly or getting to know her, I get that seeing your ex-husband for the first time in eleven years is A Lot but YOUR DAUGHTER WHO YOU HAVEN’T SEEN IN ELEVEN YEARS AS WELL IS RIGHT FUCKING THERE] [also makes up for not writing klaus revealing himself as klaus, i’m so sorry.]
lemony: klaus?
klaus: ?
lemony: I – please don’t think that I didn’t love you. because I do, and I have thought about you every second of every day, I promise you. and there are many things that I should have done as your father, and many things that I cannot make up to you, but I want you to know that whatever happens with this, I have always loved you. and I am sorry.
so i’ve always pictured that klaus (besides looking reasonably like bea anyway, in any universe) gets angry like she does, and bea gets that sort of like, quiet cool hatred that turns into full-blown shouting really quickly and she will pull no punches and just fucking give it to you!!!!! and klaus has some sort of version of that and like look I put a lot of thought into ‘adult problems fucking over small children as those adults fervently avoid those problems’ when I wrote babybea so like
man, of course klaus can be angry at his parents for like???? never trying to work things out???? this is the first time in almost ten years he’s seen his father and his sister and he has an aunt and an uncle (and another uncle he hasn’t even seen!) and a cousin he never knew about because of lemony and bea being stubborn and stupid and recklessly young!!!!! I think violet is honestly less mad about it (well, she gets a little mad about it later on, but like, being raised by lemony, she has this weird way of trying to rationalize things while feeling really guilty about it, but that’s scenes away from right here – or she just? maybe internalizes it more.) but klaus is like, he’s not totally angry but like, as himself, face to face with lemony, lemony talking to him like a parent and about klaus and not about bea or violet or shenanigans or anything, like, yeah, he’s a little angry that it’s just….taken this long and that lemony and bea are so stupid
klaus is an angry crier. and an angry hugger. so that’s what he does.
like it’s hard to suddenly have a relationship with a family member whose never….been that to you before or made themselves available like that or just generally been there at all, and as much as I want them all having a good time, bea and lemony have some shit to work out with their kids
THEY HAVE A GOOD HUG, IS THE POINT
and I want to say that like they spend some time together after this and…….yeah they probs do it’s just gonna be weird re: the previous paragraph so…….maybe they just sit around and read and occasionally point things out to each other, that sounds chill and legit, doesn’t ask a lot of either of them
SO, that brings us to, later that night, when lemony can Officially Panic
kit: so
kit: you seem a little tense, brother mine.
lemony: I am NOT going to break up a marriage between two loving people who care about each other and happen to have incredibly pleasant facial features and are two people I myself still care about a great deal despite not having seen either of them for a lengthy amount of time
lemony: we’re only going to switch the children back, and I will talk to beatrice, about something, and I don’t have to say anything at all to bertrand, and that’s going to be it. that’s all. nothing beyond that.
kit: that would be a more powerful statement if you weren’t packing every single fancy tie you own.
lemony: really.
lemony: we’re not going to think any more into this.
lemony: that’s all we’re going to do.
lemony: which tie should I wear?
kit: well, definitely don’t pick one of the ones you’re strangling in a death grip.
(hey, where is jacques in this??????????? wish I knew)
(he’s probably regularly out of town, maybe he happens to call home and bernadette is the one to pick up the phone and she’s like “we’re going to see aunt beatrice, I think we’ll be back in a week or something?” and then immediately hangs up because dewey calls her for something, and jacques is left, miles and miles away, standing in a phone booth and wondering if, perhaps, he should maybe visit his siblings more often so they don’t go tearing off to california
jacques: kit what the hell is going on
kit: what, didn’t bernadette tell you?
lemony: ask him what tie I should wear
kit: we’re embarking on the adventure of a lifetime, jacques, it’s your own fault that you decided to go out of town this weekend, I really don’t know what to tell you
lemony: ask him what tie I should wear
kit: /sighs
kit: what tie should your brother wear
jacques: the one with the single blue stripe, it brings out his eyes, what are you two doing
kit: really, jacques, you need to pay more attention
kit: lemony, he says the one with the blue stripe
lemony: oh, good. tell him he’s a lifesaver.
kit: lemony says you’re a lifesaver, although I have yet to see real proof of this, however I will consider changing my mind if you happen to bring me a souvenir. please remember that I could use a new set of nice, engraved fountain pens. also our plane is leaving soon and we need to pack, so bye, loser
jacques: ………………….
jacques: what did I do to deserve this)
(jacques, in any universe, is eternally pained by his siblings)
this being a rehearsal dinner brings it very close to, you know, an actual wedding date, and the thing is, I have planned a completely different wedding-related fic, weddings are EXPENSIVE AND, YOU KNOW, TIME-CONSUMING, PLANNED IN ADVANCE, ALL THAT SHIT
but the whole reason there’s a wedding in the parent trap in general is because, if meredith and nick are just dating, there’s no commitment, marriage means COMMITMENT and A TIME CONSTRAINT and meredith wants his fucking money
so yeah bea and bertrand ARE engaged and planning to get married and plans have happened but the idea of this being so close to the rehearsal dinner makes me sad about all those ‘yeah i’m gonna have to cancel’ phone calls someone is gonna have to make, which is, well, pretty silly, but still, I Hate feeling uncomfortable esp when reading things like that (or even just, thinking of them in advance)
and that is why they are scouting hotels for the reception. (don’t ask me where the denouement is. I do not know.)
so bea + co get to the hotel first, and the only people who know lemony + co will be there are violet and ramona
ramona, hanging back to talk to violet while bea and bertrand and olivia (she has a good eye for decorating.) go ahead: do you know what you’re going to do?
violet: well, I thought maybe we would just
violet: all bump into each other?
violet: and go from there??
ramona thinks that’s an exceptionally courageous take on this and that, yep that girl sure is bea’s daughter
[yeah bea still has NO IDEA ANY OF THIS IS HAPPENING ramona is A+ at keeping secrets
meanwhile, sometime later-
olivia: you didn’t tell me?????
ramona: olivia, I love you dearly but you can’t keep a secret to save your life
[oh, yikes, re: legit asoue canon]
olivia: ……..okay, you have a point.]
it is at this moment that lemony + co arrive, and bertrand, who had backtracked for a moment because he realized he dropped a pen, immediately runs into dewey, who had stopped near the door to examine the hotel brochures and ambiance in more detail (you can take the boy out of the hotel but you can’t take the hotel out of the boy)
[based on penultimate peril, I always thought bertrand and dewey were very good friends and had bonded over absurd poetry, and, of course, based on kit burning the poetry book, are still in contact – there’s much less of a sense of forced distance between bertrand and dewey, because dewey’s just lemony’s brother-in-law and bertrand was friends with dewey first so they’re still good friends but like most adults they have a hard time committing to keeping in contact regularly especially with the distance and haven’t physically seen each other for some time]
so they bump into each other –
bertrand: dewey!!
bertrand: it’s been ages, what are you doing here, how are you!!!
[dewey denouement, much in the way that olivia caliban can’t keep a fucking secret, cannot fucking lie.]
dewey: oh, um
dewey: you know
dewey: hotel conference!!
dewey: kit wanted to travel!!!!
dewey: we’re traveling FOR a hotel conference!!!
dewey: WHAT DO YOU THINK OF THESE CURTAINS, BERTRAND
bertrand: ……..dewey, you’ve never been very good at lying.
dewey: no, no I really haven’t.
dewey: forgive me for everything, bertrand.
bertrand: you might have to be a little more specific.
beatrice: bertrand, have you – dewey??
dewey: oh no
beatrice, remembering dewey and kit are married, suddenly battling sheer terror the likes of which she has never experienced: how….how are you
dewey: I could be better. I could definitely be better.
beatrice: is kit here?
bertrand: I believe they’re here to look at the curtains.
dewey: we’re definitely here to look at curtains.
beatrice: ….they don’t have curtains in england
dewey, grasping at straws: not….like these….?
MEANWHILE back at the ranch, lemony backtracks outside because he dropped a pen, narrowly missing three adults awkwardly talking about curtains
olivia: beatrice, we’ll be late for the wine tasting if we don’t go soon.
beatrice: oh – well, dewey, it was….nice to see you
dewey: please, go enjoy your wine.
bertrand: /waves good-bye!!!!
klaus and bernadette, hiding behind a nearby ficus, because bernadette thinks fast and has her own specific idea about how this should go and it doesn’t involve her relatives meeting again because of her father talking about curtains: wow.
violet: /narrowly avoids getting swept up into the wine tasting, darts for the elevator to try and locate klaus + co
MEANWHILE back at the ranch, upstairs, in their hotel room
lemony: why did I think I could do this
lemony: how do I approach a couple here to scout locations for a wedding reception?
kit: ….you approach them
dewey: don’t talk about curtains, maybe.
lemony: i’m not – dewey, what do curtains have to do with this?
dewey: trust me, just don’t talk about them.
there is a knock at the door. lemony has seen death. this is it, for him.
anyway, it’s violet.
klaus: violet!
violet: klaus!
awkward sibling hug sincere sibling hug!!
violet: klaus, please take your glasses back.
klaus: oh, thank you. my spare pair just doesn’t feel the same as these.
lemony: violet!
now, seeing the two of them together, he can absolutely tell the difference between them. ain’t that just the way.
lemony hugs his daughter like she’s going to disappear right out of his arms and then hugs klaus for good measure and he has to try and ignore the true roller coaster of emotions that puts him through and then tries to look very stern.
lemony: i’m not disappointed in the two of you but I cannot believe you switched on your mother and me. that was very….
lemony is not good at being angry at his children, he has no real concept of it.
lemony: ….clever. it was very clever.
violet and klaus are very proud but find it in themselves to try and look a little chagrined. they don’t do it very well.
violet: father, you really need to talk to mother.
klaus: and bertrand.
lemony: both of you know about bertrand??
klaus: you and mother are very transparent about him.
MEANWHILE back at the ranch, at the wine tasting
ramona: what do you think?
beatrice and bertrand, equally lost in thought about the presence of dewey, the implied presence of kit, and the possibility of the presence of lemony: hm??
bertrand: oh, yes
beatrice: wine
beatrice: /downs entire glass
beatrice: /sets down glass
beatrice: not that one.
bertrand, who has been holding the same glass for the past twenty minutes and has no idea which wine that even was: definitely not.
MEANWHILE back. at. the. ranch.
lemony’s children have such boundless courage (I have hurt myself so many times while writing this fanfic with the occasional too-on-point line and this in particular wounds me these kids are so strong and so important and won’t take no for an answer compared to their parents and get the chance to get their parents to FIX THINGS and oh no i’m gonna cry) and have dragged him downstairs to the lobby, with the INTENTION of having him run into bea and bertrand
lemony: this is not going to work out –
violet: nonsense!
klaus: it’s going to work perfectly.
meanwhile, bea and bertrand leave the wine tasting
bertrand: ….did we come to a conclusion, about the wine?
beatrice: no, I don’t think so.
bertrand stops by the bathroom to wash his hands for something to do as he’s consumed with thoughts (not about wine), beatrice is in a daze as she goes through the lobby, violet notices her but sees she’s not with bertrand and decides she has to stall
violet, rushing over, purposely trying to block beatrice’s view with varying success: mother, how was the wine tasting?
beatrice: oh, it was –
did you remember violet gave klaus his glasses back?
beatrice: klaus, what happened to your –
and, well.
beatrice looks at her so hard and processes kit and dewey being here and then it fucking hits her like (forgive me. forgive me so hard.) a harpoon to the chest
beatrice: ….violet?
violet: yes.
beatrice: but – how –
klaus, appearing next to her: it’s a truly fascinating chain of events we’d like to tell you, but –
hey! beatrice is stunned and horrified! and grabs her daughter into a hug, knowing now that it’s her daughter and has been this whole time and!!!! she feels so awful with herself for not noticing but is also trying to not make a big deal out of it and startle violet by sobbing uncontrollably on her shoulder but beatrice is simultaneously devastated and filled with so much love and she’s for sure going to break apart now
beatrice: and klaus –
she’s hugging them both now, it’s very good.
beatrice, in tears: you two are lucky you’re so cute
violet: mother, there’s someone we’d very much like you to talk to.
beatrice knows somewhere in the back of her mind that it’s lemony but is also not even thinking of lemony because, her children
klaus: /tries to wave lemony over
lemony: /trying and failing to hide behind a ficus, have you seen a ficus, have you seen lemony
violet: /ALSO WAVING
beatrice can’t miss that for the world.
beatrice, while turning around: what are you two –
imagine, if you will, lemony snicket trying to hide behind a potted ficus that hits about mid-chest.
also imagine, if you will, two people who divorced over eleven years ago, still have too many feelings about each other, split up their children for their stupidity, have been trying to avoid the knowledge that both of them are there for the past hour, and are now confronted with the reality of their lives right in front of them
…….besides the ficus.
lemony, stepping out from behind the ficus: hello, bea.
this is a headcanon i’ve long held, since I first started writing asoue fanfic, but, bertrand and lemony say ‘bea’ differently, especially in canon, like particularly in canon, so it’s like less so here but lemony still says her name with so much love, and bertrand says it with love too but lemony has known beatrice for so so long and here they are after years apart and here he is saying her name again, and he never ever ever expected to say it like that again, he never even DREAMED of saying it to her again, but it’s real
beatrice: lemony snicket.
violet: as nice as this is for us –
klaus: – we’re going to allow you three the time you need to discuss assorted events.
at this moment (of course), bertrand reemerges.
bertrand: bea, I –
he sees violet and klaus rushing off, looking delighted, and bea and lemony standing there still trying to process words, and then there’s bertrand, frantically thinking ‘abort mission, ABORT MISSION’
because. the way they turn and look at him, in tandem, like they did all the time in high school, immediately makes bertrand feel like they’re there, back in high school, back at prom, here’s the two absolute loves of his life standing in front of him and bertrand is filled with delight but also fear because, here it is, they all have to deal with it now
(all of them are thinking that, the three of them, standing there, there is not a single trace of jealously but instead there is so much love and regret and it’s, heart-wrenching)
and here is where he loses all his Chill™.
bertrand: you know what, i’m gonna – go –
bertrand: /trips over a chair
lemony: oh –
beatrice: bertrand!
bertrand: totally fine, still alive, i’m – they have such a nice gift shop, you know, i’m – i’ll be there
bertrand: /high-tails it practically out of existence
beatrice and lemony: ….
lemony: he – he still has a very nice running form.
beatrice: yeah, I think so.
lemony: well, bea
lemony: or does everyone call you beatrice now?
beatrice: no, no, bea – bea is fine. bertrand still calls me bea.
[beatrice starts to laugh. “it’s – man, it’s funny, isn’t it?”
lemony smiles at her. “what is?”
“i’m going to marry your high school crush,” beatrice giggles, “who’s still – still in love with you.” she stops. “you know, that’s actually really not as funny as it sounded in my head,” she says, frowning.]
they have dinner!!! and talk. about. stuff. do violet and klaus recreate the night lemony and bea met or the wedding or something????? idk honestly. like at least they didn’t get married UPON MEETING I MEAN LIKE COME ON (although somehow that is very them, but, come on, this backstory is good and solid and I love characters that grow)
maybe they just pool their allowances and give their parents a banging night out (which is pretty much just. dinner.)
beatrice: I see that cut on your forehead healed up nice
lemony: yes, anna karenina left very little lasting damage –
both: – except to anna karenina.
they pause, and then just, fucking burst out laughing, this is a horrible old joke for them that they made up when they were in school because anna karenina was the biggest book either of them owned (neither of them were particularly interested in war and peace) but was somehow sort of light and if you dropped it it really didn’t do much damage, which they thought was funny re: the size of the book and the subject matter
beatrice throws it at lemony during the fight that ends with their divorce and it’s the first time it actually hurts something
lemony: so, how is bertrand
lemony: I don’t think i’ve seen him since – well, since before the twins were born.
beatrice: oh, he’s – he’s doing really, really well. he’s a librarian, and – we keep joking about how many more books klaus and I will be able to read. lemony, he’s got the magazine editions of hammett –
lemony: w h a t
lemony: does he even have the –
beatrice: yep. he has the unfinished story. i’ve seen it.
lemony: I knew I liked that man for a reason
THERE IS SUCH A WEIGHTY PAUSE.
lemony: that is, hammett, obviously. I mean, the continental op is one of the quintessential fictional detectives, and hammett’s novels –
beatrice: you did like him, didn’t you
beatrice: when we were in school, you looked at him the same way you looked at me.
lemony: oh, no
lemony: I looked at you with a rapt adoration and I looked at bertrand like he was a puzzle I couldn’t solve. I have that on good authority from my sister.
beatrice: oh, right, right.
lemony: ….but I did, didn’t I. I did like him very much.
lemony: I don’t think anyone disliked him.
beatrice: that wasn’t quite what I asked, lemony.
lemony: ….what do you want me to say, bea? that I saw him there, with you, and couldn’t even find it in me to be jealous because the sight of you two together made me so unbelievably happy that I forgot how to breathe? that I – that I wondered, for a moment, if, twelve years later, we could – if I –
lemony: ….i don’t believe this conversation is supposed to be about bertrand.
beatrice: …….no, I – I suppose not.
lemony: that day, when you asked me to leave –
beatrice: you mean when I shouted at you to leave.
lemony: I was trying to be kind.
beatrice: lemony, I for sure shouted at you.
lemony: no, bea, I – I thought things would be better if I left. if you didn’t have to put up with me, because you clearly didn’t want to. and I didn’t make it easy for you, back then. there were many things I overlooked about both of us, things I hid from both of us, things I should have talked about with you. and I didn’t.
beatrice: ….oh.
lemony: I thought that loving the person that I wanted you to be was enough for the person that I wanted to be. obviously, it wasn’t, because you asked me to leave and I left. I never even looked back.
beatrice: ….lemony, I don’t think anything would’ve been enough for either of us. I asked a lot of you, too. I didn’t want you to see anything bad about me, and you didn’t, but the longer we were like that, the more I just – the more I really hated you for it. you just saw what you wanted to. and, well, what I wanted you to. I think I kind of hated me, too.
beatrice: sometimes, I think, what would’ve happened if we’d stayed together and I don’t know if I like that either. not that it was – okay, what we did. because it wasn’t. and we might’ve changed or we might’ve fucked up even worse, I don’t know, and i’ll never know.
beatrice: but lemony, seeing her now, I regret every single second I haven’t spent with her because of it.
lemony: I know.
beatrice, who’s a little angry cause she hates when lemony says that to her and her temper gets away from her: do you?
lemony, who’s just regretting all his life choices and knows he fully deserves beatrice’s ire: ….i’ve missed so much of his life.
beatrice, voice breaking: ….yeah.
man, these are some really miserable parents.
beatrice: we should – I don’t know, you know, what we’re gonna do, with – us – but we should – they, they should see each other. we can’t do that to them again.
lemony: I agree.
beatrice: you know, we have some pretty clever kids. I would never – okay, maybe, but I don’t know – have had the balls to switch places with someone on the other side of the world.
lemony: we do, don’t we?
lemony: I know we didn’t do a great deal right, but, maybe we did, with them.
beatrice: ….yeah, maybe we did.
beatrice: not every day two people have kids like ours.
lemony: …….can I be honest with you, bea?
beatrice: …okay.
lemony: i’m glad they switched places. i’m – i’m glad I got to see you. and bertrand. and you.
beatrice: i’m glad you came, lemony.
[all these conversations starring two people steadfastly trying to avoid that they are still in love with each other but also trying to really acknowledging they have Real Problems, brought to you by one (1) woman struggling to get two characters to talk about their problems but also the idea of introducing a third person into their already rocky relationship, don’t mind me just casually dying over here, this was harder than I thought]
beatrice, feeling the weight of this conversation and knowing they done fucked up in the past but also desperately wishing she and lemony could go back to where they were before only better and just trying to figure out where they’re gonna go from here, girl’s doing her best here, and you know what, so am i: so, um
beatrice: fuck, marry, kill
beatrice: continental op, nick charles, sam spade.
lemony, going through incredibly similar emotions: ….
lemony: do you want me to give my virtue to one man and then marry another
beatrice: why do you always take this game so literally
beatrie: I am banging nick charles, but I am marrying the continental op for job stability, and I am killing sam spade where he stands
lemony: bea, no, you can’t just kill sam spade like that
lemony: how about, I take the continental op to dinner, I have a pleasant night with nick charles –
beatrice: I like that we’d both fuck william powell.
lemony: we’ve both seen william powell. no one wouldn’t.
lemony: but sam spade, though, I don’t think it’s so clear cut as all that –
they’ve really!! grown a lot!! they’re really trying to talk this out!!! a little, at least!!! be adults!!!! talk like they didn’t eleven years ago!!!!!! they’re so stupid and they’re trying so hard!!!! my kids………….
this is definitely not the only conversation they’re gonna have about this, like it’s Good that they’ve said this but there’s. a lot more they need to talk about and will probably talk about, just not right now
anyway, LATER –
the continuing saga of two people Not Talking and then Talking About Certain Things and then Inadvertently Talking About The Things They Didn’t Want To And Not Quite Realizing It
lemony: at the hotel
lemony: you, ah, said something about bertrand
beatrice: !!!!
beatrice: ooo, we are talking about him, hmm?
lemony: bea.
beatrice: fine, fine. yes, that he’s still in love with you.
lemony: is he really?
beatrice: I think he is.
beatrice: you still didn’t really answer me before, when I asked if you still felt the same about him.
lemony: ….does it matter, if you’re going to marry him?
beatrice: of course it matters! i’m not – i’m not marrying bertrand to, prove a point or anything, or – say I like him better than you, I – i’m marrying him because I, I love him, but I don’t – that’s not all there is to this.
beatrice: I mean, we didn’t get divorced because of bertrand, that was all on us, but – seeing both of you, sometimes I feel like – maybe – we – maybe we could’ve made it work. not if we had bertrand, but with him. now.
beatrice: and, and that’s a lot, to ask you – I know – it’s a lot to ask both of us, especially after everything, but – do you?
lemony: ….bea.
beatrice: lemony.
lemony: ….i feel that, in the interest of the past eleven years, we should perhaps talk to him before I make a concrete decision about that personal feeling.
beatrice: well, that’s – that’s a wise choice.
they are, quiet, for a while
it’s a lot to think about, you know?? there’s a lot to this
lemony: …….but I think I do.
beatrice: you think you do?
lemony: I think I do.
beatrice: I think I do, too.
there is a little more silence because they’re like ‘!!!!! well that’s SOMETHING REALLY BIG TO THINK ABOUT’ especially because they haven’t like totally committed back to a relationship with each other and there is!! still!!! so!! much!!!! but, they’re thinking about it now, and they’re, sort of floaty-happy because it’s like, wow, wow, this is a possibility, they can
maybe
push it, a little, and see what happens, maybe maybe
lemony: well, you should, you are marrying him.
beatrice: shhh, you are ruining the rhythm.
lemony: I think –
beatrice: you think?
lemony: it’s been known to happen.
beatrice: mmm, I don’t think so
[it’s hard to tell because there’s generally very little concept of outside action/feelings when getting down scenes this way but these few lines are supposed to be v cute and soft and just the tiniest bit flirty]
lemony: trust me, I have had many a thought.
beatrice: well, I think –
lemony: you think, now, do you
beatrice: I do indeed, lemony snicket.
[god. lemony wants to kiss her so fucking bad. beatrice wants to keep teasing him until he does kiss her. they’re very close. he just. smooths her hair behind her ear and takes a step back.]
lemony: I think we should talk to bertrand.
beatrice: yeah. we should. we should probably do that.
MEANWHILE.
I want bertrand to bond with these kids with all my heart so that’s what fucking happens while bea and lemony are dealing with their problems
they play a rousing game of scrabble. it’s usually a game I give the snicket siblings because of their vicious playing styles (which is just based on me and my brother playing scrabble) BUT I love scrabble a lot and I think it’s super cute if bertrand hangs out with violet and klaus and they play board games, it’s distressingly endearing to me, violet trying to sneak in names of inventors on the board and klaus being insistent on following the rules of the game and bertrand trying to come up with a sufficient compromise
bertrand: okay, so, last names are allowed, but only if you can also include the first initial, initialisms by themselves are not allowed, and foreign words and phrases are on a case-by-case basis, providing I can translate it and you’re not trying to put down something inappropriate.
klaus: what about scientific names?? can I put down binomial nomenclature
violet: hey how do you spell binomial
klaus: b-i-n-o-m-i-a-l
violet: oh, how neat.
violet: /puts it down on the scrabble board
klaus: ….
violet: :)
bertrand: it looks like you can put down binomial nomenclature.
bertrand: but yes, I will allow actual nomenclature, klaus.
klaus is deathly quiet for the next few turns until he manages to put down nomenclature. (which I think is achievable, with enough luck.)
klaus: actual. nomenclature.
violet: so that’s how it’s gonna be, huh
bertrand: okay, references to previous conversations are no longer allowed, let’s try this again
eventually they stop playing the damn game and come up with their own wildly specific set of rules for playing scrabble, and bea and lemony come back to a lot of paper and a lot of scrabble tiles and violet and klaus sitting on either side of bertrand on the couch, helping him write this rule list
and bea and lemony want to comment about how they’re not even playing scrabble, but watching bertrand interact with their kids and be so soft and patient with them is the most distressingly heartwarming thing they’ve seen in a long time
they both have the immediate thought of ‘holy fuck I wanna kiss that man,’ which is followed by ‘holy f u c k maybe a relationship between all of us could work’
lemony: bertrand.
bertrand: ?
lemony: could we talk?
there is no camping trip! instead we got NEARBY HOTEL SHENANIGANS and THREE PEOPLE ON A DATE AT A LOCAL FAIR, TRYING TO FEEL THINGS OUT
imagine your average carnival-fair sort of thing with Rides and Games and Absurd Amounts of Cotton Candy and That Super Salty But Still Real Good Popcorn
bertrand and lemony arrive first and bea specifically gets there late so bertrand and lemony can actually talk, because honestly this is the only time I can see in all this that these two would be able to talk to each other uninterrupted
and they all know they’re there for the weirdest date ever but bertrand still feels the need to clear the air
bertrand: lemony, I don’t want you to think that I was waiting your marriage out or anything, I didn’t even know you two weren’t together until last year, and I didn’t even intend to see bea, it just happened on accident –
lemony: bertrand, it’s fine.
lemony: beatrice and I aren’t married anymore, you don’t have to explain anything.
bertrand: ….sometimes I feel like i’ve wanted to explain everything to you, for the past fifteen years.
[bertrand ‘breaking my fucking heart again’ baudelaire…….]
bertrand: that’s – silly, isn’t it.
lemony: no. I don’t think so.
bertrand: I never got the chance to say it. well, actually I don’t think I ever let myself say it, because I had plenty of chances! especially at prom, I could’ve changed everything! but you and bea were so – I wanted you two more than anything else in the whole entire world, but I didn’t want to hurt you two or what we had. I think I did, though.
bertrand: and, and I really shouldn’t blame myself or anyone for these stupid mistakes that happened when we were just kids, because we were just kids!
bertrand: I mean, we’re right here, right now, and i’m – i’m really looking forward to this, lemony.
[lemony, much like me, is momentarily dazzled by how fucking genuine bertrand is]
lemony: so am I.
lemony: ….i kept those candygrams you sent me when we were all in high school because they were remarkably sweet and I treasure them dearly
bertrand: !!
lemony is so nervous and I love him and you know when you get nervous and you just sort of spill weird secrets to people, especially when it’s the person you like???? that’s that
they look at each other for a moment and then start laughing and it’s the kind that starts kind of soft and then they’re just rampantly giggling and being dorks and I love them both so damn much okay
and because they haven’t regularly seen each other in you know fifteen years they spend some time. talking about their lives. there’s a lot of things they don’t know about each other!
lemony and bertrand like make a vague show of trying to win bea some prize and they suck and they stand to the side and talk while bea wins herself a prize and she runs back over to them and just looks so proud of herself, winning this…….thing (it’s very much “i don’t know if it’s a duck or a panda, but I want one.”)
lemony: is it a…….hmmm
bertrand: ….those are cat ears, right
beatrice: what, no, they’re wolf ears
lemony: it has webbed feet, though
bertrand: it’s a platypus! oh, no, not with all those feathers.
lemony: it could easily be a duck, I suppose
beatrice: BUT THE EARS
bertrand: a penguin!
lemony: a grackle
bertrand: a goose!
beatrice: THE E A R S
lemony and bertrand share an obnoxious amount of cotton candy, and honestly it’s the date they all should’ve had in high school, a date that would’ve changed everything, and man, they’re having so much fun and maybe they could do this, lemony has never been so happy and bertrand is just this ball of delight and, it’s really beautiful, and beatrice is for sure thinking that and she’s having such a good time and she’s so happy
but then
she thinks, what if it DIDN’T change everything, what if they all got together in high school and tried to make it work and really fucked each other over, would they have been able to do it?? what really would’ve happened??? and they’re adults now, they’re better people but they have so much more to think about, there is so much more at stake now and beatrice is fucking terrified about what could happen, all of a sudden
and she’s been terrified for years about all the terrible things that could happen to klaus or her or ramona and olivia and even their stupid cat and she’s still trying to hide it so well and she does, she’s happy and creates such a good life for her son but she is so scared and she can’t keep running from it anymore by being impulsive or silly or shouting all the time, she has to face the reality of the situation that she really has to think this one through, what all three of them are going to do about this
she and lemony still have so many problems, and they both know that, they all know that!!! they aren’t going to solve them right away!!! and with bertrand there, maybe it’ll be harder!! maybe it won’t be easier!!! not that bertrand immediately makes things easier, in any universe!!! but especially here!!! you know!!! what if they don’t talk about anything because he’s there??? what if they avoid talking about everything so much in trying to be happy that they irreparably fuck them all over??? it’s been so long since all three of them were together, what if they can’t do this!! what if their kids don’t like them together, what if none of them can get along??? suddenly there are a lot more variables to this, and seeing it happen, bea is struck by everything they’re going to have to fix and all the ways it could go wrong and it’s not good
beatrice: …..what are we doing?
beatrice: and – and what if it doesn’t work out, this time?? what if we all try this and we can’t do it??
bertrand: do you think that little of yourself?
beatrice: no.
beatrice: i’m thinking about, what if I break my kid’s hearts, even worse than I already have? I can’t do that, not to them.
and, they get it. they love each other so much but this story isn’t about just the three of them anymore.
bertrand and bea decide not to get married. and even though they all know they still love each other, lemony and bea have violet and klaus to think of, so they all decide it would be for the best to go their separate ways.
violet and klaus are not happy, by any means. they are not happy to pack up all their stuff and know that nothing is going to work out, and it hurts, a lot, man
klaus, picking up his books: I really respect our parents and their chosen additional life partner but don’t you think they can be a little…..
violet, jamming her toolkit into a suitcase: stupid?
klaus: I was going to say stubborn
klaus: but stupid works too.
so they all say good-bye :( lemony, violet, kit and dewey and bernadette go home. (bernadette’s real upset no one got back together. she hides it well but she just sort of crams herself into her seat on the plane on the trip home and is just super bummed. I love this lil kid.) (I fondly remember when this outline was nowhere near over 20k and was just a short little thing and bernadette’s scenes just monopolized it….)
the thing I love about bea raising klaus is that, and I also feel this for canon too, klaus gets so so much of bea’s anger and short temper
like violet is a lot more calmer in the take no shit category but klaus will, like his mother, flip a table
klaus: mother, that was the most foolish thing you’ve ever done and you know it
beatrice: !
beatrice: don’t you – don’t you use that tone with me, klaus
beatrice: I am your mother
klaus: and you’re just going to let my father and my sister walk away from us???
beatrice: I – it’s more complicated than that!
klaus: how??
beatrice: klaus, would you want me to risk this, everything we have, on the off chance that your father and I could maybe sort out our differences?
klaus: you didn’t seem to have that many differences!
beatrice: there’s a lot of things you don’t know, klaus!
klaus: then tell me! you’re the one who’s always telling me I can do anything, and I just think it seems pretty rich of you to decide that that doesn’t apply to you, or that I don’t get to know everything about the people who are supposed to be my family!
klaus has a point, here, and beatrice realizes that, so she decides IN THAT INSTANT that, okay. fine. it’s time to do something about this and she can do something about this.
SO SHE GOES TO BERTRAND
bertrand: bea, what –
beatrice: I can’t – look, I can’t do this to my kids either, okay, I can’t keep them apart anymore, what – why did I think that was such a good idea in the first place??? so I wouldn’t see lemony?? so I wouldn’t work things out between us, because we were fucking kids when we were together and, and I sacrificed my relationship with my daughter because I was so petty and selfish, and i’m doing it again, bertrand!! i’m letting myself do it again after everything we all talked about because i’m so fucking scared but I – I can’t do this to myself, you know? I want – I want things to work out this time. with all of us. I want to make it work and i’m going to make it work and i’m going to go get my daughter and lemony, and I want you to come with us, if you want to come with us.
klaus, leaning out of the car window and shouting at beatrice and bertrand, who are standing on the steps of bertrand’s place: if I may interject, the plane we intend to catch does leave in half an hour, so you two should maybe hurry up a little
klaus: not to ruin your moment or anything!
bertrand, desperately: I want things to work out, bea, I do. but what if you were right and we can’t –
beatrice: i’m right about a lot of things, bertrand baudelaire, and i’m right about this.
bertrand, nodding and trying not to smile too much: ….okay. okay.
MEANWHILE
violet: ….are you mad at me?
lemony: what – violet, I could never be mad at you.
violet: but I – I went behind your back, and I tricked both of you, and I wasn’t even thinking about what you wanted, it – it was just what I wanted, and that wasn’t okay, I shouldn’t have interfered with you and mother at all, I feel so awful –
lemony: none of what happened was your fault, violet. not at all. it was mine. i’m sorry that I kept so much from you. it was incredibly unfair to you, and to klaus. I should have told you a long time ago.
violet: I never got to ask before, but why did you and mother get divorced?
lemony: ….we were very young, and very impulsive. and, also, incredibly scared. that’s not a good combination when you’re trying to make a life with someone.
violet: you two seemed to get along a little better, now.
lemony: well, eleven years is a lot of time. you get older, and you realize the mistakes you made in your youth could’ve been dealt with a lot more easily than you previously thought. you realize you were….
violet: stubborn?
lemony: stupid.
violet: what made it not work out, this time?
lemony: you also realize there are more important things to think about than yourself and what you want.
violet: !
violet: father, I didn’t want you to –
lemony: it wasn’t your call to make, violet.
violet: but it was yours about whether or not I get to see my brother? you were only thinking about what you wanted, too!
lemony: ….
violet: ….that was rude of me, i’m sorry.
lemony: no – don’t apologize, violet. please.
violet, still very angry but also just sad and concerned about how lemony has, in the intervening time between these two conversations, said very little: I thought bertrand was nice.
lemony: bertrand – bertrand is very nice.
so they get back home.
lemony: what would you like for dinner?
violet: I don’t think i’m all that hungry, father.
lemony: no, neither am I.
and lemony just sort of, wanders into the library with his hands in his pockets, because he’s somehow more miserable than he’s been in quite some time, and he’s expecting to just sit around and stare at his typewriter and not get anything done for the rest of the night or really for the foreseeable future, and the library is filled with so many books and so much stuff but it feels so empty to him now, and lemony himself feels empty and horrible about everything and he just stares at the floor without really seeing anything at all
AND THEN
klaus, sitting in one of the library chairs: father, did you know that the concorde gets you here in half the time?
[I just kept the line. I thought long and hard and could not for the life of me think of any other jazzy lil line.] [although yes sadly the concorde no longer exists]
[hey, if lemony and violet are here, and kit and dewey and bernadette were with them on the plane, who’s driving the bus who let bea and bertrand in the house???? cause in the movie it’s gotta be the grandfather
jacques, who had stopped at lemony’s house hoping that he could catch them before the flight but obviously not catching them, who stayed to water the plants: /exiting the house
beatrice, careening out of a taxi: JACQUES HOLD THE DOOR
jacques: !!!! beatrice?? what are you –
bertrand: we’ll have to tell you later, there’s no time!
jacques: bertrand????
klaus really only has time to wave.
all three of them: /BOLT PAST JACQUES INTO THE HOUSE AND SLAM THE DOOR SHUT, leaving jacques out there in the street
jacques: ……….]
anyway
lemony, STUNNED: klaus?
violet, dashing into the room because she heard her brother: klaus!
klaus: ideally we would’ve figured this out before you left, but when you did, we were not completely happy about it.
lemony, still trying to collect himself: you –
and there’s bea and bertrand, standing there, real as anything! really there!! in his library!!
and lemony walks towards them, because this isn’t a matter of, chasing anyone, it’s all of them coming together like this
beatrice: this is gonna work. the three of us, this is gonna work.
beatrice: what do you think?
and the thing. about lemony. is that what he wants more than anything else in this whole fucking world. is a family. particularly in canon, being separated from (reasonably dead) parents and growing apart from his siblings and losing those connections to people, he so desperately wants something that’s his and his own and that he can keep stable by himself
and I think he still feels that way even in whatever fucking world of an au this is, and of course he wants to be with bea and bertrand and to have klaus and violet because he loves them but he is also massively craving that stability of having his own family and like really having it this time, not fucking it up because he’s young and stupid and just as impulsive as bea
THE POINT IS THIS IS A LOT FOR HIM, OKAY, THIS MEANS SO MUCH, to get this!! second chance at all the things he totally fucked up before, PLUS the loves of his life!!!!
and like!!! there’s bertrand. there’s bertrand!!! standing there and reaching out to take lemony’s hand and lemony takes bea’s and bea takes bertrand’s other one and. the road they had to take to get here wasn’t. the best. all the time. they all made mistakes. some. worse than others. and this isn’t the end, right here, there’s still gonna be things they have to work out. and it’s gonna be okay because there’s beatrice and bertrand and lemony. they’re in the same room and no one’s scared.
lemony: yes.
beatrice: yes???
bertrand: yes?
lemony: yes.
there’s a lot of good hugging, people are kissed, comments are made about chapstick flavors, lots of laughter, violet and klaus are tearing up and thrilled beyond belief, everything is beautiful!!!!!
klaus: I can’t believe –
violet: – we actually did it!
and, of course, beatrice was right. about everything.
the following amount of time is filled with –
-lots of arguments.
-mostly between bea and lemony.
-although bertrand has his fair share of arguments with both of them.
-violet and klaus don’t speak to each other for two weeks under the pretense of disagreeing about a book’s theme but really because they’re not sure how to act around each other now that they’re both there, they’ve lived their whole lives as only children and this is what they wanted but it’s also something they didn’t think about having to adjust to
-there’s also this immediate reluctance to listen to anything bea and lemony tell them because they have to get used to parents now, too
-parents who aren’t currently super functioning as parents
-there’s a lot of second-guessing people’s intentions
-why did you say that?? the hell does that eyebrow mean???? you picked that song for a REASON and fuck you for that!!!! you don’t trust me to drive, do you???? I KNOW HOW TO MAKE A SANDWICH FOR MY CHILD THANK YOU VERY MUCH
-that sort of thing.
-in varying shades of seriousness.
-i know it sounds mostly like just bea screaming there but trust me the sentiment is shared by all of them in various ways and actions
-they don’t do it in front of violet and klaus though
-NO ONE KNOWS WHERE THEY’RE SUPPOSED TO LIVE NOW, do they stay in england or all go to california??? do they go somewhere else???????? what even (I don’t even know)
-(they probably do stay in england though. that’s what I was picturing while writing this.)
-violet and klaus do adjust to no longer being only children and realizing they have someone their age to rely on now who understands them
-they make blanket forts where violet designs these stands that will hold books up and periodically turn the page so they can lay on their backs and read and not worry about moving
-klaus reads up on inventors so he and violet can talk about them
-they argue with bea and lemony a little about weird things because violet and klaus are trying to figure out where they are with their parents now and how they’re supposed to act and bea and lemony are trying to figure out how to coordinate parenting while wanting to kill each other
-they institute family game night and try to best each other in cards or scrabble because they can handle that
-bertrand, of course, is in a very awkward position at this time
-like he’s around but he can’t take sides because that’s Weird and he’s not that kind of person anyway, and he wants to be there but he doesn’t quite know as what
-like, he was gonna marry bea!! and now he’s not. and he loves lemony!!! but he can’t do anything about it because bea and lemony have problems to work out!!! and bertrand loves both of them!! and they love him!!! they know they do!! he knows they do!!!!! but everything is very uncomfortable!!!
-like, bertrand needs to be on equal footing in this relationship too!
-he hangs out with dewey a lot and they become Poetry Buds again
-he participates in family game night
-bea and lemony are worried that bertrand is only going to see himself as like a peacemaker between them when he isn’t because he never has been and realizing that bertrand is a huge official permanent part of their lives now is a big thing for them
-hi, my name’s lulu and writing the navigation of relationships is hard!!!! it’s so fucking hard
-the three of them watch movies wednesday nights – bertrand picks the movies and he picks these really sweet romantic ones (cause that’s just the kind of movies he likes!!!) and it’s unbearably great
-they mean to watch the thin man movies (the ones with nick charles aka william powell aka the guy lemony and bea would both fuck if they had had the opportunity) over a series of weeks but wind up marathoning all six of them one night (and it takes all night)
-none of them can function the next day
-bertrand: I get it. i’d do it with nick charles, too.
-beatrice sings herself hoarse during a play rehearsal and can’t talk for a week
-she can’t sleep one night and lemony finds her in the kitchen and makes them both tea and they salute each other with the mugs
-bertrand takes up writing limericks and leaves them around the house and lemony finds one in the shower and slips from laughing so hard
-bertrand, in the hospital: I could’ve killed you with poetry
lemony: I mean, all things considered, it’s not the worst way to go. it’s better than next to a pile of books I was meaning to read, which I always thought to be much more likely. slipping in the shower because of a charming limerick about shoes? it’s not all that bad.
bertrand: I don’t know whether to take the compliment or be worried about how you’ve considered how you’re likely to die. please don’t die.
-beatrice shows up at the hospital and throws the stuffed animal from carnival night at lemony
lemony: oh, you didn’t have to give me your….ah….
bertrand: ….moose? have we guessed moose?
beatrice: the ears……….
-things get, better
-they take turns picking up the kids from school
-some kid: gee violet how come your mom lets you have two dads
violet: just lucky, I guess
-lemony helps beatrice rehearse her lines and they straight-up make out for an hour instead
-lemony and bertrand make dessert once a week and routinely end up covered in flour
-there is a household debate on ‘what species is the stuffed animal’ and ‘what are we going to name it,’ moderated by kit
-violet puts on a one-woman play that she and klaus wrote about hedy lamarr for her school’s talent show and receives a standing ovation
-lemony and bea and bertrand are in the front row and beatrice is full-on sobbing during the standing ovation
-they get bertrand a new record player for his birthday and all three of them dance to his records the whole night
-yes they ARE all falling in love with each other all over again it is very important to me that they’re all on the same page when they do that
-violet and klaus make bertrand a ‘best additional parent’ mug because they don’t quite know what to call him (they haven’t figured it out yet), like violet makes him a fucking mug in her glassblowing class (you ever seen someone glassblow a mug??? it’s great.) and klaus does this beautiful calligraphy label for it
-bertrand cries immediately, for the next hour of his life, and just carries it around because he doesn’t know where to put it
-beatrice: aww, that was so sweet of you two, to make – does that say ‘additional parent’
lemony: I believe it says ‘additional parent.’
violet: we did also consider ‘greatest poet’ but that had less of the feeling we wanted.
klaus: we do realize that ‘best’ is truly an unquantifiable concept, because there’s no one out there ranking parents, but we thought it was the most fitting.
it’s after that that they all decide to get married.
later on, sunny is born!! and she’s very upset she missed out on all these shenanigans.
[jacques comes back to find so many people in his brother’s house.
kit: well jacques, you really should be home more
lemony: yes, find a nice person
lemony: …...or two
kit: settle down, stop looking so surprised.
lemony: kit your daughter just leapt off the bookshelf and tackled my husband
kit: and am I surprised? no.]
[also jacques does not buy his sister a nice new set of engraved fountain pens.
kit: so did you get me a souvenir or not, jacques
jacques: souvenir? I thought you said
kit: JACQUES WE ARE ADULTS DON’T YOU DARE BEETHOVEN ME
jacques: edward lear
jacques: here’s this book of delightful nonsense poetry.
kit: how could you]
[while bea is pregnant with sunny –
bertrand: what about sunny?
lemony: bertrand baudelaire.
lemony: you come into my house.
lemony: you marry my wife.
beatrice, across the room: I married both of you???
lemony: and you have the audacity.
lemony: to suggest we name our daughter after our high school drama teacher.
bertrand: okay but your reaction isn’t necessarily a no]
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theoriquewitherseld · 4 years ago
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not sure if you've answered this before, but how/when did you get into asoue or atwq? is there anything that really drew you into the two series? personally i fell in love with the writing style first and /then/ the characters and worldbuilding :'))
Okay.
cw: abuse mention, depression mention, anxiety mention
This is gonna sound bonkers, but it's true.
My parents loved Jim Carrey.
Dude's funny. Thought he was clownish amd exaggerated but whatever. My oldest sister remembered watching an old yet really good movie with him but it was odd and tragic but really good. She said that it seems like I'd like it because I was eccentric myself.
So we bought a bootleg cd and watched the 2004 film. I was 11 at that time, who has undiagnosed ADHD.
Well no shit I LOVED it and got obsessed with it so I researched more about it.
Received around +6000 points in psychological damages spoiling myself, so at that point began my obsessive hunt of completing asoue.
It was an impossible hunt. It's 13 books, all hardbound. If it's from an actual bookstore, it's expensive as hell. If it's from a book thrift store, still expensive as hell but within my range. Local libraries are virtually nonexistent. And they are really, really hard to find and get.
The first book I got was Book 3, and yep. I loved it.
However, with every book purchase, all of it not done in the order it was released, I recall gradually being depressed. I dunno if it's because I'm 11 and an idiot or it's due to the increasingly abusive situation I was in buuut it's likely a mix of both. Snicket's cynicism at that time... Despite being true and important, isn't exactly what I needed to read at that time.
I never really got to complete the series, although I received a lot of help from fellow fans trying to get me some copies (one was a stranger, but that's another heartwarming story entirely, God. And the other was actually @sandfordsmostwanted ). But I know how it went, more or less. I just never got the experience of reading it properly nor getting genuinely invested in it. Frankly speaking, it just wasn't for me. Hell it didn't even occur to me it was supposed to be a dark comedy.
NOW... On ATWQ... Well, despite the depression. I'm still obsessed with Lemony Snicket. And it was the Holidays, me and my family loves books, and we are out during an outing during the rare moments we have spare money. Now, dad has offered to buy me a couple of books, and ngl... I had saw a Lemony Snicket book and it was purple. I fucking love purple and Lemony Snicket so I grabbed it. The other book I grabbed randomly was the House of Secrets, because a.) I'm an idiot, b.) I was a pjo and hoo stan a few years earlier, and hey, it's a thick book, it's probably great, right?
WRONG. I hated that fucking series. Never have I read such a shitty fucking book and it was expensive as HELL. And I bought fucking TWO OF THEM before realizing my mistake. Christ. Do not waste your goddamn time, money, and effort to even bother giving a crap about the House of Secrets. If you saw one, run the other way. Or destroy it.
Now, I also didn't read ATWQ in order, hell, I didn't even read its second book in order because I'm a very foolish reader and guess. Guess what happened. I ended up with so many questions that's what. But the story was so good and the characters so well done, and there's so many about it that's clever and witty. It's also the most brutalized of my books becausd of how often I obsessively read it when I was younger. If anything, I liked the writing style and characters immensely better than asoue ever did for me. So, I ended up with another hunt for ATWQ books.
I think I bought 13 suspicious indcidents next, and then book 3, then book 1, and then book 4. It was not bloody easy finding the books, and they're all. Still. Expensive. As. Hell.
However I realized that as I read the books, I became an unbearably cynical, insufferable know-it-all. Just a huge asshole in general who doesn't give two dimes about changing their attitude (because that's how a 12 year old interprets 12 year old Snicket and models after him. Very stupid of me I know). But I was still Depressed, except it's Depressed 2x. And the ending was... Whew. Well, let's just say as a 12 year old abused and lonely neurodivergent kid with no friends happily consuming content of a group with close friendship and reading that ending was.... A special trauma in itself. I was extremely devastated.
12 year old me may be stupid, but not too stupid to recognize that reading the series is no longer healthy for me, be it psychologically or emotionally, so I stopped. It's also the reason why I ceased activity in this blog during 2015 (yeah I was actually there during the ATWQ heydays). It also gave me anxiety. God, the entire sellpoint of Lemony Snicket is being a bunch of store-bought Anxiety and Depression huh. (But I got out eventually thank goodness)
It wasn't until? Recently I reread the series, fallen in love with it again, now understanding it better as someone with improved critical thinking skills and has matured in kind. It's a damn good series, and hits absolutely different, now one can understand it.
It still hurts reading it tho. And I've got an entirely new set of opinions regarding several characters, now that I've reread it (Ellington, particularly. She's not exactly my fave character, but my understanding of her since I genuinely understand her situation has gained quite the upheaval once I've reread the series. Back then I sorta both loathed/pity her. Now I just pity and worry about her a lot, and want to punch Snicket in the throat. Damn.)
Either way, sorry for the super long rant. I'm so embarrassed. But that's the general gist of lore of the Pencil behind this blog :D nowadays I just make ATWQ art and daydream abt my AU
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Oh wow. No one usually tags me in stuff like this. Thanks for the interest.
Last Song: Pinkie's Bard Remix (G-Slur Removed). Looking at the two songs that came before this one in the playlist history, I was obviously in the mindset of a specific OC of mine. I do that thing where I daydream when I listen to songs and make mental musical performances for my OCs like I'm playing with dolls. Ironically, this OC is actually Romani so she could say the G-slur if she wanted but I prefer the edit. (I actually replace the word with the word "magic" when I sing along. "Listen to the jingle jangle of my magic tambourine")
Fave Color: Robin's Egg Blue. Specifically the shade of blue little girls in magical situations always seem to wear. (A la Wendy, Alice, and Dorothy)
Currently Watching: Helluva Boss, if it counts (Huge Fizzarolli stan. Alex Brightman, my beloved.) If not, been watching a lot of medical shows recently. House and Chicago Med mostly.
Last Movie: Beetlejuice Beetlejuice. I liked it. Felt like a very natural progression of the characters, even if a depressing one. Am I glad Lydia's trauma made her more susceptible to an abuser? Absolutely not. Do I see how that happened? Yes. (Btw, other characters even see this. They're definitely treating all the abusers like abusers.) She's still doing a bit better than her father on the parenting side. She's at least actually trying with Astrid even if she can't see past how she's being manipulated. Btw, love Astrid as a character.
Sweet/Spicy/Savory: Savory usually. My anemic ass needs salt and umami. When I'm craving sweets these days, it's more for fruit than candy or pastries. I lost my sweet tooth over time.
Relationship: Single if you want to keep things simple. Ethical nonmonagamy if you want to be specific. I am technically partnered but we aren't a couple if that makes sense.
Current Obsession: Literally don't stop thinking about ASOUE, but alternatively I'm back in my Beetlejuice kick (Specifically the musical. Alex Brightman, my beloved). Ride the Cyclone also had me in a chokehold recently.
Last Thing I Googled: Jungian Archetypes. Got interested in the concept after learning about the newest rendition of Harley Quinn in The Cape Crusader. Super into the fact they're leaning into her career instead of making her codependent on another villain (Look, I love her with Ivy, but Bruce Timm is correct that [blonde] Harley's character is very wrapped up in codependency on others). Also projecting because I love psychological theory so much that I put myself in debt about it. (I have a psych degree, but I'm a drama and art teacher, go figure lol)
Hmmmm.... Tagging @queermystic @creamsoda-slut @thatomnipresentorb @canwriteitbetterthanueverfeltit @where-the-wild-thingsgo
nine people i want to get to know better
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Thank you for the tag, @slutsons-blog! Starting a new post because I'm autistic and therefore mostly only care about the "Current Obsession" question, and want to ramble excessively as usual in that one.
Last song: Pokemon Mystery Dungeon Red Rescue Team: Pokemon Square because I'm currently playing Pokemon Mystery Dungeon with my daughter. Otherwise I honestly couldn't tell you. Whatever was on in my car.
Fave color: Purple
Currently watching: Star Trek Discovery
Last movie: Knives Out
Sweet/spicy/savory: Sweet, tart, salty
Relationship: married x 27 years
Last thing I googled: the word "dependent", for spelling assistance. which is a good thing because I spelled it "dependant".
Current Obsession: it's been spn since 2016. Truly we are the Hotel California of media franchises. I did recently play Disco Elysium twice in a row in quick succession, and I follow the DE tag. I can't recommend the game highly enough.... but I can feel my Special Interest-level obsession with it fading already. Spn has never faded even a tiny bit and I wonder if it ever will.
@slutsons-blog I feel after reading that you're watching spn for the first time, that I did you a bit of a disservice with my Sam takes to you before in that I mostly talked about Sam's evolution as a character as the show goes on and very little about him from the first five seasons.
Gotta be honest and tell you that although I liked both brothers all along, I was a Dean girl until the end of s6/beginning of s7, when the balance of who gets whumped the most started shifting and my subconscious suddenly decided to switch allegiances. It's not that I liked Dean any less; my id just loves a sopping wet pathetic kitten of a man who has been sexually abused, and Sam got suddenly way more kitteny and pathetic after the Cage. So I don't actually have a ton of takes on "what to love about Sam in the early seasons". I do love early seasons Sam too--she is my beautiful baby princess--but my early seasons takes are a lot more inchoate.
I count myself lucky about my id's sudden defection though, because I think we have limited control of who our blorbos are, and having Dean as a blorbo is a tough row to hoe as the later seasons go along. You know how you noticed that in s6, Dean suddenly gets a lot more assholey without apparent reason? Unfortunately he never gets better again, and in fact keeps getting worse and worse as the years go by, until by the last seasons he is openly far more abusive to their joint child(-in-an-adult body) than John was to him and Sam. It's a realistic picture of what can happen when trauma keeps piling up on people, but it's also honestly pretty distressing, especially if he's your blorbo.
If one is in it for the ship, there's some good destiel content in the later seasons, but if you're in it for Dean, you're left either 1) dealing with the fact he's got extremely significant interpersonal problems that he never gets much of anywhere on solving and that negatively impact his chosen family in profound ways, or 2) pretending he's the same character he was in s1 and Sam is the same Sam from s1, only more boring, and Dean is just trying to put up with him because he was brainwashed by John (or ig 3- something in the middle between those two. But that seldom seems to happen in practice for whatever reason). These two versions of the show are poorly compatible, and that's how the Sam girls and the Dean girls end up in isolated silos. A few people manage to live in both, but not many.
Anyway, I feel like without the context of how Sam and Dean change in the mid to late seasons, the two fics I recc'd as Sam character studies are going to seem insanely Dean-critical, so if you haven't read them yet, you might want to wait until s10. In the meantime, the general recs are fun reads and hopefully do a good job of showcasing both characters earlier on.
Tagging (but I would be a huge hypocrite if I didn't specify there's no pressure to respond, since I almost always fail at responding to tag games myself): @adihildilid @aliusfrater @quietwingsinthesky @sammygender @ardentpoop
@peanutbutterandbananasandwichs @schizosamwincester @normalbrothershow @jellybracelet.
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mochuelovelli · 4 years ago
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ASOUE AU? ASOUE AU. Pt 1 (Characters)
Okay so I just posted a little doodle I did for an A Series of Unfortunate Events AU that I had been thinking about ever since I realized that Esmé was obviously Magica's VA (which was 3 days ago so oop). I don't have all the characters figured out right now (mostly bc quite frankly there aren't really enough adults that act so... neglectful towards the kids in ducktales). I'll list the ones I am pretty concrete on VS the ones I'm unsure or ones that I "reimagined" due to not everyone fitting perfectly in this world.
Characters that are Definite:
Glomgold as Count Olaf: Think about it, horrible actor/cosplayer (yes thats what he is). Both obsessed about riches, revenge and are generally incompetent. Really, Olaf is much more wicked in the ASOUE series imo (bc even tho Glomgold wants to kill Scrooge and steal his money. This anger only extends his wards if he wishes to use them against Scrooge and is less keen on the murdering of kids. Notice I said LESS). Not 100% if I want him to be as...well explicit as Olaf can be at times. Especially his characterization in the Bad Beginning if you know what I mean (pst it's child marriage)
Magicia DeSpell as Esmé Squalor: Like I said, this is a no brainer. She has the stage performance of Magicia with a bit of Mark Beaks Mom (forget her name) mixed in. Probably would downplay her love for fashion and replace it with an obsession with the occult. I would also not have her be obsessed with Glomgold, its more in character for Glomgold to be obsessed with her anyhow. It is also possible bc I tend to believe she is a more compelling villian in canon that she might take the place of Glomgold on the Island in "The End". But I also plan for Scrooges Number One Dime to replace the Sugar bowl so, maybe not.
Doofus Drake as Calmanita Splats: Duh, spoiled brat who is very creepy and probably has parents that want them dead? Instead of wanting to sing all the time he mainly wants to wreak things/people. He still definitely dresses up tho into a hodgepodge of things. It always changes and Glomgold is always annoyed by this but he likes him more than Magicia. She definitely wants him dead just like Olaf in the series (she really hates kids).
Duckworth as Larry your waiter: Yeah not much competition for this role. It was either him or Launchpad. Duckworth is too perfect for this role and he honestly will play a better spy than canon Larry. If I ever write it out a lot of the "fight scenes" and anime-esque "explaining how I fooled you" dialogue will definitely be reworked but still present. I will however not keep out the main theme of neglect or ignorance with the adults, they will still fail in that regard as always but will just not literally stand there and tell Olaf "We finally caught you, now let me explain why we are so smart oh no you set something on fire again". I mean...maybe for a Mr. Poe but not the VFD. Or...SHUSH I should say but more on that later (or in another post who knows?)
Scrooge McDuck as Lemony Snicket (sorta): Okay so OBVIOUSLY we can't have our "Lemony" have the hots for the McDuck siblings mom (yes another thing I must explain oh boy). Scrooge will still be gilted in love by, of course Goldie though I am still not 100% if she should play part of the the role of Kit Snicket (again NOT related to Scrooge) or should she be someone else entirely. Scrooge is basically the reason everything is happening in this AU just like the canon Lemony but writes sad letters to Donald and Della as well as Goldie. As you might of well guessed, Scrooge's Fortune is also the riches the McDuck's have.
Fethry Duck as Dr. Monty: Of course a snake lover will become a marine lover in this AU! Also of COURSE Mitzy will play the roles of the incredibly deadly viper AND the great unknown! Fethry and Dr. Monty not being mentioned by their family but also too enthralled with their studies to care all that much (but seriously thats fucked up ducktales). Totally made for this role. As far as setting goes this will be where the siblings will be underwater first but since the series already has plently of aquatic locals I will probably swap out the Lake Lacamose story with Peru or the Galapagos. Speaking of...
Ms. Quackfaster as Aunt Josephine: For narrative purposes it would make sense that Ms. Quackfaster would lose her edge as a brave and bold woman. For what exact reason I am still trying to figure out. Not sure if I still want to keep the "Ike" storyline, maybe she just got really spooked by FOWL. Maybe some creature from the Galapagos ate her leg or something.
Ma Beagle as Dr. Orwell: This particular role was sort of hard for me to cast due to the fact that Dr. Orwell is older and romantically involved with Olaf (at least its sorta there). I really didn't want to give this role to Owlson bc other than she isn't a bad person, she is also way too young. Ma Beagle already has a similar motivation im canon to want to reclaim Duckburg as Beagleburg so the Terrible Mills plot to frame the B for causing a fire in order to have control over the mill is very in line with Ma. I originally wanted the Beagle Boys be working in the Mill but since I am changing the setting to Egypt, I decided to use the people stuck in the pyrimid (idk what they are actually called) and will either use Amulet, Launchpad or Dijin as Cookie
Characters that are Mixed with others:
Huey Duck as the Narrative Role of Violet B.: I mostly imagined(?) the kid characters in a approximation of set characters from the books/series. For this reason, Huey plays the ROLE of Violet Baudelaire so that he can take the "inventor" occupation. I went back and forth on finding who would have Violet's quirk of using an object to help her think. My mind originally went to Webby since she has a bow and I wanted Huey's obsession with the Incomplete History of Secret Organizations to take the place of his JWG. However I reworked it so that Huey's JWG would act as Violet's ribbon with him having to flip through his beat up (and slightly burnt) journal to find a quick solution or just to calm his nerves. Something that applies to all the triplets and twins is that their last names are changed to "McDuck" mostly bc it sounds better that they are later called the "McDuck Murders" instead of the "Duck Murders" as well as Scrooges edited role in the kids lives. He has a mix of Klaus' social awkwardness and habit of talking at length about his special interests to whoever will listen. Huey is also the one who gets hypnotized in the Miserable Mill ep.
Louie Duck as the Narrative Role of Sunny B.: Pretty sure I swapped Louie and Webby for this role in my first post but whatever. I wanted to confusingly change Klaus' role into a "Charmer" or "smooth talker" (obviously still a work in progress) since I felt that Huey in DuckTales canon was always well researched as well a good mechanic and having two characters who pretty much fit the same role was... redundant. I also wanted to really make Webby's Sunny much more inline with her notorious/abnormal fighting abilities. However, I realized that instead of changing Klaus' role I should just change Sunny's characterization since I would have to rework it anyways since she was a baby. I also got the idea from recently rewatching the series and saw Sunny basically trick her way out of being trapped with the Hook handed man (i.e. Fernald). I will instead make Louie's role as what he functionally is in DuckTales (the guy who can talk his way out of anything). He would probably also say his occupation is "Defense Attorney" or something along those lines. He is also the one who gets captured the most but not by much. However while he still has Sunny's sarcasm, he also has Klaus' inherit skeptism and distrust of adults.
Webby Vanderquack as the Narrative Role of Klaus B.: Like I said in Louie's segment, Webby is changed to Klaus or more accurately the "Researcher" of the group. She is often the one who stays up late, researching ways to get out of Glomgold's schemes. Unlike Klaus though, she has more of the optimism of Violet but might not put as much belief into all authority as Huey might. She still has role models that she looks up to but isn't against bending the rules. She also unfortunately takes Violet's role of becoming "Olaf's bride" in the Bad Beginning. In the story she has always lived with the McDucks but didn't take their name and still had Mrs. B (until she was around 10, she was 12ish when the fire happened). However, she is still in the McDuck Will and therefore Glomgold hatches a plan to use her to get the fortune. She also tricks him by signing her name "Vanderduck" or "McDuck" instead of Vanderquack to make the marriage null in void. She is also a mix of Sunny since she is generally the most physically capable out of the children.
Dewey Duck as the Narrative Role as Quigley Quagmire: Okay honestly after a rewatch, I don't exactly know what makes Duncan and Quigley that different from each other. I'm pretty sure Duncan is the Klaus of his siblings but whatever. Dewey mostly just 1/2 of the reveal that two people survived the fire during the Carnival segment (which is changed to an underground wrestling theme for reasons to be explained). I am fairly certain that during the last part of the Village of Fowl Devotees I want Dewey be the one left behind with Webby and Lena that way we can have more time spent with him and Weblena/ Magicia v Lena drama. Dewey's occupation would be "Comedian/Host/Actor" . He also is the one the adults ignore during the first half and will be the subject of Triplet/only child jokes that the Quagmires face.
Gosalyn Mallard as the Narrative Role of Duncan Quagmire: Okay so like, no she isn't related or adopted by the Quagmires
Lena Saberwing as the Narrative Role of Isadora Quagmire: c'mon both these kids like poetry. Literally I can think of no other DuckTales kid that likes that (other than Webby but that was more of her liking Lena's stuff). She will still have her background as Magica's niece and might take some of the role of Fernald where he gets redeemed by betraying Olaf/saving Sunny. I am unsure by what extent though as she isn't going to be a henchperson of Glomgold or Magica. It might be that she is uses morally questionable ways to get what she wants/needs. Maybe she is "good" but has to commit a terrible act similar to how the Baudelaires have to burn down the carnival.
Characters that I am uncertain about or straight up don't have someone in that role:
Violet Saberwing as the Narrative Role of Fiona Widdershins: Like Fiona, Violet was also originally distrusted by a part of the cast (in this AU, it probably be Webby and/or Louie as Huey catches feelings lol). She is also obsessed with the occult not fungus and has to save probably Louie from losing his soul or something (wip). Violet more than any of the main cast of kids will probably act more like her canon self since she is naturally straight forward and booksmart. She probably gets forced to stay with Glomgold until her and Lena can escape again. Also since I didn't want it to be another underwater local and wanted it to relate to DuckTales17 a bit more closely I thought it be better if they were in the sky. Maybe Violet got the Sun chaser or maybe even the Spear of Selene. Maybe instead of going to look for their dads (since they are dead oof) they come back at The End to tell the McDuck Siblings et all that they might of found something...or someone important.
Boyd as the Narrative Role of Friday: This is definitely more of a stretch as really he is only Friday because in role only because I want him at the Island at The End so that he can save the siblings from whatever organic incident happens since he is still an android. I previously thought he could also fit the role of Fernald since he could go through a redemption arc easier due to him sorta going through one in the show. Its not out of the realm of possibility that Glomgold could have reprogrammed him to obey him (he might still do something similar I haven't figured it out 100%).
Fenton Crackshell-Cabrera as the narrative role of Hector: He probably won't faint as much as Hector but he will have to be pushed by the kids to be confident in himself during the Vile Village (which will probably change to a Capital city since I plan to rework FOWL into this). Maybe its similar to a military academy which makes having a set of rules make sense. Its also possible that Fenton escapes with some of the kids in the Sunchaser by the end of this.
Steelbeak as the Narrative Role of Fernald Widdershins: I mainly chose him because Steelbeak and Hookhanded man both most clearly are shown to be sympathic antagonists. They are still functionally villians, much more so than any of the children like Boyd or Lena who, yeah, have done bad things but in one case wasn't given the freewill to decide for himself or was but when she decided to stand up for herself she was literally tortured and had her freedom taken away (more so than in the beginning since. Steelbeak would, like Fernald, be making a choice as an adult man to be apart of a mad man's troop and was harden enough to commit murder if it meant he could impress his boss. But because he is not related to (by blood or otherwise) any protagonist I struggle to know where to put him. I might still have him defect during the end of what would have been the Grim Grotto ep and comes back with the Saberwings at The End. Maybe he brings Gosalyn back after finding her at some point, maybe he dies somewhere towards The End. Not sure.
Gladstone/Ghost of Christmas Past/News Reporter Lady as the Narrative Role of Mr. Poe/Mr. Poes Wife: wow this one is really confusing. My reasoning behind these picks is because The News lady would be a great pick for Mr. Poe's wife or at least a substitute as she has similar motivations in DT17. The biggest set back for her tho is that she has no reason to be on the Baudelaire case (or McDuck case anyways). Ghost of Christmas past is a bit of a stretch since why the fuck would he be in charge of making sure the kids had guardians? I mainly want him just bc of his motivation (or lack thereof) to do his job and being incompetent at it. Gladstone while making some sense that he also would be uncaring about where the kids go is also a stretch given he is a relative and he while he might not care 100% about their whereabouts he wouldn't lose them like Mr. Poe would simply bc he is so damn Lucky. Its possible to work that against him, maybe in a scenerios like where he drops off the kids but gets whisked away because some rando gifts him a boat. Still unsure.
Mrs. Beakley as either the Narrative Role of Jaclyn S (Mr. Poes Secretary/VFD spy)., Olivia C. (Librarian): I want Mrs. B to have a role which fits her being experienced and competent but also met a tragic demise. I might mix the experience of JS with the fate of OC. Poor Webby.
Justice Strauss as ???: I'll be honest, I am stumped with this one. This is a very important role to fill and I can't quite find an adult character that fits the bill of Justice Strauss. Mrs. B is too smart, Launchpad studying law while ridiculous, is something inline with the show but he doesn't have a DT17 motivation similar enough to Strauss where he's desires can be exploited nor has he really want kids in the same sense as Strauss. Drake Mallard is close since he is an actor but having him work with law is a bit of a stretch, I also think that making him somewhat bumbling is an insult to his character but Strauss is tragic since she WANTS to very much be the Baudelaires guardian but fails so much. Maybe in a safer world she could have been, maybe if they were luckier. She loves them so much, but they run away where she can't find them to at least try to be there for them and is left heart broken by the end. Whoever becomes JS is in for a world of hurt and I'm sorry. Goofy could also be a replacement, maybe Max died for more angst 😬.
Goldie or Daisy as the narrative role of Kit Snicket: This kinda gets really fanfic-y as neither of these characters really fit nicely into this role. Goldie definitely has the skill of Kit and her disregard for the rules but the pregnancy thing is... something. Not entirely sure if I actually want her to be pregnant but I also want a Beatrice II type character (of course she would be named Della II) but again very fanfic-y. Daisy I am more comfortable being the one who gets pregnant, she might take Olivias role as the new VFD recruit instead of Kits more seasoned one. All I know is that if either or both outcomes exist they will die also a Dewey Deanumont(?) Character wouldn't be the father it would of course be Donald or Scrooge depending who gets pregnant.
Jacques Snicket as ???: Another mystery for me. Functionally? Maybe Manny could play this role or even Launchpad (he really is just my go to for any character idk about huh?) Whoever it is will die but wont have a romance with the Olivia character(s). Maybe its Goofy lmao.
This is quite long enough, let me know if y'all got any more ideas. I'll edit this when I can since I am tired of writing. Please comment or reblog for suggestions and the like thx u. And please...Look Away while you still can.
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