#my 20thies

[stayuntilthefoglifts]

I am afraid of getting older. I am afraid of getting married. Spare me from cooking three meals a day--spare me from the relentless cage of routine and rote. I want to be free. I want, I think, to be omniscient.

Sylvia Plath, Letters Home

[bluepoodle7]

#Illbleed #IllbleedBetaImages #BlueStinger #VinylRecords #MyThoughts

My favorite image of the Woodcutter but I wish we just got the normal picture of just this scene.

I wish we got that Illbleed Xbox port so we can see a better version of the Illbleed backrooms with the workers animated.

Another image I liked.

I image redrawing a REALTORs house with a giant danger on it.

Found more images I found interesting.

Someone on Tumblr got scans of the Survival Manual for Illbleed.

My favorite image is the Oh no Man in fullbody with his Johnny Test claw hands.

This Instagram user has a Blue Stinger and Illbleed record that was released in 2021.

That's wild this was released without a commercial online.

Someone on tumblr made a handmade plush of Michael Reynolds.

Virtual Horror Land - globalsoftpirka: ‘sup Michael Reynolds. He’s a... (tumblr.com)

Found this Eriko in a white dress with blood stains on it.

Employee of ILLBLEED (tumblr.com)

All images not mine but links are there.

💀𝔖𝔢𝔤𝔞 𝔅𝔞𝔰𝔰 𝕸𝖔𝖗𝖙𝖎𝖈𝖎𝖆𝖓💀 on X: "Early DCM coverage of Illbleed ⁽ᴰᶜᴹ⁻ˢᵉᵍᵃᴿᵉᵗʳᵒ⁾ https://t.co/6apdDBwDKc" / X

💀𝔖𝔢𝔤𝔞 𝔅𝔞𝔰𝔰 𝕸𝖔𝖗𝖙𝖎𝖈𝖎𝖆𝖓💀 on X: "More DCM coverage of Illbleed https://t.co/GtZO1o0W6P" / X

💀𝔖𝔢𝔤𝔞 𝔅𝔞𝔰𝔰 𝕸𝖔𝖗𝖙𝖎𝖈𝖎𝖆𝖓💀 on X: "I L L B L E E D ⁽ᴰᶜᴹ⁻ˢᵉᵍᵃᴿᵉᵗʳᵒ⁾ https://t.co/fEns8el7YN" / X

💀𝔖𝔢𝔤𝔞 𝔅𝔞𝔰𝔰 𝕸𝖔𝖗𝖙𝖎𝖈𝖎𝖆𝖓💀 on X: "DANGER! AHHHHHH------------!! ⁽ᴰᶜᴹ⁻ˢᵉᵍᵃᴿᵉᵗʳᵒ⁾ https://t.co/vn0Z9L98jX" / X

💀𝔖𝔢𝔤𝔞 𝔅𝔞𝔰𝔰 𝕸𝖔𝖗𝖙𝖎𝖈𝖎𝖆𝖓💀 on X: "https://t.co/bZeeGcYzni" / X

https://x.com/SegaBassFishman/status/1841201165389930607

💀𝔖𝔢𝔤𝔞 𝔅𝔞𝔰𝔰 𝕸𝖔𝖗𝖙𝖎𝖈𝖎𝖆𝖓💀 on X: "https://t.co/Sgaqngrpsf" / X

https://www.tumblr.com/mxsquerades/search/illbleed

https://www.tumblr.com/eileengalv1n/tagged/wait%20is%20there%20somewhere%20you%20can%20buy%20this%20or%20buy%20just%20an%20illbleed%20one%20because%20i%20need%20it

Frank | "Illbleed / Blue Stinger" test pressing vinyl; composed by Yukinori Kikuchi & Toshihiko Sahashi respectively; released in 2021. Limited to... | Instagram

@badhet on Tumblr

Illbleed- Side A (Michael Reynolds') - YouTube

Blue Stinger- Side B (Shinya Nishigaki) - YouTube

#damn what happened to sigma klim – @polargeist on Tumblr

My favorite image from this website I found like someone figured out how the game works.

ILLBLEED - NamuWiki

Someone made if Five Nights At Freddy's was a Illbleed Text Crawl Story with a objective and I love it.

Michael Reynolds presents... | Five Nights at Freddy's | Know Your Meme

#Illbleed Beta Stuff I Randomly Found – @bluepoodle7 on Tumblr

#The Mystery Voice – @bluepoodle7 on Tumblr

[jamearts]

Inktober 2024 - Day 20

This poor badger had a very rough week ever since the leaks. Typhlosion © Pokémon My linktree: https://linktr.ee/jamearts

[separatist-apologist]

Nightly Wikipedia Read:

Hurricanes in the Atlantic pre-1600

https://en.m.wikipedia.org/wiki/Pre-1600_Atlantic_hurricane_seasons#:~:text=A%20%22violent%20hurricane%22%20struck%20Hispaniola,occurred%20shortly%20after%20this%20time.&text=Also%20affected%20La%20Isabela%2C%20damaging,all%20who%20were%20on%20board.%22

(Next will likely be the paleotempestological hyperlink)

Anon, every article you send is a straight BANGER. I read last nights article kicking my feet and giggling over the absolute SHADE they were throwing about the hospital being built

[butts-bouncing-on-the-beltway]

The thread got locked before I was able to post my reply to this but I actually think this reminder is important enough that I'm going to post about it here too. My response:

"This feels like a fitting time to remind people that the split between words like gay/lesbian and bisexual/pansexual/etc is actually fairly recent history still. Lesbian used to mean "any woman who has an interest in women" regardless of any additional interest in men or other genders, and it was, in fact, due to prominent political lesbians (a precurser to modern day radfems which is what the term TERF references) that the term was narrowed to exclude "women who also like other genders besides women" from the lesbian community.

Your sister called you a TERF because the reasoning and definitions you are using come DIRECTLY AND EXPLICITLY from the political community that term references. Your sister continues to identify as a lesbian sometimes because it is fully her right to do so, and ABSOLUTELY NOT YOURS to deny her language that reflects her experiences. Your response is to continue denying her the right to her language. You should probably read up on some community history before you decide to make another "joke" about this fight you keep starting with your sister.

Maybe you could start here with Stonewall UK's resources on the history of bisexuality: https://www.stonewall.org.uk/about-us/news/short-history-word-bisexuality#:~:text=In%201859%2C%20anatomist%20Robert%20Bentley,understand%20this%20as%20being%20intersex.

From the text:

"But if people in the past didn't use the term 'bi', how did people attracted to more than one gender describe themselves?

There is no simple answer to this question. Some didn’t use an identity label at all, preferring not to categorise their relationships. Some understood themselves as heterosexual, while others identified as gay or lesbian. Others described themselves using percentages or ratios, such as ‘60:40 gay:heterosexual’. When the term ‘gay’ was first popularised by gay liberationists in the 1970s, it often linked radical politics and same-gender attraction, but didn’t necessarily exclude people who were attracted to, or had relationships with, multiple genders.

One interviewee I spoke to during my PhD recalled: “There was a general understanding that sexuality was some sort of spectrum, and that people would move along it from time to time”. It’s also important to note that this terminology is particular to English-speakers in the West, and that elsewhere in the world there has been a diverse range of approaches to sexuality and gender that often reject binary categorisations. In many cases, these approaches have been restricted or prohibited as a legacy of colonialism.

It wasn’t until the late 1970s that the current understanding of bisexuality, as an orientation or capacity for attraction, became widely accepted in the UK as "the more common usage". Around this point, we started to see bi groups and events being established. The UK’s first bi group, London Bisexual Group, was formed in 1981, followed by other groups in Edinburgh (1984), Brighton (1985), Manchester (1986) and Glasgow (1988), as well as a London-based Bisexual Women’s Group. A magazine, Bi-Monthly, was founded, as well as two bi helplines in London and Edinburgh, and the UK’s longest continually-running LGBTQ+ community event, the annual BiCon."

Bisexual inclusion under the language of lesbian or historically equivalent terms was the norm until nearly the 80s, when political lesbian/radical feminist ideaology began to argue that their inclusion diluted or endangered the community. A good place to read up on how this process occurred is Out History: https://outhistory.org/exhibits/show/lesbians-20th-century/lesbian-feminism

From the text:

"In essence, lesbian feminists tried to untie lesbianism from sex so heterosexual feminists were more comfortable. But they still had to find an effective way to address the accusation that their masculinity was somehow complicit with men and patriarchy. Lesbian feminists responded by distancing themselves from stereotypes of “masculine roles,” maleness, and patriarchy. One way they were able to do so was by disentangling lesbian sexuality from heterosexuality and re-conceptualizing heterosexual sex as consorting with “the enemy”. They capitalized on dominant assumptions regarding female sexuality, including ideas of women’s romantic and nurturing sexuality versus men’s aggressive sexuality. They were then able to draw a distinction between lesbian sex and heterosexual sex, claiming that lesbian sex was “pure as snow” since it did not involve men. For example, “…the male seeks to conquer through sex while the female seeks to communicate” and “…lesbians are obsessed with love and fidelity” (Echols, 218).

Using this ideology, lesbians successfully billed lesbianism as an ultimate form of feminism--a practice that did not involve men on any emotional level. In this way, heterosexual feminists were seen as inferior because of their continued association with men. Lesbians took on a “vanguard” quality as the “true” bearers of feminism."

Another great paper on this history and the way its impacts continue to present within the community is L v. B and Feminist Identity: Examining Lesbians’ Bi-Negativity and Bisexuals’ Lesbian Negativity Using Norm-Centered Stigma Theory: https://www.researchgate.net/publication/359801347_L_v_B_and_Feminist_Identity_Examining_Lesbians'_Bi-Negativity_and_Bisexuals'_Lesbian_Negativity_Using_Norm-Centered_Stigma_Theory

This is a research case study of how one lesbian magazine participated in the construction of an "us vs them" barrier within the lesbian community in order to recast the historic presence of bisexual women as an urgent and unwelcome invasion. While DIVA was surely not the only lesbian publication to participate in this work, it provides an excellent example to understand how that work was done: https://www.tandfonline.com/doi/full/10.1080/17405904.2014.974634

From the text:

"In the 1970s and 1980s, lesbian feminists quarrelled over definitions of lesbianism that appeared at times to include bisexuals (see Rich's, 1980, lesbian continuum, which ultimately elided any perceived distinction between exclusively lesbian sexual activity and ‘woman-identification’) and by turn to cast bisexual existence as unwelcome ‘infiltration and exploitation of the lesbian community’ (Zita, 1982, p. 164). The ‘issue’ of bisexual inclusion became increasingly visible as the gay liberation movement abandoned a constructionist critique of sexuality and gender categories and opted instead for an essentialist, quasi-ethnic homosexual identity. The idea of being ‘born gay’ produced campaign gains by problematising homophobic arguments revolving around choice, but simultaneously reinforced the homo–hetero binary (Barker & Langdridge, 2008; Epstein, 1987; Evans, 1993; Udis-Kessler, 1990). In this way, an ethnic gayness rendered bisexuality indefinitely liminal, outside of both heterosexuality and homosexuality, and claimed by neither. Mainstream media, too, depicted sexuality as dichotomous (Barker et al., 2008).

It is precisely the imagining of bisexuality as something (constantly flitting) between these two supposedly immutable realms that appears to be at the root of any ‘trouble’. Bisexuality has been conceived of by members of the gay community2 as a ‘stage’ between rejecting a heterosexual identity and ‘coming out’ as homosexual (and as Chirrey, 2012, shows, is constructed as such in coming out literature); those claiming it on a permanent basis have been derided as cowards who are ‘really’ gay, but wish to retain heterosexual privileges (Esterberg, 1997; Evans, 1993). Bisexuality in these terms is thus derogated as an illegitimate sexuality (McLean, 2008) and is imagined as an alternation between two separate worlds, for which promiscuity is a necessary condition (even in positive appraisals of bisexuality, Welzer-Lang's, 2008, participants largely describe a sexual identity premised on multiple relationships; see also Klesse, 2005). Both like and unlike ‘us’, the bisexual woman is able to move in either realm, an ‘amphibian’ (Babcock-Abrahams, 1975) whose transgression between categories threatens boundaries and the identities constructed and maintained within – an ‘awkward reminder’ (Baker, 2008, p. 145) of internal difference and potential inter-group similarities where (the illusion of) the opposite offers comfort and validation (Taylor, 1998). The links they forge between the constructed lesbian and heterosexual worlds allow bisexuals to ‘infiltrate the lesbian and gay community, use its facilities for their own gratification, and then retreat into the sanctuary of heterosexual normalcy’ (Humphrey, 1999, p. 233). It is in this light that we can understand McLean's (2008) participants' decision to preserve the assumption of homosexuality in ostensibly queer spaces. Bisexuals have been denigrated as neither committed to gay politics nor oppressed enough to be ‘our’ concern (Evans, 1993; Ochs, 1988). Further, by linking the lesbian and heterosexual worlds, bisexuals form what feminist lesbians consider(ed) a conduit through which ‘our world’ is contaminated by contact with men (see Wolf, 1979). Bisexuals are thus dangerous pollutants, in Douglas's (1966) terms."

You don't need to agree with your sister's decisions around her identity in order to respect them as well as the history she is tying herself too by making those decisions. You DO need to understand that our language as a community is in a constant state of evolution, and many people will have very personal reasons for maintaining older/more historically associated useages of our language/terminology.

[trinitycove]

Hip-hop feminist Joan Morgan on hip-hop’s misogyny

"And this is why Morgan’s writing is so powerful. She does the hard work. She holds two seemingly opposite thoughts in mind at the same time and examines them both. In the article, she recalled seeing her boyfriend coming out of the shower, dripping wet, rapping to himself a snippet of Ice Cube’s “You Can’t Fade Me”: “Why did I bang her? / Now I’m in the closet, looking for the hanger.” She admitted finding this oddly alluring, and she still loves the music, even when it doesn’t love her back. She still doesn’t want to change it, even while feeling hurt by the way it is. As she wrote in Chickenheads, “My decision to expose myself to the sexism of Dr. Dre, Ice Cube, Snoop Dogg, or the Notorious B.I.G. is really my plea to my brothers to tell me who they are. I need to know why they are so angry at me.”"

https://www.waxpoetics.com/article/hip-hop-feminist-joan-morgan-on-hip-hop-misogyny/#:~:text=And%20this%20is,angry%20at%20me.%E2%80%9D

[jeanjamesb]

https://screenrant.com/marvel-new-ultimate-peter-parker-married-kids-why/#:~:text=The%20new%20incarnation%20of%20Ultimate,%E2%80%93%20this%20time%2C%20with%20kids!

Now why did I just learn the new ultimate spiderman comic book series has peter and mj married with them kids. I am shooketh not them giving the a happy(?) end. Nah I know marvel comics about to play with fans, fans been praying for this since 1987 😭😭😭

Divorce, death, affairs nah I know marvel playing they building up happiness to tear it down at the end😭😭😭

I will admit I'm not a big comic reader, my brain won't allow it, but Marvel let them be happy for once damn😭

[jonquilyst]

174. Chapter 6, Episode 20

This is the first episode made using Photoshop. If it looks a little wonky/different then that’s why (but hopefully you can’t tell)

Previous | Story Page | Next

Transcript:

(Pink text = Megyn)

(Turquoise text = Caroline)

Caroline: You wanted to see me?

Megyn: Yeah... I hope this isn’t a bad time.

Caroline: Not at all. Come and sit.

Caroline: What do you need to talk about?

Megyn: Well, I reconnected with an old friend from Windenburg, and well... He invited me to move in with him.

Megyn: I know this is out of the blue, but he’s the only one I know that’s able to give me a place to stay, and... I want to go.

Megyn: I still have to get my GED, but I’ve never felt so sure about this. I feel like I’m ready to leave.

[beesandwasps]

A Bookmarklet (Javascript Bookmark)

Light text on a dark background quickly gets hard for me to read, so I have a Javascript bookmark that replaces the color settings of the page and forces every piece of text to be black on a white background, with boring old-fashioned blue/purple colors for links. It’s not aesthetically pleasing, but it’s more or less guaranteed to be readable. (An example and the text of the bookmark below the fold.)

As a demonstration, here’s a screen capture of a randomly-selected Tumblr blog with color as it appears normally:

After running the script, it looks like this:

(If you have other color preferences, you can just swap out “black” and “white” in the script with your choices.)

To make this work, add a bookmark in your browser, then use whatever mechanism your browser has for editing bookmarks to rename it something appropriate and replace the URL with the red text below:

javascript:(function(){var%20newSS,%20styles='%20{%20background:%20white%20!%20important;%20color:%20black%20!important%20}%20:link,%20:link%20%20{%20color:%20#0000EE%20!important%20}%20:visited,%20:visited%20*%20{%20color:%20%23551A8B%20!important%20}';%20if(document.createStyleSheet)%20{%20document.createStyleSheet(%22javascript:'%22+styles+%22'%22);%20}%20else%20{%20newSS=document.createElement('link');%20newSS.rel='stylesheet';%20newSS.href='data:text/css,'+escape(styles);%20document.getElementsByTagName(%22head%22)[0].appendChild(newSS);%20}%20})();

(That should be one single line with no spaces or line breaks, in case either Tumblr or your browser decides to play games with it.)

…as long as I’m at it, here’s a second very specialized utility script bookmark. Years ago, there was an epidemic of sites which would hijack your browser window and refuse to let you close the window or quit the browser, and the only way to get out of it was to force-quit your browser — and then make sure it wouldn’t auto-reload the content from the previous session when you opened it back up. I believe there are technical fixes in place now which prevent that form of attack, but just in case I still have my script bookmark which breaks out of that deadlock. Without changing the URL (which lets the page know you’re trying to get away) it uses the “document.write” function… which, notoriously, if used when the page has finished loading, replaces the entire page. This breaks any scripts the page may have in place to monitor your behavior, and the window/tab can then be closed. (But the URL in the location bar remains the same, and the browser thinks you’re still on the page, so the reload button will restore whatever was there before.) It is possible that this might be useful in other contexts, so here it is. The result looks like this:

To make it work, do the same as for the previous script, but replace the URL with this instead:

javascript:%20void(function(){document.write('%3Chtml%3E%3Chead%3E%3Ctitle%3E%2D%2D%20Page%20has%20been%20erased%20%2D%2D%3C%2Ftitle%3E%3C%2Fhead%3E%3Cbody%20style%3D%22margin%3A0in%3Bpadding%3A25%25%3B%22%3E%3Ch1%20style%3D%22size%3Axx%2Dlarge%3Btext%2Dalign%3Acenter%3Bcolor%3Ared%3Bmargin%3A25%25%3Bfont%2Dweight%3Abold%3B%22%3EThis%20page%20was%20erased%20using%20a%20bookmarklet%2E%3C%2Fh1%3E%3Cp%20style%3D%22text%2Dalign%3Acenter%3B%22%3EThis%20page%20has%20had%20its%20content%20replaced%20with%20this%20message%2E%20If%20you%20want%20the%20content%20back%2C%20you%20will%20need%20to%20reload%20the%20page%2E%3C%2Fp%3E%3C%2Fbody%3E%3C%2Fhtml%3E');}())

(Once again, that should be one long line with no spaces or line breaks.)

[ask-the-purple-knight]

https://www.allturtles.com/aggressive-turtles/#:~:text=All%20softshell%20turtles%20can%20lacerate,What%20is%20this%3F&text=According%20to%20the%202002%20study,bite%20force%20of%2041.50%20Newtons.

Apparently softshell turtles have a bite force of up to 41.50 newton's. How much is your bite force? More or less because of the human Dna?

Sadly it is a bit weaker than your average softshell but I would say my bite is still quite strong.

I just prefer not to put weird things in my mouth.

[biodiversityhawaii]

MyMaps Experience

This week I worked with MyMaps, a GoogleMaps based application that allows me to save/explore certain areas relevant to my studies. I worked alongside this tutorial for ease of learning and to speed things along so I didn’t have to go back and forth between the video and the test map. This map was centered around the main islands Hawaiian Archipelago (Hawai’i, Maui, Moloka’i, O'ahu, and Kaua’i) and focused on things like sustainable agriculture, ecotourism destinations, and nature preserves. For the purpose of this assignment, I chose one area of each category to showcase: 

Sustainable Agriculture: Kualoa Ranch (Spoon and Fork Icon)

Ecotourism: Waimea Canyon State Park (Hiking Icon)

Nature Preserves: Volcanoes National Park (Volcano Icon)

The user interface of My Maps is very friendly and simple. You won’t need any fancy coding or GIS skills to use it, which offers non-academic opportunities to people like writers who want to save certain locations for worldbuilding or reference purposes (which I certainly plan to do in the future). Back to the biodiversity side of things, MyMaps enables you to mark areas that are important to biodiversity for a myriad of reasons, whether that be preservation or education to the general public about biodiversity. Kualoa Ranch is an example of education, as it offers behind-the-scenes tours of how they grow their food in accordance with the ancient sustainable practices of the native Hawaiians. Volcanoes NP is a good example of preservation, as the park operates in accordance with the National Parks mission to “preserve unimpaired the natural and cultural resources and values of the national park system for the enjoyment, education, and inspiration of this and future generations” (About the National Park Service 2016). 

When it comes to the individual locations selected, there are quite a few customization options available. You can select different icons (as mentioned above), but you can also color code them for things like different projects. I didn't do that for this assignment, but when I use this in the future for non-academic endeavors I can color code based on stories. Each location you pick has the option of adding images to the Infocard (shown below with Volcanoes NP). Once again, this has both biodiversity and writerly applications.

When you zoom in on one particular area, you can outline the area with MyMaps. While I didn’t use this application, there is a way to import a data table into My Maps to get a more accurate outline of a desired location. This can be used for mapping vulnerable areas that are key to protecting biodiversity, such as Hanauma Bay (not shown on map) which serves as an important reserve for different species of fish and corals. 

For finishing it all off, there are numerous options on the main card of the map. One of the most useful that I found was the “set to default view”. This enables me to preset where I want the map to open whenever I click on the Hawaiian Archipelago project, which saves me a lot of scrolling and dragging. Although I didn’t use any of the embedding options, it should be noted that much like a google doc or drive file, you have to enable sharing permissions in order to share it with others. 

That's all for this week! Happy mapping! 

Sources: 

“About the National Park Service”. March 30, 2016. https://www.nps.gov/aboutus/aboutus.htm#:~:text=The%20mission%20of%20the%20National,of%20this%20and%20future%20generations. 

[muzic4sewerratz]

moose meese _ 20

this guy reminds me of a moose he's so silly, probably my least favorite but i just know he's lovable

[abdicated]

I posted 12,615 times in 2022

That's 12,615 more posts than 2021!

26 posts created (0%)

12,589 posts reblogged (100%)

Blogs I reblogged the most:

@abdicatedarchive

@kalospias

@bunnywrites

@thcfinalgirl

@moodring-eyes

I tagged 12,613 of my posts in 2022

#gif pack - 1,006 posts

#chase: musings - 560 posts

#wanted opposite - 462 posts

#juliette: musings - 418 posts

#wren: musings - 350 posts

#rose: musings - 347 posts

#charlie: musings - 327 posts

#byssa - 321 posts

#opposite: chanel - 315 posts

#daniel: musings - 280 posts

Longest Tag: 140 characters

#this%20is%20a%20crime%20i%20can%22t%20believe%20you%20reblogged%20this%20i%20am%20so%20angry%20and%20this%20doesnt%20really%20apply%20to%20c

My Top Posts in 2022:

#5

by clicking the source link, you will find 103 gifs of simone ashley in her role as olivia hanan in the series sex education (season 3) completing my sex education collection of 353 gifs, because s3 is her final season. all of the gifs were created by me from scratch. you absolutely may use these gifs to roleplay or as reaction gifs, but ask you to not use them in smut rps, nsfw content, or celebrity rps. i kindly ask you to not repost or claim these gifs as your own. let me know if you would like to edit these gifs for any purpose. like and reblog if using!

tw: flashing lights, gum chewing, drinking

[click here for season 1 (107 gifs)]

[click here for season 2 (143 gifs)]

See the full post

152 notes - Posted June 5, 2022

#4

by clicking the source link, you will find 143 gifs of simone ashley in her role as olivia hanan in the series sex education (season 2). all of the gifs were created by me from scratch. you may use these gifs to roleplay or as reaction gifs, but ask you to not use them in smut rps, nsfw content, or celebrity rping. i kindly ask you to not repost or claim these gifs as your own. let me know if you would like to edit these gifs for any purpose. like and reblog if using!

tw: destruction of property, baseball bat, kissing

(click here for my other simone ashley gif packs)

See the full post

191 notes - Posted April 23, 2022

#3

by clicking the source link, you will find 126 gifs of nico hiraga in his role as scotty in the movie hello, goodbye and everything in between (2022). all of the gifs were created by me from scratch. you absolutely may use these gifs to roleplay or as reaction gifs, but ask you to not use them in smut rps, nsfw content, or celebrity rping. i kindly ask you to not repost or claim these gifs as your own. let me know if you would like to edit these gifs for any purpose. like and reblog if using!

tw: kissing, fireworks, eating

193 notes - Posted July 19, 2022

#2

by clicking the source link, you will find 230 gifs of mason gooding in his role as andrew spencer in the series love victor (season 3). all of the gifs were created by me from scratch. you may use these gifs to roleplay or as reaction gifs, but ask you to not use them in smut rps, nsfw content, or celebrity rping. i kindly ask you to not repost or claim these gifs as your own. let me know if you would like to edit these gifs for any purpose. like and reblog if using!

tw: kissing, flashing lights, fire

(click here for my other mason gooding gif packs)

See the full post

215 notes - Posted June 20, 2022

My #1 post of 2022

by clicking the source link, you will find 453 gifs of alex fitzalan in his role as seth novak in the series the wilds (season 2 episodes 1-4). all of the gifs were created by me from scratch. you absolutely may use these gifs to roleplay or as reaction gifs, but ask you to not use them in smut rps, nsfw content, or celebrity rping. i kindly ask you to not repost or claim these gifs as your own. let me know if you would like to edit these gifs for any purpose. like and reblog if using!

part 1 tw: eating, drinking, unalive persons, physical violence

438 notes - Posted May 9, 2022

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[bills-bible-basics]

World War III? : This is Alarming! #Christian #BibleStudy #Jesus Visit https://www.billkochman.com/Graphics-Library/ to see more. "My soul hath long dwelt with him that hateth peace. I am for peace: but when I speak, they are for war." Psalm 120:6-7, KJV "Then said Jesus unto him, Put up again thy sword into his place: for all they that take the sword shall perish with the sword." Matthew 26:52, KJV "Peacemakers or Warmongers" KJV Bible Verse List: https://www.billkochman.com/VerseLists/verse058.html Article: "Who is the Real Terrorist?": https://www.billkochman.com/Articles/terrorst.html Article: "Killing and the Phinehas Priesthood": https://www.billkochman.com/Articles/killphn1.html Article: "Saddam Hussein's Execution and the Euro Dollar War": https://www.billkochman.com/Articles/eurowar1.html Article: "Capture of Saddam Hussein and the New Babylon": https://www.billkochman.com/Articles/saddam-1.html Article: "Killing, Murder and Military Duty": https://www.billkochman.com/Articles/killmrd1.html "Wicked Heart" KJV Bible Verse List: https://www.billkochman.com/VerseLists/verse075.html "Religion of Peace" KJV Bible Verse List: https://www.billkochman.com/VerseLists/verse166.html "Peace With God Through Christ" KJV Bible Verse List: https://www.billkochman.com/VerseLists/verse083.html "God of Peace" KJV Bible Verse List: https://www.billkochman.com/VerseLists/verse336.html "Fear and Peace" KJV Bible Verse List: https://www.billkochman.com/VerseLists/verse018.html "Perfect and Complete in God's Love" KJV Bible Verse List: https://www.billkochman.com/VerseLists/verse478.html "No Peace for the Sea of the Wicked" KJV Bible Verse List: https://www.billkochman.com/VerseLists/verse104.html "No Peaceful Coexistence Between Believers and Nonbelievers" KJV Bible Verse List: https://www.billkochman.com/VerseLists/verse361.html Article: "God of Peace, God of War": https://www.billkochman.com/Articles/God-of-Peace-God-of-War-1.html https://www.billkochman.com/Blog/index.php/world-war-iii-this-is-alarming/?feed_id=228774&World%20War%20III%3F%20%3A%20This%20is%20Alarming%21

[k00290699]

17/10/2024

On my tutorial on Thursday with Gemma Dardis she recommended me to look into Georgian Architecture and its impact in Limerick

this is what I search and understood

Georgian architecture is a style from the 18th and early 19th centuries, known for its elegance, symmetry, and classical influences from ancient Greece and Rome. Key features include:

Symmetrical design with balanced windows and doors

Brick or stone buildings with white accents

Classical elements like columns and pediments

Tall sash windows

Simple but refined decorative details

This style is common in townhouses and public buildings, especially in Britain and colonial America.

Late Georgian Regency; the west curve of Park Crescent, London, by John Nash, 1806–21

Georgian Architecture in Limerick

Georgian Limerick was built over 250 years ago and it is an important part of Limerick's history

These are some of the reasons for its importance

Cultural Heritage: it represents a key period in the development of the city, and it shows the influence of European architecture

Historical Value: the Georgian buildings are a reminder of Limerick's role as a commercial hub back in the day

Tourism: The Georgian Quarter Attracts visitors interested in history, architecture and culture, making it an important part of the city's identity and economy

the area of the Georgian Neighbourhood

https://www.limerick.ie/discover/explore/areas-limerick/georgian-neighbourhood-limerick/introduction-georgian-neighbourhood#:~:text=Limerick's%20Georgian%20Quarter%2D%20known%20as,city%20centre%20to%20this%20day.

https://www.limerick.ie/discover/explore/historical-resources/a-brief-history-of-georgian-limerick

FEEDBACK:

one of this things i wanted to show with my project was how cities change with reverse gentrification, but Gemma said that would be a bit difficult to show and that maybe if i focues more in the change with old and new building would be a bit better for me to develop in the workshops.

this was a very good advice

[zoearthuruni]

Final Images and Statement:

For this assignment, I knew that I wanted to build off my previous work by using architecture at the forefront of the manipulations. My original plan was to look at feelings of isolation through architecture and landscape, however, after some test manipulations I found that the work was not developing how I wanted it to, and I was not feeling excited about what I was making. This caused a change of plans, where I went back to my previous assignment and found that I liked how certain colours and types of buildings have connotations that when presented together, tell a specific story, or generate certain feelings, therefore, finding myself more drawn to warm lighting, and the emotional nostalgic response I got from it.

I have a deep appreciation for old architecture, and I often find myself imagining what life was like at the time of these buildings’ creation. This inspired me to explore the idea of nostalgia through architecture and landscape. Old photographs often have a sepia tone that people can recognise as being vintage, so I decided to create my own versions of vintage photographs by manipulating my images using a warm sepia/brown colour palette, alongside photographs of old houses and churches.

Within these 3 images, I have explored how specific lighting, combined with landscape and architecture, can generate a nostalgic emotional response. I cut out parts of my own photographs and merged them into 3 separate images that work within a set, exhibiting different perspectives and scenery. While manipulating these images, I thought about Jonas Bendiksen’s The Book of Veles, in which he manipulated fake photographs to trick the photographic community by playing into stereotypes of a drug-ridden European city. This was due to multiple cases of fake news and hacking coming out of Russia, causing him to fear that it would not be long until documentary photography could no longer be based in reality, but instead, fantasy from powerful digital tools. This interested me as I realised in some way, this is what I was doing. I was creating imaginary compositions and trying to make them look as though they were from hundreds of years ago.

These manipulations are intended to be seen in a book but if they were to be seen without context, would viewers believe that they were actually REAL vintage photographs? This made me work hard to try and get my photographs to feel as nostalgic and old, through the sepia tones and subject matter, as possible. To help myself achieve this, I researched other photographers who had taken and edited their photos to be sepia-toned or to showcase warm lighting such as Rick Keller, Daniel X. O’Neil, and Peter Fodor.

The ideas presented in Bendiksen’s Book of Veles were instrumental to my overall direction with my idea of nostalgia. My 3 image manipulations use vintage stereotypes and cliches of sepia tones, combined with photographs of old churches and houses, for the purpose of presenting them in a book as if they were real photographs. This reminded me of the important ethics surrounding photography and manipulation as the lines between what’s real and what’s fake slowly start to blur. I believe this project was beneficial to me through how creating my own manipulations taught me to always consider what is real and what is fake.

REFERENCES:

Miller, Jessica. Fake News: how Jonas Bendiksen hoodwinked the photographic community with The Book of Veles. 14 February 2022. https://amateurphotographer.com/book_reviews/fake-news-how-jonas-bendiksen-hoodwinked-the-photographic-community-with-the-book-of-veles/.

Sante, Luc. Colors/Sepia: Picturing Nostalgia. 2004. https://www.cabinetmagazine.org/issues/14/sante.php#:~:text=Viewed%20in%20this%20light%2C%20sepia,had%20become%20objects%20of%20nostalgia.