#musictracking
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soukokumychildren · 1 year ago
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I found the fucking soundtrack The one I was looking for was Unclean cause it reminded me so much of HXH LOL Anyway y'all enjoy these tunes that are just splendid
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sashmaster · 9 months ago
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CRACK BUNNY (TECHNO RMX) ZEUGE41
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musictracks · 2 years ago
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Lastfragment & 5admin - Amnesia
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ilinku2 · 4 months ago
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clevertalelover · 6 months ago
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MusicBuddy AI Review: The Future of Music Creation|(Uddhab Pramanik)
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lucyfloyenworkshop · 11 months ago
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Awakening the Dragon : Malleus Draconia Overblot Theme
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It's been now one year since Diasomnia Arc, “Ruler of the Abyss“ began...
There so many things, too many topics that I wish to talk and write about. About the tribute to Eyvind Earle's art in the esthetics and ambiance of Briar Valley. About the connections between the Arc narrative and its inspirations. About Night Faeries folk and Silver Owl Knights. About Silver, Malleus, Lilia and all the others characters... For tonight I will write down about Malleus Draconia's Overblot Theme.
When the Diasomnia Arc pre-trailer was released, some notes of Overblot Malleus's theme can be heard. The complet musictrack had been finaly revealed during the first fight against Malleus. Even with the few notes in the pre-trailer, this music really give goosebumps. It is dark, eerie, dangerous and yet graceful and noble.
Diasomnia’s Chapter is an intense turmoil of emotions and, after all that happened in the Main Story so far, I realized that Malleus Overblot's theme not just represent the Arc's climax like it had being the case for the six previous Chapter. Not just only about an epic battle music, but also about a character.
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[Beware : the following post content some spoilers for Chapter 7 : Ruler of the Abyss]
Featuring song and music
There is something about Malleus and music.
In his personal data, it's say that his “talent“ is stringed instruments's practice (ref. Twisted Wonderland : Magical Archives and in game data). According to his close relatives, such as Sebek during “Harveston's Kelkkarotu“ event, Malleus appear to be a really talented musician. And yet that aspect of Malleus wasn't fully explored in the Main, Events and Personals Stories. That was just a fun fact about Malleus's hobbies outside school or his daily royal duties.
Then came the performance of Malleus longside Idia and Azul during the Symphorium in the Halloween event Glorious Mascarade : Crimson Flowers and Bell of Salvation.
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It's could be logical since Diasomnia Arc and Mascrade's events released their preview trailers around the same time. But nothing could make us suspected how much deep of that aspect of Malleus's character design is important. Not just as for characterization but also a tribute from Sleeping Beauty.
But to go with Chapter 7 and the Overblot's theme, let's return to the Symphorium, during its preparation as presented in Malleus's Mascaquerade Dress Personal Story [link]. Glorious Mascarade's iconic song Let My Wish Resound ( Twst wiki's traduction [link] ), is the gift of Night Raven College's students to the invitation for Night Bell College's Symphonium and its three main singer featuring Azul Ashengrotto, Idia Shroud and of course Malleus Draconia. In Malleus's Personnal Story, the trio are gather in Diasomnia Lounge for practicing. Both Idia and Azul (and even Lilia), are amaze about Malleus's singing skills. Not just because of his tense practicing, even outside his royal education as confirm Lilia to Idia. If Let My Wish Resound had a special signification for Malleus and his character (his desire and fear about connect with the Outside World and meeting other peoples), the fact that such song, and by extension the music, resound deep within Malleus.
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In Chapter 7, that particular bond between Malleus and music/song is once again up under the lightspot, and even become an major element of the narrative. Just after he took his Overblot's form and cast [Fea of Maleficent] on everyone, Malleus start to humming a lullaby. The medley is the one of Once upon a Dream, Sleeping Beauty's famous and iconic song. There is many things that need to be discussed about that familiar medley and Malleus's story and personal journey and I will in the futur write a proper and complet review about. For now, we can notice that reference make not only as a tribute to the original animated pictures movie but also to Malleus's paradoxe as a character in that very sequence, and, even if it is more subtle, in the rest of the story. Indeed he is now a Dark Fea Lord, becoming in a way Maleficient just like Riddle with the Queen of Heart or Vil with the Beautiful Queen. And yet there is that lullaby medley, that medley which took after Princess Aurora's song. Malleus is depicted as both Light and Darkness, an impression that can be found in his Overblot theme.
The Choir and the Cello, picturing a story
There is two main musical elements in Overblot Malleus' track. The Choir and the Cello.
If is true that in the previous Overblot’s theme, a kinda choir is used in the medley, but its seems to have for fonction to put some extra more tension in the music like we can see in many soundtrack from cinema or video-game, but in the others Overbolt's theme, the choirs doesn't lead the medley. The instrumental instruments does.
But that was before Vil's Overblot and Mascarade Event’s theme, where the chorus and choir became the main leading of the music. In a kinda latin language with Dies Irea's leitmotif, choir become the medley's core and identity.
In popular culture, the choir is generally used as reference to Medieval Age’s music and its esthetics, real or dreamed . From Historical productions such as in Kingdom of Heaven (a Historical Movie setting during the early years of the Crusades) to Fantasy realms Lord of the Rings’s trilogy, we can tell that kinda of music had a special power to increase emotions and ambiance in a song.
In Overblot Malleus's theme, the choir became an extension of the Dragon-Fea’s power and personality. Giving to his character so much strength and presence, just like with Davy Jones's organ and it make a tribute to Sleeping Beauty’s soundtrack. One of the particularity of this Classic Disney Animation Picture, it's one of the very few movie from Disney's Silver Age, than doesn't have song like we see it in Cinderella or in Alice in Wonderland. As explained by cinema historian, Charles Solomo, in the documentary Picture Perfect: The Making of Sleeping Beauty [link], those kind of “Broadway like song“ doesn't fit to that world made of the gorgeous detailed background designed by Eyvind Earl or the music score inspired by Tchaikovsky's Sleeping Beauty Ballet. Only songs in the movie are Once upon a Dream and choirs. Theses ones can be found in several track in the score. One of them, “Aurora's Return/Maleficent's Evil Spell“, is in my opinion, one of most powerful and representative of that directive for Sleeping Beauty's music. At one point of track a eerie and dark voice can be heard and as its materialize Maleficent's presence when Aurora is hypnotize by the curse.
Those choir segments supporting the narrative and characterizing each protagonists. Just like it's happen with Malleus's Overblot theme !
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In Malleus's Overblot theme, alongside the choir, the second main leading instrument is the cello. The using of that particular string instruments in the track make a easter egg to both Malleus’s personal talents as to Diasomnia Dorm's music theme.
Cello, as other stringed instruments, are very often used in movie, video-game or musical composition because of a rich palette of tones and sounds that those musicals instruments can create and so increase emotions. Notes created by cellos are know to be rich and deep, and how depending how it played, it can express joy and light ambiance as epic, nostalgic world, mysteries or tension and terror.
The slight presence electric guitar (recurring in the Overblot music track) give an extra sensation of danger and tension in the medley, but without shadowing the leading of the chorus and the cello. It sound like lightings bolts, and each time the electric guitar is heard it increase choir's powers in the narrative of the medley with attacking notes. Giving the feeling that we are caught into a storm.
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Conjuring the Dragon
As we start listening Malleus Overblot's theme, we fall into some dark or gothic fey world, more that Diasomnia Dorm's. Despite the presence of a electric guitar sound, the music had the same feels as Maleficent's themes from Sleeping Beauty. In fact the very first notes are very similars or at least sharing the same tones than some of Maleficent's leitmotif in “Aurora's Return/Maleficent's Evil Spell“ or in her music entrance.
The musictrack is divise in five segments. First, it start with a very aery voice sound, as we can found in mysterious or dark music track and then the storms began, leading by the choir. With the cello and the electric guitar, its give at that moment (and is reinforce in game by the image of Malleus in his Overblot form), that we are facing some kind of powerful Lord or a Dark Dragon. Malleus had a very complex personality and as far we know, at his core, ins't a evil character. But he is a Dragon-Fea and he had dark powers. If someone put in danger the persons he will care about (friends, family...), he will riposte with all his might and once of thoses times where Malleus's powers are show as dangerous and dark because its are beyond mortal understanding and standard, not as evil. It's true that consequences of some Malleus's actions are terrifying because of his non-human nature and can show him as the Dragon, the most dangerous foe of tales and legends, as the storm parts of the Overblot music despict it.
And at the middle of the music track, just between the two storms part, for a brief moment a calm, noble music segment is played. Its the same medley than the rest of the track but the tone is completely different as tone and ambience from what had been previously heard, even if there is still a certain tension in it. In fact Malleus Overblot's theme where there is a such calm. Yes it's true that in Leona Overblot's theme there is a kinda of “pause“ in the music but the same amount of epic tension. It's sound like if the character taking a short break, checking if everyone is is okay before return to battle. In Malleus's if we got same general medley but the music tale an other aspect of that character, of that Dragon, at the opposite of the Dark Dragon previously depicted. In that segment, the cello leading the music instead of the choir which became calm like lamentation, giving a powerful, melancholic and noble ambiance to the music before the storm restart and end once again on the eerie voice and notes.
That melancholic noble music caught in the storm show all the balance between light and dark that Malleus carries with him during his personal journey. Give him an aura of nobility and danger as we can found it in the Malzeno's theme or Elder Dragons ( Amatsu, Alatreon or Shagaru Magala) from Monster Hunter for exemple.
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Right at the beginning and at the end of the track we got some slight but clear notes of piano. Like cello, that chordophone instrument (musical instrument that use both stringed and percussion (ref, Britanica)), can create intense and emotional ambience. It's true that I wished to heard some organ note in that music track, which could fit to the medieval gothic leitmotif of Diasmonia Dorm but I think it would change the characterization of Malleus in the music track. Organs are, in popular cultures and soundtracks very very bond to the figure of the Evil Lords such as Ganondorf in Ocarina of Time or Dracula in his many adaptations from movies to video-games or it played by shady antagonists like Davy Jones or Erik, the Phantom of the Opera. Even there it's cannon that Malleus know to play organs (Endless Halloween event), it's a piano. To listen those cold and sad notes, featuring a eerie voice, as opening and ending of Malleus Overblot's music theme, give us the ton of the music but also of the character it depicts. In plus to reinforce the feeling of melancholy, its contrast with the storms that reign in most of the track. Like the calm noble leitmotif, the piano show the “softer“, tragic and lonely side of Malleus beyond his dangerous and scaring first apparence and nature as a Dragon and a Dark Fea.
As I was writing that post, I discover that during the battle between the Knight of Dawn and Maleonora, Malleus's Mother, the Overblot can be heard and that discovery make more deeper to Malleus. Making it more personal to Malleus than it's already etablished in the music itself. Far more than I originally suspected.
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During the last showdown between the Knight and Maleonora ant their tragic ending, the use of the Overblot's theme don't make that scene feels like one of Maleficient in the original picture or only reflecting the way the Humans sees Maleonora. As a dark witch, a monster.
The Overblot's theme show her as royal princess, a Crown-Heir and a mother that will do everything in her power to protect her people, the persons she love and her child. Between him and his mother there is big similarities, and not just physical. Malleus had indeed inherited some of Maleonora's traits, but in his heart and his general personality, Malleus is more close to his father Lord Revan, as it's confirmed by Lilia.
"Just like his father, he is a kind person who ins't able to be ruthless“ "(Episode 7 Ruler of the Abbys Part 6, chapter 99)
At the end, that Overblot's theme not just a dungeon's final boss theme or a musical representation of the Arc's aesthetic.
Even more than Diasomnia bgm, this is Malleus Draconia's Theme. Not just his Overblot. His theme, as character, like we discover in both Diasomnia's trailer and Twisted Wonderland's Story. That music score give us more clues about who Malleus really is.
That music can be seen as the refection of Malleus's complex personality. Noble and benevolent, fierce and powerful ..
Both the Greatest Foe than the Devoted Protector.
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Thank you for reading this review/analysis about Malleus. I hope you enjoyed it :-)
Lucy Floyen
Musictrack link : [Twisted Wonderland BGM - Overblot Malleus] (Soundcloud)
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ryotarox · 6 months ago
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(Anton Webern - Quartet (op. 22) [With score] - YouTubeから)
ウェーベルン:バイオリン、クラリネット、アルト・サクソフォンとピアノのための四重奏曲 Op.22
けーざい:四重奏曲 Op.22 〜第1楽章 (アントン・ヴェーベルン) - ミュージック : musictrack
ヴェーベルンの音楽は、実のところ情感溢れる旋律美をほのかに隠していたりします。この曲も巷では点描風と評価されがちなテクスチャを外見上持つ曲ですが、スーラの点描がモネやマネよりもまろやかなタッチの世界を描きだすのと似て、穏やかな、そして時にダイナミックな音の美しさを現出するのです。ヴェーベルンの曲は裸形の美が魅力の中世音楽と、さまざまな面で通じています。
https://x.com/kojikunsax/status/1651351323512635394
山本航司 @kojikunsax アントン・ウェーベルンの四重奏曲op.22は本っ当に名曲なのでテナー吹きなら一度は絶対に取り組むべき曲です。 日本でもっと演奏されればいいのになあ…
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njbellydancingbysoraya · 1 year ago
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😉 #FridayNight #MusicTrack featuring #ThereisLife by @Moksi https://www.shazam.com/track/677841090/there-is-life?referrer=twitter #DanceMusic #DutchDJ #Nederland #EDM #PartyVibes #Weekend #ElectronicMusic 🎵
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spiderton · 2 years ago
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"whats your favorite patapon musictrack" none. cuz im a faker
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internetkeeda123 · 4 months ago
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hunting-songs · 8 months ago
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"Shall we dance?"
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Send "Shall we dance?" and I'll write a starter where our muses either waltz on the dancefloor or engage in a fight.
In the hotels cellar had been build up a gym for the guests; the lowest etage had been turned into small rooms sepperated by thin,moveable walls not thiker than a flat hand. The walls were thin enough that Senritsu could hear the music another guest in the hotel was playing in their sepperated room and she moved after this calm melody-the other guests music in duet with their calm but detrminated heartbeat- herself to carefully go from one yoga position to the other. In her time in the hospital after she had been cursed, Senritsu had been for a much too short time in physical therapy than she could have been considering the pain still grinding into her bones as if her insides had turned into glassplinters cutting from inside into her skin. Accordinly the dotor that had looked after her had made sre she knew that she needed to go through a routine to keep her joints and muscles flexible unlss she would risk them turning stiff and aching even moreuntil every move was like walking through rain made of glassshards cutting, cutting, cutting. She just listened to her spine sending a row os small, only by her hearable popping-noises from her shoulder down her back when she bend up in the cobra-position as the person in the other room changed the musictrack and suddenly something lightly washed into their room that almost made her fall down in suprise. Carefully pulling her knees forward and sitting up Senritsu tilted her head to the side like a attentive bird. "A waltz." The woman noted, more to herself than to anyone in particular- Basho on the other side of the room just acknowledged her words with a quiet grunt as he continued to jog on the treadmill and Linssen who had not joined the activitys but simply lay napping on his back on one of the yogamats did not even blessed her with waking up to acknowledge the music. Kurapika however noticed. Kurapika however, made a comment to the music. Kurapika however asked a question.
She looked over to the other with a amused twinkle dancing in her eyes shimmering in the dark grey like a wisp in a misty bog: "Shall we dance? As in-" chuckling she stood up, lifting her arms as if she was holding a imaginary person close to her for a waltz with one arm before her chest to lay on the invisible persons back and the other stretched out, holding their hand that was just air. "-Actual dancing? Or do you mean sparring, because by all means I do not have a table to throw at you so the stakes are not mhmmmm " Senritsu winked at the other in all good humor, letting the word roll over her tounge as sweet as a petname: "-equal."
"Although", The woman dropped the little, playful act and just shaked her head with a gentle laughter. She walked over to Kurapika, her bare feet shuffling against the mats covering the ground witht he left foot needing a second longer to touch the floor like in an uneven, uncomfortable rhytmn. The yoga had helped soothing her backache but there was still a certaine mildy hurting throbbing left like an echo of th pain. She pointed to the Bokken in kurapikas hand and then let her hand dance through the air to a song only she could hear: " I would love to learn the steps for using those. I like the melody they cause when they cut through the air. It has a rhytmn." [ @skarletchains ]
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sashmaster · 9 months ago
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THAT BASS IN TO DEEP...! (GENESIS vs MEGHAN TRAINOR) 💤💤💤🕺💃🕺🎶🎵🎼🎶🎵
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musictracks · 2 years ago
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DELACOUR - Midnight Club
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ilinku2 · 4 months ago
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193 Music Tracks Mega V1
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toys-are-lit · 1 year ago
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red-rock-recordings · 5 years ago
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Another great recording session this last week at Red Rock Recordings!! @john_casey20 - I can’t wait to hear what comes next !!! #musictalent #coloradospringsmusic #recordingstudio #recordingengineer #musictracking #trackingmusic #recordingguitars #recordingbass #redrockrecordings (at Red Rock Canyon) https://www.instagram.com/p/B3GY2cyn78N/?igshid=104jf528ek7oa
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