#museedorsay

[peoplematchingartworks]

[1939-wizard-of-oz]

John Atkinson Grimshaw is one of the best painters you've never heard of!

He was wildly popular in the 19th century,and for one very specific reason :

Grimshaw was a master of painting the night...

[sdimbour]

#bonjour #photooftheday #museedorsay #walkway 🙂 #paris #iledefrance #france . . . . . . #people #bridge #museum #indoor #streetphotography #storyofthestreet #lensonstreets #reponsesphoto #parisphoto #dimanchephoto #shotbyme #shotoniphone #iosphotography #iphonephotography #mobiography #bnw #bnwphotography #bnw_greatshots #bnw_rose #blackandwhite #noiretblanc #paris_focus_on #shadow_magazine (à Paris, France) https://www.instagram.com/p/Co1qxKpobvb/?igshid=NGJjMDIxMWI=

[arthistoriansdiary]

Olympia

Édouard Manet, Olympia (1863). Oil on canvas, 130.5 cm x 190 cm. Musée d'Orsay, Paris.

Édouard Manet's Olympia, painted in 1863, stands as a pivotal work in the history of art, not only for its radical departure from traditional representations of the female nude but also for its confrontation with societal norms and the role of women within them. This analysis explores Olympia in depth, highlighting its significance and the controversy it sparked upon its debut.

Olympia and the Challenge to Convention: Manet's Olympia depicts a nude woman, reclining, staring directly at the viewer with a confrontational gaze. Unlike the passive, idealized nudes of earlier artworks, Olympia's direct gaze and the presence of a black cat at her feet were seen as shocking. Her hand firmly covers her sexuality, not in a gesture of modesty, but as a display of control and autonomy. This portrayal was a stark contrast to the accepted depictions of female nudes as objects of male desire.

Comparison with Titian's Venus of Urbino: To fully appreciate Manet's revolutionary approach, one must consider Titian's Venus of Urbino (1534), a work that Manet referenced in Olympia. Titian's Venus, also reclining nude, engages the viewer with a softer gaze, her hand passively resting near her pelvis, surrounded by symbols of marital fidelity and domesticity. Unlike Olympia, Venus's environment and demeanour suggest an invitation rather than a confrontation. The comparison highlights Manet's departure from portraying the female subject as an object of desire to a figure of power and defiance.

The Name 'Olympia' and Its Implications: The name 'Olympia' itself was loaded with connotations. In the Paris of Manet's time, 'Olympia' was a name often associated with prostitutes, adding another layer of scandal to the painting's reception. This choice of name was not accidental; it was a deliberate commentary on the commodification of women's bodies and the blurred lines between respectability and sexuality in 19th-century society. By naming his subject 'Olympia', Manet directly challenged the viewer to confront their preconceptions and the societal norms dictating the representation and treatment of women.

Controversy and Legacy: Upon its exhibition, Olympia was met with outrage and ridicule, criticized for its "vulgar" subject matter and "unfinished" style. However, this criticism failed to recognize the depth of Manet's critique of societal and artistic norms. Today, Olympia is celebrated for its bold defiance of traditional art, its pivotal role in the development of modern art, and its complex commentary on gender, power, and the gaze.

Olympia's Glance: A 19th-Century Rebellion? In light of Olympia's unflinching gaze and assertive posture, how do you interpret her representation in the context of 19th-century societal expectations of women?

[michelangelob]

La Scultura del giorno: la Donna morsa da un serpente di Auguste Clésinger

La scultura del giorno che vi propongo oggi è la Donna morsa da un serpente scolpita da Auguste Clésinger nel 1847. L’opera fu commissionata all’artista da Alfred Mosselman, un industriale che voleva rendere omaggio alla sua amante sedicenne Apollonie Sabatier. La scultura venne mostrata per la prima volta al pubblico nel 1847, al Salone di Parigi e fu l’opera più discussa di…

[peoplesleepinginmuseums]

[eellepii]

[illustratornoahm]

Auguste Rodin Bust

[queenatt]

Postcards from Paris - Behind the Clock Face at the Musee D'Orsay

Tick-tock, it's time to go behind the clock face at Musee D'Orsay. Delve into the captivating world of art and experience Paris from a unique perspective.

[tosparklesandbutterflies]

Musée d’Orsay 010623 🌸

[romanticphotographer]

#nef du #museedorsay lors de la #nuitblanche . #paris #parismaville #museumparis #parismusees #architectureinterieure #leicacamera #leica #leicam #leicacamerafrance #paris1900 #architectureparis #architectureclassique #parislive #parisliving #parispatrimoine #parislover #parisjetaime❤️ #parisjetaime #eclairage #gare #verriere #gareparisienne #statue #sculpturefemme #architectural #statueart #horloge https://www.instagram.com/p/CpqV2fDobDr/?igshid=NGJjMDIxMWI=

[peoplematchingartworks]

[1939-wizard-of-oz]

John Atkinson Grimshaw was born to an ordinary family in northern England in 1836.

At first he worked for the local railway company, but at the age of 24 he made the bold decision to quit his job and become a painter.

Grimshaw had no artistic training : He taught himself : a self made man !!!

[sdimbour]

#bonjour #photooftheday #awe 🙂 #museedorsay #paris #iledefrance #france . . . . . . #people #art #museum #streetphotography #storyofthestreet #lensonstreets #shotbyme #shotoniphone #outofthephone #mobiography #reponsesphoto #jeudiphoto #shadow_magazine #paris_focus_on #bnw #bnwphotography #bnw_greatshots #bnw_rose #blackandwhite #noiretblanc #iosphotography #super_france #parisfrance (à Paris, France) https://www.instagram.com/p/Coto6Kro-Ip/?igshid=NGJjMDIxMWI=

[wojtekszkutnik]

„Traumlandschaft”, Albert Trachsel

Musee d’Orsay, Paris

[michelangelob]

La Scultura del giorno: La Disperazione di Perraud

La scultura del giorno che vi propongo oggi è La Disperazione scolpita dall’artista francese Jean Joseph Perraud nel 1861. Perraud scolpì una figura maschile seduta a terra nuda, dotata solo di un panneggio strategico che gli copre il pisello. L’uomo mostra un volto malinconico, incorniciato dalla folta capigliatura e assume una posa che fa pensare proprio a un momento di profonda riflessione e…