#muse;william

[beausprouts]

Dancing with my deepest dark desires

[joeloverture]

it's been on my mind since i've started reading tlou reader-insert, but i just want to let you all know: plus-sized people can exist in the apocalypse. there's a plethora of reasons why:

genetics. lack of eating can cause slower digestion. your body enters survival mode and slows down your metabolism. eating canned, processed foods that outlasted traditionally healthy foods.

people can be plus-sized and still athletic. people can be plus-sized and have 'healthy' lifestyles. people can be plus-sized and not fit your expectation of what being plus-sized is like.

i make this post because, with fatphobic rhetoric always floating around, it's hard to remember that you exist as you are, oftentimes regardless of circumstance.

[7pleiades7]

Titania Sleeping (1840) by Richard Dadd (1817-1886), oil on canvas, 64.8 × 77.5 cm, Musée du Louvre, Paris

[lionofchaeronea]

The Dance, William-Adolphe Bouguereau, 1856

[cloudysarts]

ive seen SEVERAL 'bill and mabel friendship' au's over the years and i love them all, so i figured it was about time i show the world mine!! ^^ im calling it Mabel's Muse. details under the cut!!

(DISCLAIMER: THIS IS NOT A MABEL X BILL AU. GROSS. PROSHIPPERS DONT TOUCH THIS)

in this au, bill and mabel form a bond in the very early era of the show. like, early to mid season one. much like ford did, mabel lets him into her mind, and they form a close bond. she has no idea he has any ulterior motives. the rest of the shack, and honestly the town in general, chock this up to a weird "phase" of hers, referring to bill as "mabels imaginary friend". but mabel calls him her muse <3

theres a little more to it than this but its honestly still a work in progress, so take this for now and let me know if anyone would be interested in seeing more of this!!!

(edit: if you're interested, you can now check out more of this au (with additional art and lore) over here!)

[cleopatragirlie]

𝐉𝐚𝐧𝐞 𝐀𝐬𝐡𝐞𝐫 𝐚𝐬 𝐏𝐞𝐫𝐝𝐢𝐭𝐚 𝐢𝐧 𝐒𝐡𝐚𝐤𝐞𝐬𝐩𝐞𝐚𝐫𝐞'𝐬 '𝐓𝐡𝐞 𝐖𝐢𝐧𝐭𝐞𝐫'𝐬 𝐓𝐚𝐥𝐞' (𝟏𝟗𝟔𝟔)

[flor4de4amor]

cheerleader!reader having a threesome w basketball!abby n team photographer!ellie

[witchrealms]

(x)

[aflawedfashion]

Amy & Rory | Doctor Who 6x05

[little-blurry]

[layla-keating]

ALL AMERICAN 6.01 "Things Done Changed"

[candlelightreader]

I was just listening to the DVD commentary on the Snakes episode and I know Grissom and Sara's scene (the only scene they're present in this Nick-centric ep) is big--obviously shipper nirvana--but the commentary by George Eads and the rest (I think one of the writers and either a director or producer) added so much weight that I'd never considered before!

So, Eads remarks on how Sara is the only one who ever talks to Grissom that way. This is, as she really dials up the husky, soft voice she adopts with Grissom. Eads also observes that Grissom is always himself with her, i.e. more of a nerd and rather stripped bare in a way he never is with anyone else. They all make comments on how emotional the scene is and how revealing it is of their relationship because, as always, Sara is 'putting it [her attraction and ongoing interest] out there'. She is never shy about wanting him. (I really need to transcribe the commentaries.)

But Eads keeps coming back to the idea that Grissom is more Grissom or is more himself with her than with any of the others. I'd add that it is not only the fact of their professional position that makes him freeze with her--I think Grissom is talking about himself when he asserts that some men are intimidated by beauty.

You know what magic, Grissom!

Anyways, something I hadn't thought of is that Grissom almost says something back, such as "Let’s go to dinner." But, of course, Sara overtalks and halts his momentum such as it were. But even more, it made me realize how pivotal this scene is, even compared to the Nesting Dolls reveal of her childhood trauma, because this is the moment when Grissom knows 100% that he isn't too late. The flirting takes on a different dimension after this. The looks become more meaningful.

This is especially significant when you consider that ealier in the season, the writers and producers are talking about the explicit intro of Sofia as a romantic interest for Grissom. She was there to create tension and her chemistry with Grissom was very much not subtext. So the decision to make 'this thing' with Sara more solid in the presence of this new love interest adds to the dynamic more than ever. Because the chemistry with Sofia is too easy and too simple. He's too smooth with her. He knows what to say to her at a given moment, because he has no interest in Sofia romantically and doesn't feel threatened by her. She really is just a colleague he doesn't hate. Ultimately, Sofia doesn't leave him speechless the way Sara does. He is not 'himself' when he is with her. Sara, on the other hand, always renders him vulnerable, which of course is why he distanced himself from her in season three, as he realized in four.

And we can see how Sara's effect on him is unique when looking at his other love interests: he does have speechless moments with Terri but by the end, no so much--perhaps there is a sense that while he is attracted intellectually, and somewhat sexually, there is no sentiment after all. With Heather, he never is at a loss for words, which leaves me to lean towards the notion that he was indeed never involved with her romantically--but, perhaps, it is her who makes him discover that sex without love makes him sad whether through conversation or more... In other words, grissom is typically putting on an air with other people. He's fully insulated against them and can act out the persona of an assured, curated Grissom, the bossman, the tin man, the nerd, the professor, the mentor, the father figure, etc.

But with Sara, he is exposed.

[expectiations]

The Husbands of River Song is not and has never been about the Eleventh Doctor being a deadbeat, distant husband (gross mischaracterization by the way) and the Twelfth Doctor being the "better, more mature, affectionate" husband.

It was about River Song. It was about River and how the events in Manhattan took such a toll on her. It was about letting us see River dealing with grief the way The Snowmen showed us how the Doctor coped after losing believing he had used up all his time with River.

Looking at THORS now with The Ruby's Curse in mind, I get the instinct (for lack of a word that I cannot remember) that the Manhattan incident Blue Roach read from River's diary was not the Manhattan episode that we saw in series 7.

On that note, I'd also like to bring up the fact that the Doctor grounds River and River grounds the Doctor. As Tree talked about in one of her tags, River's empathy is more cognitive than emotional and after musing on it for a bit – considering that the Doctor can no longer go to Manhattan (which may have changed in later series but I wouldn't know at the moment because I have yet to overcome series 7b) and that River does spend time with her parents in Manhattan post-TATM, would the latest Manhattan incident in River's diary be the funeral for Amy? Amy's death? Perhaps even Anthony's? I mean, we already know Rory died five years earlier than Amy. So, knowing how deep River's love for her mother is, it's not too farfetched to say that River spent that time with them. River was by their bedsides as they drew their last breath.

Then Rory's gone, Amy's gone, Anthony's gone. Where does that leave River? Where is the Doctor? (sulking on a cloud on top of Victorian London? trying to figure out the mystery of his newest companion? all while constantly mentioning a certain Professor Song who actually turns out to be his dearly sort of departed absolutely beloved wife?)

Without her parents (and her husband) to ground her, she goes on this maddened, grieving space Robin Hood spree. She seeks fun to fill in the void and takes up marriage as a hobby/side quest. Does she look for the Doctor? Perhaps. Yes, actually. Considering she crashed her latest sort-of-husband's ship onto a planet where she purported the TARDIS to be.

But... she's stealing the TARDIS. She could have just called the Doctor, yeah? So, she doesn't want the Doctor to know then. Well... yeah, considering she has two sort-of-husbands in hand.

So, River would just have gone on from one space Robin Hood spree to the next had the TARDIS not sort-of-stranded herself on Mendorax Dellora to make sure her Water stopped being stubborn and reconcile(?) with her Thief?

Also taking note of how River has read stories about them and knows that Darillium is purported to be their last night together (I could also bring up the fact that this is why I find it easy to digest the "River meeting regenerations of the Doctor younger than the Tenth Doctor makes sense and doesn't break cannon nor ruin SITL/FOTD" but that would take a whole other post). Does this River believe her time with the Eleventh Doctor has ended? The same way series 7b Eleven believed his time with older versions of River has ended? Is this all part of some grand fuckup in communication all thanks to their tangled timelines?

Maybe. Maybe not.

But has River not just been running from her family's death? Has River been running from her supposed last night with the Doctor?

"But River doesn't run." Oh yes. Yes, she does. She knows when to stand her ground. She knows when to charge. And she knows when to run.

"That's out of character for her." No, it's not. She's not invincible. She's this well trained assassin, yes. But invincible? No.

Invincible from the tendency to be blinded by their emotions? Obviously not.

River lies. And River runs.

She is not afraid of her death. She is afraid of the day when her husband, her Doctor, looks into her eyes and looks right through her. And it shouldn't kill her but it does. It did.

So she ran and ran until her bigger-on-the-inside Mum gently reached out and put her back together with the only person left who could ground her. Who she didn't recognize at first but still fell in love with (and would have loved even if he hadn't been revealed to be her actual, long missing husband). Who finally found out their last night wasn't just any night – it was a twenty-four year long last night. Who finally gave her a breather from all the running she'd been doing.

And oh what a night that was (it was the talk of the universe).

[corallapis]

[musings-from-an-elder-goth]

Lisa Frankenstein Filming Locations

“It is true, we shall be monsters, cut off from all the world; but on that account we shall be more attached to one another.” ― Mary Shelley, Frankenstein

As promised, here are some of the filming locations for Lisa Frankenstein. As I just saw Kathryn Newton at Spooky Empire in Orlando this past weekend, I decided to stalk filming locations for some of her cooler movies. Or you can just watch the video I made, which covers all the locations but it goes into much less detail:

I found most of the locations on my own, but then received a location list from a person on the film's production team which confirmed the ones I'd already found and gave me the ones I was missing. Big thank you to that person!

***Spoilers below***

We'll start with Lisa's home which is located at 2552 Cypress Lawn Dr, Marrero, LA 70072. The shed in the back yard for the tanning booth is really part of the property, & can just be seen from the street (circled in red in second image).

Now, if you go there, remember, THIS IS PRIVATE PROPERTY. Perfectly fine to admire it from the street, but do not trespass, do not knock on the door, do not ask for a tour, & do not ask if Lisa is home. Please. Now, if the folks living there say 'Hey' & invite you in when they see you in the street taking selfies with the house, that's another thing entirely - but otherwise, low profile it.

Although they filmed a little bit inside the real house, at least for the scenes where Creature first arrives, most of the house interiors were filmed on a sound stage which I know thanks to Zelda Williams posting this photo:

And that sound stage is The University of New Orleans Nims Center Studio located at 800 - 824 Distributors Row in New Orleans. I know this because of this picture from a behind the scenes video showing the entire cast & crew taking a group photo with two distinct architectural features circled. The next image is a Google street view of the same location with those features also circled.

Per the locations list, the party house Lisa & Taffy go to early in the film is located at 12565 Patterson Rd, New Orleans, LA 70131, which I've confirmed via location detail on Google maps:

And the high school is Belle Chase high school at 8346 LA-23, Belle Chase, LA 70037, which I've also confirmed via architectural detail:

The exteriors for Bachelor's Grove Cemetery & the woods around it, the wooded paths, & the bench scenes all take place in Brechtel Park, which is located in the Algiers neighborhood of New Orleans.

The park offers roads for driving scenes as well as thick woodland with vines & dense ground cover for the cemetery set - which, sadly, was entirely fake. Below is the exact location of Bachelor's Grove.

Bachelor's Grove is located at GPS coordinates 29.9100534 -90.0124431. The easiest way to get there is to take an asphalt sidewalk that you'll find about 100 feet to the right of the entrance. That sidewalk will take you around the north edge of the park and then turn left (south) where you will look for the 2nd marked trail. Follow that trailfor about 50 feet and you'll find a second marked tree, which I call the Twisted Tree, and you're in Bachelor's Grove.

Moving along, the scene at 1:17:37 in the film where Creature goes to retrieve Janet's (Lisa's step-mom's) car and kills the mean old man who is harassing the kid who can't start a lawn mower, was filmed at the south dead end of Dede Street in Marrero, LA at GPS 29.855776, -90.093451.

Rather pleased with myself for finding that one - not easy.

Creature then returns to just outside Bachelor's Grove, which again was filmed in Brechtel Park, with precise location circled in the third image.

Lisa & Taffy arrive there & Lisa psychs herself up to go into the cemetery to kill Creature at GPS 29.906104, -90.009096

This is still in Brechtel Park, they just moved the cars about 30 feet to the west & spun the camera around - the dead giveaways are those posts along the road & the two small hills in the background.

Lisa then runs down a wide, woodland path.

This photo of one of Brechtel Park's wide, wooded paths is the same path, located at GPS 29.908912, -90.011958.

And here's that spot circled below:

When Dale, Lisa's dad (played by Joe Chrest, who also plays the Wheeler's dad on Stranger Things), & Taffy visit Lisa's grave at the end, they are standing in the southern section of Carrollton Cemetery in New Orleans, at GPS 29.947097, -90.121813.

The reason they used this location is because Carrollton is one of the few New Orleans cemeteries that has a large section where all the graves are below ground, as this movie is supposed to be taking place near Chicago.

As for how I know they used this specific location, I have a wine bottle shaped tombstone to thank for that. In the below image, we see that odd tombstone from the front.

And here we see it from the back, as I wasn't able to get a clear image of it from the same perspective of the above image:

Also rather proud of that find.

And the final scene on the bench is also in Brechtel Park at the location circled on the map, GPS 29.909290, -90.010784.

So the only significant filming location I can't find is Michael's red brick colonial, but whatever. Found Michael's house, too!

Anyway, here's to hoping we all find that special someone who was reanimated just for us. 🦇🖤🦇

creaturesfromelsewhere 5-23-2024

[arylleth]

Whether you come as a lover or an executioner, I'm ready to receive you.