#multi delivery

[jackethen12]

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[crimeronan]

tonight i delivered food to a mcmansion so big and so boxy and so generic that i thought it was an apartment complex. it was surrounded by other mcmansions that had the exact same floor plan, cookie-cutter suburb style, except these houses had 4 floors, 2-car garages, lofts above said 2-car garages, and terraced balconies. every single one of these single-family homes, which i estimate are 4,000 to 5,000 square feet apiece, was ringed on top of a hill with a lovely view of the city. this meant they also all shared a driveway and had functionally no backyards whatsoever, because the ground sloped too sharply downward around them.

i'd say it should be horror plot fodder but....... it's too easy.....

[goshyesvintageads]

Amway Corp, 1965

[greenelight]

mason can't cook for shit & mostly eats instant noodles. what will you cook for him?

[lultimagoccia]

( my thing with muses is i want to understand why they think and act like they do. what motivates them. what drives them. how do they justify their behaviors to themselves?

i want to understand, without excusing or justifying bad behavior, y'know? it's interesting to explore a real fucked worldview and how it might make sense, from their perspective. )

[garfieldstim]

.👒

[songofsilentechoes]

Poro mun is going to accept this canon that the first find of a deposit is a big moment for the baby rock poros! Baby blocks think they did a good job! They found a thing! Perhaps will get mama metal circles!

Of course, they just like that mama is happy with them! Do not entirely know what a 'pizza' is, but still.

Noelle isn't really sure what their obsession with getting money is when she's made it clear they don't need the money. Still, she's glad to see the poros being poros, and this does seem like an occasion worth celebrating.

She makes them a fresh batch of the lemonade from the rest of the bathtub lemons that they didn't hastily return to Pete, who's probably very confused/worried they didn't like them, and orders a pizza from her favorite place in her home realm.

Naturally, she picks it up personally. Can you imagine delivery fees across realities?

[namira]

Tbh I know people joke about how it's funny that the protagonist of New Vegas is a courier a lot but like idk man every single mailman I have ever known has frankly been insane or like bizarrely aggressive and I've no doubt this would go double for someone who would be making deliveries in a world with like radiation and deathclaws

[musical-chick-13]

The workshop thing wasn't great in that respect but it wasn't that bad either because it was so clear that people were jealous when they were being harsher than the professors, who did step in at points when it veered from critiquing stylistic choices into doing exactly what people who think tagging fics on that post is okay are doing. It didn't discourage me from writing but it did solidify my decision not to major in creative writing (this is probably also why I in particular was a target: it wasn't my major, it was a hobby, but I was as qualified as them and got as much praise as they did and even one time more than them on the very first exercise of my first workshop, which probably didn't sit right with them, but only fueled me further because I am nothing if not a creature of spite).

And that's the thing too: so many people can't grasp that there's a huge difference between "this isn't for me" and "this has a lot of issues". Which to preface, unless someone's asked you to beta for them keep your mouth shut. They're doing this for free. Exit out if there are too many errors or whatever (and errors isn't even exactly the word I want but I'm exhausted and didn't sleep enough last night). Not that those people SHOULD beta either even if they were asked, honestly, because they clearly do not have a grasp on what constructive criticism actually is or how it works. You don't need a workshop to learn that either, just basic human decency and Google.

But like anyways. In the workshops I read plenty of things I just Did Not Vibe With, but were objectively very, very good art and you could tell how much care the author put into them. Sometimes things just aren't for you and the author didn't poorly execute that concept, actually.

I ran into this a lot in Performance World, too, back when I was trying to get a singing/stage performing career off the ground. There are SO many threads of that part of my life I can relate to this discussion and it would take far too long to explain them all, but there VERY much was a culture of perfectionism. Jealousy and extreme competition were incredibly prevalent, lots of "stay in your box," lots of complaining if people didn't stay in their box. Even when we were learning (or doing community theatre just to stay in practice or build up a resume), the stakes always seemed astronomically high. Someone could do a passable or even genuinely good job; but if it wasn't good in the "right" way, then it was still seen as meaningless.

For courtesy's sake, I'm putting the rest of my thoughts under a cut, because. Well. This got long. As answers by me are wont to do.

There also was a lot of "pick a genre" and "this is the only MEANINGFUL type of music/art/etc." The opera crowd hated that I liked musicals and pop music because those styles were all "stupid" and "frivolous" and "simple" (which isn't. even true, no art form is a monolith, and what those words mean is going to be different for every person, but, you know). Everyone else hated that I sang opera because it was a "pretentious art form" and "boring" and "sexist/racist/etc." (Those first two are incredibly subjective, and plenty of modern opera works exist that seeks to not uphold those forms of prejudice.) There was "if you look like [x], then you can't do [y performance type]." "If your voice sounds like this, then you can't EVER pursue ANY roles outside of this small pool of stuff because you need to know your place; if you don't, people will think you're making Bad Art." And then you, at best, get shamed, and, at worst, can't make a living.

All of this, of course, was a matter of opinion. Most of it, like you said, boiled down to the fact that people were doing things that weren't, actually, bad or untalented or ineffective--they just didn't work for people. They didn't meet some arbitrary, subjective standard that had no real, concrete, actual meaning. But when people with any degree of power start taking their artistic opinions as immovable fact, we end up with...well, we end up with the current theatre climate, and we end up with whatever is happening in fandom communities right now. (Because just as there are some people who, for insisting on a lack of constructive criticism, should not be beta readers, there are some who should not be educators or directors.)

There were a lot of reasons that I eventually stopped performing publicly/on stage. But a big part of it was that I just didn't want to deal with that culture anymore. When I made the decision to walk away, I had gotten to the point where I'd started to hate singing. My primary form of expression, of catharsis, of solace, since I was eight or nine years old. And luckily, withdrawing from a professional pursuit of art has helped me get some of that back. But I see those same issues--that same negativity, that same judgment--starting to pop up in something that isn't even meant to be for money or a career or anything other than personal expression. I see so many people getting discouraged, starting to lose the love they had for that expression. My love of art was almost taken away from me, to the point where for a very long time I couldn't even do it for fun, alone, in the private comfort of my house. And if I can do anything to prevent that from happening to someone else, I sure as hell will.

I'm glad that you were still able to get some good out of that workshop, because that's not always easy to do when the people around you are acting like that. (And kudos to realizing that you didn't want to do this as a major/career, that's not always easy to do either.) And I know I've talked more about professional art, but this is so prevalent in the way people talk about community theatre, too. Being upset that a student production doesn't have Super Stellar Voices/Acting, ragging on amateur singers just for posting a karaoke video on their personal Facebook page, expecting Met-opera-level singing quality or Shakespeare-scholar levels of acting text analysis from a group of volunteers who are spending their precious few after-work hours to put on a musical, just because they want to share that story with people. I've seen lots of comments that it's not meaningful because it's "bad." When. I've done a lot of community theatre. Plenty of it is not bad, actually. If you hate it that much, you don't have to attend a production. (Just like how. if you hate a fic. you can hit the back button.) And even if it is "bad." It's still going to be meaningful to someone. Even in a "bad" production, at least ONE of the actors or crew members will have a good time helping create it. And at least ONE audience member is going to have a good time; whether that be because they simply love theatre, someone they love is involved with the production, or because they don't care about an arbitrary "quality" measurement. And I absolutely think the same thing is true of writing, and of fanfiction especially.

If, for example, someone goes to karaoke and screams "I Dreamed A Dream" from Les Mis extremely off-key and grating, because they're experiencing a shitty situation and just need some catharsis? I don't have the right to rag on them for that, I would be an asshole. If someone posts a cover for fun on YouTube of...I don't know, "Take On Me" and can't hit the high notes, but wants to pay tribute to a song they love, who the fuck would I be to take that away from them? So if someone writes a "silly" or "stupid" or oh-God-forbid "cringe" piece of fanfiction (which. AGAIN. do not have any concrete meaning because those are SUBJECTIVE TERMS) to get some feelings out or to talk about how much they love a fictional character. Well, I think if you call them names over that and try to publicly shame or harass them, then, quite frankly, you are engaging in pointless, cruel, and braincell-less behavior. And you can stay 10,000 feet away from me.

[ladyintree]

i'm losing my fucking mind and i'm terrified. like all the way. like i haven't been since—... i can't ask you for your help 'cause i don't want to hurt any more of the people i love.

[pekodayz]

the carrier who’s sending my ososan s2 setting book just sent me a notif about signing smth. uhhhh and it’s gone ……rolling on the floor laughing

[unicotaxi-app]

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[noshwayapp]

How can multi-restaurant delivery software help with customer loyalty programs across different brands?

Multi-restaurant delivery software can significantly enhance customer loyalty programs across different brands in several ways:

Unified points system: The software can implement a universal points system that allows customers to earn and redeem points across all participating restaurants. This encourages customers to explore different brands while still accumulating rewards.

Cross-brand promotions: The platform can facilitate joint promotions between different restaurants, offering special deals or bonus points for trying new brands. This can help introduce customers to a wider variety of options.

Personalized recommendations: By analyzing customer order history and preferences across all restaurants, the software can provide tailored recommendations, potentially introducing customers to new brands that align with their tastes.

Tiered loyalty programs: The multi restaurant delivery software can implement multi-level loyalty programs that reward customers for their overall spending across all brands, not just their loyalty to a single restaurant.

Centralized customer profiles: By maintaining a single customer profile across all brands, the software can provide a seamless experience and allow for more sophisticated targeting and personalization.

Flexible reward redemption: Customers can have the option to redeem their accumulated points or rewards at any participating restaurant, increasing the perceived value of the loyalty program.

Data-driven insights: The software can provide valuable data on customer behavior across different brands, helping restaurants refine their offerings and marketing strategies.

Special events and challenges: The platform can organize multi-brand events or challenges that encourage customers to try different restaurants, fostering engagement and loyalty to the platform itself.

[lultimagoccia]

( hate that so many rp muse profile templates favor minimalism. what if i have to explain every aspect of a muse that makes them unique to me right out of the gate. what if i want to overexplain. what then. )