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runraerun · 4 months ago

Text

-> Part 2

**NOW WITH ART!

(Everyone go shower @stervrucht with love & reblogs because she is a treasure to this fandom and her generosity knows no bounds🖤thank-you bestie!)

AO3 | WC: 7.8k | Rated: E | CW: Internalized homophobia, references to the death of a parent, lots of swearing and general vulgarity from the both of them. Drug usage. Discussions of trading sex acts for drugs. Billy being an asshole but hey what’s new. | Tags: ADHD Eddie Munson, Semi-closeted Eddie, Fully-closeted Billy, One-Sided Steddie (or is it? We don’t know because of unreliable narrator reasons) Bully Billy Hargrove, Bullied Eddie Munson, Coming In Pants, Dry Humping, Eddie calls Billy ‘m’lord’ in here god help him, Happy Ending, some angst sprinkled throughout, but overall quite fluffy.

(Title is inspired by a song of the same name by Chromeo.)

Summary:

“I’ll cut you a deal, Munson,” Billy says, his icy-pop blue eyes and dark lashes illuminated by the end of his stolen cigarette. “I’ll let you have something. Y’know, as payment.”

But pretty as Billy is, Eddie’s no sucker. “I don’t do trades either.”

“You’re gonna wanna hear this trade.” Billy exhales a cloud of white smoke between them.

Eddie doubts it, but the sooner he hears it the sooner he can shoot it down. “Spit it out then.”

Billy Hargrove stands there, half-smirk on his face, hips tilted forward. Like he’s God’s fucking gift. “I’ll let you suck my dick.”

And that.

Well.

Eddie isn’t exactly sure what he was expecting but it sure as hell isn’t that.

Or, Billy tries to pay for drugs by offering to let Eddie blow him.

Of all the mugs Eddie expects to see in his neck of the woods, the one attached to Billy Hargrove, resident bad boy slash heartthrob with a notoriously short fuse and a mean right hook, is not one of ‘em.

The fact that he’s alone isn’t much of a comfort, but it’s… well, it’s something. It means if Billy’s planning on jumping him and stealing his stash, then at least Eddie’s got a shot at running and actually getting away with all his teeth intact.

Eddie sucks back on his cigarette, grateful he has something to do with his fidgeting hands as he eyes Hargrove’s approach. Tries his best to keep still—something he’s always been absolute dog shit at. Even as a little kid. They tossed words at him like Attention Deficit Disorder and Hyperactivity ’til the cows came home. Never changed anything, though. Mom always just called it ants in his pants. For Uncle Wayne, it was worms up his butt. All said in love, of course. Eddie was ant and worm-free, far as he knew. Just had a lot of energy is all. And a lot to say too. That isn’t a crime! But right now, under Billy Hargrove’s slow approach, he tries his damndest to get all his ants and his worms to settle down. No sudden moves in front of ticking time bombs.

“You’re Munson, right?” Hargrove asks in a low, slightly nasally voice. He’s stopped a few feet from the picnic table that Eddie’s perched on, his canister of goodies sitting unassumingly beside him.

Eddie fights his nerves—bulldozes over them, more like, and smiles wide, holding out his arms in a display of showmanship. “The one and only.”

Billy scoffs as his eyes travel around the clearing. Doesn’t seem too impressed by the ol’ Munson razzle-dazzle. “You alone out here?” he asks, eyes finally returning to Eddie’s.

Eddie shifts, leaning forward slightly—literally on edge. Why the hell did he have to say that so fucking ominously? “I was ‘til you showed up,” Eddie answers.

Billy hums noncommittally and doesn’t even try to hide the way he’s looking Eddie up and down. Sizing him up. Double-checking to make sure Eddie’s not a threat, maybe. Eddie fights the urge to duck his head and pull his shoulders in to assure Billy that he isn’t one. He’s a lover, not a fighter. In theory, anyway.

“Now what can I do for you on this fine evening, Mr. Hargrove? I don’t keep everything on me…“ Eddie trails off before he continues, “But I got anything you’d want.”

Billy snorts, “Yeah, I’ll bet.”

“You’re from Cali, right? I got weed from there. Stuff that tastes like blueberries,” Eddie leans forward and bounces his brows, “I got some shrooms from the coast too that could even knock someone like you on your ass. So, what’re you into, Hargrove? What’s your poison?”

Billy’s got an amused look on his face. He’s smirking, but no part of it’s warm or welcoming. It sets Eddie even further on edge than he already had been. “You sure know a lot about me.”

Eddie shrugs, feigning innocence. He takes another pull from his cigarette. “It’s a small town; people talk. Especially around people like me. Y’know, the kinda people who don’t matter in the grand scheme of things. And you, Billy Hargrove, you’re, well…”

Eddie bites his tongue before he continues to embarrass himself. Clears his throat instead, tries to think of something not entirely stupid to say, but the words rush around his noggin so quickly that he can’t seem to catch and pin down any one of ‘em.

The forest floor crunches under the sole of Billy’s heavy black boots as he takes a slow, purposeful step forward. “I’m what, freak?”

Eddie swallows. Feels the hair on the back of his neck stand. Jesus, does this guy ever blink? Fucking blue-eyed people and their zombie stares…

He smiles despite his nerves. Then, with a tilt of his head, he answers. “You’re hard to miss.”

It’s grounds to get punched, Eddie knows. Innocent as the comment is, Eddie’s been hit for less. Shit, he got shoved into a locker for looking too long that one time in middle school. Spent the whole fucking lunch break with no one but his ripe gym socks to keep him company. So yeah, maybe Eddie’s a little jumpy around jocks like Billy Hargrove who look like they could fold Eddie into a pretzel without breaking a sweat.

Billy doesn’t look like he’s gearing up to punch Eddie, though. Not yet anyway. He just looks sort of… amused.

It’s getting late. The sun’s low in the sky, and every few seconds it catches on Billy’s earring or his chain, both temporarily blinding him. Eddie doesn’t let his eyes wander, though. He’s got enough self-discipline for that at least.

“I’ll take some of that blueberry kush,” Billy finally says, checking over his shoulder one last time before he flicks his head towards Eddie. “But I don’t got any money. Not until Monday. I’ll have to owe you.”

“Sorry pal,” Eddie leans back, palms against the flat of the picnic tabletop. He blows the smoke from his cigarette up towards the sky. “I don’t do I.O.U’s.”

The air shifts between them. Eddie can feel it. The blue-eyed zombie stare darkens, and Billy takes another step forward until his hip nearly knocks up against one of Eddie’s bent legs. “What? You don’t think I’m good for it, pal?”

“I don’t know you, man,” Eddie mutters around his cigarette, shifting uncomfortably. He always hates this part of the job. He’s been a punching bag on and off for most of his life, but that doesn’t mean he’s gotta like it.

“You just went on and on about how you did.” Billy spits, and Eddie flinches as it hits his cheek. He doesn’t dare raise a hand to swipe it off though, lest it be interpreted as a move to strike.

“Look, I can hold it for you until Monday, but that’s the best I can do.” Eddie offers, but it’s not enough. He knows it’s not even close to enough. Guys like Hargrove aren’t used to being told no.

“C’mon man, there’s gotta be some deal you can cut me. I just wanna have a good fucking night. You can understand that, can’t you, Munson?” Billy asks, his voice going soft. Smooth. Breathy.

And even though his insides are fucking liquifying in real time as he does it, Eddie shakes his head, his long hair curtaining his face as he does. “Can’t do it, man.”

“Well, maybe I’ll just beat the shit out of you and take your shit anyway, huh? How about that?” Billy asks, his bottom lip caught between especially sharp-looking teeth. Eddie looks up, his dark eyes lock onto Billy’s salt-water blue ones. Stormy fucking seas. Eddie sure as hell doesn’t want to get beat up tonight, but if he starts cutting deals and giving special treatment to everyone who threatens him he’d be intimidated right out of business. And he needs the cash. Can’t leave all the bills to Uncle Wayne.

Before Eddie can think up a clever answer, Billy’s got his head thrown back, and he’s cackling. “Shit, I’m fucking with you, dude. Put that face away. I swear, no one in this fucking town can take a goddamn joke.”

Eddie doesn’t bother defending himself, just takes his cigarette from his mouth, knocks off the ash and gives a shaky exhale before putting it back between his lips. He barely starts in on his next inhale when the damn thing is plucked out of his mouth.

Lightening fast. Eddie hadn’t even seen his hands—but there was his cigarette, half-smoked, between Billy’s lips. Eddie feels his face heat at the idea of Billy’s mouth being where his own was, just a second before.

“Ha ha,” Eddie mutters, his eyes narrowing. He’s feeling somewhat brave, despite feeling distinctly like a mouse that’s being battered by a cat's paw. “Very cute.”

Billy tips his head, accepting the comment as if it were a compliment. He doesn’t give Eddie his dart back though—the guy just keeps smoking it with a swarmy fucking grin on his tanned, well-proportioned face.

Because the truth is that Billy is easy on the eyes. Nice to look at. It’s entirely counteracted by the fact that the longer you look at that aforementioned face the higher your chances are of getting a knuckle sandwich sent hurtling your way… but Eddie’s still got functioning eyeballs. He can see that Billy’s… well. Beautiful.

In a weird way, though. Like how Eddie pictures the elves from Middle Earth might look.

Fucking ethereal and shit.

“I’ll cut you a deal, Munson,” Billy says, blue eyes and dark lashes illuminated by the cherry of that stolen cigarette. “I’ll let you have something. Y’know, as payment.”

But pretty as Billy is, Eddie’s no sucker. “I don’t do trades either.”

“You’re gonna wanna hear this trade.” Billy exhales a cloud of white between them.

Eddie doubts it, but the sooner he hears it the sooner he can shoot it down. “Spit it out then.” He sighs.

But Billy doesn’t ‘spit it out’. Instead, he shifts weight from foot to foot, looking suddenly agitated again. Billy sniffs and scratches his nose with the nail of his thumb. Like he’s tweaking. Eddie waits him out. Curiosity officially piqued.

Finally, after doing his little dance, Billy leans forward, wetting his bottom lip with his tongue. “I’ll let you suck my dick.”

And that.

Well.

Eddie wasn’t exactly sure what he was expecting but it sure as hell wasn’t that.

The shock is written all over Eddie’s face, he’s sure. He’s never been good at concealing his emotions—an open book, his mom called him. Shit liar, is what his dad called him. Either way, he knows the surprise of what Billy’s offered up plays across his face by the way Billy’s eyes dance around it, looking pleased.

“What?” Eddie squeaks out, face suddenly on fire.

“You heard me,” Billy snaps, “I ain’t sayin’ it again.”

Eddie blinks, looks away from Billy Hargrove’s icey freeze-pop eyes. It’s no easy task. “You’ll let me…?”

Eddie motions towards the crotch of Billy’s exceptionally tight jeans. Jeans that leave very little to the imagination, Eddie might add.

Billy grins, his pink tongue caught between his teeth as he leans back, jutting his hips out a little.

“I’ll let you,” he confirms. Standing there like he’s God’s fucking gift.

Though he’s got very little air left in his lungs, Eddie gives a weak scoff. “Shouldn’t this be the other way around?”

And for the first time tonight, Eddie does feel at risk of being sucker punched. Billy’s eyes flare, and just like that his beauty melts into something ugly. Like a spell is cast over him—beauty to beast. “I’m no cock-sucker.” He spits out.

In a show of surrender, Eddie raises his hands. “I didn’t say you were. I just—usually when someone is offering sexual favors it’s… Y’know what? Whatever. Doesn’t matter. I’m not—I don’t trade in pleasures of the flesh, ‘kay? That’s not what I’m doing here, Hargrove. It’s cash only.”

But Billy’s either got a hearing problem or a comprehension problem because he rolls his eyes and just keeps on bartering. “Fine, I’ll give you a handjob. After my blow job.”

Now. Eddie isn’t a prude. In fact, he’s probably something of a pervert if his porno of choice is any indication of that, but this—with Billy?

Eddie’s spent this entire interaction scared fucking stiff, and now Billy’s offering to go and get him into an even more vulnerable position—with Eddie’s pants literally around his ankles?

“No.” Eddie aggressively shakes his head, sending his curls in motion. No no no. Fuck no. As hot as Billy is—no. The decision is final. Take it or leave it, Eddie thinks stubbornly. Heels successfully dug in.

Billy sighs through his nose, takes a step back and chuckles dryly to himself. “I know you’re a queer, Munson. Don’t—!” Billy snaps, pointing a finger in Eddie’s face when he dares open his mouth to deny it, “don’t fucking lie to me.

Eddie swallows, promptly shutting the fuck up.

Is he really that obvious…?

Billy continues, “I know you’re a queer. I saw the way you used to look at Harrington, back when we were all in school together. Gym class,” Billy leans forward, back in Eddie’s space, their shared cigarette bouncing between them as he speaks, “the showers. Remember?”

It’s been a year since Hargrove and Harrington both leap-frogged him out of Hawkins High, diplomas in tow. A full year, but apparently Billy’s got a fucking photographic memory. Eddie feels his t-shirt stick to his back, slick with sweat. “Whatever, man. It’s not a crime to look.”

“It is in this shit hole of a town,” Billy chuckles, dark and humourless, “so you get it now? I know you like dick. And I like pot. So, let’s work something out, here, Munson.”

Billy claps his hands together between them, loud and jarring. “Time’s a’wastin’, amigo!”

Jesus this guy…

“Even if I did like dick,” Eddie tilts his head and scrunches his nose, “it doesn’t mean I want your dick, Hargrove.”

“A dick’s a dick, man. And trust me, I got a nice, big fat one for you to choke on, trust me, you’ll love it,” Billy laughs as he speaks, watching in amusement as Eddie rubs a hand over his heated, blotchy face. “C’mon, you’ve sucked cock before, right?”

The simple answer is yeah, a couple of times. Every time it ended pretty much the same though. With him being shoved off after they’d finished. Being told they weren’t gay, that if Eddie were to ever tell anyone about the encounter they would deny it, call Eddie a liar, or worse, beat the shit out of him.

He’s not a dummy; Eddie knows being queer in Hawkins is a risk, so it made sense to want to keep it hush-hush. Eddie’s the rumoured gay kid, so if you’re gonna experiment with someone, why not let it be with him? But after a handful of times being treated like trash—something people needed to wash their hands in Javex from after simply touching him—he stopped. It didn’t feel good.

“You don’t gotta answer. I already know you have.” Billy mutters, smug. “Mouth like that.”

There’s no way Billy knows, but Eddie ducks his head, tired of how this entire fucking conversation has him feeling like he wants to crawl out of his skin. Tired of how the darker the sky gets, the brighter Billy’s eyes seem to turn.

And what the fuck’s wrong with Eddie’s mouth..?

“Cash only,” Eddie repeats. Monotone. Suddenly overstimulated as fuck.

Billy finally pulls the last bit that he can from the cigarette, down to the butt, before he flicks the remains of it into the grass. He gives one final, frustrated exhale of smoke. “Fine. Jesus, Munson, you drive one hell of a bargain. But I’ll sweeten the deal for you, alright?”

“Jesus, Hargrove, are your ears not working? Or did you get hit one too many times with the basketball during your jock days? I said I’m not interested. In your cock or your hand or whatever else you try and offer up.” Eddie exclaims, voice going high with strain.

But it’s like the more worked up Eddie gets, the more Billy wags his fucking tail. He’s all lit up, shiny white teeth built for puncturing. He gets back to crowding Eddie—Eddie, who’s one hair’s breadth away from raising his hands and shoving this smug asshole away from him, not caring if he gets his ass kicked as a consequence, but then Billy’s talking again. And Eddie… Eddie’s listening.

“We could kiss a little,” Billy drawls out, angling his mouth towards Eddie’s ear. He lets his voice drop to a low rumble, his words vibrating in that wide chest of his. It sends a chill down Eddie’s spine. “Y’know, make out. You got a van, right? Nice and private. You’d like that.”

Eddie turns his head towards Billy, so close they’re nearly touching each other. His mouth hangs open, slack, but Eddie can’t get a fucking word out. His whole fucking life, all he’s ever heard is ‘Jesus, does this kid have an off switch?’ ‘Eddie, give mommy’s ears a break, please,’ ‘Eddie is very disruptive in class with his constant chatting’. And now he can’t make a single goddamn sound!

Billy, on the other hand, seems entirely pleased at rendering the great motor-mouth-Munson to a mute. “I’m a good kisser, too.” He adds, eyes dropping down to Eddie’s mouth. Like he’s gonna do it right here and now. Eddie’s throat clicks when he swallows.

The embarrassing part is that, well—Except his Mom and his Meemaw and his weird cousin that one time, he’s never… y’know. Been kissed.

Sucked cock? Sure, yeah. That ship has sailed. Sayo-fuckin’-nara.

But kissing? On the mouth? Romantically? It hasn’t happened for Eddie yet. Not that any of what Billy’s propositioning here is in any way romantic, of course, but…

Eddie watches as Billy darts a pink tongue out between his lips, wetting them so that they glisten. Jesus Christ. How can he say no to that? Rules or no, Eddie’s only fucking human. Does he not bleed if he’s cut? Does he not get hard if he’s presented with an absolute fucking smoke show like Billy Hargrove offering to make out with him? All for the low low price of his dignity and a couple of ounces?

“You… actually want to?” Eddie frowns, counter to the nervous smile that’s pulling at the corners of his mouth.

Billy clicks his tongue and shrugs a shoulder, eyes scanning the horizon for like, the hundredth time. “What I want is for you to cut me a deal. That’s enough, ain’t it?”

No, is Eddie’s knee-jerk answer. It’s not enough. Not even close. But, maybe the first kiss fantasy he’s got built up in his head wasn’t ever gonna happen. Especially not for someone like Eddie. He’s probably lucky. Billy’s hot. Willing. And Eddie’s… well, there’s not exactly anyone lining up at Eddie’s front door for the pleasure of his company, let’s just say that.

He feels himself nodding before his brain has even had a chance to catch up. “Yeah. Fine. Okay.”

“Yeah?” Billy grins, canines flashing, “Guess I should’ve started with the chick stuff first, huh?”

Chick stuff? Eddie makes a face. Suddenly emboldened, he shoves a hand against Billy’s shoulder, which just makes him laugh harder. “Don’t be a shithead, Hargrove, or deal’s off. Got it? I’ll walk, I swear to Christ!”

Billy doesn’t agree nor does he disagree, he just leers after Eddie like a fucking bonafied weirdo. And as someone who’s all but cornered the market on being a bonafide weirdo, that’s saying something. He hops off the picnic table, scooping up his lunch box of goodies as he does, not daring to turn his back on Hargrove. “I’m parked just through here.”

Eddie starts towards his van, stealing glances over at Billy as he trudges on after him, only a step behind. Just enough to make Eddie nervous. “Don’t you have like, a job?”

“Two of ‘em, actually.” Billy answers, hands stuffed into his pockets. “Why?”

“How do you not have any cash on you?” Eddie asks, blunt as always.

Billy stiffens, just a little. “That’s none of your business, Munson.”

Eddie raises his hands in yet another mock surrender, “sure, whatever. Remain a man of mystery, I don’t care.”

Just seems stupid, is all. Billy must be fucking terrible with money. Probably spends it all on his obnoxiously loud car. Eddie doesn’t voice any of his many theories though. Billy’s covered in live wires, and Eddie’s not overly eager to start touching and testing ‘em.

The woods aren’t especially dense, but it’s new growth—the old forest chopped down a few decades back and left to grow back all weedy and skinny. There’s lots of branches to duck under along with dirt holes to roll your ankles in. Eddie knows his pathway like the back of his hand by this point, but Billy; not so much. There’s a bundle of eye level branches that always used to smack Eddie in the face when he was focused on his footing, so he makes sure to turn and holds the offending branches back for Billy so he doesn’t totally eat it.

Thinking back, maybe it’s a weird thing to do for another guy, but Eddie’s radar for what’s weird and what isn’t has been busted since he first got cut out of his mom. Always difficult, even back then.

So yeah, Eddie doesn’t get a thank you, or whatever—instead Billy just eyes him with an air of suspicion as he ducks under Eddie’s arm. Like he’s waiting for Eddie to let the branches go or something. Who knows.

Either way, it’s the last great hurdle before they’re back at Eddie’s van, which is right where he left her; parked in the middle of the small gravel lot behind the watershed. Nobody came back here, especially not at night.

His hands shake when he takes out his keys, feeling Billy’s eyes on him. Briefly wonders what kind of mess was waiting for them in the back, but whatever. It’s not like Billy’s expecting The Ritz.

He gets the doors unlocked, and because he’s a gentleman, he holds the door open for his hook-up.

Despite his nerves rattling around under his skin, Eddie gives a little flourish for good measure, holding out an arm for Billy to take. “After you, m’lord.”

Billy scoffs, blue eyes rolling back in his head. And as dim as the light is, Eddie swears he can see two pink spots form on the apples of Billy’s cheeks. He counts it for a win.

“You’re so fuckin’ weird.” Billy mutters as he crawls into the back of Eddie’s van, pointedly ignoring Eddie’s offered arm, the whole thing shifting with the heft of him.

“Wow, y’know what, Hargrove, I had never heard that one before.” Eddie says, hot on Billy’s heels. He swings the door shut behind him.

The back of Eddie’s van is pretty spartan, but only because he’d just finished using it to lug a shit ton of gear to and from a Corroded Coffin gig. What’s left behind is a couple of ratty blankets, some old sweaters, a scattering of sheet music and some candy bar wrappers. It could be neater, but overall it’s not terrible.

Billy sits with his back to one side of the van, his legs spread, knees bent. He sits like a man. One used to taking up room and not apologizing for it. Eddie backs himself up against the opposite wall of the van’s interior, knees bent to his chest, legs crossing at his ankles. There’s not much light back here, but Eddie’s eyes adjust quickly to spot Billy’s agitated-looking face.

“Well?” Mr. California barks, one of his legs begins bouncing restlessly. It shakes the whole van.

Eddie swallows, “well?”

“Where’s the weed?” Billy asks.

Oh.

Right. Wake up, Munson.

Eddie scrambles to get his feet back under him before he squeezes his upper half into the front of the van, reaching into the glove box to grab a baggie.

“Here y’go.” Eddie winces as he pulls himself back through. He sits on bent legs, closer to Billy now. He bestows upon him the sacred sandwich baggy of goods. “Premium blueberry kush, 100% indica. So it’ll mellow you right out. Not that you need to chill out, of course, but, y’know. It should, in theory, help with that scary vein you get in your forehead sometimes.”

Billy glares at Eddie as he swipes the bag out of his hands, the scary vein threatening to make an appearance right there and now. He turns that glare toward the bundles of dried herbs.

“You got a bong or a pipe or somethin’?” Billy mumbles.

“Duh,” Eddie scoffs, breathing entirely too hard, “Why?”

“What’d’ya mean, ‘why?’ To smoke this shit with.” Billy gives the baggy a few vicious shakes in front of Eddie’s face.

Eddie feels his eyes cross as he follows the weed. “Right now?”

“Unless you feel like rollin’ it.” Billy shrugs, sounding like his already thin patience is beginning to wear even thinner.

“No—uh, I just thought you’d wanna smoke at home or whatever.” Not with Eddie.

A crease forms between Billy’s eyebrows as he frowns. “What, you don’t wanna smoke with me, Munson?”

Eddie snorts, shakes his head, “hey, I’ll smoke with anyone—“

“Then shut the fuck up and get the bong already!” Billy shouts, fuse burnt down to the quick.

And if there’s one thing about Eddie, is he responds well to yelling. Or, not well, per se, but shouting always seems to snap him out of whatever fog he’s in. It works on him. So, yeah, he responds. Jumps to attention. His mom used to have to snap her fingers in front of his face to ‘bring him back’, she said. No one else seems to bother with that sort of gentle touch with Eddie though, except Uncle Wayne, but he usually just gives Eddie’s hair a tussle instead of a snap.

So back to the front he goes, sliding the keys into the ignition and starting the old girl up while he’s there so that they’ve got some music to fill the silence. And if memory serves him correctly, Billy’s got pretty decent taste, music-wise.

When he sits back down, bong in hand.

“Ta-da!” Eddie sings, holding the contraption up by the neck to Billy in victory, careful not to tip it over. Billy looks entirely unimpressed as he grabs it out of Eddie’s hand and slots it between his thighs.

Lucky bong.

Billy starts grinding up some pieces between his fingers and packing the bowl with a familiarity that Eddie can respect.

Technically, it’s still Eddie’s weed that Billy’s prepping, since he hasn’t exactly gotten payment for the pot yet, but… maybe Billy needs the vapour courage before he can face the idea of kissing another dude. Of kissing Eddie.

Eddie watches from behind the hair he’d let fall in his face as Billy lights the bowl, inhales, and takes a hit. It’s sort of pretty, the way he slowly exhales the smoke out of the side of his mouth. Away from Eddie.

Then the bong is being pressed into his hands. Eddie’s turn.

He takes a rip, then another one once Billy’s taken another hit of his own, and that’s all it takes for the both of ‘em to get laid out on their asses. They end up flat on their backs, the round part of their shoulders touching, both staring up at the ceiling of the van, with rolled-up sweaters and blankets under their heads in the way of makeshift pillows. They’re the kind of high where time feels like it’s barely moving. Something made up. A concept. Like there’s a very real possibility that Eddie and Billy have been lying here for an eternity, and then some.

And Eddie still hasn’t gotten any kisses from Billy.

But he also hasn’t gotten any punches by Billy either, so there’s that…

“You ever seen the ocean, Munson?” Billy murmurs in a voice that’s gone a little rough thanks to all the smoke still floating around the van. Now successfully hot-boxed. Drawing out their high.

Eddie’s arms feel heavy. “No.”

Billy turns his neck to look at Eddie like he’s re-evaluating his idea of him paired with this new, disappointing information. Eddie turns his head away from Billy, just a little, feeling weirdly embarrassed. “Never even left the state.”

Small town, trailer trash… that’s probably what Billy thinks of him. Billy, who’s been everywhere. Especially compared to Eddie. He expects to get laughed at, but Billy keeps surprising Eddie. He just looks… bummed out.

“You’d probably hate it,” Billy states, sure of himself, eyes dancing across Eddie’s face. “You’d burn right fuckin’ quick. Get sand all up in your shorts. D’you even know how to swim?”

“A little.” Eddie means to say defensively, but it comes out as little more than a sigh.

“Not in waves, though, I bet. You’d end up swallowing your weight in seawater before I hauled your ass out,” Billy’s smiling at the strange little fantasy where Eddie’s tormented by the elements. Eddie’s giggling along too, though he’s entirely unsure as to why.

“A crab might even,” lighting fast, Billy reaches over to punch the barely-there roll on Eddie’s stomach, “get’chya.”

Eddie yelps—or maybe he squeals. He can’t be sure. Either way, whatever sound he lets out isn’t in any way charming or cute. Which; no surprise there. Instinctually, his hand’s gone and encircled itself around Billy’s wrist, but he’s too fucking blitzed out to do more than just squeeze it, trying to appear threatening. Sort of tough when you can’t stop fucking giggling. “Stop, stop—I’m gonna piss myself, dude.”

Billy’s got his tongue caught between his teeth, laughing along, low and rough in his throat, but to his credit (and probably a desire not to be covered in piss) he releases his hold on Eddie’s stomach.

They settle back on their backs, one Metallica track leading into another. It’s the only way Eddie can be sure the clocks haven’t all stopped entirely. Proof the passage of time is still in working order. He exhales in relief, staring at Billy’s profile.

For someone so fucking scary, he’s got deceptively cute features. An honest-to-Christ button nose, along with some ridiculously long eyelashes. Golden ringlets fall around his face. Freckles too, all over his cheeks. Even a Cupid’s bow. When Billy fell from heaven, he didn’t hit like, a single ugly branch on his way down.

Eddie blinks before his brain catches up with what he’s looking at; Billy, staring back at him. When did Billy turn his head? How long have their eyes been locked? A second? A year? Time’s fucking with him so hard, Jesus…

“M’not really an outdoorsy kinda guy.” Eddie admits, unable to keep from smiling.

Because of the weed.

Billy gives a lazy snort as if what Eddie had just said was the understatement of the year. “That’s weird, because you kinda look like a bug.”

It shouldn’t make him laugh as hard as it does, but Eddie feels the rumble of it in his chest, and he can’t help but let out a series of very unflattering sounding laughs. Billy’s not laughing along, but he seems entirely entertained by Eddie’s fucking display.

When he finally catches his breath, Eddie indignantly squeaks out, “How do I look like a bug?”

“Because,” Billy flicks his chin towards Eddie’s face, teasing half-smile still firmly in place, “you got them big buggy eyes.”

Eddie blows a low-energy strawberry, rolling his eyes before they land back on Billy. Can’t seem to take his eyes off of him for long. “I’ll have you know that my ‘big buggy eyes’ are my best feature.”

Billy narrows his eyes, clearly amused. “You think so?”

“I know so. It’s what everyone tells me.” Eddie widens his eyes to drive the point home.

Everyone being his mom when she was still alive, and… well, just his mom. But she was a real smart lady. And like, super pretty. A total knock-out. She knew about this sort of thing. He remembers how she used to go on and on about his big brown puppy-dog eyes, about how they’d break hearts one day. And no one, especially not Billy Hargrove, can take that away from him. Even if it is something all moms say to their funny-looking kids.

“Well, everyone’s lying to you,” Billy says, in that casually cruel way of his.

Eddie drops his jaw in an exaggerated show of the offense. “Is that so?”

“Yep,” Billy confirms, smug. A true blue asshole; through and through. “Your best feature’s your lips, no question.”

And. Well, no one’s ever said anything about his lips before. Not his mom, not his hook-ups—no one.

They’re just… lips. Not especially big or small. Kind of right in the middle. They’re even kinda chapped right now.

“Gee, thanks.” He murmurs, from lips that Billy Hargrove apparently approves of. Maybe even likes. His fingers twitch at his sides, palms growing sweaty.

Billy just looks away, like Eddie’s caught him doing something wrong. Caught him being nice. Guess it probably hurts the ol’ bad boy image to compliment other boy’s lips. Eddie resists the urge to raise one of his hands and feel along the ridges of his mouth, to map ‘em out. Try and figure out what Billy likes about them enough to say it out loud. He’s buzzing with the compliment.

“So, you still want… y’know, payment or whatever?” Billy asks, keeping his words to little more than a low murmur between them.

The song playing through the speakers stops—a brief pause before it leads into the next one. It’s deathly quiet in those tense few seconds.

Eddie doesn’t answer Billy right away. He can’t. So instead, he just… lets the questions hang between them. Because the thing is, God help him, he does. And yeah, maybe he didn’t plan on his first kiss being with big bad Billy Hargrove—maybe instead of golden curls and freckles Eddie had envisioned dark, fluffy hair and a splattering of moles. Big brown bedroom eyes instead of sharp, icy blue ones. Either way, he’s way out of his depth. Out of his league. In fact, Eddie should be on his hands and knees thanking Billy for even considering sucking face with a guy like him. He should be psyched. And he is!

Fuck, this weed is making it hard to keep his thoughts linear. He stares back at Billy, realizing suddenly that he’s been waiting for an answer to his question.

“Nothing is ever free, Hargrove,” Eddie answers, cryptic, even to his own ears, “you should know that.”

Because it’s the truth, isn’t it? Nobody just does shit out of the goodness of their hearts. Everyone expects something in return. Everyone’s gotta pay the piper. And if something seems too good to be true, then it probably is. So yeah, Eddie gives what he can, but he also takes what he can get. Same as Billy, Eddie suspects.

Billy’s got a real perplexed sort of look on his face. Golden and tan, even in the cold, sterile light of night. His eyes momentarily dart to Eddie’s lips, just for a split second. But split second or no, Eddie’d caught it. The tiny motion sends his beat-up little dime-store heart all a’flutter. Billy likes these lips.

“Close your eyes,” Billy tells him, voice cigarette rough.

Eddie does it, trying to keep his breathing even. Shallow, so he doesn’t puff hot air in Billy’s face when he approaches. His hands lay limply by his sides, with his hair splayed around his like some expanding ink blot on the floor of his van.

He has the sudden and quite frankly embarrassing image of Snow White lying dead in her glass coffin, pale-skinned and raven-haired, waiting for a kiss of her own.

It’s so stupid that he ends up snorting.

“What? You think this is funny, Munson?” Billy growls, voice sounding like it’s still to the right of him, but that he’s propped up on an elbow or something.

Eddie shakes his head, keeping his eyes closed. A smile tugs at one of the corners of his mouth, totally beyond his control. “No, no, it’s stupid. I. Just—fuck. Sorry. Forget I did that.”

“If you think this is stupid, then I can go. I don’t need this shit—“

”No! Stop—“ Eddie reaches out and grabs the front of Billy’s shirt, his eyes popping open in panic. “You’re not stupid—I’m… shit, you’re gonna laugh.”

“Just tell me, shithead.” Billy snaps, face getting more and more red as his temper rises.

“Fine. Jesus.” Eddie squirms under the intensity of Billy’s gaze. All hard edges and intimidation now. Eddie’s only had the Billy that tickles him and tells him nice things about his lips for a fucking millisecond, but he already misses him.

“I’ve never kissed anyone before, alright?” He blurts out, quick like a bandaid.

And with that, Billy’s eyes go a little funny. The icey shards in his eyes melt back to tumultuous waters. “Seriously?”

“No, dude, I’m lying about being a total loser with no game.” Eddie snorts, emboldened by his buzzing high.

Billy frowns, “Aren’t you like, two years older than me?”

“Look, I had opportunities, okay? But mostly… It was, y’know. With girls. Pretty ones, too!” his brows shoot up, attempting to emphasize the point, “but I just… I never wanted to.”

Billy’s stone-still while he listens. Looking like he’s hanging off every word that Eddie’s stumbling over.

“So, you can’t even fake it?” He asks.

Eddie blinks, suddenly lost. “Fake what?”

“Liking chicks.” He answers quickly.

“Nah,” Eddie huffs out a laugh and shakes his head, “I’m a shitty liar.”

“Poor bastard.” Billy mumbles, mostly to himself. Then he clicks his tongue, “That’s a real tough break, amigo.”

Eddie’s shoulders twitch. “I get by.”

A corner of Billy’s mouth turns down and he tilts his head like he’s allowing Eddie some small, indiscernible mercy.

“I just feel bad,” Billy says, low and smooth, “you starting at the very top like this. Everyone else after me is gonna feel like a major fuckin’ letdown.”

Eddie snorts, looking up at Billy, who’s got himself propped up on an elbow and is sort of hovering above him. “Big talk, Hargrove.”

Canines flash. “Well I got a big game, Munson.”

“You’re a real cocky b—” Eddie’s words are smushed back into his mouth when Billy suddenly leans forward and presses his lips against Eddie’s.

Billy’s got a hand against Eddie’s neck, the pad of his thumb against the edge of his jaw, tilting his face up just so. Eddie can hear his heart thundering in his chest, white noise overtaking For Whom the Bell Tolls.

His first kiss.

It’s warm and soft. Drier than he expected it would be. The stubble of Billy’s moustache scrapes against his upper lip, sending shockwaves up and down Eddie’s spine. Billy smells like cologne. Or maybe that’s aftershave—he can’t tell. Eddie fills his lungs with it, breathing deeply through his nose.

The thumb resting against Eddie’s jaw begins stroking along his cheek. Delicately. Like Eddie’s something fragile. Precious, even. He’s gone all tingly everywhere Billy touches him—like magic.

It’s about this time that Billy parts his lips, sliding a tongue along the seam of Eddie’s mouth, gentle prodding—like he’s looking for a weak point. Somewhere to gain entry.

Or maybe he just wanted to taste Eddie’s lips.

Hey, can’t a guy dream?

Billy shifts his weight, further encroaching into Eddie’s personal space, his broad shoulders caging over top of Eddie’s narrower ones. Then Billy raises a leg and swings it over before letting his hips drop over top of Eddie’s own. It’s like touching a fucking live wire. He can’t help the way he reflexively gasps and bucks up into the solid bulk above him. And sweet Jesus Mary and Joseph… he’s rock fucking hard in his jeans. When did that happen?

Flood gates open. Billy—clearly emboldened by the discovery of what he’s doing to Eddie’s body—deepens their kiss by sticking his tongue down Eddie’s throat. The sensation is weird as hell—Eddie’s only ever had his own tongue in his mouth, but there Billy’s is, swirling around, dipping in and out as the sound of their smacking lips fills the van, harmonizing with Hammett‘s insane, face-melting guitar solo.

There are teeth involved now too; Billy’s biting Eddie’s lower lip and pulling, stopping right before it gets painful. It brings sounds out of Eddie that he’d never heard himself make before. Didn’t even know that he could make. All breathy and moany. Maybe he should be embarrassed about how loud he’s progressively getting, but it’s hard to think straight when Billy’s slowly grinding his hips down against his. And Billy’s—fuck, Billy’s hard too. That’s gotta be what that is, right? Jesus H. Christ…

Their hips move in tandem now, the same way their tongues seem to. It’s like Eddie’s body just knows what to do. It’s fucking incredible. He’s never been naturally good at anything in his life. Nothing comes easily to Eddie Munson. Every talent he’s got has been hard-fought, earned through blood, sweat and tears.

But this… Eddie might actually be kinda good at this.

Or maybe Billy’s just a really good teacher.

He’s a cocky asshole, but Eddie fears he might have been serious about everyone else being a letdown after him. Because how the hell is anyone else going to compare to this? To Billy Hargrove. Mr. California King. Eddie could swear he’s glowing right now—like Billy’s spent so much time laid out in the sunlight that a couple of rays got trapped just underneath his skin. Dude can’t help but shine.

Yeah, he’ll be a tough act to follow.

But that’s another Eddie’s problem. Future Eddie. Meanwhile, the here and now Eddie, is getting kissed. He’s got Billy’s big arms wrapped around him, like Eddie’s somehow worth something to someone like him.

Down south, there’s just the right amount of pressure on his denim-trapped dick. He can feel the line of Billy’s own cock bump against his own when he pushes hard enough. He could fucking weep. It’s almost too much—too good. Too perfect. What’s he gonna do with himself now that he knows he could be doing this? God, how’s he ever gonna jerk off when this—when Billy… oh fuck-!

His orgasm hits him like a goddamn freight train. The switch on his brain had gone off and it didn’t even have the courtesy of letting him know!

Eddie’s jaw drops open, mid-kiss, and he pants—moans—into Billy’s mouth. His hips go stiff, stuck in its lifted position, trying to drive upwards into Billy as hard as he can. He can feel himself shake all over as the waves crash over him, one after the other in quick succession, nearly whiting out his vision. He shuts his eyes as he finally comes down on the other side of it, releasing a choked-sounding exhale.

He goes limp. Boneless. Buzzing and tingling and vibrating all over. Waits for the feeling of mortification to overtake him. It should be here in 3… 2…

“Did you just…?” Billy asks, lifting his own hips to examine the scene of the crime. Eddie imagines the wet spot steadily growing on the front of his jeans, a little off to the left, is pretty hard to miss.

“Holy shit, you did,” Billy chuckles, slightly awed sounding, “you just creamed your fuckin’ pants.”

Eddie whimpers. The sharp contrast of absolute bone-deep humiliation paired with the fluttery, intensely content feeling he's still got working its way through his nervous system is enough to make his head spin.

“Sorry.” Eddie blinks his eyes open.

Eddie didn’t think it was possible for Billy to look any more smug than he did before, but somehow, he’s achieving the impossible.

“Don’t be,” Billy insists, a chuckle still at the edge of his words. He grunts a little as he rolls off of Eddie and drops down onto his back. Taking up his previous position of laying shoulder to shoulder next to each other. “I take it as a compliment.”

It’s kinda sweet of him. Because what happened was embarrassing. No two ways about it. Shooting off like that, like Eddie’s some horn dog who can’t control himself?

But, well, if the boot fits…

Billy reaches down and roughly adjusts himself before sitting up. Gentle touches all used up for Eddie, apparently. Then he lifts his ass just enough that he can slide a hand behind him to retrieve a crumpled-looking box of Marlboro reds. Shakily, Eddie sits up too, engaging muscles that still feel jello-like.

Billy knocks out a cigarette and puts it between his lips. Then he knocks out a second one, and without asking, puts it in Eddie’s mouth. Billy leans forward, and Eddie mirrors him—still just trying to keep up—moving until the ends of their cigarettes line up. Billy ignites his lighter, temporarily blinding them both, but he holds it in front of them, and they inhale in tandem.

Smoke fills Eddie’s lungs. The familiar, soothing burn in his throat makes him feel a little more solid. Present. It makes what just happened all the more bewildering.

They smoke in silence.

Well, except for the music from his cassette still humming from the speakers. Billy mumbles something about loving a certain drum solo, but other than that, it’s crickets. It goes on like this until their cigarettes are half their original size and Eddie finally grows a pair.

“What about you?” He murmurs around his dart.

Billy exhales a stream of smoke out of his nose, looking like a sick ass dragon before he answers, “What about me?”

Eddie flicks his chin towards Billy’s general direction. “You wanna get off too?”

Billy just snorts and shakes his head, like Eddie had said something prosperous. “Nah.”

A pit forms in the center of Eddie’s gut. Souring any of the leftover post-nut happy chemicals that were still rolling around his noggin. That sting of rejection. The knowledge that Billy doesn’t actually want someone like Eddie touching him. Like Billy’s itching to go take a shower and wash all the Eddie-cooties off of him, before heading back to his actual life. Like being with Eddie is something embarrassing. It’s a sinking fucking feeling, one he knows no post-high buzz or cigarette is going to touch. Sometimes Eddie forgets that he’s just a detour. Never anyone’s destination point.

“Maybe next time.” Billy mumbles, so low that Eddie almost misses it entirely. He finishes his cigarette before stuffing the butt of it into one of the many makeshift ashtrays Eddie’s got kicking around back here. Then he starts making his way to the back doors, slipping out into the Indiana night.

Next time.

The words echo in Eddie’s head. Bounce off the walls, does couple of cartwheels, spins. The letters get all scrambled up before he’s able to make sense of them.

Next time.

“Pleasure doing business with you, California.” Eddie hollers out a split second before Billy can close the door.

A half-smile forms on that Cupid’s bow-tipped mouth. Pretty as a picture. How did Eddie never notice before? And how’s he supposed to think about anything else?

“See you around, Eddie.” He purrs, knows exactly what he’s doing, Eddie’s sure of it—then slams the door shut between them. He’s engulfed in darkness again. His eyes are back to their unadjusted state, while specks of nothing flit across his blackened vision. He gnaws on his bottom lip to keep the laugh that’s threatening to bubble up from his chest at bay.

Next time.

—

Permanent Tag List: (dm me if you’d like to be added or removed—OR if you’d only like to be tagged for specific ships. ie, ONLY Steddie or ONLY Harringrove, etc.)

@stervrucht @dame-zoom-a-lot @lawrencebshoggoth @morallyundefined @thepossummoldypasta @wheneverfeasible @sanctumdemunson @chaotic-waffle @bookworm0690 @lifelessstar

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thenightshadowqueen · 3 months ago

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Death for a Dollar watchthrough thoughts

Holy shit, this was unhinged. I loved it so much. (That’s too many italics, but I don’t care.) I’m kind of speechless; the number of times I actually covered my mouth in shock (usually because of Sam, but Tom was insane in this one, too) was staggering. I adore this play.

Anyway, I’m going to get into my actual thoughts instead of just rambling.

Just to start, ‘Death for a Dollar’ is a great title, so kudos to whoever came up with that

Oh my god, Hank and Gareth 2.0!!!!

“You don’t know what he did for this place.” “That—Tell me!” This is off to a strong start

“Where was your showmanship?” I love it when they work mini games of Change into the plays

Mr. Twilliger is an incredible name

“This is me being the bartender, getting the stories out of the customers, so they reveal things, and then they want to drink more because they’re reliving their trauma.” I mean, it’s a valid tactic to get more money; yay, capitalism! (sarcasm)

AJ forcing Tom to be musical… Caesar and Juliet, anyone?

I love that Luke knows off the top of his head how many keys a piano has (I’m honestly not surprised)

Is Sam’s hair a little longer than normal? Because it looks really good

“I got three keys, three teeth, three toes. I’ve been through a lot.” I love Tony the piano player (who was also referred to as Bill once)

“My mind can take an awful lot; there’s not a lot in there” I love him, actually

“You ain’t trying to seduce him!” “But I get bigger tips when I do!” Sam

Can I just thank whoever edited this for giving us that little shot of Tom laughing? Because I love it when we get to see him actually laugh.

I love Mrs. Prostitute (and I love Tom for including positive representation of sex work)

“This is what feminism looks like” West End Big Boys flashbacks

“My mum is crazy” SAM

Also I think my favourite thing about the microphones is that we can hear them laughing so much more clearly (brought to you by Luke, on this occasion)

I adore Sam’s weird little harmonica thing he does in western-genre pieces

Ooh, younger versions of characters being played by different actors; I don’t think we’ve seen that before

I love Sam being confused and Tom’s response being to start clapping

I love Sam being annoyed and retaliating at AJ with a bald joke

“I told my daddy that I was real fast with a pistol, and that maybe I could go and work in law enforcement, but he wouldn’t have it.” “No! No son is going to go work for the government!” AJ trying to paint his father as the villain and Sam trying his very best to make the audience like him… This is gorgeous

“Telling a man if he’s allowed to own people or not” okay, never mind, I take that back

I don’t know why Sam picked the Watson-clown voice, but I’m glad he did (also I love that the voice made Luke break)

“Many Fingers Pussy” Jesus Christ, Tom

“They thought I had the devil in me” god damn it, now I feel bad for Bill

Sam is so good at playing wide-eyed innocent characters

“God, I wish they had that law in America in the modern day” I wish I had enough faith in people’s judgement to wish that

“I didn’t know you could do magic” I love it when Sam causes trouble

I can never see a reference to a one-man band like that and not think of Mary Poppins

“I can’t wait to hear those four white boys do those accents” oh dear

Luke speaking Spanish!!!

You know what, that vaguely Mexican accent could have been a hell of a lot worse, so well done, Sam

“So you can work on a farm, or you can jerk people off” oh my god, Sam

“He offered me a job” and then AJ realising what it sounded like and walking it way back

Tom entering the scene and waiting for a moment to join in and then Sam just throwing him in without warning is amazing

“I work here jerking people off” Tom

“She said she helps people el secrete-o” SAM

“Hand stuff Jesus is okay with” Sam

I don’t know why the fact that Tom knows little bits of Spanish brings me so much joy, but it does

Holy shit, Luke speaking Spanish with an American accent might be my new favourite thing

I love Maria, the bank robber/prostitute

You know what, I get Bill; the little, slightly mosquitoy “yeah”s are alluring

Half-kiss!!!

“A beautiful flower turns to a crooked leaf” I fucking adore AJ’s weird little sayings

“It’s a well-known expression” and then the advert with the merch saying ‘more well-known expressions’

“Something went worse than wrong. It went really wrong.” Gorgeous.

Sam’s slip oh my god

I know I already said Sam’s hair looks good, but Sam’s hair looks really good

I already said it but I will never be over Luke’s Spanish-in-an-American-accent. Never.

“I’ll keep my hands moist for you” it seems like Tom like using the word moist (the moisturiser fairy comes to mind)

I love audience participation

I’m sorry, as someone who struggles with mental math, that quick multiplication from Luke was impressive

“Got a lot of spunk in you, have you?” I love Tom using his English degree to make dirty jokes (obviously this doesn’t require an English degree; I just mean that it’s a wordplay joke)

I love Sam making sure to bring the story full-circle, with Tony losing his teeth and toes

Jesus, Tom

“Have we invented the electric chair yet?” I looked it up, and it looks like it was invented in the 1880’s, so not quite, but it wasn’t nearly so far off as I thought it might be

“I’ma travelling electric chair salesman” … honestly, I’m not even surprised at this point

Tom is right; this is really dark

I don’t think Sam knows how electric chairs work (affectionate)

Okay who the fuck let Sam wink like that

“Well, I guess that’s the end of the Shoot from the Hip show” I love when they get meta

“What could go wrong with giving a southern American teenager a pair of guns? I’ve got school tomorrow!” Holy fucking shit; may I present Sam Russell, the king of risky jokes

“…when we faked my death…” I love Tom so much

“I think this is the first time we’ve used the principle of the unreliable narrator” I actually love this so much; this is such a cool concept, especially for an improv show

Tom is unhinged in this one and I love it

I love this so much

I already made as post saying this, but it bears repeating: this is BUS levels of insane

#you know every time I make these I think they might come out a reasonable length #but no #anyway in case you couldn’t tell #I adore the insanity #this was an amazing play #nightshadow’s watchthrough thoughts #I know I always say this #but if anything came across as negative #that wasn’t the intention #I adore everything about this play #shoot from the hip #sfth #Death for a Dollar

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eye-may · 3 months ago

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A Post Where I Clumsily Trundle Through An Incoherent Web Of Thoughts On The Discrepancies Between OLC (Wayne Sleep) Mistoffelees and OBC (Timothy Scott) Mistoffelees, Specifically Regarding Their Vocal Tracks

I sit in a ✨rapt contemplation✨ of how much I do and don't think Mistoffelees should sing, based on the interpretation of the character I have scrunged together after two months' worth of obsessing over the subject, trying to make sense of the expansive history, and all the variations, of CATS. It doesn't help that, as far as I can tell, the most enigmatic (read: inconsistent as fuck, affectionately) fixture on the franchise is its own Conjuring Cat.

Read below the cut if you're at all interested in me trying to transliterate my thoughts! I promise you it will be confusing. ❤️

The gentle, vaguely mysterious way Mistoffelees sings "Have you been an alumnus of heaven or hell?" in the OLC recording is actually so beautiful and so personal to me. I could rationalize ad infinitum why it just makes sense for the inexplicably magical cat to have this line, but suffice to say: it just works. And of all the London-based productions in which I've heard this specific arrangement, my favorite delivery of that line still belongs to Sleep. His airy, almost pensive (?) inflection stands out so much from the rest of the cast, in a way that I think really befits the character.

Then he goes on to sing Jenny's number, again, with such conspicuous gentleness and sweetness. Everything he sings sounds almost like a lullaby, a trapping that works well for a song about a cat that lazes about and sleeps all day. it's a stark contrast to Munkustrap's operatic, romantic grandiosity. to say nothing of the fact that the Mr. Mistoffelees instrumental motif is what LEADS UP to the first line of that song; in my opinion, that's a vestigial indication of the original intention to have Mistoffelees narrate this part of the show.

When it's time for Old Deutoronomy to arrive, Mistoffelees opens up the lyrical announcement, again, with a voice that is soporific, melodic, gentle, sweet. He sounds youthful and unassuming, and yet is clearly a member of the tribe who is knowledgeable of its hierarchy and its history, and one who is so intimately trusted that its leadership bequeaths him the responsibility of making introductions, of musically guiding all and sundry through various beats and developments. I've heard others refer to this version of Mistoffelees as something of an 'assistant' to Munkustrap (shout out to this post, which singularly kept me from going insane while I tried to write this), a righthand cat as it were. I think later on, the closest we have to such an entity is Alonzo, the Secondary Protector; but this, in my opinion, is an incomparable archetype. Wayne Sleep's Mistoffelees is (I think) the most physically diminunitive version of the character there has ever been in a professional production. (Maybe except for Dane Wagner, whose actual height I cannot find anywhere on the internet, so jury's out). He doesn't cut the figure, per se, of a trusty backup during a violent altercation. Rather, his position on the community ladder is attributed to his acuity, which he conveys in his lilting, unaffected explanations. There's not exactly a pretense of showmanship, and Mistoffelees doesn't seem to come off esteemed as an entertainer. Rather, he's a member of the tribe who, although he's small and sweet-sounding...proverbially missable in a crowd...there's something about him that gives the rest of the tribe the impression that he's worth listening to. As much as, even, the tall and dignified Munkustrap, or the barely-hinged Rum Tum Tugger.

This Mistoffelees, despite all that, is not above casual comingling. He's not sanctimonious or high-flown...at least not if his adorably repulsed line delivery during Tugger's number is anything to go on.

I feel like when the roles were changed for Broadway (something something contracts something something principals), and Mistoffelees's narration was shuffled to the Mungoteazer number, the beat of Mistoffelees mistakenly attempting to lead the song and then getting chastised by Munkustrap was a cheeky nod to the original arrangement. In a metacontextual way, we DO expect Mistoffelees to sing Jenny's song. Even if you're not familiar with the OLC version, his motif still cues him in for it. Subsequently, it became his motif teasing his cue...only for him (and the audience) to realize that he was mistaken.

Obviously I have no way of knowing if that beat was, in fact, acted out in the original Broadway production with Timothy Scott (I suspect that it was not, and that Valentin Baraian was the trailblazer in the original Vienna run, and Lindsay Chambers's seemingly de-aged Mistoffelees in the early 90s further cemented the Woobie-fied awkward version of the character) but either way, this makes it so that the audience is acquainted with Munkustrap as a revered narrator, thitherto without much of an impression either way of how Mistoffelees is regarded by the rest of the cats.

In taking on the Puppet Show sequence, Mistoffelees's air of leadership and wisdom is abated, and filled in with an image of an eccentric showman. This isn't the least bolstered by Timothy Scott's cryptoid make-up, and his express desire to play Mistoffelees as bombastic and fascinating, rather than cute. His animation of piles of trash into dirigible puppets is the most ostentatious foreshadowing of his magic that there has ever been in any replica version; therefore, rather than the audience feeling as though Mistoffelees should be listened to, and that he's an unassuming and affable guide...they're given the impression that they should be mystified. Scott's Mistoffelees is replete with showmanship and grandiosity, in a more literal and traditional sense than Munkustrap or Tugger. He introduces himself before Tugger ever gets a chance to, resoundingly clapping himself on the back for his aptitude as a magician (the greatest magicians have something to learn...etc). In my opinion, this doesn't come off as egoism so much as it does a collateral feature of trained stage presence. He has bits. He's a professional.

Too much of a professional, even, to tease Tugger during the latter's number. I suppose the "bore" line is sung by Munkustrap and Alonzo at least, like it usually is in Broadway-based adaptions. In some productions, I think, Mistoffelees joins them for the delivery to form a trio. But, again, no way for me to know whether that's the case with Scott. I assume that he isn't just because it seems like his version of Mistoffelees is a touch too turgid to be bothered with Tugger at all.

The way he BANGS out Mungojerrie and Rumpleteazer in the OBC recording...his voice and inflection so dynamic, using his magic to bolster his showmanship, to entertain, to be a storyteller...it feels very proper for the self-proclaimed magician to present his abilities with such aplomb. (He sings with equally stratospheric energy during Invitation, which Wayne Sleep did not sing in the OL version...and I almost feel like it's too high-energy and playful a tune for the 'gentle guiding' version of the character). He has none of Wayne Sleep's timidity. He is no longer gentle. He's hyper, florid, dynamic, and loud, singing in an unhesitating, playful baritone that takes on a growl during his most dramatic deliveries. Wayne Sleep's and Timothy Scott's versions of Mistoffelees seem almost incomparable.

I think about the characterization of Mistoffelees as vague and aloof, and, you would think there was nobody shyer. I could see that, yes, with Wayne Sleep's Mistoffelees; while he's seemingly comfortable with being the center of attention amid his group of friends, and while he's all too happy to come in clutch very flashily during the eleventh hour, he still gives the impression of softness that one could construe as timidity. He's able and willing to assist Munkustrap, to elucidate in front of a group, to be heard and seen, but it's not too difficult to imagine him reverting to a state of unassuming quietness in any other contexts. It may just be me, but I feel that two "Presto!"'s during his number are almost formative, or at least uncharacteristic and something you'd only hear in such an extenuating context. It's like watching the peaceful, wise mentor abruptly kick ass when the hour is nigh. Is Wayne Sleep...Trojan Horse Mistoffelees...?

Anyway. Timothy Scottfelees, on the other hand, is more difficult to brand as a supposedly avoidant and coy character. He can be aloof, maybe, if the magnitude of his specialness ends up making him truly peerless. But this is the version of the character often called the "consummate showman," and an evidently eager one at that. After dynamically spinning the Mungoteazer yarn, he then goes on to sing about himself for part of his own number, ironically delivering lyrics that are antithetical to the idea of their own subject conveying them. (This is partly why it's fucking stupid that Mistoffelees sings his entire ass own song in the 2019 movie but that's neither here nor there).

But I get it, again, with the contracts and the him needing to sing two songs to have a principal contract blah blah blah blah. I guess the director didn't want him to sing Gumbie Cat and Mungoteazer. I wonder why, if they had him perform the latter to get around casting two additional actors for the mischief twins (and instead had the psychic twins dress up as garbage), that they couldn't simply have him sing Old Deutoronomy like the OLC Mistoffelees did. Instead they initiated the tradition of having Tugger and Munkustrap duet it, when Tugger didn't need that extra singing credit to fit the criteria for a principal contract because he already sings his own number and also Mistoffelees's number. I know it makes sense for Tugger and Munk to be singing it if you subscribe, as seemingly most do, to the interpretation that the two of them are Deutoronomy's sons. But I don't think Mistoffelees's original part precludes that implication. I think it would be neat, even, for the three of them so sing it.

Tangentially, I cannot figure out why John Chester (OLC George) is credited in the studio recording for Old Deutoronomy. When I listen to it, it just sounds like Mistoffelees and Munkustrap alternating, and then the ensemble, and then Brian Blessed (Deut) singing his part. Maybe George is the one to escort him? (Weird that he would be given a track credit for that). Or maybe his voice sounds remarkably similar to either Sleep's or Shankley's and I'm just not able to discern when he is, in fact, singing.

I got all into these mental gymnastics because lately I've been bouncing between the two eras, trying to make sense of the directorial adjustments, and also trying to decide the implications for Mistoffelees's character and which tracks I prefer for him. Incidentally, it's wild to me how inconsistent and evolved the Mistoffelees character is in the grand scheme of CATS. He has a plethora of roles, personalities, and tracking variations the extent to which no other character compares. All of the cats have been interpreted and played differently, of course, depending on the company and the direction. But it seems to me like Mistoffelees is far and away the most varied.

All right. So these are my (barely) conclusive thoughts, formatted handily to mimic the inane back-and-forth constantly beleaguring my internal monologue. Buckle up for some unsolicited, worthless opinions!

Should Mistoffelees sing "The Pied Piper's Assistant," (Broadway), or "Have you been an alumnus of Heaven and Hell"? - The latter! No matter the character's vibe! The inexplicably magical and visually demon-coded character should have this line. It just ✨makes sense.✨

Gumbie Cat - I have grown rather fond, after listening to Wayne Sleep's version, of the idea that Mistoffelees sings this number. That is, however, in no small part due to how well Sleep's lullaby-ish voice works for the tune --- better than, I think, the deeper and more powerful registers you typically hear from Munkustraps. That being said, Mistoffelees singing this demystified him pretty quickly, and arguably ages him up just because you're given the impression that he's privy to, and comfortable with, the tribe's alumni, and furthermore is in a position to express his opinions this way. So all that being said, while I enjoy Wayne Sleep singing Gumbie, in the alternative blip of spacetime where I direct CATS, I'd go the typical route of having Munk sing it.

I think it may be interesting, though, to see a version where Munkustrap and Mistoffelees duet it; and this could be done in a way similar to the Munk/Misto combination for OLC Old Deutoronomy, but in a way where you don't get the impression that Mistoffelees is a peer to Munkustrap. The Broadway Revival seemed to restore bits of the OLC's impressing upon the idea that Mistoffelees is something of an Assistant Director to Munkustrap, just not by singing. (It's stuff like helping her out of her coat, pushing the mop off the stage, moving things around, etc). I really like the idea of Mistoffelees being an adolescent hopeful, sort of shadowing Munkustrap, bottomlessly eager to be helpful, and perhaps even being set up to lead the tribe one day.

All that, granted...I also do like the beat of him getting embarrassed. I could do without it, but I like how it contributes to the interpretation of the character as young and sometimes awkward. God I don't know. o(-<

"The Rum Tum Tugger is a TERRIBLE BORE!" - Mistoffelees should absolutely be the one to have this line. Primarily because it adds that extra vitriolic and playful layer to the supposed relationship between the two characters. And it is also, I think, funny to suggest that Mistoffelees, of all cats, is the one who is not impressed by such prurient behavior, because we see later that he's objectively more impressive and worthy of adulation. (Tugger would agree with me). I honestly think that part of the reason Terrence Mann had so little to contribute to the expansive "Tuggoffelees" discourse is because Mistoffelees wasn't the one to deliver this line in the OBC version. And, secondarily, I prefer a Mistoffelees that isn't peerless, and isn't immune to kiddish ribbing. I have my opinions about how this line should be delivered but that's frankly a whole other post.

Mungojerrie and Rumpleteazer - I think we need the OBC version of this somewhere in the CATS ether, but modified. I agree with this post that is does create an issue where the foreshadowing of his magic is too conspicuous, to the point that it knocks the grandiosity of his Hero Moment down a notch when it's time for his big number. I war with this, however, because I love the idea of Mistoffelees using his magic to be an entertainer and a storyteller. I'd love to figure out some kind of synergistic version where Mistoffelees presents the legend of Mungoteazer in song, incorporating his magic, in a way that doesn't preclude the actual existence/presence of Mungojerrie and Rumpleteazer. I saw a post floating around recently proffering the possibility of the three of them singing it as a trio...I'm a huge supporter of that idea.

Given currently extant versions of the song, I'd forego the puppet show and have the titular characters sing it, in keeping with the tradition.

So now I'm going right ahead and taking away Mistoffelees's expositions after all that. 😩 Let's continue.

Invitation - He should sing it. I don't feel super strongly about this one, but I simply like it better when Mistoffelees sings it versus Munkustrap. Even when we have the quieter, more kiddish versions of Mistoffelees, it doesn't disrupt those elements of his character. It feels like an exciting moment for an inchoate showman. It also seems to give him a "reason" to burst onto the stage amidst an orchestral explosion and pull Victoria into a step.

Old Deutoronomy - Mistoffelees can and should sing at least that first part that Wayne Sleep sings, and maybe the first chorus with both Munkustrap and Tugger. I have the impression already that the three of them form a trifecta of Jellicles who are specially favored by Old Deutoronomy. However...I also think Mistoffelees (rather than Skimble) should be the one to escort Deutoronomy to the stage...so I'd have him sing the first bit, then get signaled by Munkustrap to leave, and then the rest of the song is left to Tugger and Munk, and then of course the ensemble. Perhaps continuing to forego the verse about flatulence.

And then, finally:

Mr. Mistoffelees - Tugger should be the one singing the entire song, full stop. I feel very strongly about this because I want there to be as much emphasis as possible on the astronomical estimation Tugger, in spite of his apparent egoism, has of Mistoffelees. It's also silly, to me, when a character sings about himself being quiet and shy. I do need him, however, to say "Presto!" which, as far as I can tell, he pretty much always does. Timothy Scott is something of an outlier unless we're talking about the Mutestoffeli.

I end this diatribe...not much more resolute than when I began. Obviously this hemming and hawing did not even really touch the Mute Mistoffelees phenomenon and all my feelings about that. I guess all I'll say in conclusion is that I love all versions of Mistoffelees, and I love that his evolutions, interpretations, eras, and iterations are so different and so dynamic. I love that so many amazing performers have been able to have so much fun and creative freedom with the character over the years.

I just want yall to know that up to this very moment I keep looking shit up and re-reading posts and wiki pages and I'm only getting infinitely more confused about which Mistoffeli did what thing which way at whatever time, so I'm going to give my brain a break before it liquifies. <3

#cats #cats musical #cats the musical #mr mistoffelees #mistoffelees #my shit #timothy scott #wayne sleep

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holy-puckslibrary · 11 months ago

Text

— 𝐯𝐚𝐫𝐬𝐢𝐭𝐲 𝐛𝐥𝐮𝐞𝐬.

pairing(s) — dilf!ERIK JOHNSON x ex-nanny!wife!reader (established); REESE JOHNSON (oc) x ex-nanny!stepmom!reader (platonic / familial)

wc — 4.7k synopsis — family weekend forces reese’s worlds to collide. results are… mixed note — i just really love reese. that's it :) and how dilfy does mr johnson look in that gif good lord

the nanny (series masterlist) | main masterlist

content warnings under the cut.

cw — age gap relationship (erik and the reader, established), vulgar college boys with no respect, busy-bodies who cannot mind their own beeswax, possessive!erik, pregnant!reader (not discussed in detail), sweet bby reese in peril :(

REESE JOHNSON has a problem.

It’s the sort of anxiety-trodden predicament that could’ve been soothed into nothingness had he spoken up sooner. He didn’t because he couldn’t. That was part of the problem.

And now it’s too late—for solutions or comfort.

The teen, now a second-semester freshman at the University of Denver, had long since adjusted to the heightened scrutiny of his family in the early days of your relationship with his father. Everyone online had to throw in their two cents on the “illicit affair.” Even people who didn’t give a shit about hockey (evidenced by their inability to name a single team) felt they had a right to weasel their way in. While irritating and uncomfortable, the harsh reads didn’t bother him for too long because Reese knew the truth.

He also knew how unnecessarily ruthless people could be when they had a screen to hide behind. The son of a prominent figure in professional sports, Reese knew people stared at him through a very particular lens. It veered toward a rosy sheen every so often, but mostly it was smudged glass. Like a fish tank whose walls were muddy with the greasy impressions spectators left behind. Strangers offering commentary on his father’s life, and by extension his too, was part of the gig.

Frankly, the aftermath wasn’t much different than before. Only the subject matter changed. If it wasn’t thinly veiled insults about Erik’s waning career or his prior inability to keep a girlfriend, it was overly critical evaluations of Reese’s prowess or lack thereof and, unsurprisingly, comparisons between father and son. Without fail, the verbiage and tone implied competition, hinting that their healthy bond was only a bit of showmanship to hide the rocky resentment beneath.

This weekend is different. Sure, his teammates and friends had already gotten ample face-time with both of his parents, as well as his kid sister, but never all at once. Though they all did their best to coordinate, busy schedules rendered a revolving cheering section for Reese Johnson.

This weekend—family weekend—will change that. By some stroke of luck (or a cruel twist of fate, the jury's still out on that one), everyone would be here… together. And that’s not to say he isn’t grateful for their effort or that he isn’t excited because he is. Reese is thrilled to share this new slice of life with his loved ones. It’s just that…

Reese knows how it looks when they venture out into the world.

Not that his dad is exactly old or even old-looking. In the same way you aren’t questionably young. Still, the age difference is noticeable. Before you were more than a nanny to the Johnsons (if you were ever just a nanny to begin with), it was easier for on-lookers to assess the dynamic, and still, albeit seldomly, they would drum up gossip. Things got remarkably more awkward, though, after his father finally plucked up the courage to propose, and increased tenfold once Erik had a gold band to match. It was as if the wedding ushered in the open season on Johnsons.

More times than he cared to count, Reese found himself cupping Josie’s ears to keep his little sister from hearing jeering crowds calling their dad an old pervert and you a shameless gold-digger. No one’s had to explain what a “sugar daddy” is (or why it's the first thing that auto-populates when you plug ‘Erik Johnson’ into Google), but the burden would’ve fallen on Reese if he hadn’t left her in the car while he ran in to grab a takeout order last summer.

But Erik’s eldest isn’t just worried about his family existing outside the warmth and safety of their insulated bubble. His sleepless nights are filled with fear. Fear of the pain and sadness he’ll undoubtedly feel about it all now that he sees you less as his friend and more as a maternal figure.

Reese’s always been protective; it's led to many a fight with his own father and, sometimes, his own sister. He’s the first to rush to your aid and the strongest force in your defense. The habit, however, strengthened when his perspective shifted as swiftly as flipping a switch.

Suddenly, you weren’t just his dad’s girlfriend or the person who made him pancakes in the morning. Or the savior who dropped off his English paper because he was in such a hurry he left it on the printer. You were a confidant, someone he called for when he was in a bad spot or when he wanted to see the latest mind-numbingly bad action flick. When he asked his date to prom, it was you he wanted help from. When Reese was sick, your home remedies worked better than anything store-bought or concocted by his dad. When practice ran over, he could count on you to wait up with his dinner hot and ready, the rest of the house already fast asleep.

For the first time since he could remember, the Dad-shaped gap wasn’t devastating. It hurt like a bitch, but it was bearable because he had another adult—another parent—he could rely on. In every sense of the word, you were his mom.

And no one wants to hear disgusting lies about their mom.

However, Reese hasn’t called you that yet. At least, not to your face. In passing to his childhood friends or when referring to you with Josie, sure, and once or twice over the phone with Erik, but when he calls for you, he uses your first name like he's still your “nanny-kid.” But it's not for a lack of trying. It’s just that every time he thinks he’s worked up the nerve, the three letters catch in his throat like molasses, and he doesn’t know how to make it stop.

Moments like those are the rare few he wishes he were Josie instead of himself. His jovial spitfire of a sister never missed a chance. During her lunch block with classmates, on the phone with their extended family, to strangers at Avs games, or on the sidewalk, the moniker slipped off Josie Johnson’s tongue like water down a slide. Their dad liked to poke fun, warning her to be careful so as not to wear it out from overuse.

Maybe it was the sister snuggled in your stomach that tightened his throat. The baby that could and would call you “Mom” with little effort beyond mastering the string of sound. The baby that would grow up not knowing you as anything besides her mother. It was a shade of ownership Reese felt hesitant to touch. No matter how desperately he yearned to.

The closest he’s come is penning in the title beneath your name on the lanyard that’ll hang from your neck for upcoming festivities. It was a small gesture. Still, it felt like too much and not enough all at once.

Reese is caught between wanting to honor the bond and all you’ve done with the accurate label and the fear of explicitly acknowledging it stirs in his chest. At least in this limbo of sorts, as cumbersome as it's become, Reese can have what he’s always wanted and keep you in his life without risking capsizing the boat with an awkward declaration. It’s an uneasy compromise, but it's the devil he knows. At least he knows what and when to feed it.

Reese hates that he’s letting his worries dictate his life. It's just… hard. No one tells kids how to navigate gaining a new parent or any of the baggage that unique situation carries. No one tells kids how to trust the position’s new occupant not to follow in their predecessor’s footsteps. In his heart, Reese knows you won’t run. But knowing that doesn’t shut down the nagging voice in the back of his mind. The one that drones on like a broken record, telling him that the burden of the word, knotted with his expectations, will be his family’s unraveling.

He couldn’t do that to Josie. To his dad. Or to you and the little sister you’re carrying.

So, he’ll stomach it. For how long, Reese isn’t sure. But, for now, he’ll stand on the outskirts of the minefield, bidding time.

"Johnson! Your whole family's coming, right?" Kody, a junior defenseman from Fort Collins, yanks Reese from his downward spiral.

The last place he wants to be right now is out in the world. The last thing he needs is to cannonball himself back into the fishbowl. Even if the phantom audience never spoke to him, sometimes their heavy attention pushing into his back was enough to send Reese reeling.

But he made a promise to make more of an effort. To be more social, to have more fun—to take life a little less seriously.

In his mind, if he was at school to learn and play hockey, there was little room to wiggle. Sure, Reese has had his fair share of adolescent recklessness and could lean toward boyish immaturity at times, but at his core, he was a rule-follower. A responsibility fiend with a penchant for playing the white knight. A stickler for structure. When given the choice between a teenage dream and a full-grown reality, the freshman chose the latter nine times out of ten.

Reese Johnson’s moral compass weighs down his back pocket; he feels most at peace when things fit neatly into their proper boxes. Good and bad, black and white. One or the other, never both.

Stress and anxiety exacerbate his mental rigidity. And he’s been so fucking far from zen lately.

Reese would’ve broken the stupid promise if it’d been made to anyone besides you. So, when a few of the upperclassmen on the team appeared at his dorm with an invitation to get pizza, he begrudgingly accepted.

It isn’t so bad. Far from awful this far. Definitely not the worst way to spend an evening. His teammates were alright enough guys, and their girlfriends weren’t as callous as he’d expected. Reese just found it hard to connect with them, a situation that couldn’t be more different than his previous team experience.

With his childhood friends, it all clicked. Fell into place without much real effort from any of them. There was an awkward period, but it ended within the first month and, honestly, had more to do with prepubescent cringe than anything.

An entire semester came and went, and Reese still felt like an outsider. When he looked out onto the ice, he saw a sea of strangers. They had different interests, different priorities. Inside jokes he wasn’t in on. Ones he wasn’t sure he wanted to be in on. Even their sense of decorum was foreign. He was well-acquainted with profanity and vulgar jibes, but Reese’s neck still occasionally heats at their… colorful chirps.

But maybe this will be a good step, Reese thinks to himself as he clears the nerves from his throat, making room for an answer to Kody’s question.

“Uh, yeah. My parents and my little sister,” he nods. The blip of quiet that follows coaxes out further details. “They’re going to skip the mixer-campout thing tomorrow night because of the baby, but they’ll be at the student fair and our scrimmage the next day.”

It feels odd to talk about his family. The words, somehow both intensely personal and casual at the same time, taste funny on his tongue. Reese’s stomach clenches, suddenly too aware that he’s never really had to do this before, the small talk. Back home, everyone knows everyone. There’s little to talk about by way of mundane facts because there’s no need; it would be incredibly redundant. His friends from home wouldn’t think to ask if his family was coming, nor would they nudge him to share their schedule. They’d just know.

Reese is aware that this is a silly thing to get worked up over, or even care about at all. He knows it’s part of the process. Part of making new friends is letting them know you. Telling them about yourself and your life, and all the people in your life. Especially the ones you love. Offering up bits of yourself in exchange for bits of them. Still, it's unsettling. Like he’s inviting a group of strangers to pass judgment on his unconventional family.

No one’s said anything, but Reese already feels defensive.

And rightly so, he’d soon find.

"That was quick."

Lane, a senior forward from some beach town in California, draws first blood. The quip seems innocuous, but the shit-eating grin undermines any plausible deniability. Even without his smug expression, they probably would’ve understood the implication lurking below the surface anyway.

It isn’t the isolated comment that burns the tips of Reese’s ears. It’s the fact that he’s never spoken about the circumstances or the timeline of your relationship with his father. Reese hasn’t tried to hide anything, but he certainly hasn’t been forthcoming either. For all they knew, you could’ve been Josie’s biological mother. A long shot, but feasible enough if you didn't know any better.

But somehow, this kid from out of state knew. Knew that, by “traditional” standards, it was a little soon for his parents to be welcoming a new life.

"Can you blame him? Hot young thing at your beck and call?” Kent, a sophomore from outside of Toronto, cuts in before Reese can.

The lecherous glint in the winger’s tone makes his skin crawl. He doesn’t need to look up from his half-eaten slice of Hawaiian to know his mouth matches Lane’s.

“Fuck, dude. I would've knocked her up before she dragged me down the aisle. But, I've heard Viagra massacres your swimmers, so maybe that wasn’t in the cards for Ol’ Johnson.”

The group, crowded around a hodgepodge of tables, descends into a fit of snickers and profanity.

Reese contemplates leaving until a manicured hand gently squeezes his arm. Callahan Graham blinks up at him, a sweet smile tight on her rosy mouth. Callahan “Callie” Graham, Lane’s on-again-off-again girlfriend of three years. They’re “off” right now, if he’s remembering correctly. Not that it matters. She doesn’t say anything, but she doesn’t need to. Reese’s chin dips in gratitude.

From across the table, Callie’s roommate, Greer, pipes up over the commotion. “I hope I'm as cute as she is when I'm pregnant."

"Me too," Bree, one of the other girlfriends, sighs dreamily into her Diet Coke. "I couldn't believe how pretty she looked the last time she brought Josie to watch you play, Reese. If I was pregnant and holding down a two-kid fort by all by myself for most of the year, I know I'd look it. But I guess that’s just another perk of true love, isn’t it? Beauty in spite of it all.”

Kent snorts. “True love…right.”

Reese’s molars pinch together. Beneath the table, he picks at his nails. It hurts, but it's the distraction he needs right now.

"It's not like being a trophy wife is a real job anyway, so I'm sure that helps. Just lie back and spread those pretty—"

Reese’s fist finishes Lane’s sentence. As badly as he wants to put it through the douchebag’s face, he (thankfully) had the foresight to direct his anger downward. It was the succinct thwack! of his hand against the table that cut the lewd thought off prematurely.

Reese is a striking juxtaposition; hardened jaw, sharp eyes, pinched mouth—silent. Only his chest moves. Shallowly, the accent on the exhalations.

For a moment, everything is still. It’s nice. While it lasts.

Kody is the one to crack the ill-fated stalemate. Trepidation peeking through the tiny cracks in his smooth confidence, he approaches like a hunter would an agitated deer, “Loosen up, Reese. We're just having fun. And, if anything, it's a compliment."

Reese openly glares, unconvinced.

Kody persists, deadset on being the one to subdue the beast. “Come on, even you have to admit your dad's locked down a fuckin’ tenner. A real win for Team Geriatric, I’d say. You should be proud of him, kid.”

This isn’t the first time someone’s prodded Reese about your physical appearance. He wasn’t blind. He knew you were attractive, but you’d never entered that part of his brain before. Ever. It's as if his subconscious preemptively locked you away in the same box as his dad and kid sister, or any other family member. But they weren’t asking if he thought you were pretty, not really.

The omnipresent “They” wanted to know if he thought you were attractive the way he thought Pedro Pascal or Olivia Rodrigo was attractive. They wanted to know if he felt the way his dad felt about you. They’re probing for a twisted scandal, a sick taboo love triangle. As if they weren’t already gorging themselves on the age difference or the boss/employee origin story.

They wanted more. They always wanted more. They wanted to take one of the best parts about Reese’s life and fuck it up.

His teammates are proving themselves no different than the losers populating Twitter.

“She ever read to you a story before bed?” Lane again.

Then Kent, in quick succession. “Tuck you in nice and tight, and come running when you had a nightmare?”

There’s barely enough time between the two to squeeze in a meager answer. Though Reese surmises that’s by design.

Innuendos are funnier when they have a single target in the audience to fly over. At least, to people with cheap senses of humor. Easy laughs are no accomplishment when they weaponize the feelings of an innocent bystander. Even in his anger, Reese wouldn’t have humored them with a doe-eyed reply of feigned ignorance. It wasn't earned.

“If I got to spend all of high school being coddled by a rocket, I'd still be milking that shit. Maybe if you had, she would've fucked you instead of your dad."

Reese’s brow shrinks to a contemptuous pinch. It wouldn’t take much for him to be reacquainted with his dinner; it’s already halfway there.

As he looks over at Kody, he loses what little hope he had that he’d find a place in this friend group. He hasn’t found his people yet, on the team or in general, but Reese is certain they’re not sitting around him tonight.

"How far along's your mom?" Callie seizes the conversation knowingly.

Briefly, her pale eyes slice pointedly in the direction of her… whatever Lane is to her, and then back to Reese, warmth restored.

"Uh, almost seven months? But Josie and I were both late, so Dad thinks we'll have to wait until the end of summer until she's here. Maybe they’ll share a birthday.”

"She?" one of the freshman girls squeals, clutching her companion’s forearm in excitement.

"Yeah," Reese says bashfully, head dipping to conceal the grin tugging the corners of his mouth. The meat of his cheeks ache with joy. “Two sisters."

"I give Johnson Sr. six months before he puts the moves on Nanny 2.0,” Lane’s whisper pierces the lukewarm calm that settled the table at his… Callie’s hand.

She kicks his shin. Hard.

"You really think the old timer's game is that reliable?" Kent picks up the slack between open-mouth chews.

And Kody is not far behind, “He's decently famous and moderately rich. That was enough the first time, so why wouldn't it work for the second? Or, Junior, maybe this next one can be yours—if you pull your head out of your ass in time, that is."

Reese is done. Has met—no, exceeded his limit. He doesn’t have to sit here and take this. Yeah, it would be better for the locker-room culture if he stuck around, but a boost in morale wasn’t worth the decimation of his pride.

His goodbye is simple but effective. The deafening screeeeech! of his chair sliding back on the linoleum.

The sidewalk is blurry beneath his feet as he trudges back to safety. Whether it's the tears’ fault or how quickly he’s running, Reese can’t be sure. All he knows is that he needs to be as far away from them as possible.

He needs… he needs…

Reese’s fingers tremble defiantly while he fishes for his phone. He continues to fight with them, shoving his key into the door and pushing it open with the other as he scrolls through the call log. He slams the world out and hits the green icon.

“Reese? Are you okay?” your groggy, but no less sweet voice flits through his phone.

Only two rings.

Reese’s shoulders melt, comforted by the familiar warmth of what home sounds like. But his mouth remains frozen, stuck.

You allow a few beats of silence to lapse, giving him ample space to answer if he is able and wants to before speaking again. “Do we need to come up tonight?”

He blinks, attempting to wash away the salty film over his eyes to read the clock above his desk. 1:37 AM, the angry red letters read.

Guilt seeps into the mix of nasty emotions monopolizing his body. The acidic cocktail begins its ascent of his tender throat.

You shouldn’t be up right now. Not this late, not when his sister’s made you an insomniac for so much of your pregnancy. Not because someone was mean to him.

Reese feels like an asshole. An inconsiderate asshole bothering you with his problems in the middle of the night, knowing you’re already sacrificing your weekend for him.

“Fuck, I’m sorry for waking you and the baby, and probably Dad, too. I—It's nothing, really. It can wait. We can talk about it when it's not, y’know, the middle of the night.”

“Reese, no one sets off the alarm on my Bullshit Radar faster than you do. You wouldn’t have called if it wasn’t urgent. Talk to me, Reeses Pieces. You know I won’t be able to go back to sleep knowing you’re not alright.”

Reeses Pieces. The nickname, said with such casual affection, is like a magic wand.

“Uh— I-I, um… I had a, um, a r-really bad night… and I— and I just really needed to hear y-your voice, Mom.”

It slips out. Slips free. It just… slips into the mix with all the other words like it belongs there, too. And it does. It feels right. Reese feels a twinge of satisfaction. Regardless of the circumstances (and the night he’s had), it happened.

It finally happened.

The floor crumbles a little and gentle flames lick at Reese’s cheeks. His phone feels as though it's floating up and away from his clammy palm. He’s telling his fingers to tighten their grip, to hold on. They hesitate, and when they finally decide to obey, it only makes matters worse. He fumbles, nearly dropping his phone to the floor. The elephant easing down onto his chest is making it hard to focus, to think, to listen.

“Reese? Did I lose you, bub?”

He blinks himself out of the daze. “Hmm? No, I—I, sorry. I’m here.”

“Oh, Reesey. I was just saying I was glad you called then. I mean, I always love it when you call. Even when it’s to tell me you sent your Airpods through the washing machine. Again.”

Reese barks out a phlegmy laugh.

Note to self: the rice hack only works the first time you let your electronics go for a swim.

Second note to self: this reaction—this non-reaction is better than any teary blubbering or callous rejection. Normalcy doesn’t require a reaction.

“You can always, always call me. Especially when you’re having a rough time. Even when it's the middle of the night. My main priority in life is making sure you’re safe and happy, you and JoJo. And the peanut sitting on my bladder. And the 6’4 blanket-hog snoring like a hacksaw beside me.”

“Maybe we should get Dad a sleep study coupon for his birthday,” Reese teases.

He feels better now. You, and finally being courageous enough to be vulnerable, was the medicine. Reese feels lighter than he has since you dropped him off in September.

You snort. “I’ll gladly pay to see your dad covered in wires. But, as much as I love laughing at his expense when he’s none-the-wiser, that's not why you called. Spill it.”

He does. The spiel tumbles out like an overdue avalanche, and Reese hardly realizes how quickly he’d been talking until he finishes with burning lungs. You listened patiently, letting him get it all out without interruption. You were good about that, knowing when someone needed room to rant more than they needed interjections with guidance or commentary. Reese usually fell in the first category, tonight being no exception.

“…I just don’t get why they found it so funny. Or why they even thought to say it in the first place. It's so...gross.”

He listens to you sigh and knows you’re doing it through your teeth. You’re probably massaging the waves of frustration between your eyebrows, nose scrunched. Josie calls it your ‘Dragon Face’ because of the way frustration contorts your features, but Reese adopted the term into his own lexicon because it almost always appeared when someone threatened the safety of your family. Like him, you’re generous with your protection. Fierce without delay.

“Because you aren’t them, Reese. You’ve always had a strong sense of right and wrong, respectful and not. And you’re rarely swept up by group-think, if ever. Those things may feel like a curse right now, but I promise they’ll be superpowers one day.”

“I wish I could fast-forward to that day. This sucks,” he groans, tossing himself backward onto his twin bed.

“It does suck. Majorly. Still, even if you had time travel in your vast arsenal of powers, I’d tell you to stay put, Reese. Part of college is learning how to deal with immature people, building up a tolerance for their bullshit as you grow stronger and more confident in yourself.”

“But I’m not strong. I ran away crying like a little baby,” Reese croaks into his pillow. A warm saltiness tickles his eyelashes.

“You removed yourself from a bad situation, and you let yourself feel your feelings in the present tense. Those are both huge wins in my book,” you counter.

Your voice is louder now, stronger. Like coaxing Reese—coaxing your son out of a pit of self-pity breathed all the energy you lacked for the better part of a year back into you. The subtle shift whittles away some of his earlier guilt.

“It takes guts to do that, Reese. Most people spend years trying to learn what you did instinctively. Some people never learn to do it at all. And don’t tell anyone, but I’d put money on Kody, Lane, and Kent being some people.”

Reese snorts. “I know you’re right, but I think what’s actually bugging me is that you guys’ll be subjected to that shit this weekend. It’s one thing for them to say it to me, but it’s another to say it to you or in front of JoJo. I hate that people care so much about us and our business that they can’t keep their mouths shut. If you don’t feel comfortable coming now, I would totally understand. Fuck, if I were you, I’d never visit again. Maybe I could come home this weekend instead?”

“Reese, as sweet as that is, the only thing that’ll stop me from coming this weekend is early labor, not chauvinist pigs.”

“You shouldn’t even have to hear it, though. And besides, won’t smiting college kids stress the baby out?” Reese asks, worry tearing through his voice despite the lighter tone.

“Do you honestly think your dad will let them get more than a couple words out?” you ask through an airy chuckle.

For the second time tonight, someone else speaks before Reese can.

Erik’s voice is muffled and gravelly, but the protective bite—the very same one that took hold of Reese at dinner and you just moments ago—is loud, “They’ll keep their mouths shut if they want to keep whatever teeth they have left.”

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lookinghalfacorpse · 11 months ago

Note

Itwall c!doomsday trio prompt ideas: 1)Techno plays dress-up with steve and Dream and Phil are the judges or 2) Techno convinces Dream to play dress-up and they go show Technos masterpiece off to Phil

"Philza Minecraft."

"Yeah, mate?" Philza was lounged on the couch, his slippered feet propped on an ottoman close to the fireplace. Despite Technoblade's gameshow-host-esque tone, Phil's eyes stayed locked on the book in his lap. A hound's furry white head also occupied his lap, unbothered by the book cover on his forehead, and a crow was nestled carefully at his thighs. This old man wasn't going anywhere.

But Techno still had to try.

"Philza Minecraft!" He tried again, "If I may have the honor of your eyes upon my great creation."

"Oh!" Phil tore himself from the page, keeping a finger on his spot. "Great creation. Yes. Show me."

"You see, Phil," He extended an arm dramatically, summoning his best showmanship, "I am a man of many talents--"

"Mm-hmm--"

"I am a man of many talents, Philza, and while I'm most often concerned with the art of war, I am, of late, involved in the war of art. The battles of self-expression. The eternal struggle to create something beautiful. Philza Minecraft," he said, "I am entering the world of fashion."

"You always do dress very well, mate."

"I-- Well-- Thank you, Phil, thank you. I appreciate your immediate recognition of my genius. But fashion also means knowing how to dress more than just my peak-performance body. My perfect musculature. My piglin-ousity"

Philza nodded sagely.

"And you denied me an opportunity to play dress up earlier, so I am now taking back my right to express myself. My artistry. Through fashion. I present to you: Dream!"

Dream walked out through the shadow of the doorway, the dim light of the fireplace slowly illuminating the absolute mess that he was dressed in. He was dressed, exclusively, in Techno's clothing. Techno's crown hung limply at his gaunt shoulders, while the lacy white shirt was slowly sliding down his torso and revealing the skin all the way down at his ribcage. The pants, too, appeared to be sliding, ready to cascade into the oversized boots.

Dream had a massive grin on his face.

The crow fluttered away and the hound whined as Philza hopped to his feet.

"Nope! Nope!" Philza said, though he was fighting laughter, "No, no, no," He rushed over to Dream and gathered fistfuls of fabric in his hands, trying to pull it all up and keep the young man covered. "I told you it wouldn't fit! Lad, this is all gonna fall off you in three seconds."

Dream's face was red, but his smile remained. Despite Phil's efforts, the clothes had no chance of staying on. He felt the pants drop completely, though the length of the shirt kept him partially covered. A few weeks ago, he was embarrassed of his scarred skin, but there was nothing left to hide from either Techno or Phil anymore. "You bathed me earlier today, Phil--"

"We are in the living room! The windows are open! We don't get naked in the living room with the windows open! Mr. war-of-art doesn't know how to measure his models, eh?"

Techno stood with his arms across his chest, looking awfully proud of himself. "I think it's his best look yet."

Phil sighed, his shoulders falling as he realized how badly he was failing to preserve Dream's decency. Yet, there Dream was, smiling, looking absolutely dwarfed in Techno's clothes and almost half-naked as gravity took its toll. He had some color to his face, and his eyes were shining. He looked, for the first time in a long time, like he was having fun.

"Credit where it's due, mate."

#itwall #itwall extra scenes #in the wild all lessons last #drabbles #cdoomsdaytrio #ty for this prompt it was great :)#dreblr #asks

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ar1mas · 8 months ago

Text

- a rant

no because ive watched this stupid show 5 years ago, and i only noticed this now?? how???

ok. some context first. this is about fox' gotham, a prequel series to batman. or at least a potential one with slight changes. one of those changes is the relationship between oswald cobblepot and edward nygma (spelled with a 'y' for mayhap legal reasons? idfk its silly). whats their relationship like in the show? well...

theyre gay af. idk what to tell you.

okay so oswalds gay as fuck. edwards... ambiguous. totally ambiguous. he had a girlfriend or 2 and a half (kristen kringle, the-woman-who-shall-not-be-named (aka kristen but... blonde? this show is weird), and lee. not comfy counting lee, but technically shes one, hence the 'and a half')! very straight, much hetero (on another side note how tf is oswald the gay one, like i know he wears make-up and shit but eddies all about theatrics and showmanship and flair and hOW IS OSWALD THE GAY ONE NEXT TO HIM?? ok anyway).

so oswald was (is. be real.) canonically in love with ed, ed was.........., and 'penguin in love' is a piece of music composed by david russo for season three in which the whole "im in love with my best friend" thing took place.

that song has been used all over season three, as far as i can tell not once in season four, and once in season five.

.....or so i thought.

because yesterday, while in another obsession phase (of which i get one a few times a year. ive only ever watched the show once, in 2019, when it ended. still dream about nygmobblepot though. i dont dream about media, like ever, but with them, its different), i saw 5x8 to satiate my never satisfied craving of nygmob scenes, obviously skipping the main story bc i dont care about that straight shit. i got to the scene where oswald kills mr. scarface and frees arthur penn from said mr. scarface, after which ed shoots him in the head because thats what one does in such a situation, thought "aw how cute", again, as one does, and then realised.

what was that background music just now? rewinds.... oh. oh haha, its 'penguin in love'. how fun.

WHAT.

WHY IS THAT IN THERE. WHY DID THEY INCLUDE IT.

correction. it wouldve made sense to have it here. they used it in 5x5 for the speech about not backstabbing each other (wedding vows for murderers fr fr), so using it again after their relationship has solidified wouldve made sense.

note how im saying 'would have'.

because it would have made sense, if they used it when ed said "i accept you for the person that you are, just as you accept me for the cold logician that i am. thats why this friendship is great." they didnt, though. they used another equally heartfelt song for that. dunno what its called, it sounds a bit like 'penguin in love' but isnt, not sure if that one has a specific meaning like 'penguin in love' does.

so when was the song used? at 36:08 – 36:17. barely ten seconds, right before eds lines, right before ed kills penn.

...right when penn was sitting in oswalds lap because theyd been fighting for the gun and os fell on the ground.

now. the most obvious answer to "why in the fucking hell" would be because ooh this dudes on his lap so sexy, but no. no. 'penguin in love' is about one specific thing: love. the pure kind. the kind that makes you giddy with butterflies in your stomach, kicking your legs, while youre on your bed, writing in your diary about this guy you have a crush on. and oswald and penn do have history, oswald was more or less fond of penn, but not in love (i mean where would he have found the room in his heart if it was already filled with EDWARD EDWARD EDWARD martin my sweet boy EDWARD EDWARD EDWA-). im also definitely not thinking that penn was so happy about being free from mr. scarfaces influence and not having to kill oswald (oh yeah, the horror. who would wanna kill oswald, the guy with the big ego, who never does anything for anyone without some kind of endgoal- well, unless your name is edward of course) that he instantly fell in love with the guy. i can deal with the homicidal kind of crazy, but that? no. thats where i draw the line.

the next most obvious answer is that it was about oswalds love for ed. more believable, since its what the song was made for, but more believable doesnt mean believable. or likely. because even if i 100% believe that hes been loving this dude for so long its not something he has to think about anymore for it to be true, im pretty sure that itd be very random to suddenly focus on that when oswald was just about to die. so no, even if its what the song is intrinsically about.

so next most obvious answer is- wait. thats it. huh? theres no obvious answer anymore? everything else is brainrot? oh. oh well. its been five years, im sure its too late to worry about it now. what the hell.

im sure you know where im going with this. or maybe not. honestly idk what the fuck im talking about-

youre smart. you know what im about to say. if it wasnt about what oswald was feeling because he was otherwise preoccupied, and it wasnt about penn because that makes no fucking sense, then who was this song used for? who else was in the room?

...oh.

YOU.

YOU FUCKING IMBECILE. YOU STUPID DENSE PIECE OF-

inhale, exhale. no. don’ get mad, you know he cant help it. you know hes totally helpless when it comes to emotions. just breathe. ok.

i hate him. i hate him so much.

if the song wasnt for oswalds sake, it was for his. because i know hes in love with oswald, but does ed? does the producers??

'penguin in love' is about oswalds love. its about his love for edward. its about their love, their relationship. its about edward just as much as it is about oswald.

a-fucking-PPARANTLY, I DIDNT KNOW THAT!! I JUST THOUGHT OH YEAH OZZY BE THE GAY ONE HAHA FUNNY, I DIDNT KNOW IT COULD BE ABOUT ED DIRECTLY!!!

(why am i like this? what is my life? i will never be normal.)

ed has always been the obsessive one. first kristen (and the woman who shall not be named is just an extention of that ofc), then oswald, then lee. and as weve seen with kristen, when hes obsessed with someone, he can become possessive. absolutely not on the scale oswald is on, but still. theres a wee bit of jelly there. oh you have a boyfriend? better get rid of him! oh you wanna run away from me bc i murdered your boyfriend? better keep you right in place and- oh shit did i kill you? ono D:

this is a huge oversimplification, but you get the point. its there. or at least it has to be there because why else do you get so angy that someone is sitting in the lap of your just friend because they were fighting and they ended up in that position totally accidentally? like thats not normal behaviour, for anyone, unless you have possessive tendencies.

i mean its not like penn was a threat in any way. "he wasnt the threat, the dummy was the-" like i understand ed told penn about the submarine which was supposed to be a secret, but come on, like they couldnt make sure penn wouldnt say anything. so why would ed shoot him? its not even like penn was a random dude where that type of thing would be very inconsequential, oswald knew him. hed worked for oswald, and like i said, oswald was more or less fond of the guy. penns just a poor little meow meow, y u kil him eddie? 🥺

unless this fondness was part of the problem. unless ed saw how happy oswald was to see him, got annoyed but let it slide, then used penn attacking os and knowing about the sub as an excuse to kill him. and why would oswald being happy to see penn be a problem to ed? it wouldnt be. it wouldnt be, unless ed thinks oswald is his.

which makes sense. i know im calling him names and calling him out, but like. oswald told him he loved him like 5 times 2 years prior, i dont blame him for believing that maybe theres something to it (especially since that was the point of 3x14, oswald really being in love with him and surprising himself with it). but i thought ed didnt feel the same way? because hes very hetero? because he had a full-on girlfriend before, twice, technically? because-

"the truth is oswald, you would sacrifice anyone to save your own neck. even me."

"like i said! you will always fail, because youll never change."

hm. i know this is a bit off topic, but i just got a war-flashback and... why did ed sound so hurt when he said that? "youll never change." "you would sacrifice anyone. even me." why does he care? they were friends, best friends, yes, but why does he sound like a heartbroken wife who just found out her husband cheated on her again? why does-

"honestly you deserve this. you are opportunistic, your loyalty is.. shaking, at best, and you will hurt anyone, anyone, to get what you want."

"and yes, i was not a good friend. to you or anyone. its why im alone. but i saw you for what you are and i valued that!"

...why would edward nygma, the man who literally said "i dont love you" to oswald, be jealous of even the idea that maybe penn could have something going on with oswald? and why would he act on it if hes usually so careful to not reveal his feelings (unless its about kristen. the original obsession, the american dream, the just be normal, show them you are normal, and people will accept you)? he wouldnt.

unless oswald just told him that he knows he messed up. that hes sorry for it.

and unless that made him think that maybe theres a chance.

"love is about sacrifice. its about putting someone elses needs and happiness before your own."

"you gave up your revenge for me?"

a chance... for what?

"life begins anew."

"shall we get to work?"

and if theres a chance, hes not about to risk losing it. not this time.

so maybe 'penguin in love' is about more than just oswalds feelings. maybe they were trying to tell us that, yes, we see you traumatised gay kid, were sorry this is all we can give you, but here you go, eds in love with him too, but don’t tell the channel. subtlely. just for barely ten seconds. and maybe it can be enough.

nope, it wont be. im gonna sit here crying about the injustice of not having them kiss on screen in the finale as was originally intended for the rest of my life. seriously though, what is this, nbc's hannibal, where im noticing something new details every single time i watch the show, causing me to spiral? no, i was already spiralling. the spiralling was the reason i rewatched the scene. the scene simply made it worse.

so yeah, im done freaking out about a mediocre show that was cancelled 5 years ago and is honestly not worth anyones time (like, its ok. it might even be better than i remember since its been so long. i doubt it. but its ok).

tl;dr: ive only now realised that a specific gay song plays in a specific episode of a show i watched 5 years ago and the only reason theyd include it in the episode is if the dude that was not canonically in love with the other dude was in fact gay, they just werent allowed to make it canon, so they added the gay song to subtlely tell us about it.

have a wonderful day, hellsite. dont do what i did and go crazy about fictional gay people. i know you will though, that’s why im here too. i hate gay people. these two make me homophobic so bad, i wanna gauge my eyes out and skin myself-

#fox gotham #nygmobblepot #i hate my life i hate this show i hate these characters i hate everything #you dont understand they are my destiel #i mean it #they ruined by life #i have literal trigger words that are just about them thats why im thinking about them this time in the first place #that fucking show isnt even that good is just okay like a 3 stars i dont get it why are they everything #rant #technically counts as an analysis. so #series analysis #nygmob #edward nygma #oswald cobblepot #nobody will see this 1 bc i dont have a following and 2 bc this shows fandom is practically dead but it doesnt matter #this is here so that my brain wont explode #i hate gay people

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