#movie: adult life skills

[clit-a-cola]

Over the Garden Wall is one of those shows where it's like "yeah the main demographic is kids but no you the adult with a job who pays taxes reading this should still check it out"

It's short, wonderful music, simple but good story, gorgeous art.

[neptunefairytales]

When the sun/light hits Jodie’s eyes just right, and they look golden:

(´ ε ` )♡

!!!

[knightsquire]

Sometimes I think abt how great Jodie is at acting really raw sadness and grief and rage and how I wish she'd been really given the opportunity to fully embrace that in dw like I know you have the range ma'am, wish the scripts would've let you show it 😔😔

[teaboot]

On of the less intuitive things about love, I've found, of any kind, is the importance of needing things.

I didn't realize it until recently, but I've always seen love as something requiring sacrifice, selflessness, patience, and generosity- to ask for nothing is to be the best person I can be, small and quiet and never in the way, always happy and helpful, self-sufficient and present when desired.

It's only as an adult, now, that I'm beginning to see the selfishness of wanting nothing.

I cut my friend's hair in my kitchen the other day. They wanted a trim and I had the skills, so I offered, and was genuinely excited when they stopped hesitating over "bothering me" and took me up on it. It was a peaceful afternoon, and we had tea and chatted for an hour or more.

My brother and I shared popcorn at the movies a while ago. When I came time to pay, I pulled my card out like a wild western sheriff and slapped it on the machine before he could fight me for it first. The satisfaction was delightful.

Someone called me crying on the phone the other day. Kept apologizing for disturbing me at work, talking about how they were bothering me on my lunch break. I was telling the truth when I told them that really, I was flattered and honored and relieved, knowing that if they were hurting I would know, that I didn't have to worry in silence. It felt good to hear them slowly come down, and to know that they knew it would be better soon, and to hear them laugh wetly on the other end. We're getting together for a visit next week.

It's hard to need things, if you've trained yourself not to. It's hard to want things, when you don't know how to want anymore. Trusting people is difficult, and so is relying on them, but I don't know where I'd be without the people who rely on me.

I've heard a lot of people say, "Nobody will love you unless you love yourself". I've had a lot of thoughts about it. It's not right, but it's not wrong, either, I think.

"Nobody will love you unless you love yourself"... I've always taken that to mean, "You will not be lovable until you develop a positive view of yourself as a person".

Now, I think it's sort of inside-out.

"Nobody will love you unless you love yourself"... because nobody can show their love to you in a way that you can accept until you treat yourself kindly, and learn what you need, and what you want, and how to ask for it, and then give that vulnerability away.

Love, for me, is someone I ask for a ride to the airport. Whether they end up doing this or not is irrelevant.

It's not needy, or selfish, or taking up energy. It's giving the gift of being wanted, and needed, and thought of. It's giving someone the security of being part of someone's life.

[woso-dreamzzz]

Broken III

Keira Walsh x Child!Reader

Summary: Keira watches you

It's not that Keira is trying to hold a grudge.

It just happens.

Seeing you everyday with the cast on your arm is just fuel to the flames and Keira just can't ignore it.

You've always been her baby. Her little sleepy baby that slept on her chest and fed from her bottle and curled into her every chance you could.

In another life, Keira supposes, she could have ended up with a child more like Lucy. With Lucy's hair and Lucy's eyes and that characteristic Bronze confidence with enough attitude and skills to back it up.

But in this life, here and now, she's got you.

The sensitive little girl with her Koda bear and her blankie and a broken arm from falling at the park.

Every time she sees it, Keira can't help but remember the panic that shot through her when she got the call from Lucy that she was on the way to the hospital with you. Lucy hadn't said much else on the phone, hadn't said anything substantial at all until Keira was at the hospital with you both and could see the damage.

It's hard not to blame Lucy for this whole thing completely.

She's the one that took you to the park.

She's the one that helped you onto the climbing frame.

She's the one that wasn't watching properly.

She's the one that didn't catch you as you fell.

"Mummy," You yawn," Too tight."

Keira loosens her grip on you instantly and you wiggle down, raking your casted hand over your face stubbornly as you try to push some hair out of your eyes.

Keira smiles at you, reaching out to do it herself.

"Sorry, bear," She says.

You huff. "It's okay but you were cuddling too tight."

"You like tight cuddles."

"Only from my Bug."

Keira rolls her eyes with a laugh. "Only from your Bug."

It's crazy how she and Leah ended up with very cuddly children even though they weren't the most outwardly affectionate of people.

You yawn again, wiping the sleep from your eyes as you look around the break room. "Where's Mum?"

"Lucy's talking to the physios," Keira says," She'll be back soon."

"Will she take me to the park today?"

Panic forces its way through Keira's chest and she tugs you back. You stumble a little, looking up at her with wide eyes and Keira remembers herself.

"I...I don't think Mum will be back early enough to take you to the park. Sorry, bear."

You purse your lips. "Well...can you take me to the park?"

"No."

You huff, looking up at Keira with the biggest, wettest eyes you can muster. The influence them is slightly diminished by the crust still in the corner from your earlier nap.

"But Mummy-"

"You're hurt, bear," Keira says," Let's stay indoors for today but we'll see what the weather is like tomorrow."

You look like you're going to argue but you haven't got an inch of the Bronze fighting spirit so you just accept her words and drag your Koda bear closer as Keira helps settle you on the sofa.

Brother Bear is put on the tv in a matter of seconds and any thoughts you had in regards to going to the park today are forgotten in favour of watching your favourite movie.

You get restless though, as all children do. Restless and hungry.

You glance up at Keira.

She's sleeping. Her head is propped up on her fist at an awkward angle, her mouth is open and it looks like she's drooling just a little bit.

Half of your blankie is thrown over her lap and while normally you would join Keira for a nap, the rumbles in your tummy outweigh your exhaustion so you put the rest of your blankie around Keira, tucking her in nicely like she and Lucy do for you.

Then, you make your way over to the little counter at the back of the break room that has all the adult stuff like the kettle for milky brews and the fridge for energy drinks.

But you're not interested in the drinks.

There's a tin of biscuits.

You know there is because you saw auntie G put them up there earlier in the day. She said you can help yourself so it's not stealing.

But you're still little and can't quite see them as you approach the counter.

You know they're there though so you reach your little hand out.

Your fingers bang against tin and your scramble to sweep it closer.

You can't do much with your cast so it's all being down with your other hand. The one that you can't write with.

You're a little bit clumsy in your movements and you get frustrated easily.

Keira bursts awake, jerking upwards at the sound of tin cracking against flesh. The tears begin the moment her eyes open and she whips her head around to the countertops.

You're sitting on the floor, sobbing your eyes out as Georgia's tin of biscuits lay next to you.

There's a big bump on your forehead and you kick your legs out as you scream and cry.

"Oh, bear. Bear, baby," Keira coos, a sinking feeling in her stomach," It's okay, Mummy's here."

You turn into Keira's safe body, gripping at her shirt as you wail and Keira has to force you to pull back so she can look at your head.

It's nothing more than a bump and the tears are likely more because of the shock than anything else.

But Keira feels awful.

She's been so cold with Lucy for not watching you, for not paying attention to you at the park but she's done the same thing. She wasn't watching over you as closely as she should have and now you've got a bump on your head.

"Oh, bear, baby, I'm sorry."

"Jus' wan'ed some biscuits," You say and Keira nearly breaks the whole tin open in her haste to open the lid.

"Here, bear, take as many as you want. Auntie G won't mind. In fact, take them all."

You sniffle. "Mummy have biscuits too?"

"I don't deserve biscuits, bear. You're hurt."

"I want you to have biscuits."

"Bear-"

"Mummy."

You give Keira a very Lucy Bronze style glare and she starts putting biscuits into her mouth.

Maybe she was wrong.

Maybe you do have some of that Bronze family fire.

[hashtagloveloses]

The headline is pretty awful but this is one of those things that gets worse as you read it:

The 14-page petition, filed in Shelby County, Tennessee, probate court, alleges that Sean and Leigh Anne Tuohy, who took Oher into their home as a high school student, never adopted him. Instead, less than three months after Oher turned 18 in 2004, the petition says, the couple tricked him into signing a document making them his conservators, which gave them legal authority to make business deals in his name.

"Michael Oher discovered this lie to his chagrin and embarrassment in February of 2023, when he learned that the Conservatorship to which he consented on the basis that doing so would make him a member of the Tuohy family, in fact provided him no familial relationship with the Tuohys."

Oher was a rising high school senior when he signed the conservatorship papers, and he has written that the Tuohys told him that there was essentially no difference between adoption and conservatorship. "They explained to me that it means pretty much the exact same thing as 'adoptive parents,' but that the laws were just written in a way that took my age into account," Oher wrote in his 2011 best-selling memoir "I Beat the Odds."

But there are some important legal distinctions. If Oher had been adopted by the Tuohys, he would have been a legal member of their family, and he would have retained power to handle his own financial affairs. Under the conservatorship, Oher surrendered that authority to the Tuohys, even though he was a legal adult with no known physical or psychological disabilities.

While the [movie] deal allowed the Tuohys to profit from the film, the petition alleges, a separate 2007 contract purportedly signed by Oher appears to "give away" to 20th Century Fox Studios the life rights to his story "without any payment whatsoever." The filing says Oher has no recollection of signing that contract, and even if he did, no one explained its implications to him.

The [movie] deal lists all four Tuohy family members as having the same representative at Creative Artists Agency, the petition says. But Oher's agent, who would receive movie contract and payment notices, is listed as Debra Branan, a close family friend of the Tuohys and the same lawyer who filed the 2004 conservatorship petition, the petition alleges. Branan did not return a call to her law office on Monday.

"Mike's relationship with the Tuohy family started to decline when he discovered that he was portrayed in the movie as unintelligent," Stranch said. "Their relationship continued to deteriorate as he learned that he was the only member of the family not receiving royalty checks from the movie, and it was permanently fractured when he realized he wasn't adopted and a part of the family."

For years, Oher has chafed at how "The Blind Side" depicted him, saying it hurt his football career and clouded how people view him. He has said that based on the film, some NFL decision-makers assumed he was mentally slow or lacked leadership skills.

"People look at me, and they take things away from me because of a movie," Oher told ESPN in 2015. "They don't really see the skills and the kind of player I am."

"Beyond the details of the deal, the politics, and the money behind the book and movie, it was the principle of the choices some people made that cut me the deepest."

[crystallizedtwilight]

Nightmare Before Christmas AU Overview:

🎃🦇🍂

OVERVIEW: This AU follows the events of the movie The Nightmare Before Christmas. Taking place a few years in the future, it focuses on the adventures of Lock, Shock, and Barrel as young adults. The trio has since been welcomed into the town by Pumpkin King and Queen Jack and Sally, though they still live happily in their treehouse on the outskirts. They enjoy life under their own command, free from the now-deceased Oogie Boogie, causing mischief and pulling pranks on the good folk of Halloween Town. Throughout their continued adventures together they discover that growing means learning about themselves, each other, and dealing with change. But one thing remains constant—they'll always be birds of a feather, now and forever.

BACKSTORIES: The trio came to Halloween Town under unfortunate circumstances. Each of their families had lived in the human world, as many monsters do, either nomadically, elusively in the wilderness, or by masquerading. The trio were all born in different parts of the the world during the height of monster hunting. They were three fortunate cases who were found by other monsters and taken to Halloween Town as orphans.

Once in Halloween Town, the trio often ditched school, feeling they weren’t as accepted as the local kids, and deliberately caused trouble which earned them a bad reputation. The three bonded over a love of mischief and the feeling of being outcasts, so when Oogie offered them a life free of rules, they were easily convinced to leave the town entirely to become his henchmen.

Unbeknownst to them, the reason monster hunting took place during that time was because Oogie was rampantly devouring human children. Essentially, they were orphaned because their boss had given humans in several towns desperate cause to hunt the supernatural.

They would not come to learn this until after Boogie’s death. They grew up resenting humans for orphaning them and were horrified to learn that they'd worked for the monster who forced humans to defend themselves as well as let their parents take the fall. Nowadays, they choose to give the human world a chance by regularly traveling all over the world.

LOCK:

Lock is an imp, which is a type of devil. He has nocturnal vision, speed, and a natural desire to climb to very high places. He can often be found on the roof of the treehouse or up a tree when he needs to think. In the human world, imps are stealth hunters in deep forests, preying on deer and other local fauna. However, Lock has a diet of junk food and candy since he was raised without these hunting skills in Halloween Town.

Imps are naturally solitary creatures and dislike group settings, so no imp has ever come through Halloween Town. This, unfortunately, gave Lock a subconscious sense of loneliness and doubt. This is why he tries the hardest to keep the trio together by rejecting any change, which at one point resulted in a huge argument with Shock when she wanted to start attending coven studies a few days a week.

Of the three, Oogie’s abuse rooted itself mostly deeply within him, as Oogie played into the “who else would want you” angle Lock already felt as the only imp in town. He often overcompensates for his insecurities with arrogance and acts childishly, selfishly, and even meanly at times. However, under it all, he has a good heart and just wants to know that his friends aren’t going to leave him.

Lock and Shock are rivals who motivate each other, constantly bickering over which one of them is actually the leader of the trio. At the end of the day, they respect each other's skills and would do anything to keep their friend safe, but you'll never hear them say that.

Eventually, Lock begins a casual fwb relationship with Barrel, under the terms "as long as it doesn’t change anything”—worried that if they labeled themselves and it went sour, he could lose his friend. Barrel, who had always been in love with him, happily agreed to these terms. However, despite insisting that they were only friends, Lock finds himself extremely jealous when another ghoul, Belladonna, takes an interest in Barrel.

Lock is overwhelmed to realize that he actually does have feelings for Barrel but has likely missed his chance with him by insisting they weren't together, and Belladonna is probably better for him anyway. In an emotional confrontation where Lock accidentally scars Barrel’s arm with a bite, the two finally confess their true feelings.

SHOCK:

Shock is a witch, which is a type of magical entity. Of the three, she is the most confident and intelligent. Most witches will start coven studies at a young age to learn how to harness their magic, however, growing up under Oogie, she was discouraged from doing so. After Oogie’s demise Shock found herself determined to pursue her dreams of magic. Unlike how it had affected Lock, Oogie’s vicious words of “you’re not good enough” were only fuel to her fire, and she took all that anger and turned in into passion for her studies. 

She demanded that Halloween Town’s coven mentor her, even though she was older than the typical witch who was just starting her studies. The coven saw her passion and agreed. The studying has three phases: master flying, master potions, and master hexes, and one cannot be learned until the previous is mastered. The process takes years but Shock is currently deep in her potions phase and can often be found nose-deep in a book or foraging for herbs. Mastering hexes is her dream and she is eagerly chasing it.

One night, while out for a flight, Shock encounters a banshee crying in the moonlight. Shock learns that her name is Calliope and the human family’s line that she watched over had comes to an end. Shock instantly feels drawn to her and they quickly become friends. Shock secretly makes it her mission help Calliope feel happy again. Eventually, the two develop romantic feelings for each other as well.

BARREL:

Barrel is a ghoul, which is a type of demon that feasts on the flesh of cold, buried humans. Like Lock, Barrel was raised on junk food and candy in Halloween Town so that’s the diet he prefers today. Ghouls are naturally nomadic due to their diet, needing to find different graveyards to dig in to avoid being caught. However, many ghoul packs often breeze through Halloween Town for events, and are genuinely regarded fondly by the locals since they’re always polite and up for a fun time.

Of the three, Barrel is the most easygoing. He wants to hang out with his friends more than he wants to prank people, but is always up for fun nonetheless. He also keeps scorpions as pets. Regarding Oogie, Barrel walked away the least scathed because Shock and Lock intentionally took the brunt of his anger to protect him since he was the youngest. This left Barrel with a sense of guilt for not being strong enough to protect his friends back then. However he’s worked through that by deciding he would never let either of them be hurt again now that he could hold his own.

Barrel always had a crush on Lock since the moment he met him. The feeling was not mutual, and it wasn’t until Barrel kissed him much later in life that Lock even entertained the idea. Despite this, Barrel continues to love him timelessly and patiently, despite Lock still having a lot to work through and trouble recognizing his own feelings.

CALLIOPE:

Calliope is a banshee, which is a type of fairy that heralds death. She is sweet-natured and very new to the ways of Halloween Town, having grown up in the human world. She loves dogs since, like her, they also warn humans of danger. She has taken a liking to Zero in particular.

Calliope develops feelings for Shock who not only helped her feel at home in Halloween Town, but also helped her find her happiness when she never thought she'd smile again. Nowadays, Calliope is happier than ever before.

BELLADONNA:

Belladonna is a ghoul who lives in the human world with a pack of other ghouls. They masquerade as a human band/roadies, live nomadically, and actually put on some good concerts. Ghouls don’t kill or cause any harm to humans (they love their audiences!) but they do eat corpses by raiding graves at night. They breeze through Halloween Town once or twice a year for big events.

Belladonna is instantly attracted to Barrel when they meet at one of Halloween Town's formal parties. She is fun, good-natured, and helps Barrel learn about what his kind is up to in the human world.

JACK:

Jack still reigns as Pumpkin King, alongside Sally whom he recently wed. Regarding the trio, Jack feels guilt for overlooking them when they were children. Jack had a no-kill policy when it came to humans and Oogie Boogie did not—due to this conflict, Jack banished Oogie to the outskirts, and he is the reason the town has a guarded gate.

Jack was especially bitter about this rivalry, since he used to be friends with Oogie, and declared that Oogie would never be allowed into town again. Moreover, anyone associated with Oogie needed a by-name invitation from Jack himself before they’d be allowed into town. Even though the trio were just children at that time, Jack declared there would be no exceptions, and ignored the fact that the trio were actually in real danger with Oogie, which he found easy to overlook since they were so ill-behaved and rude to him.

At the end of the movie the trio have a change of heart and warn the townsfolk that Jack, Sally, and Sandy are trapped in Oogie's lair. Even though Jack was able to defeat Oogie before needing the town's assistance, this helped him see that the trio are actually good kids and he was wrong to ignore their circumstances for so long.

Nowadays, Jack tries very hard to make up for his mistake. He has declared that they are welcome inside the town, removed the gate, and regularly defends them when they prank the townsfolk (and Jack himself). Sometimes, Jack tries too hard, requiring their attendance at Town celebrations which the trio roll their eyes at. They regard Jack as a nerd, but know he is well-meaning. The mayor still dislikes them, but trusts Jack’s judgement.

SALLY:

Sally, now Pumpkin Queen, gets along quite well with the trio. Because she is so clever, she’s the only person in town they’ve never managed to prank, and she even managed to prank them once. Though Queen is her title, sewing is her passion and she happily has taken up the job as town seamstress, eagerly designing clothes for all the wonderful shapes that call Halloween Town home, trio included.

Shock actually enjoys Sally’s company and thinks of her like an older sister, even confiding in or asking her for advice at times. Lock is still a bit skeptical and cold with her since he is forever done with authority figures, though Sally finds him funny. Barrel likes Sally just fine, and really enjoys how soft and comfortable she makes all his clothes.

OTHER KIDS:

Growing up, the trio didn’t like the inner-town kids (Corpse Kid, Mummy Boy, and Winged Demon, as they’re referred to in the movie). The trio saw them as “goody-two-shoes” who grew up nice and cushy inside the town gate, happy to follow Jack’s ever order, and going home to loving families every night. However, the inner-town trio prove to not actually be so bad and take earnest steps to make the trio feel welcome in town after Oogie’s demise.

MISC FACTS: ▪️ The trio regularly utilize the towns tomb portals to travel all over the human world. They're particularly interested in celebrations or festivals that are similar to Halloween. They're technically not supposed to interact with human festivities so openly, as fear of the unknown gives monsters more mystery and therefore more fright factors on Halloween, but Sally knows they do so and keeps their secret: [1] [2] [3] [4]

▪️ They upgraded their treehouse to be more spacious: [1] [2] [3]

▪️ They gave each other piercings to signify them being friends forever

▪️ The three of them were brought to Halloween Town just days apart. They were then named as a unit after the merism. However, they did have other names before they arrived, though they no longer want to use them.

▪️ None of them know how old or when their birthdays are. They mark time in a very general sense by how many Halloweens it feels like they've had together.

▪️ This AU began as sketches in 2018 and I posted my first art of them publicly in 2020. I was inspired by the Photo Booth pin. I thought it would be fun if the trio took pictures in the more modern sense, capturing their shenanigans with selfies and documenting their mischief, which is why the first couple drawings are framed that way.

The second thing that inspired me was the screenshot of Oogie saying he’ll decide which of the trio to eat when they displease him, and the general theory that the masks in the treehouse are from previous victims whom he had eaten. I thought since Jack destroys Oogie at the end of the movie, maybe the trio gets the chance to grow up, hence an AU about their happy, older years.

ART TAGS:

🎃 Entire Nightmare Before Christmas Tag

💘 Lock/Barrel Tag

🩵 Calliope Tag

💚 Belladonna Tag

🤩 Fan Art of My AU Tag (THANK YOU!!)

INSTAGRAM:

best_trickortreaters

[kimberly-spirits13]

Growing Up in the Justice League HC

Purely self indulgence cause I've been on this and idk why so bear with me here

I can just easily romanticize growing up in the Justice League too easily and it would be a problem

you're brought in at as a baby to be trained by Diana

Apollo brings you to her and tells her that you are an ancient being that regenerates as a new person when you die and this is the form that you have taken. As you get older, you will remember the skills and memories of your past lives but you will have to be raised with someone who can handle you

Diana just loves babies so she had no problem with that

I'd say the league has been established for some time during this point and everyone knows each other's identities in the core group

You grew up in Paris and New York being raised as a mama's child

Bruce is the closest you get to a dad and he does his best

SPOILS YOU ROTTEN

all the Barbies and Legos and whatever toys you'd want as a child

They know that you've been trained as an assassin, wizard, queen, knight, sorceress, scientist, all of these other things that can be traumatic so they just want you to have a great, decent childhood

when you start remember things they begin training you to be a hero

It's like PE and recess all in one since they're really just trying to figure out what you can do

Clark treats you like a fragile piece of glass up until you're a teen cause teenagers confuse him and he just cannot not see you as an innocent beep boppin child sometimes

Barry keeps up with the culture and knows all the songs from your favorite childhood movies and tv shows that you grew up watching on the massive computer in the watch tower when you were up there

will dance to any Barbie song since he knows them all by heart

Hal makes fun of you two but secretly enjoys the movies and is very emotionally invested in Princess and the Pauper and Diamond Castle

Diana and Bruce make sure that you have a great education and training

They are the mature parents of the group and want to make sure you're a functioning member of society

you've got a bag full of grandparents in the Kents, Allans, Princes, Alfred and they all love you to death

Alfred teaches you to make the best tea and gardening, Ma Kent teaches you to quilt and make bread, Pa Kent teaches you how to drive a tractor and farm, Hippolyta teaches you about the Greek gods and ancient cultures and how to ride horses, the Allans would have loads of board games to play and love having you over

Once Young Justice or Teen Titans comes around you don't join since you're officially a Justice League member and get along better with the adults since you were raised by them

That doesn't mean that you don't like or hang out with the kids, it's just that you have better inside jokes with Hal and Barry

When Superboy comes around and the League disappears, you were the only one not taken by the portal since you were helping out some civilians

You knew that Clark wasn't dead and you knew the League was somewhere

What kept you afloat was humor and Kon attached to that since he just needed someone that wasn't insane in his life

you probably won't develop romantic feelings for each other but it's more of a camaraderie since you were both raised in a really unorthodox way

when the league finally comes back, you say it's the happiest day of your life and rant to them that you were the only one who knew they weren't gone but no one understood it

Hal and Barry are known for having a thing for chicken tenders and make sure to instill an addiction in you for chicken tenders

Arthur (Aquaman) really really really likes them too but he doesn't realize it until he comes to the League

Clark would be the one to take you out for ice cream randomly or if you're having a bad day

the mother hen therapist type

You're America's favorite Justice Leaguer and often go viral for in uniform interactions with the League

Dancing with Flash at a Presidential ceremony because the music is too beep boopin good and you can't help but bop around a little bit

Media also loves you as a civilian and it's been suspected that you are the love child between Diana and Bruce since I mean- that would make the most sense

it's a running joke in the league

[solarrsims]

greek mythology legacy challenge

hi loves. i’ve spent so much time trying to find a legacy challenge that interests me, and i stumbled upon this one on the forums. however, i decided to put my own spin on this theme, and create my own goals and rules. use the hashtag #greek mythology legacy so i can see your gameplays!!

also, feel free to bend the rules to your liking. if you don’t have a pack i mention, you can bend that rule, or you do have a pack that i don’t have that you think would fit, you can add that in however you’d like.

gens/rules down below or in this doc

edits because of @nom-de-plumbob her ideas were so much better than my og ones!

overall rules:

- you may only use free real estate cheats when you first start

- you can only move onto the next generation when you’ve completed all of the goals

- i recommend setting your life span to normal or long

- you can use any gender for any generation!

- you don’t have to actually name them the god’s name if you don’t want to. be creative!

- try to use their assigned colors in some way (clothes, hair, skin, house, etc!)

GENERATION ONE: ZEUS

god of the sky, king of the gods - white

you have had a rough childhood. your father was abusive towards you and your mother, which resulted in your mother taking you and fleeing town. the two of you settled down the snowy mountains in mt. komebri. she became very over protective of you, rarely letting you out and about in case your father ever found you.

traits: non-committal, ambitious, charismatic

aspiration: successful lineage

career: politician (politician branch)

goals:

have a weather machine

max out career

marry and have two biological kids with partner

have many affairs

have 3 other kids with different partners

live in mt. komebri

GENERATION TWO: POSIEDON

god of water, the ocean - blue

you grew up in a very competitive household. your father was a well-known and very competitive politician whom had many different affairs. you eventually grew restless of the competitive life and decided to move for a simpler life—sulani.

traits: child of the ocean, loves outdoors, erratic

aspiration: beach life

career: marine biologist

goals:

move to sulani when turn young adult

become a mermaid

discover rare underwater treasures

try to keep sulani clean

advocate for marine conservation

marry someone you meet on the island

have at least one kid with partner

GENERATION THREE: HERA

goddess of marriage, women - purple

this sim grew up living a very calm and collected life by the beach. as a child, they loved watching movies and love, which grew into a passion for acting. so, you fled the beachy town and went to del sol valley to achieve your dreams.

traits: ambitious, romantic, jealous

aspiration: world-renowned actor

career: actor

goals:

become a famous actor

marry a celebrity

get jealous and become a controlling spouse

live in del sol valley

have more than one kid

you should favor your other children over the youngest, whom will be the next heir

GENERATION FOUR: HADES

god of the underworld - black

you’ve always despised their mother as a child. your mother favored your sibling(s) your whole life, and always saw you as a disappointment and not being able to live up to your older siblings. because of this, you decided to go on your own, and live up to being a criminal.

traits: loner, materialistic, gloomy

aspiration: criminal mastermind

career: criminal

goals:

max out aspiration

reach level 10 in mischief skill

become enemies with 5 people

have only one child, and don’t be close with them

GENERATION FIVE: ARES

god of war - red

this sim grew up in a rocky household. you’ve always had a strong sense of patriotism and bravery, and you’ve always dreamt of going into the military. despite not wanting to follow in your father’s footsteps, you still have.

traits: athletic, hot-headed, ambitious

aspirations: athlete

career: military (officer branch)

goals:

achieve level 10 in the fitness skill.

start at least 5 fights with different sims

reach level 10 in the officer branch

have at least 2 children

GENERATION SIX: ATHENA

the goddess of wisdom - silver

you grew up in a very competitive household. you were definitely the outcast child, as you prefer to read books or play chess instead of working out. you move out when you become a young adult with little funds.

traits: genius, bookworm, perfectionist

aspiration: nerd brain

career: scientist

goals:

achieve level 10 in three different skills.

complete the nerd brain aspiration.

reach level 10 of scientist career

eventually travel to alien world with wormhole generator

if you have discover university: get physics degree

GENERATION SEVEN: APOLLO

the god of sun, light - orange

you grew up in a very close and loving family. growing up in an environment that fostered creativity and intellect, your mother always encouraged you with your talent: music. your mother’s guidance not only nurtured your musical talent but also instilled a thrust of knowledge and an understanding of music.

traits: art lover, outgoing, music lover

aspiration: musical genius

career: entertainer (singer or musician)

goals:

start playing instruments as a kid

listen to music often as a toddler

achieve level 10 in the singing/one instrument, and level 5 in the other instruments

complete musical genius aspiration

play on the street or at bars for money

if you have discover university: get the fine arts degree

become a famous singer or musician by writing songs and licensing them

marry someone who has the music lover or art lover trait

GENERATION EIGHT APHRODITE

the goddess of beauty, love - pink

from a young age, you found yourself entangled in the intricate dance of romance, captivated by the myriad emotions that love invoked. however, your journey was not without heartbreak. you, in pursuit of love’s beauty, experienced the shattering pain of a broken heart multiple times. yet, with each fracture, you discovered an unparalleled strength to mend.

traits: romantic, high maintenance, party animal

aspiration: serial romantic

career: fashion influencer (stylist branch) or social media influencer (internet personality)

goals:

have at least 10 romantic relationships in your life, starting as a teen

reach level 10 in charisma

as a teen, get the party animal trait

go to parties often as a teen/university student

reach level 10 in either career branch

achieve serial romantic aspiration

have children only from one night stands or blind dates

GENERATION NINE: HERMES

god of trade, travel - brown

your mother never really paid much attention to you and your siblings growing up. you lacked the guidance you needed, leaving you and your siblings to fend for themselves. your nasty habit of kleptomania started as a teen, from stealing your mom’s stuff to stealing items from public places.

traits: active, kleptomaniac, you pick

aspiration: friend of the world

career: astronaut (interstellar smuggler branch)

goals:

live in at least 5 different worlds throughout your life once you become a young adult

reach level 10 of astronaut career (interstellar smuggler branch)

attempt to swipe at least one item per day (or every other day)

befriend at least 15 sims from various ages

marry a co-worker

have only one child

GENERATION TEN: ARTEMIS

goddess of hunt - yellow

your days as a child were spent in the outdoors whilst your parents worked, and you have lived in multiple different towns. once you moved out, you decided to built a house on an empty lot with a small farm. your farm began to flourish, and you hound solace in the tranquil landscapes, surrounded by your family and your animal companions.

traits: loner, family-oriented, animal enthusiast

aspiration: friend of the animals

career: veterinarian

goals:

own your own vet clinic

as a child, befriend at least 5 animal

have at least 3 pets!

achieve level 10 in the dog training

you may never marry. either adopt or have a science baby only once.

OPTIONAL GENERATIONS: TBF

GENERATION ELEVEN: HESTIA

GENERATION TWELVE: DEMETER

[fight-nights-at-freddys]

MASTER POST OF PROSHIP RESOURCES!!! <3<3

this is just for links (bc i just have No Way of formatting this properly), so for more in-depth stuffs and credits, head to the google doc, or the carrd !! :3c

Fiction ≠ Reality

Violent media -

Does Media Violence Predict Societal Violence? It Depends on What You Look at and When

Video Game Violence Use Among “Vulnerable” Populations: The Impact of Violent Games on Delinquency and Bullying Among Children with Clinically Elevated Depression or Attention Deficit Symptoms

Extreme metal music and anger processing

On the Morality of Immoral Fiction: Reading Newgate Novels, 1830–1848

How gamers manage aggression: Situating skills in collaborative computer games

Examining desensitization using facial electromyography:Violent videogames, gender, and affective responding

'Bad' video game behavior increases players' moral sensitivity

Fiction and Morality: Investigating the Associations Between Reading Exposure, Empathy, Morality, and Moral Judgment

Comfortably Numb or Just Yet Another Movie? Media Violence Exposure Does Not Reduce Viewer Empathy for Victims of Real Violence Among Primarily Hispanic Viewers

Fantasy Crime: The Criminalisation of Fantasy Material Under Australia's Child Abuse Material Legislation

Being able to distinguish fiction from reality -

Effects of context on judgments concerning the reality status of novel entities

Children’s Causal Learning from Fiction: Assessing the Proximity Between Real and Fictional Worlds

Reality/Fiction Distinction and Fiction/Fiction Distinction during Sentence Comprehension

Reality = Relevance? Insights from Spontaneous Modulations of the Brain’s Default Network when Telling Apart Reality from Fiction

How does the brain tell the real from imagined?

Meeting George Bush versus Meeting Cinderella: The Neural Response When Telling Apart What is Real from What is Fictional in the Context of Our Reality

loli/shota/kodocon -

If I like lolicon, does it mean I’m a pedophile? A therapist’s view

Virtual Child Pornography, Human Trafficking and Japanese Law: Pop Culture, Harm and Legal Restrains

Lolicon: The Reality of ‘Virtual Child Pornography’ in Japan

Report: cartoon paedophilia harmless

‘The Lolicon Guy:’ Some Observations on Researching Unpopular Topics in Japan

Robot Ghosts And Wired Dreams Japanese Science Fiction From Origins To Anime [pg 227-228]

Australia's "child abuse material' legislation, internet regulation and the juridification of the imaginationjuridification of the imagination [pg 14-15]

Multiple Orientations as Animating Misdelivery: Theoretical Considerations on Sexuality Attracted to Nijigen (Two-Dimensional) Objects

Positive Impact on Mental Health

Art therapy -

The effectiveness of art therapy for anxiety in adults: A systematic review of randomised and non-randomised controlled trials

Efficacy of Art Therapy in Individuals With Personality Disorders Cluster B/C: A Randomized Controlled Trial

Effectiveness of Art Therapy With Adult Clients in 2018 - What Progress Has Been Made?

Benefits of Art Therapy in People Diagnosed With Personality Disorders: A Quantitative Survey

The Effectiveness of Art Therapy in the Treatment of Traumatized Adults: A Systematic Review on Art Therapy and Trauma

The clinical effectiveness and current practice of art therapy for trauma

Writing therapy -

Optimizing the perceived benefits and health outcomes of writing about traumatic life events

Expressive writing and post-traumatic stress disorder: Effects on trauma symptoms, mood states, and cortisol reactivity

Focused expressive writing as self-help for stress and trauma

Putting Stress into Words: The Impact of Writing on Physiological, Absentee, and Self-Reported Emotional Well-Being Measures

The writing cure: How expressive writing promotes health and emotional well-being

Effects of Writing About Traumatic Experiences: The Necessity for Narrative Structuring

Scriptotherapy: The effects of writing about traumatic events

Emotional and physical benefits of expressive writing

Emotional and Cognitive Processing in Sexual Assault Survivors' Narratives

Finding happiness in negative emotions: An experimental test of a novel expressive writing paradigm

An everyday activity as treatment for depression: The benefits of expressive writing for people diagnosed with major depressive disorder

Writing about emotional experiences as a therapeutic process

Effects of expressive writing on sexual dysfunction, depression, and PTSD in women with a history of childhood sexual abuse: Results from a randomized clinical trial

Written Emotional Disclosure: Testing Whether Social Disclosure Matters

Written emotional disclosure: A controlled study of the benefits of expressive writing homework in outpatient psychotherapy

Misc -

Emotional disclosure about traumas and its relation to health: Effects of previous disclosure and trauma severity

Treating complex trauma in adolescents: A phase-based integrative approach for play therapists

Emotional expression and physical health: Revising traumatic memories or fostering self-regulation?

Disclosure of Sexual Victimization: The Effects of Pennebaker's Emotional Disclosure Paradigm on Physical and Psychological Distress

Kink/Porn/Fantasies

Sexual fantasies -

A Critical Microethnographic Examination of Power Exchange, Role Idenity and Agency with Black BDSM Practitioners

Women's Rape Fantasies: An Empirical Evaluation of the Major Explanations

History, culture and practice of puppy play

What Exactly Is an Unusual Sexual Fantasy?

The Psychology of Kink: a Survey Study into the Relationships of Trauma and Attachment Style with BDSM Interests

Punishing Sexual Fantasy

Women's Erotic Rape Fantasies

Sexual Fantasy and Adult Attunement: Differentiating Preying from Playing

What Is So Appealing About Being Spanked, Flogged, Dominated, or Restrained? Answers from Practitioners of Sexual Masochism/Submission

Dark Fantasies, Part 1 - With Dr. Ian Kerner

Why Do Women Have Rape Fantasies

The 7 Most Common Sexual Fantasies and What to Do About Them

Sexual Fantasies

Pornography -

The Effects of Exposure to Virtual Child Pornography on Viewer Cognitions and Attitudes Toward Deviant Sexual Behavior

American Identities and Consumption of Japanese Homoerotica

The differentiation between consumers of hentai pornography and human pornography

Pornography Use and Holistic Sexual Functioning: A Systematic Review of Recent Research

Claiming Public Health Crisis to Regulate Sexual Outlets: A Critique of the State of Utah's Declaration on Pornography

Pornography and Sexual Dysfunction: Is There Any Relationship?

Reading and Living Yaoi: Male-Male Fantasy Narratives as Women's Sexual Subculture in Japan

Women's Consumption of Pornograpy: Pleasure, Contestation, and Empowerment

Pornography and Sexual Violence

The Sunny Side of Smut

Other -

Fantasy Sexual Material Use by People with Attractions to Children

Fictosexuality, Fictoromance, and Fictophilia: A Qualitative Study of Love and Desire for Fictional Characters

Exploring the Ownership of Child-Like Sex Dolls

Are Sex and Pornograpy Addiction Valid Disorders? Adding a Leisure Science Perspecive to the Sexological Critique

Littles: Affects and Aesthetics in Sexual Age-Play

An Exploratory Study of a New Kink Activity: "Pup Play"

Jaws Effect

The Jaws Effect: How movie narratives are used to influence policy responses to shark bites in Western Australia

The Shark Attacks That Were the Inspiration for Jaws

The Great White Hope (written by Peter Benchley, writer of Jaws)

The Jaws Myth [not a study BUT is an interesting read and provides some links to articles and studies]

Slenderman Stabbings

Out Came the Girls: Adolescent Girlhood, the Occult, and the Slender Man Phenomenon

Jury in Slender Man case finds Anissa Weier was mentally ill, will not go to prison

2nd teen in 'Slender Man' stabbing case to remain in institutional care for 40 years

Negative effects of online harassment

How stressful is online victimization? Effects of victim's personality and properties of the incident

Prevalence, Psychological Impact, and Coping of Cyberbully Victims Among College Students

Offline Consequences of Online Victimization

The Relative Importance of Online Victimization in Understanding Depression, Delinquency, and Substance Use

Internet trolling and everyday sadism: Parallel effects on pain perception and moral judgement

The MAD Model of Moral Contagion: The Role of Motivation, Attention, and Design in the Spread of Moralized Content Online

Morally Motivated Networked Harassment as Normative Reinforcement

When Online Harassment is Perceived as Justified

Violence on Reddit Support Forums Unique to r/NoFap

"It Makes Me, A Minor, Uncomfortable" Media and Morality in Anti-Shippers' Policing of Online Fandom

[dani-luminae]

I've seen some really hostile posts on my dash tonight so I wanna say something probably unpopular, but I feel like it needs to be laid out.

I want to get that kneejerk defensiveness out of the way and say it: liking the Harry Potter books as a child doesn't make you evil or bad.

These were children's books, made for children. There's a reason these books were immensely popular, spawned at least eleven movies, took over theme parks, etc. They addressed some incredibly relevant themes that all children want to see themselves the heroes of. The characters felt real children who dealt with social rifts as well as the fantastical fight against evil.

The part where it's a problem becomes the following facts that:

1) JKR used plenty of insulting tropes and allusions, including but not limited to antisemitic, transphobic, homophobic, and racist. Refusing to confront these as an adult with better critical thinking skills is where a lot of problems begin. (JKR has refused to discuss/ examine any of these in even a cursory "well I didn't realize/intend that" manner.)

2) the popularity of HP has given JKR a massive platform, which

3) She is actively using to not just spread hate and prejudice but outright Holocaust denial, as well as influencing legislature against transgender people.

4) She considers every single person who is still a fan of Harry Potter to agree with her views. Transphobes especially have latched onto the series.

These are the facts. It's absolutely rancid that the author of such a monumental book series has been radicalized into being such a bigot. The end result is that now this incredibly popular franchise is deeply associated with transphobia and a plethora of other hateful ideas.

You bought some HP merch in the past? Well, it's not like you can take back your money, but what you can do is discard it and find how you can be an ally to trans people in your community. The book/movie series meant a lot to you as a child? I get it, because I was the same, and it might be hard to let go, but it's now playing a part in the real-life harm of thousands of people.

But if you choose to consider all of these facts and continue being a fan of her/HP content, then you are a part of the problem.

Fuck JKR.

[cornyonmains]

Deadpool & Wolverine is proof that box office culture isn't dead, but rather audiences are just tired of bland family friendly content written by the next Ivy League grad they pull out of the pipeline. Adults want to go see movies that tackle themes that resonate with them like being stuck in a rut and looking for purpose. They want to see two grown men in spandex fight in the least heterosexual way imaginable in a Honda Odyssey.

I'm pushing middle age, Tom Holland is a charming little shit, but there's only so many PG-13 life lessons I learned 25 years ago I got the constitution to watch a kid relearn for the 700th time. I want to see something besides the Honda Odyssey fuck hard. I want movies that make a billion dollars because they're GOOD, not because they're following some focus tested program polluted by puriteens who are shit-scared of dick. They don't have the money. The adults do.

Deadpool & Wolverine, surprisingly, spoke to my lived experiences more than any Marvel movie ever has. Feeling adrift, looking for purpose, feeling pushed aside as the world moves on. Yeah, those themes aren't going to speak to a kid with no life experience, not in any meaningful, but they damn sure hit me hard as I creep closer to 40. That's the kind of movie I'll come out for. But with as expensive as movies have gotten, I've got a big screen. I'm not spending over $100 on three movie tickets, popcorn, and soda to take my nieces to a movie. I'll spend $20, get us all a pizza, and put that shit on the big screen. I hope Disney is starting to recognize this as they buy up every studio under the sun. Deadpool and Wolverine gives me hope, but I'm cautious. Disney has always been horny for conservative audiences. They don't have to work as hard to please an audience with no media analysis skills.

[cerridwen007]

Hard pill to swallow.

*pics above are from pinterest and are used for aesthetics only.

Pairing: Joel Miller x f!reader

Word count: 2.4k (18+) MINORS DNI!

Summary: Joel helps you fix your problem with swallowing pills.

Notes/Warnings: Smut, Fluff, Soft!Joel vibes, lowkey daddy Joel vibes too, Joel being a teasing, filthy mouthed menace because I said so, mentions of pills (vitamins and hayfever), mentions of gagging/gag reflex, Joel lifts reader, but Joel is huge and hella strong so he can lift anyone, cumplay, oral (m receiving), finger sucking, praise/ nicknames, swearing, no y/n.

A/N: Disclosure, this is fully self indulgent and based on my struggle with swallowing pills and me wanting Joel Miller's dick in my mouth all waking hours.  Was meant to post this before Valentines, but time got the best of me. But I suppose you can consider this my Valentines present from me to you, even though it's not related to valentines at all. I swear this is the second time that writing about my struggles in a fic with Joel, it’s pretty much solved them. He is truly that man. Quickly edited, as always, so sorry if there are any mistakes. Anyways, enough babbling, I hope y'all enjoy, and any interactions with posts are very much appreciated, and I love yall so much. Have a good day bebes. 🫶❤️

*********

You were embarrassed, to say the least, and annoyed and frustrated. For all of your life, you could never do that one thing that was a simple skill for most people, a simple and usually essential at that. You couldn't swallow pills for the life of you. Many frustrated mornings, well into your early adult years, were spent at the breakfast table with your parents, growing more and more impatient and irritated at your ‘talent’ for not being able to swallow pills no matter how hard you tried. And It's not like you didn't want to swallow pills. No, not at all. 

In fact you wish you could, it would have made your life a hell of lot easier. You would take swallowing pills over having to grind up the assorted pills for hayfever and vitamins into your drink and being forced to intigest the horrible tasting yet beneficial substances, the ones that made your eyes water and your stomach gurgle with just how bad they tasted. 

And trust me you had tried everything, sticking the pill right down your throat, damn near breaking your neck with the force you tilted your head back (to catch your gag reflex “off guard”) nearly watering boarding yourself a couple times, thinking the more water you swallow the easier right? You felt like the oblong white tablets were just ridiculing you at this point. 

You had achieved so much in your life yet you were brought down by your inability to swallow a tiny little thing for your benefit. You had not managed to find a shortage of adults and family members alike telling you, “it's all in your head” and suggesting unwarranted advice. Advice you ended up trying over and over again, knowing it wouldn't work. “It's just like swallowing food” they would say. But you knew damn right it wasn't. I mean you couldn't even swallow gum, so how were you supposed to swallow this?!

Because of all these judgemental looks and passive aggressive comments when it came up in conversation that you couldn't swallow pills, you tended to avoid the topic of conversation completely. It wasn't till a handsome man named Joel Miller came into your life, did you finally manage feel comfortable and unjudged about your inability. 

It had been a while that the two of you had been dating, nearly a year and you had never felt happier. Recently you had moved into his place and had just unfinished packing. It was a peaceful morning in Joel’s and now your own house, the morning sun shining down, warming up the frosted green grass as the birds chirps and, the smell of fresh brewed coffee filled your nostrils. The two of you sat opposite each other, drinking in the peaceful morning. This movie-like paradise was soon brought down in mood as you remembered it was time to take your daily vitamins and tablets. 

You sighed, a frown growing on your face as you anticipated yet another painful morning attempting to swallow some tablets. Joel's face mimics yours when he looks over at you from across the breakfast table. 

“What’s wrong baby?” He asked, concerned.

You sigh before explaining yourself.

“I just..I just suck at swallowing pills and I almost always end up having to crush them into a drink or whatever I'm eating and then it's disgusting. I know I'm an adult, I should be able to swallow them by now but I just can’t.” 

You try to blink away the tears from frustration as you talk, not wanting Joel to see you get so upset over something so little and stupid.

He listens with a soft frown on his face and you half expect him to scoff at you and belittle you for not being able to do something so easy. Then he locks eyes with you and sees your watery eyes and instantly his face softens.

“Aww baby, come here.” He holds out his arms and you quickly get up walking round the table to straddle his lap, burying your face into his shoulder, seeking his warming embrace to comfort you. You look up at him, when you feel the tears aren't going to spill out.

“You're not making fun of me or think that I'm being a baby?” 

He cups your face, forcing you to keep his warm gaze. “Now what would make you think that I thought that darling?” He questions.

You feel your throat constricting as you try to explain yourself, cheeks growing hot with embarrassment.

“I don't know…I just thought maybe before… you were frowning cause you don’t believe me or something.” You softly respond, embarrassed over the state you're in all over some silly little pills.

“Sweetheart of course I believe ya. I was frowning cause I hate to see my girl upset and struggling, and I was trying to think of some way to help ya.”

You sigh with relief, before resting your head back on Joel's shoulder, you sit there holding each other for a while before you're interrupted by the soft rocking back and forth of Joel's chest as he tries to quietly chuckle underneath you. 

“What’s so funny.” You ask, feeling a little irritated.

“Oh, nothing.” He responds, still with a wide grin.

“No, tell me.” You say, pouting.

He clears his throat and before he speaks in a dark tone, close to your ear sending shivers all throughout your body.

“Just thought of how good of a girl you are when you suck my dick, and how you don’t seem to have a problem swallowing my cum, do ya honey?”

Your eyes widen with the sudden lewd topic of conversation, your cheeks heat up and you lightly slap his chest.

“Joel!” you warn him, but you can't help but let the corners of your mouth lift up a little.

“That's different though.” You say quietly after a beat.

“Oh yeah? Why's that?” His eyes pierced through you, waiting for your answer.

You feel your cunt fluttering at his question, your panties dampening.

“Cause…cause I actually want to swallow your cum.” You softly admit.

He breathes in shakily as a growl-like sound softly rips through his chest. His head falls back and he slowly grinds up into your needy clothed cunt. 

“My dirty little cum slut, aren't you baby?” He groans as he cups your face with his hand.

You nod and he puts his thumb on your bottom lip, slowly dragging it downwards. Your tongue shoots out to lick it before your head dips it to take it into your mouth. You start sucking on it, needily. Needing to have some part of Joel in you.

“Needy too, apparently. Just how I like ya.” He murmurs to mostly himself as he pushes his fingers in deeper and pushes down on your tongue.

Your cunt is throbbing now, but the only thing you can think of right now is taking Joel’s fat cock into your mouth. You try and tell Joel as his thick fingers are stuffed in your mouth, so it ends up coming out as a garbled mess.

“What was that baby?” Joel teases you.

“W-wanna sl-suck your c-cock d-Joel.” 

“Can’t get enough of this fat dick down your throat can you sweetheart?” Joel growls as he removes his fingers.

You shake your head, your hands trailing over Joel's strong chest and biceps. You suck on the spot on his neck that drives him crazy, his hips start lightly thrusting up into you as a result. You grin devilishly, seeing and feeling Joel become a vulnerable mess, under your control is one of your favourite sights in the world. 

You slowly make your way down Joel's body, feeling and touching on every part of him that you can, except where you and him both want too most. When your knees finally hit the floor, you look up at him with an innocent smile. Although Joel knows your the exact opposite, he can’t help his breath stuttering and his heart racing at the stunning sight below him.

You bite your lip as you look to Joel belt, his prominent bulge just below it, silently asking for permission. He nods, spreading his legs wider. You place your hands on his knees and slowly trace your hand over his legs up to his hips, your eyes switching between looking up at Joel and his bulge that has your mouth watering. 

You unbuckle his belt, slowly, loving to tease him. But taking your time and going slow seems to make you more impatient than Joel himself, so you make quick work of unzipping his jeans and shucking them down his thick thighs, while your mouth waters. You swallow harshly, as you uncover Joel's thick and rock-hard package perfectly framed by his black boxers. 

Reaching below his elastic waistband to pull out his cock, you find yourself transfixed once again by his beautiful cock, tip flush dark red, shaft slightly curling upwards as it heavily bobs, just begging to be sucked. Your tongue darts out to slicken your lips. Your hand carefully grasps his length, Joel softly gasps, before your thumb traces over his slit and the white drop of precum, oozing out of it. 

You grin as you lower your head, placing a few teasing kisses around his head before you raise his cock up high enough that you can lick from between his balls all the way up to his slit. He shudders above you, his hand gently caressing your hair, grounding himself and connecting himself more to you, as if his dick in your mouth isn't enough. 

You let your saliva gather to the front of your mouth before slightly parting your lips to let the warm glob drip onto his flesh. You see his thighs flex from the corner of your eye as your palm encases him, spreading your moisture all over the veiny muscle. Starting out with slow hard strokes, and building it up faster, your hand struggles to meet around his girth. 

Your mouth finally latches onto his tip, tongue swirling around the bulbous head, making Joel groan deeply. You help unleash even more depraved sounds from deep in Joel's chest when your other hand reaches out to massage his hefty balls. All this encompassing stimulation has Joel racing towards the edge, his mouth spewing out dirty words and praises as he comes oh so close to his high.

“Ugh. Fuck yeah. Atta girl.”

“Just like that baby. F-fuck me that feels g-good.” 

“Fuck… I love the feel of your hot, wet mouth on my cock.”

“Going to make my heart go out on me, with how fucking heavenly your making me feel, baby.”

He clenches the muscles in his body as he tries to starve off his release long as possible, needing to tell you something first.

“Sweetheart, look at me. I-I’m going to need you to hold all my cum in your mouth baby when I finish-h. C-can you do that for me s-sweet girl?” He chokes out.

You nod slightly and moan around him, before returning to bobbing wildly on his pulsing cock. Loving the salty, musky taste of him, your pussy clenches thinking about the even more salty and delicious load soon to be filling your mouth.

You take him as deep he will go, your eyes tearing up as your throat constricts around him. You feel his balls tighten under your hand and you let his cock out ever so slightly so only his tip is encased by your stretched lips.

And before you know it Joel’s coming, a long string of curse words and moans pouring out his mouth as he does so. Your hand continues to stroke him, milking him for all he's worth. Till he is hissing through his teeth, his now spent cock sensitive and raw. 

The urge to swallow his spend is strong, but your need to listen to and please Joel stands stronger. You keep it all in your mouth, cheeks bulging out a little with how full they are.

Joel, still breathing heavily, bends over you so he can inspect your warming checks and watery eyes, you look completely wrecked and he loves it. He hums in delight seeing you patiently sitting beneath him waiting for his next instruction.

He reaches over the table to where you were sitting before leaning down closer to you again. His thumb and forefinger reaches out and takes a hold of your chin, tilting it a bit higher.

“Did so good for me sweet girl, but I need you to do one more thing for me, okay?” He whispers, his warm and inviting eyes making you melt further into the floor.

You nod in response, watching his other hand come down in front of your face, opening up to reveal your pills. He softly demands you to open your mouth, to which you oblige, before carefully placing the few pills into your cum filled mouth.

He tilts up chin so your mouth closes and seals your lips with his thumb, before moving his hand to the side of your jaw, rubbing soft circles over your cheekbone.

“Okay, I'm going to need you to be a good girl and swallow that for me.”

You give the best soft smile you can muster with a mouth full of cum before you begin to swallow Joel’s cum in small amounts, your eyes fluttering close in concentration.

 “That's it…. Good girl. Swallow it all, baby. Don’t wanna waste a drop do ya now?” He encourages you, eyes transfixed to your throat swallowing all of his cum and the pills.

The pills going down so easily you didn't feel them shocks you, as you open your eyes to a smiling, starry-eyed Joel looking down at you softly. A wide smile mimicking his, spreads over your face, before you open your mouth to reveal it, now empty, to Joel.

He reaches down to pick you up from your armpits, placing you on his lap again. You giggle as he places lots of kisses all over your face and nuzzles his nose into yours.

“I’m so proud of you my sweet, darling girl. Did so good.”

“Thank you, Joel.” You coo back, sighing softly with relief and happiness over your achievement.

“Guess we know now how to get you to swallow your pills every morning, don't we baby?” Joel teases you, holding you close to his chest as he kisses your temple.

“Indeed we do.” You reply, giggling, before resting your head on Joel's warm and sturdy chest, basking in the love and warmth of your lover.

***********

[spiderfreedom]

the male gaze distorts reality

started watching movies again (just don't like movies really) and one thing that surprised me was how the male gaze isn't just about staring at hot naked ladies, but how it distorts reality. the male gaze creates 'people' and 'situations' that simply don't exist.

the biggest example to me is the femme fatale. the devious woman using her sexuality as a weapon. whether the trope is a blonde bimbo bubblingly bouncing her boobs, or a sophisticated older brunette casually letting the strap fall off her shoulder and threatening to reveal her bust, they are different incarnations of the same concept. the women are knowingly using the sexual desire of men against them.

i watched a particularly egregious example where a group of women were sent to seduce a group of men, hanging off their shoulders, caressing their chests, with the promise of further sex if they came to another room. the true purpose was to humiliate them by getting them to disrobe in front of other people.

when i was a kid watching these scenes, i was convinced that this was a real thing women did - there were women out there who knowingly used their sexual appeal to get men to do things they otherwise wouldn't. it had to be such a recurrent trope for a reason, right? it even shows up in movies for children - remember the hot pink pegasus seducing hercules's pegasus?

but as an adult, i find myself confused watching these scenes. i've never seen anything like this happen. i've never met someone who says they do things like this. it's one thing to be flirty and dress in a sexually attractive way to get free drinks, but it's quite another to be so sexually forward to 'deceive' and 'trap' men. not to mention, it's... dangerous. if the man even believes he's being deceived, he can turn violent. it's a foolish move.

maybe the only real life example I can think of is honeypots. but honeypots are actual spies, trained by governments, and spies are selected to have less empathy than the average human being. do we really think that among untrained women there are so many seductresses with the skill of trained spies?

"what about sex workers/prostitutes?" while the honeypot spy is employed by a government agency, prostitutes are paid by the very people they are "seducing." prostitutes have to put on an act - they need to pretend to be the sexually active and perpetually horny woman men both want and fear. but most prostitutes are not like this; they are in it because they need money fast, not because they think fucking strange men for pay is a sexy and desirable career path (fun fact - read the diary of madam pompadour, the most famous courtesan and the embodiment of aristocratic seductress, and you will find she actually did not like having sex with the king and dreaded it. not even our real life courtesans can live up to our fantasies.)

the entire idea of a woman using her sexuality against men is simply a male fantasy - and the flipside is that it's a male anxiety, too.

men wish that women would approach them and find them desirable and initiate sexual intercourse with them, without the men having to do any of the work. there's nothing inherently wrong with fantasizing that a hot person finds you so special and hot that they want to have sex with you right away. men and women of all sexual orientations entertain these secret fantasies.

but then, there's the fear - "what if these hot women are actually only pretending to be interested in me, to get something from me? and i'm too horny to think straight and i actually give it to them?!" and that is the male anxiety, that for a moment, they actually end up losing the upper hand. despite the fact that such a situation is actually pretty rare in real life (I asked several male friends if they had personally or second-hand encountered such a situation in real life, and none could say they had), it is a common trope in fiction. it is especially lascivious in film, where the seduction before the fall can be portrayed in softcore porny ways.

"this is a foolish idea, everyone knows fiction and reality are separate." well, we know they are separate, but do you know which parts? if you don't already know the facts of the situation beforehand, how can you tell when fiction is lying to you and when it's drawing from reality? do you think the young, sexually inexperienced kids watching disney's hercules know that 'seductresses' aren't a common threat when we watch this scene? or will they learn and think "ok, a thing that happens in grownup life is that hot ladies seduce men, and you gotta watch out for them!" what basis does a child or even a teenager have to know this is false? especially when this is a common trope?

"women are sexually available and active - and deceitful" is a harmful trope. when you read about the ancient greeks stereotyping that women are lustful, they don't mean it in an "aww shucks, these girls just love having sex!" kinda way, they mean it in a "women are unfaithful and will use any means to get dick, including taking advantage of their hotness" way (this is why 'whore' is the ultimate insult for women). because if this trope were real, then it would be dangerous, wouldn't it? honeypot spies are dangerous for this reason. luckily for us, it is not real, but the male anxiety surrounding it continues. the male desire/anxiety around it informs porn tropes about 'punished sluts'. it informs incel tropes about the 'cock carousel'.

and this is what i mean when i say the male gaze distorts reality. it fabricates, out of whole cloth, a person that does not exist in any meaningful way - a woman who seduces men while demanding no emotional involvement, who is eager and willing at all times, who can turn the very desire for her existence against those men to get what she wants. she is not repulsed by or afraid of the men she pretends to be attracted to. before, we had to content ourselves with art and novels glorifying this false woman, but film allows her to exist in flesh and blood. cast a real woman, have her speak words and move her body in ways dictated by a man, and suddenly she appears much more real. grow up with enough of these, and even women writers can start to think these "seductresses" are real people. she can try to reclaim her and turn her into a badass boss babe, or she can condemn her as immoral and pathetic, but the deception is complete - the argument is no longer about whether this woman exists (she does not), but about whether she is justified in her ways. the female writer does not realize she was nursed on the male gaze for years, and it will take serious seeing with her own eyes to realize what is the real world and what is male fantasies and fears.

[wickedsmille]

de-aged!Jason and it's tim's problem

Warnings for Jason being a wee little bean (sort of), Tim's super stellar skills with teenagers and the lack of any kind of editing. I wrote this and abandoned it so long ago but discovered it and was like aw, ok, s'kinda cute. :v

It's a tame gen fic with platonic cuddles and vague mentions to Jason and Tim's not so fantastic childhoods.

So. *vague hand wave*

He has ample reason to freak out because -

-------

“No. No way.” Tim is freaking out. 

“Who the fuck are you?” Jason demands. 

Except, it isn’t Jason because Jason is over six inches taller with over a hundred pounds of extra muscle. Jason is nearly Bruce’s size, not some long limbed, gangly teenager just starting to grow into his shoulders. Granted, the surly scowl and inner fire is all Jason, as is the narrow eyed suspicion. So is the far too large leather jacket and armor hanging off him and the domino barely holding on. It’s a small blessing he’d forwent his helmet for patrol. 

“Your worst nightmare,” Tim replies automatically. 

Realizing the inappropriateness of what he’s said, regardless of his always wanting to say it, makes him grimace because, yeah, for a while he kind of was Jason’s worst nightmare. They’ve slipped into something approaching civil co-workers since Jason decided to invade Titans Tower to test him via a vicious beatdown but they are nowhere near take care of each other after a magical mishap territory. 

At Tim’s words, Jason drops down lower into a fighting stance and squares up with Tim, unafraid and ready to brawl even if Tim is obviously trained because only the rare few decided to go out at night in a costume and mask without the skills to back it up. And Tim is bigger than Jason. By maybe an inch but he’ll take it. It’s still a victory considering adult, not magically de-aged Jason is a behemoth. 

Waving his hands frantically, Tim amends his previous statement. “That came out wrong.”

“How does ‘Your worst nightmare’ come out wrong?” Jason spits.

“Okay, tell me you’ve never wanted to quote a movie in the middle of a fight,” Tim shoots back.

Jason seems to chew on Tim’s words before he loosens up and stands though the tension refuses to leave and the wariness remains. “If you make one wrong move I’ll smack the shit out of you.”

“Been there, done that,” Tim says as his mouth gets away from him again. 

“Wait, what?”

Later, when he’s alone, Tim is going to bang his head against a wall and smother himself with his own pillow. He can’t <i>wait</i> so long as it makes him forget the misery that is this moment in which he can’t keep his mouth shut and he has a teenage Jason Todd staring him down like he’s crazy. Which, fair. None of the Bats are sane, per say.

“What do you remember?” Tim asks tiredly.

Jason chews over his words, coiled tight and still ready to strike. His gaze roves over Tim before he finally says, “I am. Was? Robin, I think. But I was just living on the street. So, I don’t,” Jason trails off, unsure. 

“So you remember some stuff from being Robin and some from before that but not everything?” Tim guesses.

Nodding hesitantly, Tim fights the urge to slap a hand to his head. Why not make things more complicated by not only taking years off Jason’s life but also jumbling the memories he does have? Tim doesn’t mind. This is perfectly fine. Without going over each detail, there’s no way to accurately tell how much Jason does or does not remember. It’s clear he remembers being Robin but not moving in with Bruce. The two things are so closely linked, it doesn’t bode well for what other holes are in Jason’s mind. But it’s fine. 

Tim decides not to say anything else and runs his hands through his hair. It’s a good thing Bruce isn’t in town, JL business as usual these days unless one of the big name Gotham Rogues starts causing trouble, or he’d be all over tiny Jason. There is one other plausible candidate to stick on Jason Duty. A candidate already in Gotham and primed for endless cuddles and forced bonding sessions since his newest victim is spending a few weeks respite at the Kent Farm. Dick is going to be ecstatic.

Reaching up, Tim turns his com back on and pretends like Jason doesn’t flinch. “Nightwing?”

“RR,” Dick greets cheerily. “What can I do you for?”

“I’ve got a situation.”

The shift between Dick the Brother and Nightwing the Protector is stark as he asks, “Are you in trouble?”

Hesitantly, Tim hedges, “Well, not <i>me</i>, but. You’ll want to see this. Meet us back at the Cave in twenty.”

“Us?”

Tim clicks off the com and mutes it. Sure, it’ll drive Dick up a wall to not know what’s going on but Tim doesn’t feel like getting badgered into telling the whole sordid tale of Red Robin and Red Hood getting bested by a two bit magician with a splintered down piece of wood and a pointed hat. Embarrassing would not even begin to cover it so he doesn’t fancy having anyone else drop into the conversation, Barbara.

The lesser of the two evils is obviously to let Dick stew in the knowledge that Tim is safe and whole but hiding a secret. There is no other possible resource. None that would save Tim’s already wounded and dying pride. 

“I’m not going anywhere with you,” Jason tells him harshly.

Tim fixes him with a flat look. “I’m not dealing with this, your brother can so you can either come with willingly or I’m tossing you over my shoulder and you’re still coming with.” How crazy is it to think he could easily carry Jason.

Jason tries to stare him down but Tim cocks a hip, crosses his arms and waits patiently. Eventually, Jason relaxes by inches. 

“Something happened to me, didn’t it?”

Tim can’t help but roll his eyes no matter how unfair it is to Jason since he can’t remember. “No,” Tim replies sarcastically, again knowing he’s being unfair but the universe started it by getting him into this mess. 

“You don’t need to be a bag of dicks.”

“You don’t need to use such language, young man.”

Jason looks like he sucked on something sour as he crosses his arms and hunches his shoulder inward. There’s a faint dusting of pink over his cheeks. It makes Tim feel a little bad. As far as he can tell, Jason is fifteen again, which sends a pang of hurt through Tim’s chest with the implications, which means he has all the false bluster and bravado that comes with being a teenager with the added bonus of being hypersensitive to embarrassment and criticism. He should stop being such an ass. 

Heaving a sigh, Tim waves Jason over as he turns his back and starts making his way down the alley to where his bike is parked. Hesitantly, Jason follows but his steps quicken as they draw near and he gets a look at Tim’s bike. The resistance is gone and replaced with awe as he circles the machine despite Tim swinging his leg over and mounting it. Patiently, like a saint, he allows Jason his moment of wonder. It is a beautiful work of ingenuity and power. 

Then the seconds drag out. Looking over his shoulder, Tim raises a brow and shrugs a shoulder towards the back of his bike. “So, I did tell Nightwing twenty minutes.”

“And the longer I keep us here the faster you’ll have to drive,” Jason replies without missing a beat, bent over and inspecting the anti-locking mechanism on the back brakes.

Tim grins, small and dangerous. “Alright. I’ll give you a couple more minutes.”

He gives Jason more than a few minutes because he knows the streets are empty and he can safely push his bike faster than he would without an excuse like chasing bad guys or coming to someone’s rescue. It took some coaxing to get Jason on and even longer to get him to wrap his arms securely around Tim but, once they had set off and Tim ran his third red light, both of them settled in for the too fast ride. Midway, Tim decides to show off and skid through a particularly sharp turn. It’s a flawless maneuver and Jason shows his appreciation by whooping loudly.

Tim does it again once they reach the cave. This time, he drifts into a narrow parking spot between the Batmobile and Nightwing’s bike. Jason’s arms tighten around him as they skirt the edges of the Batmobile by millimeters and he doesn’t let go even after they’ve come to a stop and Tim has killed the engine. Eventually, Tim has to pat Jason’s arms to get him off so Tim can breathe properly again. Jason promptly scrambles off at that. 

By the time Tim is turning around to face the main part of the Cave, Dick already by their side with a worried furrow to his brow. He blinks once at Jason, looks at Tim, blinks again at Jason then melts. 

“Oh my gods,” Dick says softly. He looks delighted and Tim does not envy Jason who’s eyeing him critically.

“When did you get so old?” Jason asks unkindly. 

Dick throws a hand over his heart and actually looks slightly offended. “Wow, okay, so I’m not <i>old</i> -”

“Yes, you are.”

“And, wow, I forgot how much of a little shit you were,” Dick finishes fondly. 

Jason bristles and looks like he wants to shove his hands in his pockets but the armored cargo pants are hanging too low for him to manage it without looking ridiculous. 

To make up for his earlier mistakes, Tim cuts in to take pity on Jason. “Turns out the guy we were chasing was the real deal. I assume you can give Zatanna a call and handle it?”

Together, Dick and Jason both ask, “You’re not sticking around?”

Tim glances between the two of them, bewildered. “Uh, no? I get enough second hand teenage angst from Damian.”

Jason doesn’t look happy about it but Dick does. He nods amicably and smiles widely. “That’s alright, I volunteer myself as tribute.” 

Without warning, he moves towards Jason with his arms raised and posed to envelope the teen in a patented Dick Grayson Hug. Swiftly, Jason side steps him and slides behind Tim so he’s blocking any other attempts Dick might make. Some of Dick’s joy falls but he looks undeterred as he lowers his arms and doesn’t move forward again. If Tim weren’t hanging onto some old hurts still and feeling petty, he’d feel a little bad for Dick. 

Tim shifts, trying to edge his way over to the computer so he can type up his report and be on his merry way but Jason gets closer and follows him like Tim’s shadow. The entire time, Dick keeps staring. The longer it goes on, the more Jason scowls at him. It is hilarious and, were Tim a casual observer, he would have burst out laughing long ago. As it is, he’s an unwilling participant in Dick and Jason’s detente and caught in the middle as Dick barely restrains himself from draping himself over Jason while Jason looks more and more like he wants to kick Dick in the nuts. 

Pointedly, Tim sits down in the computer chair which leaves Jason nowhere to go. He sticks by Tim’s side regardless, eyeing Dick who has followed them like a puppy waiting for a treat. Cuddles with his younger than normal little brother being the treat. 

There’s quiet for a few blessed minutes before Jason asks awkwardly, “What’s your name? I didn’t get it before.”

“You never asked before,” Tim says absently as he starts to write up his report. His fingers may go a little faster than usual in an attempt to hurry his escape. “But it’s Red Robin.”

“Like the restaurant?” Tim doesn’t have to look at Jason to know he’s judging. He can hear it.

“Yum,” Tim says flatly. 

“And,” Jason starts. Tim can make out Jason shifting awkwardly. “What about your real name?”

Tim cuts a glance Jason’s way and takes in the frown, the hardened edge to his eyes as they look between the Cave and Tim, the uncertainty. He shouldn’t feel guilty. He doesn’t. It’s not like he did anything wrong. But Jason didn’t either. The wannabe mage got lucky and it could’ve easily been Tim drowning in his uniform and overwhelmed by the way everything has changed from what he remembered. 

Looking back at the computer and continuing the report, Tim caves and answers, “Tim. My name is Tim. I was the Robin that came after you.”

“So this,” Jason pauses to wiggle in his armor, “was my idea when I passed on Robin?” Tim looks to see Jason giving the guns hanging from hips a dubious look. Right, he probably should have taken away the firearms.

There is so much wrong with what Jason said and has left unsaid. In no universe does Tim want to volunteer himself to answer. No amount of cutting edge tech, unlimited Zesti or epic W&W campaigns could make him handle this conversation. 

Tim searches for Dick who’s apparently made himself look busy at one of the closer work benches. His hands have stopped tinkering with the grapple gun he’d been poking moments ago and his back goes rigid. No matter how miffed he is with Dick, he doesn’t have the heart to make him handle answering Jason either. Lying is an option. Lying is a fantastic option but Jason deserves more than that.

Carefully, Tim settles on, “Yes, all that was your idea. You didn’t really pass on Robin but I don’t think we should get into it. I hope you’ll trust me and leave it alone for now.”

The silence stretches on between them, broken up only by Tim’s typing. 

“Okay,” Jason eventually answers. “Don’t get me wrong, I trust you about as far as I can throw you.”

“Let’s not test that.”

“What if I want to?” Jason asks cheekily. 

“Then we’ll see how far I can toss you,” Tim tells him simply.

“Oh, it is on, Tim.”

“Like Donkey Kong,” Tim agrees. “Later though. I’m trying to finish this and then I need to leave.”

“Didn’t peg you for a cut and run kind of person.”

“More the strategic retreat kind.”

“Sounds like you’re scared,” Jason goads him.

Tim spares him an unimpressed frown. “Don’t think I don’t know what you’re doing.”

Jason smiles, sincere and cocky. “Is it working?”

“Hardly,” Tim drawls as he puts the finishing touches on the report.

He stands to leave once he’s saved and exited out of the file. Immediately, Jason’s hand shoots out and grabs Tim’s wrist. Surprised, Tim looks at him and doesn’t fight the tight grip Jason has on him. 

“Don’t leave me with him,” Jason mutters.

Tim looks at Dick who has the audacity to plaster on an innocent smile while leaning casually against the workbench. He can see it now. As soon as he leaves, Dick will be all over Jason. It won’t be the regular, suffocating attention Dick focuses on a sibling when he zeroes in on a member of the family. Oh no, it’ll be a hellish combination of guilt and excessive affection to make up for time lost and amend mistakes years in the past. Tim pinches the bridge of his nose just thinking about it. 

“Why don’t I drop you off with Alfred?” Tim counters.

Jason brightens but he doesn’t let go of Tim. “Alfie’s here?”

“Indeed,” Alfred says primly from his spot next to where the Cave connects with the manor. “Master Tim, why don’t you help Master Jason out of suit while Master Dick and I see to finding him something more suitable to wear and finishing dinner?” Alfred says it like a question but it’s far from it. 

Dick starts to protest but one look from Alfred has him clamming up. He scurries over to the lockers at Alfred’s prompting to change and shower before coming up where he’ll be waiting. Dawlding is strongly discouraged. 

Tim can recognize when his plans to flee have been thoroughly foiled. Looking Heaven-ward to plead the universe for mercy, Tim spins in the chair to face Jason. He looks a little terrified so Tim smiles gently. 

“He’s right. It can’t be comfortable wearing that and I’m familiar with the security measures built into the suit. Is it alright if I help?” Tim asks him first. Slowly, Jason nods and Tim watches as he swallows hard. Tell you what, why don’t I take the guns and I’ll walk you through everything else?” Tim offers.

“Oh gods, please,” Jason says quickly. His mouth snaps shut after, the flush on his cheeks moving up to the tips of his ears. “I mean, yeah, sounds good.”

Tim bites his lip to keep from laughing and silently disengages the security on the holsters and slips it off. He instructs Jason on how to do the same with the rest of the armor. He keeps his voice level and void of any condemnation or coddling as he does so. Surprisingly, it’s mostly painless. At least on Tim’s part. Jason looks about ready to bolt which Tim gets it, he does. The whole thing reminds him of school locker rooms and playing catch up on social norms in the worst setting possible.

That mildly traumatizing experience over with, Tim slaps his thighs and stands. “Why don’t we grab something to eat and get you into something less,” Tim stops and waves his hand at Jason but doesn’t continue. 

Even the compression shirt and pants underneath the suit are too large on Jason. He frowns down at the clothes and says sourly, “It’s not my fault I grow up to be a behemoth.”

“True,” Tim concedes. Again, they’re skating the edges of an endless rabbit hole he doesn’t want Jason to fall down. While he seems to be handling the situation well, no doubt prepped by Bruce for all manner of insane contingencies as a part of his training, Tim doubts a recounting of Jason’s death would go over as well. “Clothes and dinner then?”

“I’m not a kid so don’t treat me like one,” Jason snaps. 

“Stop looking like one and I will,” Tim counters. “I’m going to go change but you know the way up if you don’t want to wait.”

Although Tim isn’t expecting Jason to still be in the cave by the time he’s dressed down in sweatpants and a t-shirt after a sorely needed shower, he hurries through his usual after patrol routine. Just in case. The foresight turns out to be fruitful since Jason is meandering around the Cave, pausing to examine something he doesn’t recognize. When Tim comes out from the locker area, Jason’s head swivels around. 

This time Tim has no plausible reason for Jason to blush but blush he does as he looks over Tim. Deciding to ignore it, Tim finishes drying his hair and lets the towel sit around his shoulders. He nods towards the exit up to the manor. 

The trip up is uneventful. Alfred appears beside them as they emerge from the Cave and holds out a neatly folded pile of clothes. Jason takes them gratefully and ducks away to the nearest bathroom while Tim makes his way to the kitchen. With so few in the house, it’s rare they sit down in the family dining room and, as he anticipated, Alfred has dinner spread out on the nook tucked away in the corner of the kitchen. The food looks delicious, smells delicious, but Tim’s itching to leave and he knows, if he sits down with everyone, he’ll get wrangled into staying. 

From behind, Jason appears once more and Dick follows after, hovering as one does when their little brother has been demoted to extra tiny little brother. Jason, for the most part, takes it with grace by giving Dick only one heated glare over his shoulder. Jason comes to stand before Tim then Dick falls into line too. He descends on the food, plating it up and chattering away. Tim indulges him, hums where he needs to and answers any questions Dick throws his way, but Jason stays quiet. 

He doesn’t make a move to grab any food for himself which is not Tim’s problem. Jason has shown he remembers living in the manor, being Robin and Bruce’s son, so there’s no reason he can’t help himself. Tim leaves him to it so he can dig around in the pantry for one of the energy bars he knows he squirreled away in the back when he moved out for exactly this situation. As he’s shutting the pantry door, victorious with a couple bars in his hand, Jason is looking at him. He’s eyeing the food in Tim’s hand then looking at Alfred’s spread like it’ll bite him. 

It takes a second for the pieces to click together but Ra’s doesn’t call Tim Detective for no reason.

Sidling up to Jason’s side, he holds out one of the bars which Jason takes hesitantly. 

“I get it. I can grab more if you want,” Tim tells him kindly. 

Jason looks ready to beat him with the protein bar as he hisses, “What would you know, rich boy? Don’t think I haven’t noticed your Bristol accent.”

“Packaged food is safe, right?” Tim asks him rhetorically, his voice cold. Jason’s comment rubs him the wrong way. “Don’t have to worry about something being in it or being spoiled. Hard habit to shake when you fall back on old conditioning.”

Jason flinches back. 

“Hey, you guys coming?” Dick asks through a mouthful of food from where he’s seated at the table.

“Nah, neither of us is very hungry,” Tim lies smoothly. “We’ll probably grab a couple snacks.”

Dick looks upset about the change in course, frowning around another forkful of food. Like magic, Alfred sweeps into the room before Dick can protest. 

“Perhaps retire to the sitting room? I can have an assortment of snack items brought in. I dare say a calm night in would do this family good.” There’s a knowing glint in Alfred’s eye.

Remembering Dick’s propensity for cuddles and Jason’s resistance to it, Tim bumps Jason’s shoulder as he says, “What do you think? Or do you want to pick?”

“Library, I’d prefer the library,” Jason says automatically.

Alfred smiles without smiling. “Very good, Master Jason. I’ll bring a few things up to you and Master Tim if you’d like to go get settled now.”

“Actually-” Tim tries to interject. Jason will be fine. From what Tim’s learned, the library is Jason’s safe space, he’ll have food to eat and he’ll have Alfred to help him through. Tim isn’t needed. He’s not even sure why he’s being so nice.

It’s not them. With no idea on how to overcome the bad blood between himself and Jason, Tim hasn’t tried to repair their relationship and Jason hasn’t made any effort to either. Really, Tim should’ve left Jason to Dick and Alfred back in the cave. Putting his foot down would’ve had him gone already, sitting in his nest and ordering pizza while going over his active cases. 

But Jason looks so lost. He’s fronting, falling on the familiar anger and confidence he’s always had. He’s regressing back into a mindset more befitting the streets now that he’s so uncomfortable and likely feeling cornered. It’s so unlike the Jason Tim knows. Jason’s always been full of piss and vinegar but this softer version? It makes Tim’s heart hurt a little but in a way he can’t ignore. 

Like Jason has read Tim’s mind, his hand wraps around Tim’s wrist again and he pulls him out of the kitchen.

Leading them into the foyer and up the stairs, with his back to Tim, he asks, “How did you know? About the food.”

Taken aback by Jason’s aggressive exit and his new role as a tow-along, the truth slips out. “Uh, my parents. They left me alone a lot and forgot sometimes about the groceries. I got sick a couple times from eating spoiled stuff so I stuck to non-perishables.”

In answer, Jason grunts. “That’s fucked up.”

“My therapist agrees.”

“You have a therapist?”

Tim laughs. “Of course not. What respectable Bat does?”

When Jason laughs with him, it shakes loose something warm in Tim’s chest. He shakes away the feeling as Jason pushes into the library. Once they’re inside, Jason releases him. He doesn’t move right away, instead choosing to stand and survey the room.

Working on another hunch, Tim walks past Jason to a closet tucked away in the corner. Throwing the door open, he gatherers as many of the pillows and blankets inside as he can fit in his arms, kicks the door shut and dumps his haul on the bay window overseeing the back gardens. He arranges it all to make a comfortable looking nest. Once done, he nods in approval and gives himself a pat on the back. He cracks open the window as a finishing touch and presents his handiwork with a flourish.

“Easy exit, sight lines to all access points and extra pillows perfect for relaxing,” Tim says. Jason stays locked looking at him so Tim raises a brow. “Are you going to grab a book or stare at me all day?”

Jason jolts out of whatever trance he’d fallen into and quickly says, “Yeah, yep, I’ll go do the book thing with the reading.”

Tim smiles fondly as Jason trots into the shelves to retrieve a book. Tim can hear Jason as he searches for a book. The sounds are not encouraging. There’s a lot of murmured curses, grunting and frustrated growls. Once more, Tim resigns himself to helping out Jason. It doesn’t feel as much like a chore anymore.

“Issues?” Tim calls.

“They’re all 1st editions!” Jason yells back. “Who does that?”

“Give me a second,” Tim hollers back. 

Because Tim had a hard time leaving well enough alone as a kid, he knows Jason’s old room has several well worn copies of Jason’s favorites. Ones that could get thrown in a fire and he’d be out a couple bucks to replace it, cheap copies he can use over and over again till the pages are fraying and the spines have separated. Tim picks the lock on Jason’s old room and grabs a couple of the most worn down paperbacks. A young Tim may have been armed with curiosity and a lack of boundaries but he didn’t go so far as to read Jason’s favorites. Definitely not. That wasn’t a thing. 

Back in the library, Jason has settled into the seat of the bay window. He holds out the books to Jason who takes them and inspects each. 

“Are you a mind reading meta or something?” Jason asks him suspiciously. 

“No, nothing like that,” Tim replies.

“So someone just fucked you up real good like me?”

Grinning ruefully, Tim shrugs. “I like to think I turned out alright.”

“Yeah, you did.” Jason clamps his mouth shut after his off hand comment and his face goes red. Suddenly, he’s a lot more focused on the books in his hands than talking to Tim.

Tim’s not touching that with a ten foot pole but it’s still amusing. He settles on the floor, content to wait for Alfred, snacks and the excuse that it’s getting late so he can slip away guilt-free.

“You’re seriously going to sit down there?” Jason eventually asks to break the companionable silence between them. 

Seeing a possible out, Tim responds, “I can go somewhere else if you’d rather be alone?” He doubts it since Jason has imprinted on him or somehow deemed Tim a safe person and latched on but a man can hope.

When he looks up, he meets Jason’s eye. The blush is back in full force. “No, I don’t like being alone,” he admits grudgingly. 

The something warm in Tim’s chest is back again, stronger than before. It makes his brain soupy, or it’s the exhaustion and need for sleep. Either way, Tim tells him, “Neither do I.”

“So get up here,” Jason demands. Very pointedly, Tim looks at the bay window and the distinct lack of space to fit an extra person. Aggressively opening one of his books, scowling at the pages, Jason mutters, “Just fucking get up here.”

When Jason hops out of burrow of blankets and points at the window seat, Tim figures he can humor him. What’s the harm, after all? If anything it proves the point that although it is incredibly comfortable with the way Tim layered the blankets there’s no way they could both fit. He spreads his arms wide to encompass the fact that there isn’t enough room for them to share. 

The humor drains right out of him as Jason steps up to the window, his expression twists together in a curious mix of angry fear and climbs into Tim’s lap. Tim would like to amend that. Jason awkwardly climbs up into his lap. Actually, it is super awkward. 

Tim’s so stunned by the forwardness of the actions that all the words he wants to push past his lips get stuck and die on his tongue. 

Like this is any old day and not what’s shaping up to be one of the weirdest days of Tim’s life, Jason scooches over as far as he can till his back is pressed against the window. He’s half turned towards the ceiling but tucked tightly against Tim’s side. It’s not cuddling, not really with Tim’s arm pinned between them and Jason doing his best to squeeze back so they don’t touch even though it’s unavoidable. It is tangentially related to cuddling though. 

Jason starts reading. Tim starts staring at him blankly.

“You’re shit at cuddling,” Jason grumbles.

As if Tim’s brain couldn’t break anymore, here comes a teenage Jason to bulldoze over the semblance of a higher thinking he’d been able to scrape together. With his mind officially offline, Tim’s mouth takes the wheel.

“I haven’t had much practice.”

Taking Tim’s arm, he pulls it out from between them and sits up enough he can get it around his shoulders. Once satisfied, he grabs Tim’s other arm and drapes it around his chest as he lies fully on his side. He even nuzzles into Tim’s chest then goes back to reading.  

What.

“My mom used to cuddle me like this,” Jason whispers, eyes never leaving the pages of his paperback.

How is Tim supposed to handle that? He is not equipped for this. They have officially bumbled, dived head first, into things better handled by Dick. Or Steph. Or Cass. Not Tim. But is he mad about it? He has to stop and think about that.

Tim tightens his arms and scoots down a little to get into a more comfortable position. He’s no expert on cuddling but it seems like something that can take a while. Until Jason is back to his fire-fed-gasoline attitude, Tim can deal with this, he decides. He’s already caved to every other whim Jason has had, has helped him feel more centered when his entire world has shifted, so he may as well stop fighting it so much and get it over with before Jason gets the chip back on his shoulder. It’s like ripping off a bandaid. 

Sleepily, Jason asks him, “You keep watch, yeah?”

Patting his arm, Tim hums, “Yeah, no worries. I’ll be the look out.”

[c-rowlesdraws]

So my dad is a chef and Ratatouille is his favorite Pixar movie. Less for the story and more for the attention to detail they put in keeping a professional kitchen true to life. The whole "anyone can cook!" motto of the story was kind of undercut by Linguine just...not being a good cook? But there's more to a kitchen than just the head chef! A restaurant, a kitchen can't function without EVERYONE doing their jobs. Even dishwashers to keep things clean and sanitary are critically essential; the person who just chops up the vegetables is a simple job but is crucial when there's a a metric TON of onions that needs prep. And is that not cooking? Is everyone working together, cooperating, keeping people fed and happy what it's all about? Linguine wasn't a good over a stove without Remy, but we saw by the end he was a good waiter - that's important too. A great side arc while Collette learns to re-love her passion as a chef is teaching Linguine that he isn't defined by Gusteau's legacy, and not being a *chef* wouldn't mean his contributions to a restaurant aren't valuable either. It would be a great dual 'finding / refinding yourself' arc for both of them!

“The whole "anyone can cook!" motto of the story was kind of undercut by Linguine just...not being a good cook?”

YEAH OKAY like… my biggest problem with the movie was how confused the message seemed to be. Like— “anyone can cook”, that’s a great smaller message, you can be an okay home cook and not a ✨chef✨ and that’s still cooking, that’s still something to be proud of; and another interpretation of that phrase spoke to the main message of the film: “anyone can cook”/“a great artist can come from anywhere”, as in, you can have the potential to achieve your dreams no matter how humble your origins are. But all that was undercut by the film, for some reason, needing to emphasize that some people are doomed to mediocrity even with the best teaching— I remember feeling like, “wait… what?” at the end of the film when the voiceover said, “not everyone can be a great artist” as the camera focused on poor Linguini. It seemed unnecessarily mean of the movie to separate people into, as it seemed to me, people destined to be singular “great artists” and those destined to fail. After having learned more about Brad Bird and his ego, the confusion of the message makes more sense to me. But yeah—back then and especially now, with my professional bakery and kitchen experience as an adult, I don’t like how a movie about a restaurant, where teamwork from top to bottom is essential and “rockstar” chefs are usually red flags, seemed to conclude by celebrating the idea of the singular genius artist.

I feel like it’s also worth pointing out that animation studios, like restaurant kitchens, make art through an incredible amount of teamwork, so it kind of hits extra dirty for me that this army of creative people were directed to produce a story about a similar workplace, where the message wasn’t really ultimately about teamwork or valuing each person for their own skills and contributions, but about how one little special guy ascended to being the bestest specialist guy of them all.

Also YEAH like. Head chef whatever, important position, makes the Big Decisions and is very cool and etc, but good luck running service without anyone doing prep, taking out trash, or washing the dishes. Everyone, especially the head chef, knows the success of the entire damn kitchen rests on the shoulders of the guy in the dish pit.