#movie overture

[whaleiumsharkspeare]

Guys I went to Target today and I was expecting to hear the usual retail store Christmas music but they were literally playing the entire Wicked movie soundtrack

[lucythornwalter]

We don’t judge Misty enough for listening to the 2004 movie’s overture when she kidnaps Jessica

[psy-kylo-gy]

Finally, Act V Day 3 of A Day in the Life of TchaikovsKYLO Ren! Our favorite messy boy has at last renounced the dark side and reclaimed his true self: Ben Tchaikovsolo! Surprises await for both him and his headstrong waifu who is challenging Emperor Ovaltine all alone. Reylo chaos ensues but can love save the day?

Catch up with the entire series here

Well first off I'm so sorry for the wait on this, I had it 99% finished since 2020 but just lost the heart to post it during Covid and my subsequent depression. I really wanted the people who love this series to know that I haven't abandoned it, and the finale is mostly done as well and I'm so excited to bestow Reylo with a GOOD ENDING they deserve.

As always, I want to dedicate this to some special folks who've motivated me and given me such kindness and patience over the years. I'm SO grateful for the love and support and I really hope you enjoy this one, Ben is (of course) a lot of fun: @pandoraspocksao3 @blackeyedlily @violet1979 @missrenaeann-blog @maryloki3000 @fangiosfriend

[peachyjareth]

daylight | Phryne & Jack

I made my first phrack video! I absolutely adore these two.

[herbofgraceandpeace]

You can say what you like about the Lone Ranger (2013), and fair enough, you probably should, but Hans Zimmer’s soundtrack SLAPS

[allygatoor]

bad news the worst person you know just watched wicked and has plans to see it at least 2 more times in theaters

[variousqueerthings]

what's this? another movie with an overture?

that's right it's...

[llycaons]

not a controversial opinion I just don't like old movies

[dolcesuono]

also.... justice for s.alieri like. go listen to 'les danaïdes' and tell me the man couldn't write a bop i dare you

[crispychaoscycle]

Boosting Mirrormask and Sandman Overtures! both are so surreal and dreamlike! I'm obsessed!

What other Neil Gaiman work might you like?

The biggest thing to know about Neil Gaiman is that each work of his is a mixture of horror, fantasy, and subtle comedy.

That being said, each of his projects is pretty distinct from one another and there might be some that are more up to your tastes than others.

I haven't read some of his newer stuff (because I largely stopped reading as much since the early 2010s), but I'll do my best to remember what matters in other works.

Horror

The Sandman is a great work for horror fans. It's also great for mythology fans and other nerds, but horror is a major push and pull factors.

The comic is probably the greatest body of work Gaiman produced and it's recommended if you're a goth at heart and are comfortable with themes of death and humans being gods' toys.

The Sandman (TV) is a great adaptation, but it's very short so far and doesn't cover the best stories.

Coraline is a horror story for children. It doesn't have anything that's not suitable for kids, but it can be viscerally scary to some people. Both the book and the film are great.

Mirrormask is my personal favourite, it's a low budget film with mindblowing surreal imagery and one of the best soundtracks ever.

It's about a teenage girl who has troubles with her parents (who run a circus, btw) and who gets swiped up by her imagination into a bizarre world that is being eaten by her depression. Not a scary film, per se, but it's disturbing. However, it's a very warm film and it always makes me feel better.

Fantasy

Neverwhere is set in a dimension of twisted London Underground where everything that's straightforward in our world becomes weird and too real.

It really tickled my imagination, I highly recommend the book.

Stardust is set in a more high fantasy setting.

It features kings, witches, ghosts, and a star that fell to the Earth. It has a young protagonist who's not exactly the best or the brightest person, so if you hate such things, stick to the adaptation. In my opinion, the book is just lovely.

American Gods is a darker fantasy that asks the questions: "What if every god people ever believed in became real through the power of their worship? And then what if that worship started fading?"

It's set in the USA and because that country is such a melting pot, there are many gods. And not all of them are happy. This is the book that gave Neil Gaiman his reputation of a writer who loves weird sex scenes.

Humour

Stardust the film is often compared to Princess Bride. It's lighthearted, funny, full of imaginative adventures.

Just a very nice film with an all-star cast.

Anansi Boys is a spin off of American Gods, but it's a lot more lighthearted.

Anansi is a trickster god, so you know things will get funky.

I haven't read The Graveyard Book and The Ocean at the End of the Lane yet, but I hear they're very good as well.

Also, short story collections or Norse Mythology might be a good place to start if you want to get a feel of Neil Gaiman as an author first.

[onetruechromosome]

Name me another film with an overture.

[bitchycasenthusiast]

what if i got the when harry met sally “when you realize you want to spend the rest of your life with someone, you want the rest of your life to start as soon as possible” ending speech permanently tattooed on my body

[tylermcnamer]

During the start of my keynote speaking career across the country, the way teachers, professors, and doctors would introduce me would end in "working on a screenplay" after mentioning the book, Population: ONE. At that time, I was working on a screenplay, but it was for an assignment during a college course involving screenwriting; Mainly took it just to learn something new. Professor Aaron Drane (creator of the series, Fear Clinic, and close friends with Robert Englund) wanted me and the rest of the class to take the writing extra seriously in hopes of getting these ideas into further production. I did not feel qualified for my little story. What I had planned was about a teenager wanting to be noticed by his dad who watches TV all day, so he travels to Hollywood, works his way to be a superstar, and hopes he'll be on TV so his dad can watch him. That was what I had in mind, until I realize I wasn't the best at screenwriting; It's an entirely different kind of writing compared to books. Read the other students' work and they were so much fun and had far greater potential. Ten years later, I wrote in my notebook a new story after learning what makes a very good story thanks to the college course. I have concluded that the more limitations a protagonist has, the more satisfying the victory is for the hero. Originally intended to be my third book, but chose filmmaking through animation because I have always loved a good challenge. Once this full-length motion picture is fully complete, I'll feature it in my own personal theater with an audience of one.

[watchmewhirl]

couldn't have said it better In fact, this felt like our generation's Rocky Horror. We dress up, it's better to go with a group, we bring props from the game (shoutout to the broski who left the picture of Markiplier on a railing), it's encouraged to shout and squeal at the parts we know and make noise in a theater. It breaks the rules of going to the movies in the same way; you get more out of it from being allowed to make noise and interact with the others there who are also in the know! This is our communal experience and we're enjoying it as a community!

I keep seeing critics talking about the fnaf movie being poor but i literally isn't for them. I saw someone else saying the movie's a love letter to the fandom and i WHOLEHARTEDLY agree.

This is how i took it: We, the fans, are Anton Ego, the critic from Ratatouille; the ratatouille was special to us because it was our childhood. I hate ratatouille (the food), but to Anton Ego it was everything. Critics don't like the fnaf movie because they only have the movie as context, but to fans, the fnaf movie is everything and we love it even though it's a little cringey. In fact we love it BECAUSE it's cringey in some cases.

Like no new viewers would get the chica's magic rainbow part, or the MatPat reference, or the whole ongoing bit about Dream Theory sucking, or understand how hype the whole ending part was.

I was lucky to be in a cinema full of fnaf fans, and we were cheering and laughing, and screaming at the references. People got up when the movie ended and SAT BACK DOWN when the living tombstone came on. We shouted the letters of the code, and screamed when Matpat said his line. People clapped and cheered at the end, and people were crying at the parts where they were treating the animatronics with love and affection.

No critics would understand how much fans want to interact with the animatronics in a positive way, or understand how much importance the five seconds of its me on the mirror means in implications of the lore. They wouldn't understand because they haven't been waiting a good part of a decade to see this movie. They came, they saw, and that's it, it was a second of their life, but to us it was everything. This is our ratatouille, made to impress us, not the other people in the restaurant. This was our movie, a love letter to the fandom, not the critics.

I like the changes to the story, because it puts us back at square one. We're fumbling to rearrange lore and timelines. We have to rearrange names, and start with a blank slate, and it feels like a homecoming where to critics, it might feel a little messy.

We've been given a chance to start the journey all over again and i fucking love it so much. Because i'm an adult, and all of a sudden, i'm twelve years old again and we're trying to figure out if phone guy is chica, and struggling our way through whatever the fuck was happening in fnaf 3 to get the good ending. The critics don't get this.

They don't understand how hype the midnight motorists reference is, nor did they care about the references on the chalkboard. Or the code at the end, or the song choices, or the lore implications. They don't understand the sudden lore drop of william afton, or the way he's acting, but we do. They don't understand the vengeful spirit, but we do. Nothing is explained to the audience, because we don't need it to be explained.

This is our ratatouille, and we love the rats in the kitchen.