#moulder

[fefuckability]

Sacred Stones Qualifier 1

Feel free to reblog and comment with your reasons!

[feletida]

Waiting for the rest of the party

[glowfangarts]

Bat-rat

There is an awful lot of drawings I dont post because they're 'not finished' or 'not polished' but then I realized that kind of sucks because they're still really good. So today I put an end to that! The idea was a Moulder/Eshin rat themed after Lustria So we have a vampire bat-rat!

[thecatfortress]

Clan Moulder Packmaster

[fe-smashorpass]

[doolittle-alley]

New icon commission from @mirensiart that I adore! Time for IS to remember my boy exists.

[are-they-in-heroes-yet]

Moulder...

Is not in Heroes yet...

[ultimafangirl]

Today's character who makes me smile is

Moulder

Makes me smile 74/?

[wynngwynn]

8x10 Inch Watercolor Molder

[mouldering-casket]

[manderley]

John Moulder-Brown in Ludwig (1973)

[vilkalizer]

Yeah‼

Daily drawing practice day 443 (6/16/23)

Moulder the boulder

[koilarist]

So I may or may not have gotten a little carried away with some Fallout creature designs that have been bouncing around in my head for a while...

[glowfangarts]

I was working on a homebrew clan before I learned Clan Spittl was a thing and ended up with several Lizard/Lustria themed Moulder rats So Have a gator rat

[atissi]

had to watch the new Folding Ideas video twice, read all of the comments, watched Lady Emily's video, watch an AVGN video for the first time (sorry i'm gen z), failed to get through Wavelength (1967), read a bunch about Wavelength (1967), and read through a bunch of Twitter comments, but i think i'm finally understanding the artistry in "i don't know james rolfe"

narratively it's dan olson revealing the rorschach test of media analysis, i.e. there was no way for him to critically analyze james rolfe's career without revealing all of his own obsessions and insecurities, just as james rolfe reveals himself through his film and video game reviews. this concept is lampshaded by the highlighting of Wavelength (1967), an extremely minimal and obtuse film that engages with the idea of inattention — meaning that bored or negative responses to the work are still responses to the theme. which is cool.

and it's cool that criticisms of dan olson's video include people upset that he hyper-focused on specific elements of james rolfe's life and not other, arguably more important elements, such as the Monster Madness controversy or james's time in special ed — almost as though the character of dan olson is cherrypicking aspects of james rolfe's life that are the most personally wounding to him. aspects that expose dan's insecurities relating to filmmaking and failed dreams, expressed through the vessel of AVGN.

but meta narratively, the video becomes a rorschach test for the audience — your response to the video reveals your own obsessions and insecurities in how you relate to dan olson. why does someone find the video mean-spirited? why does someone else think the video is self-serving? why do I feel so awkward watching dan attempt a deeper, more abstract creative work?

where does dan olson end and the character of dan olson as a media critic begin? where do you as an audience member end, and YOU begin?

it's projection all the way down

[borgialucrezia]

"I thought he was an extraordinary looking man. Helmut is a wonderful actor. He looked like Ludwig, and I think he was magnificent in the part. He was, at all times, charming to me. We went out together." — John Moulder-Brown